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gigantomachy1916 · 3 years

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L, Misa, and Sex in Death Note

Well well well, if it isn't me again, using this site like an actual blog and writing goddamn essays for an audience of like 5 people because I don't understand how Tumblr works.

I've just been thinking recently that it surprises me a bit when people see L/Misa as an implausible crack ship, especially compared to the much more popular ship of L/Light. I mean, I get why people like Lawlight. I went through my own Lawlight phase, and I still read fics about them sometimes. The homoerotic subtext between L and Light is pretty obvious.

But L's sexual interest in Misa isn't even subtext. It's literally just text. Yes, you can argue whether it's real or just an act. But in canon, every single time we see an unambiguous expression of sexual interest from L, it is directed towards Misa. (By "unambiguous" I mean "this dialogue/action is clearly intended to be sexual," but that doesn't make it necessarily genuine, since L could be lying). I'm putting the rest of this under a cut cause it's long.

The funny thing is, though it contradicts the way L is usually interpreted in fanon, out of all of the main characters, Misa and L are probably the ones who display the most sexuality. Whether L's displays of sexuality are an act or not, he's much more likely than Light to make comments about sex or to do shit like this:

And then there's the fact that L and Misa's interactions are often sexualized, even when L's actions have logical explanations. For instance, L touching her butt to steal her phone, or restraining her in an unnecessarily fetishy sort of way (she could've been held captive in the same way Light was if Watari had just worn a helmet every time he entered the room). A reader might believe that L doesn't see those situations as sexual at all, and was just doing what was necessary to catch Kira. But it was an active choice that Ohba made, to make L's actions in investigating Kira "just happen" to require sexualized interactions with Misa.

My friend @litterateur97 (who I also have to thank for reminding me about the above panel) has made some good points about this as well: as they said in a post the other day, "I noticed in the manga and in the anime that most of the time when L and Misa argue, they lean in towards one another, as if pulled towards one another. He is also often seen watching her, on cameras and in person, in a manner that looks sexual to me." This gif I stole from them illustrates both points, not only showing them getting in each other's personal space during an argument, but also, as they pointed out, L begins by looking down at Misa's chest before making eye contact with her.

Besides that, L and Misa have a tendency to be playful with each other in ways that could be interpreted as flirtatious. Compared to L and Light, who tend to be more dramatic and serious, Misa brings out L's more childish and teasing side. She pulls his hair, he bonks her on the head with a megaphone and threatens to kick her, etc. They have a very different type of chemistry than L and Light, more fun than serious, "opposites attract" as opposed to the intellectual match that L and Light have, but to my eyes, the chemistry between L and Misa clearly exists.

I've been wondering why people seem so quick to overlook this, or to brush off all of L's interest in Misa as purely an act and think of L as basically asexual. I think part of it is that Misa's role in Death Note involves personifying the romance/sexuality that is mostly omitted from the plot and the other characters. (Which is a pretty classic thing for a sexist author to do: Misa is our Token Woman, and women are identified with sex and romance, thus Misa must be.) She's sexualized in many of her interactions with the other male characters, though to a lesser extent than she is when she interacts with L.

So it seems to me like people attribute the sexual nature of their interactions to Misa, not to L. It's seen as an extension of Misa being the Sexy One, not as a true expression of L's sexuality. I personally have some ideas as to why so many of Misa and L's interactions in canon were sexualized; I think that L is used as a surrogate by which the authors can sexualize Misa.

One interesting thing is that, despite sexuality being such a fundamental part of her character, Misa isn't actually sexualized in the art very much. Compared to other manga, even other shonen manga, her artwork doesn't feel that male gaze-y. We don't get many cleavage/upskirt shots of her; even when she's wearing lingerie, she's drawn pretty neutrally, with a few exceptions. We can see that she's trying to look sexy, and that many of the characters find her sexy, but they're not especially trying to excite the reader. My guess is that Obata and Ohba purposefully avoided fanservice because they felt it would make the manga seem less serious.

But despite the lack of fanservice, they still wanted to convey that Misa was the Sexy Character. How to do this, if not through art? They used L. Compared to Light, who takes himself seriously and is more composed, L usually behaves in socially inappropriate ways. So they use L's behavior towards Misa as one of the main ways of indicating to the reader that Misa is seen as a sex object.

This especially stood out to me in the omakes (4-panel comics). There's the whole joke plot where it's implied that L is trying to figure out whether Misa's "carpet matches the drapes," only for it to be revealed that he's actually wondering about her sock color (which is a case where Ohba is injecting the concept of sex into their relationship even if L's actual intentions are innocent). There's also this moment, where L makes a totally unprompted sexual comment about Misa:

Another reason I think that people see L/Misa as a crack ship is that L's sexual interest in Misa is pretty much always played for laughs. Ohba seems to find it comical to consider L as a sexual being at all (apparently he considered making Near and Mello L's sons, but decided against it because he couldn't picture L having sex). In much the same way that L is used to draw attention to Misa as a sex object, Misa's sex appeal is used to give Ohba a reason to allude to L's sexuality, which is mostly done as comic relief. But the fact that it's portrayed as comical doesn't mean that it's "crack," or that L's attraction to Misa isn't a real aspect of his character. After all, L's obsession with sweets is similarly used for comedy.

Obviously there is no real need to justify our ships by canon, or to care that much about the canon take on things. Still, I think it's interesting to consider how much of L's sexual interest in Misa was meant as genuine. My take on canon, which may be very different than others, is that L does have sexual desires, if not any real-world experience with sex. And I think that if we accept that L is sexually attracted to anyone at all, there is the most evidence for that person being Misa.

Does he exaggerate that interest in order to manipulate Misa, or to weird her out? Absolutely. A lot of his socially inappropriate behavior seems like a front that he puts up in order to distance himself from those around him and prevent them from knowing him as a person. But at the same time, I think there is a kernel of truth behind the front. I don't think it goes as far as romantic interest (I wouldn't say that he actually "fell for" her), and it doesn't mean that he doesn't find her irritating and dumb much of the time, but I think that his behavior towards Misa is so consistently sexually charged that I would be surprised if it's 100% fake.

Besides that, even in a reading where L is entirely asexual/gay and only faking interest in Misa to make her uncomfortable, it's undeniable that Ohba is purposefully sexualizing their interactions, likely as a shortcut to sexualizing Misa herself without having to include a bunch of fanservice. So if the people in this fandom like to read into every bit of homoerotic subtext between L and Light (which, again, I am on board with), I don't really see why y'all would be surprised by people choosing to explore the sexual component to L and Misa's interactions that's been purposefully included in canon.

Honestly, I think this is what first got me interested in the ship. When I was a lil preteen in the early Death Note fandom, I, like about a million other people, had a crush on L. And I liked to watch his interactions with Misa. Because sexuality and romance was mostly sidelined in Death Note, and they seemed to have an attitude that serious geniuses didn't care about that stuff, I found it exciting when the show implied that L was a person who felt sexual or romantic desire, and that Misa brought out a side of him that was not seen in his other scenes in the show.

Whether Ohba intended it to be real or not, I wanted to believe it was real, because it made his character more interesting and compelling to me. It humanized him in some way, made him more vulnerable, especially when compared to Light, who always seemed very cold and sterile to me. And because of that, this ship has always had a special place in my heart.

#death note #l lawliet #misa amane #l x misa #lawmane #lxmisa #misa x l #essay #reading way too much into canon #this is how i spend my free time

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mysticdragon3md3 · 3 years

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Ranma ½ is GENIUS. Here’s Why by Bonsai Pop

The thing I really appreciated about Ranma ½ when I was younger, was that it was a discussion about gender without getting sidetracked by sex, the way most “sex comedies” did, especially at the time. At the time, publishers tried to market Ranma ½ as a “sex comedy” in the vein of raunchy college-setting Hollywood movies or fanservicy Male Gaze series (compare “Futaba-kun Change” or the proceeding “harem genre” that Ranma ½ started). But Ranma ½ felt more like a discussion about gender more than sex, or even more than sexuality. And being an AroAce kid, who didn’t know what AroAce was at the time, but was very confused about my gender, I really appreciated Ranma ½’s focus on gender over sex, fanservice, and heterosexuals navigating (sexual) relationships—which, I *cannot* express enough, was the saturated majority of all anime/manga, that even came close to discussing gender, at the time. I just wanted a discussion about gender, gender roles, complaining about presumed traditional ideas about gender, and how to define one’s own gender despite society’s pressures about gender. I wanted a discussion about Strength, that the martial arts genre did so often, without an advocation for sexist ideals, toxic masculinity, stereotypes about “feminine” being weaker (even as warriors), fixated only on romance, or any number of female stereotypes, etc. I feel like I can’t remind people enough of how it was back then, when not only were these toxic mysoginist ideas portrayed frequently, but they were also portrayed as good, true, “right”, or unquestioned. At least when Ranma Saotome was being a sexist jerk, he was punished for that terrible thinking or eventually had to reconcile with his dissonance. And Akane Tendo was revolutionary at that time too. It used to be that on the Shonen genre side, we had only hyper fem, passive, romance-fixated, love interests, OR nagging, cold female characters that really felt like the author was conveying all their horrible views on women in general, OR sexy eye-candy that had close-ups on their boobs or butt so frequently, that it completely made their lack of focus on romance or anything else in their personalities, secondary. Then on the Shoujo genre side, we had girls who were fixated on nothing but romance, constantly jealous and possessive—and often over guys who hadn’t even proven themselves worthwhile to pursue romantically. Let’s face it: A lot of Shoujo leading men were often jerks, treated their female love interests badly, and for some reason, she was just supposed to play the devoted “Lady Murasaki” and be totally “in love” with him. Whyyyyyyyyyy????????????? Even worse on the Shonen genre side too, because he treats her badly, it doesn’t get portrayed as bad treatment, he doesn’t understand why she’s angry, so she just looks like a volatile nag all the time, often existing only to be objectified or serve as a flimsy motive for his character arcs and actions. It was a pretty bad time. Not that now has eliminated those problems, but when Ranma ½ and Akane Tendo seem like the shining lights of something different, maybe then you can understand how much I sorely needed Ranma ½ and Akane Tendo at that time.

Really surprised that this video essay didn’t mention Jackie Chan. The thing that differentiated Ranma ½ from so many martial arts battle anime/manga at the time, was that Ranma ½’s style of martial arts was inspired by Jackie Chan. Meanwhile, all the other Shonen martial arts manga/anime were so serious and based more on “cool”, “action” genre toned martial arts movies.

I’m intrigued by this video essay’s idea that Ranma ½ the series isn’t sexist, but rather, characters within the series are sexist, and are so in order to make a point about how them being like that is messed up. I need to grapple with this because one of my problems in looking back at Ranma ½ is that it can be a little transphobic and/or homophobic at times. Like, I’ll never forget when Tsubasa Kurenai was introduced and, Akane, this character that we’re supposed to completely sympathize with during this series, just keeps screaming in Tsubasa’s face that they are a “pervert”, simply because it’s revealed that Tsubasa identifies as a boy but dresses as a girl. I think the episode just ended like that, and that was supposed to be a joke, but I don’t know whether the reveal’s shock intended on the audience was supposed to be conveyed through Akane and we were expected to have the same reactions as her, or if we were supposed to be shocked at Akane’s reactions and her reactions being ridiculous were the joke. I dunno; it was a long time ago, I don’t remember much context, and I really should look it back up. But frankly, there’s a lot of Ranma ½ to sift through and that’s more time than I have, writing this post. Akane does seem to repeatedly have instances of being perfectly nice to characters, but when she discovers they’re actually guys, she spends a lot of time yelling “pervert” in their faces. Sometimes I don’t know if we’re meant to see how ridiculous Akane is being or if we’re meant to agree with her. Again, I watched/read the series a long time ago, and maybe if I re-watched/re-read it now, it would be clear to older me. Because, when it happens between Akane and Ranma, Ranma has a specific line, grummbling about how Akane was perfectly nice to him, up until she found out he was actually a boy. And Ranma was a bit nice in his characterization up until that early line of dialogue, so maybe we were supposed to be on his side in that thought. So maybe Akane spending the rest of the series yelling “pervert” at Ranma (repeated so often it’s essentially their running gag), is supposed to be a joke laughing at how irrational Akane is being. o.o? I’d hate to think we’re supposed to be on Akane’s side, repeatedly calling Ranma a “pervert” over a curse that he had no control over getting, and early on was portrayed as a misfortune that the audience was supposed to sympathize and pity him over. Maybe the whole thing is supposed to point out Akane’s flaws, since everyone in the series is pretty messed up. (Even Kasumi unsettled me a bit when I was younger, in that she dropped her entire life, to replace her mother’s role when she died. For me, being a young girl who didn’t buy into those traditional female roles, that were still at the time, strongly pushed onto girls in society, that was a little unsettling. Still love Kasumi as a person though.) Akane did have reason to “hate boys”, as the series specifically states early on, but I’d like to think that she was given this flaw as a point to grow away from. Just as this video essay calls to attention Ranma being sexist and, over the series, eventually growing out of it. But back when I was young and initially into Ranma ½, I feared that some of these sexist or even homophobic ideas in Ranma ½ were actually reflective of thoughts that Rumiko Takahashi advocated. After all, there’s a point in Maison Ikkoku where Kyoko berates herself by saying all women are fools. Maybe I was too young to see the nuance in a character berating her own mistakes in her love live, vs the implication that all women are “properly” stereotyped into being obsessed with love and end up acting foolish for it. Nowadays, I can see how we can berate ourselves whenever our specific actions can slot us into generalized stereotypes, and we curse ourselves for falling into proving stereotypes true on occaision. But back then, when I was younger and watching Ranma ½ for the first time and reading Maison Ikkoku for the first time, I was afraid that such lines were reflective of Takahashi believing such stereotypes as truth. Which is why I was so happy when sometime after Ranma ½, Inuyasha had a canonically gay character, and instead of Inuyasha calling him a pervert the entire time, he just got exasperated with his non-stop flirting, the way that all the female characters from Ranma ½ are tired of guys who won’t take “no” for an answer. At the time, I thought, “Yay! Takahashi has evolved to a less homophobic stance!” But maybe, all this time, she was always against such things, and merely portraying them, even through characters we were supposed to sympathize with, merely to show how messed up such ideas are. I really like that thought which this video essay presented.

