Tumgik
#how hard can i project
Text
Tl;dr
Ivy replaced Tim’s lenses in his goggles with rose tinted ones to reduce his symptoms of light sensitivity, without actually causing increased sensitivity. He wears them very often now. This is a bag of things you can choose from; I am deciding my Tim has visual disturbances as well including visual snow, shadowing/glowing around object (and people), afterimages, and things that are impossible to describe. He also has tinnitus and is HoH but I have yet to decide on those specifics.
Original post begins:
Continuing to think about Gunpowder Tim being light sensitive and his goggles being tinted to help with that.
I want to think of him as being like me because of course I do, projection. But in photos he usually is not wearing the goggles on his face, which I guess is better since his are tinted *green* (because they are for welding actually).
In my own research I have read that pink or rose tinted lenses are best for light sensitivity, however I have also seen some people use a yellow tint. Wearing sunglasses inside regularly can actually increase your light sensitivity. Because his are originally intended for looking at extremely bright light, they are quite dark. The tints on lenses intended for photophobia are not dark, they are light and do not block out light across the board.
So, I guess, headcanon that Tim aquired these goggles and used them for his light sensitivity. He was wearing dark lenses too often so Ivy took them and replaced them with a better tint, returning them while lecturing him on photophobia.
Who made the lenses and tint? Idk. Could be another mech or they were aquired from a planet they visited. Maybe they were stolen from a corpse, who knows.
Does Tim get migraines? With aura? Does he have visual disturbances? Maybe he has visual snow syndrome (VSS)? Maybe he has a brain tumor? Does he have tinnitus? It’s part of VSS and also could be a side effect of the goddamn moon explosion. If the event that burned out his eyes also affected his hearing (which it probably would) he’s likely HoH/deaf. Can VSS be caused by an event like that? I have no idea; it’s neurological, meaning the cause is in the brain, but lots of things can fuck with how your brain works, and the exact neurological cause of VSS is currently unknown.
22 notes · View notes
ionomycin · 1 year
Photo
Tumblr media Tumblr media Tumblr media
My favorite pieces this year
14K notes · View notes
heartorbit · 4 months
Text
Tumblr media
i'm sending this endless melody to a nameless you
992 notes · View notes
somnimagus · 9 months
Text
Tumblr media
My page for @kairizine. It was such a huge honor to be part of this wonderful book with everyone, I had so much fun!
[id in alt!]
#kingdom hearts#kh#kh kairi#kh xion#kh namine#i don't really feel proud of my own stuff usually but#i really think this is the drawing i'm most proud of from this past year!! it made me think 'oh maybe i can draw' haha#i'm still kinda bad with colors but something clicked with this one. and i feel like i got the sentimental feeling i wanted!#ooh but this project's about flower symbolism so ramble incoming:#protea symbolizes resilience transformation and diversity; hollyhock means 'please remember me.'#so my general theme was finding a sense of self.#these 3 have struggled with finding their own identity; they tend to get left behind both in-universe and in general plotwise#and naminé and xion both resemble kairi and were overshadowed by her memory. but i feel like all 3 have transformed into their own people#xion and naminé have their faces covered partially by hollyhock to show their wish to be remembered for who they are-#instead of the parts that they share with someone else#and the protea bouquets show how they each held on and resiliently grew into their own person despite it all#i put a little swervy path on the hill behind kairi to give that hopeful sense of growth and moving forward. it's a little hard to see#hopefully that makes sense! i really love symbolism but i think in visuals so i'm really bad with words#but gosh working with everyone on this project was so fun. it was like impossible not to get swept up by the team's hype for this zine#i need to hunt down everybody's work and rb it#ohh and everybody's flowers are so crisply drawn it's insane!! i think if i lined all these flowers and leaves i'd die haha#fan art#my art#project stuff
2K notes · View notes
swingstep · 6 months
Text
Tumblr media
Hold on tight.
911 notes · View notes
longdeadking · 19 days
Text
no actually i think mary ann will be great for gorgug bc like. no fault of the bad kids or the thistlesprings obv but they do put a lot of pressure on gorgug to be Normal (think the van scene and "lets put on the episode youre listening to" "im not listening to anything im just exhausted") (and sidenote Full Fault of porter for wanting gorgug to be Normal also) and i think mary ann just absolutely would not have ANY of those expectations and would probably Shut That Shit Down if gorgug DID try to Be Normal around her. and like zelda kind of had that about being quiet and not needing to be super high energy all the time but she also had expectations that gorgug couldnt meet about emotional investment and expression. and again no fault to her thats just how it is. but again mary ann just doesnt have that expectation. and thats something gorgug hasnt had before!
