#i adore the glasses

[jungwookjins]

230506 fansign (cr. @Graey56915861 on twt)

[night-eyes1]

[mel-kusanagi]

so anxious

very normal about these two 🧍‍♀️

part 2

[sensitiveheartless]

Written followup to the horrors comic! It got away from me lol. Most of it's under the cut, cause this part is also a bit long.

~*~

Minutes passed by on the quiet moonlit dock.

Despite the renewed serenity of the night, Chuuya’s heart continued to race sickeningly fast. It hammered away in his chest, as if unable to fully grasp that the danger had passed.

His clothes were heavy and waterlogged, so cold against his skin that he could barely keep from shivering. Icy trickles ran down the back of his neck and dripped from his hair.

Closing his eyes didn’t help. There were far too many twisted corpses engraved in the darkness whenever he blinked. So he kept his eyes open, staring at the planks beneath them as he tried to steady his breathing.

Don’t think about it, Chuuya told himself. Don’t think about them.

Instead, he forced himself to remain in the present moment. Beneath the planks, he could hear the swell of the ocean waters, each wave lapping at the posts in a quiet rhythm. Salt filled his lungs with every breath, the heavy tang of the sea-soaked wood wafting around him.

And against his chest was Dazai’s head, a steady and grounding pressure. His ear rested over Chuuya’s heart, his arms still tight around him.

In that position, Dazai must have been able to hear how hard Chuuya’s heart was pounding—but surprisingly, he didn’t remark upon it. He remained utterly silent.

In return, Chuuya didn’t say a word about the almost crushing strength of Dazai’s arms where they wrapped around his middle. Dazai’s fingers were digging into his ribs, twin rows of sharp pressure, and Chuuya could feel them shaking.

Dazai’s hair was coarse where Chuuya’s cheek rested against it. Back in the day, before Dazai’s defection, he never bothered with conditioner. It seemed some things never changed, even in the light.

For one wild moment, Chuuya wished that he wasn’t wearing a pair of gloves—then he could bury his bare fingers in Dazai’s hair and see if it was as tangled as it looked. And, perhaps, warm himself up. Dazai was like a radiator against him, heat seeping through Chuuya’s drenched layers of clothes at every point of contact, but his gloves remained cold, the sodden leather chilling him to the bone. His joints ached as he uncurled his fingers from around Dazai’s shoulders.

Perhaps it would be worth it to just…indulge for a moment, if only to have something else to needle Dazai about. Really, the man needed to learn how to groom himself properly one of these days.

As Chuuya’s hand hovered indecisively over Dazai’s head, however, he realized that his heart rate had already evened out. While he was reminiscing about Dazai’s damn mess of hair, of all things.

Ridiculous. But that meant that there was absolutely no excuse for the two of them to remain wrapped around each other any longer. Dazai’s shivering seemed to have calmed as well.

“We should—” Chuuya’s voice cracked when he tried to speak, so he paused and cleared his throat before going on. “We should make sure it’s really gone. I don’t want that thing getting the jump on me again.”

Dazai tensed, and his grip tightened so much that for a moment Chuuya could scarcely breathe.

“Oi. C’mon, you need to let me up,” Chuuya wheezed, swatting at Dazai’s shoulder. He strained his neck to look down at the head buried against his chest, a pang of something that was surely exasperation tightening his throat. “I need to be able to reach it, Dazai.”

Dazai remained still for another long moment, then abruptly loosened his grip. Instead of letting Chuuya up, however, he pushed him down to sit on the damp planks, and rose to his feet himself.

“I’ll go,” Dazai said quietly, and strode past Chuuya towards the small, oval mirror where it lay shattered on the dock.

Right. It did make sense to have Dazai touch it first, in case it was an ability that could be nullified.

…But what if it’s not? What if it’s something like Lovecraft? Dazai will be defenseless, Chuuya thought, and instinctively started to his feet as well.

“Stay back,” Dazai said sharply, without even turning to look. He was standing over the mirror, staring down at it. “Don’t move forward until I say so.”

Chuuya scowled, but remained in place. He watched as Dazai bent down and extended a careful hand towards the shards of glass.

One tap, with the tip of a finger. Then another, less cautious tap against the side of the wooden frame. Then another, and another, Dazai’s touches moving systematically across every inch of shattered glass and broken wood.

Nothing happened.

