#here goes the yapping

[xanderjkz]

Knox Overstreet- Fixing the problem of a kind boy

I like fucking love the concept of Knox's character and the message he portrays but holy shit they really fucked up when it came to the execution. Both in the movie AND book (ESPECIALLY there). This fandom takes its time to reconstruct his character to be likeable. But how would this actually play out in a better-constructed storyline for this dude with girl problems?

Well, that's the answer I would like to answer today

Knox in the official dead poets media

Like every poet in the movie Spotlight, Knox comes from a family that's enforcing the path of a lawyer. His father is one, which is how his storyline even starts. He is invited to the Danbury's because his dad helped the only responsible and well-mannered dude in the house. And in that same scene, they literally tell us that people expect him to be a lawyer. So there's this kind of pressure.

But not really because we never get to see that side of Knox in the movies where he clearly states that he doesn't like the path people chose for him. All he has is girls problems.

Which is sad considering that he could be so much more

But then we'd have to extend the movie by about 1 hour and that would make it unenjoyable because this movie is perfect because of the pacing they chose. It's fast and yet slow and kinda counts down to Neil's suicide in a way that gets stuck. Because he is one of the main characters and most scenes should be with him. Not with Knox considering if his life expectancy is okay.

So is there any extra scenes in the book?

...yeah no

"But how do we solve this issue with knox's awful storyline?"

Rewrite the book and hope for the best.

Since I'm an author myself I know that writing often gets complicated when your creative streak is gone but since I'm an author I'd solve it this way:

Keep the Chris storyline

Let that boy be problematic, let him make mistakes but not once that deeply traumatises someone like SEXUALLY ASSULTING someone. Knox is the message bringer of the bad side of carpe Diem. Sometimes seizing the day will make things worse because you didn't think it through. That's a great message to bring across, I mean how many 16-year-olds make mistakes that we thought were okay? A lot, and he is the one who made the mistake in the story.

"So how would you change his mistake?"

The storyline reinvented

He meets Chris like usual

Look he didn't fuck up here in the slightest. I too would be stuttering if I met a beautiful girl. And him meeting her through the Danbury clearly shows the problem he has to date Chris. It's classic anyway

Cut the bike scene and use his sister instead

From what I gathered his sister goes to the same school as Chris (can be mistaken but for this story she does! ) so he uses her to kinda pry into Chris's life and find things out. It is problematic if he literally implies stalking her but c'mon, at least someone in the Overstreet family has common sense and only observes in the distance...right? Besides who doesn't use their siblings for their advantages? Plus it brings depth to that mean. Seeing how he treats his sister could indicate his behaviour with people extremely close to him.

Let him attempt the party but be extremely obnoxious

That's what he's best at

His nickname is literally knoxious. But what the hell do I mean by being obnoxious? Let that boy not leave Chris's side. Why? Because that sets up his mistake. Being attached to someone's hip can be extremely uncomfortable and with Chet's provoke able (?) ass this can go wrong fast. (Also we can't forget that Chris is the one being played around like an object in this and this should be his biggest mistake as we do not treat anyone like that, especially women!) But what would be the breaking point for CHRIS and Chet and the thing where he decides that "carpe diem" is good to use (even tho it's not)?

HE DANCES WITH CHRIS

Okay, instead of him being an ass and kissing Chris, he's an ass and dances with her. He was under the influence when he made both decisions which isn't an excuse but something that pushed him towards it. Because Knox in his most sober self wouldn't even talk properly to her.

So, some lame-ass song from the 50s is playing and he grabs her hand. Maybe she danced with someone else and he stole her. Considering that the tension between Chris and Knox is already uncomfortable, this would bring it to the maximum. Chris (as the beautiful woman she is) would try to use this moment to finally talk about his behavior so he lets her go. And the moment he finally talks chet comes in.

This small synopsis is weak but let's be honest, no one would read a whole ass script abt this.

Anyway

Chet comes in, the situation becomes way out of control and the only person getting extremely hurt is Chris. As she was toyed around by Knox and Chet. So she leaves the party prematurely (as she should, take care of yourselves) and Knox returns to Welton with the same bloody nose as in the movie

He goes directly to her house

Him doing so is a direct response to his failure. Between the party and them talking he needs to reflect on his failures and feel genuine guilt. It sucks that he can only do so once he gets punched but at least he has the mind to realise that.

But Chris isn't that easy to talk to. Obviously, this whole thing made her feel weird and sad so she avoided both of them. When he goes up to her house and gets rejected? He talks with Keating.