But I will disagree with this video essay on 1 thing: The manga is better. I’m not trying to be elitist. I realize that comedy has a very subjective sensibilities, and the anime leans into awkward silence type comedy, whereas I am sick of that type of comedy. But so many visual gags and jokes in the manga, and Rumiko Takahashi’s style in general, involve panels that are almost completely re-drawn, with only 1 element changed—the gag element—suggesting that the eye is supposed to read from panel to panel quickly (since the human eyes/brain filters out a lack of change, and is hard-wired to focus on changes from previous conditions). To me, this suggests quick punchlines, whose sudden oddity is supposed to shock, implying an intended fast pacing to the jokes. And yeah, Takahashi will draw seemingly normal scenes, detailed with all the normalcies of a commonly recognizable environment, then suddenly the next panel is exactly the same except a character is contorted into a silly pose or an absolutely ridiculous creature with an intentionally nonsensical facial expression has suddenly appeared, amid that completely “normal” scene, with all its “normal” details _redrawn_. It’s why the “evil oni” episode in Ranma ½ had a ridiculous face, despite its supposedly ominous background. In fact, anywhere Takahashi can fit a gag face, especially if it contradicts the surrounding scene’s/story’s serious tone, she will do it. She has even said in interviews that if scenes are too serious, she will try to put in a gag in the corner. I remember reading Maison Ikkoku during a depressive episode (for both me and Godai) and suddenly Yotsuya had poked his head through a hole in the wall, into the scene, shining a flashlight onto his own face, like a kid telling a ghost story, all while he made funny faces and Takahashi’s typical gag with the sign language “I love you” gesture. The woman cannot let things stay serious (except for Mermaid Saga, parts of Inuyasha, and some short stories), and I love her for it! ^o^ But the way she suddenly injects ridiculousness into scenes and character designs, suggest, at least to me, an intended fast paced delivery with the jokes. That sudden shock when you notice Yotsuya making faces in the corner of a depressing scene. That sudden shock, when Ranma is hiding from his mother, and is clinging to the ceiling or futons like Spiderman, and Akane is just supposed to act natural so Ranma’s mom won’t notice where he’s hiding. To me, this suggests the punchline is supposed to come at you like a sudden punch, unlike awkwardness that hangs in the air. So when the anime tries to make the joke linger, I just don’t enjoy it as much as when my brain can dictate the faster pacing I want (and believe better fits) while reading the Ranma ½ manga.

Also, the manga is better because those manga filler episodes were not as well written as the manga. Rumiko Takahashi is a master of short stories. And that shows when you run into the less-effective filler anime episodes–even when you don’t know they’re filler episodes! I remember watching the Ranma ½ anime before reading the manga, before there was even internet lists of which were the filler episodes, and coincidentally, all the filler episodes did not make me laugh out loud, whereas every episode up until that point, had made me uncontrollably laugh. I feel like the anime thought that because Ranma ½ was an episodic, very silly series, they could just insert anything and it would fit. But clearly, only the manga-based episodes—and even individual scenes!—had the nuance of Takahashi’s writing and pacing, to make even an episodic, ridiculous series work.

Also, I love how this video essay just lavishes the love on Rumiko Takahashi. ^o^

Another thing this video essay pointed out that I appreciate about Ranma ½ is how indifferent Ranma is to all the advances of his suitors or even accidental fanservice. All the consequential “harem genre” series that tried to emulate Ranma ½ always seemed to include male protagonists who were surrogates for the audiences’ intended horny reactions. But Ranma was neither turned on, enticed, nor tantalized by even accidental fanservice falling into his lap. (As Mother’s Basement has noted, harem genre protagonist have a penchant for accidentally falling and grabbing a girls’ boobs, or their face falling into her boobs, or accidentally put into a position to forcibly see up her skirt, etc.) If anything, he’s more embarassed that he accidentally walked in on girls in undress, rather than enjoying the view OR reacting so long, that the scene drags on, fixating on the accidental nudity/groping/fanserivce. And I was about to postulate that maybe because most harem genre and fanservice series are usually made by straight men for an audience with a Male Gaze. But Takahashi wrote Maison Ikkoku’s Godai, right before she created Ranma ½, and he very much enjoyed the view, took peeks, and fixated on any accidental fanservice. So it’s actually Ranma himself who had reactions and a perspective that were very agreeable to this asexual.

I hadn’t noticed before this video essay said it, but Happosai really is condemned much more for being the “pervy old man” archetype, whereas other series are very permissive towards that same archetype, even when they’re being sexual predators. I’d like to attribute this to Takahashi bringing a woman’s perspective, but Sailormoon was also written by a woman and (if I remember correctly) Rei’s grandpa’s pervy ways were reprimanded in only 1 episode then permitted as a running gag in the rest of the series (thankfully, not often). Then again, lots of the Shoujo genre also advocated for many toxic traditional ideas about gender (like girls picking romantic partners who don’t respect them, and girls being fully devoted/invested in such guys, because they “once” meet the bare minimum for human decency by being nice to them once). So maybe it was uniquely Takahashi’s prerogative to not let the “pervy old man” archetype slide as supposedly “endearing” silliness.

#ranma 1/2 #ranma1half #rumiko takahashi #video essay #analysis #gender #manga #anime #nostalgia #old otaku #martial arts genre #shonen genre #reactions #reminicing

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dont-offend-the-bees · 4 years

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Took a quick peek in the Hannibal tag and yeah there’s a lot of negative stuff, so just a few carefully measured, slightly more positive thoughts in no particular order. But I seriously do not wanna argue with anyone, or get involved in any drama, so if you disagree feel free to just skip this post, stop reading, go do your own thing, I’m just letting my thoughts out to breathe and then I’ll probs shut up about this for good because I am Too Old for discourse.

1) Remember everything said by Fuller and other cast/crew is word of god, not text, and therefore basically headcanon. If you don’t like it, you don’t have to use it, but let people enjoy it/have fun with it if they feel seen/represented

2) Even if we get a season four and some of this stuff becomes actual in-text canon, A) you’re still not obligated to stick to it (when making transformative work, the canon is free real estate babey) and B) even if canon compliance is your jam, there’ll probs still be wiggle room to headcanon as you please because seriously when has anyone on this fucking show ever said something as clear and explicitly straightforward and impossible to misinterpret as ‘I’m heterosexual’

3) I’m not here to defend Fuller or anyone else as paragons of virtue or masters of these characters (doing so with anyone is an invitation for disappointment), but I do think most of what was said was said in good faith. Real-time answers put together in live recorded interviews are never gonna be as perfectly worded as they could be.

If you disagree that’s fair and I respect your feelings, but it didn’t feel particularly malicious to me, and I really don’t like to be too harsh to people over poor word choices in live interviews because god knows I can’t help but slip when I have a camera/voice recorder on me and no opportunity to draft and re-draft my answer lmao

4) I personally also think Will is bi, but I also think he hasn’t fully become aware of or labelled himself as that yet as Hannibal is the first man he’s felt this for, so in my head he’s just ‘self-identified hetero until he figures his shit out’- I would also be open to him being somewhere on the ace spectrum, and I’m glad that possibility was acknowledged and respected

(I’ve seen some speculation that hesitance to put them into a sexual relationship is for fear of alienating a straight audience or w/e, but Fuller did American Gods (not going into that show here, no way, do not have the time or patience) and demanded a re-take of an explicit gay sex scene to make it more realistic/intimate so I don’t think he’s particularly worried about letting the gays have their sexy fun on screen. I think he’s just legitimately entertaining the idea that they may not have a sexual love, and that’s fine, he did not deny that they are in love at all, he just didn’t promise sex scenes)

5) I really don’t think it’s fair to label the show as queerbait based on an interview you don’t agree with. As far as I can gather from info dating back to series one, Fuller originally intended on making a show about male friendship, the direction taken by the actors/other writers and the fan response took it down a more romantic route, and rather than fight it he let it happen, leaned into it it and seems ready to continue it in season 4, whether that’s sexual or not. This feels like a case of ‘accidental gay romantic chemistry happened and rather than try and bury it we’re gonna work it into the story and let it be a thing that we actually develop’, and that’s kinda the opposite of queerbait.

Just because a character doesn’t say ‘I’m gay’ or doesn’t fuck another character on screen does not mean they are not queer, and Hannibal is canonically in love with Will. It’s queer, canonically, it just may not be the exact picture of a queer relationship between these two men that you pictured, and that’s ok. You can write the one you pictured, never let canon or word of god make you feel your interpretation is off limits. Conversely, never let it make you think that your interpretation is more valid than someone else’s because it happens to align with canon or authorial intent more than theirs.

6) I’m kinda reminded a little bit of Good Omens. Once again, I’m not here to say that Neil Gaiman is a paragon of virtue or master of headcanons, but a lot of people took issue with him not wanting to label Aziraphale and Crowley as ‘gay’; which he explained was because they are both genderless and gender non-conforming, and that trying to corral them into one particular box under the LGBTQ umbrella wasn’t truthful to them. People were upset that he didn’t want to use that word, and upset that Aziraphale and Crowley didn’t kiss/make out on screen. Now, Az and Crowley are.... arguably? Less explicitly canon than Hannigram? Which is fair cause for upset if you’re just really sick of seeing queer relationships on screen than can be denied by cishets who don’t wanna acknowledge it.

But a lot of people- agender, nonbinary, asexual, aromantic people- LOVED them, and felt seen by them, and that’s not nothing. It is okay for characters, who are clearly deeply in love, to express that love in ways that are not sexual, and it’s okay for them not to label themselves. We do need more media with queer characters who own their labels, yes, of course we do, and more positive and realistic depictions of physical queer relationships on scren. But a pairing isn’t totally invalid or inherently queerbaity for not doing so.

Anyway, yeah, TL;DR:

1) word of god is nothing, take joy/comfort in it if it suits you and respect those that do but otherwise do what you want

2A) canon is also nothing, do what you want B) Hannibal canon is especially tricksy and open to your own interpretation

3) Showrunners are humans who misspeak, even with good intentions

4) Will labelling himself as het doesn’t necessarily mean he is, also it’s nice that asexuality was respectfully acknowledged (also Fuller’s very down with gay sex scenes, just not sold on it for Hannigram specifically, but y’all probs write better smut than he would anyway)

5) a relationship not being depicted as you wanted does not make it queerbait, there are a million types of queer in the rainbow and one queer experience is not universal. Also you can write whatever you want regardless of canon, in the Olden Days we shipped whatever the heck we liked canon be damned.