Dazai breathed out, and stepped back. “There. You are now welcome to crush it into dust,” he said lightly, waving Chuuya forward.

His head was still downturned, his eyes cast in the shadow of his bangs as Chuuya walked past him to do the deed.

It was with deep pleasure that Chuuya pressed each little bit of the mirror into nothingness, grinding it down with the overwhelming weight of gravity.

After it was done, Chuuya scattered the dust into the ocean waters below. “What the fuck was that thing, anyway?” he asked, turning back to face the other.

When he turned, however, he found Dazai had moved to sit on the edge of the dock, his legs dangling off the edge.

His back was facing Chuuya. It seemed deliberate.

At first, Dazai didn’t respond to Chuuya’s question. The silence stretched long enough that Chuuya began to shiver again, the cold wind cutting through his damp clothes.

“…A Face Like Glass,” Dazai said at last. “That’s what the ability was called.”

“So it was a gifted,” Chuuya muttered. He walked to Dazai’s side, and dropped down beside him with a heavy sigh. “That mean the user is still out there somewhere?”

“No,” Dazai said softly. “She died some time ago, I’m afraid.”

Chuuya looked at him sharply. “What?”

There wasn’t much light by which to see, but Chuuya knew Dazai’s face like the back of his own hand. Better, probably. And he could tell that the detective’s features had gone unnaturally still.

It was how Dazai looked whenever he was unsure of how much he should give away. Typically his poker faces were more natural, but when he was strongly conflicted, he would simply go blank.

“Explain,” Chuuya said, crossing his arms. “That thing almost killed me, I think I ought to know what it was.”

That got a reaction. Dazai’s lips twitched downward and he looked away, hiding his face from Chuuya once again.

After another lingering pause, however, he finally began to talk.

“A Face Like Glass was the ability of a woman named Hardinge,” Dazai said, as blandly as if he were reciting a history lesson. “She could reflect the darkest thoughts of anyone who looked into that mirror of hers, and give those thoughts physical form. Quite literally a nightmare to deal with, as one can imagine. She was the terror of England. However, after she rose to prominence, the mirror began to behave a bit oddly.

“The more renowned Hardinge became, the more people began to fear her ability. She kept the exact details of the mirror shrouded in mystery, so her enemies were always speculating what horrors it might do to them next.

“Naturally, over time, their darkest thoughts became consumed with fear of the mirror itself. And when Hardinge reflected those thoughts, manifesting them into reality…well. You can imagine what happened.”

Chuuya’s hands formed fists in his lap, so tight the leather of his gloves creaked. His fingers were somehow even colder than before. “A runaway effect,” he said. Despite his best efforts, his voice came out rough. “A singularity.”

“Quite,” Dazai said. “The heights of human imagination should never be underestimated. The more powerful anyone imagined the mirror was, the more powerful it became. When their fears manifested, their imaginations ran ever more wild with terrifying possibilities. Which it would also reflect. And so on, and so on. The only one who could control it was Hardinge herself, stopping the runaway cycle by covering the mirror. She acted as a control for the ability for many years, preventing it from going too far.

“But one day, one of her enemies had the dubiously clever idea to turn the mirror back on Hardinge herself. Which, ordinarily, would have been a mere scare tactic. I’m sure their only intent was to make her hesitate to use the mirror by making her own fears manifest.

“However, that is not what happened. Keep in mind, Hardinge had been watching this ability of hers grow with each battle she fought, gaining strength after strength, only barely containing it with her efforts. Sometimes it must have seemed so powerful that it nearly eclipsed her own self.

“Anyone would be frightened of that. It can’t be surprising that her darkest thoughts contained the fear that her mirror would one day consume her.”

Silence stretched, frigid and fragile as ice.

“…So her own ability ate her,” Chuuya said flatly.

“Yes,” Dazai said. “And without anyone left to contain it, the mirror was unleashed.”

Chuuya rubbed wearily at his temples. “Okay. Then how did it get here? To Yokohama?”

“From what I hear, Hardinge was not popular with the Order of the Clock Tower,” Dazai said. “She had gone into hiding here when her ability overtook her. The Special Operations Division then sent out operatives to contain it.”

Chuuya raised his head. “Oh. They’re involved? Wait, does that mean…was that ex-drinking buddy of yours the one who told you all this?”