Mentor Keating

Not only would this solidify his last scene in the movie more but it also gives them a connection more than Keating humiliating him. Okay, but can we fit this into the movie? Not the conversation but he could easily fit it into the scene where he returns to Welton after talking to her.

"What would Keating tell him?"

The same thing he told Neil. Honesty.

Fate decides itself in the decisions you make and Knox knows that lies won't wrap her around his fingers. So maybe honesty carries them to a state where they can be friends.

So his masterplan gets made and it's the most trope-st shit you can think of.

Throwing a rock in the night at her sweet sweet window

Why did I think of this? Well, do you like the scenery of how he originally apologised and made everybody look at her?

At least it's at night so fewer people look and it would show us the skills he earned from sneaking off bc of the poet's meetings. Thus showing the audience more connection to the group. Plus at night people are mostly at their most vulnerable time and it would get Chris to talk.

But what would they talk about?

Considering that he finally saw the wrong parts of his obsession with her, he would give her the space to express her discomfort to its fullest after he of course apologises. But I think Chris wouldn't even express herself to the fullest because she has sympathy for him. She understands that loving someone can make you sick and twisted when you're a teenager but she is still her flesh and mind who clearly didn't want it to cause her relationship to break.

She might not express the worst anger that comes with something like this but she still expressed her sorrow in this mess. And Knox listens and sees the wrong in his actions. He doesn't need to justify himself because no justification could make this play in his favour. And when all is said and done, she forgives him for being so damn obnoxious.

But she doesn't like him in the way Knox wishes her to feel. And knox needs to learn to accept it. Like we all do

The story progresses without knox getting what he wants

Through this whole story he went through, we as viewers get the message that even if you apologise, it's up to the victim of your actions to give you what you want. And throughout the film, I never even got the notion that Chris has an interest in Knox. Hell, they don't even talk that much to build a conclusion on their goddamn relationship before he kissed her. He sets the message of a "Carpe Diem" gone wrong. After that, he is a reminder of us humans and our way of going through those problems you cause.

There are probably better ways of doing his arc, heck give him a different one. I mean he has potential. Maybe he's better off once the group splits or maybe he isn't.

But the way he is in the movie is a horrible portrayal of romance. I get it, the script is from the 80s but c'mon you're allowed to admit that it's bad.

Well, there's nothing we can really do, the movie in itself is an art and should be viewed as it. It fits into the zeitgeist of past generations and our present ones. I love the movie but if I had to change one storyline it would always be Knox oversteet's

Btw can be talk about how stupid his fucking name is? Who names their child Knox? With the last name OVERSTREET

[shroomerr]

Finally, my design for Mysterion!! this boy gave me so much heartache in the process of making this but its ok its all worth it for him <3

I also couldn't choose between the version with hair or without hair, so here's the one without under the cut (+ my initial drafts for his design):

[linkedin-offficial]

chimera vivi batch of stuff #1million

[sengenism]

What's the moment you started shipping Sengen? Mine is definitely when Gen and Senku agreed they'll condemn their soul together to hell, it's small but it's the moment I started loving this ship.

I know there's the Gen asking for cola while injured scene but idk... They condemning their soul together to hell stirred something deep inside my heart...

- 🧅

the "senku ishigami and asagiri gen will be condemning themselves to an eternity of hell" scene is so insane i think about it all the time

funny thing about this scene is that the only other time they used such phrasing was in the light novel, where it narrates homura's loyalty to hyouga

Even then, Homura had no regrets. She had offered her very own future to the other prisoner, Hyouga. Even if the future was pitch black, if it was to fall to hell with him she did not mind in the least.

homura... who is in love with hyouga... hmm interesting

btw loved them ever since the observatory scene in the anime!! the anime, specifically, because i read the manga first. but only when the anime came out in 2019 did i realise how romantic the observatory scene actually was... like... it hit me that this was the most perfect gift one could present to senku then. how much thought gen put behind it all, to the point of manipulating senku into giving him a hint to calculate senku's birthday.

it's such a lovely scene and gen orchestrating the whole thing with the help of the villagers truly speaks volume for his love and care for senku. and i don't necessarily mean love in a romantic way– well, could be– but no matter the form of love the reader interprets this scene as, it's undeniable that gen genuinely loves senku for being senku. it is the purest kind of love, for he admits he likes senku regardless of the gain he gets from it.

