#he's so in like its adorable

[seiwas]

cw: pro-hero bakugo, reader has boobs, kind of explicit/nsfw? idk i describe boobs, reader is smaller and shorter than bakugo, unedited sawry

bakugo's muscle tee looks as ill-fitting as it'll ever be draped over you.

there are reasons for this, perfectly founded and logical reasons for why that is—the main one being that, it's, well, his; two, maybe even three sizes larger than what it should be to fit you properly.

but, he can't stop staring, and there are reasons for that too—the main one being that, it's his, and yet, the only way he can ever imagine it now is when it's being worn by you.

your hips sway to the song you've been humming for the past five minutes. it's the same one, the chorus on a perpetual loop. he's sure it's the only part you know; you do this often enough that it's the only part he knows now, too.

the hem of his tee hits right at the top of your thighs, concealing just enough to tease, but he’s confident that if you reach up even the slightest bit for the cupboard overhead, there'll be nothing to hide.

he feels a little bit like a creep like this, watching as he stands in the middle of your shared living room, but it's impossible too look away—you've got to be doing this on purpose, right?

heat flares inside of him when you turn your body ever so slightly, the armhole of his muscle tee large enough to give him the clearest view of skin—

he gulps.

it's smooth, sloping just right; the side view of your under boob curves into its perfect shape and he can imagine it, feel—

(is this considered perving if he's been with you for years?)

the pan in front of you sizzles as you plop in god knows what. you pour in something from the side and wait, one hand propped on the hip you pop out. then, you pick up the pan, attempting to flip what's inside (probably a pancake, now that he thinks about it).

it’s hard to focus on what you’re cooking though, especially when all he sees is plump flesh jiggling, bouncing as you further agitate the pan.

he just got the pants of this suit readjusted, and now they're fucking tight.

bakugo normally runs hot; it’s kind of part of his dna. but this warmth is different, flushing him from head to toe. it creeps up the side of his neck, painting the tips of his ears a blooming red.

you turn around then, plopping the pancake on the plate atop the counter behind you.

"oh! you're done," you greet him with a smile. so. fucking. casually.

as if your tits aren't fucking peaking against the gray fabric of his tee.

as if you think he buys the fake innocence poorly concealing that sly, conniving look in your pretty eyes.

as if you aren't standing in front of him in his muscle tee, wearing nothing underneath it like you didn’t do this on purpose. like you don’t know what it fucking does to him.

his eyes squint suspiciously, deep vermillion staring straight into yours.

you tilt your head, the tips of your lashes kissing the top of your cheekbones as you blink. you reach for a bottle of honey.

“everything okay?” you ask, voice syrupy, sickeningly sweet.

your movements play in front of him languidly, the corner of your lips curling up slightly as you smirk. honey catches on your finger as you pop open the bottle cap.

he’s supposed to be out the door in five minutes if he wants to make it in time for a meeting at the agency. technically, he should already be there if he wants to keep up his track record of consistently being fifteen minutes too early.

but you start to approach him, rounding the kitchen island. there’s a narrow space between him and the slab of marble, but you slide into it like it was made for you.

he’s certain it was, from the way the tip of your nose brushes against his as you tiptoe. your tits are right fucking there, brushing against the skintight material of his suit.

there’s too much fucking fabric if you ask him, between cotton and spandex.

your grin widens, and he feels hot, the heat from his cheeks radiating.

then you whisper, still saccharine, “breakfast is ready,” before kissing him on the lips lightly. a short peck, soft in the way that promises more before you slip away, giggling in your retreat.

he huffs, watching you leave. his feet shift as he thinks.

five minutes, huh?

like hell he’s going to eat these damn pancakes for breakfast today.

