#he won't know what to do with it all lol

[supemaeve]

It's funny, you know, of all the people here, I've known you the longest. Sometimes it just seems like you're the only person I can lean on.

[babacontainsmultitudes]

So it was established in the last episode that Taylor still believes in Santa (tbh I wouldn't be surprised if it's come up prior to this ep too but anyways-) so... Do you think (saint) Nicky been has portalling in every year since the betrayal to sneak in a gift for his son amongst the pile? That Cassandra doesn't even notice because it's just one among the many many presents she herself has bought and wrapped? But every year without fail... Taylor gets one gift that simply says "from: Nick" and well, obviously that has to mean it's from Santa (a conclusion which Nicky expects him to come to, and why he can sign his name at all, though he misses when he could just write "dad"). And one year when he's still quite young, a sleepy little Taylor actually catches Nicky in the act, and Nicky wishes more than anything that he could just *stay*, but instead he only softly tells Taylor to go back to bed, and Taylor thinks that Santa is a lot younger and a bit sadder than he expected, but what's he gonna do- not listen to Santa Claus? So he smiles meekly at the man he does not know to be his father, and hurriedly heads back to his room.

Also yes of course Nicky eats the fucking cookies left out of course he's not gonna pass up on free cookies (which are home-baked to top it off) come on that's a given.

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[carltonlassie]

[thatonecrookedsmile]

"There's nothing wrong with dreaming. Wishing for the impossible is just human nature. That's how I got started. Just a pencil and a dream. We all want everything without even having to lift a finger. They say you just have to believe. Belief can make you succeed. Belief can make you rich. Belief can make you powerful. Why with enough belief, you can even cheat death itself. Now that... is a beautiful, and positively silly thought." -Joey Drew.

[OPEN YOUR EYES]

-Line-

-----

I mean, at the end of the day, he wasn't so wrong about that last part.

This one also took a little longer to finish. I wonder why /s.

I usually don't like drawings where I have to create a design for a character I've never drawn before. It ends up making me force myself to come up with ideas and sometimes I end up not liking the design anyway. At least this time? That didn't happen (thank goodness).

At first, I didn't know what to do for this prompt. What I originally conceived was a more "joke" drawing with Joey and Sammy, with Sammy literally drawing the line between him and Joey with a big pencil. No big deal, right? But then the phrase "end of the line" came to mind and then… this happened. Funny. A while back I had an idea for a drawing about Joey's afterlife. The idea was much simpler, from what I remember. And compared to what we have, quite different.

"Death" is what came for Joey, and it's what comes for everyone. What he faces is nothing less than what will determine his fate. It is the very Arbiter itself - the eye that sees all - who decides where souls whose lives are over will go. The heavenly gates in the great beyond? The burning flames in the darkest pit? The void of vast nothingness? Somewhere else beyond? Reveal your soul and the Arbiter will decide. I have a certain guess as to where Joey is going, but I'll leave that up in the air.

Maybe I thought just a little bit too much about a character that I probably won't draw in a long time,but i don't mind giving a little lore even to characters that i don't see using much in the future, you know.

(Also, since I used Joey's audio log from BATIM CH3 in the beginning, did you know that Dave Rivas (Joey's current VA) did his own reading of that audio? He's going to be a guest on the Indie Horror Talk Podcast, and the video they posted teasing Dave's appearance there has him reading this same audio log, only with his Joey voice. So now we have Joey's first audio log in the series voice acted by both his first VA (David Eddings) and his current one. I thought that was cool, you know. I found this out a while back and wanted to talk about it for a sec.)

(Alt. without the text):

[bbyteach]

AAUGHH MY GD HEART

source

[cranberrymoons]

.

[imminent-danger-came]

Between

2x08 S: "As long as I'm doing something to help out a friend, I don't mind what it is! I just want to be there for 'em when they need me. Because at the end of the day, helping my friends is more important than anything in the world!"

3x03 Mei: "So wait, how did you get your gold vision back again?" MK: "I don't know! The same way I got them in the first place I guess. Every time I learned a new ability, it was because there was something I NEEDED to do, when there was no other way. Against the gold fish guy I NEEDED to do something to save my friends!" P: "Yeah, friends that YOU put in danger on purpose!"