and this scene is so so so so gen. there's manipulation, sure, but there is also kindness hidden behind it– that's the core of gen's personality. he is a good man who hides his kindness behind layers of manipulation. similarly, he manipulated chrome into picking the card that would allow chrome to ride the parachute first because he knew how baaaadly chrome wanted to.

and one of the best parts about the observatory scene? inagaki-sensei had revealed in a Q&A session that the saturn that senku saw through the telescope was merely his own mental imagery. with gen's limited science knowledge on making a telescope, the telescope made by him and the villagers wasn't advanced enough to see a planet. which means senku was so touched, he had lied about the telescope being good.

anyways, i've talked about how important gifts are to the ishigamis here and i'd like to point out that this makes the gift mean so much more to senku than a simple (maybe useless) telescope. thanks for coming to my ted talk~

[kenzan-brainrot-mp4]

talk more about the white whale/whale symbolism in general whatever thoughts you have on the whale stuff i want to hear it 👂

GRAHHHHH YEAH (This one got. Long (again lol) So be prepared (series-wide spoilers but I feel like that's a given atp))

First of all I just wanna say that I love how rgg drags the player along around the final chapter title. With how upfront the other chapter titles are in what they're referring to, you might end up wondering why they chose White Whale for the final chapter title once you see the title card (or at least I did). Of course, this could just be referring to the treasure that everyone's been looking for, but with how nonchalantly they react to the fact that the treasure isn't actually there, it doesn't seem to completely fit the bill.

But then you beat the game (and by this I mean beat the final boss) and lo and behold, there's an Actual white whale, and so you think "Oh! Duh, the chapter's called White Whale because there's a literal white whale and it pretty much just finished off the final boss!" But that still doesn't make that much sense. Why name the final chapter (arguably the most important one) after some whale that appears in the last like 15 minutes of the game? Like, take the final chapter name of (Kiryu) Gaiden, it's literally the name of the game (The Man Who Erased His Name) so it's gotta be something more significant than that, right? (But then of course take into the account that by this point the player is still convinced that nothing really in pyih is too deep/serious, so maybe it could just be something as simple as that).

Then you get to the credits, and they reveal that the "elixir"/the ambergris is found in the stomachs of whales. Damn, that's pretty crazy/cool, but once again, nobody that was actively seeking the treasure (Rodriguez, Jason/Noah, Spade Tucker, etc you know the drill) seems to hung up on the fact that they didn't find it, and they didn't even encounter the whale, so they wouldn't get that same sense that they just missed it either, again, it's not a big deal really, so why make that the final chapter title?

Of course, we all know what this builds up to: the big reveal, the fact that Majima, who we've been following along with this entire game, was looking for that elixir this entire time, was the only one to actually encounter a whale in the game, and then there's the insane line drop from Saejima.

"Kiryu Kazuma. You never could give up on that one."

Ironically, the final chapter title has nothing to do with that whale you saw earlier at all, rather it's a summary of what Majima's motivations/actions for this game, and the past. Almost every game, has meant for him. It's what Saejima spells out for us at the end of the game, but said in even fewer words.

An all-consuming obsession that only leads to your destruction. An impossibility, something that you can destroy yourself over but never achieve/obtain. This is what the white whale means, metaphorically. And it is this, exactly, that Kiryu is to Majima.

Kiryu is larger than life itself, to just about everyone. He's a legend, he's the one Majima has had his sights on since the very beginning, the legend he chases after game after game and also what he destroys himself over game after game.

(see:

Yakuza 1 -> Majima just straight up taking a full-on stab wound for Kiryu. Like, buddy, I literally saw one of my favorite characters die that way in another game, there was No guarantee you were surviving that.

Yakuza 2 -> Majima fights off an army of yakuza for Kiryu. That man was beat to total Shit (which is Not something that happens often) and we all saw it

Yakuza 3 -> Majima re-enters the Tojo Clan for Kiryu even though he is (extremely likely) aware that it is already entering its steady decline that we see throughout the rest of the series up until its dissolution. And while he's willing to do it for Kiryu, we can't exactly say that he's happy about the situation as a whole.

Yakuza 5 -> Majima's willingness to die for Haruka, specifically stated because "She means more to Kiryu-chan than life itself." Like, of course he wouldn't just let Haruka get killed, but to choose to mention Kiryu as part of his reasoning in that moment? Christ

While I (surprisingly) can't say anything particularly self-destructive happened in (Kiryu) Gaiden and Infinite Wealth, you could argue that Majima trying to more and more directly tell Kiryu not to leave ("No need to rush outta here yet... Alright?" -> "Don't leave! Don't you dare leave, Kiryu-chan!"), knowing that it's likely pointless, knowing Kiryu, is not doing himself any favors.