[ikemengoessbrrrrr]

Crossover but only 12'Leo with the Rise bros

*Mom mode activated*

[rambles-about-minecraft-ocs]

one of my favorite things about zedaph is that on a server full of people that find strange and oft-overlooked minecraft mechanics or rare events and then see just how far they can push them in the name of spectacle or efficiency or world-breaking, zed is over here finding these mechanics in order to do the weirdest things he can think of in as entertaining a manner as possible

like i 100% have faith in zedaph's theoretical ability to be just as efficient or spectacular or world-breaking. if he wanted to do that stuff, i trust that he absolutely could. but thats so far from being his priority. instead, hes going to spend around a week of irl time focused entirely on eventually having the good luck to spawn in something insanely rare so that he can convert it into something even rarer, the result of which being something that 99% of the server reacts with complete and utter shock that it even exists in the first place, just because its zany and funny and he wanted to. and i love that

[justaz]

merlin’s secret being a visual thing. when he is around arthur or gwen or leon or morgana or [insert whatever character here] merlin seems pale and thin, almost like a ghost or an apparition. when the sun lands on him he reflects it like a corpse, he eyes seem dark and dull. he has this ethereal beauty to him, this otherworldly visage that leads many to believe he is of fae blood. he just doesn’t seem to be 100% human. but when he is ONLY with lancelot or gaius (cough or gwaine bc gwaine DEFINITELY knew) merlin is heartachingly human. merlin shines in the sunlight, colors are brighter and more vibrant around him, and his smiles are wide and his laughs are boisterous. he takes on color and leaves everyone wanting to know him. but when other join in or interact with the two, merlin shifts before their eyes so quickly and suddenly that they aren’t sure whether or not what they saw was a trick of the light. the idea still leaves them wanting more and wanting to see the merlin who is just so full of life but that merlin only appears for a small select group of people. merlin who has a guard so high that it has an effect of other’s perception of him.

[hraeesvelgr]

so.. costume epsilon, huh?

[kacievvbbbb]

honestly you would think Rayleigh gave birth to shanks the way they are just exactly the same person right down to their alcoholism, penchant for scheming love of sandals and other generally horrible fashion items.

In a world where Mihawk meets Shanks first, he later goes to challenge old man Rayleigh and it all starts to click into place. like "oh you're the reason I'm stuck with that" point to Shanks wearing an outfit a pattern blind person put togther.

[filipinoizukuu]

fun fact about togame, his voice actor also voices a jojo character named "Weather Report" (you see where i'm going with this?)

i want to believe that the one singular contact number in sakura's phone is not in fact his piss poor attempt to use a phone, but rather a well-kept secret point of contact between him and one certain togame jo. after the showdown with shishitoren and the rooftop celebration, togame and sakura remain... curious about each other. it starts off surface-level enough. togame wants to find a way to repay his debts somehow -- keep an avenue available to someday prove to sakura that he isn't so lame anymore.

he's eternally thankful to sakura for snapping him out of whatever fugue state choji's mistakes put him in and wants to actually befriend sakura because of it. make sure he hasnt changed and all. meanwhile sakura contemplates it, because umemiya WAS right in the grand scheme of things and he did somehow "communicate" with togame in their fight. he wants to keep talking to togame, sort of. learn all the things he couldn't gather with his jabs and kicks. so they both find themselves at the tunnel a few days after the fight as complete coincidence.

its complete fate they ran into each other without meaning to, but togame wastes no time in warmly greeting sakura and chatting him up. night begins to creep up and at that point sakura knows they've gotta start getting home if they both don't wanna start shit sitting out at night on territory boundaries while wearing their respective recognizable uniforms. he's hesitant to pull away from the conversation though and togame seizes the opportunity to ask for sakura's (barely used) phone and write himself into sakura's contacts. (he doesn't even have a password btw)

"Wow~ Not a single person on here, Othello-kun."

"Hah? What th' hell would I even need it for? If I need something, I can just go ask in person. None of that slow, boring texting crap."

"You really live life too fast, haha. What if it's too small for the effort? Or you can't come find me in time? Shishitoren territory is quite far from Furin's campus, after all."