3x10 MK: "NO! Mei is my best friend, I’d never abandon her when she needs me. We’re heroes! It’s what we do!",

3x14 MK: "A perfect world is what you make it. So as long as I have my friends by my side...this world! Is! Perfect!”

4x01 MK: "Honestly? I’m kinda liking the world as it is, right now. So...if it could just stay like this, forever? That would be awesome." SWK: "Yeah well...forever’s a long time bud...trust me."

4x02 AL: "It’s too late to save them! We can’t risk unleashing the curse into the world." MK: “You don’t know! We’d risk it for sure! I won’t abandon them when they need us."

4x07 IMK: "You can see it, can't you? This is your fate. Your friends will turn on you, seeing you for the monster you will become. They will destroy you, harbinger of chaos."

4x11 MK: "We have to try, he'd do the same—for any of us." and

4x14 YT: "I know full well what would happen should Azure fail. But- but he is my brother. I owe him my life." S: "We get it! I'd do anything to help my friends. But at the cost of the world?" P: "I'm sorry pal, but NOTHING worth that price!"

I'm like, really worried scoob.

[carefulfears]

what do you consider the heart of californication? like really carries through the series & makes it compelling

thank you for this question, i really love it. to me, it's a number of things, starting with that the show cares deeply about hank and takes him seriously in a way that the culture doesn't. in a way, yes, he's their dog and pony show with the funny one-liners and the salacious pull. but the arc of the series is unequivocally aligned with him and his desires and his needs and his values.

hank wants to be with his family, wants to be better for them, wants to not let them down- and the show needs him to fail at all of those things. for the dog and pony of it all, for their viewership and for their thesis and for the food in their mouths, but it simultaneously feels bad that he is failing. simultaneously knows that this isn't what he wants, and that it's sad. and it can be as simple as a dream sequence or a look or a quiet final scene, but every single episode is ultimately going to remind you that everything you're laughing at is a loss.

which, like i said at the top, speaks to a level of respect that the show had for the character that is just gone in discussions of the series. they take the time to recognize that he is missing something. he is losing something and he is without everything that means anything to him, this is the cost. equally important, duchovny respects that character and understands the same.

i was listening to an interview last night (trish you heard this) where he was speaking with some podcast dudebros and one of the hosts said that he always wanted to be just like hank moody, and then he made some "bad decisions" and got there, and he doesn't like it. and duchovny said that every time people come up to him saying "i'm just like hank moody," he says "i'm sorry."

men watch and they want to be just like hank moody and women watch and they want to fuck hank moody so bad, and all of you miss what the source comprehends: that it's an irreparable deficit.

other than that, i feel like what roots that show is that it really isn't all that cynical. not in the way that it could be. and the show believes in hank.

there is a lot of kindness and hope (often false hope) that runs underneath most every relationship and interaction and dynamic in the series and i really really appreciate that about it. it's like in the pilot when hank is being mean and he wants marcy to yell at him and she just says "go home, honey. sleep it off. tomorrow's another day."

there's always a little bit of understanding and grace amongst the crazies and i think there's something really special about that

[sysig]

Chill, Sub-Commander (Patreon)

[bredforloyalty]

okay what i meant when i said that even the copious amounts of blood didn't satiate me in particular is that the dead wife/nemesis thing was never something i was eager to see explored, just because i think it's something a lot of male characters get? to go through? the ooh i'm so tortured someone took something from me and now i can't help but turn into a monster while i'm on this quest for revenge and being smothered by grief ough i might kill them even or others in gruesome ways and then realize i'm still just as empty

because, i think men often feel the role they must take on as a man or as a father (especially the latter) is a burden, a huge one, where they aren't allowed to sit back or let go or forgive to their own and everyone else's detriment.. and i understand why there is demand for the same type of stories or story elements or arcs, and why they work, and this same overall theme can be present in a story where it's dealt with in an interesting way or where there's love and care involved in the writing process and the characters don't feel like "man pain machine #48" and "generic sensitive character who will cradle mr. man pain's bloody face in their hands (when we want to end this arc and show how good and lovable he actually is)"....