225 notes · View notes
flowercrowngods · 8 months
Text
felt like letting mike and steve work through some shit again
cw: descriptions and imagery of them being lost and self-sacrificing, left alone with trauma they have no means to work through, could read as suicidal tendencies or intrusive thoughts
🤍 also on ao3
“What do you want?” Mike asks when Steve sits down beside him, gravel crunching, their feet dangling over the dark and endless abyss that is the quarry at night.
Steve doesn’t answer right away, doesn’t really know what to say now that he’s here, now that he found him. He looks so small, now more than ever, and it reminds Steve so painfully that he’s still just a child. He was always just a child, and children shouldn’t—
It feels like they got their rights at a childhood revoked years ago, and then they were just… supposed to be okay with it. It was expected, it was implied when nobody came to talk to them after.
When all they got was one NDA after another. When none of the professionally trained adults took one look at the children that they were, and asked, Are you okay? What do you need to be okay? I will talk to you once a week and make sure you learn how to be okay again.
Steve feels like a big brother to most of the kids now, sure, but he’s not their shrink, and he sucks when it comes to actually talking about shit. He can be there to drive them anywhere, can provide an evening of distractions and as much of a sanctuary as a house as haunted as his can be.
With everything else, though, he’s helplessly lost. So he says nothing, weighs his words to make sure they come out right — especially for Mike, who’s always just waiting for him to say something wrong and throw it back in his face with the sunny disposition of a feral, rabid cat.
“Hey,” Mike says then, irritated again; but his voice is hoarse, too. Tired. No heat behind it after that stupid fight with Dustin and Lucas earlier tonight that made him snap and leave Steve’s house in a frenzy. “I said, What do you want?”
Steve shrugs, looking ahead into the darkness that feels endless and alluring and deeply terrifying.
I miss my friend! My best friend, Mike!
“Making sure you’re okay.”
You’ve changed, you know that? You’re not the guy who would jump off a cliff for me anymore, I don’t think I even know you anymore!
Dustin’s voice echoes in Steve’s mind as it undoubtedly does in Mike’s, too, and he can only imagine how much that hurts, especially if he’s shivering like that even though the night is warm for early September.
“I’m okay,” Mike says, sounding endlessly annoyed about the fact. Steve almost huffs out a humourless laugh. Yeah, right.
“Sure you are,” Steve says, keeping his tone carefully neutral.
He shrugs off his jacket and drapes it over Mike’s shoulders without a comment, half-expecting him to just throw it into the darkness below. But Mike doesn’t move, is eerily still beside him, pretending not to notice that Steve’s watching him.
“But you know it’s, like,” he starts again and trails off, looking for the right words because this is unfamiliar terrain and the ground beneath his feet is quite literally nonexistent. “It’s fine if you’re not, right? It’s actually really fucking normal to be more than a little fucked up after everything, all that crazy shit. Or just… in general.”
You were twelve, he wants to say. You were twelve and you jumped off from here. You were twelve and you were going to die. And not because of those monsters, not yet. Just because… you were twelve.
Mike doesn’t say anything, but the gravel crunches once more as he reaches for a handful of stones to throw them into the darkness one by one, the void beneath them so enormous that they don’t even hear the noise of impact.
You jumped.
The longer Mike remains silent, the more Steve wants to scream, wants to grab him by the shoulders and shake him, wants to make him see and understand that Steve knows about the scars a decision like that leaves, especially when you live to deal with the consequences.
He gets seizures to deal with the consequences. His ear is fucky, his eye is twitchy, his head is aching constantly, he gets migraines that knock him out for a day or two, all because he wanted to protect his friends. All because he did protect his friends. It worked. They’re safe.
But they’re also unaware of… of everything. Of the horrible stillness as clarity dawns and all signs point to the one way that always seems to work. The one easy way out, and still the hardest of them all when the plan goes wrong and he makes it out alive. When It’s gotta be me is the only thing to say, but later turns into an angry It never should have been me because the world looks different when it’s smeared with your blood.
And it’s always the lost boys who make decisions like that. Steve wonders, some nights in cold sweat, what happens if he makes these decisions without immediate danger. What happens if he just… decides to jump. Decides to run. To give the world more of his blood. Without saving anyone.
It’s not like he wants to — but he’s terrified that it’s just who he is. Who he’s turned into, terrified that his friends will forever expect him to.