"What would I even need'ta ask you that isn't urgent enough to come here, scraggly?"

Togame simply laughs under his breath. "Anything you can think of." he hands the phone back to Sakura, screen lit up with a single new contact under the name 'Weather.'

That's stupid.

The older boy continues to tease Sakura. "Call me to ask about the weather, if you really can't come up with anything at all. I promise I'd pick up; it's the least I can do for you after everything."

They part ways, and even if neither of them mention it -- Sakura keeps this encounter close to his chest. Thinks about it when his classmates make fun of him for it the very next day, even as he says nothing and lets them tease him. With 5 new names in his list of contacts, he remembers to go home and scroll to 'W' and asks about the weather tomorrow. Asks a whole lot of other things too. All until he falls asleep.

(He never changes Togame's contact name after that. Not even months later, stranded on a bridge and staring down an army of enemies and another black-haired tall douchebag to humble. What will the weather be like tomorrow? Clear motherfuckin' skies, baby.)

[not-equippedforthis]

H: can i wear...sunglasses and ear defenders?

W: yeah, wear whatever you want, mate.

H: ...fine.

W: hmm ^^

deadass what if i just started crying

[usertoxicyaoi]

"Good job."

TAIKAN YOHOU (2023). Episode 3.

[stormofdefiance]

True knowledge exists in knowing you know nothing || Dr. Ratio & Socrates

Okay, I legitimately laughed out loud writing that title, but listen. LISTEN.

Ratio's inspirations derive from many sources; from referencing Archimedes's brain-blast in the tub, to being doomed to have his head bonked by Newton's apple ad infinitum in his idle animation, to his ultimate line ('esse est percipi' / 'to be is to be perceived') a direct quote from Berkeley on Idealism - it's apparent that his design nods towards scholars across time periods rather than being a direct parallel to a singular academic.

Nevertheless, just for fun, I've been rotating Ratio and ancient greek philosophers around in my head and have had a great time chewing over how parallels Socrates in particular. I am in no way saying that Hoyo even thought about Socrates while they were designing Ratio, but I thought I'd share my thoughts. I think there are some worthwhile parallels to be drawn that touch on all aspects of Ratio's own philosophy regarding ignorance, the value of knowledge, and his deep appreciation of life. So, let's get into it.

Ratio is interested in humanity and curing 'ill minds with knowledge', that 'to turn a blind eye to the folly of others is not an etiquette, but a wicked worldly practice.' Ignorance is a disease - this is a concept that can be viewed through a Socratic lens. Socrates believed that that virtue and knowledge were impossible to separate from one another, and that virtue could be developed through acquiring knowledge and insight. If knowledge is virtue, then ignorance is vice. In Socrates's mind, no one would rationally choose to do something bad. People might choose to do bad things, but this is rooted in their own perception of the world - as in, someone would only choose to do something bad (for the world, or for themselves) because they believed (erroneously) that it was the right or good thing to do. To Socrates, the cure to this was knowledge: 'There are two kinds of disease of the soul, vice and ignorance.' & 'What does most harm in the world is not sinfulness but ignorance'.

To Ratio, 'If ignorance is an ailment, it is the duty of the scholars to weed it out and heal the universe'. He views his own ignorance as 'filth' that must be cleansed through methods such as reading. He also views knowledge as a method for humans to overcome their problems - 'Another day has passed. If your problem still hasn't been solved, is it possible the problem is you?' & 'You look distressed. Is something troubling you? if so, you can figure it out for yourself.' These statements sound harsh, but they also clue us into Ratio's philosophy - that through self-examination and improvement, one can overcome one's ailments.

