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beejunos · 5 months

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UNKNOWN TO ME AND YOU | Alastor x reader

Summary: As Alastor's shadow starts to act strangely, hidden feelings are brought to light.

This wonderful story was written from @lustylita's wonderful idea! The story is completely theirs; I just had the pleasure of putting it into words. Their original post can be found here.

Tags: Alastor x gn.reader, hidden feelings, angst

The last couple of weeks have been very strange to you.

Well, stranger than the hotel usually was.

Over the past few weeks, you have helped your best friend, Charlie, with her little passion project. The Hazbin Hotel - your only chance at redemption!

While you couldn't say that you inherently believed in her dream, you would have been a poor friend if you hadn't tried to help her—emphasis on tried. Growing up within Hell's elite, where someone always handed you everything on gold platters, didn't foster any usable skills that could help run a severely understaffed hotel. The very thought of having to clean your own room had almost immobilised you.

Did you really need to vacuum the walls and the ceilings every week? How did the cleaning staff back at your parents' manor even do it? The manor was huge!

Thankfully, you had not been forced to clean for long because shortly after Charlie had opened the hotel for business, an unwanted guest had come knocking at the door. Alastor and his somewhat reluctant companies, except for Niffty, who seemed to thrive in the chaos, quickly made themselves at home in the hotel.

The same night they arrived, you and Vaggie had sat Charlie down in their room and begged the princess not to let the radio demon stay. After all, the tales of his deeds had even reached your family's manor in the Envy ring of Hell. But Charlie had been persistent, saying that maybe by staying in the hotel, she could change his ways. You loved your friend; you really did, but sometimes you wanted to shake some sense into her violently.

There was nothing you could do about the radio demon and how he just took over many of the work duties you had at the hotel. Waltzing in as if he owned the hotel, he had taken one look at your work and deemed it unsatisfactory.

"No, no, let me do it, doll!" he would say condescendingly, making rage lick up your spine, "We would want this to be done well for Charlie, now, wouldn't we?"

You had lost count of all the times you fantasised about grabbing a chair and introducing it to his face.

He made you feel incompetent, and worst of all, he was right. Most of the work you had done that he had redone was of better quality, more detailed, and better planned. If you had been a weaker demon, you would have given up, apologised to Charlie and gone home to your parents, but so, if the heavens would be your witnesses, you were going to crush that smug little bastard of a sinner!

And so began your imaginary battle with Alastor about who could be the best executive producer. If you had asked Alastor, he would not have had any clues about what you were doing, only that it finally seemed like you were taking your job seriously. That said, he still did not like you. You were a spoiled little demon brat who had never worked a hard day in your life, and worst of all, you were sloppy with your work.

But time kept ticking. The days passed, the hotel was filled with new residents, and somehow, you and Alastor were able to work together. Nevertheless, you only managed to do it by never being near each other, which worked wonderfully for you because the man could actually be quite okay when he was silent and on the other side of the room.

You could have continued to live like this for as long as Alastor decided to live in the hotel. There was just this teeny tiny thing that perplexed you.

Alastor's shadow liked to be around you.

It had begun quite innocently with the shadow coming over to you one night when you were sitting in one of the armchairs by the fireplace with yesterday's newspaper in your lap since you had started to do the crossword puzzle on the back of the paper. You had been staring at the same clue for what felt like an hour, and you just couldn't figure it out. Out of nowhere, a shadowy finger had tapped on the clue to get your attention, and when you looked up, two empty holes for eyes had looked back at you with the biggest twisted grin full of teeth you had ever seen.

"Fuck! Don't do that!" you whispered forcefully, not wanting to disturb the peace and quiet that finally had fallen over the hotel lobby. "What do you want?"

Prepared to be bothered any second now by the radio demon, you got even more confused when the shadow started doing pantomimes. Why in the seven Hells was it swimming across the wall?

You looked on as the shadow began to swim back to you, tapped on the clue and started to swim again.

"Swimming? But it has nothing to do with activities! It is something about effort," you said as the shadow returned to you. Since it could not speak, the shadow just started to nod its head and tapped on the clue again.

"Is it a word derived from the word swimming?" you asked hesitantly as the shadow continued to nod.

You turned back to the clue before you—a word for no effort needed and swimming.

"Swimmingly?" you asked the shadow, who gave you an even bigger sinister smile and nodded again before it disappeared up the stairs. Again, you were left in the lobby with only the crackling fire as a company, looking over at the stairs after the strange entity that was Alastor's shadow.

The next couple of weeks just grew more and more strange with every day. Out of nowhere, Alastor's shadow started to just interact with you. It began as innocent waves to you behind Alastors back, and at first, you wouldn't wave back, but when you saw how sad the shadow got if you didn't return its greeting, you started to wave back to it. On a few occasions, Alastor had caught you in the act, which quickly prompted you to swat the air around you as if you were trying to get rid of a fly.

When the waves weren't enough for the shadow, it started to appear around you, helping you in various ways. Once, it even helped you find some important paper you needed for your job that you were convinced Alastor had hidden from you.

It turned out that Alastor's shadow was much more pleasant company than its physical part, and you often welcomed the shadow's help with your crosswords during the evenings.

However, you were again thrown for a loop when the shadowed behaviour started to change. It began to interact with you even more, seeking you out during the day and staying for long periods at a time, just hanging around you or observing what you were doing.