And he’s even more terrified knowing that Mike jumped before he learned about monsters. Before he learned about fighting and surviving.
You were a kid, he wants to say again, but his throat is closing up on him.
“I don’t think that’s okay actually,” Mike says after a while, tearing Steve away from his fears. They’re still both looking ahead rather than at each other, but it’s fine. They’re still here. “Like, people say it is, but it feels so empty when they do, you know? Like, sure, yeah, I’m not fucking okay, but what the hell do we do about that now? Oh, right, I know! Let’s throw it in my face that I’m not good enough for you anymore now that there’s no monsters to kill anymore. Now that I’m just Mike, who’s not even enough to be that anymore, sure. Right. Yeah. Let’s pretend it’s all fine, Steve, let’s pretend it’s okay to hurt all the fucking time!”
Mike is shaking now, violent tremors running through his body, and Steve’s first instinct is to reach out and pull him close, to keep him from that edge and take him to his car; turn on the heating and talk there. But Mike seems to need the darkness, seems to need to be faced with endless depth to give voice to his thoughts.
“What Dustin said was messed up. He shouldn’t have said that.”
Mike shrugs, throwing more pebbles into the darkness, though his motions have lost their vigour. “He’s right, though.”
Steve sighs, though not unkindly. “No, he’s not. Hey, listen to me.” He waits until Mike turns to meet his eyes, and he leans forward. “It’s not okay. It’s not right what he said. You don’t deserve to have that shit thrown in your face just because Dustin is a tactless little douche bag.”
Taking a bullet for someone is not the baseline for friendship, he wants to say, and it occurs to him once again how fucked up their perception and idea of friendship must be, now that they’ve all bonded over the most horrific shit and actual grief they never learned how to work through.
It’s not even Dustin’s fault, not really. They’re all just collateral damage to something Bigger, and all they have is each other, leaving them in a vicious cycle that is so, so fucked up.
“Why’d you jump?” he asks eventually, quiet in case the darkness tries to listen in. “Back then, why did you jump?” And do you wish El had let you? Do you sometimes wish that? When your room is quiet and it’s only you living with all those silent, terrible decisions?
Mike shrugs again, but there’s not much fight left in him, Steve can see that, can feel it in the air between them.
“Will was gone,” he says like it explains everything— and it sort of does. Steve has seen the way these boys look at each other when the other’s not looking, he has seen the hurt and the anger and the gentleness stored there, the words unspoken and the fear that, despite interdimensional monsters, kinda goes unmatched.
Because they have each other. They only have each other. And if someone’s suddenly different than what they thought they knew, if someone’s suddenly different, then… Everything might just fall apart.
And Steve wants to grab him again; wants to pull him close and say, I’m the same. We have the same scars. We have the same!
Slowly, carefully, he does lean over now, weaving an arm around Mike’s shoulders and pulling him into his side.
“I get that.”
Mike swallows heavily and exhales shakily. “I don’t think you do.”
“No. I think I really, really do. But it’s okay, Mike. You won’t be alone with this, okay. I’m on your side, you little shit.”
A pause, a beat, a moment’s respite. Then, “Why?”
“Because,” his heart is racing, his mouth trembling around forming the words for the first time, but he knows it’s the right thing to do. Knows it’s important.
Knows it might just save a life.
“Because I fell harder for Eddie Munson than I ever thought possible, and once i found out what was happening, I kind of wanted to jump off a cliff, too. But I didn’t, because I had someone with the same fears as me, and instead of stupid shit we just… Cried together sometimes. Screamed into our pillows. Laughed with and at each other, calling ourselves hopeless, and— I don’t know. It’s really fucking scary, and that doesn’t go away just because you have someone to talk to. But it‘s… better. It’s so much better.”
He huffs, swallowing around the lump in his throat, smiling into the darkness.
“So I’ve got you, okay? Whatever it is, whatever makes you feel like it’s not fucking okay, I’ve got you. You come to me, yeah? Lucas does, Dustin does, even Max does. This is your official, standing invitation and whatever, okay, dickhead?”
Mike shoves at him lightly, still not parting from the rather awkward side-hug they’ve got going on, and Steve is glad for it.
“Okay, okay, geez,” the little shithead says, rolling his eyes which Steve can see even in the dark, and it feels like the edge has moved away from them, like they have solid ground beneath their feet again.
Steve doesn’t say anything more after that, just waiting for Mike to stir to lead him back to the car, load in his bike and take him wherever he feels like spending the night.
