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#honestly i formatted this really bad so hopefully this makes sense
viewlumia · 2 months
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Nothing will be more weirder than the Ninjago fandom acting like Cole was in love with Nya throughout Rebooted.
Through the entire Love Triangle ordeal, he never actually acts for Nya, instead only reacting to Jay. Observe:
Blackout
In the previous episode, The Art of the Silent Fist, there was a scene between Cole and Nya. Throughout that episode, Nya was struggling with her newfound feelings towards Cole (given to her by a machine I might add but that's a conversation for another day). Nya talks to Cole in that scene and it ends with them holding hands and Cole jokingly saying "Don't tell Jay."
Why am I bringing this up? Because I honestly have trouble looking at that through a romantic lense. I often see people use this as evidence even though it doesn't match up with how the show would later indicate romance (they looked at each other so they're in love now! Chemistry, what's that!) More importantly, Nya never actually articulates her feelings for Cole in this scene. This is crucial when getting to Blackout. In Blackout, after Pixal blurts out that Cole is a perfect match for Nya, not Jay, who entered the room at the time, his first instinct is to attack Cole as soon as he saw him! From the POV of Cole, this looks like his friend calling him names and a whole lot of other things seemingly out of nowhere, he never actually heard about the "Perfect Match" results and that combined with the previously mentioned scene leaves us with a Cole who isn't in love with Nya and is only focused on Jay.
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The Curse of The Golden Master
In this clip, after the ninja head into the sewer like a certain other group of color coded ninja, Jay gets into another spat with Cole after Cole dared to *checks note* look out for Nya's safety. This causes the two to get into an argument and ignore Nya falling from the broken ladder.
Now this scene on it's own doesn't mean much, but when paired with the other episodes mentioned, it starts to paint a bigger picture. This scene is a tipping point for Cole, going from someone clueless about his situation and fighting with Jay to letting this petty, near one-sided rivalry get in the way of the task at hand.
This scene is honestly the perfect representation of the Love Triangle in Rebooted: it was never really about Nya, she was just a stepping stone to get to Jay yelling at Cole over a situation he has no idea he's even in. Cole isn't out of the woodwork either as he begins to ignore Nya solely so he can insult Jay, but hey, it can't get any worse right?
Codename: Arcturus
It got worse.
In Codename: Arcturus, we see Jay, Cole, and Nya at the movie theater to "prove who Nya should go out with." Now, you may ask "doesn't that sequence end with both Jay and Cole asking who Nya will date and her kidnapping a cleaning robot?" yes, it does! But the important thing here is that it wasn't even Nya's idea in the first place ("Hey, it wasn't my idea to go on a double date to decide between you two.") Interesting thing of note, this is the only episode in the entire season where it's actually shown Cole fighting for Nya's affection, but even then it's not really about her, it's about getting back at Jay more than anything.
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I know someone will come in wondering about "authorial intent," the intent in question being that Cole could be a potential love interest for Nya moving forward, but while I can see the intent, I can also acknowledge that what actually landed on the page and later the screen does not match the intent at all. Instead of Cole falling in love with Nya and getting into a spat with Jay that way, we got Cole treating Nya like a stepping stone to get back at Jay, disregarding her feelings in the process.
TL;DR: Kai should've knocked Jay and Cole upside the head for being weird about his sister
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sleepydane · 10 months
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5 mutuals and 15 questions! 🥳🥳 I'll tag up here: @amrtiamat​ @preluvz​ @3nigm4art​ @oriopiuwu​ @anyawen​
Were you named after anyone?
No one! I’m so sexy, I named myself >:)
(fr tho if you’re counting only first names, they just happened to like a random name, and then picked my gma’s name for a middle name!)
When was the last time you cried?
No idea! I do not keep track bc if you saw me crying, no u didn’t. Couldn’t have been that long ago though I suppose?
Do you have kids?
Nope. (2022)
Do you use sarcasm a lot?
If depends on if I either like you a lot or if I really dislike you but it’s mostly online talk only. Not so much IRL (well except with family).
What's the first thing you notice about people?
Once again, it depends honestly. Some people’s clothes stand out first, some people’s faces, some people’s personality, I guess it’s just whatever about that person is loudest when I first meet them!
What's your eye color?
Water-logged dirt brown!
Scary movies or happy endings?
Why not both? Happy could just mean cathartic honestly. In the same way that Midsommar (2019) was horror with a truly bad ending but also?? it was a payoff too. It felt right in the worst possible way. It doesn’t need to be happy, it just needs to make sense. I suppose I lean more horror though?
Any special talents?
Art I guess? There is no talent I have that I haven’t spent about 500 yrs cultivating lol. I play piano too but very poorly and I no longer remember how to read sheet music on the fly but the few songs I know by heart? Yeah I like to think I’m decent at them.
Where were you born?
rural west babieee.
What are your hobbies?
Art, uhmm piano sometimes, bookbinding (and by default editing to fit the format I use), cooking when I’m feeling alright, reading, and watching my silly little shows with my crew!
Have any pets?
Yes, my little bastard cat!
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What sports do you play/have you played?
Used to do children’s ballet, rode horses for a bit, and also played soccer for a season (I was absolutely horrible at it to the point my couch had nothing to say about me at the end of the season party lol).
How tall are you?
yes :3c
Favorite subject in high school?
Alternated between English and History buuuut I was always the history teacher’s favorite little meow meow and it definitely captivated me more !
Dream job?
Eat hot chip and lie.
(I don’t know, at this point I just want to go to a job that I know what I’m doing and can hopefully do meaningful work? I would like to pay the bills and not have to lean on anyone financially though, that’s my basic goal)
@hetakiba​ Thank you for the tag and also HAPPY BIRTHDAY, MY DUDE!!!!! 🎂 🎂 🎂
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Hey idk if you remember me but I asked you tips for writing before and i wanted to ask how do you get ideas to write? If that makes sense
hii yes yes ofc I remember you !!
honestly I don’t have any ideas myself😭 i write what gets sent in, and somehow that sparks an idea. I don’t really think about it, just something pops up in my head based off the idea that was sent in and then I write it
unless it’s a smutty drabble then that’s just brainrot😭😭 usually for those id be thinking about a character and id be “they’d so like that” and then id have to write it to get it out my head
I haven’t wrote a full fic in so long bc I honestly have no ideas. I would love to make a small multi-parter but ive been so used to writing under 700 words that’s it’s tricky to change my formatting to suit a full size fic
not sure if im even making sense, and my bad for the waffle
but to help, first think what genre you want, maybe think about the character and what they would like to do in a day, what they like and don’t like, what they are like in different situations, then circle keywords. and maybe try to see if any of the words connect and if something can appear and make sense. hopefully that should trigger an idea
but once you have more understanding of a character you’re able to pick them apart in different ways. it become a lot easier too
hope this helps!! you’re welcome to ask more questions if you need help💓
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hatredmadeofgold · 11 months
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Unfortunately not a new chapter but a current status update (same text as in the link):
Sorry, this isn’t Chapter 7 yet, but a status update and I will NOT abandon this don’t worry
Hey hello, Pulsar here. No worries, this fic not going on hiatus, I just felt bad that there’s radio silence and no new chapter update yet. Also, I had no idea how to reach many of my readers in any other way because my username until a few weeks ago didn’t match my handle anywhere else, but I’ll be linking to my social media at the end of this message.
I can assure you though, I will never abandon this project. My therapist pointed out to me that writing this helps me a lot with my own mental health and recovery, so basically, I must write this as if my life depends on it. /hj And honestly, I noticed that as well after he pointed it out, and recovery is my number one priority in life anyway, so. Hope that’s reassuring enough for you guys that this fic will be finished in full, including all the additional stories, even if it takes 5 years or longer than that. I am one of those people who stick to the same main interest/fandom for a decade.
Anyway, let’s get to the actual status update:
I absolutely underestimated how much work it takes to finish the script, originally I wanted to continue writing when the script for Arc 1 is finished but hahaha that’s unfortunately not how that’s going to work out and I hate having to make people wait for ages (I am not that patient myself), but I wanted to be transparent about the current writing process 😊
Chapter 7 will come out still this month (June 2023), and I am very sure that I can guarantee that. But I recently discovered that I misinterpreted some aspects of MGR itself while watching the Japanese dub out of curiosity, and I am not satisfied anymore with the 2nd version of my script as I already said when I published Chapter 6, which the first 4 chapters were based on. Hence, I will have to edit (almost) all of them, but thankfully it’s really minor changes and additions as well as some formatting, and none of these changes affects the story so far. But if you want to, you can read them again from the beginning once Chapter 7 goes online. I will delete this announcement then and move some of the info here to the author comment section at the end of Chapter 7. With the addition of the prequel I Come With Knives, Sam got an entire backstory now that did not exist in the 2nd version of the script and it affects the story very positively. It makes it a lot more complex, a lot more consistent and a lot more enjoyable for me to write and (hopefully) also a lot more enjoyable for you guys to read. The downside is, that with the 3rd version of the script, all the additional stories also came and the ‘lore’ of Sing to Me became very fucking massive – I am not joking when I say this is nearly as complex as the Solid series – and that makes the development of the script a little more ‘difficult’. I am not a perfectionist, but my brain is only satisfied when things make sense. I have 29 script files at this point and they will become even more (but at least it’s very organised). Not that I cannot handle it, but at this point I have a small development team who help me with research and discussing ideas, giving me feedback etc. I am just a tiny bit insane about this project but in the best way possible (One of my mutuals even joked that I am a fusion of Hideo Kojima and Rohan Kishibe when it comes to being an author lmao). Honestly, another reason I decided to rework my script is also the fact that it focused too much on Raiden and too little on Sam in the first and second versions. And I think there’s enough focus on Raiden already everywhere else (not that that’s a bad thing), but Sam deserves as much attention as Raiden does – and during the 3rd script development I was sometimes scared that it would now be imbalanced in the other direction, where the focus lies too much on Sam lol. But thankfully that didn’t happen, it’s pretty 50-50. Also, I am sure that even 75 chapters won’t come close to how long this fic will be, like, at this point I believe 100-125 chapters is more realistic but who the fuck knows. I know this is insane. I am enjoying every bit of it <3
Long story short, the two paragraphs above explain why I couldn’t get back to my insane writing speed from January in which I legit wrote 5 chapters in a single month yet. But hopefully, I might get that speed back as soon as I finished the preparations that need to be done for me to continue. However, I’ll also go back to vocational school sometime around August and I’ll have to see how I manage my studies and writing together. Also, dragonfly1212 asked me a while ago that due to the amount of research that I am doing for this story if I would share it eventually, and he’s got a point. My plan is to probably make a tumblr side blog where I will share all the lore over time, as well as reference sheets, character information, inspiration, etc. Drawings I commissioned as well as ‘fanart’, playlists, and fic updates. With the amount of detail and complexity this fic project has, a ‘wiki’ certainly would help I guess lol. Since it’s unrealistic for me to finish the entire Arc 1 script as fast as I’d like to, I will do this in smaller steps instead. As for now, I have nearly finished the fine-tuned scripts for Chapter 7 until Chapter 13, which will finalise the first smaller arc of Arc 1 :D Chapter 13 is probably going to be my next favourite one to write after Chapters 5 and 6, but the fine-tuned script for it is already 8 pages long and it doesn’t make sense to split it up because it would kill the tension if I were to do that. I hope that it will NOT be extremely long, but I am afraid I will have to ‘assault’ you guys with a chapter that’s going to be over 10k words long. Oh well, please don’t hate me. With Chapter 13 this fic will also officially move its rating from Mature to Explicit. If you’re somebody who does not like to read sexually explicit scenes though, I already decided that chapters with such scenes, first of all, will not solely consist of that alone, and secondly, I will also give a marking/note in the top author comment above such chapters where it starts and where it ends, so you can CTRL/Cmd + F and skip over those. I am not sure yet how, but I might use symbols for that as well, so it’s easier to skip, especially for those of you who prefer to read on mobile devices (I am one of those people myself). Also, it’s unlikely that there will be a lot of such scenes in this story anyway, at least in proportion to the length. I care a little bit more about the plot and the drama hahaha.
Community Discord Y/N? Additionally, I’ve been asked now by 3 different people if there’s a discord server about this fic. I didn’t think people would be so curious or interested in my creative work that people would ask if there’s a server lmao but honestly? If there’s enough interest, then I might make one – and please give me feedback if you’d be interested in joining such a community. In the case I might make a discord server though, it would not be exclusively about Samuraiden, Metal Gear or any ship or fandom in particular, and not just Sing to Me, although the main focus would still be on this project. I thought, if anything, it would be a small creative exchange between artists and authors or just people who enjoy reading this story and want to talk to me about it or others as well. This server then would also have an additional corner for you to share your own creative work, be that art, writing, or any other form of artistic expression, and it doesn’t have to be fandom-specific or fanwork at all, it can be original as well. I thought that I may also use such a server to help and support other authors and artists, and maybe give feedback on other people’s stuff when I have the time and energy to do so. Additionally, I could use that server to give updates on the progress of the fic overall, which is a lot better than inappropriately using AO3 like I am doing it right now. This will be the only time I will make an announcement like this anyway.
I’ve otherwise made such announcements already on my social media accounts before, but I haven’t had them linked in my AO3 profile until recently either. You can find me here: Twitter: R3DR4G3dotEXE tumblr: R3DR4G3 Instagram: R3DR4G3.exe Carrd: R3DR4G3 Discord ID: R3DR4G3#3952 (Yes, if you read my fic of course you can add me, I’d love to chat!) Anyway! Thanks for reading, I am sorry that this isn’t Chapter 7 yet and I hope to see you guys soon! ;^;
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alolanroy · 1 year
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2023 media thread
Blood(originally from twitter)
2023 media thread! Copied over from twitter since it’s getting worse by the day. Scores 0-10 aren’t on the American grading curve, but more like ‘irredeemable bad’ to ‘changed my life’. Most things will be a 6-7 if I liked it. Negative = ironic.
Knives out (6/10) and Glass Onion (8.5/10). I prefer glass onion not only because it was a nice tight watch but also how oddly topical it was. Tate was arrested the day I watched this and Musk is on fire. Hopefully a prelude to more real mystery movies.
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Wakfu: I’m grasping at straws for nice things to say. Not really pleasing to watch in French and some of the worst dubbing since gundam Age in the first seasons. The story feels like a pantomime and I question the standards of who recommended it. 1/10
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The Rapsittie Street Kids Believe in Santa: this shirt is a cognitohazard to anyone who has used any kind of software. Each frame has so much wrong with it the human mind buckles into maniacal laughter. The grandma is the same VA as savathun. -9/10
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Elf bowling: honestly kinda disappointing. Might be funny with some good company. I feel like the character Tom Kenny voices says something offensive but my memory just dumped everything about it. -2/10
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Sound and Fury (2019): One of the greatest audio-visual experiences I’ve seen in a while. Not all sections were created equal though. Fucking watch it. I will say no more. 9/10
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Lego Star Wars holiday special/summer vacation: Not good in the traditional sense but interesting because they give some of the characterization missing from the sequel trilogy with a dose of kid friendly robot chicken energy. Interesting to me at least. 6/10
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Bleach Arancar Arc: Do I regret watching the anime? Yes. I could examine how stretched out this this was even with the filler removed all day. It is DIRE. Any sense of tension was destroyed and if I wasn’t sick I would’ve dipped. 4/10
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Kamen Rider Black Sun: on a technical level I appreciate the movie. Good music, sound design, suits and it looked impressive for the budget it must have had. However, this might be the first toku I find actually offensive. No joke, it tries to recall George Floyds murder. Wtf.
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Gundam witch from mercury S1: this is exactly what I needed and I’m waiting with baited breath. Nice to see the writing shine where ibo was dull. I’d buy the kits if I could 9/10
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Knife or death: a perfect watch over some home cooked hotpot. The combination of gruff and warm hosts gives the show a ‘guys being dudes’ energy in a wholesome way. My only gripe is that as it goes on, it gets less diverse and loses some personality. More weirdos please. 7/10
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Star Trek Prodigy: not particularly interesting on an episode by episode basis, but most treks have rough first seasons. Despite being a children’s show it’s more watchable than Picard or Disco, which is a low bar for me. It has trek spirit but it’s not made for me. 5/10
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Astro Boy 2009:threw it on while I was cooking. Just as bad as I remember. I have some story boards for this for some reason. I don't know why. Speaking of not knowing why it feels like a 30-minute shows worth of content when it's over. It's strange. 3/10
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Six String Samurai: I'd be more into this if the vibes were new to me. Unfortunately, I'm seeing this in 2023, so it reads like a Fallout New Vegas mod. In stark contrast to Astro Boy, this feels like it stretched on for hours and the kid ruined a lot of the cool moments. 3/10
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Avatar 2: Not bad. Nothing groundbreaking, but great looking and drew me in for a sequel that was like 15 years late. I can't believe I was actually compelled by some of the characters. Avatar 2 was supposed to be a joke... 7/10
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Shin Ultraman: this movie unashamedly embraces the fun Showa era energy like nothing I’ve seen. It’s funny, cool and is clearly a labor of love. It’s episode format makes me yearn for a tv continuation if it can maintain the constricted, but slick production and writing. 9/10
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The men who made Ultraman: I get the sense a lot of the stuff in here should be taken with a grain of salt since it’s a dramatization, but man the peak behind the curtains on how creative and dangerous the special effects were then. Even the little things we take for granted 6/10
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Vampire Survivors: I think by hitting 40 minutes I can kinda say I’ve ‘beat’ it in a sense even though there’s tons more content, but I need to add it to the list at some point. Good game with deceptively smart design to be a mobile game w/o the predatory garbage. 8/10
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Rush Hour 3: Fun enough but I can feel the 2000s reliance on cringe humor and the stink of post 9-11 bigotry begin to set in. I had a few good laughs. 6/10
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Loaded weapon 1: An absolute blast with the kind of cast you don’t see anymore. Again, Shatner is underutilized as a comedy actor. My final take: Sight gags are a lost art. 7/10
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Spelunker my 2: I don’t really get the appeal of this game. Even with sprint switched off of default, movement felt oversensitive and deaths came only when my character did something I didn’t intend. Maybe I should’ve been on controller but this left a bad taste 3/10
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Kill it With Fire: I appreciate smaller concept games like this, but as a recovering arachnophobe, this didn’t invoke as much of a response for me. My SO had a blast though. 5/10
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A Few Good Men: Man. 8/10
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Magic Lizard: ‘this feels like one of those adhd TikTok’s with an infinite runner game and family guy in the corners’ - @SuperheckDX this thing oscillates between middling slapstick to animal abuse. Genuinely disgusting for a moment (if you know you know) -3/10
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SpongeBob in Tehran: enough of the jokes translate but the visual absurdity wears off pretty quick. -6/10
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Webtoons I won’t dignify by naming: Trying out random Manhwa that caught my interest was a fun policy for a bit but I’ve been seriously burned. I could tear apart why even the best in the field have issues with long term storytelling due to issues with distribution. Im done 0/10
Puss in Boots the Last Wish: Being overhyped did this movie a disservice. The animation was fantastic, but there’s not much else here. I didn’t find it particularly exciting or funny and the musical number didn’t hit. I really it lacked that ohmf. Definitional 5/10 on my scale
Tangential, but Puss’s arc mirrors Kirk in Wrath of Khan. Do what you will with that.
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Dwarf Fortress: disclaimer I didn’t play too much of this game but I appreciate its system rich nonsense. I’ll probably revisit it later since the unintuitive UI isn’t helped by most forum discussions not being for the steam version. IE idk how to make a horizontal door. 7/10
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Entropy: Zero: Short sweet and to the point. It uses all of its creative ideas and remixes existing assets like nobody's business. A few stumbles like a turret stealth section that soft-locked me, but I appreciate a game that doesn't waste my time 7/10
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Entropy Zero 2: I cant remember the last time I was this consistently exhilarated playing a shooter, maybe Titanfall 2. It delivers good writing, action, varied gameplay, gags and emotional beats. It caches the checks valve wrote a decade+ ago at their standard. A must play 9/10
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Donbrothers The Movie: New First Love Hero. An absolute farce with almost no toku action. Needless to say it’s fantastic. 8/10. Will likely give any MMPR fan an aneurysm. The foreshadowing is clever…
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Bionicle Mask of Light: I wouldn’t say it’s good since I’m an adult and have more tempered nostalgia, but I derived a lot of enjoyment watching it through the lens of knowing the lore and it added a level of dramatic irony. 5/10
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Farscape S1: In its best episodes it delivers on a wacky premise and great puppets, at its worst it has pretty template episodes. The crews dynamic seems to be still finding the right balance of adversarial and friendly, and sometimes it just makes everyone seem like an ass. 6/10
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Shadow of the Vampire: I might need to marinade my opinion on this somewhat. First impressions are good but part of me wishes it shied away from the come comical elements since the darker tone is interesting. Just made we want to see Nosferatu 8/10
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Movie night speedrun Backstroke of the West: Surprisingly good joke dub -5/10 Marmaduke 2022: bizarre -1/10 Agent Revelation: what did they have on Dorn. 2/10
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Movie Night Roundup: Alone in the Dark: false advertising, It was bright and I don't think anyone was alone. Made to be riffed on. -6/10 Fist of the North Star 1995: A total snoozefest that failed to hold our attention. The only fun was realizing Dante Basco was in it. 2/10
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Pinocchio a True Stroy: We nearly watched a second dub with more generic voice action. Sadly this is basically unwatchable. 0/10 Waynes World 2: A weaker comedy than the original, mostly because it uses a recycled B plot. Nevertheless, a good palette cleanser. 6/10
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Farscape Season: I appreciate the more serialized storytelling and multipart episodes. I appreciate that they are kinda figuring out the characters, specifically John going into his Joker arc. However, there were a few stinkers. 7/10
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Record of Ragnarok S1/2: This isn't a particularly good adaptation, but the first fight should get an award for the most baffling adapted shounen fight. It truly put its worst foot forward. Otherwise pretty mid and doesn't make me feel particularly excited about the manga.
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Vengeful Guardian MoonRider: On the plus side, it looks great and has a clear love of 90s anime and tokusatsu (Hakaider particularly). However, it just felt frustrating because of issues like an awkward walljump and a lot of cheap damage caused by the small screen. 3/10
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Super Mario Bros(1993): people lied, this movie kicks ass. The bizarre mushroom kingdom is wildly entertaining, funny, internally consistent and inventive with how it remixes elements from the games. It’s not what the 2023 one will be: safe. 7.5/10
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Return of Ultraman: I see what they were cooking. Not a lot to judge here but the way they stretched what they had was impressive. 7.5/10 Eragon: Laughed out asses off when playing Star Wars music. It synced perfectly at some point. But there’s nothing else to work with. -3/10
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Aura Battler Dunbine (I): I'm splitting this up into three parts since I have distinct thoughts. The first third is relatively weak and fails to set up the factions (no idea what's up with house Given). However, it makes up for it with appealing classic fantasy aesthetics. 6/10
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Dunbine (II): The middle chapter has a sharp improvement across the board. The politics and tactics begin to fall into place as the mech designs improve. The reverse Isekai arc with Garalia (my beloved) is a real standout. Bummer the Billbine sucks. 8/10
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Dunbine (III): The final third speaks to me. The undercurrent of resignment and desperation pairs well with a massive shift in the mechanics of combat. While the repetition can get straining, the interjection of real-world interaction makes it work 8.5/10
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Dunbine: I enjoyed the heck out of this series and appreciate the interesting ideas and aesthetics of this world. My only complaint is the way it approaches writing women. Its otherwise rad cast of mostly women gets tanked by Elmelie. Took me out of it. 8/10 #dunbinesweep