One day, it had even brought you a blueberry muffin from the bakery you liked across town. You had no idea how it had even done that. For all you knew, shadows were not physical things and could not interact with the physical world. However, you were promptly proven wrong when Alastor's shadow took your own shadow's hand and pulled you down the hallway to show you the roses that had started to bloom outside of the hotel.

It was a paradox, a mystery that intrigued you. Alastor's shadow, a creature of darkness, was surprisingly sweet, charming, and, at times, downright romantic. How could such a lovely thing be attached to such a vile being?

It had been like any other day. Alastor's shadow had found you in your office early in the morning, going through all the paperwork that needed to get done that day. In its shadowy hand, it held one blueberry muffin and your favourite coffee mug with a sleepy bear on it, along with the text Bearly Awaken written underneath.

The coffee had been divine because, somewhere, the shadow had learned to make a cup of coffee exactly how you wanted it.

You continued with your day in the presence of Alastor's shadow, walking together down the corridor, through the lobby, and out the front door as you chatted with the shadow. You had gotten quite good at interpreting its pantomimes and overexaggerated emotions and often found yourself laughing at any antics the shadow pulled.

It followed you all day as you walked around the city, picking up the materials Charlie needed for her next exercise with the hotel residents. The shadow even helped you pick out the colours for the ribbons and paints.

At one point, the shadow's long finger had brushed against yours. It had been a cold sensation, almost like being touched by mist, but that had not mattered to you as you blushed before looking away. Missing how the shadow practically folded in on itself when it saw your reaction.

Was it possible to date a shadow and not the being it was attached to?

The sun was setting when you and Alastor's shadow got back to the hotel. The lobby was almost empty except for Husk, who was polishing martini glasses by the bar. As soon as he saw the two of you enter the hotel, Husk leapt over the bar and rushed over to you.

"I don't know where the fuck the two of you have been, but you need to leave now before he finds out that your back," Husk whispered to you as he gripped your arm to turn you around towards the door.

"And you!" he said towards the shadow, "What the fuck do you think you're doing?"

The shadow made a high-pitched whine as it stepped closer to you. You were about to ask Husk what he had meant when a loud voice boomed inside the hotel.

"Where are you?"

Husk's hand tightened around your arm as he started to pull you towards the door. You followed after him, paralysed by action, as a stone of fear got stuck in your throat. The shadow looked at you, then back at the stairs and then back at you again with anxious eyes.

Loud steps could be heard from the hallway above the staircase, and Alastor's shadow began to be dragged towards the stairs as if by an invincible force. It desperately dug its claws into the ground, and the shadow let out a wailing scream as it looked at you with big, pleading eyes.

Alastor was calling his shadow back to him.

The shadow continued to fight the force of its master's call, leaving deep claw marks on the floor, and, as if a gunshot had been fired at the room, the force wholly let go of the shadow. The shadow rushed back to you, where it clung to your body like a second skin.

"Get back here, you disgraceful thing!" Alastor could be heard shouting as a massive hand gripped the hallway doorframe and pulled itself forward. It was the hand of Alastor's most demonic form.

Beside you, Husk had begun to shake as his claws dug into your skin.

"You need to run. Now!" he tried to push you towards the door, but it was too late. From around the corner, Alastor stepped from the dark into the light, but as he stepped forward, he shrank in size. Still, he looked terrifying.

His eyes were a deep red with volume controllers as irises, hiding any emotions he may have had. His antlers had grown in size, sharp and imposing, making the sinner look almost regal as he sauntered down the stairs.

"Thank you, Husker." he said, his voice dripping in venom, "I can take over now."

Husk was about to protest loudly when he disappeared in a puff of red smoke, and you were left alone with the enraged sinner.

"What do you think you are doing?" Alastor snarled as you started to shake where you were standing. A small whine could be heard beside your neck as the shadow clung closer to you.

"I don't know..."

"I'm not talking to you!" Alastor's look silenced you but confused you for a second before you saw his eyes drop down to your neck, where the shadow hid.

"Come back here and stop resisting," Alastor snarled again and stepped towards you. The shadow gave away a low whine as it clung closer to your body, and you realised it didn't want to return. In a fit of temporary insanity, you placed a protective hand over the arms of the shadow around you and stepped away from the sinner.

"No!"

"What do you mean no? It's my shadow," asked Alastor as he looked back at you in confused rage.

"He doesn't want to be with you anymore," you snapped and turned your nose up. You stepped to the side to walk around the sinner, effectively walking away with his shadow, but as you walked past Alastor, his hand shot out, and he tried to grab your arm. But you were faster; with your other hand, you slept Alastors hand away from you and the shadow.

"Will you stop it! Don't you understand that we want nothing to do with you, so just leave us alone!"

With determined steps, you started walking over to the staircase to get as far away from the deer demon as possible. However, you didn't get far until you felt the shadow clung even more to you as it let out a pitiful sob. Its head had fallen over your shoulder as it looked up at you with longing eyes—a gaze it shouldn't be giving you since you had just saved it from its cruel master.

"What's the matter?" you asked it as you tried to caress its cheek, and out of the corner of your eye, you saw something that you never thought you would see.

Without a smile and ears hanging low against his head, Alastor looked at you with the same miserable longing that the shadow looked at you with. And that's when you remember something your mother used to say to you when you were a child, a long time ago.

Our deepest desires, our most precious wishes and longings, hide in our shadows. Everything we want follows us within our shadows as the weights of our souls.