Socrates was also known for being a trouble-maker, he was abrupt and tactless and did not care for someone's social standing nor decorum. He was also known for using what is now called the Socratic method, asking a series of questions that ultimately seek to show contradictions in the beliefs of those who posed them, and to move systematically towards a hypothesis free from contradiction. Socrates rarely made assertions himself - after all, he had no wisdom of his own. But he could interrogate others in order to expose their own foibles, much to the embarrassment and annoyance of those around him. He was once described as a 'gnat' chewing on the 'lazy horse of Athens', causing it to wake up and spring to life due to his persistent gnawing and prodding. Ratio also employs the Socratic method - 'I'm asking questions' - and also adopts sophist tactics such as playing devil's advocate and taking opposing sides (with both himself as seen a story quest, and with others as we see with his texts urging us to take up a side so he might debate us). Through questioning and interrogation, upsetting what we consider social convention and norms, we can dispel contradictions and thereby come closer to some form of truth.

To add to this - as highlighted in the replies below - Ratio’s skill ‘intellectual midwifery’ is a reference to the Socratic method. The idea being that Socrates helped those around him give birth to the knowledge that was already within them, rather than treating his students minds as empty vessels for him to fill with his own answers. Again this is beautifully echoed in Ratio - he doesn’t want to tell you how to live your life, he wants you to work out for yourself what it is you need, thus empowering oneself through self-examination and questioning.

Socrates did not believe in writing anything down. He believed that face-to-face communication was a far more effective way of communicating knowledge - which means, unfortunately, what we know of Socrates is primarily derived from secondary sources. Much of what we know about him today comes from Plato's dialogues, and Plato was known for liberally exercising artistic license.

Although Ratio is not dead, I find it interesting that his character story is told exclusively through secondary sources. To quote - '…There are no less than eight documentaries detailing his legendary exploits, and over a dozen memoirs about him. However, despite the plethora of commentaries, none of them seems to provide a compelling perspective.' It's as though there are no surviving fragments penned by Ratio's hand and all we have to go on is through the lenses of other people. This challenges us, perhaps, to try to think about our own interpretation of Ratio since secondary sources cannot be taken as a wholly unbiased account - and once again employing the Socratic method and empowering the reader to come to their own interpretation.

While Socrates left no writing behind, he was interested in spreading knowledge. Socrates spent most of his life in Athens, a city that was, during his lifetime (~470-399 BC), a hotpot of scholars, wisemen and philosophers. Athena, the Greek god of wisdom, was named after the city - her symbol the owl that is also appropriately perched on Ratio’s shoulder. Also in Athens at this time where the sophists. The sophists were a class of intellectuals who were known to teach courses in various subjects - but often for a high fee, and generally centred around the idea that persuasion and the use of knowledge as a tool was more important than wisdom or truth itself. There's some debate about whether Socrates could be characterised as a sophist himself, but, crucially, he is characterised as refusing to take payment for his teachings. He was born a plebeian (perhaps you might describe it as a mundane background.) He was known to dress in rags and go barefoot, speaking to and (often antagonising) people from all walks of life, preferring the marketplace as a center of debate than palaces or courtrooms. I can't help but think of the sophists as similar to the genius society (or at least Ratio's depiction of them in contrast to himself), cooped up in ivory towers and gatekeeping knowledge to the most privileged. He doubts if Herta's talent is always helpful to others, he compares Screwllum to a 'monarch'. Then again, the sophists may in fact be a bit of a parallel to the Intelligentsia Guild - from Ratio, 'when someone is willing to listen to knowledge that is being disseminated and circulated, a price is created'.

Socrates (or at least the Platonic depiction of Socrates) was at one time declared the wisest man in Athens by the Oracle of Delphi. Socrates balks at this assertion - how can he possibly be the wisest man in Athens when he in fact knows nothing at all? This was not a claim made of modesty - he truly believed that he had no wisdom, that he was unsure what 'wisdom' itself even was. Ultimately, Socrates concludes that the only way that the Oracle could be correct is that by actually acknowledging that he knows nothing he paradoxically is the wisest man in Athens. All wisdom, therefore, is rooted in wondering, with wondering only possible if one is open to admitting one's own ignorance.