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Farscape season 3: once again this season is an improvement over the last. Less crazy creatures, but more interestingly shot, especially towards the end. It makes the budget-friendly episodes go down more easily. I continue to enjoy John’s arc of just getting weird. 8/10
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The thought that someday, someone will feed My Dinner with Andre with thousands of other contextless content into a machine learning algorithm fills me with a deep sadness. 9/10
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Knife or Death Season 2: Overall pretty fun, but I felt that with the increased size of the episode order, they ran out of interesting contestants. You can only see so many redknecks in a row, and the finale was a bit of an upset in a b ad way. Season 3 needs some changes. 6.5/10
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Donbrothers: This may be the funniest, most satisfying, and unapologetic show I have ever seen. I don't think any sentai can compare to it after, mostly because there hasn't, and can never be anything quite like this again. 10/10
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Dunbine Neo Boston Well: phenomenal art and visuals but it kinda falls apart in execution. Eventually, you notice how little is animated and the Ovas have little time to explore its owns story let alone the amazing glimpses of this world. Good character design. 6/10
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Destiny 2 lightfall: this expansion was so bad I think it broke the spell destiny had over me. It’s a bizarre swerve in story and aesthetics that is utterly betrayed by the most grating dialogue that was mixed in a way that hurt my ears. 2/10
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Season of the seraph: a pretty middling season with some interesting mechanical tidbits, but not a lot to latch on to. It lacked the week to week narrative drive that kept me engaged. Now it feels like the content kinda ends in like 4 weeks. 5/10
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Kentucky Fried Movie: slow start but pretty funny. The Enter the Dragon parody was a gas. We need more formless comedy chimeras. 6.5/10
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JJBA:DIU 2017: what do you get when you remove the style, humor and pacing from jojo and try to take it completely seriously? Something that should never get it’s trilogy finished -3/10
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Garzey’s wing: this thing lives and dies by it’s comically bad dub. Otherwise it’s a pretty write ova with a neat few ideas bot no real ending and would be an unsatisfying watch. However. The dub is hilarious. -6/10
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Pledge this!: National Lampoon’s fell OFF! Idk if I can forgive @roflcopterbtw for putting this on the wheel…-3/10
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Street Fighter: the legend of Chun Li: Firstly: why are you white. Secondly: if you want to see a better version of this movie, watch snake eyes. 3/10
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Kingohger: first impressions: the first episode alternates between obscenely good looking and abysmal in was that is bizarre and completely preventable. They really didn’t have to do primarily cg environments. Writing is halfway to doing something cool but wiffs.
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Onegamart: it’s like if a really well themed line ride kept going and going and going and going and going and going and going and going and going and going and going and going and going and going… 8/10 that was cool
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Movie night roundup: Barbie the Princess and the Pauper: Concerningly well produced as a musical. Its a campy kids movie with comical CG. What more can I say. -6 Shrek the Musical: We were ENTRANCED by Farquad's costume! I can't say I agree with some of the decisions tho. 6/10
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X-files S1 & S2: I find myself more compelled by the episodic mysteries rather than the serialized storyline. Maybe since the alien conspiracy feels a little one-note so far. The real treat is spotting famous actors and the occasional rising star at a higher rate than usual.7/10
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X-Files S3 Vibe check: After a few real bangers, Ep12 and 13 were a 1-2 punch I didn't need after a stressful day. The hard dip in writing quality, bad drama, and cheap CW drama feel couldn't cover up what was clearly an anti-drug episode that no one seems to talk about. 2/10
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The Man Who Laughs (1928): Essayists have already dissected this film on my behalf, but there’s something interesting here. Oddly enough it’s really obvious The Joker directly homages this more than I think it owes Taxi Driver. 7/10
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G-Saviour: under the thick layer of low budget Canadian production and generic execution there’s some surprisingly cool cockpits sets and fight scenes that would’ve made for a good movie. However it isn’t and we never got the iterative sequels it wanted. 5/10
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Welcome to Sudden Death: as Die Hard clones go this is a surprisingly fun watch. The reversal of the black comedy relief archetype and some genuinely cool but blue ballingly short martial arts sequences make this an entertaining 6/10 in the best way possible
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John Wick: in all honesty this didn’t set my world on fire. I think it’s relevancy has more to do with it signaling that action movies could be cool again rather than the ‘secret world of assassins’ shtick I can’t see myself getting into. 6/10
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John Wick 2 Electric Boogaloo: A marked improvement over the first for me, and a lot of that comes down to more creativity, bombast and actually being able to see the fights in this one. The secret society element was less rote than I assumed it would be. 7/10
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John Wick 3: I think the missing ingredient might’ve been building up strong opponents. While an improvement, the movies deadly combat means each enemy gets one fight, so they don’t get the opportunity to develop. More bombast was welcome. 7/10
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John wick 4: holy fuck in the goddamn. You know the movie is fire when 20 minutes later I say ‘John wick had a nunchuck, how tf did I forget that’. The last three are almost invalidated by how hard this executes on everything they both had and lacked. 9.5/10
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AVGN movie: this one’s an oddity, it feels like a throwback to the golden age of early internet reviews despite coming out in like 2014. This is a realization of the channel Awesome movies but with competency and production. The gags and effects made me smile. 6/10
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Trigun Stampede S1: Anime of the decade. Never before have seen such expressive 3d cg anime, let alone for tv. while it undercuts some of the charm of the original with its rush to the knives plotline, it makes up for it in its own identity. 9.5/10
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The Future is a Dead Mall and Line Goes Up: I knew it was dire but wow. Line Goes Up aged particularly well. 8/10
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X-Files S3: A real mixed bag, as mentioned earlier, this contains some of the best and worst episodes of television I can remember. While some parts of the serialized story are improved by getting interesting resolutions, my faith was shaken. 7/10
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Pitch Black: Enjoyable as a thriller with a neat grimy version of space travel. it Tickles my fancy 7/10
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Chronicles of Riddick: I guess this universe has a Warhammer 40K faction. I think the end result is cool, but I see why people think it was a weird pivot 7/10
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Riddick: Just another cool thriller, liked the more survival elements at the beginning. 7/10
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The Adventures of Kosuke Kindaichi (1979): One of the most impenetrable films I've ever tried to watch. I can't help but feel I lack the cultural context for this as a parody, but the visual absurdity and direction sell it. 7/10
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Robot Ninja: Perhaps I'm just a sucker for the 'artist spiraling into madness' trope but this movie has an interesting take on it. If anything the Ohio shoe-string budget energy kind of enhances the delusion and unreality of it. Very critical of the comics industry. positive 5/10
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The War in Space: I'll admit I talked with my friends through this one, but the model shots and excellent space suits caught our attention. Effective final sacrifice but overall it was uneventful in a 70s toku way. 4/10 (the captain had Leonard Maccoy energy)
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What's up tiger Lily: The specter of Woody Allen haunts this film. While historically important as the first notable parody dub, the space jokes (which mostly land) and lousy 60's dancing interludes kill the energy and just make me want to see the original. 4/10
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Skyrim SE: Since Skyrim is kind of a Super Game(TM) I'm breaking it up since some parts of it feel totally disjointed.
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Skyrim (main quest): I assumed the Blades quest chain would be on the level of the Mages College in terms of importance. I appreciate its attempts to intersect with the civil war plotline but it felt over in a hurry. The final dungeon is a joke. 4/10
Overall, having the focus on melee combat against a pretty bad enemy variety makes the game feel like a slog. It does manage moments of brilliance, but the half-baked questing feels more like frustrating writing. Base game is a mess with potential. 6/10
Skyrim: Saints and Seducers: It kinda sucks how this DLC was plopped in without any consideration. I mean yay free content (I wouldn't have paid for it), but my animosity comes from stumbling into the strongest weapon in the game on my blind playthrough, trivializing combat. 4/10
Tron: Half the fun of this movie is trying to contort the metaphor of the grid onto my understanding of how these systems actually work, like naval admirals watching Battleship. The Wendy Carlos score is really unusual and has wormed its way into my head. A charming 4/10
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Passenger 57. Die Hard on a plane. No Notes. 7/10
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Batman and Robin: As a 60s Batman enjoyer, I cannot overstate how much of a joy this was to watch. The costumes, the set design, the pitch-perfect acting, the architecture, the cheeseball writing..never have I seen more camp with such ambition and budget. 8/10
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Skyrim: Dragonborn: this smaller, denser island shows what Skyrim can do. Stealing from morrowind gave this place a lot more character and it was refreshing. However some bad bugs and dragon controlling being a complete mess…It was an 8/10, but man 6.5/10
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Skyrim: Dawngaurd (vampire): not great. Besides careening down the main quests chain without noticing the 8 radiant quests(the vamps aren’t fun to deal with). Mechanically, vampirism sucks. I never found switching forms to be anything but cumbersome and it wasn’t any better…
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Vampire and dragon attacks killing NPCs is a cool idea but having that happen when you’re doing the main quest is just confusing. Adding the Vale and the soul gem dimension is neat, but kinda shallow. Each felt like other dlc they condensed.
The saving grace really is Serana, which was further advanced by an incredible mod that has me wanting to restart and take the dawnguard path. Until then…5/10
X Files S4/5: Once again there were a few bangers, but I'm starting to get the creeping feeling that the atmosphere that made the series unique is beginning to get lost. I wouldn't say many of these are terribly tense or mysterious anymore6. 5/10
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STEALTH(2005): Look, I'm of two minds about this thing. Yes, it wastes a lot of time. Yes, the DOD clearly inserted a 15-second scene that minimizes the interesting sci-fi of the movie in a ridiculous way that had my friends both booing and laughing at the movie...
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BUT HOLY SHIT ACE COMBAT MOVIE REAL!!! The last half really leans into being a bombastic action and sci-fi thriller. I can't think of a movie that had a more left-for-dead character and 'the loyalty switching is nearly at gundam levels' -@SuperheckDX 7/10
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Bright Memory Infinite: I'll give it credit for a surprisingly fresh twist on character action, but it's over just as it gets good and I feel like it learned the wrong lessons from the early 8th gen CoD era of shooters. Worst double jump in an fps to date 5/10
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X-Files S6: I'm not sure how, but a shark was jumped at some point between seasons. Immediately the average quality went down and the episodes felt much less engaging. It still managed to surprise me (Aliens in the Klan???) 5/10
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Lobsteroids: it serves video game fmv vibes. -4/10 No.1 of the secret service: fun action and a Dracula assassin make up for having a plot I couldn't follow, but I'll give them points for a bravely anti-climactic ending. Just a good B movie bond. 6/10
ZOE: 2nd Runner MARS: I'm not gonna sugar coat it, this fucks. The remaster really shows how strong the art direction is by sharpening it up and it looks and plays divine. However, the translation and dub are incomprehensible. It's like what people say about Tomino's writing.8/10
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Guardians of the Galaxy Vol 3: I don't think this movie was great, the jokes didn't quite make me laugh and there were some wasted opportunities, but the emotional core worked. I feel a good sense of closure from this over the MCU in general. 7/10
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X-Files S7: Nah: 5/10
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Azure Striker Gunvolt 3: I never got around to putting this on the list since I was hoping to finish the 2nd character playthrough, but that never materialized. 
This game has sparks of good. Good voice acting and a few creative level concepts that sell the team’s energy. The gameplay loop of tagging and teleporting is married well with the well tuned directional aim. Its also up to Inti’s bar for visual flare.
However this is all in spite of everything else. The translation makes some bizarre choices that make Joule is immediately grating, mostly due to the choice to never shut up about fetters (you could just call them seals...). The timeskip is truly bizarre since it abandons all the plot threads for a more or less identical setting, just with apologism for the evil conglomeration which Gunvolt is okay with working for now (despite being turned into a dog for some reason.) Worse, Joule is immediately the most mechanically bloated character in a 2d game, having too many features at once in addition to the (also expanded with her abilities) Gunvolt style switching. Less is more, if they had settled for GV with the flashstep or simplified Joule individually it would have been more fun to control. If they were going to give players so much more combat capability, it would’ve been nice to have enemies that could actually fight back...6/10
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Kamen Rider Geats × Revice: Movie Battle Royale: Who put battle royale in my previously battle royale-free battle royale Toku show...AND it crosses over with the first battle royale Kamen Rider? I’m gonna be real, Revice nostalgia was coming on stronger than I was prepared for with this movie. I hope we see more Seeker in future material and the Ryuki cameos were heartwarming (except Ouja’s suit had a prominent pot-belly for some reason.) 7/10
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Revice Forward: Kamen Rider Live & Evil & Demons: I miss revice... Making Demon Hiromi a Vergil was an interesting choice 6/10
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The Super Mario Bros. Movie: I’m of two minds about this. On one hand, This is really the best version of a Illumination Mario movie we could get. It has fantastic sequences with 80′s pop music replacing the perfectly timed and funny soundtrack for what feels like a quota. It didn’t really make me, as an adult laugh or really engage much with its emotional stakes one they entered the mushroom kingdom. (I kinda liked their whole failing plumbing business) They tried to do something with the core cast, but without doing anything really memorable, save for good performances in spite of the material. Chris Pratt isn’t awful. It should be deeply meh, but it has enough colors and the occasional humor to make it work. If anything I would like to see the midpoint between this and the 80′s one 6/10
However, the pattern recognition part of my brain would have lit up like a Christmas tree if you put it in an MRI. I’ll admit that even a cynic like me soyjacked a few times when I saw something from Mario 3.
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Telefrag: Listen, I don’t like beating a dead horse...but I see why it’s a dead game. bad feedback and tutorialization make matches with only one bot by default and fast ttk even less interesting than they should be. 2/10
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Eagle Flight: It’s amazing how Ubisoft finds ways to ruin their own games with corporate nonsense. On startup within steam VR, I had resolve the bugged out multiplayer launcher installation while having to repeatedly switch from my VR headset and my keyboard. It left a sour taste in my mouth for an admittedly neat and good controlling game. There were a few instances of inconsistent button prompts in menus as well. The promise of flying through the air like an eagle is realized but did it really nead assassin’s creed collectible and map mechanics? 4/10
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Sierra Ops: I occasionally see moments where what this was supposed to be shine through, but overall the writing could use an aggressive editing pass to allow it to capture the excitement of a space opera by tightening up the interpersonal stuff. I usually love this stuff when its concise, but the relationship drama comes across as bloated and ends up sinking the whole experience. An hour and a half of half vague meandering disengaged me for the cool declaration of war moments. Even longer until the game properly starts. It did grab me once or twice but mostly I found myself skipping and it still felt long. The gameplay is neat enough to begin with, enough to get me to the halfway mark but only having two possible other small ships in your controllable battle group kinda kills the exciting strategy and large scale warfare the premise promised. The more mechanics it ads the worse it plays unfortunately. Mostly because the mecha can't be ordered and must be actively controlled, destroying the gameplay flow. I also encountered a broken feature for the long range bombardment at the start of the third chapter where it only worked once. The only youtube playthrough that got that far had the same issue but never noticed.
I don’t think this thing is going to complete its 10 chapter plan, but with the >2 chapters I played. 2/10
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Fast X: I feel hard judging this harshly since it is supposed to be part one of a duology(trilogy?) but I feel like the rubber is going to hit the road once we see the payoff to the setup. As it is, I can’t say it was mind blowing in comparison to 6-9 since some of the action sequences were deliberate retreads. 6/10
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Rocky: A lot of times I find the movies pop culture upholds as classics are divorced from the actual quality of the material. This is one of those cases where I was blown away. I can’t think of another case where a character was so soulfully portrayed in every small minutia of the performance, direction and even set design. While I usually dislike the dirty look to a lot of 70′s film (I’ve watched a lot of movies that should’ve stayed in the 70s) the filth of Rocky’s world sings in every character. In the first 10 minutes I knew I would ride or die with this lovable loser. 10/10
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My Friend Pedro: Interesting gunplay ideas that feel made for twitter clips. However I never quite felt the flow. The real enemy is a tedious and artificially extended playtime fattened with too many puzzle platforming segments that add nothing. Ultimately the ‘lol so random XD’ humor got old real quick. It had the energy of a Deadpool cosplay in the 2010s who didn’t know when to quit when he was ahead. 4/10
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~~~Random Half-Life/Portal mod roundup~~~
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Thinking with Time Machine: Its primary mechanic is interesting but cumbersomely executed. The puzzles are more a pain to pull off than solve and the writing is bad fanfiction tier. I encountered multiple repeatable crashes between levels. 3/10
Requiem of Science: It starts out as an uninspired series of levels and escalates into a baffling gasps of creativity that make no sense and have no real context. Random mashup of Black Mesa and Aperture assets? Kinda weird. Egyptian pyramid with a trap involving 15 consecutive headcrabs? What? It’s really just a series of random source assets combined with maybe your 3rd attempt at a doom wad in high school. The story is...bad. The protagonist is named Genry Freedom and it has spongebob beyond writing. 2/10
Snowdrop Escape. Too many straightforward puzzles and gunplay felt nonthreatening. I never felt challenged and this thing has essentially no story, not that I could hear it half the time. I’ll put this in my ‘bad multiverse media’ pile.  2/10
Rexaura: Good puzzles and fresh mechanics but the writing and story didn’t wow me. Competent. 5/10
Entropy Zero: Uprising: Encountered a gamestopping bug, but the pretty normal content didn’t give me the energy to continue.
Logistique: The puzzles weren’t as hard as they were dull. but I appreciate the effort 3.5/10
Portal Stories VR: can’t really say much other than I was trapped halfway through the floor and it had unity’s kinda bad movement. 2/10
The Lab: Neat gimmicks but only two were worth more than 4 minutes of my time. 4/10
Aperture Hand Lab: My controller didn’t have the haptics to progress, but it was pretty funny while it lasted. 5/10
Entropy Center Demo: Look we all know this is a portal fangame. Puzzles were neat enough with the rewind mechanic. I can’t say it has the wit that makes portal work yet just from the demo, but I hope it adds that X factor it needs. 6.10
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Justice League: Putting aside my bias for the cast, which is peppered with some of my personal favorites from TV, This is a solid show. By most measuring sticks this measures up, but people like me who know too much about comics can get waaaay more out of this. It’s confident enough to show a haranguing news anchor wave around a copy of ‘Seduction of the Innocent’ assured both kids and general audiences understand its criticism of moral panics while respecting comic book fans to use their brains to catch the specific callouts to real world history. It has ham and it has heart. from the goofy golden age callbacks to the Christmas special with sharp character writing. I miss the dedication to creating quality entertainment with its material. 7.5/10
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Shin Kamen Rider: Full disclosure, my experience with this movie was colored by a pretty rotten day. The first fifteen minutes were gold. There was energy. A snappy camera, brisk exposition and flare to the action. It replicated the tricks that made the original show work but dialing up the visually absurd elements to contrast with a more serious tone. I’ve heard some folks had bad screenings, but I had the pleasure of a few sporadic academic chuckles to add ambiance. Shoutout to the sight gag where the cyclone motorcycle is following Ichigo during a dialogue scene at a polite distance. The whole thing reminded me of Anno’s earlier live action take on Cutie Honey. However after the first act, I got the sense the film was petering out. Perhaps the format of adapting a handful of episodes risks getting tired, but by the start of the third act I was checked out. I don’t check my phone in theaters. I checked my phone, looked up how long the film was and questioned if I wanted to stick it out another hour. Worse this is the first movie to physically hurt my eyes. The penultimate battle is in a pitch dark tunnel with abrupt flashes of bright light that caused me to recoil, even cover my eyes after a few minutes. 3/10. That time he did a flip was cool, but I regret staying.
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Rocky II: This should’ve been a cash-in sequel. It repeats the beats of a first film that needs no follow up. Rocky’s arc was done, do we really need another with the same beats? Second verse same as the first but a little bit more production value and pretty dang good. I’m giving it a 9/10 so it must’ve done something right. The melodrama of pregnancies and unemployment and comas didn’t have me, until it did. This movie waited to switch back to southpaw and didn’t let up after that. 9/10 
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DragonHeart: It’s a kids movie but it does have that childlike wonder and innocence you don’t see in fantasy movies these days. If I think the dragon looks good or bad depends on my mood at the time 6/10
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The Master Demon: I’ve seen low budget but this is something else. We skipped most of it. -3/10
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Battleship: It really didn’t have me, and then it did. This movie needed another few weeks in the editing booth because opening you ship action movie with some boner comedy shenanigans doesn’t bode well. Gimme a tight 90 cut and we are in buisness. There is no doubt in my mind why this is a favorite in a lot of navy households, because this is somehow more hype than Top Gun. 6.5/10
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Justice League Unlimited S1-2: Fantastic. Perfectly constructed. It operates metatextually as a commentary, even a refutation, of many of Alan Moore’s works and opinions on superheroes. As someone who enjoys the odd comic book, the intertextual game of ping-pong that is The Question (voiced by Jeffery Combs, who better?) is an absolute joy to see. Adaptations like ‘For the Man Who Has Everything’ show a clear love for the character driven aspect of capes and cowls that you don’t see anymore. It more thoughtful and nuanced than it has any right to be, and talks up to any audience with more respect than I’ve seen out of superhero media (outside of maybe Gunn’s movies). Even the most die hard modern comic book fan should loop back to this for a shot in the arm of hope. 9/10
Justice League Unlimied S3: there was a third one I guess 7/10
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[it looks like a few of the things I added got lost so quick lightning round]
Dungeons and Dragons, Honor Among Thieves: Hey! Thats pretty good! It’s a charming and fin fantasy movie, don’t see those as much as we should these days. Best of all it really captured the energy of someones unwieldy campaign. Hope a sequel has a completely different party. 7.5/10
Bumblebee in 4K: Each subsequent viewing I can deconstruct this into its component movies more and more, but ‘steal from the best!’ 7/10
Mikadroid: It was fascinating and had a unique atmosphere. The obvious symbolism of a 80′s Japanese bubble disco built on top of a ruin of fascist superweapon is a treat. Great costume and model work where it counts, but it undercuts itself with poor momentum and a monster that is shown in a few unflattering angles. Spotted a classic Ultraman actor so I’m happy 7/10
LoZ Cartoon E1: annoyingly competent 4/10
Kappa Mikey E1: I see why this wasn’t good enough for 2000′s MTV. In spite of it all it was actually a little funny -5/10
Mars Needs Moms: The implications will tie your brain in knots while the actual story is so bog standard it numbs your mind at the same time. The aliens were clearly somebody’s fetish in production. -4/10
Dune 1984: I’mma be real with you chief. this isn’t great. Sorry Mr.Lynch, they can’t all be winners. Nice Cameo though. I will come to the defense of character inner monologues though, but having them whispered doesn’t work. I wasn’t wowed by the special effects but the weird set dressing had a charm. 5/10
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Across the Spiderverse: I might need more time to digest it, but within the first 10 minutes I had to stop and think if there might be other animated movies that look this good. Not even close. I think the beats hit me differently than some others, but yeah, no doubt. It’s great. Anything else would be nitpicks I will withhold till the second part. 9.5/10
Oh wait, Unlimited SpiderMan didn’t have a prominent role: 0/10
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Heavy Metal L-Gaim: It pains me to say this, but I couldn’t finish it. Individually, each episode delivers top notch cartooning with expressive and goofy animation that really sell the wacky cast. That is, when we, as an audience, can get it. The plot lacked forward momentum and enough of it felt dull that I dropped it a few times. I skipped to the end and found a backloaded finale with a soggy final note. The vibes are top notch, but it can only take you so far. 6/10