6) pretty much the same as 5 but with Good Omens comparisons

I meant what I said at the start, I really am not getting further into the discourse than this and will likely not respond if anyone gets confrontational. But lemme just sign off by saying this; if what was said today makes you happy, makes you feel seen, good for you. If it doesn’t, please try not to let it prey on your mind, word of god is just glorified headcanon and you’re the master of your own mind palace. Whether you’re type A or type B, just try not to let this turn you hostile to other fans, it’s seriously not worth it. If you’re sick of seeing one point of view or another on your dash, I’d recommend just slamming that block/unfollow button and moving on, it’s hella liberating

If anyone, sincerely and in good faith, wants to chat about this stuff or even just geek out a little about it, hit me up! I’m on a big ol’ Hannigram kick right now and would love more people to chat to about ‘em, I’m just too old for drama ^^

Take care out there folks <333

...also holy fucking shit lads problematic is hannigram’s middle n a m e jesus Will stubbornly id’ing as het while getting fucking railed by hannibal would be one of the least batshit things he’s done don’t get me wrong I love these idiots but I really think we could be looking elsewhere for good queer/bi rep fgdgkjg

#hannibal #nbc hannibal #hannigram #may regret and delete this post later but i have Thoughts #hannibal reunion #don't like don't read!#also i kinda hate that i have to like Disclose my Credentials to have takes on queer stuff but #i id as queer mainly because labels are constrictive #but if i was gonna try i'd say bi/panromantic nonbinary asexual #anyway legit if you're just excited aboout hannigram shit come sit with me i love my boys #they're hot messes and i adore them #mr. bees speaks

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janamelie · 5 years

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LGBT+ Characters

What This Isn’t

A claim of “proof” of the sexuality and / or gender identity of any of these characters. We don’t need that or anything else to “justify” shipping.

What This Is

A reference post to collate instances in canon which could indicate LGBT+ characters. In the case of regulars, I won’t include every instance as it would simply take too long.

Rimmer

As I was saying… :p

Honestly, Rimmer is so obviously LGBT+ to me that I don’t know where to start. How about his reaction to Ace in “Dimension Jump”?

RIMMER: "Commander Rimmer!" I ask you. "Ace!" Barf city. I bet you anything he wears women's underwear. They're all the same, this type, you know, Hurly-burly, rough-n-tumble macho marines in public, and behind closed doors he'll be parading up and down in taffeta ballgowns, drinking mint juleps, whipping the houseboy.

KRYTEN: Sir, he's you! It's just that your lives diverged at a certain point in time.

RIMMER: Yes, I went into the gents and he went the other way.

KRYTEN: I assume, sir, you are making fatuous references to his sexuality. If I may point out, if --

Or how about Low Rimmer? Surely Rob and Doug could have got their point across a little less graphically?

Or if you prefer something less rapey, this passage from “IWCD”. Unlike the show, Rob and Doug had more time and leeway to explore the characters and this is what they chose to include for Rimmer:

“Rimmer began to regret his outburst. He didn’t like to see his other self upset, and he even contemplated briefly going up to him and giving him a manly embrace. But in a brief moment of homosexual panic, he thought his double might get the wrong idea. Not that he would, of course, because he was him and he knew for a fact he wasn’t that way sexually tilted; so obviously his double wasn’t and obviously his double would know that he wasn’t either, and it was simply a manly embrace meant in a sort of mano a mano kind of way…Perhaps he was tired…Two or three days in bed and he’d be his old self again…Who cared if his copy saw it as a sign of weakness? He’d suggest it anyway.” Infinity Welcomes Careful Drivers, Grant/Naylor, pg 233.

And this from the end of the “Better Than Life” novel, when Holly - whose IQ has been restored - comes up with a way to bring Lister back from the dead (no, not as a hologram):

“Rimmer stood in the hatchway and his face yielded to a grin, which in turn gave way to laughter. Not his normal hollow braying empty laughter, this was an altogether different noise. This was a noise his vocal cords had never been called on to make before.

It was the laughter of joy.”

Better Than Life, Grant/Naylor, pg 218.

I know some fans read Rimmer as asexual and you can certainly make an argument for that, most obviously in “Marooned” where he describes his younger self as not “particularly highly sexed”. Of course, that wouldn’t preclude him also being homoromantic or biromantic.

Lister

No-one’s denying Lister’s obvious attraction to and affection for women, but that doesn’t mean that he can’t be bisexual or pansexual. In fact, his “I’m not gay!” protestations in “Duct Soup” is a fairly common way for people attracted to more than one gender to describe themselves if they don’t feel comfortable using labels. Given that he was talking to Chloe!Kochanski to whom he’s attracted, it makes sense that he’d prevaricate like this.

And then of course, in the very next episode “Blue”, he dreams about kissing Rimmer. It’s not only the fact of this, it’s the subsequent scene drawing a direct comparison between him missing Rimmer and Kochanski missing her Dave - her boyfriend. And despite the ending of this episode, when Lister actually meets Rimmer again, he’s delighted. Until he realises it’s not HIS Rimmer and even so, he gets used to nano-Rimmer and they eventually become quite chummy.

Not forgetting the chemistry between him and Ace, of course.

Kryten

I know he's a mechanoid, but no-one has any problem reading his relationship with Mechanoid - and later Blob - Camille as romantic and Camille literally says herself that both she and her husband Hector are actually androgynous, which makes Kryten - at the very least - panromantic.

And that’s before we get to his very obvious love for Lister which he states himself in “Back In The Red”.

Holly

Holly was actually conceived as a female character and became male due to Norman Lovett’s original casting. Sources: “Stasis Leaked” by Smegazine writer Jane Killick and “The Unofficial Red Dwarf Programme Guide” by Smegazine writers Chris Howarth and Steve Lyons.

With Hattie’s replacement casting and later Norman’s return, Rob and Doug may not have intended to create a trans or genderfluid character, but that’s what they ended up doing.

Holly is also bisexual - male Holly was attracted to Hilly and female Holly to Ace.

George McIntyre

It was actually Rob and Doug’s audio commentary on the pilot version of “The End” on “The Bodysnatcher Collection” which alerted me to this possibility. I know it’s a stretch but I’m including it precisely because I’m indifferent to George as a character and it makes no difference to me whether someone believes this one or not.

During George’s speech at his “Welcome back” party, he says “I don’t want you to think of me as someone who’s dead, more as someone who’s no longer a threat to your marriages - I think Joe knows what I’m talking about!”

We see a man and a woman laughing and the woman playfully pokes the man in the arm. He stops laughing and looks a bit sheepish.

Rob and Doug comment confusedly to the effect of “Shouldn’t it be the other way round? This is one of the things we had no control over at this stage.”

Come on, Rob and Doug. Not only does this scene appear intact in the final televised version of “The End”, you also included extra background on George in “Infinity Welcomes Careful Drivers”, showing the events leading up to his death. Unlike the hologram he replaces, Frank Saunders, there is no mention of George having a wife or indeed any partner, so as far I’m concerned, we shippers can read whatever we choose into this scene. We would regardless, but the way canon leaves it is particularly open-ended.

Deb Lister and Arlene Rimmer (“Parallel Universe”)

See previous entries. If their male counterparts are LGBT+ then so are they, plus I always got that vibe from the performances anyway.

Camille

Yes, everyone uses female pronouns for her as that’s how she presents to the crew, but she says herself: “We’re androgynous, but I suppose you could call [Hector] my husband.”

Noel Coward Waxdroid (“Meltdown”)

Mr Coward was gay in real life and his fictional incarnation here greets Rimmer with “Delighted to meet you, dear boy!” I rest my case.

Nirvanah Crane

And arguably the entire crew of the Holoship according to her speech: “It's a ship regulation that we all have sexual congress at least twice a day. It's a health rule … Here it is considered the height of bad manners to refuse an offer of sexual coupling … We are holograms. There is no risk of disease or pregnancy. That is why in our society we only believe in sex -- constant, guilt-free sex.”

Does that sound as though they’re fussy about the genders of their partners? It certainly doesn’t to me. So:

Captain Hercule Platini

Commander Randy Navarro

Commander Natalina Pushkin

Commander Binks

Sam Murray

From the Series V DVD booklet:

“Briefly revived in “Holoship”, it came as a surprise that Sam was male. In the original pilot script - and Series 1′s deleted funeral scene - deceased crew member “Sam Murray” is said to be dating “Rick Thesen”. Possibly Red Dwarf’s first gay couple?”

Cop (“Back To Reality”)

I’m sure it wasn’t written as such and maybe he didn’t intend to, but the way Lenny Von Dohlen plays his character’s reaction to the Voter Colonel just pings my gaydar.

Frank Todhunter (“The End”)

I know the conversation in “Duct Soup” (which also includes a reference to a gay crew member nicknamed “Bent Bob” *cringe*) where Kochanski tells Lister that the Todhunter in her dimension was gay is played off as something she made up to take Lister’s mind off his claustrophobia, but she never actually says as much. There’s nothing to say that at least part of what she was saying wasn’t true.

Ackerman (Series VIII)

In the Series VIII DVD documentary, actor Graham McTavish says he was playing Ackerman as someone who enjoys sex with women “or at a pinch, men dressed as women”. So onto this list he goes.

Big Meat (“Only The Good”)

I don’t blame you if you’ve blocked this one out as I find the scene almost unwatchable, but he’s the big prisoner who takes to the idea of being Cat’s “bitch” unexpectedly quickly.

Katerina Bartikovsky (“Back To Earth”)

Credit to @clueingforbeggs for noticing that in “Pete Part 1” Ackerman claims to have been “having jiggy-jiggy with the Science Officer’s wife” and connecting that with Katerina being a Science Officer. There’s nothing to say that the Joy Squid didn’t conjure up the image of an actual crew member.

But maybe the ship has more than one Science Officer? Well, the way it’s said makes it sound as though there is only one but in “Holoship” Kryten gives Rimmer a mind patch from two officers, one of whom is Science Officer Buchan. There is no mention of Buchan’s gender so who’s to say they aren’t also female?

Begg Chief (“Entangled”)

“We prefer the ship of green. And the sexy light man with the lady legs so long and luscious!”

Chancellor Wednesday (“The Beginning”)

Actor Alex Hardy says in Series X DVD doc “We’re Smegged” that he was playing the relationship between his character and Dominator Zlurth with a homoerotic undercurrent and you can see it subtly in his performance.

Dolphy (“Cured”)

All I’ll say about this one is that if Messalina had behaved towards Lister as Dolphy does in this episode, nobody would have doubted that she was into him.

Ziggy (“Timewave”)

Proof that LGBT+ characters in this show work a lot better when Doug isn’t intentionally writing them as such. Sorry.

Feel free to add any examples I may have missed.

@lord-valery-mimes @aziraphale-lesbian @notalwaysweak @feline-ranger @downonthepharm-red-dwarf @hologrammette @rosecathy @cazflibs

#red dwarf #red dwarf slash

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motherofmymother · 6 years

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Accidental Bonding Recs

These fics tend to focus on either characters who already pine for each other and then must hide it due to the forced intimacy, or characters that hate each other but come to understand one another, or a combination of both. Bonding through accidental Mpreg has its own section. Pon Farr also has its own section. If you like Star Trek, Pon Farr is basically canon fuck or die and forced bonding, so check that out.

· Stiles, why is Derek Hale passed out on our front porch? By marguerite_26, mothlights (Teen Wolf, Explicit, 4K, 2013)

o Stiles freezes, carton of milk half way to his mouth. He looks around the empty room, wondering if it has any answers. Derek Hale just passed out on his front porch -- sounds like one of the signs of the coming apocalypse.

o [Magical bond, angst, scent kink, smut, emotionally constipated Derek]

o Interesting concept of Derek’s wolf.

· Bond by Bookkbaby (Supernatural, Explicit, 4K, 2013)

o Castiel is injured, so Dean offers Cas some of his soul's energy. Things don't go as planned.

o [Destiel, accidental soul bond, porn, soul sex, humor, Dean’s fragile masculinity]

o Well written and sexy. Short, porny fun for the whole fam.

· Marked, Bound Ever To Thee by kakaitalover (Dresden Files, Teen, 8K, 2015)

o Mystic bonds just make everything awkward. Especially when they're triggered by rape flowers.

o [no smut, focus on bonding tropes, kidnapping, telepathy sort of, magic, denial of feelings]

o I just liked the tropey-ness in a more niche fandom. It’s no masterpiece, but it’s short and humorous.

· omni gladio ancipiti by lifevolutionary (Supernatural, Explicit, 10K, 2010)

o The archangel Gabriel had never chosen a Bearer for his sword. Until now.

o [Sam/Gabriel, Destiel, fluff, humor, crack, minimal smut]

o Gabriel’s voice is a perfect balance of snarky and irreverent. The little hints to deeper character feelz were just the cherry on top.

· The (Mostly Accidental) Courtship of Dean Winchester by tuesday (Supernatural, Mature, 11K, 2010)

o Angelic marriage rites were never intended to go quite like this.

o [Destiel, Crack, humor, pining, Oblivious!Dean, emotionally constipated Dean, UseYourWords!Castiel]

o This is a lovely, sweet, crackey little fic. I just adored it.