You wanted to kick yourself for being so foolish, for not understanding until now. Maybe a small part of you had always known, but it had been easy to ignore in your imaginary rivalry with the sinner. But a shadow never lies. Even the ones who can think and act on their own. They will always mirror their owner's heart's wishes and act upon them when the host won't take charge of getting what they desire.

"You're in love with me," you whispered. It was not a question but a statement—a statement that seemed to hang in the air for an eternity but not long enough.

“How? What? When?” you asked, desperate for answers.

Alastor walked hesitantly towards you, looked you deep into your eyes and did something you never thought he would do. He kissed your cheek.

Your breath hitched in your throat as his warm lips softly touched your cheek, and when he pulled away, you could still feel their presence against your skin. As if you were branded by their sweet touch.

"Come now," was the last thing he said to his shadow as he walked around you and back up the stairs. Alastor's shadow made a melancholic chirping noise before it let go of you and followed its master.

You were left alone in the big hotel lobby. Wishing that it was your lips Alastor had kissed and not your cheek.

PART 2.

I really hope it lived up to the expectations, but I loved writing it! It got a lot more angsty than I first intended...

#alastor x reader #hazbin hotel x reader #hazbin hotel #hazbin hotel fanfiction #alastor x you #x reader #alastor the radio demon #hazbin hotel alastor #hazbin hotel alastor x reader #hazbin alastor x reader #hazbin alastor x you #alastor x reader angst #hazbin hotel alastor x reador angst #hazbin hotel angst

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ohnoitstbskyen · 19 days

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I deleted the ask, but someone wrote one basically saying "why do you post reaction videos to Helluva Boss? Don't you know the show exploits its workers and they're overworked and get burned out?"

And, I mean, I love your energy, person who asked, definitely hold on to those values and speak up about this. But also, I am afraid I might have some bad news for you about literally the whole entire animation industry.

As near as I can make out from the sparse journalistic reporting that's been done on SpindleHorse -- and as a sidebar, please for the love of god read actual reporting about these things and not just callout posts and fandom discourse -- as near as I can make out, SpindleHorse as a studio is neither all that much better nor all that much worse than basically anywhere else in the industry on their level. It seems like it is (or was? Hazbin Hotel seems to be run differently) a studio mostly run by contracting people on a project-by-project basis, which leads to a crapton of turnover, and a huge need for organizing and onboarding, which according to the reporting I have read, the producers and freelancers have struggled to balance and manage properly, which has negatively impacted a number of the workers.

Top that with the usual catty, clique-based backbiting, sniping and poorly managed conflict resolution that's just kinda endemic in creative environments mostly staffed by twentysomethings and stressed out freelancers, and you have the recipe for a workplace where a lot of people are going to have a great time and feel creatively fulfilled, and a lot of people are going to come away feeling justifiably burnt the fuck out and exploited.

All of this is... not especially unusual for the animation industry, or indeed for any creative industry. Which is not to say that it is good, or that it should be allowed to be normal, or that it shouldn't be reported on and criticized (and please for the love of god support unionization efforts because that's the only thing that will actually address these kinds of systemic problems). It's just to say that if those kinds of issues are the line in the sand you draw where you refuse to engage with a studio's output...

Then, for starters, say goodbye to basically all of anime, because the Japanese animation industry is actively in a state of crisis trying to recruit new talent because its working conditions and pay are so astonishingly abysmal. And the horror stories that escape from that industry make the issues at SpindleHorse look like summer camp at times.

But you also have to say goodbye to a lot of American and European animation. Please do not imagine that Disney and its subcontractors, or that Nickelodeon or Warner Bros, are benevolent employers. They exploit their staff brutally and are currently trying to crush the labor value of animation with threats of generative AI being used to replace jobs. But those corporations also have extremely well-funded PR departments and the ability to silence employees with NDAs and threats of blackballing, so you don't get to hear as many of the horror stories as you might from a smaller independent studio that's less able to silence criticism by holding people's careers hostage.

All of this is to say that 1) it's valid and important to have criticism of both large and small-scale animation studios, and to keep the well-being and happiness of the workers higher in your priorities than the output of Products™.

And 2) if you're going to have a principle for what kinds of problems make a studio's output morally untouchable for you, and what kinds of problems you think should make a studio's output untouchable to other people, you do need to apply that principle consistently to the entire industry, and not just to the independent animation studio that happens to be surrounded by the internet's most inflammatory fandom discourse.

If you don't apply that principle consistently, maybe don't send reproachful messages to strangers scolding them for not living up to your standards, and even if you do apply that principle consistently, maybe still don't do that, because it's mostly quite annoying, and doesn't really do anything to support animation workers struggling for better working conditions.

The Animation Guild in the US is currently in the middle of a bargaining process with their industry, and they have a social media press kit as well as relevant talking points on their website which you can use to post in solidarity with the workers. If it comes to a full industry strike, consider donating to their strike funds to help them maintain pressure. Outside of the US, try and find out what (if any) local unions exist for animation workers, and maybe sign up to their mailing lists. They will let you know what kind of support they need from you.

#tb posting

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itsastrobixch · 29 days

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Astrology notes

- gemini / mercury / uranus / aqua change their identity a lot online. They place a lot of importance on their online identity and as they change so does their online personas.

- Mercury dominance if well placed Learnt to talk very early and saturn mercury aspects learnt to speak a bit late or may speak with a bit of hesitation.

- chiron in 1st have deep rooted identity issues and may also not be able to relax in photos and stuff. Some may even go to the extent of not wanting to take pictures at all.