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Rocky 3: I though a shark was jumped when Hulk Hogan showed up, but they had me. They fucking had me. 8/10
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Wolf Tracer’s Dinosaur Island: this had to have been a tax scheme or something. -4/10
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Skull Island: I got nothing. No real emotional response. Nothing. It was there. It was inoffensive. But I gotta point out that at this point, Kong’s survival rate for plucky kid companions is pretty low. 5/10
The Italian Job (2003): A fun enough heist movie, but now I want to watch the original to compare 6.5/10
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Transformers Rise of the Beasts: Just because it’s CGI action slop doesn’t mean it can’t have heart. Putting aside my predisposition to like this, it was a decently constructed version of what these movies are. It was coherent, funny and well made. My only gripe is that at the end they do something just kinda weird, but you know what? Who cares! Besides that one moment, the movie had my suspension of disbelieve right where it needed to be to have a grand old time.
As a Transformers fan? There was fanservice. I was a fan, and I was served. ‘Subversion of expectations is kind of a tainted expression, but by reversing a few familiar bleats was a nice variation on a theme. They could’ve easily messed it up, or gone too far, but so much as a few notes of a leitmotif made me a hair shy of spontaneous combustion. The credits stinger? Dumb as hell, but you know what this movie earned it, and My entire friend group was popping off. 7.5/10
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Rock 4: This doesn’t quiiiite live up to the premise of ‘Rocky destroys the soviet union’, but it tries. however I felt more like I was watching an ad for the album. Kinda like Netflix shows that are desperate to make the next big TikTok dance after Wednesday performed well. 7/10
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Farscape: I gave the last season a fair shake and found it kind of unwatchable. 2/10
Half Life Alyx: Oppressive. Immersive. Possibly the last VR game I’ll ever need to play until they make a sequel. This could only be by the virtue of being the only vr game that actually feels like a real game, but it is far more than that.
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MyHouse.pk3: I kinda ruined this for myself a little since I blasted through the non-spooky wad version a few times confused about what the fuss was over. However the creativity and magic to make this work is astounding. The final beat was pretty cool. Short and sweet. 7/10
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(Lost a few of my entries due to an edit error, these’ll be shorter than my original thoughts)
Black Mesa: A triumph of game remakes. While Xen is a more total reimagining, the rest of it really makes me appreciate how ahead of its time a lot of the original Half Life was. I often found myself suprised when reviewing the original, sections I thought were added in were in fact there since 1998. Genuinely gorgeous at times. 9/10
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Devilman 2004: How do you make Devilman Boring? If you have seen any 2000′s Japanese b-movie, you have seen this one. Its got all the halmarks, minimal action, camcorder grade early digial picture quality and a lot of high school non-drama for some reason. -2/10
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Bloodshot: This movie goes hard than it’s redbox-grade appearance would have you believe. It weaves this deception into its intentionally genre generic setup in a way that makes tired sci-fi tropes feel exciting. Its costumes and CG fights feel like they outmatch what marvel pours millions into. 7.5/10
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Barbie Princess Charm School: The things I watch for our movie night’s wheel. It’s competent, but not as funny as the last one I watched. -5/10
Rocky V: It’s very 1990, though I feel like the energy is brought down by the cheap contrivance to reset rocky back to the streets TM. I will say that the emotional beats with Micky hit hard, and I appreciate having the fight at the end be out of the ring. Refreshing, but I think this was a good place to end it. 7.5/10
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Andromeda S1: An efficiently produced show that takes star trek (in all but name) into an interesting new status quo. I did worry at first that it would fall into the bad habits of white savior storytelling and some cheesy sci-fi concepts (nietzschean? really?). However I can’t contest that I had a good time and there were enough fresh episodes to keep me happy. 7/10
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Movie Night Speedround
Alone in the Dark 2: this is clearly a movie they just retitled. 4/10
Jupiter Ascending: Can’t rate since I might get back to this later but it at least looked neat. -4/10
Nick Fury Agent of SHEILD: Good casting but this sure is a TV movie. -4/10
Nutcracker and the Four Realms: This was more fun when it was an actual ballet production for 5 minutes. Generic late 2010s Disney twist and fluctuating production value. Morgan Freeman is a clockpunk father cristmas. 6/10 
4 notes · View notes
bibiana112 · 1 year
Text
Okay something that was stuck on my drafts was just rambling thoughts from when I first finished aini so I'm gonna summarize what I had going on there
Biggest first impression was, surprisingly, just how weird Kizuna was about Mizuki- okay now we get why and I did guess it halfway too that she literally was just like Kizuna's big sis and such but still... Makes sense I got hung up on that, I related to her in a very specific way and this whole situation was so weird to me who does have friends with about the same age difference that I look up to, but the way it develops here it just enables Mizuki to feed into the mindset that she's just not allowed to be a kid anymore because of all the stuff she's gone through but that sucks she's still freaking twelve and all these adults around her don't treat her like it and it's not supposed to be something you question at all like :/
I like the collectables! Silly clothes! I'm glad the dlc ones weren't the only customization, fun unlockable dress-up things are nice and a plus on the experience- the whole gameplay in fact I had a blast with and had no significant complaints to make
The theme of someone needing to be reunited with their "other half" to be "whole" was just never going to be a theme that appeals to me. Everyone being incomplete until meeting someone else is simply not the kind of idea I subscribe to and especially not like romantically, the couples and relationships I have more words on despite being bad at talking through these concepts but one or another it's just not to my tastes so again- was never gonna resonate with a game with that core message all that much is all
Uchikoshi is allergic to sequels, can't embrace a whole new cast nor stick to the original and just follow up on where the last game left off, nope, always a far less satisfying compromise between he two- I wish aini had absolute minimal participation from the old cast, no Mizuki fake out just a flat out new character honestly I would have loved Bibi so much if her story didn't muddle Mizuki's pre established one, stick to an anthology format of new cases or at least keep the dynamics and personalities consistent with the conclusion of the first game I wish Date wasn't annoying I wish he was just Falco chilling out in the background of a random scene where you can interact with him only if you want with no bearing on the case at all hell if you're gonna commit to them still interacting with the story as coworkers have him actually die! Or at least give him and Mizuki an actual reunion!
Entirely up to personal taste again with this one but I miss the slight tinge of horror, the gross gouging out eyes kind of violence because the action flick kind of violence? Bores me to tears. Ryuki got shot and I knew he'd be back- they did a whole all is lost moment actually I think they did that twice with Mizuki nearly losing the battle and getting all beat up and I looked at it and I knew they wanted me to have A Feeling™ over it but it went by so fast, I knew the next beat was her getting back up, none of the lead up to it connected with me enough to make up for the predictable nature of this scene structure, there was very little weight to it and I miss that grim ass feeling that the first game sometimes captured with Saito and the way he operated especially in the paths where he's still in Iris' body by the end and still poses a threat to the cast (this point in my drafts also ended with "man I'm feeling unfulfilled by this piece media I think I'll go finally read Higurashi hopefully that'll make me feel better" and lmao I still haven't and still really want to)
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canarymemories · 20 days
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the long awaited nui izlo rambling is finally here!! leaving it all below the read more bc. i don't know how to shut up
(i'm copy pasting this w little to no edits from a twt thread so. sorry if the formatting is icky kasdgh)
this fic was brought to u by 1. my own darling nuis and my izumi nui does have a tear by his eye and 2. leo merch collector is such a fun concept to me
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the concept of izumi being in italy while leo is away was something that lived in my head for a while ngl and there was a point where this was going to be a meowzart fic, like izumi moping around the apartment and meowzart being her cute little self. i think at one point i did have a sort of companion piece if you want to call it that, like leo would be the one at the apartment w izumi out of the country (also a meowzart fic) and the only part i actually wrote for that is what I lovingly call ace izlo
also. back to my izunui for a minute, I did try to do surgery on him but the eye embroidery is too thick to do w just a normal little sewing needle 😔😔 but he's my darling little guy and he's perfect the way he is, I just have to be careful with him 🥺
anyway! let's start w the title. this song I think is the reason I started writing mushy lines towards the end lmao, it's izlo coded to me, like pls consider (it's also in my bb playlist ✌ idk it's so izumi -> leo to me)
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I make it my life's goal that izumi never knows one second of peace lmao (also somewhat unrelated, i do have this wip idea of their dormmates having to deal w them bc i think it's funny and. i miss that idea (is fully capable of still writing it))
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i feel like this point comes up in . so many of my wips (I think it's honestly just me feeling like it does but. still) and I just,,, man post checkmate, the way you live in my head
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izumi is so. easily swayed when it comes to leo (thank u rhythm tourism for confirming that for me <33) (I like to think that leo is somewhat aware of this fact) but yeah that comes up so much in this fic and I think it's so fun bc. sorry to say but izumi is such a loser
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izumi cardboard cutout is such a funny one to me, leo would so have one. anyway, reloaded reference 🎉 also. the izumi calendar being a canon thing might be one of the best things happyele has done, unfortunate I'm p sure they'll be skipping it in engstars 😔
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I feel like I'll end up forgetting to mention it, but like recital, the way izumi refers to leo nui changes over the course of the fic (aka after day five, izumi starts referring to leo nui w gendered pronouns fkdksl) they had a bonding moment <33
this is probably my favorite part of the fic ngl like honestly. I don't even think I can make fun of izumi here bc I think something that grossly domestic would fix me too (but it's still so funny to be like. izumi wakes up in a bad mood and his first thought of how to fix it is to imagine a whole scenario w leo that is soft but. maybe he really is onto something)
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the day three naruritsu call is bc i started writing nui izlo last august which was a month before nrrt week and they were in my head so bad (they haven't left). and then I was like haha what if I write the date for nrrt week before the fic is finished. and now this year it's like,, haha what if i (hopefully will actually write the date this time but also. as a small aside, the concept of arashi having to be straight up told it's a Real Date and not a friend date is so good in this essay i)
this is supposed to be bc they're not speaking a language izumi personally knows how to speak, so only certain words make sense think of it when you hear someone speaking another language and there's loan words or cognates that you recognize even if u don't know what's being said
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I said it in the a/n but this part and all of day five is that even though they're past the events of checkmate and everything that came from it, things aren't magically like. Perfect, yk? like they found their way back to each other and knights didn't fall apart but that doesn't mean that everything that happened then doesn't bother them to some extent. like just look at next door and mr they can't know i care taking the earliest flight to japan w limited knowledge of what's going on + leo leaving in the first place bc of an argument like I can go on for a while (so much of ! was izlo figuring shit out bc of what happened between them so i mean,, it's definitely still prominent in their lives even if it's in the past).
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he's funny for being like wait can someone hear me rn, their conversation is happening in japanese lmao
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happy brief trans leo mention, this part also makes me so like. giggles kicks feet and idk why exactly. anyway leo is trans, it just never really comes up in my writing so fkxksl (is anyone in knights really cis? the answer is no)
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day five aka the radio silence day is so,,, I wanted to have a day like this in here but I felt like I was being a little dramatic abt it but i was like well. izumi knows that leo is probably busy and they're in a better space now, but all things considered, I do think he'd worry. I mean izumi is worrier #1 but fkdks that's not the point. by this point, he has mostly stopped blaming himself for checkmate but u do have to realize that next door did happen and he did make leo leave that time, that one was all him so,, but even outside of that, I don't think izumi is like. Concerned about it every time that leo stops talking to him or is out of the country, but in this situation, he already misses leo and they'd talked for a while the day before then to wake up to hear absolutely nothing is not fun. (i probably have more but idk where i'm going w this rip) I just think there's something there, yk? like idk they're a little (very much) attached to each other
requiem reference (izumi will never live it down sorry). was going to talk abt their relationship and the use of partner rather than boyfriend but. idk.
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niki's kitchen is such a funny circle to me bc they really just. have a signed framed picture of izumi there for the meetings so gkdksm obligatory mention (plus I do think izumi is Aware that niki knows what he's doing in the kitchen so he'll actually take his advice)
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when I was planning this fic out, this part was going to be a little different; izumi wasn't going to realize he had leo nui until he was in the store and he looks down into the bag and there's a little guy in there but mckslsl
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I think this is so cute and I'm specifically pointing it out so you all agree w me. like idk izumi would think leo's dumb alien shirts r so fucking ugly but that's the first thing he's putting on when leo is out of the country for any extended period of time
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reference to something in recital I haven't written yet (the concept of a person being your home rather than a place and what it means when you destroy that person and you're left without anyone to return to :) )
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this part has been in my head for Months, like nearly since I started it. like,,, man I wish I could draw without having a meltdown bc I hate it bc,,,, the soft leo in my head in this part makes me want to eat glass (also haha izumi sena grossly in love)
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I think that's everything,,, (is probably most definitely forgetting about something)
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kicammo · 3 years
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real quick, let’s talk about captain puffy’s villian arc! (/dsmp /rp)
something we know about puffy, is that she’s always been willing to fix things and do what needs to be done on the server. there’s the running joke that everyone promises to clean up the server when they first arrive and then inevitably give up a week later when they realize how quickly things get destroyed and how little everyone else seems to care. but puffy actually kept the janitor puffy thing going! because someone had to do it, and if she didn’t then who else would?
but it’s not only that. captain puffy is a knight, a guardian, a janitor, a captain, a father, a friend, a hero (?), a leader, and a therapist. for a long time she’s been trying to fix everything at once, trying to take on too much, because she’s kind and she sees a problem and wants to help. she takes on all of these roles and responsibilities because she doesn’t think anyone else would be willing which is partially her hero complex talking but also something that’s partially based in truth?
puffy wants to fix everything and be the person everyone needs her to be. she’s a captain and she needs a crew, needs people to protect, needs a purpose. but as we’re finally seeing, what she’s been doing just isn’t sustainable. i mean, is captain puffy even qualified to be a therapist? (coming from a psychology major the answer is no, absolutely not) i mean, she canonically deals with her emotions by committing arson? but therapy is something the members of the server clearly need at this point, and who else would assume that role? who else would think to open a therapy office and who else would be willing to take on that responsibility?
so how fucking tragic is it, that even this role of a villain that she's assuming still isn't one that she's chosen for herself? (i should clarify that she’s not powerless here. she’s chosen to take on all these responsibilities and it’s a really interesting character flaw because no one is actually forcing her to assume all of these roles?) she's tired of caring so much and filling every role the server has needed, trying to fix things over and over again and this is supposed to be her retaliating against that and doing something unpredictable. something she's doing for herself. but it's not? it’s still another role she’s taking on because she thinks it’s what the server needs, and she thinks it’s who people need her to be (or already think she is). 
she's only becoming a villain because she's failed to protect people as a knight, failed to save people as a hero. from her point of view, she has no excuse for this failure, no egg corrupting her mind, just herself. the identity that she’s built for herself is dependent on her ability to fix things. and now all of these responsibilities, all these roles she’s given herself in hopes of helping people and making the server a better place and it turns out she’s failed at all of them.
foolish died on her watch, before anyone else got there. she didn't save anyone at the banquet, quackity, techno, and purpled were the ones to rescue everyone. eret literally called purpled "a hero." so where does that leave puffy? 
captain puffy, who was given the axe by quackity, who killed her friend, who let her son die. 
the server already has heroes, heroes like quackity who use their words before resorting to violence like good people should (and oh the irony in that). so puffy isn't a hero- she's the opposite of a hero and with dream locked up in prison, it seems like what the server needs is another villain. someone who isn't going to shy away from violence, who's going to do what needs to be done. and when you’ve been trying to fix everything and take on every role and responsibility for so long, why would you think there’s anyone else who’s willing to do it? 
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gammija · 3 years
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The final Web!Martin evidence list
Now that canon is done, and we’ve got word of god confirmation that Web!Martin wasn’t complete nonsense, I decided to go back to my lil chronological evidence list and actually clean it up a bit, delete parts that in hindsight weren't all that indicative, and put everything in a slightly more readable format. (Obligatory disclaimer that i don’t and never did believe or advocate for some kind of evil web!martin, and that I'm not intending to connect a moral judgement to martin (or anyone else for that matter) having some of these traits)
So here: The (hopefully, please) final list with Web!Martin Evidence! Presented in order of importance, according to. me
The final (hopefully) Web!Martin evidence list
(In order from most to least obvious)
Spiders
I mean, it’s called the Web. TMA reiterates quite a few times that Martin liked spiders. Sometimes it IS that easy.
MAG022: Martin: "I like spiders. Big ones, at least. Y’know, y’know the ones you can see some fur on; I actually think they’re sort of cute -"
MAG038: | Sasha: "A spider?" Jon: "Yeah. I tried to kill it…" [...] Sasha: [Chuckles] "Well, I won’t tell Martin." Jon: "Oh, god. I don’t think I could stand another lecture on their importance to the ecosystem."
MAG059: Jon: "I have done my best to prevent Martin reading this statement in too much detail. I have no interest in having another argument about spiders."
MAG079: Jon: "Apparently, biologically, his account of the spiders doesn’t make any sense according to Martin."
MAG197: Martin: “What? Because I like spiders? Well, used to.”
Lies and subterfuge
Martin is able to use lying and subterfuge to achieve his goals, and is called manipulative a few times.
Lies:
MAG022: Martin: "[He] became slightly more co-operative after I lied to him and told him that one of the upstairs residents had buzzed me in."
MAG056: Martin: "I lied on my CV."
MAG158: Peter: “But you said –” Martin: “Honestly, I mostly just said what I thought you wanted to hear.”
MAG164: Jon: "You – I actually believed you!"
MAG189: Martin: “Sorry. Sorry, John. Not sure how much everything up there actually understood what was going on. But, y’know, I didn’t want to take any chances so it made sense to… um…” Jon: “Put on a show?” Martin: “Yeah, basically, more or less.”
MAG191: Martin: "That's not true." Arun: "Liar!"
Subterfuge:
The plan in 118, which revolved around convincing Elias that Martin was only “acting out”, to create a distraction for Melanie. (Also compare the way he evades giving a straight answer here with the way Annabelle talks in 196.)
Working with Peter in s4 under false pretenses, to distract him from Jon and eventually try to learn what Peter wanted.
Manipulation accusations:
These, I know, are somewhat contentious, since it’s mostly villains saying this to him. I’m still including them, since
1): From a media analysis standpoint, being mentioned 3 times is a sign to pay attention, even when it may not be the full truth.
2): I only see it as describing Martin’s behaviour in the previous points, not as a moral judgement; Especially since he almost always ‘manipulates’ people in positions of power over him.
Still, if it bothers anyone, feel free to ignore these.
MAG138: Martin: "That’s it? No, no monologue, no mind games? You love manipulating people!" Elias: "That makes two of us."
MAG186: Martin: “I can be a real manipulative prick, you know that?” Also Martin: “Oh yeah.”
MAG196: Annabelle: “Because you always managed to get what you wanted through smiles and shrugs and stammerings that weren’t nearly as awkward as they seemed.” [SMALL SOUND OF MARTIN’S CONCESSION TO THE POINT] Martin: “Point taken.”
The Lonely/the Web
The Lonely and the Web sometimes affect Martin to similar degrees.
In season 3, when Martin is getting used to reading statements for the first time, most of them leave him emotionally affected: MAG084, MAG088, MAG090,
MAG095: Martin: “S-S-Statement… done.” [HEAVY BREATHING & TREMBLING AS MARTIN STEADIES HIMSELF] “I don’t like recording these. There. I-I said it.”,
MAG098: Martin: [Panting] “End of statement.” [Deep breath] “I, um, I think I might need to sit down. Oh. Yeah, I am. Right. I don’t, uh, I’m not really sure if these are actually getting easier or harder. I mean I don’t feel –”
Only the last two statements he reads are remarkably easier. This might be a hint that Martin is just getting used to reading them, but the quote from MAG098 seems to contradict that. Either way, it’s likely not a coincidence that those last two happen to be the Lonely and the Web:
MAG108: Martin: “Statement ends.” (exhale) “That wasn’t so bad…”
MAG110: Martin: “Statement ends.” [...] “I mean, I think it sounds like a Jurgen Leitner book. About spiders. Hm. Good John didn’t have to read this one, anyway. I know he’s not a fan. Although, this one wasn’t too bad, actually! I – yeah. Anyway.”
In season 5, there are two powers’ Domains that actually affected Martin mentally, as opposed to only physically: the Lonely’s, in 170 (and arguably 186), and, depending on your interpretation, in 172, when Martin went exploring without knowing why he did so.
Proximity
Martin investigates a lot of the Web statements during season 1 to 3 (in other words, when the archive team still researches statements). The only ones he isn’t mentioned in during this period are MAG019 and MAG020, when he’s being harrassed by worms, and MAG081, which Jon records by himself outside of the institute.
Most notably, he’s the one who discovered the statement in MAG114, ‘Cracked Foundations’, which is the one statement in the entire show that sets up the interdimensional properties of HTR.
The Web!Lighter passed through Martin's hands first, before he gave it to Jon.
Similarly, Annabelle mostly spoke to Martin in season 5, despite most other Avatars usually focusing on Jon.
Aesthetics
Apart from the above obviously Web related areas, there are some other aesthetics which are mentioned in connection to both the Web and Martin, throughout canon.
These are describing the Web;
These are describing Martin.
Tapes:
Martin is the only character to treat the tape recorders as friends - any other character is either indifferent, or treats them as enemies.
MAG039: Martin: "I think the tapes have a sort of… low-fi charm."
MAG154 Martin: “Oh. Hi. Hello again.” … (small laugh) “Sorry pal, false alarm this time.”
MAG156 Martin: “Mm? Oh.” [HE LAUGHS, GENTLY.] “Yeah. (rustling paper) I was going to read one. Hate for you to miss it!” [SHORT, FORCED LAUGH, AS HE FLAPS THE STATEMENT AROUND.]
MAG170 Martin: “Oh. Oh, hello. What’s this? Wow, retro! What are you up to, little buddy; just – listening? That’s okay. It’s nice to have someone to talk to.”
MAG190 Jon: "[The tapes] seem to like [Martin]."
Retro:
MAG069: Statement: “I only saw Annabelle Cane once during this period. She wasn’t hard to pick out. She dressed like a vintage clothing store exploded on her, and her short bleach-blonde hair stood out sharply against dark skin.”
MAG160: Jon: “Anyways, don’t tell me the phonebox down there doesn’t appeal to your retro aesthetic.” Martin: “It – might. Maybe.”
MAG163: Annabelle/the Web callying Martin via an old payphone: [ A PHONE RINGS. IT’S NOT THE TINNY, ELECTRONIC SOUND OF A CELLPHONE – NO, THIS IS A TRUE, HEAVY, CLASSIC RING.] Martin: “Uh. John? Uh, J, John – the, uh, payphone that’s – here, for some reason – it’s ringing?”
Hatred of burns:
MAG067: Jack Barnabas’ statement: “I looked up and noticed within the corner of the room, where there had been a spider’s web this morning, there was just a faint wisp of smoke.” “Another held a bag that seemed to be full of candles, while a third had a clear plastic container filled with hundreds of tiny spiders.”
MAG139: Statement by member of Cult of the Lightless Flame: “The Mother of Puppets has always suffered at our hand; all the manipulation and subtle venom in the world means nothing against a pure and unrestrained force of destruction and ruin.” Agnes burned down Hilltop Road.
MAG145: The Web ties Gertrude to Agnes, stopping the Desolation’s ritual (the only Power whose ritual the Web is known to have prevented).
MAG167: Gertrude enlists Agnes’/the Desolation’s help in order to burn her assistant Emma, who was Web aligned.
MAG169: Martin: "Look, I just – don’t want to get burned, all right? It’s, it’s like my least favorite pain ever. [...] I, I legitimately hate burns, alright? They’re, they’re awful, and they scar horribly, and they just – it – it just makes me sick; I, I hate it. Hate it!"
Phrasing:
MAG039: Martin: "I’m trapped here. It’s like I can’t… move on and the more I struggle, the more I’m stuck. [...] It's just that whatever web these statements have caught you in, well, I’m there too. We all are, I think."
MAG079: Martin's poem: "The threads of people walking, living, lovi–"
MAG117: Martin: "This last couple of years, I’ve always been running, always hiding, caught in someone else’s trap, but, but now it’s my trap, and, well, I think it’ll work. I know, I know it’s not exactly intricate, but it felt good leaving my own little web. Oh, oh, Christ, I hope John doesn’t actually listen to these. “Good lord, is Martin becoming some sort of spider person?” No, John, it’s an expression, chill out! Besides, spiders are fine. I mean, yes, people are scared of them, obviously, but actual spiders, they just want to help you out with flies."
MAG167: Jon: “Methinks the Spider dost protest too much.” Martin: “Jon –” Jon: “Joking! Just joking.”
Personality:
How applicable these are depends heavily on how you interpret Martin's own personality, so your mileage may vary.
MAG008: Statement: “Nobody ever said a word against Raymond himself, though, who was by all accounts a kind and gentle soul [...]”
MAG123: Jon: "The Web does seem to have a preference for those who prefer not to assert themselves."
MAG147: Annabelles statement: "I discovered a deep and enduring talent inside myself for lying. [...] My manipulations were not intricate, but they were far beyond what was expected of a child my age, and I have always believed that the key to manipulating people is to ensure that they always under- or overestimate you. Never reveal your true abilities or plans."
Word of God and Annabelle
I kinda wanted to ‘prove’ that Web!Martin had quite a bit of evidence to back it up, hence this header being last. But of course, in this post-canon world, there are a few lines that most obviously confirm the theory:
MAG197: Martin is Web enough to be able to read the 'vibrations', like Annabelle, and see Jon and Basira (the latter being especially notable, as he hadn't known she was there beforehand): [CHITTERING, BUZZING AND HIGH-PITCHED SQUEALS CHANGE CADENCE] Martin: "Wait… Wait, hang on, is that him?" Annabelle: "Yes. I guess you’re better with the Web than we thought." Martin: "And – Wait, ha– No, uh… is that… Basira? He – He’s got Basira with him!" Annabelle: "Yes."
Season 5 Q&A part 2: Jonny: “Essentially, it was fascinating looking at the fandom and, like, the Web!Martin believers, because what they were doing was correctly picking up on hints dropped in the early seasons that were later, like, not exactly abandoned, but it was much more like, ‘Well, no, he does have like aspects of The Web to him, but he is moreover The Lonely.’ And that came about very… very organically, really. Because throughout Season 3 and going into Season 4, we had this conversation and we were like, ‘No, actually he's like-” Alex: “‘It can't be, it cannot be, it must be the other way round’ Yeah.”
(Note that they say “throughout season 3 and going into season 4,” which likely means that season 1, season 2, and at least part of season 3, aka half of the entire show, were written with Web!Martin as an intentional possibility.)
If you read all that, thanks so much! Obviously, Web!Martin never really came to fruition, so it's fine if you still don't like it. This is just a post explaining where it was coming from, at least for me and the other theorists I've spoken to.
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st-just · 3 years
Note
Hey, Cuba-anon again with a slightly different question. Less about Cuba, more about foreign policy and ethics in general. I am interested to know what you think about Nationalism and it’s place in the modern world. How should one view their relationship to their country versus their relationship to the global community?
To give my point of view, I think I am a pragmatic nationalist? I am not gung-ho about America because “it is the best nation ever and the president is never wrong, uwu”, but rather because I live here, my parents and grandparents live here, and if something in the world negatively impacts America it will by extension negatively impact me. I don’t think other countries are beneath me or anything, but I also know that the feeling is not always reciprocal. So, to me, putting the well being of Americans first and everything else second is similar to putting on your air mask first before helping others in the event of a plane crash.
Either way, would love to hear your point of view and see how others tackle the question.
(sorry for the delay in response, got halfway through writing this then saved it to drafts and completely blanked on it)
But okay, interesting question, and worth breaking down.
So, you know how through the '90s and early 2000's there was this just utterly overpowering narrative where the last chapter of every history textbook ended with a chapter about how national borders were less and less important and how through the magic of The Internet young people were more connected and cosmopolitan than ever, with the strong implication that the weight of history was pulling us inevitably towards a post-national utopia of frictionless exchange and understanding. Call it the Star Trek ideal.
Hasn't exactly worked out, of course. And to a large degree was bullshit even at the time (or the optimism of academics expecting all of humanity to think like they do, being charitable). But in my heart of hearts, that's still how I think things should work.
But okay, to get a bit less abstract, a bunch of barely connected thoughts-
- Nation-states (and states generally) are, at best, convenient administrative divisions of humanity. They have no value outside the services they provide to their residents, and certainly no rights or moral worth outside that. America doesn't deserve your loyalty or life anymore than the state of Ohio or city of Baltimore do (replace with wherever you live.)
-If you accept the basic idea of humans having equal moral worth (or anywhere close to it), then the entire idea that someone's entire life should be defined by what side of an imaginary line on a map they were born on seems obviously absurd as soon as you start thinking about it?
-Nations - in terms of borders, whose included, what characteristics are 'national', etc - are also both contingent and a great extent artificial, defined by state and cultural elites via a standardized language, a mythologized national history, patriotic holidays, nationalizing and creating traditions and rituals, national education and entertainment, etc, etc. There's nothing primordial or inherent there.
-Unfortunately, people really, really like having teams to identify with, and like excluding people from those teams and/or treating them like shit for not belonging to them even more. (People talk a lot about x or y horrible thing being fundamental to human nature, but I really think this is one of the places where human nature really lets us down.)
-Nationalism is an extremely easy and powerful way of dividing the world between us and them, and across the world there has been massive success using it as a locus for identity formation and to organize populations around basically every sort of project imaginable, from funding public education and welfare to genocide.
-Nationalism is, as mentioned, inherently exclusive - and no matter what it's proponents say, in practice there's always someone within the borders of the nation who doesn't quite fit (in the European context, Romani and Jewish people are the most obvious examples). Cases where the nationalist imagination doesn't perfectly overlap with state borders, or with the identity of some subset of the 'national' population also tends to go, uh, badly.
-However, within the national population, appeals to national solidarity or theoretically shared ideals can often be (to a limited degree) useful in transcending or working to ameliorate regional, ethnic, class, etc divides.
-While it's true that large chunks of the American (Canadian, British, French, Japanese, etc) populace benefit quite a bit from their position in the current international system, it's almost universally the case that what foreign policy elites consider 'the national interest' extends far, far, far beyond anything that provides concrete benefits to the average citizen - I'll just gesture vaguely towards Afghanistan, here. Or World War 1 - and quite a lot of death and misery is inflicted for the sake of a narrow slice of the elite's material interests and entirely meaningless concerns around national glory and prestige.
-To be frank, in specifically America's case, putting the interests of co-nationals first and everyone else second is less putting your own air mask on first and more launching a life boat at half capacity to make sure you have leg room.
-But, again, the fruits of pursuing the national interest really, really aren't evenly spread. Does the US government's tireless and vicious championing of stringent IP laws, regardless of how many needless deaths result from the constraints on the drug supply they create, really do much for the average American?
-Which, to go back to the air mask analogy, brings up the awkward point that very often it's not so much putting your own mask on first as tearing the masks off people around you so you have extras, just in case. How much less is the life of someone on the wrong side of the border worth? Half as much? A tenth? A thousandth? The pursuit of America's national security and national interests has a death toll well into the millions.
-Honestly, even if you don't care at all about foreigners, in terms of domestic policy it's just a useful heuristic to instinctively distrust anyone who relies too much on nationalist rhetoric to justify themselves. I mean, the music's almost always bad and anyone who actually gets invested in the symbolism of their flag is reliably a complete killjoy, but even beyond that - they're just very reliably the worst people. This is admittedly unkind and not always true. But, well, see that quote about patriotism being the last refuge of the scoundrel, which applies wonderfully to both people and organizations. If someone's trying to sell something by wrapping it in the flag, that usually means they don't want you looking too closely.
-Viewing the world through a nationalist framework and caring about zero-sum issues of national prestige also make it incredibly hard to coordinate around issues that don't care about national borders, or are going to disproportionately hurt people without rich and powerful nation-states defending their interests. Like, I don't know, global pandemics. Or climate change.
-Anyway, in conclusion, borders bad, nationalism bad, and also any officially codified 'Patriotic' culture is instantly cringe. Hopefully some of this makes sense.
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th3-z0diac · 3 years
Text
How I Make Aesthetics.
Long post ahead, sorry :(
In the past, I've been asked multiple times how I create my aesthetics and where do I get the best pictures for them, so I figured I'd make this master post of what exactly I do. Btw this is coming from a person who has studied graphic design for 4 years and had about 4 years of experience in making zodiac collages here on tumblr. Do what you want with that information.
A few disclaimers
There are different types of aesthetics and in this post, I'm going to be specifically talking about a certain type that I like to make. Here, examples:
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My most used format is 6 pictures in 3 rows, but I've also tried 4 pictures, like here for example:
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There are other types such as minimalistic photos, dark academia, grunge, and SO many more. Please keep in mind that I'm not hating on these types and when I mention a rule such as don't use photos that are too minimalistic, I am not saying that minimalistic aesthetics are wrong or ugly or anything of that sort!
Just because I don't choose a certain photo doesn't mean I don't like it, it just means that the photo is not exactly what I'm looking for. By me showing you the examples below, I'm just trying to paint a picture. No hate here, okay?
I don't own any of the pictures I use (I've only used like one or two of my own photos in the past) but then again this is just for entertainment, I don't make money doing this or anything. If I ever get a message from an owner of any of these photos and they want me to delete it, I will delete it.
Where to get the photos
Pinterest! Period. AHAHAHA
No but seriously, pinterest and tumblr are my two favorite sources and you will find pretty much exactly what you need there. pinterest specifically.
On tumblr, I usually search for hipster, grunge, indie, and nature, but it also helps to just find specific blogs that focus on photography, follow them and then just download anything from your dashboard that you fancy.
I'll share what I search for on pinterest below👇. My secret tip would be to not always go for the first photo you find but rather to open a picture that sorta has what you like in it and then scroll down, because pinterest is going to recommend you similar, sometimes better fitting photos. On tumblr, I sometimes go to the blog of the person whose one photo I like, and there I tend to find many more of the same kind (since these bloggers usually post a specific kind of aesthetic).
How to choose photos
My number one tip would be to seek texture. Avoid photos that have little going on in them and anything too empty or minimalistic (unless that's what you're aiming for, obviously). Also, don't choose pictures that are very light or very dark, as they tend to stand out in aesthetics and that's not really what you want. At least in the type of aesthetics that I make, I want the final product to be almost a new picture in itself if that makes sense. To show you an example, look at this photo of two sleeping cats:
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This photo seems like a good fit; it is well balanced in colours (there are shades of white, beige/ginger as well as some greens) and c'mon, it's two cats, what more do you need!!! However, let's look at it in a complete aesthetic:
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While this aesthetic has a nice color scheme to it (well, it doesn't, I threw it together super quickly, but you get the gist), the photo of the two cats just stands out because the khaki background creates this kind of block of color that your eye will automatically go to and it sort of breaks the collage apart. So, by texture, I mean that a picture is filled, for example with trees, flowers, architecture, little people in the background, etc., etc. Furthermore, I prefer when there are more things photographed (for instance, look at the first picture of the aesthetic above; it has a mirror (and a tiny person in it), architecture and leaves all in one picture)
Next, personality. Go to Google Images and search 'Nature Photography' or 'Sunset Photos'. You might get something like this:
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Or this:
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Look at this absolute angel of a boy💚💚💚💚💚💚Isn't he the cutest freaking thing you've ever seen?????? I just want to give him all the treats and all the pets and — ...ehm, sorry, that's not why we're here.
So I don't quite know how to explain this point, but I guess usually professional photos like this are just so well done that they work perfectly well on their own and you usually don't put them in a set (only with other photos from the same photoshoot maybe). They're obviously well-balanced color-wise and high in quality, but they're just very individual and don't really need any addition in the form of other photos. This point also applies to the previous one (textures, in case you forgot); for example, a bunch of blueberries creates a nice texture, however it might be difficult to pair them with other photos. They have enough personality on their own (and this is not meant in a bad way to the photos I do use).
Related to this, you're looking for a story. Usually, if a photo gives off a certain vibe, tells a story, or just leaves any kind of strong impression, it might be a good indication that this is a good photo to use (given all the other rules as well, of course).
The main themes I search for are:
cities, villages, or abandoned places
related to that — architecture or only parts (details) of it
nature, specifically forests with either road or a body of water nearby, beaches, deserts and so on. plus points for tiny people in the distance
animals, usually with the addition of maybe the texture of a sweater sleeve or some blankets, something of that sort
people, my favorite kind is people turned away from the camera with an interesting background, because by them not having a face, they become a bit more relatable in a sense?
people in a river or some kind of water
museums, sculptures
etc.
Usually, I tend to avoid:
photos with text in it (though as an exception I would mention neon signs or letters/words that are for example above shops, on books, etc.)
heavily filtered pictures
photos with very specific (often bold) colors in them, unless you find multiple photos with that same shade. this again distracts the eye too much
GIFs, animated pictures, illustrations/drawings. also, don't use collages (cause you are creating a collage, duh)
black & white pictures
blurred pictures (or those that are purposely grainy — that goes back to the filters above)
anything obviously photoshopped
When trying to figure out where to put each photo
Squint your eyes. The photos should create a nice harmony, there shouldn't be a corner where it gets too light or dark or where some textures blend together, for example, if using multiple flower patterns, try to place them in different corners.
When to know your aesthetic is done
Actually even before you start, you should be in the mood. I have to admit, there have been times where I've felt pressured into making aesthetics, and now, looking back at them, I'm really ashamed of them. That is why I don't always post aesthetics as soon as I get them requested because I genuinely want them to look good.
Sometimes, it helps to not post the aesthetic straight away but to come back to it later with a fresh look. I'd say go with your gut. You should have a good, satisfying feeling about the aesthetic.
Last note
Rules are meant to be broken. Look at the aesthetic below. I used a minimalistic illustration (two birds with one stone I guess) (and admittedly, that one picture does stand out) and yet the aesthetic still came out pretty nice. So, just play around with your ideas and see what you like the most! I'm just a random person on the internet, you literally don't have to listen to any of the tips I gave you here today.
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I know this might seem like a lot (honestly, if you've read this entire thing, you're crazy), but it gets easier and easier with practice, soon you won't even think about it.
Hopefully these tips will help you and please let me know if you decide to make any aesthetics. I would love to see them!! <3
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mmikmmik2 · 3 years
Note
If you were to sort the Infinity Train cast(s) into the Major Arcana a la the Persona games, which Arcana would you give everyone?
anon I had SOOOOO much fun thinking about this, thank you so much for sending me this. I sorted all the major characters, plus a few other entries, based on a mix of Arcana symbolism, Persona series character archetypes, and general vibes. I came up with answers I feel pretty good about for all but four of the Arcana. (Was really tempted to say Strength is every human character who doesn't board the train because they can handle their problems on their own lol.) This is going to be a long-winded post, so I thought I’d post just the list as an image (which hopefully won’t be too blurry!) rather than wrestle with Tumblr formatting trying to make a short list, and put a big text wall under the readmore talking more about my picks.
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If this list does end up illegible, the same info is under the readmore as text! Plus some characters for Magician, Strength, Justice, and Death that I didn’t want to add to the “official” list because they’re more based on headcanon. (Although my reasoning for some of the “official” picks is pretty weak lol.)
One-One as 0. The Fool
Oh my gosh, what am I?
IT is great at fleshing out character backstories and families, so One-One at the beginning of S1 is one of the few characters who really feels like a blank slate. He's got a lot of his baggage back by the end of the season, and I think One and One-One are more similar than they seem at first glance, but S1 does seem to have been very formative for One-One and how he thinks about what he's supposed to be doing and how he relates to other people. So it does kind of feel like his fool's journey.
Alrick Timmens as I. The Magician
The magician begins the journey... by beefing it on a dirt bike, dying, and sending his wife flying off the deep end. Rip.
Alrick was an engineer like Amelia, so I could see him suiting some of the themes of the Magician, like conscious thought and manifesting ideas. His apparent playfulness and insecurity are similar to the Magician characters in Persona.
Kez as II. The High Priestess
“We can’t make this decision for you, Kez.” “You know what to do.”
I thought really hard about making Kez the Magician because just like every Magician since Persona 3, she's dumb, horny, and insecure dlkjasfdkl
(and also her showing up at the start of the story arc and being helpful but also super needy is very Magician)
But the idea of "intuition" really does suit Kez. Sometimes her intuition is as bad as her conscious reasoning, but I think that's a lot because she's so confused about what happened with Jeremy, and Morgan making Kez feel like she did a bad thing by helping him.
Tuba as III. The Empress
She made me feel like I was warm all the time.
Tuba's a mom. Sorry, this one's not that deep, haha.
Simon Laurent as IV. The Emperor
Highest number! I'm the leader now.
Simon has a lot of issues, but the one that felt the most prominent to me was his unhealthy relationship with power, authority, dominance, and rules. Another quote I considered using here was what he said in Grace's memory of meeting Amelia: "I never thought I'd get to see the Conductor with my own eyes. He's perfect! Everything finally makes sense again." In his emotional crisis, he thought everything could be fixed just by the existence of a huge, scary, powerful, male authority figure, even if they weren't doing anything helpful or informative.
Atticus as V. The Hierophant
I like to think that our stones are sturdy and handsome, like the Corgis that crafted them.
Atticus is a figure of traditional authority who deeply loves the history, society, and culture of his people. He often provides spiritual wisdom and encourages Tulip to get out of her own head and engage with the world around her. Also in Persona, Hiero is the Dad Arcana so it's very funny to me (a) to make the little dog be Hiero and (b) that the little dog really does have the strongest Wholesome Dad Energy of the whole cast.
Jesse Cosay as VI. The Lovers
Don't tell me what to do. I'm not going to be a part of anything like this, on or off the train.
This was my first and easiest pick lol, Jesse is sooooo Lovers. Like, the focus on choice and personal values and relationships? Yep, that's Jesse. It works on an "actual meaning of the Arcana" level and a "vibes with the Persona characters" level lol... popular, upbeat, and having such an identity crisis.
Lake as VII. The Chariot
I'm my own person, who is getting off this train!
I don't know if Chariot captures all the ways Lake grew over the course of S2, but I feel like they had the most externally focused conflict of all the IT characters, which suits Chariot. They've been fighting to stake out their personhood from start to finish, and they took action and used their willpower to achieve that goal. Also they have at least a little jock energy which is a prereq for Chariot tbh.
Frank as VIII. Strength
I dunno, I kinda imagine him as a simple man and easily underestimated, but with a lot of heart. The Cat may say they're keeping things casual but I don't think she'd take him with her on her private vacation unless he had some kind of inner toughness that would let him stand toe-to-toe with her.
Morgan as IX. The Hermit
I need to be alone right now. Kez... maybe... we can talk later.
I like that Morgan embodies toxic self-isolation and stonewalling and rejection, but that she seems to be moving towards the positive aspects of Hermit and taking some time to calm down and process and think. I like it when characters can embody the best and worst of their Arcana.
Tulip Olsen as X. The Wheel of Fortune
We have to adapt to the changes in our lives. It's the only way things can get better.
Tulip has a lot of themes and conflicts, but this one is a clear standout as the most important. I also like it for Tulip because, while she has to handle a lot of difficult and even traumatic situations, some of the change that challenges her isn't as unambiguously bad as e.g. the death of a loved one. It really is just change itself she's struggling with, and that's Fortune babey. Also, from the perspective of the train itself and lots of other characters, by reversing Amelia and One-One's positions again and changing how One-One administrates the train, Tulip is the one giving the wheel a spin. That's fun.
Lucy as XI. Justice
One of my friends once described the Justice characters in Persona as "the ones the player character is ultimately accountable towards", and I like to think of Lucy as kind of being that for Grace (...since Hazel has excused herself). Lucy is the Apex kid we see Grace interact with the most, the first Apex kid Grace admitted to herself that she had harmed (see Grace very briefly showing distress and then regret when Jesse points the harpoons at his face and she stops him), and the first person to confront Grace when she came home in The New Apex.
Min-Gi Park as XII. The Hanged Man
I don't know if we'll sell a single album, but we'll figure that out as we go.
Min-Gi sacrifices his "realistic", "sensible" goals for a more personally (spiritually, even?) enriching life that's beyond his control and outside of the expected norm. Like the Hanged Man, who dangles foolishly upside-down, but as a deliberate choice and in a state of serenity and enlightenment. I also think this arcana suits a reading of Min-Gi's character development as starting off going slower as a way to stall and live in denial, but then going slower with deliberation. Compare his arrogant insistence on refusing to act in The Astro Queue Car to his patience and care in The Castle Car and The Train to Nowhere.
Jeremy as XIII. Death
This isn't about the death of his family - I'm thinking of his reluctance to admit his number was going down. He cared about Morgan and Kez, and it's possible both that he may have really wanted to stay with them despite his exit and that that might even have been a healthy choice - they're real ass people with feelings and everything, not holodeck characters. But I also think Jeremy was using his life with them to avoid moving on out of that fog (because it was hard and it hurt and he didn't want to think about what that would mean for him and Morgan) and Morgan was enabling him.
Ryan Akagi as XIV. Temperance
Maybe the experience is the point. I wasn't just rushing you. I was rushing myself.
I think this one speaks for itself. Also, the other quote I considered putting here, from The Art Gallery Car: "You told me I can't appreciate the song without taking in the rest of the album. I need the whole package."
The Cat as XV. The Devil
I always do the right thing.
Honestly, this is one I really wasn't sure about. The Cat isn't a great pick for a lot of the meanings of Devil. She is definitely consumed by material comforts, and the short-term rewards of ignoring her issues at a long-term cost, though. This is more of a "vibes with Persona characters with this arcana" pick... Devil characters tend to start off being somewhat exploitative or even antagonistic towards the player character, and gradually showing a more conflicted and genuine side.
Amelia Hughes as XVI. The Tower
There's a hole in the universe where Alrick used to be.
Amelia's life is defined by catastrophe and upheaval - both those she's suffered and those she's inflicted on others.
Hazel as XVII. The Star
I'm going to keep loving you like you're still here.
When I think of "The Star" as a small but inextinguishable light in the darkness, Hazel seems like the obvious choice. Although we left her deeply wounded, I think she still has a flicker of her hope, faith, and purpose.
Grace Monroe as XVIII. The Moon
But it's unfair for me to tell you how to understand yourself. I mean, I don't even fully understand me.
Grace is probably the most complex and dynamic character on the show and hence one of the most difficult to place. I considered Empress, Strength, Devil, and Judgement for her... I think ultimately, lies and illusions are the most unifying theme of her character arc. Also, from a Persona angle, her pursuit of status out of a lack of true self-worth reminds me of Ai and Mishima.
Alan Dracula as XIX. The Sun
Brought together by the majesty of a superpowered deer!
I'm sorry dkjasfklads this is largely because I thought it was funny to have this completely inexpressive dead-eyed deer as Sun akfk but also... like... it kind of works okay!!! Think about the genuine joy and comfort and positivity he brings to Lake and Jesse (and me)!
The New Apex as XX. Judgement
"Then what are we gonna be?" "Guess we'll have to figure it out?"
This is kind of a Persona mythology gag again because of Judgement being a group social link near the end of the narratives of P3 and P4, when the protagonists have pierced through the lies and actually figured out who the villain of their game is and are ready to really start making progress.
0 as XI. The World
Ah, train does it again!
It's an ending and the completion of a journey, but also the beginning of a new one. And the world is literally what the passengers receive at the end of their train journey. Welcome home.
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internalsealpanic · 4 years
Text
Cosmonauts
Summary: You always call Tim space related nicknames. No one knows why.
A/n: This is technically a follow up to Art Gallery Smile but it can be read on its own. This was posted on mobile so Idk how bad it got formatted. Will edit when I get to my laptop.
Warnings: mentions of panic attack and anxiety. No graphic detail but just in case. (Yes, I gave Tim anxiety. Fight me.)
Masterlist
Series Masterlist
“IT WAS ZOMBIE ADJACENT,” Roz protests, shoving another one of Tim’s fries into her gaping maw in a vain attempt to stop the petulant pout retching its way to her lips. You roll your eyes hard enough that your entire head follows along with their movement, taking a nibble of your own fries. Roz scowls, mouth twitching the way yours does (4 times to the left and 4 and a half times to the right) it was honestly the only way to tell that you two were related in any shape or form. 
“It wasn’t even close, you deep-fried stick of margarine,”
“It shambled, didn’t it?”
 