· Bound to be Broken by EntreNous (Harry Potter, Explicit, 13K, 2009)

o There is a way to break the accidental bond between Harry and Snape; it simply involves lots of sex.

o [Snarry, fuck or die-ish, PWP, smut, hate sex, bickering, coming together, forced intimacy]

o This almost belonged in fuck or die, but the sexual relationship is already started and there’s no angst about whether or not to do it. Rather, this fic focuses on the building intimacy between the characters so I put it here.

· ♥ Bonding Time by magisterpavus (Voltron, Explicit, 16K, 2016)

o “Shiro, I fucked up,” Keith blurted, wringing his hands. Shiro paused mid-punch, shooting him a quizzical look. “What? What happened?” “I think,” Keith whispered, “I think I accidentally roofied Lance. With my dick.”

o [Klance, pwp, smut, humor, accidental bonding, heat sex, sex marathon, mates, angst]

o Magisterpavus is my favorite author of all time, and this is her most classic porn fic. It has a ton of sequels too that are all equally hot.

· ♥ Twice as Much as an Earthquake by firethesound (Harry Potter, Explicit, 19K, 2014)

o Accidental bonding. Breaking and entering. Conspiring, however unwillingly, in the strange one-man war Malfoy's waging against detention. This isn't the normal school year Harry anticipated having, but at least it's not boring.

o [Drarry, getting caught going to bone-town, bickering, forced proximity, forced bed sharing, forced intimacy, smut, UST, humor]

o This one has a sweet buildup of Harry and Draco’s relationship. How do I put this—they aren’t super angsty and hateful towards each other. Not to say that there isn't some wonderfully awkward situations going on and they do fight, but it’s more bickering and less I hate you. It’s a good fic is what I’m saying.

· Eyes Like Stars by malfoys_cousin (Voltron, Mature, 21K, 2017)

o In which Lance drinks too much alien alcohol, literally cannot get a grip on his embarrassingly huge crush on Keith, and accidentally ruins everything.

o [Klance, accidental bonding, pining, sooo much pining, humor, drunk shenanigans, forced proximity, forced bed sharing, bickering, denial of feelings]

o Classic accidental bond fic. Less angry/angsty and more humor/pining than some others, so if you’re tired of everyone being unhappy all the time, then check this out.

· Grooming Instincts by jemariel (Supernatural, Explicit, 26K, 2018)

o There's something going on with Cas. Dean is determined to help him through it, in whatever way he can. He might end up with more than he bargained for. OR: Dean helps Cas scratch an itch. As it were.

o [wing kink the fic, oil gland kink, porn, humor, virgin!Castiel, pining, communication is a skill, that they don’t have, bonding, angel marriage: sort of]

o Gets into glorious, glorious detail about the wings. Kinky as hell with that. Wing kink: the fic. You’re welcome.

· ♥ Angels on the Moon by Writcraft (Harry Potter, Explicit, 27K, 2017)

o The aftermath of the war is almost as difficult as the war itself, Harry is a mess and Severus is a reluctant survivor forced back to Hogwarts to recuperate from his injuries. When a brick-bonding spell goes awry, Harry and Severus are forced to confront hatred, misunderstandings and a new and unexpected intimacy which takes them both by surprise.

o [Snarry, empathy, healing, magic, magic shenanigans, trust issues, Cranky!Snape, Post-war fic, forced intimacy, fuck or die-ish]

o Snape is his best worst self in this fic and I just ate up his intimacy issues. The awkwardness of their forced intimacy is everything I could have asked for in an accidental bonding fic. The description of their magic mixing is lovely as well.

· ♥ ♥ Better Than Dead by heartsdesire456 (Teen Wolf, Explicit, 27K, 2013)

o When Stiles is gravely injured, the only way to save him is for Derek to turn him. However, Derek never did learn exactly what certain bites meant and, without this knowledge, he accidentally claims Stiles as his mate. Alpha werewolves mate forever. However...Betas don't.

o [accidental!bonding, accidental!soulmates, mating shenanigans, so much angst, slow build, all the bonding tropes, emotionally constipated!Derek, emotionally constipated!Stiles, pining, UST, selfless!Derek]

o I love the tension between Derek and Stiles here. So delicious. If you love clearly destined to be together, Stiles and Derek becoming friends through forced intimacy, then this is your fic. I still reread it all the time.

· ♥ ♥ Shout it Out Loud by dreamlittleyo (X-Men, Explicit, 30K, 2011)

o When Charles forges a telepathic link between himself and Erik, the two men find themselves bound together by more than just destiny. With the world on the brink of war, Charles and Erik struggle to cope with a psychic connection that may well be permanent.

o [Charles/Eric, X-Men Origins AU, telepathy, emotional intimacy, healing, UST, soooo much UST, Idiot!Charles, minimal smut, fluff, angst, heart break]

o This was an absolutely beautiful fic. You can feel their love for each other woven through every word and it’s just fucking gorgeous. I can't recommend it enough.

· Lap Magnet by Prairie_Grass (Teen Wolf, Explicit, 30K, 2014)

o Wherein an ill-advised floral arrangement leads to a whole new definition of obliviousness, accidental mate-bonds, and far more sex and tropes than one fic really needs.

o [accidental bonding, soulmates—kind of, Smut, humor, but like so much smut, dubcon, Oblivious!Everyone]

o Super well written tropey fun. Really well known fic, and if you like the accidental bonding trope with your porn and you haven’t read this, what are you doing with your life?

· How High the Moon by kyliselle (Star Trek, NC-17, 39K, 2010)

o After the destruction of Vulcan, Spock shielded his mind to protect it from his broken bond with T'Pring. Little did he know another bond had already formed in its place.

o [mind meld, telepathy, Asshole!Spock, Oblivious!Spock, communication fail, so much angst]

o Spock is almost too much as asshole here, but the concept is so wonderfully done and the tension so well held that I don’t care. As the original prompt asked for, this focuses super hard on the mental bond, telepathy, and all the yummy tropes. A must read for intimacy and bond drama.

· Before the World Was Made by daftfear (Harry Potter, Teen, 43K, 2014)

o Draco has done everything in his power to leave the past behind him. He’s established himself a successful business and built a reputation around the quality of his work and the breadth of his knowledge. But when aurors show up at his shop one afternoon, seeking his expertise on a peculiar item of questionable origins, they completely overthrow the precarious balance in Draco’s life. Trust Potter to bring danger and destruction in his wake, along with a painful reminder of all the things Draco is trying to forget.

o [Drarry, accidental bonding, forced proximity, gratuitous bed sharing, pining, communication is a skill, sex for reasons, healing, discrimination]

o This is another well-paced, well-written, well-romanced fic. Harry and Draco’s dynamic is portrayed nicely.

· ♥ In Evidence of Magical Theory by bixgirl1 (Harry Potter, Explicit, 44K, 2017)

o When a hex meant for Draco accidentally catches Harry as well, they're forced to learn to understand each other in ways they previously might have thought impossible. In which Harry and Draco can't fight, so they fall in love instead.

o [Drarry, bickering, UST, pining, snark, forced bed sharing, forced intimacy, mental connection, suuuuper UST, awkwardness, smut]

o A classic accidental bonding. This fic has the best awkwardness from the forced intimacy and the slowly learning not to want to kill each other. The tropes are perfectly done here. This is one I’d recommend for anyone.

· Distance Removed by General_Button (One Punch Man, Mature, 44K, 2016)

o Pain along his wrist fizzled into existence and then, like a switch, exploded. Saitama stumbled back, fighting the urge to shout, and waited for it to fade. “What—sensei, are you all right?!” Genos was staring at him incredulously, his mouth agape.

o [Genos/Saitama, forced proximity, shared physical sensations, healing, intimacy, friends to lovers]

o This really captures the voice of the characters and show; the deadpan absurdity of them living their normal lives with all this fantastical stuff going on and Saitama’s emotional disconnect.

· Once Upon a Time (A Fairy-Tale Love Story) by littlebirdtold (Star Trek, Explicit, 47K, 2013)

o Jim finds himself in a parallel universe where the Milky Way is under the control of an alien race and ends up as a servant in the residence of the Royal House of Vulcan. As he starts adapting to his new life, Jim's curiosity fucks everything up—but hey, Vulcans shouldn't have told him that he isn't allowed to enter this wing of the palace; Jim has never been good at following rules.

o [porn with plot, humor, power imbalance, communication is a skill, emotionally constipated Spock, asshole parents, telepathy, empathy]

o Littlebirdtold has a very particular voice for Kirk that I don’t 100% love; it’s like he’s too driven by his dick. Her fics tend to conflate love with good sex. However, this is still very good, well-paced, sexy, and fun. I think my problem with her fics are personal taste because they are excellent, and clearly popular.

· ♥ The Morning After by noodleinabarrel (Star Trek, Mature, 50K, 2016)

o After a passionately illogical night of Romulan Ale and chocolate infused liquor, everything changes when Jim wakes with something other than a hangover filling his head. Something he's sure neither he nor Spock can handle. Because if Jim knows anything for sure, it's that his messed up thoughts belong nowhere near Spock's clean, ordered mind.

o [accidental bonding, UST, pining, forced intimacy, insecure!Kirk, healing, Oblivious!Kirk, afraid of commitment, mind meld shenanigans]

o This is a perfect example of an accidental bonding fic. Like this is what I would put as the picture in the dictionary. Needless to say, it’s very good.

· UST (An Unfortunate Series of Tropes) by ureshiiichigo (Teen Wolf, Explicit, 54K, 2015)

o Stiles thought he and Derek were finally getting to be bros, and then Deaton had to go and ruin everything with his stupid spell.

o [Tropes, so many tropes, soul bonding, accidental soul bonding, scent kink, pack dynamics, Oblivious!Stiles, EmotionallyConstipated!Derek, UseYourWords!Derek, gratuitous sandwich sharing, telepathy, smut, dubcon, consent issues, communication issues, doughnuts, UST]

o This was written for a trope bingo and it is glorious for it. It’s a bit silly, but, like, in a good way. The sexy bits are also very sexy.

· Cursed Or Not by Ltleflrt (Supernatural, Explicit, 115K, 2014)

o While experimenting with magic when he was a kid, Sam accidentally cursed Dean. Now, Dean is forced to wear a spelled amulet constantly, or he'll turn into a random animal. For a little over a decade, he's learned to live with the curse, and has even found it useful in some cases, but he sure would be happier without it. When he meets a witch named Castiel, he's offered a deal.

o [Destiel, Witch!Castiel, Familiar!Dean, trust issues, minimal smut, UST, Sassy!Gabriel, accidental bonding]

o This one is rather out of character; however, the writing is solid, and overall it’s a solid fic, but not if you’re looking for a great depiction of Dean. I think this is for people who want fluff and romance in their fics rather than angst. Which is probably why I wasn’t as into it, lol.

· ♥ ♥ Mental by sara_holmes (Harry Potter, Mature, 187K, 2010)

o Harry has had quite enough of sharing his mind with someone else, thank you very much. A miscast Legilimency spell says otherwise.

o [Drarry, telepathy, humor, angst, pining, bickering, communication, smut, jealousy, super focus on the telepathy, mind meld, slow build, enemies to friends to lovers]

o This is a classic. One of those perfect fics that you’re sad you can only enjoy for the first time once. It also deeply explores the characters, doing an especially good job with Draco.

#fanfic #fanficrecs #votron #sheith #klance #drarry #supernatural #harry potter #star trek #bonding #accidentalbonding #tropes #soulmate #soul bond #one punch man #x men #dresden files

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miss-m-calling · 3 years

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Fandom Growth Exchange 2021

Fandoms:

The Marianne trilogy - Sheri S. Tepper

Jutro će promeniti sve | Morning Changes Everything (TV)

Senke nad Balkanom | Shadows over the Balkans a.k.a. Black Sun (TV)

Бeсa ǀ Besa (TV)

Oficir s ružom | The Officer with a Rose (1987)

Dear author,

Hello and thank you for writing for me, and extra special thanks that you’re tackling one of these tiny canons of my heart. :-)

I’m Miss_M on AO3. For all requests, I am asking for fic.