Dazai nodded, and Chuuya could faintly make out a crooked smile on his lips in the darkness. “Ango called to warn me of its escape. They had done everything they could to keep it locked away so it could be studied, but all it took was one researcher fearing that the creature had the ability to get out of its cell, and it immediately had that power,” he said, leaning back on his bandaged palms. He gave Chuuya a sidelong look, heavy with significance. “Then, of course, while Ango was briefing me on A Face Like Glass, I also got word that a certain tiny mafioso had gone out to fight an unknown monster that was terrorizing the shipyards.”

Chuuya met his stare with a raised eyebrow. “Yeah, so?” he said. “It was scaring my subordinates. Someone had to do something.”

Dazai’s gaze darkened further. “Chuuya, you went alone,” he said. “You tried to face it all by yourself, without even knowing what it was. You could have —” He broke off, and looked away once more. His nails were digging into the wood of the dock, his shoulders stiff. 

Hiding again, Chuuya thought.

For a moment, Chuuya considered pointing out that there wasn’t anyone for him to call for help. Very few of the other mafia members could stand up to an otherworldly threat—and even those who could, like Akutagawa, were not anyone who Chuuya would want exposed to a fear-monster. Everyone in the mafia had far too much darkness to reflect.

Besides, Dazai had no room to scold Chuuya when he was the one who had left him without a partner in the first place.

But even as Chuuya contemplated speaking those cutting words aloud, he found himself unable to.

Because even though Chuuya hadn’t called, Dazai had come anyway.

And, if the reflections of that ability could be believed, one of Dazai’s darkest thoughts was losing Chuuya to Corruption. Right alongside Dazai’s fear of his own past self, and his fear of disappointing his old friend. That…changed some things.

Chuuya sighed, releasing a long-held weight. Then he prodded Dazai’s shoulder with a cold, gloved fingertip. “Hey,” he said. “Look at me.”

Dazai’s shoulders hitched higher, but he didn’t turn.

“What’s your deal?” Chuuya demanded, poking him again. “You don’t have to hide from me, idiot. What, you think I’m gonna make fun of you for having emotions?”

That, apparently, surprised Dazai enough to glance back at Chuuya, his brow furrowed.

“Because I won’t,” Chuuya said. “Not about this. I mean…look, before you showed up, that mirror motherfucker had already reflected a lot of people at me. The Flags, the Sheep, Murase, even N. That’s how it got close enough to me to grab me and drag me under in the first place. So if you’re embarrassed of breaking down or some shit, you shouldn’t be. I did too.”

“It’s not that,” Dazai muttered, his eyes darting away across the dark ocean waters once again.

“Then what?” Chuuya prompted impatiently, leaning closer.

“I froze,” Dazai said, his lips twisting in disgust. “Under the slightest amount of pressure, I broke. You could have died, just because I couldn’t bring myself to fire at a poor imitation of my friend.”

Chuuya blinked. “What’s wrong with that? I broke too. And you were there to pull me out of the water. I saved you, and you saved me. That’s what partners are for, right?”

That finally got Dazai to face him, whipping around so quickly it must have hurt his neck. His eyes were wide, his lips parted in surprise.

Chuuya knew why. It had been years since he had called Dazai his partner.

All too aware that his cheeks were beginning to heat, Chuuya reached out to pull the infuriating man into his arms, tucking Dazai’s head against his shoulder. “Not a word,” he growled, squeezing Dazai tightly in warning. “Make fun of me for this and I’m kicking you into the ocean.”

Dazai let out a choked noise, and suddenly he was clinging to Chuuya just as tight, his fingers practically clawing into his back.

He was shaking again. Or maybe they both were.

“It—it had been so long since I heard his voice,” Dazai cried against Chuuya’s neck, muffled and damp on his skin. “I don’t want that to be how I remember him, I don’t, I hate it…”

Chuuya closed his eyes and saw Albatross laying on the ground in pieces, staring up at him in betrayal. He let out a slow, careful breath, and held Dazai closer.

“Yeah,” he murmured. “I know. I get it.”

Dazai was still so warm. And Chuuya’s hands were still so terribly cold.

Making a reckless decision, Chuuya pulled off his soaked gloves and tossed them aside, then sunk his fingers into Dazai’s mess of curls without hesitation. He felt more than heard the sharp inhale against his neck, and the quiet questioning hum that followed. Chuuya ignored it and continued to card his fingers through Dazai’s hair.

“…Chuuya?” Dazai breathed.