What I love about all of this in relation to Ratio is that Ratio styles himself as a mundanite. The Intelligensia Guild advocates that 'all knowledge must be circulated like currency' and accepts 'all beings… who seek to learn'. Ratio has no time for the satisfied self-styling of intellectualism, he himself states that 'to speak knowledge, we must first make people realise their own folly.' No one is above criticism in this regard, even himself - again, to quote 'Whenever someone agrees with me, I feel like I must be wrong.' Again, I feel as though he would resonate with Socrates here: 'Smart people learn from everything and everyone, average people from their experiences, and stupid people already have all the answers'. With Aventurine, he is quick to mock his appearance as over-the-top and vapid - once again making it clear his distate for vanity and hollow displays of showiness (albeit he may have been acting for Sunday's sake here. Also, no comment about this coming from a man who runs around in a toga, lmao) Equally, with Aventurine, it is clear that Ratio is willing to learn from him - he apologises when he offends, he abhors his methodology and yet he still relies upon it and trusts in Aventurine's plan, he is drawn to him in some ways precisely because he is so different to himself. Aventurine (at least styles himself) as impulsive to Ratio's slow and steady methodology, Aventurine whose learning has been entirely self-made vs Ratio who has spent his life in classrooms, Ratio who scoffs at Aventurine's favourite games of chance yet adds slot machines to his simulated universe. And to Socrates, the experience of aporia – in all of its discomfort and disruption – is the very catalyst of wonder, and that wonder was not just the root of wisdom but also the way to live a good and happy life. There is something beautiful in this to me, and this extends to Ratio. Ratio fundamentally cares about life. For all his brashness, his lashing out against 'idiots', his harsh demeanour - he wants people to live good lives, he wants to contribute to the good of humanity - all people, even those he is annoyed by, he cares so profoundly and absolutely about life. The entire reason why he is obsessed with wisdom and learning is not to exalt or elevate himself, not as some kind of ritualistic expression of piety towards a deity, but it is instead an expression of devotion towards life itself. Ratio has a strict work out routine not so that he can show off his body, but because living healthily is living well and working out is a component of that. Even the way he fusses and worries about Aventurine, someone he is pointedly irritated by, reveals how deeply his care runs. So so much of his character is centered on caring for life, even if it is not immediately obvious.

Finally, I'd like to highlight some ways in which Ratio is not like Socrates. First of all, Socrates was repeatedly described as 'ugly' by fellow philosophers Plato and Xenophon - this is contrast to Ratio being repeatedly described as 'handsome'. This is an interesting subversion to me (albeit likely an indulgent one) as in both cases both men attempt to distance their physical appearance from the weight of their words. Ratio wears the bust for many reasons, but way to view it is that he is attempting to stop his appearance from bearing any influence in the subject of debate.

Socrates was also said to be blessed by a divine touch, and as we know, this is something that agonises Ratio as Nous has not yet turned THEIR gaze towards him.

Lastly, Ratio has - thankfully - not yet been ordered by the state to drink hemlock for all his trouble-making and blustering. Though perhaps he may someday be put on trial by the IPC if the theories that he is working alongside Aventurine to undermine the corporation are true - we will just have to wait and see.

Thanks for reading my little ramble. I'd be super interested in anyone's thoughts if they'd like to share, but regardless, I'll leave off on some of my favourite wee quotes from the Rat man:

'Even a life marked by failure is a life worth living - it is only in moments of solitude and despair, when help is absent, that fools grasp how to pick themselves up.'

'Do stay alive. I wish you the best of luck.'