General likes:

-pre-canon, canon, post-canon, canon-divergent, and missing-scene stories

-character-driven as well as plot-driven stories

-fics which mix humor and angst/serious business (when this fits the canon)

-characters at work and play

-group dynamics, family dynamics (including constructed families), professional partnerships, friendships, alliances, rivalries, intimate couples (new lovers/first times as well as long-term/established couples), UST-ridden couples who are not just UST-ridden but connected in other ways too

-irony, snark, humor, angst – all arising from the characters rather than the plot crowbaring it in

-linear, non-linear, and 5+1 stories

-hopeful endings, happy endings, bittersweet endings, “everything is awful but you’re here and maybe I don’t entirely hate that” endings

-worldbuilding

-spiky characters who keep their jagged edges and spikiness in adversity as well as when their lives are going well, square-peg-in-round-hole characters, tough characters with (maybe not so well) hidden vulnerabilities, characters who are their own worst enemies, characters who manage to get over themselves when the occasion calls for it, characters with conflicting values which may or may not be reconciled/resolved, characters who treat each other with respect and as equals even if they hate/annoy/can’t stand/love to dislike each other, characters who may not be exactly friends and may well irritate one another but manage to rub along to get the job done and maybe even grow to care about one another (much to their surprise/reluctance/discomfort), characters who just cannot get along with each other or find common ground

-workplace stories (this can mean anything from an actual workplace/casefic/procedural setting to anything that revolves around the canon world in which the characters live) in which the characters get to be competent

Shippy and smutty likes:

-(where it fits the characters) banter

-competitiveness or antagonism shading into attraction (this tension need not be resolved)

-”oh god why did it have to be you what did I do to deserve this“

-”come here and say it to my face/do that again/kiss me, you motherfucker”

-bickering yet loving couples

-characters who are serious about their romantic interests

-characters who think they are much better at flirtation than they actually are

-characters forced to work together only to prove much more compatible than they initially assumed

-fics which mix an exploration of characters’ professional and everyday lives with shipping

-characters who are incompatible in some important way (they are ideological enemies, cop and criminal, spies from opposite sides, or there has been betrayal!!!), and while they love and/or want each other, they’re not willing to change sides or abandon/compromise their identity/beliefs for the other’s benefit

-I don’t know how better to phrase this than: smut which fits the characters; how does their canon dynamics spill over into hubba hubba stuff?

-sexual scenarios that subvert expectations a little and surprise the characters themselves

-sexual scenarios that contain an element of competition or antagonism

-“this is a bad idea but we’re going for it hammer and tongs”

-not wanting to admit feelings or show vulnerability except oops it happens anyway, whether the characters acknowledge it or not

-characters getting way more into the sex or being more affected by it than they thought they would

-quick and intense sex, slow and intense sex, rough yet willing sex (when it fits the characters), unexpectedly emotional and/or tender sex

-masturbation while thinking of the other half of the ship (or not wanting to think about them only oops there they are in the fantasy!)

-first time sex

-established relationship, we-know-each-other-so-well sex

-”we’ve both wanted this and now we both know it so here we go diving in headfirst” sex

-for het and/or slash, oral, vaginal, anal incl. pegging, manual (ifyouknowwhatImean) – all is good. You can go as veiled or as explicit as you like, but please avoid excessive medical jargon – I don’t find a lot of mention of “penis” or “clit” sexy.

Ship/smut DNWs:

MPREG, A/B/O, knotting D/s, formalized BDSM, painful sex, hard kinks (holding someone down playfully, hair pulling and such like, the odd spank are a-OK) scat, watersports knife/gun/blood play incest deaging/infantilization, mommy/daddy kink under-16yos in sexual situations humiliation body distortion/horror (feeding/weight kink, come inflation, vore, etc.) unrequested ships/pairings soulmates and soul marks pregnancy and children (can be mentioned if canon, just don’t make the whole fic about them) wedding setting/theme secondary characters shipping the main pair like it’s their job xeno, tentacles, bestiality noncon/dubcon

Other DNWs:

torture and abuse (this and noncon/dubcon can be mentioned, but please don’t dwell on it in loving detail or subject any of my requested characters to it) descriptions of vomit, shit, and piss (”He pissed up against a tree” and the like is fine), toilet humor lots of gore/blood (mention it, yes; lovingly describe it, no), cannibalism, serious illness or injury character bashing genderswap/genderbent characters, characters as kids/young teens issuefic, gender/sexuality/race/ethnicity/religion/ability/identity headcanons death of requested characters hopeless, unrelenting gloom/angst/horror RL holiday setting/theme, RL religions as a major theme (invented fictional holidays and rituals are fine) reference to RL current events 1st and 2nd person POV unrequested crossovers or fusions AUs which have nothing to do with canon fic written in lapslock

Requests:

The Marianne Trilogy - Sheri S. Tepper

Marianne Zahmani, Makr Avehl Zahmani, Aghrehond, Therat, various combos thereof

What is this canon: Low fantasy, feminist trilogy about Marianne, a student at an American university who comes from the tiny, fictional country of Alphenlicht, wedged in between Turkey and Iran, with a native religion that vaguely resembles Zoroastrianism, a long tradition of both light and dark magic, and civil conflict with echoes of the Cold War (one part of the country seceded with Soviet help). Marianne is financially dependent on her abusive older brother Harvey, but trying to assert her independence. Then she meets Makr Avehl, a cousin and de facto president of Alphenlicht, who’s both a mage and a charmer. And then Marianne gets targeted by dark magic and has to become self-assertive and figure out how to save herself, even as Makr Avehl also tries to save her (and sweep her off her feet), often with more complicated results than he intended. Every book introduces a different set of magical challenges, most of which transport Marianne to a different constructed/magical realm, with disturbing parallels to the cruelties of the real world and some interesting meta commentary on gender relations. Also in the mix are Aghrehond, Makr Avehl’s loyal retainer, chauffeur, and all-around kind soul, and Therat, an intense young mage in training.

The books came out in the late 1980s and were reprinted in a one-volume omnibus edition. They’re long out of print now, but you might find them at your library or used copies for sale online.

While I have a like-get-annoyed relationship with most of Tepper’s work I’ve read, I adore this trilogy unreservedly. I love the mixture of dark fantasy, sly humor, creepiness, complex magical systems and surreal constructed/parallel/hidden worlds described in just enough detail while remaining, for lack of a better word, magical, the intersection of old and new and invented worlds… I adore Marianne, whose lives (it makes sense in context) have made her many things: the traumatized yet defiant survivor, the semi-skillful player of the game of life and magic, the lover and wife and mover-and-shaker in her own right. Her relationship with the other characters – romantic, sometimes overbearing, arrogant, yet loving and lovable Makr Avehl; intense and dedicated Therat; loyal, warm, kind, humorous Aghrehond – are so rich and wonderful. I love all the playing with and inverting and deconstruction of tropes and cliches, the aforementioned magical/constructed/parallel worlds of whimsy and creepiness that riff on ordinary aspects of the real world while also running on their own internal logic…

Canon-specific DNWs: Harvey or Madame Delubovoska appearing in the fic (you may mention them); focusing on Marianne’s pregnancy or on her and Makr Avehl’s daughter; anything over M rating for sex

Some prompts:

Any/all of these characters visit the Cave of Light and then try to solve a problem or complete a quest (however grand, mundane or cracky) according to its message.

Road trips with Aghrehond – exploring Alphenlicht and/or magical realms.

Marianne said at the end of the last book that Therat may be surprised – I’d love to see what might surprise Therat, in addition to Marianne and Makr Avehl’s firstborn sharing her name. Or give me Makr Avehl having to work closely with Therat due to some magical/mystical/political issue, given that he’s always dropping unsubtle hints about her scary eyes. Or Aghrehond being deferential yet unintimidated by Therat – and maybe even making Therat laugh.

Any/all of these characters end up visiting fields on the board-game from book 3 which the book didn’t describe – what kind of a place do they encounter? What (probably dangerous, troubling, and/or creepy) adventures do they have?

Marianne promised to meet Queen Buttercup for a meal at Frab Junction’s Marveling Galosh – magical promises are serious things, so what happens when Marianne has to make the date and the others come to save her and possibly get in each other’s way more than they help?

I loved how canon gently sent up Makr Avehl’s image of himself as Marianne’s protector/lover/white knight in the first and third books’ magical worlds. Actually, Makr Avehl as the Freudian chimera in book 1 and as the hapless hero in book 3 are my favorite things about this canon, beside the general worldbuilding and Marianne’s character development. So I’d love to see more variations on that theme - Makr Avehl as Marianne’s hero, both swoony and ridiculous, gentle yet lecherous, intense and funny with it - either in the real world or in some new (and sinister) magical realm (you can tell that I would love worldbuilding for this canon).

As a general note, I do ship Marianne/Makr Avehl, but I would prefer any shippiness to remain at the books’ level, so nothing too explicit and nothing that overwhelms the non-shippy plot, please. I’m more into this canon for the worldbuilding and the inventive magic, and I like how the books mix the shippiness with adventure, magical horror, and often-meta humor. Oh, and I would prefer not to have Harvey Zahmani or Madame Delubovoska appear in the story – they can be mentioned, just no walk-on parts for them please. Walk-on parts for Marianne’s parents or aunt, or for Makr Avehl’s sister are fine.

Jutro će promeniti sve | Morning Changes Everything (TV)

Anđela Knežević, Aleksandra “Saša” Tomić, Ivona Spasić

What is this canon: one-off Serbian TV show, 39 episodes in total. A slice-of-life drama that follows one year (even though it was all filmed in spring and summer, and it shows) in the lives of four thirtysomethings in contemporary Belgrade, dealing with life issues common to that generation but also specific to being a still-young, educated, professionally and existentially frustrated person living in Serbia today. The main characters are: Filip, a programmer who’s lived in the US for several years and kicks off the show by coming home for what’s supposed to be a vacation but turns out to be a permanent stay; his sister Anđela, who’s finishing her PhD, expects to get a permanent teaching position at the University of Belgrade, and has a nice, steady boyfriend she’s bored of, not least because she eventually figures out she’s not straight; Anđela’s roommate Saša, who starts the show running a bar and running through men like Kleenex, and gradually reveals her issues and vulnerabilities; and their friend Ljuba, who’s from a small town, works in a gym, and pinballs between several girlfriends in part because he’s homeless and needs a place to crash. A major supporting character is Ivona, Ljuba’s on-again, off-again girlfriend whom none of Ljuba’s friends like due to her severe personality.

You can watch the whole show here (free account needed).

Listen, this is my show. I feel it in my bones. I rewatch it at least once a year, and I always get so immersed and then wish there were more, even though I respect the showrunners’ decision to let it end with a kind of low-key “and the adventure (their lives) continues…” vibe. So I would be delighted with pretty much anything you choose to write! I am only asking for the female characters because I find them especially rich and interesting, and their dilemmas and problems especially poignant. Feel free to write something funny (that specific city humor!), something with a sad or melancholy or happy or totally open ending, something with or without a plot, a character vignette, a slice of life… All of those would fit the show’s mood and narrative arc. Also, as much local color and detail as you want to work in, I would love love love, especially if it’s from the proverbial krug “dvojke” – and if you want to write the fic in Belgrade Serbian (all the slang! all the cultural references that people born in the 1980s would know!), or include some phrases/words/lines of dialogue in it, I would probably dance a literal jig of joy and celebration.

Canon-specific DNWs: explicit smut (M rating and/or fade to black is fine); Saša/Filip-centric fic; fic centering only on Ivona’s pregnancy and/or baby; soapboxing about Balkan history/conflicts/ethnic relations

Anđela:

-Anđela in Iceland. Dealing with culture shock, especially when she least expects it. Making friends with her African roommate – two people’s experiences of culture shock clashing and/or meshing. Trying to date or hook up with girls in a society that’s a lot less homophobic but also less familiar in every way than Serbia. The emigrant’s inescapable sense that something’s missing: adjusting to her new life and homesickness, knowing why she left but wishing things could be different anyway. Or, it’s the end of Anđela’s postdoc year and she has to decide (again): now what?

-After her year in Iceland, Anđela moves in with Saša again. How has their relationship changed and how has it stayed the same? If she decides to make a go of staying in Serbia, what are Anđela’s career prospects? Anđela’s canon arc is all about figuring out what to do when your life and what you want out of it turn out very differently than you always assumed they would, so it would be cool to see her forge a career path that uses her education and professional skills in unexpected ways.

-She runs again into some of the people who shaped her decision to leave in the first place: Darija, Marta, Miroslav, the two lecturers who squeezed her out of the Psychology Department… Those encounters are not easy or even pleasant, but they give Anđela something important nevertheless: closure or…?

-Of all the main characters, Anđela has the most intense connection to places, like when she rides her rental bike around the city before she leaves for Iceland, or how she’s often framed as being alone in spaces even when there are other people present (the moving-in party, many of her scenes at the university and in Studentski park). Give me more of Anđela just taking in and experiencing a place, whether that’s Belgrade or Iceland or wherever she goes after Iceland.

Saša:

-AU where Saša is the one that goes abroad at the end of the show. What drove her to it? Where does she go and why (or at least, what’s her excuse for visa purposes)? How does it go – does she stay abroad permanently, or does she come back after a while?