Pirate Yakuza -> *gestures at the entire game*

Also his reaction to encountering that giant squid ("Sure is a helluva way to die. I think I'm into it!"). Like, okay. I don't want to try and read too much into it because it was very likely just a one off line. But I'm still gonna side-eye it.

Honestly now that I think about it, if Majima Had died fighting that giant squid (that is such a way to begin a sentence thank you rgg), you could argue that that would've been his nail in the coffin for the white whale metaphor. If he had, it would've meant that his obsession for Kiryu is what got him dragged down into the literal depths of the ocean, and even if it wouldn't be Kiryu physically dragging Majima down like the white whale to Ahab, this is a situation that is completely, entirely, fueled by Majima's obsession towards him (Majima had no real interest in the nuclear waste cleanup project, after all, Kiryu was his one motivation this entire time), and it would've drowned him.

Guess that means he got real lucky with the last part, but we all know he sure as hell isn't beating the allegations.)

All this and yet Majima seems to fail to reaching Kiryu time and time again.

Majima does not obtain the Heart of the Dragon, found in the intestines of the literal whale. He does not obtain eternal life for Kiryu. And he (arguably, though the final scene of him walking to Kiryu's hospital room could oppose this) does not resolve the indefinite limbo that has been sitting between them throughout the entire series. What he gets at the end of the game is the acknowledgement (through Saejima, everybody thank him) that he has been obsessing over this, and perhaps the realization that Kiryu was, in fact, this white whale that he would never truly reach ("Well, still just a dream in the end.") Of course this is something he already knows/has acknowledged deep down, and it's a feeling that is hinted at in some of his dialogue in scattered moments, but this is the first time he ever says it in such an outright manner.

I guess in a way, you could say that Pirate Yakuza is a story about the newfound success of all the people Majima helped and supported in achieving their dreams, and the continued failure of Majima in pursuing his own (Kiryu), and him needing to acknowledge/accept that. And the post-credits begs the question of what he decides to do with the aftermath and what he has left. (An oversimplification definitely but still. augh. Augh)

Naming the final chapter White Whale was yet another crazy move on rgg's part. Its so unassuming, seemingly straightforward yet also seemingly insignificant, but once the realization dawns on you it slaps you right in the face, just like everything else about this game does. It's yet another instance of how rgg managed to pull its big reveal so well, with all the small details, all the reframing, all pointing back to the same topic that it had spent the entire rest of the game dancing around.

Majima recounting his story of how he went to Hawaii -> Majima recounts his story to Kiryu in the exact same way at the very end

The treasure everyone's been looking for/known about + Majima, the one guy who didn't have knowledge about any of this legend stuff prior? -> Wrong, he was after the treasure from the very start (before the amnesia at least). For Kiryu

Majima originally being on course for Hawaii so he could help with the nuclear waste cleanup even though he'd be bored as hell? -> Nah. For Kiryu (Ohhhhh you know what this is reminding me of some screenshots I took from near the beginning of the game)

(I'm sure this meant nothing of course. Lol. Lmao)

Majima's dream during pirate yakuza being to fulfill Other People's dreams -> Haha. Well, I think you get the point by now

Kiryu, Kiryu, Kiryu. It all goes back to Kiryu, every single time, without fail, in an obsessive loop that Majima has been dragging himself around over for Years. He is the white whale, seemingly untouchable, the constant object of Majima's attention and devotion in so many forms, his consistent weak point, that only seems to dig at him deeper as the games go on.

Like I said before, while the white whale metaphor is undeniable, and essentially spells doom for Majima, it's not over for him yet. Because, hey, he didn't drown at sea, or die on the beach. He was saved, and he's survived enough to retell that tale and reflect on it all with Saejima in the post-credits, brief as that reflection was. I mentioned before how he really only said one line of any actual substance during that specific part of the exchange, but the significance of it says so much.

"Well, still just a dream in the end"

As much as it hurts to here Majima address the hopelessness of it all, to hear him say something like that after Saejima basically just laid out his sheer devotion and refusal to give up on his dream for everyone to see, I think the bittersweetness is. Good, actually. Captain Ahab never gave up on that pursuit on the white whale, and it destroyed him; that whale dragged him down until he finally drowned, and it feels like all Majima has been doing over Kiryu since Yakuza 3 is drowning himself in him.