But Mike doesn’t move for another long while, and it makes Steve feel like something big has just happened between them. Like they finally have found the common ground that Steve’s been suspecting they had for months now, even years.
Eventually, as they make their way to the car and Mike goes to grab his bike, he speaks up again, but more subdued now.
“Hey, Steve?”
“Hmm?”
“Does… Does Eddie know?”
“About what?” My tendencies to take a leap off the edge?
“You. Being…”
“Oh!” A smile as he unlocks his car and opens the back door to squeeze Mike’s old bike in there with minimal smears of dirt. “I’d hope so, we’ve been dating for months.”
“You’re dating?! You? Eddie’s dating you?”
“Yeah, listen, do you want me to just leave you here or would you rather be thrown out in the middle of nowhere?”
Mike grumbles something unintelligible as he climbs into the front seat, waiting for Steve to start the engine before he speaks up again.
“It’s just, you’re so… How did you even do that?”
Steve laughs at that, disbelieving and all, because, “Trust me, I have no idea. Must have been the ol’ Harrington charm and all that.”
Mike rolls his eyes and crosses his arms in front of his chest, sinking lower in the seats to pout. “You’re so lame.”
“Sorry, I couldn’t hear you over how much I have a boyfriend and you don’t.”
If his heart skips a beat because it still feels like a forbidden truth saying the word out loud despite the playful banter, then he’s ignoring that in favour of revving the engine.
“Asshole.”
“Dickhead.”
“Grow up,” Mike says, but Steve can see the smile he’s not even trying to hide, and he mirrors it with his own as he turns on the radio catching the final tunes of Springsteen’s Dancing in the Dark.
They’re not okay, none of them. But the car is warm, the cliff’s edge is behind them, and they’re not listening to the same ten songs anymore.
They’re getting better, step by tiny step.
426 notes · View notes
densewentz · 1 month
Text
robyn and orpheus Dead Boy Detectives AU u feel me?
98 notes · View notes
stardust-falling · 1 month
Text
Having more thoughts about Shen Jiu because of course I am.
I don’t think he has the capacity for empathy or genuine selflessness.
He spent the entirety of his formative years deep in survival mode, and because of that, he evaluates people solely based off of how they might threaten or ensure his safety and/or comfort. As far as individual people themselves with their own perspectives… honestly I don’t think he even thinks of that.
Maybe a controversial opinion, but I don’t think even YQY is exempt.
Shen Jiu doesn’t have a moral code. When every day is spent on surviving, a moral code is a luxury.
And really, he just never got out of that mode. See, the thing is, once you’ve had enough adverse experiences it only takes a little bit to trigger you back into that mindset. Shen Jiu was used to being scolded and then beaten or abused, so for him, even a simple chiding is a precursor to abuse— even if he DOES recognize that nothing more will happen, his body and mental patterns will still go into that preparation time.
So of course he never left survival mode, because even if nothing is actively happening, your mind will keep reinforcing those patterns.
For someone with a normal upbringing, as far as I can tell, empathy is something you learn and develop from those around you. Many seem to think it’s something innate and natural and if you don’t have it then there’s something wrong with you from birth. I think Shen Jiu falls into exactly this category of thought— and so he doesn’t even consider that he could try to learn and develop it as a skill he can perform, even if it doesn’t come naturally.
Of course, would he even try? He hasn’t been given any incentive. Any time he has tried to do something good, he ends up getting hurt (saving Yue Qi leading to being taken by QJL) or misinterpreted and admonished (the well ghost incident, keep in mind my earlier point about scoldings perpetuating the same patterns).
So he stays in that same vicious cycle, perpetually in survival mode and unable to escape, even in a relatively secure position (see: his paranoia).
Now, this is all relevant to the discussions of SJ’s feminism, misogyny, and/or lack thereof. I feel like a lot of discussions aren’t really getting the full picture.
SJ sees people, no matter who they are, as solely how they can affect him. Just because this isn’t exclusive to women, or because if comes from a reasonable place, does that really mean it doesn’t play into misogyny?
Let’s take another angle.
I think his abuse of LBH and other talented disciples also is rooted, deep down, in this same issue. He’s not just hurting LBH only to hurt him, his aim is specifically to stunt his cultivation. There’s jealousy at play there of course, but there’s a bit more layers to it too— SJ doesn’t think he’s capable of goodness. So reasonably, he’ll be a bad teacher. He already knows what happens when someone becomes more powerful than their oppressor. LBH may be a child now, but a part of SJ whether he acknowledges it or not sees him as a future threat that needs to be treated as such.