“So does Space Case over here when you don’t funnel enough caffeine into his system, what’s your point?” You bite out leaning back, slinging your arm over the back of the bench and over Tim’s shoulder making his breath hitch. Tim can feel his skin heat up. For once, he’s thankful for just how much Roz hordes your attention.  He’s starting to run out of excuses for the color of his cheeks. Not that you ever fell for any of it from the way you hummed every time he stammered out his excuse. 
 
Based on the way your hand flexes and not so subtly moves away, you noticed his flush but made no comment. Instead, you grin- all sharp teeth and cocksure and smug bastard- leveling your older cousin a look which roughly translated to ‘Checkmate, motherfucker’. Despite his apprehension, Tim can’t help the smile that twitched on to his lips. Your eyes flickered to him. It might just be his imagination but Tim was pretty sure he saw fondness chip away at your smug grin. Tim kind of wants to lean into your arm but instead, he leans forward pretending to pay attention hiding his smile in his hands. His face is gonna get tired from smiling too much around you. 
"It wasn't even close,"
"It was freaky looking,"
"Damn woman, you're being real judgy there,"
“Back me up here Duckie!” Roz screeches, shoulders hiking up making her look like a frazzled cat about to hiss pulling Tim away from his reverie. You roll your eyes all the way to the back of your head while Steph just snorts. Tim sighs. None of you have stopped calling him ‘Duckie’ or ‘Ducktective’ after that stint of being ‘Drake’.  Admittedly, it wasn’t his best idea but you didn’t have to laugh that hard and slap your knee. When you were done laughing, you vehemently protested the name change by wearing your precious, well-kept, one of a kind Red Robin hoodie for the duration of the ‘Drake’ thing. You had said it was to bring him back to his senses (sense of fashion).  Maybe you just wanted to fluster him. He certainly couldn’t put it past you. It worked. Oh, it definitely worked. Now, all he could think about was how nice you looked in his colors which inevitably lead him to think about how nice you would look in his shirts, in his clothes- Damn it. He’s doing it again. 
Roz clears her throat. It is loud and rough and it makes all of you wince despite the already loud atmosphere of the cafeteria. Really what does Roz expect him to say? One, Tim wasn’t fully paying attention. How could he when you two are smooshed together on a cramped cafeteria bench with you still wearing your Red Robin hoodie? Tim’s surprised he isn’t keeling over. Two- 
 