Don't get me wrong, I (for now at least) do not take that line as a complete admittance of defeat, or Majima finally giving up on Kiryu, on that dream he could never let go of. (Like I've been saying, it's an acknowledgement, not exactly a declaration.) I do not think it means he is just letting go, full-stop.

But I do hope it means he can stop himself from self-destructing completely. I hope it means that he can slow down with the wild chase, (and that he and Kiryu can just. Sit down and talk like fucking normal people. Which i guess they are doing in the post-credits, supposedly) and I hope it means that he won't drown completely, especially in the case of the worst possible scenario.

[gearchronocle]

this OPENING man. THIS OPENING. GOES SO INCREDIBLY HARD. FOR NO REASON. it should be illegal to have a song this good in a funny haha silly little comedy anime. I'm going crazy why is it so good. kaidou why r u going so hard on the vocals for NO!! REASON !!!

the fact that it's kaidou singing keeps me up at night. you go lil chuuni boy. eat that up like a full course meal and leave no crumbs not even the plate

[the-zephyr-zone]

Day 9 of doodling until Jet Lag season 13 comes out!!!

[choccy-milky]

tag nine people you want to get to know better!

ty for the tag @myokk and @theladyofshalott1989 !!💖💖

LAST SONG? - i deadass don't know💀i don't really listen to music i just always have streams/youtube vids on (I KNOW IM SORRY DONT @ ME) ....does the baroque noble party ambience i was listening to while working on my oneshot count??? shoutout to that video btw

FAVORITE COLOR? - yellow!!💛⭐

CURRENTLY WATCHING? - i also don't really watch shows💀....do 6 hour video essays on youtube count? in which case i love action button if you haven't watched his stuff (his boku no natsuyasumi video and his tokimeki memorial video are amazing, and his pacman video), and also super eyepatch wolf & hbomberguy (especially hbomb's 'pathologic is genius' video). also i listen to a podcast called '372 pages we'll never get back' that i highly recommend

LAST MOVIE? - 💀💀💀this is just a meme at this point💀💀💀I DONT EVEN REMEMBER....me and my roommate love watching crappy adam sandler movies so probably one of those??? or my neighbor totoro since i forced my niece to watch it 😍

SWEET/SPICY/SAVORY? - SAVORY BABY I LOVE SALT IM A SALT FIEND!!!🧂🧂🧂i put my grubby little hands straight into the olive jar and FEAST...also when i was in uni i used to keep a little ziploc bag of salt on me for when i ate out LMFAOOO and i always steal the salt shaker and bring it to my room and my roommate is always like DO YOU HAVE THE SALT AGAIN???......what can i say i love salt........(tho i still love sweets and spicy foods as well. and im addicted to coke zero btw. my body is comprised of 50% salt and 50% coke zero)

RELATIONSHIP STATUS? - almost 2 years in my poly relationship with seb and clora😍😍

CURRENT OBSESSIONS? - girl do u even have to ask........

LAST THING YOU GOOGLED? - probably timezones for when im talking to mutuals LMAOO...i just like to know what hour it is there no pressure tags: @the-ozzie @sparxyv @ccelicaa @kaviary-blog @siboom777 @boxdstars @versailles-black @limonnitsa @dwightschrute11 @ethniee @celestinawarlock @moonstruckmoony @syaolaurant @bassicallymaestra @lilac-ravenclaw @vienguinn @noelles-legacy @4ever2000lover @lamieboo @magic-in-onyx (NO PRESSURE FR FR I HATE TAGGING PPL BC I FEEL LIKE IM BOTHERING YALL BUT I ALSO DONT WANT TO LEAVE PPL OUT AT THE SAME TIME...SO IF YOURE READING THIS U CAN CONSIDER YOURSELF TAGGED AS WELL🧎‍♀️🧎‍♀️OR CONSIDER YOURSELF UN-TAGGED IF YOU DONT WANNA DO IT BAHAHA)

[chaosxcrushed]

There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.

That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.

However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.

“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:

The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).

Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”

1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.

2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.

3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.

What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.

This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.

Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.