- count yourself lucky if : air signs ask for your advice.. They don't ask option from everyone. Similarly if fire signs seek you out or show you their defeated side and depressed side. They Always want people to seem them as optimistic fiery and determined but like evryone they too go through down times but they tend to bounce back faster than others.

- Mercury saturn or Mercury rx may have great conversations with themselves in their heads but when it comes out it night miss the mark or.. Like not sound as good as it did in their brains.

- all mercury /gemini dominants open 3 to 5 tabs at the same time. And don't finish a single one completely. Change my mind.

- moon pluto tumultuous emotions. Whiplash. One extrene or the other. Mood changes just with a single event. The whole room can feel the shift as well. Moon and Pluto both give out unstable, watery and intense emotions. It can be difficult if negatively aspected. Even if positively aspected it can lead to the feeling overwhelming emotions.

- People with pluto in 1st, their emotions are hidden. No one knows how they feel. Mostly i see geminis get all the credit for their glib tongues. But have you ever seen a Pluto person toy with people when they know they truth ? They'll lie so effortlessly that even the people who know the truth will start to believe the lie is the truth. Their words and their facial expressions while lying is so controlled and natural it's scary.

- Asteroid Cerea shows is how we nurture. Aries ceres is the defender of the group and people who tend to protect people who are defenseless esp animals. Taurus is the comforter. And so on. But aspects and the house in which Ceres is in also plays a major role.

- Uranus / gemini in 3rd house have lots of ideas at the same time but many are unfocused and evrything is gone in a fleet. They may have a brilliant idea but Lose it in the next second. It'll be better if they scribble down their thoughts anywhere somewhere so they'll have a basic idea of what they thought.

- I fucking admire Aries women, esp as a Libra, like how tf..? i used to have a friend, she used to do some pretty controversial shit in high school but like never once let anything get iin her way and is now a part time business woman...like come on...how are you so headstrong ? And somehow things also tend to workout for them

- every mutable person has a box full of drafts all half done and of various types but all undone. Its a mess of ideas and posts half written and lost interest and motivation along the way...but I'll save it for another day when I will want to finish it up.

- If an air sign texts you daily, they like you. Especially instant replies . 🌝

- scorpio, and Venus Pluto aspects also tend to fall for someone who is out of their grasp. they like to torture themselves like that 😂 or they'll think that they don't deserve the person they're in love with. Its Always one or the other with them.

- venus neptune contacts produce the devoted worshipper type lovers. They will worship the ground their love walks on and will turn a blind eye to their faults. This is most definitely not a healthy patter of behaviour. Please don't indulge in this.

- mercury dominants can't fucking shut their brain off. they have a lot of nervous energy. And will Always be actively thinking about atleast two things at once.

- actually now that i think about it, my bffs in high are an Aries sun, me a sag rising and my frnd a leo sun. and i still wonder why the girls didn't like us 😂🌝 if fire signs get together whether they stir up drama or not, it'll either find them or people will hold them responsible for it even if they aren't.

- gemini and Mercury dominants can imitate very well especially the accents. Their adpative ability is out of charts and a bit creepy tbh. how they change acc to people, how they acclimatise to their surroundings ax cultures, they have this ability which allows to be another person if they like.

- mars - pluto negative aspects may have r*pe dreams often even if they haven't had any such encounters.

- pluto in 1st are ironically afraid of death and illness more so than the usual person.

- 11th house sign may show how we behave online.

-geminins have this weird ability to take and soak up information from all over the place and somehow put it together perfectly . they learn stuff from disorderly messes but they seem to understand it with clarity.

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kaysungshine · 12 days

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𝓛𝓸𝓯𝓲 𝓛𝓾𝓼𝓽 ♡

{ Pairing } - Producer.bf!Jisung x afab.gf!reader

{ Genre } - NSFW; s/f/d(dark)*, PWP, established relationship

{ Synopsis } - Your boyfriend doesn't know any other method of stress relief, other than creating music. He can get so consumed by it, it can become the stressor. So you decide to present him with a new method. That's how you found yourself walking down the street in nothing but lingerie and a long coat.

{ WC } - 2.9k

{ Warnings & Tags } - 18+ MDNI, *forced orgasm/slight dubcon if you squint, everything is consensual but there is begging for more when reader might be at her limit so that's why I'm including dubcon (for those who may find it triggering)*, use of pet names (baby, angel, mine, my love, good girl & Ji), very lowkey needy/soft dom & romantic sub dynamic, worshipping reader, oral (f. recieving), squirting, overstimulation, unprotected piv (do as I say & not as I write, pee after sex too!), creampie, cum feeding & eating, fingers in mouth, pussy worship, I may just have gotten carried away with oral fixations okay? FORGIVE ME.

{ Disclaimer } - This work is in no way associated or depicting the actual life of the members of SKZ. It is a fictional piece of work, and I do not own Stray Kids. All works of fiction are loosely inspired by SKZ, and in no way am I saying it is true to their character.

{ A/N } - I originally was going to post a Hyunjin oneshot next, but I wanted to finish this one in time for Jiji's birthday! It's 2 am on the 14th where I am heheh. Hopefully you all like it. Han producing music will always be hot asf for me personally lmao. Barely proofread.

The air was cool, seeping underneath your long wool coat. In any other circumstance, on a late fall night, the coat would be enough to keep the chill out. Today however, it wouldn't. But you still kept walking, determined to make it to Jisungs studio.