“See! Even our darling-” Tim’s brain short circuits. “Space Cadet can’t even defend your bullshit,” you laugh reaching over to Roz’s drink leaning a little too close to Tim’s face. He can almost feel the heat radiating off your skin. 
 
If I lean in just a little more, I could probably…
 
“It isn’t bullshit!”
 
“You’re right! Bullshit has more substance-”
 
“Sooooo, what’s with all the space nicknames for Tim? When do I get one?” Steph asks casually, popping another of Tim’s fries into her mouth. 
 
Has he even eaten any of his fries? It’s almost gone and he’s eaten at most one.
 
You choke making a pained noise, likely due to said carbonated drink going into your nostrils (and possibly your lungs), as you turn away. Your neck visibly red from where Tim is sitting. Based on the sparkle in Steph’s eyes, she can see it too. A manic grin spreads on Roz’s face wide enough that Tim legitimately worries that it’ll split her face wide open. A shrill sort of giggle escapes her which has you whipping your head to her direction to scowl at her. It does absolutely nothing to deter the sheer glee on her face as she sneers back to you. Some secret conversation passes between the two of you. Tim and Steph watch in slow motion as mortification creeps on to your face. 
 
Suddenly (not really), Tim’s thankful that his only sister is practically a saint. At least compared to the horror that is Roz. 
 
Actually, now that he thinks about it, you have a plethora of space-themed nicknames for him when you aren’t busy calling him whatever endearingly aggravating name Steph came up with that week. 
 
Cosmo
 
Space Case
 
Space Nuts
 
Rocket Man
Martian Manhunter
 
ET
 
Marvin (the Martian)
 
And your favorite, Cosmonaut.
 
At first, he figures it was because of his obsession love for Star Wars and Star Trek but no, that couldn’t be it since you had started calling him that long before you two ended up marathoning the entirety of Star Trek instead of working on your project. He can still remember just how engrossed you looked while watching as you hugged your knees to your chest leaning forward as you waited for the next episode to start up with bated breath. Your features highlighted by the glow of the laptop screen making it very easy for Tim to memorize the contours and angles of your expression. Yet another moment Tim really wanted to capture with a photo. You even did your mouth twitch thing without noticing.
 
 He really wanted to just keep an entire album of all the different expressions you made. Wait. That sounds weird. Does it sound weird? It probably does.
 
 Then again, maybe you called him those because of just how much of a weirdo he was. He couldn’t blame you if you did. But he found that highly unlikely. Sure, you can be mean at times (a lot of times) but you were too oblique for that. Years in customer service made sure of that. Your jabs were usually of the subtler, more needling variety. The type that makes you pause for too long.  Plus, you said every nickname with a fondness that made his heart skip a beat. It was like when you called Roz or Steph ‘Fucker’. Maybe a little warmer. Or he could just be imagining that. Probably. Hopefully not. It was hard to get the honey-sweet way you said them out of his head.
 
Maybe they were just jabs. Lighthearted one. They could have just had easily been comments on just how much he spaced out. Tim has a tendency to live in his own head and it shows especially when he’s stressed or tired or both. Sometimes he would completely shut down as a result of excess anxiety. He can still remember the number of times he had let his anxieties run rampant letting them drag him away from the moment. His breaths were too quick to back then. He felt like he was gonna faint but then you just smiled at him like you were there for him which as it turned out you were. You gently squeezed each segment of his fingers until his breaths slowed. Even when he did fully calm down, you didn’t relinquish his hand. You held them firmly in your own even as you looked entirely unsure of what to do and what to say. You didn’t whisper the usual ‘you’re ok’ or the classic ‘you’ll be fine’. No, you just sat there with him quietly. Letting his feelings ebb and flow as he needed them to. 
 
Tim really isn’t sure what he did to deserve even knowing someone like you but he would do it again and again if it meant being able to stick close to you. 
 
Roz, ever the agent of chaos, throws a conspiratorial smile around the table like a flail. You look like you’ve been hit by one.
 
“Sorry, Steph. You won’t get one,” she says glancing at you. Steph pouts before she and Tim follow Roz’s gaze expecting you to glower or snarl or get up to deck her. It certainly wouldn’t be the first time. You just kind of sit there frozen and mortified with a face that simply says ‘Oh. God. This is happening.’. All you can really do is mouth a ‘fuck you’. This obviously pleases Roz. Say what you will about Roz, but there is abso-fucking-lutely no denying that she is petty as hell when it comes to revenge. Nothing is sacred to this woman. Nothing.
 
“Why’s that?” Steph asks innocently, smiling around her bendy straw also enjoying this rare chance to torment you. 
 
“I’m so glad you asked!” Roz answers her voice twisting into a horrifying facsimile of a daytime talk show host. You peel your arm away from the backrest and place your arms over your head and neck as you do in an earthquake drill bracing for impact. By the way, you were shaking, you’d think there was an actual earthquake. Your reasoning can’t be that stupid. 
 