[confusedmothboy]

im scared to ask how you feel about lottie as a character

i have a very complicated relationship with lottie and ive been DYINGGG to talking about her because shes more interesting than shauna can ever dream of being. SHE'S the complex female character we need more of.

okay so to preface: i have multiple scales for character appreciation in my mind. there's writing (how well they're characterized and their role as a narrative decive), personality (how much i would fw them as people), action defendability (self explanatory, how willing i am to ride for their defense), and treatment in the fandom (how contrarian i wanna be)

yall know how it is yapping under the cut

lottie. ohhh boy.

writing: oh no notes. 10/10 she is one of the most fascinating characters in the show. her setup and descent is so well done, and her motivations are beyond complex, like you have her trying to do the best for everyone, but also her whole "the wilderness will choose" mindset. she contrasts herself in the yummiest ways possible. her role in the story is absolutely the most relevant and important for the narrative to progress the way it does. as a character, shes's so well done it makes me wish that i could be objective about the whole thing

personality: unfortunately im not able to enjoy characters simply from a robot analysis objective scale. lottie's personality is -while interesting- absolutely INFURIATING to watch. i personally cant stand characters that i call "progress blockers". she repeatedly forces her belief system (deep psychosis) onto the rest of the team, at the expense of escape or actual rational thought. this is where i have to admit: i root for morally sound, logical characters especially in shows like this. "but you can't watch the cannibalism show and complain about the cannibalism" first off. who said im complaining about the cannibalism. im just complaining that shes tormenting my favs (ben, travis, akilah, nat). i do like that she plays a complicated role as the group's mediator, except her mind is so warped, she does an awful job at it (drugging travis, letting shauna beat her up, deluding her followers). i think that shows how much she cares for these people deep down, and i can respect that. more on that later in ther actions section.

actions: so lottie, like i mentioned earlier, has a really interesting internal conflict of wanting to do whats best for as many of the team as she can, while also not being against sacrificing them for the wilderness's mercy. she very much believes that the ends justify the means. however. i can't ever look past her scenes on doomcoming. and im hoping that the people who made it this far aren't illiterate fucking troglodytes who want to debate on what actually happened to travis that night. because it was s/a, actually, it was attempted gang rape and then attempted ritualistic murder. "you cant watch the murder show and hold it against the murderers" we all know damn well that thats not what was most upsetting about that scene, and im allowed to hold certain crimes over eachother in terms of severity. and quite frankly i just cant bring myself to like a character who engaged -ACTIVELY LED AND RATIONALIZED- in that. lottie's whole schtick is that she just doesnt fucking understand or respect boundaries, literally and metaphorically. moving on from doomcoming, she's weird and culty about shauna's baby, which shauna has full right to be freaked out and pissed about. she becomes the leader of the group in s2 and then can't make proper decisions. she lets shauna almost beat her to death instead of trying to mediate the situation rationally, setting up shauna's vengeful nature we see in s3. thats something i could talk about for hours, how shes partially responsible for the shauna we all know and hate. her drugging travis and akilah is a page straight out of misty's handbook, and i dont think i have to explain why it's wrong. her killing edwin?? denying them all escape, causing a chain reaction with shauna and tai also staying behind??? that elevated my blood pressure to a level dangerous to my health. i cannot stand progress blockers. yes, i know she thinks everything she does is right. that doesn't make me (a rational bystander) like her actions any more. again, there are rational people in the show, so im just gravitated towards them sorry guys.

fandom: lottie has two types of people rooting for her in the fandom. theres the "omg my lord and savior she can do no wrong" group and the "omg crazy ass schizo mental illness queen" group and neither of them get her. she's flawed. but her flaws shouldn't all be attributed to dehumanizing conversations about her mental illness. let's not forget that she was a 17 year old going cold turkey on antipsychotics after living the last decade on them, in a situation that's beyond stressful, mind you. no fucking wonder she turned out that way. whatever. i feel like there arent a lot of her fans who recognize the absolute gray nuance in her character. or maybe im just on tiktok too much and everyone on there is fucking rotted beyond belief.

conclusion: i love her. i hate her. im neutral. she scares me. i blame her for all the problems out there and she's doing her best. that's the point

guh

[whoseworstnightmare]

[microvibing]

Skipp doodle heh:)

I rly wanna animate him but I don't have the means :(

[transusopp]

you ain't ever have to lie to me, i'm everything that i've strived to be! so do i look like him...? i don't look like him! (no text under cut)

i'm predictable. all i do is draw this man suffering during wci. sorry sanji

[oofmilk]

guards!! bring me the polycule nickname chart

[she-wu]

catoru streeetches (ch. 223)

[hiraethwrote]

also, your girl got like a casual date thing tomorrow ✌🏻😗