You focused on the clicking of the heels on the boots you wore. And the sound of the wind picking up, signalling a blustery night ahead. The small sounds calm your nerves.

You were anxious about Jisung's reaction, he was in one of his moods again. You understand, you truly do. Juggling everything he has to on his plate, it was no easy feat. There were times he'd just let that dark veil take over, and shut everyone out without even meaning to.

You knew he was in that state again when you hadn't seen or heard from him in three days. It wasn't for lack of effort on your end either. Every phone call sent to voicemail, every text sent by you was met with the same response;

'At the studio, I'll text you after, angel'.

You knew it was time for intervention when Chan texted you that he was only coming home, at 2 in the morning no less, to shower and change. No eating, no resting, just back to the studio afterwards.

This had happened twice before in the almost year you've been dating. Each time you remember talking with him afterwards, he always said the same thing;

'making music is my stress relief.'

That may be true, but it doesn't change the fact that he is also a workaholic. One who easily gets lost in the creative space he has built a career off of. And once that diligence sets in, it's hard to shake off.

So here you are, ready to try a new approach. Ready to offer a new kind of relief. An alternative.

You and Jisungs sex life was far from boring. Far from infrequent, you'd say too. But it surely was more... monotonous. You'd never complain about it, and neither would he. There was nothing wrong with it. It just happened at the 'perfect' times in your relationship.

Before bed, after date nights, on monthly anniversaries, to express massive amounts of love, etc.

It was never to celebrate happiness, calm anger, or comfort sadness. Never to relieve stress.

You were determined to change that. There was no reason you could not help him in any way you could. And in this aspect, you knew you could.

Still, you were nervous. This would be new, he never did well with new.

Your footsteps stopped, leaving only the sound of the wind in your ears. Until you pressed your badge against the card reader, listening to the beeps, to the gears unlock.

Once inside the lobby, the clinking of your heels against the vinyl tile filled your ears. Each step matches the thumping in your heart, you find yourself speed walking.

You smiled and gave a little wave to the staff in the lobby, and they returned it.

In the elevator, the sound of its melodic music filled your ears next. The whirring background noise the machinery made, stopped, as you reached your desired floor.

There was silence when you stepped off. The flooring is carpeted now, and soundproof rooms lined the hallway leaving the night quiet.

You took a deep breath and made your way to the door you knew was your boyfriend's. It was unlocked, thankfully.

You let yourself in, seeing the silhouette of your boyfriends back facing the door in the blue lighting.

He was all about ambiance in this facet of life, having LED's lining the ceiling. The only source of light in the room, besides the glowing screens of his monitors.

He was sat in his chair, headphones on, hood up, head nodding in tandem with his fingers tapping.

You took the opportunity to slide your boots off. Opting to keep your coat on, you brushed your hair over one shoulder. You took your badge from around your neck, and tossed it on the leather couch that was against the wall.

Padding your way over to him, you place your hand on his shoulder lightly. He tenses under your touch, and turns his head. He's frowning when he first faces you, eyebrow furrowed together.

When he sees you though, he softens. The corners of his mouth slightly upturning to a small smile.

"Baby..." He whispers, sliding his head phones off. Soft lofi music is filling the room from them.

He grabs your hand off his shoulder, bringing it to his lips. He's pressing soft kisses to your palm, and placing it on his cheek.

"It's late my angel, why are you here?" He says in a husky voice with more volume.

Your heart flutters at his gentleness, and you bend down to press your own lips to the top of his head. A musky, yet spicy vanilla scent fills your nostrils. His scent.

"I'm here to help you baby." You murmur to him softly.

That caught his attention. He fully swivelled around to face you, taking both of your hands in his. He gazed up into your eyes, a curious look on his face.

You smiled down on him, feeling nothing but love for this man. You'd relax him in any way you can. You placed a hand on each side of his face, bending down again. No more words were said as you kissed him. As your hands slid down his neck, his found themselves on yours, pulling you closer to him. Matching your eagerness.

You let your hands fully slide off him, and tilted your head to deepen the kiss. Your trembling fingers were working the buttons on your coat. One by one, releasing the fabric from your bare skin.

You stood up, letting the coat fall from your shoulders.

Jisung lets out a soft gasp, and licks his lips.

Exposed to him, was his favorite lingerie you owned. It was a bra and panty set, satin and lace. Revealing.

All white.

Your boyfriends favorite part. He always said that the contrast against your melanated skin was a work of art. He joked about commissioning Hyunjin, if he didn't have to see you essentially naked.

So here you stood before him, presenting yourself to him. Silently willing him to do as he pleases. To take your body and use you to decompress. You were too nervous to say it.

He traces the swell of your breast with a finger, curving around the delicate lace. It's a simple touch, but it still sends a shiver down your spine. Goosebumps blooming on your skin.

"So sexy." He mumbles, eyes roving your whole body.

He stands up, kissing you desperately, and walking you back to the couch. Your knees hit the back of it, and you're forced to sit. Lips ripping away from his, panting at the desire in his eyes.

All your nerves were gone. New or not, it would never change the fact that Jisung craved you as much as you craved him.

He held himself up with his hands on the back of the couch, and hovered above you for a moment looking you in the eyes.

Then he was sinking to the ground, on his knees, between your legs. His hands smooth over your thighs, making them pliant with soft kisses, before he spreads them open. Your pussy is glistening behind the lace, and he licks his lips again.