idk i'm just saying it's not even a specific problem i have with male characters that avenge their families or seem like they're defined by anger or by a traumatic event, i do think it can be written lazily and that we've seen it so many times it's a bit worn-out now, but i wouldn't be quick to generalize. it's just that, since we've seen this before (and that's partly why they poked a bit of fun at themselves when in rickmurai jack, rick's dead wife backstory was revealed).. to me it's one of the least interesting aspects of rick? and yet it's clearly important to the writers and they felt they had to tackle this part of his character, really emphasize his unfinished business, or treat it like something that must have a conclusion

for me though, rick's brand of fucked up and evil wasn't compelling because something deeply fucked up happened to him and there's a lot to deal with there and that's cool, it was more compelling to me (iirc) Before knowing much about his past. tbh. i recognized him already, he felt real, his worst side was familiar because a man doesn't need a whole event to become controlling and cruel when dealing with his family... social norms and umm systems sort of already operate within the framework of the patriarchy, i think it's built into our collective ideas of society, concepts of gender and family and the rules those come with.. i liked that about rick, that why he was an asshole wasn't detailed, there was no easy explanation for the way that he was, he just was. and every time they chose to drive home that rick's defined by losing his original family to his own alternate self and that he was still chasing this one guy, it was like, well i thought there were so many other components as well to why he turned out to be who he is. i liked it more when it was mundane, because that's what i see around me, that abuse is rather mundane. and i'm much more interested in the harm he's directly inflicted on his current family and how his past might affect his current life, what might haunt him. so i guess i never wanted prime to be taken care of, each week i find myself thinking that i just want it to be rick and morty and their messed up little relationship up close and personal again

[sagau-my-beloved]

I got Faruzan, and I also had elegy, I was going to use elegy on Venti but he has a r3 stringless that has high EM. I feel bad for giving her his bow I was trying to save for him, but the only reason I got her was to make him and Scaramoche stronger!

I hope he isn’t mad at me 🥲

😬😬😬

Mad probably isn't the right word, not like he could ever truly be mad at you of course, but maybe concerned fits better? You're not thinking of investing more into her than him right?

He's a bow user too! He's got wayyy more experience with a bow that she does you know. Ha, someone who claims to be a century old or so? Try 26+

And don't think he's forgotten about our dear Scara there, you're not thinking of switching over to the shiny new anemo user, right? Honestly, it's his element, he shouldn't be one to discard so easily

You're in the clear for now, of course your choices are always absolute and he respect them no matter what, but he might just have to prove how he can perform even better with a simple 4 star bow that that nice pretty decked out limited time 5 star one, you wouldn't bench him then right?

[fragmentedblade]

Jingliu tells Yanqing "your zealousness inhibits your ability to hide your line of attack". This is something at what Jing Yuan excels

[sskk-manifesto]

Atsushi's back in the game!!! ۶( ˆ o ˆ )

[r0semultiverse]

WAIT- is this one of the alternate timelines created from the space-time sword ("Shintō Amenogozen")!? 👀

I'm an anime-only bsd enjoyer & ever since that damn sword popped up after Atsushi & Akutagawa killed him on the boat but he was able to erase/undo(?) that timeline, I've been thinking that technically means there's multiple timelines. This would be the one where Fukuchi won that conflict we just saw or something else entirely is going on given the way he's dressed (if that even is him)! 👀👀👀

[babacontainsmultitudes]

[just venting a bit into the void you understand you understand 😌] Lately I've been feeling very caught between "I have a lot of thoughts on Sparrow and Normal and all that with the ending and teen talk and feel like I need to get them out and voice them for my own piece of mind and resolution" and "I am lacking the strength and energy to actually sit down and write it all out and kind of really just want to fully move on to other things (AUs, fics, anything else)" but my brain can't seem to commit to either and that's quite frustrating cause it's just left me very restless. *Sigh*. Idk! Just needed to complain about that a bit ig, it's silly but this is what has been ailing me as of late.