“My dear Stephanie-” Steph scrunches her nose at the overly sweet tone Roz lathers on her name but makes no move to interrupt. “(y/n) only uses space-related nicknames for people they think are- and I quote- ‘waaaaaay outta their league’,” You let out a pained groan and Steph’s face unfurls as she lets out the loudest snort, loud enough to draw the attention of several tables around them. 
 
Tim’s mind is still reeling, still trying to process what Roz just said. 
 
Him?
 
Out of your league? 
 
Excuse him, isn’t it the other way around? 
 
What the hell? 
 
“Tim, for the love of Alfred, please unhear that,” you plead wetly, parking your head out just enough for Tim to see just how red your face has gotten. “God, please unhear it or I might just die,” Tim kind of didn’t doubt that you would. Steph somehow laughs even louder at this. Roz, not one to miss pouring salt in the wound, laughs along with her. You look like you wanted to implode out of existence.  You could certainly try but Tim seriously doubts the universe is kind enough to let you escape. 
 
Yeah, Tim’s brain has officially left the building. He’ll be back at 9 o’clock sharp tomorrow. Promise. 
 
“You mean to tell me that-” Steph chokes, unable to control her laughing fit. “-You’re telling me that you’ve been watching them pine for each other for over a year now and you just let them?!” Steph wheezes still holding her stomach.  
 
Roz looks offended and makes a whiny little noise. “Weeeell, technically I offered to wingman-”
 
“YOU WERE GONNA CHARGE ME FIFTY BUCKS,” 
 
“Hey, matchmaking is hard,”
 
“It isn’t worth fifty bucks!”
 
“You’re right! It is worth so much more,”
 
“God, I hate you,” you groan into the table. 
 
“God can’t help you now, kid,”
Tim frowns, mind backtracking to dissect the information. Apparently, his brain decided to clock back in. 
 
They knew. Even Roz ‘I don’t give a shit what you do as long as it doesn’t affect me’ Andrada, noticed. Was he that obvious?
A year? Wait. No. Over a year. They knew about this for over a year. 
Lastly, what do you mean each other?! As in mutual? Mutual pining? 
As if reading his thoughts, you ask “Wait… what do you mean each other?”
 
Roz blinks at you not entirely sure if you’re being funny. When you give her a look, she slumps back in her chair. “I’m related to a dumbass,”
 
“That you are. Speaking of dumbasses-” Steph whips her attention to Tim giving him a shit-eating grin.”-You said you were waiting for the perfect opportunity to ask (y/n) out, right?” Steph waves her hands doing jazz hands as she points at your still dumbstruck figure. She’s smiling as if she was the world’s best wingman at the moment.
 
 Tim suppresses a groan. “This isn’t exactly how I pictured it,”
 
Roz reaches into her pocket and produces a lighter. Grabbing the last of Tim’s fries and lighting it. “There. Mood lighting. Do the thing.”
 
“Ah yes, because surely the scent of burning potatoes is gonna sweep (y/n ) off their feet,”  Tim said flatly crossing his arms. He knows he’s definitely focusing on the wrong thing but as with all things it was easier to procrastinate. This is especially true when you’re afraid of the outcome.   
 
Roz huffs, waving the fry to extinguish it and muttering something about beggars and choosers. “Trust me kid that isn’t hard to do. Besides, did you not hear the part where I quoted (y/n) about you being ‘outta their league’,” You open your mouth to protest but slam it shut when Roz gives you a lopsided grin looking like she had a mountain of dirt on you which she likely did. He was definitely thankful that she has never met his family. He’s pretty sure Gotham wouldn’t survive. 
 
“How could I possibly be out of (y/n)’s league. I- I don’t- I mean- I’m not-”
 
Your body twists his way fast enough that he’s sure you either have whiplash or a twisted spine. Your eyes are set on him glowering as if he’d said something wrong. He’s pretty sure he didn’t although he did have a talent for putting his foot in his mouth. Your jaw is set tight, your teeth almost grind. He could see the tight hitch in your shoulders. He is 100% sure you’re going to deck him. 
 
“Do you want it listed alphabetically or what?”
 
“What?”
 
“Structure it like an argumentative essay. Speak nerd.” Roz instructs, earning her the full force of your glare. Your face pinches even more. Maybe this was the part where you implode. 
 
You suck in a calming breath before turning back to Tim. 
 
“Timothy Jackson Drake-Wayne, you are a fucking moron, and here’s why:” Taking another breath, you turn to face him fully your cheeks reddening but you press on either from pure unadulterated spite or determination. 
 
“You quite literally co-run a multibillion-dollar corporation. You’ve been doing that since you were seventeen apparently. You know several languages and you are not only fluent but proficient. You’re well versed in an insane amount of fighting styles. You are the smartest dumbass I know-” 
“Preach!” Steph jokes. 
 
“-You can basically operate any machinery I put in front of you. I have no doubt you can Macgyver one up if you fucking wanted. You could hack into any system you want just as a joke. You could probably throw the entire global economy into the toilet just for shits and giggles. Need I go on?”
 
Tim looks at you wide-eyed and speechless. You shrink a little as he continues to gape at you but you keep looking him in the eyes daring him to refute your claims. Really what was there to say? As much as he wants to come up with something witty to snap back at you, his chest is too crowded with warmth from the absolute sincerity of your voice. He knows you didn’t set out to make him fall deeper in love with you but he feels like he’s in free fall with your gravity pulling him downwards. Tim can feel the heat rising to the tips of his ears. 
 
You shrink again, your mouth twitching. “I-” Another calming breath. “I said too much. But my point stands!” The infinitesimal gap he felt between the two of you practically vanished. Still, he could do nothing but stare. Words fail him in the most inopportune moments even when you look so desperate for any kind of response.  You swallow thickly looking like you think you’ve ruined everything when the fact was you haven’t. Quite the opposite really. Tim feels like he could take on the entirety of Gotham’s rogue gallery right now. Still, his brain was drawing a blank. 
 
“Mood,” His brain has short-circuited and is now beyond repair. His palm is in his face before he even sees your reaction. You give him an entire speech about how great he is and all he can say is ‘mood’. Looking over at Steph and seeing her phone on her hands, he can tell she’s already transcribing the events to the group chat. Well, It can’t get any worse. 
 
You giggle snort eyes slamming shut from the force of your laughter. Joy suffuses throughout your tense body, loosening your tense muscles. “Thank you for proving my point,” you say between gasps.  
 
Tim falls victim to the infectious smile spreading on your face. He feels the warmth crowding his chest grow fuzzy. 
 
Now’s your chance.  
 
Tim takes a steadying breath. He rolls his shoulder back to straighten his posture. He waits for you to calm yourself a bit. When you do, he asks as confidently as he can “Are you free this Saturday?”
 
“No,”
 
Oh crap. He knew he screwed up. He feels cold seep into his feet.  
 
You shake your head at his panic. “I work Saturday, ET,”
 
“Oh, I-”
 
“I have all of Sunday off though,” A hum of excitement spreads through his limbs. “Name your time,”
 
“9 AM?”
 
You give him a look roughly translating to ‘You aren’t going to lose sleep over a date, so help me’.
 
“11:30?” He corrects. You smile and hum seemingly making the oxygen in the atmosphere disappear. He finds that he doesn’t mind, not when he feels like he’s floating on zero gravity. 
 
-------------------------------------------------
Bonus: 
 