His hand glides from your thigh, to your heat. Thumb brushing against that sensitive bud, the friction eliciting a whine from you.

His eyes snap up to you, and he holds your gaze as his tongue licks a stripe up your clothed core. The tip of it flicking deliciously against your sensitive clit.

"Mmmm..." He groaned at the taste of you, "All for me?"

You moan at his tongue swiping against you again, and again, "All for you, my love."

His fingers hook underneath the band of your underwear, and he peels them off you. He's whimpering, watching as strings of your arousal stick to them. The cool air is hitting your sex, before puffs of hot air from his mouth is. And you're shivering again at the sensation.

A gasp escapes you when his tongue slides between your folds. Lapping up your juices, and suckling at that bundle of nerves. You listen to the wet sounds his mouth is making against you, along with the broken melody coming from his head set. You get lost in it.

Your hand finds his hair, and you're grinding against his mouth. He's whimpering and moaning with you, one hand palming at his bulge. The other has fingers teasing your entrance.

You let out a loud moan when two fingers push into you, and your grasp on his hair loosens. He takes the opportunity to get air, panting, mouth hanging open. His cheeks, chin and lips all shine in the dull blue light.

His fingers continue to pump into you as he watches your face contort for him. He's smiling with lidded eyes, basking in the fact that he's making you feel so good.

"Ji..." You moan, needing more.

"My beautiful baby, let me worship you a little longer." And he's diving back down.

His tongue focuses on your clit, and fingers coaxing that gummy spot inside you. He's pulling moan after moan from you, making out with your lower lips, bringing you closer to the edge. Your thighs start trembling around his head, and he has to grip the fleshy part of one of them to stop you from squeezing him before he's finished.

You're spilling over the edge, body alight and your release coating his fingers, and face. He's lapping up every little bit, determined to taste your pleasure on his tongue. Only when you start to whine from constant overstimulation does he stop.

He's kissing his way up to your lips, leaving a wet trail behind him that you couldn't bring yourself to care about.

You're not sure when he managed to discard his pants and boxers, but you feel his hard, bare length pressing against your inner thigh.

He's rubbing his member against your pussy now, letting your slick and his saliva cover him. Kissing your neck as he's rocking against you, he whispers, "Angel, do you have another one for me?"

Of course you did, you knew you did. You needed to feel him, you needed to please him. So you started nodding fervently, eyes rolling in the back of your head when he sucked lightly near your ear and jaw.

He had a grasp of his cock now, dragging the head through your folds with added pressure. Each squelch of your juices sounds like music to your ears, anticipation building in your body.

"'Gonna make you feel s'good." He's whining into your neck.

He has your legs around him now, as he fills you slowly, both of you savoring the sensations it brings. Your pussy spasms around him, and it has him grunting.

"Always feel so good squeezin' me..." He mumbled, letting you adjust, "...exactly what I needed..."

Then he was pumping into you, and you felt it. All the frustrations he was holding onto, all the stress, all the vexation. He was translating it into the energy he used to pleasure you. Letting go of it all.

You couldn't hear the soft lofi music coming from his head set anymore, instead the slapping of skin and heavy breathing mixed with moans were filling the room. You'd never be more thankful for a soundproof space. Neither of you were holding back.

Your moans only being interrupted by quiet curses, and his being peppered in between praises of how good you feel for him. He made it known he was chasing your high before his, begging you to cum for him.

"Please angel," he whispers against your lips, "need to feel you cumming on my cock."

His pace became quicker as he kissed you, and his hand slithered down to play with your clit. Your back arched off the couch at that, angling him deeper inside you. He groaned, and his thrusts faltered for a second indicating he was close.

Regardless he was determined to finish you, and his tone grew more demanding, "Be a good girl... cum for me, angel."

And that was all your body and mind needed to let go, legs locking around him and body shaking. Your hands slid under his hoodie, and nails dug into his back. It was the kind of intense orgasm, that your moan got stuck in your throat, instead a rough growl coming out.

You sounded absolutely feral for him, and you were.

That was what pushed him over the edge, a slew of curses leaving his mouth as his hips stuttered. With a final harsh thrust, he cums deep inside you. All of the negativity has dispersed from his body, and he collapsed back to his knees.

You're both panting, trying to catch your breath. You jolt when you feel his fingers in your folds, over sensitivity taking over yet again. He's spreading you open, hypnotized by the way his cum is drooling out of you.

"So perfect, fuck." He says as he drags his finger through it.

He's bringing it up to your lips, and your mouth opens instinctively. You're sucking his finger into your mouth, his essence salty but familiar on your tongue.

His eyes are locked to yours as you work his finger, licking it clean. He slips a second finger in your mouth, letting you cover them in your saliva before he dips back down for a taste himself.

You're whining around his fingers when his tongue glides against your clit, and your hips try to retract into the couch. Quickly, he has both hands on your hips, securing you in place so he can continue tasting you.

"We taste so good together, my love..." He's mumbling against you.

His words will never fail to coax submission out of you.

Your hand flies back to his hair, as good as it feels you're trying to pull him away. He's just burying his face deeper, tongue dipping into your entrance to make sure he's tasting everything.

"Ji... s'too much... I can't-" You're pleading, even though you feel yourself succumbing to the overwhelming brushes of his tongue.

He hisses when you finally succeed in pulling him off you, "Please angel," He's begging again, "Just one more. I know you have one more for me."

