#how did it end kills me

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[inquisitor-apologist]

Thinking about how, at the end of the day, at the fatal moment, the sunset of the Republic, it wasn’t Yoda, or Obi-Wan, or even the Chosen One himself standing in the way of Palpatine. It was Mace Windu.

Mace Windu, the inventor of Vaapad and Master of Form VII, the Jedi's strongest duelist, the only person to ever defeat Palpatine in combat. Mace Windu, Master of the Jedi Council and the youngest Master ever appointed to it, the revered leader of the Order. Mace Windu, who forgave even those who tried to kill him, who risked his life over and over again for his troops, who, after 3 years of desperate war, tried to negotiate with battle droids. Mace Windu, who knew the clones were created by the Sith and chose to trust them, who saw every Shatterpoint in the Republic, and loved it still, and fought for it until his last breath, until he was betrayed by Anakin, who he believed in and trusted despite everything.

Mace Windu, High General and hero of the Republic, the embodiment of the Light, the last and greatest champion of the Order, the best Jedi to ever live.

[ruporas]

post ep 11

[mad-c1oud]

thinking about the Charlie's birthday stream. not the ending, no, we think about that too much. no I think about everything else:

the happiness, the joy, the warmth of it all for nearly two full hours

the lack of mob spawns that night because it’s Charlie's birthday and he has eggs with him. how intentional it is. how funny it is and how sad it makes me because its so considerate

thinking about Tallulah by Charlie's side the whole time, diligently leading him from item to item as his little "guardian angel". Charlie trying to be a good tio and falling a little short sometimes, accidentally leaving Tallulah behind when she crashes but still trying cause that’s his sobrina. how she has to actually hit him to get his attention and how bad she must feel but it's so fucking funny each time

(how can anyone blame him when he never gets to hang out with the eggs enough to know he should wait for her? Charlie had Juanaflippa for what- 10 days? and was practically shunned by several others and himself from interacting with other eggs after his action, which is understandable, but only for so long. can they not see how he plays with the eggs? hear how soft his voice gets around them? don't the other islanders understand?)

this is maybe the longest he's gotten to hang out with tallulah since he got his backpack. Wilbur is his best friend and this was the egg he left behind. He's still learning and Tallulah still loves him despite it. Two people missing someone dearly, yet they have each other even if it's hard to realize

thinking about "Maybe Tallulah, you were the gift. I think you're the gift, Tallulah."

thinking about Richas, his nephew because Charlie has Mike, an actual brother that is equally excited to see him time and time again. A nephew coming around with the slime head and slime balls, like a mini Charlie, who is decked out in a full ghillie suit. Charlie who plays with the egg, pretending to be a spooky monster and richas playing along and getting scared

thinking about Charlie not knowing how to use the ghillie suit properly so he's still clearly visible to the eggs, yet they act like he isn't for his sake. shepherding him around from place to place because charlie is a little clueless yeah (he's in exile, go easy on him), but they are patient and happy to "tag along" and let him lead

thinking about them all taking a picture with him in the school, charlie wanting one with both of them, something to remember the day by.

thinking about how charlie is clearly loved by the eggs, his huevos, and how he clearly loves them back and is trying to be better for them even if he struggles so much

thinking about Charlie Slimecicle on his birthday, for once happy after everything he's been through, Tallulah and Richarlyson by his side

just him, his sobrina, and his nephew on a little scavenger hunt under the stars while the rest of the server remains quiet and calm. asleep while they remain lively

just them

happy

[pinacoladamatata]

what have I become? my sweetest friend?

latching onto the 0.3 seconds of Astarion being soft in the trailer like it's a fckin lifeline lads

[queenerdloser]

i just finished dark heir

[woozapooza]

favorite character per show 26/∞: The Sopranos → Jennifer Melfi (Lorraine Bracco)

[bonefall]

Does leopard still have 3 lives in her final battle? Or was that changed?

Yep. I think she drowned her once, then Leopardstar lunges up refreshed, and she gets the upper paw on Mistyfoot with 2 lives to go.

(MAYBE tw gore, but I really did try to be tasteful about a head being smashed on a rock.)

On her back, splashing and thrashing furiously against Leopardstar's claws dunking her head under, Mistyfoot glimpses a wave breaking just over the tip of a stone-blue rock. Her only chance.

With a surge of power, her claws sink into her leader's golden shoulder and they tumble and roll to the right. Before the tyrant even realizes what's happening, she's yanked up, and then whipped backwards with a wet CRUNCH

And then again

And again

And again, until Mistyfoot can't even make out what's left of her leader anymore. All she can see is that it's a red, brown, and yellow blur, because her eyes burning with salty tears and her whole body is trembling.

She drops the corpse onto the stone and it slides into the water, lifelessly. After a moment it spasms aimlessly one last time, like an insect does after its head is bitten off, unlike the deliberate, agonized throes of Tigerstar suffering through his doomed lives. And then it's still.

There's only the tranquil sound of bubbling water, and Mistyfoot's frenzied panting. Her pounding heart makes it hard to hear either.

The blood is carried off by the shallow water in scarlet swirls, but the lake runs pale red as if it's washing it away. Some were aware of this prophecy, but Mistyfoot was not.

It isn't closure to her, or a fulfillment of divine decree. It's just blood that should be on her paws, slicked away by the complicit river. She wished it could feel like it's over, but she's smart enough to know the truth. Has been through enough terrible events like this to understand what comes next.

Her body will move foward. Her mind will need to consider her deputy. Her paw will come down on code-defying cats like Blackclaw and Greenflower. But her heart will stay here, next to the remains of Leopardstar, the same way another piece of it remains at Stonefur's side across space and time.