Steph: Tim’s a dumbass😌🙃
Damian: Thank you for stating the obvious, Brown. 
Step: 🙄 Do you wanna hear about it or not?
Dick: 👀We’re listening…
Steph: (Y/n) made this whole speech about Tim and all Tim could say was 'mood' cycgu9c8ychic8td 5d8fcouv9ygpuv
Jason: F
Duke: F
Cass: F
Babs: F
Dick: F
---------------
Thanks for reading!!!!!
Taglist:
@idkmanicantenglish, @batarella, @batarella-mini, @birdy-bat-writes, @anothertimdrakestan, @founduebitches , @lucy-roo
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the-fourth-knower · 3 years
Text
Diary of a Lost Doe, Part 2
Part 2 is here! Read part 1 here! Left y'all off on a cliff hanger for part 1, so hopefully this part will be worth the wait.
Part 1 is a bit longer, but the first half's length is mostly spacing. This one has more paragraph format and ideally oomph to it.
Note: All Wheatfields belong to @aquillis-main, Eggman belongs to SEGA, and so on.
Diary 2 Entry 56
Fuck my life.
-
Angelica was gone for most of yesterday, I had to go into the Eggman zone to look for her. When i finally fukin find her she had a fucking mouse with her. Red furred, tan-muzzle/ears. Also tan tuft or fur patch. And I guess a tan tail. Clothes smell a bit like weed.
Angie insists that’s it's Trevor. This time there’s no dissuading her. It might actually be the Wheatfield kid.
-
She says the kid- is he a kid, he’s not that much younger than me? Fuck it, the guy ran into robots and got screwed. Angie saved him but the dude was beaten up bad or something and has barely woken up since
Angie definitely used her power on him. Even though I told her not to use it except for emergencies, multiple fuckin times
Shit i almost went through the page.
-
Angie’s been taking care of the guy all night and today. If I can’t get her to lay down she’ll do it all night tonight too.
Why the hell does she need to have a bleedin heart
-
Also, not sure but I could’ve sworn I saw Guardian guiding me to Angelica...mabye it really is a Guardian Angel for us. maybe
-
I think we may need to move out of here, things are too hot for my liking. I gotta figure out where we could go.
-
A stock of our current supplies
217 dollars and change
Quareter of a pallet of bottled water
Eight cans of food
Two bedrolls
Spade/trowel
Water can (could leave it)
Two backpacks
Duffel bag
Three first aid kits, one partly used
Three journal diaries
Half a case of pens
Three small bags of seeds
Quiver with arrows (Angie’s)
Pa’s gift to Angie (Shortbow)
Steel glove (Mine)
Pistol (Mum’s, technically Angie’s now - no bullets)
-
Haven’t made anything in the past few days. No one wants to hire anyone right now. And I guess I don’t look like bodyguard material. Can’t get a job with that, if I wanted to.
Man I wish Angie thought to grab some of the robo parts, we could have sold them.
-
Got to get Angie to sleep.
Diary 2 Entry 57, apparently.
Been a while. Finally have time to write again. Shit’s been crazy. We’re in an actual house now, or something.
Where to start.
Well first off. The Wheatfield kid finally woke up and stayed up. Freaked out at first before Angie calmed him down. Didn’t know she had it in her - usually she’s the one freaking out over things. But if she can calm down the kid then that’s a thing I don’t have to worry bout.
Turns out the kid has something the robot army dude - Eggman or Robotnik or whatever - wanted, that’s why he got thrashed in the first place. He also seemed embarassed bout his state, that or that we gave him some of our clothes. And by that I mean Angie did.
I’d been preparing to leave when some of the robots showed up. They wanted to grab the Wheatfield, and he looked like he pissed his pants.
Then Angelica got in the way.
Next thing I know there’s vines bursting out of the ground, just like what must have happened when Angie fought the thugs when we first met Guardian. They popped the robots like balloons, and animals jumped out of them. Why the fuck are there animals in there? Who uses animals in their robots???
I broke a few of them too, the ones that Angie didn’t get. Even the mouse got one that was gonna blindside Angie. So he is good for something.
Just one problem; during the fight our house shack got trashed. Or right when it started.
Well after that we obviously couldn’t stay in our place. So Angie had to say goodbye to another garden - she watered them all before setting the water can down. Or did whatever she does.
I think I’m gonna miss that dumb shack.
Wheatfield wanted to go home. So we went with him after getting everything salvageable. Angie grabbed the water can and used it to store stuff - was pretty sure at first she’d leave it, but I forgot she’s quick to adapt.
I wanna think I helped in that.
Dodged more robots to get to the house. Got attacked by one that seemed to be hunting us. That was after we went into sewers to escape them. Or we just got unlucky. So I decided to get to the bottom of why they wanted the Wheatfield kid anyways.
Turns out it was a fucking letter. A letter. All of this mess over a fucking letter.
I wanted to just throw it away there and then. The kid wouldn’t give it to me at first, so I had to get in his face. He gave it to me then. I was gonna drop
Then Angie butted in and told me to give it back. Which. honestly shocked me I think. she didn’t like me ‘bullying Trevor’ like I did.
Didn’t even touch the guy! And I wouldn’t have done it if he just gave it to me right away. I didn’t “bully” him.
whatever. She pointed out that we couldn’t get rid of the letter and get away with it; the letter wasn’t what the animal-bots wanted but the carrier.
Which gave me the idea to change how he looked. I think they thought I was gonna get rid of the kid at first - like I'd do that, sure I get mad easy but I don't just ditch people! Not sure if he liked what I did instead, but coating the guy with mud helped. I think. At least he wasn’t a red mouse sticking out in the crowd anymore.
Things went smoother after that. We managed to avoid the robots for the most part. Had to break a few of them. Saw a green orb a few times that led the robots away - came across some smashed up robots with flowers around. Guardian Angel and all, I guess.
Finally got to where the Wheatfields were living now. Near a park. Dunno why I didn’t think bout that. Then again I didn’t know it existed until the Wheatfield kid led me there.
Took Angie aside while the kid ran off ahead; made sure that she would let me handle all the talking. I wasn’t gonna let someone know bout what happened unless I trusted them, not even mum’s and pa’s old friends. She was still mad at me I think, but she agreed. Not that she’d been talking much to me all day, she was too busy making sure the mouse was okay - I guess it made sense. He was her best friend. Is her best friend? I dunno.
If I was rude then I wish I could have captured a pic of their faces when they figured out we were there. The pa of the family, Jackson, looked like his eyes would bulge out - the mum, Emma, looked only slightly more dignified.
After fussing over their kid, they fussed over us. Asked a bunch of questions. “Where’s your parents, are you okay, were you hurt, why are your clothes filthy, when did you last bathe, why are you both so thin”
I like to think that I did a good job keeping the two of us fed and clean. As best as I could anyways without running water and unreliable income - they may have meant me more than Angie. I made sure she was fed as best I could.
I planned to tell them that we would be fine on our own, that they didn’t need to worry bout us.
Then they offered us baths. And Angie just perked up at it.
I couldn’t disappoint her by telling everyone we’d leave. So I said yes, we’d accept.
And now we’re living in their house.
Fuck me, if it doesn’t feel nice. Angie’s even willing to sit next to me again, but she’s been playing with the Wheatfield kids - there’s a second one, younger brother. Solydaster I think. Kinda cute but also a bit of a pest.
Fuck, this is the longest entry I’ve written. Gotta chill now. We’ve all just laid low. The animal bots left. Guess they had something better to do. Or just got bored watching.
Still dunno bout living with them...but Angie’s happy.
If Angie’s happy I should be happy too. So I’ll try.
I can manage it. I gotta manage it. For her.
So why don’t I feel happy
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ihatetaxes99 · 3 years
Text
A Brief Retrospective Look At MVA (In The Anime)
Well. Here we are. Every end of the time is another begun. After what has felt like years of anticipation (mostly because it actually has been years), My Villain Academia has been fully animated. Well, "fully" may be the wrong word here, but that's something I'll get into later.
To honour the end of the arc, I decided to do two things: One, I re-read the entirety of the arc in the manga all in one sitting; Two, I rewatched all five episodes of the anime's adaptation back to back once again. My life is pain and I know not of sleep. Anyway, the reason I did this is because of a little project I proposed to myself back just before the first episode aired; Once MVA was done and dusted, I would go back and give my own retrospective on the whole thing. Because why the hell not, sounds like fun. This will also hopefully be less emotional than my thoughts I shared as the episodes were still airing, but who knows?
So, let's begin. And I wish to start by stating that My Villain Academia is my absolute favourite arc in the manga. It did a lot of things right. It focused entirely on my favourite faction, the villains. It offers a glimpse into their lives and goes a long way in humanising them, particularly Spinner and Shigaraki. It sets up key points for others too, such as Mr. Compress' habit of thinking more about the bigger picture than the others, which would factor into his major reveal during the Paranormal Liberation War and of course the formation of the Front itself. It introduced us to Rikiya Yotsubashi, one of my favourite characters in the manga, even if he honestly peaked in this arc and was never as good again. And it gave us a large-scale, grueling fight for supremacy in which I found myself actively rooting for the League. It is, in my mind, the very best of BNHA, the only arc I would want them to do well in the anime. They could screw up literally everything else and I would be happy if MVA was even just as good as the manga, it didn't even need to be better. I would have been delighted to have an excuse to experience the arc all over again, seeing my favourite moments with the sublime soundtrack and voice acting.
Yeah… 
But before I get to that, let us take a little trip of sorts down memory lane to see the road to MVA, what led to it. So, 2021 rolls around. What a fun year. It's just 2020 without the excitement of everything being so uncertain, and frankly it's been really fucking boring as a year. However, BNHA Season Five was announced. In February, we get the first trailer for the upcoming season. It's... It's fine. Obviously, it focuses heavily on the Joint Training Arc (in fact, that is all it shows) and although I despise that arc with a passion, it's not too bad. I had not watched the anime since Overhaul ended, so my plan was I just wouldn't watch JTA and would wait until the big attraction, MVA. And so, Joint Training starts. And it goes on. And on. And on. I checked back almost two months later to discover it still wasn't over yet. Now I found this odd. Joint Training Arc was horrible for many reasons, but the big one was that it dragged on for so long as a result of Horikoshi's health complications, which is by no means his fault. But, surely the anime, which would consistently release on a weekly basis, wouldn't have the issues associated with this. Episodes of BNHA have always encompassed around three to five chapters, and Joint Training's were shorter than usual, so why was it taking more than ten episodes to adapt it? 
Very strange, but I didn't question it much. Then, the key visuals released, confirming that MVA was at the very least happening. Great, wonderful. I love it. We've got the whole gang there, seeming like they're in Deika, looks pretty good.
Wait, did I say whole gang? Yeah, my bad, there was someone missing. Spinner. Now, I am not the biggest Spinner fan so I wasn't prepared to riot over his exclusion like I would have been if Compress wasn't in it. But this was starting to get strange. Spinner was the main narrator of MVA. Even if his importance was not on the level of Shigaraki, Twice and Toga, it was certainly more than Dabi and Compress, who did both appear in the art. Why was he excluded? Obviously, I bet you're all having a good old chuckle to yourselves right now because in retrospect, this makes perfect sense now.
Alright, then. I heard from a friend around June time that Joint Training was finally over. Awesome, great, time for the good stuff- why is there a Christmas episode here?
Yes, this was probably what really started to get the alarm bells in my mind going. The Christmas episode- in June. Very, very strange. Also, absolutely no mention of Rikiya, which even if they were reshuffling things, I would have expected him to appear in the episode of Bakugo and Todoroki getting their licenses, since it directly ties in. Concern levels rising, I shrugged it off and waited for next week.
Bam. Major reshuffling. Now, Endeavour Agency comes first, fuck you if you want context for who the hell the PLF are or the significance of Destro's memoirs. This was really starting to worry me now. I told myself that the key visual meant that MVA had to be happening, but it was starting to seem like the villains were being shafted. A fact not helped by the new OP.
Look, I'm sorry. I don't mean to complain or whine, but season five's second OP is just bad. The music is fine, I have no problem there. But the visuals are just awful. Not only is there an extended focus on that stupid bloody trio of Midoriya, Bakugo and Todoroki, not only is there more screentime given to characters who don't appear in MVA or EA than the main cast of the former, but the animation itself is just so stiff and lacking. It had potential, but the visuals are the worst out of any recent anime opening I've seen in a good few years and this was what got me really panicking.
Boom, a beach episode smack in the middle of Endeavour Agency to promote the upcoming movie. Boom, adapting two chapters per episode during EA. Boom, the Shirakumo episode, which I always thought was part of the War Arc and not EA. But finally, mercifully, the title leaks came and it was revealed that episode 20 of season five would be the start of MVA.
20. Out of 25. And it was pretty obvious that they weren't going to end the season with MVA, so really, up to 24. Ohhh no…
But hey, I'm an optimist sometimes. I was excited to just finally be clear of all this nonsense and get to the real good stuff. Hell, in preparation, I watched the entirety of the season up to that point. I finally realised why JTA took so long and it's one of the most depressing things I've ever learned, in a bad way. Were all those flashbacks really necessary? EA was okay, as someone who as a manga reader, already had the necessary context for the PLF stuff. The beach episode, I watched half of, got too bored and skipped the rest of. And you know what, I liked the Shirakumo chapters. They weren't as good in the anime, but it was nice to see.
And then, finally, in comes episode one of My Villain Academia, on a cold, dark August morning. I even bought Crunchyroll Premium to watch it as soon as possible, I was excited. All the messing around, all the crap, it was finally over and the time had come to enjoy what this season was really all about.
I can now safely say why Bones kept pushing back MVA, because if I was them, I would be embarrassed to show this.
No, that's not fair. I promised I wouldn't get too snarky, so let's reek things back in. As a whole, MVA has been… fine. Just fine. Not good enough to justify the bullshit, but not horrendous (mostly.) In fact, right now, I'll give a ranking of the episodes, my worst to best:
5) Episode One 
4) Episode Two
3) Episode Three
2) Episode Five
1) Episode Four
Yeah. So, there's a clear pattern here, that things more or less got better as time went on. From just straight up bad, to still not great, to alright, to the final two episodes being what I would comfortably call good. This is not a good look. I'm sorry, but Episode One, an episode that I just called bad, is still one of the season's best in spite of that. That spells out awful things for this season as a whole. But what exactly made this such a disaster?
Well, cut content is the big thing. MVA in the anime cuts out:
The League's battle with the CRC
Their struggle with poverty
The sushi joke setup
All of Spinner's character
All of Rikiya's character, including most mentions of Detnerat and Miyashita
Fairly integral pieces of Skeptic's character
Most of Giran's integrity and bravery
This doesn't look too bad at first. It could be far worse. We got basically everything else from the arc, so what? Well, I would already be annoyed about all of these cuts, but the issue is that they cause a knock on effect. Without the establishment of the League's poverty, the payoff of Toga's duffle coat now makes no sense. Without the setup of Spinner's characterisation, his battle with Hanabata now feels hollow. Rikiya's surrender to the League now makes even less sense, as his love of human life and desire to cause no more death is completely non-existent. The first time Rikiya being a CEO is mentioned is in the closing minutes of the arc. The sushi scene is hamfisted into a two second flashback just so that the payoff makes some sort of sense, but again, it is hollow without it being at the start (this is also the first mention of the League's poverty and it literally happens just as they are freed from it.) Can you see how these little seemingly unimportant cuts spiral into bigger problems? I would have been pissed even if they hadn't caused some tremendous cascades, but the fact that they did just makes this from a subjective issue to an objective one.
Yes. They did some things well. Toga's backstory is mostly intact, SMP is just as satisfying as the manga, Tenko's backstory is one of the best things the anime has ever done, the awakening is very well done, I adore the PLF formation as much as I did in the manga. Everything important is intact, but as I keep saying, you cannot just keep the bare minimum and expect it to work. How about in the next arc, they decide to cut everything involving Bakugo out, and only keep him jumping in front of Midoriya because it's the only absolutely necessary thing he does in the arc? People would be pissed, and it's the same thing that's happening here. It's a problem, it's not just a bad adaptation, it leads to bad storytelling in general.
The animation. Now, I do not believe this is a be all, end all. BNHA's anime is never going to look as gorgeous as Horikoshi's art, that is a fact and I do not begrudge them for that. They have a week to draw hundreds upon hundreds of frames, it's not a process that lends itself well to good looks and the animators and artists do their best with what they have. This does not change the fact that it is extremely hit or miss. Some things, Tenko's backstory in particular, look fantastic. Other things, mostly every action scene, make me laugh at how bad they can look and some things, particularly Twice and Re-Destro's hideous designs in the anime, make me cringe. The lighting is also an issue. Garaki's lab looked fantastic, but every other scene is just boring mid-afternoon with dull, basic lighting. I don't expect huge detail, but sometimes, it fails to achieve competency and as an extremely popular show, I don't think that's okay. I don't blame the animators, I blame the higher ups. And while I wouldn't mind the poor animation and art in an MVA that at least has all the story content, this does not have that and so I am even harsher than I would have been.
MVA was rushed. That's not up for debate. It took forever to get to it and once it came, things moved so quickly that they gave me whiplash, with no time to think or lament. Now, this could be attributed to the story structure of the arc, which is essentially a series of big fights, and it just isn't as bad in the manga because I can stop at any time to catch my breath. But I think it's worth noting that the anime at least highlights these issues. Curious dies in the same episode where she first appears, really driving home how pointless she was in the end. Episode Two alone tries to cover everything from the journey to Deika up until Jin finding Toga's body. That's a lot of content to fit in one twenty minute period and it was bound to feel messy in the end. I will say that, much like everything aside from the animation, this did get better as time went on, with episodes three, four and five adapting more reasonable amounts of content, compared to one giving us almost nothing and two giving us too much.
At the end of the day, that was it. The show's over. MVA has been closed in the anime. It will never be given a chance to improve, to go from just fine to anything even close to the manga. Why did this happen? I don't think we'll ever truly know. Some blame the new movie, others the studio's lack of faith in the villains, and there are those who say that it's just how fate turned out. I personally think it's a combination of all of these things. Without the movie, that beach episode wouldn't exist, giving more time to MVA, without the studio's hesitation, we'd perhaps get stuff like an actual good OP and perhaps some more general hype for it (I mean, MVA didn't even get a trailer.) Whatever the reason is, we got what we got. My verdict is something that's very overplayed as of late, but seriously, just read the manga with the fantastic soundtrack playing in the background. The anime's adaptation of MVA is not worth the time investment, when you could read the manga in roughly the same length of time and get more content, a more coherent plot and beautiful artwork.
So, what may come next for Season Six? I don't know. Season Five has definitely been one of the most unpopular seasons in the anime, with a lot of people speaking out against it, but this mostly seems to come from the Western fanbase, so it's up in the air if Bones will learn from their mistakes. Since they'll have a full season to do presumably the War and Rouge Deku arcs, then I feel like they'll put on a better show. But we just don't know. Spinner had his spotlight stolen this time around, will Compress suffer the same fate in Season Six? Dabi and Toga will probably be handled well, since they have inexplicably high amounts of popularity, but with his own lack of recognition rivalling Spinner's, I can see Sako ending up much the same way. Time will tell, I suppose.
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Did Bobo really create the Wayward Sisters? If so, why weren't Jack and especially Cas included in that episode? That's my biggest issue with that pilot honestly, I mean, the fact that the show abandoned Claire and Cas' bond after season 10 and gave that storyline to Salmondean. Her bond with Cas is more interesting because of their connection to the Novaks. I also think that Claire and Jack would've made a more engaging dynamic and spin off together, I think they're strong characters & actors
Hi there!
Bobo isn’t the “creator” of Wayward so much as it can even have one, as it was a very organic idea, which even involved a healthy amount of fandom input. The original campaign in season 10 was for Wayward Daughters, and the idea picked up so much steam the altered title for, I guess, a mix of copyright and thematic relevance was the Sisters one. I’d say 10x08 was the real genesis of it as something that could be really solid. Once Kim and Briana were put together the chemistry and star power they could have had together was really meteoric as far as our small SPN world was concerned. Phil Sgriccia directed 9x13 and wrote 10x08 and was more of the parent of Wayward than any specific writer in that sense. Jody and Claire were pretty much common property of the show by that point. Claire was really introduced again in relation to plotlines and questions about Cas and less to do with them really going out of their way to re-launch her. I think they’d have been much cornier about it from the start and while YA protagonist diary writing her way through the end of Wayward Sisters was cute, it’s the sort of cutesy that really has to be earned. If she STARTED that way, like maybe me and 3 friends would be stanning her and everyone else would be revolted :P
(I am a YA fantasy novel author, but I do think everyone should make room in their hearts for this level of cheese)
In any case, Bobo just threw his hat into an already crowded ring with Alex, but obviously loving the characters and having his own personal wayward child to contribute did help elevate him to the prospective showrunner seat, but also all the other writers who’d written these characters except Dabb had left at that point. If Bobo was going to shepherd them through to their new show, he’d be the legacy writer, even though he was a new baby writer in the season Donna was introduced... Attrition aside, he did genuinely write them very well, loved their stories and was great with writing Jody when he could get her, so he would also have been a good choice even if all the others were left still... 
But anyway. Season 10′s subplot for Cas was about Claire and learning some stuff about himself along the way, but she was used very much for his personal development and for Dean as well, being a mini Dean herself in a season where he had lost a lot of his sense of self. It’s a total accident of scheduling but Angel Heart (10x20) being the last episode before 10x22 is a nice touch in that regard. And while Cas tried really hard with Claire and awoke his inner Dad side so that he’d be more prepared for fatherhood next time, it was pretty insurmountable between them to have anything more than a bittersweet relationship where the best he could do was make up with her and see her somewhere safe. The fact of him looking like her actual dead father is horrendous the more you think about it and while she managed to see him for who he was instead of a horrible monster, that’s more than enough trauma to inflict on an already traumatised girl for the sake of helping Cas’s manpain and tidying up the sticky question of Jimmy and Cas’s right to the vessel. 
Angel Heart very specifically ends with TFW mailing Claire to Jody because they know she’s already good with Alex in a genuine way and can handle these sort of issues and has done it before. And also because she can be a guardian who will not constantly remind Claire that her father is dead but something is walking around wearing a perfect reconstruction of his face. Carver era did a few things here and there with bodily autonomy and the problem of angel and demon vessels, but it was also really hit and miss. They’d get random waves of feeling guilty about it but then by necessity go back to stabbing angels in their still-living vessels an episode later. Claire was a way to address at the very least that whatever Cas was being put through was only a punishment on Cas and not on Jimmy as well, which is probably why we got such sappy Heaven scenes. We NEEDED to be shown he was in Heaven and largely okay with what was going on so that the show could justify using Cas at all as a character without breaking the code of ethics they tried to make their own characters adhere to. Aside from that it also gave Cas a side plot for when he wasn’t needed in the main plot, and any emotional connection to anything that wasn’t Sam and Dean.
Anyway 10x20 caused this huge fandom high which was followed by one of the lowest lows of the fandom immediately after, and both centred on female characters (in fact, now we know, 2 lesbians even! Though I’d wonder if, The Gay Agenda aside, Bobo spite-wrote that specifically because of the roots of Wayward) and I think that galvanised the whole movement of fans and hopefully some self-reflection in the show. They DID start making an effort in season 11, which shows some of the early signs of better inclusion but also backtracking or edging nervously away from the more intense Carver era stuff. Not just because Dean didn’t have the Mark any more but in general it was like someone had opened a window and let in some fresh air... Even before Carver bailed somewhere around the midseason to go do a different show and Dabb started to step up. 
All this to say that the Wayward stuff was always about the female characters and making up for the past sins of the show. It’s even a riff on the “wayward son” line which obviously centres around male protagonists and their journey. Claire stumbled into being a part of it in the lucky way of being in the right place and time, but the journey had already started even in the season 10 momentum with earlier work and it was that which suddenly made the prospect that Jody had two young women living with her now seem like a starter for the next generation of the show as it was a mirrored format to season 1 in a way, if you took Alex and Claire as the new Sam and Dean. It was exciting but people flipped out after Angel Heart because stuff had been bubbling since season 9 and earlier in season 10, so this was just pouring more candy into an already visibly full bowl of potential tasty gems. It made a possibility seem real that hadn’t before because we already had Kim bitterly complaining that the CW refused to hear the case for a Jody spin off because she was too old. The next best thing was a Jody spin off where she was the Gandalf to some CW age appropriate characters.
(the CW is and always has been garbage)
Anyway in season 13 Jack was introduced as a Claire 2.0 but as a male character with staying power for that reason, but he was filling the space she left for Cas. He couldn’t be a father to her and neither really wanted that set up anyway. But thematically it had created the possibility of Dadstiel and the space he had in his heart for that. Since the show was in its waning years they would be looking for endgame and handing Cas an easy win with a son he could unconditionally love who would love him back unconditionally absolutely filled that gap. It was a non SamnDean thing that Cas could have for himself outside of whatever happened with them. Not sure the memo came back that he was supposed to have mORE than that but oh well it’s not real if you don’t watch it :))) But yeah Jack was always going to be linked to Cas’s endgame, he wasn’t a free-floating character such as Jody who could go where she wanted and do as she pleased. He was main story relevant from start to finish and tied inexorably to another main character’s fate. Because the show wouldn’t do that with its female characters they could be bundled into spin offs but in practical terms Jack was both never what the Wayward as envisioned by fans or writers was about, nor would he have been free to go. 
Since it would have been about centering the stories of people overlooked by the main story, Claire a case in point that she had her life ruined in season 4 and it was a footnote until season ten, and then metaphorically more the concept of having queer and non-white characters in the mix of main characters, it would have represented a future of the story where the main show was unable to tread. Probably because of the CW. Also inherent biases in the writers. Bad cocktail. Jack is both too white and too male to fit the brief to ever leave SPN, and not only that but he is so as a precise mirror to the main white male characters, being passably any one of their sons if you squint, and meant to be instantly instinctively read as such... he was one of the safest bets of representing the show as the network wanted to imagine its target demographic.
So I really don’t think that Jack has any place being in a spin off of the show unless you want more of the same. They tried to give us something different and the CW didn’t like it because it wasn’t more of the same. Ironically a Jack spin off, with or without Claire, would have more chance of being greenlit and more chance of success. But the spin off they put their heart behind was Wayward Sisters as it was. And I think it was absolutely correct that never mind leaving Jack out of it after his work was done in the lead up episode to help set the table, but honestly they could have cut all the middle scenes of Sam and Dean wandering in the woods and gained precious seconds with the girls and still had a functioning story with those guys. It was like some cowardly missive was sent that the show couldn’t actually go more than 10 minutes without showing a flesh and blood Winchester or the whole thing would spontaneously sizzle out of syndication and the money tree would wither on the spot. And in the mean time, we could have been having Banter with the girls. Or Claire and Kaia holding hands some more. The good stuff :P 
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