"Fuck, Ji, I-"

He silences you with his tongue flat against you, another lick up to your clit "Please, need to hear you cumming one more time for me." He whines and starts leaving sloppy, wet kisses on your pussy.

You always knew he was more of a giver. That even though it was you who had cum twice, and he only once. He preferred it that way. Even if he was the one needing the release more, he thrived more on your pleasure.

"Just be gentl-" You try to say, but cut yourself off with a groan.

He's eagerly slurping at your core. Lost in the moment, all he has is your pussy on his mind now. Messily licking and lapping at every inch. He's shaking his head and moaning into it, keeping you pinned in place by your hips.

You feel another orgasm starting to build quickly, clenching around nothing. He risks you bucking your hips roughly into his face, and takes a hand off your hip. He's pushing two fingers into you yet again, and you're seeing stars.

His fingers curl, and his lips close around your clit, sucking lightly. You feel your release slip away from you, and your cumming on his face again. Yelling his name. He only grows more determined.

He leans back so he can watch the beautiful, writhing, mess he reduced you to. The thumb of his other hand is replacing his mouth, continuously flicking your bud. He doesn't slow his movements as you ride out your orgasm, instead picking them up.

Your world turns white, and you feel yourself squirt on his hands. He's watching you in awe, whispering more praise for you as your juices spray over him.

"So fucking sexy, my good girl."

"That's it, let go for me, let it all go."

"Knew you had one more in you, all for me."

"My perfect angel."

It's when you start to slip into that floaty space that he finally stops. He doesn't want you too gone, he's limited in the care he can provide here.

He's positioning you to lay on the couch, and he's laying behind you. You're both wet and sticky, and heaving for air. Yet, it's blissful.

You lay there for what could've been minutes or an hour, you weren't sure. You were content in each other's touch. Your arm reaches back to caress his head, fingers combing through his hair. He's humming.

"I love you." You finally murmur.

"I love you more, angel. Thank you for this." He says, and kisses your shoulder.

"You caught on quickly to my idea." You giggled.

He laughed with you, "I caught on halfway through it, actually. I was just beside myself with desire for you."

You blushed at that, and you were thankful he couldn't see it.

"I mean you showed up in my favorite set..." He whispers and starts toying with the lace on your bra, his finger slipping underneath to flick your nipple, "In ONLY my favorite set. How could I not show you how much I admire you."

You felt his length harden against you again, and he rolled his hips slowly as he gripped your hip.

You knew the night was far from over.

As for how you were both going to escape and clean up? Well that was a problem for future you.

Taglist:

@eczlipse @sailor--sun @maisyyyyyy @jupire @prettiichocolateprincess

@meowmeowminnie @joyofbebbanburg @adieu-lisette @sleeping-beau-tay @staytinyluv

@lookitsjess @majorlymismanaged @kpopsstuffs @helloimacalumgirl @bbokarimenu

@bubblepop-stay @mauvemelon @ohhlittlegirl @ang4lheart @spnwinchestersd

@adieu-lisette @loud-minhoe @juwire @anylady-fics @antisocialties

@nebugalaxy @wowitsafemale

As always, please let me know if you'd like to join the taglist. And if you do, pretty please interact with my fics besides liking (ie; replying/commenting/reblogging). Although I will always appreciate liking as well! Feedback is always cherished! ♡

But again, please be gentle in your criticism! I am but a sensitive soul.

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weirdmarioenemies · 23 days

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Name: F.L.U.D.D. (Flash Liquidizer Ultra Dousing Device)

Debut: Super Mario Sunshine

F.L.U.D.D. was Mario's first ever Platforming Buddy! Unless you count the Lakitu Bros. from 64, but they just operate the camera and don't affect Mario's platforming moveset, so I do not. So really, F.L.U.D.D. is- hold on, I really don't want to write every individual period each time I write its name. I'm just going to leave all the periods at the end of the post and you can put them where they belong yourself, or anywhere else you think is funny. Or you can keep them, I don't mind. Put them on a bagel and tell a friend they're poppy seeds!

FLUDD is a big deal. A landmark for the series in terms of mechanics. Not that these specific mechanics returned, but the concept of a buddy granting Mario some new abilities has become a recurring thing. FLUDD even talks, and is fully voice acted! In a robot voice! Like mine! A cute and silly little robot buddy for Super Mario.

So then... why don't I absolutely LOVE it? I feel like I should! But I'm just not getting that urge to imagine it driving a kart or playing tennis like I do with far less important characters. Does it work so well as a Tool that I have a hard time viewing it as a Character? Let's See!

I think FLUDD's design is honestly kind of perfect. The two massive screws that evoke eyes are really clever, and especially great is that they give it + shaped "pupils"! Aside from that, the nozzle's funnel shape is an extremely funny shape for a mouth, and FLUDD does indeed speak out of there. Excellent head! Though I feel like the excitement fizzles out once you look past the head, because the rest is much more "equipment" than "character". That's fine, this IS a piece of equipment! It just makes it feel less like a character, when I'd like it to have a bit of a balance of both. Maybe if the handles also functioned as little feet that it could walk around on? I don't know. Maybe that would be stupid... but I do love when creature designs are stupid!

FLUDD was made by E. Gadd, but that's all the backstory we get. We never learn why it was just there on the Delfino Airstrip, and that's really weird! The perfect tool to combat the game's main conflict is just there immediately when Mario arrives. It could have been a cool little mystery, but I guess the reality is just that some Pianta ordered it when the Goop Incident happened and got express delivery. Or maybe someone already had it and was just waiting for a calamity like this to happen, to justify the purchase!