-Saša’s half-sister moves to Belgrade to attend FLU (the art academy) and moves in with Saša after Anđela goes abroad. They learn to be friends and sisters and roommates. They grieve the loss of their father in their own as well as in shared ways. There’s a generation gap, despite Saša’s cool-girl persona – how do they navigate it?

-More of Saša and Ljuba running their restaurant. I’d love either something dramatic (someone’s trying to force them to pay protection money or force them out of their rented space, a kitchen incident happens and there are hungry people waiting…), or a totally mundane, cozy vignette (putting together the menu for next week, chef Ljuba absolutely must have this one ingredient and he wants it from Bajlonijeva pijaca because they may charge 350 dinars but quality matters – and Saša really doesn’t see why they can’t just go to Tempo…) It would also be cool to see more of Dina, the high-strung but pretty cool manager at the restaurant where Saša and Ljuba worked before they opened their own place.

-Saša and her mom Svetlana have the hardest time being kind to each other, and it’s not for lack of love. Sometimes people just can’t get along easily. How do they get along not-easily after the ways in which canon changed them both?

-I’m not really interested in Saša/Filip, but you can include that canon ship in whatever you’re writing. Just please don’t make the whole fic be just about the ship.

Ivona:

-I may be the only person who’s watched this show who actually likes Ivona. I love her self-possession, how she is absolutely herself and doesn’t bother to pretend otherwise even if it annoys or makes others uneasy, and she’s arranged her life in a way that works for her. I also love her brief flashes of vulnerability and even relaxation. Maybe a day in her life as a career woman and single mom, either with or without her nice boyfriend and/or Ljuba being around? Re: my blanket DNW for fic revolving around babies and pregnancy – you can include Ivona’s pregnancy and motherhood in the fic, just please don’t make the whole fic be just about that.

-Ivona takes her dog Marlena to a dog show. She has to be very cool and serious, and is like that by nature, but it’s exciting when her dog wins something!

-Ivona interacts more with Anđela and/or Saša. They were once very incompatible roommates, maybe that’s how Ljuba met Ivona in the first place? They happen to just hang out one time, and they won’t ever be friends but maybe they can find some common ground? Saša especially dislikes Ivona and judges Ljuba’s involvement with her, and Ivona’s aloofness and humorlessness can make her seem harsher than she perhaps is – it would be interesting if those two could maybe learn not to dislike each other quite so much.

Senke nad Balkanom | Shadows over the Balkans a.k.a. Black Sun (TV)

Andra “Tane” Tanasijević & Stanko Pletikosić

What is this canon: Serbian historical crime drama set in the interwar era. Loads of characters, the city of Belgrade and the Kingdom of Yugoslavia itself being almost characters in their own right, plot twists all over the place, people’s allegiances changing on a dime, murder mysteries, the drug trade, and the illicit pursuits of both rich and poor influencing the RL course of some major events. For comparison, think Babylon Berlin but, like, super Balkan. Two seasons so far, 10 episodes each, set in 1928 and 1934, respectively, with a third season currently in production, set to tackle the early days of World War II. The two leads are a fun variation on the old cop-young cop trop. Old cop is Andra Tanasijević (Tane), veteran homicide investigator, also veteran of World War I, (semi-)alcoholic, cynical, terminally unimpressed by everything and everyone (himself included), but still with a white knight streak he can’t seem to suppress even when it gets him in trouble. Young cop is Stanko Pletikosić, war orphan, trained abroad in forensic science, earnest, sometimes snarky, wet behind the ears but by mid-S1 he starts to get more streetwise without losing all of his idealism. Together They Fight Crime! Also get tangled up with all sorts of criminals, spies, government operatives, and shady dames, while they try to set the world and history straight.

The second season is available here, and the first one can be found, ahem, torrenting around.

All I want in fic for this canon is MORE. More canon-style shenanigans, more of that rich atmosphere, more historical detail, just MORE. Play with the canon however you like! Plot out a case fic! Embroil the two detectives in more historical goings-on, either before WWII, during it, or even after it! The show tends to reassert ontological inertia so historical events always fall into place as they did IRL – you can work with that, or go ahead and change the course of history (rather, have Tane and Stanko do it)! Have them interact and likely get in trouble with some of the other characters! (I am fond of the entire cast, especially Pršo, Stanko’s grandfather, all the Jatagan Mala folks, everyone who works at Glavnjača, the entire Macedonian mafia, all the historical characters – yes, all of them, even the really nasty pieces of work benefit from their actors’ commitment to the role. I would especially love for some of the supporting female characters – Mara, Mina, Violeta, Jana, Sonja – to get a chance to shine, or kick ass, or get their own revenge/heart’s desire, or even just fuck shit up and get in other characters’ way.) Or you could just have Tane and Stanko drown their troubles and shoot the shit in a tavern long past last call!

I would be happy for their dynamic to be what it was when they first met, all rubbing each other the wrong way and reading each other wrong (and sometimes right), or what it becomes later, when they’re a crack team even if they sometimes get on each other’s nerves big time. If you’re writing a case fic, feel free also to bring in Božidar Zečević, Stanko’s S2 partner, at least while he was along for the ride as a fellow investigator, before his role in the plot is revealed. I was very amused by his and Tane’s mutual animosity, very “the missus and the ex” over who gets to call Stanko his partner. (Also Zečević was totally in love with Stanko, come on!)

If you wanted to include some dialogue or phrases or hey write the whole fic in any dialect of what used to be called Serbo-Croatian, I’m here for that with bells on!

Canon-specific DNWs: Tane/Stanko; focus only on smut or ships (you can include the characters’ canon or invent non-canon ships, I just don’t want a fic only about those); anything above M rating for sex; soapboxing about Balkan history/conflicts/ethnic relations (the characters can clash about this, use stereotypes, etc. – I just don’t want the fic to be an excuse for the writer’s hot takes, ‘kay?)

Бeсa ǀ Besa (TV)

Petrit Koci

What is this canon: crime drama, one 12-episode season so far, produced in Serbia with dialogues in Serbian, Albanian, and English, and created by Tony Jordan of “Hustle” fame. Set in (and with a cast including actors from) several ex-Yugoslav states, the story follows three main characters: a Serbian family man and regular joe who accidentally kills the daughter of a major Kosovar Albanian crime boss in a car accident; said Albanian crime boss, who coerces his daughter’s unwitting killer to start working for him as an assassin; and a half-Albanian, half-Serbian Interpol agent who’s after the crime boss but starts investigating the regular joe turned assassin as well.

You can find it on Dailymotion if you search for “BeEp.0[episode number]”

The show has a twisty plot (with one plot hole I would love to get fix-it fic for, see below), gritty and handsome visuals, excellent performances, IMO is really good at depicting the various ethnicities and the complicated history behind the present-day events, and has a great through-line of deconstructing Balkan machismo and patriarchal culture. All three of the main characters have an image of themselves as MEN who Provide and/or Take Care of Business and Put Family First, each in their own way, and all three end up compromising on all their principles by season’s end. The women in the show’s ‘verse sometimes become collateral damage but also assert themselves in unexpected ways, which is great. The title refers to the Albanian (but more broadly, Balkan) cultural concept that one’s promise/vow/word of honor has to be kept and carried out no matter what, at peril of losing face, dishonoring both oneself and one’s family, even death. This gets deconstructed five ways from Sunday too, and it is awesome.

I’m requesting the Interpol agent because I find him to be the most fascinating. He is so committed to being the “good sheriff” and carrying out his professional duty regardless of whom he has to piss off along the way, but is also often quite ineffectual because the local police forces with which he has to cooperate tend to resent both his attitude and his ethnic background – not to mention that when everyone’s corrupt and compromised, the man who refuses to play the game makes lots of enemies. He’s also a real hard-ass who made a conscious choice long ago to have nothing in his life but his work, is a bit of a bastard, has a huge blind spot about gender which comes back to bite him, and ultimately is driven by a desire for personal vendetta more than an abstract commitment to justice (I love a character who is super focused on their goal and presents themselves as invulnerable, yet whose insecurities and traumas are always just beneath the surface of what drives them). And yes, by the end of the season he’s presented with a Faustian bargain and gets a huge target on his back. There’s a lot to unpack there!

I will eat up any local color you want to throw in. Ditto, the canon is super intense, but if you find a way to bring in some vintage Balkan pitch-black humor, I’m here for it. If you wanted to include some dialogue or phrases or hey write the whole fic in any dialect of what used to be called Serbo-Croatian, I’m here for that with bells on! Alas, I do not read Albanian, but if you want to include dialogue/phrases in it, go for it, so long as you tell me (in parentheses, in footnotes, whatever works) what’s going on.

Canon-specific DNW: soapboxing about Balkan history/conflicts/ethnic relations (the characters can clash about this, use stereotypes, etc. – I just don’t want the fic to be an excuse for the writer’s hot takes, ‘kay?)

Prompts:

-Any kind of casefic, either a divergence from S1, something pre- or post-canon, or a side investigation spinning off from the canon’s central plot. Anything that requires Koci to again traipse all over former Yugoslavia, butt heads with everyone, interrogate people, and do that soft-spoken “you don’t want to give me what I want but you’ll do it anyway” thing he does along the way. Maybe he gets a case that seems to have nothing to do with his pursuit of the Berisha clan, is annoyed by this (how dare his bosses expect him to work a case in which he’s not personally invested), but then surprise! There’s a connection between the cases.

-Something that requires Koci to use his knowledge of Albanian language and culture even more than in canon. I love how the canon depicts the existential discomfort of never fully fitting into – or being accepted by – either of the cultures/communities to which one has a connection, and how a person can become antagonistic and volatile as a result. Leaning into that would be wonderful.

-The Petrit Koci we meet at the start of the show has a solid façade of having no one, needing no one, wanting no one in his life. But what we learn about his background along the way (his police-chief father’s murder by the Berisha clan when he was a kid, the ex-fiancée whose family found him “a little too Albanian” for their taste) suggests that there was a lot of repeat heartbreak along the way, like he had to build his hard-ass persona one unpleasant life experience at a time. I would love something that explores his background in more depth – maybe a 5+1 fic, five times Koci let something get to him and one time he refused to care?

-Related to that: we learn a little about Koci’s father (whose murder when Koci was a child is his primary motivator), but we learn nothing about Koci’s mother other than that she’s ethnically Serbian. Is she still alive? What is/was their relationship like once they were alone and relocated from Prishtinë/Priština to Belgrade (in the 1980s, 1990s, 2000s, oh my)?

-Koci has devoted his whole life to bringing down the Berisha clan. He finally gets his wish. Now what the fuck does he do (with himself)?

-I was really struck by the one scene of Koci talking to Skënder Berisha – everything about the past history between the Koci and Berisha families, but especially Koci’s line that his late father didn’t believe in blood vendettas, but he (Koci) does. The end of the season implies he might go totally rogue, because if he can’t bring down the Berishas through the law, there are other ways. Tell me how this goes. In general, tell me your version of S2, there’s other stuff (ahem, spoilers) at the very end of S1 that suggests more trouble is coming down the pike.

-The one glaring plot hole which made me want to throw stuff is when Koci repeatedly dismisses one suspicious development as “oh that guy was lying because he’s cheating on his wife, nothing to see here.” I hate it when smart characters act dumb because the plot needs to keep going for however many more episodes. This does come back to bite Koci by season’s end, but I’d love to see it go a different way.

-Ship fic? Yes to ship fic! I would love either gen or ship fic for Koci paired with any of the following characters. Maybe the other character has to turn to Interpol for help/becomes a material witness/gets arrested/enters witness protection, or otherwise has to do teeth-clenched teamwork with Koci. If any of those dynamics turn porny, the antagonism and complicated dynamics and maybe a reluctant recognition that they’re not so different would perpetuate themselves in the porn too, and I’m here for it. (For this canon, I’m waiving my dubcon blanket DNW, but for M/F ships I want both to be motivated by anger/revenge/general existential bleakness instead of or as well as lust – so no M/f dubcon, please):

Uroš Perić – the regular joe turned assassin, who gets multiple chances in the course of the show to seek Koci’s help and doesn’t because he gets in deep and wants to be the guy that protects his family and takes care of everything himself. I keep thinking back to their very first scene, when Koci gives Perić his calling card and tells him to get in touch, and Perić could have done that before he committed his first murder but… didn’t. And then at the end, there’s that huge spoiler setting up S2. Despite becoming a murderer several times over, Perić is a much softer character than Koci, but he doesn’t like getting pushed around either. How would they work together, how would they clash?

Marija Perić – Uroš’s Croatian wife, who has the thankless role of being married to the guy who’s keeping her in the dark about major plot developments, but makes up for it with how she reacts to the hints she gets of Uroš’s continuing troubles as well as getting on Koci’s radar. She’s scared and out of her depth, but she’s also angry and antagonistic when she thinks Interpol is harassing her for no reason. I love the scene where Koci interrogates her and she won’t give him an inch even when he blindsides her with evidence of her husband’s activities – more of that kind of thing, please!