[the-acid-pear-art]

JACK DOODLE COMPILATION I really like him. I think I can finally say I figured out how to draw this guy. One less to go 💪

[kerizaret]

I love it when Tsukasa drops the serious act and indulges Emu's silly little roleplays

[justaz]

arthur has always been suspicious of the tavern excuse for merlin’s absences, but he has no proof on the contrary and when confronted merlin either tells him outlandish tales of near death experiences that have no chance of being remotely truthful or he admits to and apologizes for slacking on his duties to get drunk. one day, he decides enough is enough and he and all the knights go to the tavern with merlin and arthur casually brings up merlin’s history in the tavern and says he could probably beat gwaine in a drinking contest. merlin tries to divert the discussion away from the idea but arthur is determined. they receive a round of drinks and arthur pushes a pint of ale into merlin’s hands with a look of challenge. merlin’s options are to either commit to the lie to hide his secret or admit to the lie and risk exposing his magic. he takes the former. merlin gives lancelot a Look and then slams back the pint of ale with a minor bit of gagging and pauses to breath. gwaine already finished his pint thirty seconds ago but its entertaining to watch merlin so he doesn’t say anything.

merlin (built like a twig, rarely drinks, lightweight) is proper sloshed. arthur is almost vindicated but he needs merlin to admit it. he orders two more pints and gives one to gwaine and the second to merlin, instigating the competition further despite the fact that gwaine won already. merlin grimaces and tries to do the same thing again but only gets a few gulps in before he folds. he slams the mug down and gives arthur a kicked puppy look before admitting and apologizing for lying. arthur is Vindicated. merlin is still wasted.

the nights wears on and merlin feels the effect of the ale more and more every minute that passes. he sits between arthur and lancelot and feels almost unbearably warm but that could be bc of the alcohol in his system, or the crowded tavern. merlin looks around and watches the people that pass their table by while the knights talk and joke and laugh amongst themselves. merlin feels relaxed and excitable now, his worries seem to have melted away and he cant seem to remember why he was always so stressed and worn down before. he sees a game of [insert game here] (i was gonna say darts but google says that game hasn’t been invented in canon time so ill leave it up to interpretation) going on and climbs over lancelot to join in.

the knights watch with amusement and anticipate merlin’s clumsy attempts at [whatever]. oddly enough tho, merlin is a fucking god at [game]. a small crowd gathers and betting pools form and then challengers approach and put money on the line to go against merlin and merlin absolutely demolishes them all. honestly if arthur didn’t know any better, he’d think merlin was using magic to win bc there was no way his bumbling fool of a servant was that good at…anything.

the challengers take their defeat with honor and grace. the audience is a huge fan of merlin and they keep buying him drinks but he just sends them to the table for the other’s to drink. many people come up to him and flirt, maybe motivated by all the money he won that night or maybe just bc he’s merlin, and when merlin responds to them he’s………..he’s a real good fucking flirt? like could put gwaine to shame and he’s rejecting them???? how can someone come across so flirtatiously while turning down offers to take various beautiful people to bed??

arthur was already itching to intervene when people were flirting with merlin but he seemed to have a handle on it so he let it slide, but then people started touching merlin and arthur’s hand had drifted to his hip where his sword was usually sheathed. however, again, merlin was very skilled at escaping the situations with little to no conflict and he came back to the table with his winnings. the knights cheer for him and order more drinks with his money which merlin is too inebriated to notice and truthfully doesn’t really care about. his eyes are on arthur and if arthur thought watching merlin flirt from afar was bad then having him up close in his personal space, hands brushing against his arms and dark eyelashes fluttering softly against his pale skin, breathing his name into the space between them and licking his full pink lips was absolute torture and the worst and best agony he couldn’t even dream up.

[drawnfamiliarfaces]

hot man hot birdman im so sorry hot fire bird man?!?!

aka glorious gijinka!Tengu Jin design by @hirumi25 has made me 👀💦?!?! because wowie thats some hecking fire design!

and of course i couldnt just not draw Hirumi's Nomi-kun with him too

[macbethz]

i was originally going to do another pass at this where i edited out more of the loud ass dw music bleeding through but i think if i get hung up on that i will never post this so here it is...my amy and 11 sick and twisted codependent relationship thesis in AMV form. the girls who get it get it

song is i wanna be adored by the stone roses <3

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.