I don't need to go over everything FLUDD does, right? I'm not the Super Mario Wiki, it's not my job! I'm here for the Weird. And a weird thing is that FLUDD freaken dies.

During the final boss against Bowser's Hot Tub, FLUDD starts stuttering, as if breaking down. And then in the final cutscene... it Dies! Mario goes to it, it tells him it hopes it was of assistance, and it dies. And Mario is sad, because this was his friend. But then in the very next scene FLUDD is back! Some Toads fixed it and it's fine now. So this ends up having the emotional impact of Mario needing to change the battery on his TV remote.

Even though it's our and Mario's friend, FLUDD is still an object, a product. It's technically not just FLUDD, but A FLUDD, one of many, mass produced. I have to wonder if it actually formed any bond with Mario, or if it was a one-sided friendship. Is it even capable of friendship...?

Whatever the case, the others absolutely consider FLUDD a friend, and well, that's just so sweet. During the credits we get to see some extremely compressed pictures of Mario and friends enjoying their real vacation, and FLUDD is there with them! It's not even on Mario's back anymore, or always WITH Mario, for that matter. Sometimes it's hanging out with Peach and some Toads, sitting there independently. I think it is safe to say FLUDD is a real true friend, and likes to just Hang Out sometimes! Even better, maybe it wasn't originally sentient, but learned how to love over the course of the adventure. Such a wonderful robot thing to do!

As expected, thinking in depth about FLUDD has absolutely endeared me to it. Hooray! It's about time. Well, it's too late for FLUDD to be relevant again, probably. I'm not saying it should be a driver in Mario Kart, but I AM saying there should be a kart based on it, and I'm also saying that this kart should canonically be the FLUDD, now upgraded. This feels like something that should have happened long ago!

This has been a long post, but it is far from all FLUDD has had to discuss! So next time, I will post about FLUDD once more, and its various appearances during the GameCube days and beyond! There is milk involved at some point. Get excited to learn what milk has to do with any of this!

Here are all those periods you were promised! I hope you like them.

....................................................................................................

#fludd #mario #super mario sunshine #mario allies #mod chikako

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linkspooky · 4 months

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SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN

The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear.

Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain. One of these stories fails, and the other succeeds. I will illustrate why under the cut.

BROKEN THEMES = BROKEN STORY

When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that.

Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate.

When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.

“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.”

I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level. The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?” This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story.

With Great Power… You know the rest.

My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game.

However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA. The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman.

The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be.

Now I’m going to drastically oversimplify what a character arc is.

A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth. The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end.

I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change.

The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending.

MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.” The hero shouldn't be allowed to win without first fixing this flaw.

From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”

All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.

Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero.

Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters.

"Can I save the villain?"

"Should I save the villain?"

"If I don't save the villain, then can I really call myself a hero?"

In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match.

I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.”

The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person. Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing.

How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.

Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character. However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others.

However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not.

Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem.

Edo: Can you even fathom that, Judai?

For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people?

Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities.

THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.

Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence.

seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash.

While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else.

Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai.

In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose. Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used.

Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road.

Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."

Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed.

There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes.

Should I save the villain?

The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison.

Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.

Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be.

Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others.

Johan: Judai, it was my dream to save everyone through my dueling!

The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection.

Should I save the villain?

Here the answer is "Yes", because wants to become more like Johan someone who uses their power to help others not just for themselves. Then we reach the third question

If I don't save the villain, can I really call myself a hero?

It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering.

People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends.

These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"

Was there ever someone you couldn’t save?

m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel. In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim.

Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.

Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored.

"I was suffering even as you came to forget about me..."

Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences.

It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored.

Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground. Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.

But you see, I couldn't possibly forget about you in the time that I've suffered...

Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other.

"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."

For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy.

They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship.

Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did!

Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.

They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.

Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.

Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today.

Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends.

Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices.

Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card. Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did.

In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship.

I just want to save my friend. That is all.

By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out. The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point.

I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.

Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?

Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?

Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.

I couldn't have lived with the heartache unless I felt that I was being loved...

At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator.

So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki?

It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them. In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable.

Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore?

That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.

Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.

Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about.

Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again. Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits.

"And even if that means I won't exist anymore... I don't care."

Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities.

Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.

Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.

And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.

The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness.

The story of how Deku became the worst hero.

I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless.

Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki.

Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain. The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him.

Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.

Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.

clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment.

For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did.

Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character.

What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another.

This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told.

Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog.

The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail.

The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?

Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:

Can Shigaraki be Saved?

Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him.

Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.

This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good. As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.

Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option.

Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.

Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable.

I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too. However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way.

Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant.

He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.

Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point.

It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant.

He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO. Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger.

Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things.

Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.

In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.

The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience?

Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live.

The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t.

We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?

I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals. He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable.

The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki.

Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.

Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.

Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.

Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain. As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).

When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki? In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend.

In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect.

This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki.

Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent.

On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder.

Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns.

There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.

Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life.

Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone.

Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.

Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.

In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back. When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way?

When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.

What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard.

I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.

"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"

Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.

Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"

Yubel is embraced and comforted, Shigaraki disintegrates into nothing.

One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.

The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.

Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100.

#mha meta #ygo meta #mha 423 #bnha 423 #mha 423 spoilers #bnha 423 spoilers #izuku midoriya #deku #shigaraki tomura #tenko shimura #judai yuki #yubel #soulshipping #yu gi oh gx #yu gi oh

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