Dardan Berisha – the grieving crime boss and main target of Koci’s obsession (even though it was actually Dardan’s old uncle who had Koci’s father killed decades earlier). They’re both such hard, intense men, in part because they’ve had to be, and the narrative sets them up as mirror images of each other (while Uroš Perić is more a study in how someone becomes hard when circumstances push them to it). Yet while their conflict underpins the whole show, they rarely share a scene. Put them together more; let them fight or y’know *waggles eyebrows*.

Teuta Berisha – Dardan’s wife, who first loses her daughter, and by the end of the season her family is totally blown to smithereens, in part because of how she chooses to assert her agency within the super-patriarchal context in which she lives. She was ambivalent about her marriage before we meet her, and I love how canon events bring out her anger, grief, and quiet steeliness. Also, that moment at her daughter’s funeral when Koci gives her his condolences really hit me – they know they are enemies, but there’s that moment of standoffish respect between them. What if somehow they had to work together? A divergence from the end or any part of S1 would be very welcome.

Divna Dukić – Koci’s Interpol colleague and maybe the only character that likes him. Their dynamic is both very professionally respectful and yet… “flirtatious” may be too strong a word. They obviously have a little thing for each other but choose not to act on it for a whole mess of reasons (he’s an emotional disaster area, she has enough on her plate as a single mom with a shitty ex, they work together). Also, I have a theory that Divna, while seeming loyal, may take her marching orders from one of the criminal elements or maybe from the more corrupt parts of Interpol or the Serbian police. I would love any or all of that to get explored more.

While I do not want them shipped, the conversation at the hospital between Koci and Skënder Berisha is one of my favorite scenes, so if you want to throw those two together more as gen antagonists – yessssss, give it to me!

Oficir s ružom | The Officer with a Rose (1987)

Petar Horvat/Matilda Ivančić/Ljiljana Matić

What is this canon: Yugoslav movie set in Zagreb in 1945, right after the Partisan (communist resistance movement) victory in World War II. Matilda is a young widow whose husband was a little too close to the Croatian fascists and the Nazis, and she herself is too much of a rich bourgeois lady for the new regime’s liking. She runs afoul of Petar, a Partisan officer who threatens her with jail time and having her lavish apartment turned into communal housing – but in the end, Petar only moves his girlfriend Ljiljana into Matilda’s apartment and then starts hanging around more and more himself. Ljiljana is very young, naïve, and unworldly while also being a hardened soldier and true believer in the better future that communism would build, and she adores Petar and develops a very obvious girl-crush (or maybe just a crush) on Matilda, who is both bemused and reluctantly fond of Ljiljana. Matilda and Petar initially treat each other with anger and a kind of amused contempt, then they start to fall for each other. Uh oh – on both the personal and the political level.

You can find the movie floating around various sites with ex-Yu movies, it was/is on Dailymotion too.

I love how this movie is quite gentle with its characters while they deal with violent and horrific world events, how the narrative lets each of them fully embody their class, gender, and ideological self, plays up the conflicts and the barbed humor and the reluctantly-nascent commonalities between them for emotional payoff, and even when they’re happy (or think they are), the times in which they live just don’t allow for anything like a simple HEA. How to improve on canon? Clearly the movie should’ve gone the threesome route! I would love something set either in those early days, when Petar foisted Ljiljana on Matilda as a tenant and basically moved in himself, or a divergence so Ljiljana never leaves Zagreb and the ending isn’t such a complete bummer.

For early-days scenarios, gimme more of the merry war between Petar and Matilda, with Ljiljana’s crush on both of them stirring things up even more. Teasing and fighting and not wanting to admit they actually do get along, while enjoying breakfast for three. People walking in on each other in the shower. More of how, in the movie, Matilda’s apartment is an oasis from the massive changes happening outside, but the world keeps encroaching on the trio’s intimacy anyway. Maybe Petar and Ljiljana discover other elements of bourgeois living they start to enjoy, or they know they shouldn’t care when Matilda has to give some of her creature comforts away or trades them on the black market, but they mind anyway. Or, by painful fits and starts, Matilda adjusts to the new reality; maybe for some reason Matilda has to accompany the other two to the working-class neighborhood where Petar grew up or to Ljiljana’s village, or they bring her along/she gets sentenced to work on a public reconstruction project (radna akcija), and she hates it, but she has people on her side whether she’s ready to see it or not. If you want to write smut, I’m here for three-way sex, or for one of them to egg the other two on or spy on them so they can watch (oops they don’t end up just watching!), and/or for one or two of them to teach the other(s) something they haven’t done before or consider to be beneath them, and everyone enjoys it greatly. There’s great potential here for emotional manipulation and mind games, and I’m here for it.

For a canon divergence from the end, I don’t need a HEA – just don’t let people be dead and/or alone and inconsolable. The historical era was what it was, these characters are who they are (for one thing, Petar is strongly implied to participate in executions of political prisoners). I am good with as much historical detail as you want to throw in, and I’m good with an open-ended or bittersweet or even ominous ending, just so long as it’s not all unrelenting gloom and there is acknowledgment of the attachment between the trio.

If you wanted to include some dialogue or phrases or hey write the whole fic in any dialect of what used to be called Serbo-Croatian, I’m here for that with bells on!

Canon-specific DNW: Ljiljana’s canon pregnancy featuring in the fic; breaking up the threesome into just a series of twosomes in a smut scenario (I’m good with twosomes leading to some kind of three-way scenario, but not twosomes alone); soapboxing about Balkan history/conflicts/ethnic relations (the characters can clash about this, use stereotypes, etc. – I just don’t want the fic to be an excuse for the writer’s hot takes, ‘kay?)

#dear author letter #fandom growth exchange

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chickadee333 · 8 years

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Impossible Love Masterlist

Without further ado, here is my finalized Masterlist for my novel Impossible Love. At over 85,000 words, you guys are serious readers to put up with this!

(Update: You can also find my fic on AO3 at this link. It’s easier to read there.)

As always, my intention is to write a good, well thought-out story with some sexy, smutty stuff thrown in, and I hope you enjoy it! I like to create some angst-y situations and just have things build up from there. A little sexual tension is fun, right?!? Just another fair warning: This novel contains adult content. Most of my chapters have extremely graphic depictions of sex and violence and, on one occasion, both of them together. But this is ultimately a love story, so I definitely hope you stick around for the ending.

Impossible Love: A Novel by Chickadee333 (aka D):

Chapter 1: A New Beginning

Chapter 2: A Troubled Past

Chapter 3: An Unspoken Lust

Chapter 4: A Forbidden Desire

Chapter 5: A Heartbreaking Discovery

Chapter 6: A Manipulated Promise

Chapter 7: A Welcome Freedom

Chapter 8: A Certain Homecoming

Chapter 9: An Uncertain Decision

Chapter 10: A Hostile Takeover

Chapter 11: An Indelible Mark

Chapter 12: A Time Together

Chapter 13: An Agonizing Choice

Chapter 14: A Forced Confession

Chapter 15: A Tormented Mind

Chapter 16: A Yearning Heart

Chapter 17: An Unspeakable Betrayal

Chapter 18: A New Normal

Chapter 19: A Terrifying Strength

Chapter 20: A Contrived Existence

Chapter 21: A Tragic Revelation

Chapter 22: An Imminent Return

Chapter 23: A Forever Future

(They really sound like romance novel titles, don’t they? I kinda did that on purpose since this is truly a love story...)

If you are interested in reading about my motivation and inspiration, please see my Author’s Note below!

I just wanted to give you a little background about my writing and my inspiration. Actually, my inspiration is all of you incredible people. If there were a Tumblrs Anonymous meeting, I’d be the one raising my hand saying, “Hi everyone, I’m a long-time lurker, first-time poster...” My fangirl head just explodes reading all of the crazy, sexy shit you post. And then the art that is on here! You guys are so fucking talented. My stuff is rubbish in comparison and I only hope that someday I can produce amazing art like all of you do. It is truly an inspiration. In fact, seeing the art on here is what prompted me to purchase my Wacom tablet in February. I eventually plan to have at least one drawing composed for each chapter, though that will take some time.

When I was a teenager, I voraciously read comic books (mostly X-Men) and fell in love with that world of characters and their struggles. I learned to draw by teaching myself forms, figures, shapes, and shadows as I saw them in the comics. I had always wanted to write and draw for comics, but that was a pipe dream and I instead went to college and grad school for something far, far different (science). So, this is my chance to fulfill my fantasy of writing and drawing as I always wanted. You have no idea (or maybe you do, actually) how satisfying it is to finally get this stuff out of my head and into print. When I was a teenager, my angst-ridden, sex-starved mind always wished that the comic books could have been a little X-rated—replete with sexy artwork, too. But it never happened and never would happen in mainstream comics, which is why I finally felt the need to let all of these words pour out along with the artwork to accompany them. It was almost like I was waiting for something like Suicide Squad to come by so I could latch onto it and create my ancillary, alternate universe.

I first saw Suicide Squad at the end of December and I was struck by the fact that there was so much opportunity to create a really interesting story that could never be shown in a PG13 movie (too sexy, too smutty). I spent the first three weeks of January letting the movie marinate in my mind while thinking about the characters and making up little fantasies in my head. Then I saw a note that I had left for myself one year earlier encouraging me to “write more”—which was especially jarring considering that I wasn’t writing at all. So, I decided that I would take the opportunity and start writing down my fantasies. It started with Chapter 1 and how I had wished Joker had broken out of prison in the movie. Instead of torturing Harleen, he would succumb to his pent-up desires and have sex with her. I thought it would end there but it just took off. I wrote 30,000 words in literally two weeks, and I’m continuing to write and ride this out as long as I can sustain it. I have my entire story fleshed out and outlined and I expect to have a total of 14 or possibly 15 chapters when it is concluded. Update: A little over 10 weeks later and I have finished 23(!!!) chapters at 85,000+ words, thus concluding my novel. I’m a little sad that it’s over and I definitely don’t want to stop writing, but I think I’ll focus on my drawings for now. But who knows... I have set up my story for a potentially interesting prequel (Joker’s backstory), so maybe I will eventually work on that... 2nd Update: I will be writing a sequel, not a prequel, and I expect it to be the same length (a long-ass novel, LOL).

I will admit that I am not an expert on the Joker and Harley. I have seen the Suicide Squad movie, but I have not read the novelized version of it and I do not plan to. I know the names of some characters (like Frost) from having seen them float around, but I have been making up my own characters to fit my own story. In fact, other than Joker, Harleen, and Frost, most of my characters are original to a degree. When I write, I like to envision my characters played by an actor/actress so I can describe them better and I will eventually share with you my “cast of characters” for this novel (I actually have it posted already in the end notes on my AO3 page). I also have a running soundtrack in my head as if the story were a movie, and I’ll share that with you all as well (also found at that link).

As for Joker and Harley, I know some basics about them from the movies, some comics, the animated series from the 90s, and things that I’m seeing you guys post here on Tumblr. However, I have never been happy with how the comics/tv shows/movies have portrayed characters like the Joker. It always feels like these kinds of characters are too often portrayed as two-dimensional as their image is on the page. Where is the range of emotion? Where is the depth? I love a crazy, insane character, but they are not compelling to me when there is only crazy and nothing else. Why are they crazy? What is their back story? What drives them? What are their motives? What made them who they are? Is there any piece of humanity within them that can be salvaged? That was one thing that I think they got right with Suicide Squad—Leto’s Joker was portrayed as not only an insane, trigger happy loose cannon, but also suffering emotionally in Harley’s absence. I like kick-ass characters that show vulnerability. It is fucking sexy. I think it is important to add those extra layers of personality in order to make the character feel more real.

As for my portrayal of Joker, I intended to show his emotional and vulnerable side. You know he has one. He is still a flesh and blood person, after all. And he was a real person before becoming the “idea” of the Joker. In my world, he had a normal family life as a child (until his family died in an accident), he went to school, he got some degrees, he used his genius brain to start a business, he had a fiancée and a baby on the way. But shit happened and he is now the way he is. He has anger management issues. He is violent. He is fucked up. And he accepts that. Having said that, however, I was never a fan of Harley Quinn obsequiously fawning over the Joker no matter what abuse he put her through. I do not condone domestic violence and it makes me feel pity for her when I think of her returning to her abuser. In stories where she is portrayed that way, I just want to grab her by the shoulders and tell her that she deserves better than that! I know I would not stay with my abuser—no matter how great the sex was. In real life, I work in a social services field where I have managed cases in which my clients have suffered for too long at the hands of their abusive spouse or partner. That is a fucking difficult thing to be confronted with. It is not sexy; it is heartbreaking. And I find that these real life experiences inform the way that I write. For that reason, I am writing my Harleen as a strong, empowered, independent woman. My Joker, while still the insane, trigger happy loose cannon, is written to show facets of vulnerability and emotion. I think that makes him more attractive to know that he is more than just “crazy” and abusive. I like to show that he has desires, dreams, and urges. I think that kind of depth and dimension can sometimes be missing from the comic books—not always, but sometimes.