It’s rooted in fear— because everything is with SJ.
So does that mean it’s not actually abuse?
No. The behaviors he shows are still abusive, the reasoning just gives a lens for understanding.
Now, with his views on women— I mentioned in the tags of my original post that I don’t think he views women as people. This is based in that earlier idea of how he interprets others based off their risk and benefit to him. For women specifically, though, there’s another layer.
Shen Jiu grew up in a society where women are inherently lesser— and he grew up in an extreme version of this. He saw women being treated as property firsthand(both as slaves, as well as QJL’s views on his sister). Your worldview is shaped by the world that you view during those early years. Whether he agreed or not, SJ would still take on the patterns of his environment. This, though, is just the same as general societal misogyny and ingrained bias. I don’t think he’s any different than anyone else in this way.
But where SJ’s particular flavor comes in is that to him, women are a source of comfort. For various reasons— positive past experiences, less threatening (or at least don’t carry the dangers men do). He craves comfort— needs it really, because he doesn’t get it and his cortisol levels are always so high they’re poisoning his body. Women are the best source of that comfort for him.
It’s not that he likes them— at least, not any more than someone would like drinking water, or a coat in the winter. They’re fulfilling a survival need for him.
That is what the objectification is where SJ is concerned.
So… is it misogyny?
I’d say yes, in a way it still is. It’s not violent, and it doesn’t come from some inherent sense of “superiority as a man” but at the core of it all, he’s still not viewing women as people, and he has no interest in changing the status quo, because it benefits him to be able to go purchase comfort at a pleasure house, even if it’s not what people usually do there. The picture is bigger than just misogyny, but the traits taken as themselves are misogynistic nonetheless.
I could go into his specific relationships with women and how that informs his character, but this post is already long enough. We know that he mentally divides people by sex, and that distinction has a lot of weight in his judgment of them. Even if it comes from a place of trauma, even if it comes from a general worldview that applies to everyone, he still views women as a commodity— so on some level, and from an outside perspective, he is misogynistic.
In the end, though, it still all comes from him being stuck in survival mode. His lack of empathy, his viewing others as risks and benefits— these things themselves aren’t moral failings— it’s just a consequence of his environment. He’s a bad person because he won’t confront this, develop a moral code, and act on it, not because he doesn’t experience empathy.
But in his circumstance, there’s not really a chance for him to choose to be good. Because he’s still trying to survive, and goodness is a luxury he doesn’t realize he can afford now.
He’s scum, but pitiful, you know?
112 notes · View notes
mooncheese3 · 1 day
Text
Tumblr media
chat….i think ive made a mistake
71 notes · View notes
smrtnik07 · 9 months
Text
Tumblr media
247 notes · View notes
spocks-kaathyra · 2 months
Text
do u think that um. yk Julian was having a rough time in the later seasons. and ofc he wants to talk abt it, wants someone to help him process it, wants someone to just listen. but it's not easy to talk abt. and he wants to talk to Garak, wants Garak to know what's going on in his life, wants to be vulnerable and be met with support and care. but Garak is so emotionally unavailable and so unwilling to break his pleasant facade and so unwilling to deviate from their little social script. he was taught never to show care or vulnerability. and Julian gets so tired of playing their little game when, god, there's a war going on, his life is falling apart, can't Garak even acknowledge how bad things are for both of them? he doesn't need witty retorts, he needs sincerity. and Garak can't give him that. so he withdraws from their friendship. and it's not that Garak doesn't care. it's not that he doesn't want to help. but sincerity and vulnerability were beaten out of him a long time ago, and he doesn't know how to take off his mask. even just acknowledging genuine emotion is practically impossible for him. and maybe that's why ASIT is the apology that it is. it's saying, here, I've learned to be honest, I've learned to be vulnerable. I know the harm I caused you by refusing to acknowledge pain, so here's a whole book of me acknowledging pain.
101 notes · View notes
glitchedmagic · 4 months
Text
Tumblr media
so…. cyberpunk huh?
more of my ghostie impulse design but now he’s cyber
140 notes · View notes
krasytoonz · 9 months
Text
Tumblr media
I really think they should kiss
322 notes · View notes
ratgingi · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
oh yea and consistency refs for the main cast so i can remember how i draw/color them + my hcs for the gingis on theirs :-]!! click for better quality/detail i beg
746 notes · View notes
intotheelliwoods · 2 months
Text
I have one more thing I want to work on before I get back into updating 2AL regularly, but until then......
56 notes · View notes