[graveposting]

me when

me hwhen the------

the brainworms-

[iris-drawing-stuff]

Yeah! Danganronpa Amane! Looking at the DR wiki all the Lil Ultimate titles all seem to correspond to a class subject (Lil Ultimate Homeroom, Social Studies etc.), so I made her the Lil Ultimate Faith studies.

I'm picturing her as the blackened of a case. I think she'll really kill (heh) at that role. Especially since my favorite Amane moments are when snaps (like when she attacked Es with scissors).

I also made a pointing sprite for Mikoto.

I used the cult's symbol from Magic and the balloon in Purge March for her school symbol. Here's the symbols (you can use it if you want)

[baldurs-gate-official]

Seeing Astarion and thinking

[quietwingsinthesky]

journey’s end au where the doctor tries to kick everyone off the TARDIS and they just go, ‘???? no?’ and won’t leave. can’t be stupid and think everyone will leave you when they won’t get out of your house.

[haemosexuality]

why are so many adventure time fans just straight up stupid. about how stories work. and i dont even mean kids i mean like adult fans just with the absolutely dumbest takes

[jacksprostate]

Bob in female fight club au. Thoughts

Probably named Marge

Rather than doing a direct inversion (ie making the character the exact opposite, much tits -> no tits, etc) I think sort of an analogue would work better riffing off the motherly role Bob has, in combination with the group being for uterine cancer/ovarian cancer

The women come together, and they cry, cry, cry, over lost husbands, who left them because they got cancer, because overwhelmingly, men leave if their wife gets cancer, over lost relationships with children, who stayed but resent them, over lost Motherhood, that thing you were told was your worth but now you are told you're shit. Remaining Women Together. Despite. Despite despite despite.

What is it, about purposes. Want to see misery, see women fed their own physical oppression as lost salvation.

Marge, whatever her name is, her husband divorced her, left her with the kids and medical bills stacked as high as she is tall. She is thankful she still has her kids, it makes her feel like she's still worth something. She's had to try and get back into the workforce. No one wants to hire dear former stay at home mother Marge. She shows you her kids in her wallet in her purse and there are no pictures of her. There's a picture of her old husband, which she keeps to show her kids if they ask. They're old enough to go to school now, which is good, because it gives her more time to work. Life is hard, but she's doing her best.

Marge, who is on hormone therapy so she doesn't get those "side effects" she's heard about from other total hysterectomy patients, the future of early dementia and degeneration and horror. Who does pelvic floor exercises in hopes it will minimise the fallout of the surgery. Who carefully rips every hair out of her upper lip and chin because even if it would be normal for a woman, a woman whose gone through menopause, a woman at all — she knows, it's probably the estrogen tipping back over into testosterone, and she can't handle any more losses. She compensates. They all do.

The support group is her Me Time. It is the single hour plus half hour commute she can afford once a week for herself. So she gets here, and she cries, cries, cries, and the others cry with her, all over how their lives have fallen apart since they got ovarian cancer, got breast cancer, and their lives derailed because they can't be proper women anymore.

They cry in their waterproof makeup. Another product to promise womanhood. Identify yourself via consumption. Identify yourself by covering yourself up.

And when she finds fight club. When she finds something that says, jesus fuck. You are more than your children. You are more than your ability to have kids. You aren't a failed woman, that's a sack of shit you've been sold wholesale. When she finds something that promises her she will grow, achieve personhood, not because she was the ultimate martyr mother, not because she played the game of human or woman, but because it promises a freedom from all that, identification and repulsion of such sickening chains. When she stops worrying about her slightly deepened voice, and works to keep her dose even keel for her health, to avoid the toxic highs of accidentally juicing, rather than the lesser effects of a black lip hair or two. When she has a photo, not of herself in her wallet, but of the things she makes with other women from fight club, of the one view of the sunset from that one parking lot that she always thought was wonderful, when she has things in her wallet for her and her enjoyment. When she has corded muscle and a built up spine, when she sits her kids down and explains why they only see dad one weekend every other month, all the fun holidays, because dad decided staying with her through cancer was too hard even when she stayed with him through four lost jobs pissed away in alcohol and lottery tickets.

And Marge, who gets shot by the police on a regulation chill-and-drill assignment for Project Mayhem. Whose obituary in the newspaper talks about the children she left behind, how she battled cancer and kept caring for them, how she was such a strong mother, whose kids would now be shipped off to their grieving father who is so, so brave and stunning for standing up and taking care of the kids he made and dropped as soon as his live-in servant had a few issues. Her name is Marge Paulson, and she was forty-eight years old. She was a person. She will be remembered in the annals of Project Mayhem, lest what little there was of her be stolen from the world. She was killed by Project Mayhem, but they're the only ones who will remember Marge Paulson.

[starbuck]

we talk a lot about “escaping the narrative,” but keep in mind that the frightening thing about escape is the chance you might end up someplace worse.

[wikipedie]

The train is late and your family is dead

I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it. ― Jodi Picoult, Leaving Time

Joan Didion, The Year of Magical Thinking | The Mentalist season 1, episode 7: Seeing Red | Linda Pastan, The Five Stages of Grief | The Mentalist season 2, episode 23: Red Sky in the Morning | teashoesandhair, grief | The Mentalist season 1, episode 5: Redwood | Lemony Snicket, A Series of Unfortunate Events (for Beatrice) | The Mentalist season 4, episode 23: Red Rover, Red Rover | The Mentalist season 5, episode 2: Devil's Cherry | Anne Carson, Glass, irony and god | Jamie Anderson | Anne Carson, Grief Lessons: Four Plays by Euripides | The Mentalist season 7, episode 13: White Orchids | Glennon Doyle Melton, Love Warrior