I do want to say that there are some brilliant fanfics out there that follow comic book canon with the abusive Joker and the submissive Harley. They really hold true to the characters, and that is an incredible feat within itself—to take a character, to know their personality, and to write a story that is true to how they would act. It’s very impressive. I might finish reading with a feeling of “God damn, Harley, you gotta stop letting Joker walk all over you!” And, to me, that means that the writer was successful because they elicited a true emotion within me—whether it is pity or anger or happiness or angst. So, this is not a put-down for those who do write true to the characters. I have mad respect for you. It’s not my bag, baby, but I will read it and enjoy it and I will walk away having felt something and that is the most important thing. Art in any form should make you feel. It should make you react. It should shock your sensibilities. It should inspire. It should make you think. And that is what I hope my art—both my writing and my drawings—do for all of you.

Sorry to have blathered on for so long, but thank you for reading if you made it this far! Your likes, comments, reblogs, and messages bring a huge smile to my face when I see them. It’s like opening a present when I check my Tumblr activity and see that someone has reached out to me. And please feel free to reach out to me with any comments or questions about anything!!!

So, I thank you from the bottom of my heart and I’m so glad that you enjoy my crazy fantasies as much as I like writing and drawing them!

XOXO,

#suicide squad #impossible love #masterlist #joker x harley #joker #harley quinn #harleen quinzel #fanfic #fanfiction #fanart

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pridemonthpsa · 5 years

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Fetishism of Queer Men Pervades the Shadowhunters Fandom

Alright, I’ve been asked to do a piece about the fetishization of mlm in fandom. This is something that makes me very uncomfortable as I navigate most fandoms, but it’s on a whole other scale in the shadowhunters fandom.

I’m going to try and make this as inclusive of non binary people as I can, but of course, there’s nuance here. I want to emphasise that. This issue isn’t simply mlm vs women. I guess as beautiful enbies, I’ll leave it to you to decide where you fall in this issue.

While it is certainly possible for mlm themselves to engage in fetishizing behaviour, this often comes from internalised homophobia and it is NOT the place of non mlm to call them out on it. I want to make that clear. Following on from this, if an mlm makes you (a non mlm) uncomfortable with the way he talks about his own sexuality, then… Do I need to finish that sentence?

So, to make it clear: if cishet women (or men, though that’s less likely) engage in ANY of the behaviour I’m going to describe, then they are a mlm fetishist and should not be considered a good ally or be supported in fanart, fanfic, or discourse about mlm relationships. If a queer woman/enby engages in this behaviour, it can be hard to figure out what the deal is. Lots of queer women/enbies in this fandom engage with Malec as representation for them as well, since they are the only canon MAIN queer couple in the show. And that is TOTALLY valid. But sometimes, queer women/enbies can overstep too. My rule is if an mlm feels uncomfortable about the way you as a queer woman/enby talk about or interact with Malec, then you need to evaluate what you’re doing.

The main issue with the fetishization of mlm in fandom is that actual mlm involved in these fandoms are ignored, their voices aren’t boosted, and their fanworks are paid dust while cishet women are glorified for their ‘ally’ voices and fanworks. To illustrate just how much mlm get spoken over in fandoms, get this: I literally googled ‘fetishization of mlm’ to research stuff for this thread and the first thing that came up was a thinkpiece by a cishet woman. https://www.themarysue.com/fetishizing-slash/ Now, the article is pretty inoffensive as far as articles on mlm fetishization go, but why on EARTH is the most viewed article on fetishization of mlm written by a cishet woman? Don’t you find that interesting? Why is it that even when talking about an issue where we are objectified and cishet women are the objectifiers, cishet women’s voices are the ones overwhelmingly boosted? The truth is that REAL mlm aren’t wanted or desired in fandom, because the only thing mlm are needed for in fandom is to provide a cute otp that non mlm can project their sexual and romantic fantasies onto. Real mlm are more complex than a cute otp, so we are eschewed.

So other instances/examples of fetishization? One of the classics that makes my blood boil, personally, is the way that non mlm write PWP about mlm couples. I thought about looking for an example, but I couldn’t bring myself to look through AO3 tags. But we’ve all come across those fics where two men in an established relationship flirt for 200 words and start stripping (in the sh fandom, helpfully hastened by Magnus’ magic). In these fics, the ‘top’ (more on that later) will either not prepare the ‘bottom’, or they’ll stick two fingers up there with one coat of lube, magically find the prostate and reduce the ‘bottom’ to a whining mess. Always a whining mess. After a couple of lines of prep (max), the ‘top’ will stick his dick in the ‘bottom’ and wait for a moment, then start fucking the absolute shit out of his ‘bottom’. Now, anyone who’s EVER had anal sex, no matter the gender, will tell you that this is not generally how anal sex goes. So why is this the way cishet women write about m/m sex? The simple reason is because these cishet women are projecting themselves into the position of the ‘bottom’. Vaginal sex, as I hope we know, is practically a lot easier than anal sex. By oversimplifying and straightwashing (for lack of a better term) anal sex, they’re assisting their female readers in their fantasies of being under this queer male top. This particular quote from this article - https://www.lambdaliterary.org/features/oped/08/19/the-fetishizing-of-queer-sexuality-a-response/ - struck me: “The edict for writing has always been: Write what you know. Alas, that is what the M/M writers are doing–they are writing straight male/female relationships but putting them in gay male bodies.” These fanfictions are not meant to celebrate queer men, they are not aimed at queer men, and they aren’t concerned with the reality of queer men. Instead they’re projecting themselves into the more desirable (internalised misogyny, much?) queer men’s bodies. This is similar to the way most mainstream ‘lesbian porn’ is aimed at cishet men. These videos show a version of sex between women that is palatable and ‘sexy’ for the male gaze, and these PWPs written by cishet women work the same way. I wish I didn’t have to point out why that’s harmful, but honestly… The shit I’ve seen in these fandoms I feel like I need to spell it out. Treating mlm as props for you, a non mlm, to get off to, is dehumanising and disrespectful. It is not allyship. It is not flattering. Stop it. Now I know that the sexuality of women, and teenage girls specifically, is judged and policed. I understand that. However, the oppression you face is not an excuse to throw another oppressed group under the bus for your amusement and titillation. That’s it. I said what I said. This article - https://versusthefans.com/2014/07/08/fetishizing-homosexuality/ - goes a little deeper into this issue, but here’s a quote that I thought summed it up: “While I certainly understand being thought of as weird, being scared or worried as [...] she feels about shipping Johnlock, for LGBT people they aren’t just scared because of who they ship, but who they love in real life. At the end of the day, [...] straight women [...] will legally marry a man anywhere in the world she wants and get off while dreaming of gay men together. Must be nice to have your cake and eat it too. It’s not fiction for LGBT people.”

The second classic part of mlm fetishization in fandom is top and bottom discourse. There are a few issues conflated in this facet of fetishization. Firstly, being a ‘top’ or a ‘bottom’ is not generally a thing. The overwhelming majority of queer men do not strictly adhere to either the ‘top’ or ‘bottom’ position in the bedroom. Some of us joke about being one or the other, but it is not a law that we ALWAYS must bottom or ALWAYS must top. Sometimes you fancy something different. It’s human nature. We’re not one stereotype or the other. Ever. To assume as such is to reduce an entire human being to a sex position, just because they’re queer. Does that sound like good allyship to you?

Next, the very fact that people are so invested in whether a fictional character (or, god forbid, a real person, but again, more on that later) is a ‘top’ or ‘bottom’ is creepy and bizarre. Do you also debate on whether the female lead in your show prefers doggy or the reverse cowgirl? No? Then why do you, a non mlm, spend so much time and energy ‘headcanoning’ the ways m/m couples in fiction have sex? Is it because it’s somehow ‘hotter’ than m/f sex because it’s two men? Why is that? Take a look at your feelings here. Ask yourself why you find the idea of two men having sex so interesting. Is it because you’re only attracted to men, so it’s double the fun? Is it because two men banging is ‘taboo’ or ‘sinful’ or ‘naughty’? Is it because taking it up the ass is not a ‘manly’ thing to do, and is therefore inherently kinky? Unpack these things. Think critically. If it is any of the above things, then address it, because it’s wrong. Once again, queer men are not props for you to manipulate for your enjoyment. One mlm I found on tumblr here - http://bluethisisforyou.tumblr.com/post/162753965120 - had this to say on the issue: “[it] is NOT healthy at all bc, in my case, it makes us feel as if we only exist for entertainment and that our relationships are seen as wrong and/or dirty”. Do you intend to make mlm feel that way? If yes, then… Bruh, what the fuck are you do pretending to give a shit about mlm in the first place? If no… Maybe adjust your behaviours accordingly.

Because apparently it’s necessary, I’m going to lay out some facts for you, here. Taller man =/= top. Stronger man =/= top. Leader =/= top. Masculine man =/= top. Shorter man =/= bottom. Weaker man =/= bottom. Follower =/= bottom. Effeminate man =/= bottom. Everyone needs to stop using physical and personality traits to ‘argue their case’ as to whether a queer man is a top or a bottom. These things do NOT impact what kind of sex you like. To imply as such is homophobic and, frankly, misogynistic as well. By painting a more effeminate, smaller, weaker man as the bottom in these scenarios, you are implying that bottoming, and therefore submitting/yielding to ‘masculine’ penetration, is feminine and a sign of weakness. Having said that, you are not more progressive if you make the effeminate man the top for brownie points or because it’s ‘hot’ that the smaller one can weaken the larger one. It’s still creepy and rooted in harmful stereotypes. In the context of the shadowhunters fandom (that this essay is mostly aimed at), both Magnus and Alec are tall, strapping, formidable men who are powerful and badass, and yet in almost every fanwork by a cishet woman, one of them will always be shrunk or feminised. And on the rare occasions where they aren’t, the emphasis will be on the fact that the power struggle between them is hot. And people wonder why I have the vast majority of fanartists blocked.

The last thing I want to talk about as a symptom of mlm fetishization is RPF, or ‘real person shipping’. There are ALWAYS, ALWAYS people in a tv show or movie fandom where they’ll ship the actors who play queer (or perceived queer) characters. It happened with Darren Criss and Chris Colfer after they played Klaine in Glee, it happened with Benedict Cumberbatch and Martin Freeman after they played Johnlock in Sherlock, it happened with Jensen Ackles and Misha Collins after they played Destiel in Supernatural. In every single instance except Chris Colfer, these actors have had female partners. I’m not going to say all of them are straight, because I don’t know their lives, and I don’t care about most of them enough to research, but all of them (except Colfer) is attracted to women. Most of them have expressed discomfort at the fact that they are ‘shipped’ with their co-star and friend. And yet so many people continue to write fanfiction about them and even harass their ACTUAL partners about a ship that only came about because of their acting jobs. The most confusing thing about this is that there are quite a few m/m couples in the spotlight these days that don’t get nearly as much attention from the RPF shippers. Neil Patrick Harris and David Burtka, Tom Daley and Dustin Lance Black, Colton Haynes and Jeff Leatham all are openly in love, posting adorable snapshots of their lives together, and yet… Somehow, for these RPF shippers, that’s not good enough. It’s only good enough if these real man have been seen in fictional embraces together, if they’ve kissed in giffable high quality, it they’re (in their fucked up fantasies) cheating on a poor unsuspecting female partner in order to be together. M/m couples are only valuable to these people if their most intimate moments are visible, and palatable. It doesn’t matter if real love exists between them, all that matters is that they’re hot together, that their relationship is oh so wrong it’s right.

We as queer men deserve to be celebrated, and we deserve to be celebrated for the diversity and vibrance that we bring to the world. We deserve better than to be reduced to a sexual fantasy, to a cute little otp to squeal over, to something that is inherently taboo or naughty. We deserve to be respected. We deserve to be loved. We deserve a platform in a fandom that exists because of characters that reflect us. We deserve to be heard.

Further reading: http://thewoesofyaoi.tumblr.com/

https://www.lambdaliterary.org/features/oped/08/19/the-fetishizing-of-queer-sexuality-a-response/

https://versusthefans.com/2014/07/08/fetishizing-homosexuality/

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