Chuuya tugged absently at a knot. “Tangled,” he grunted. “It was bothering me.”

“Mm,” Dazai hummed, and his hands slid up the back of Chuuya’s jacket. “Chuuya’s cold.”

“No shit,” Chuuya said grumpily. “I fell in the fucking ocean, and it’s freezing out here.”

There was a soft laugh, then a strange sensation ghosted across the side of Chuuya’s neck just above his choker, almost like a pair of lips had pressed there. Chuuya’s hands tightened in Dazai’s hair, stiffening in surprise. He could only wonder if he had imagined it, unable to comprehend any other possibility.

He certainly didn’t imagine what Dazai said next, however.

“Come home with me,” Dazai whispered, his lips brushing against Chuuya’s skin once again.

Chuuya made a very strange noise, somewhere between a shriek and a gasp, and used his grip on Dazai’s hair to haul him away just enough for their eyes to meet. “The fuck?” he spluttered, face burning. “What do you mean, where did that — hah?”

Dazai’s eyes were rimmed in red, dulled with weariness. One of his hands wandered up to Chuuya’s cheek and rested there, circling the blush with his thumb. “I don’t want you out of my sight right now,” he said quietly. “That’s all.”

Ah. Right. The reflection of Corruption.

Well. Chuuya couldn’t really deny that he wasn’t looking forward to a night spent alone in his own apartment. He might not dream, but that didn’t matter if he couldn’t even get to sleep. Having someone beside him might help.

And beyond all that—this was the first time that Dazai had ever asked Chuuya to stay with him.

So, dazed and still a little flushed, Chuuya abandoned all common sense and replied, “Okay.”

Dazai captured one of Chuuya’s hands between his own, and brought it to his lips to brush a kiss across his knuckles. “Good,” he murmured, and pulled Chuuya to his feet. A slight smile flitted across his features. “I think I spotted Chuuya’s dreadful hat further towards the shore. Shall we find it first?”

Chuuya’s knuckles were still tingling. “Okay,” he repeated, strangled and utterly bewildered. His thoughts were chasing themselves in circles like a pack of confused terriers, but he allowed Dazai to tow him away towards the lights of the city.

And if Chuuya’s fingers ended up intertwined with Dazai’s as they traversed the shadows…well.

The streets were too dark for anyone to prove it.

“…Wait, is there even room at your place? You’re still living in that shitty dorm, aren’t you?”

A familiar grin and a pair of twinkling eyes turned back to him as they passed through a dimly lit alley. “Hmm? Chuuya has been tracking where I live? How sentimental of you, slug.”

At least he’s getting back to normal, Chuuya thought. “Oh, shut up,” he grumbled aloud. “Of course I’d keep an eye on your annoying ass.”

A scandalized, yet delighted gasp. “Chuuya likes looking at my ass?”

“…?! Shut up! That is not what I said—!”

[kay-selfships]

at least i’m self aware about my hypocrisy

[myersesque]

one thing i love abt benoit (there are many - he's one of my favourite characters ever) is that he's fully aware of how much these people underestimate him. he's disarmingly sweet and seems to ramble endlessly about the most insignificant things, and tops it off with some good ol' southern charm. he knows that none of the rich assholes he often has for suspects sees him as a threat - they're underestimating him from the second they meet him. he knows this, and so he uses it to his advantage, rambling about just the right topics, asking just the right innocent questions, so by the time they remember he's the world's greatest detective, he's already got them - and i will gladly keep eating that shit up for another billion movies if they keep making em.

[cinnamon-flame]

Posting the wip made me finally finish this! I like this piece but I'm kinda tired of looking at this after the three months this took

[shakingparadigm]

they are sooooo cute

[maalidoesart]

its his world, we’re just living in it

[whoisspence]

no put them on PUT THEM ON

[amphibianaday]

day 1548 and day 5 of amphibiuary

prompt list

[apparently-artless]

⋙ CHAINSAW MAN EP 10 - DENJI & POWER + MEGANE ⋘

[benoits-neckerchieves]

i love this boy so much

“You let him have it cause he’s real cute” yes, yes he is

Knives Out Q&A, 14/11/2019

Also there’s a part where the interviewer says he should do a full version of that Sondheim song he sings in the car and he goes “nobody wants to hear that” and i would just like to say that everybody very much wants to hear that

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[cosmologicalspoon]

the only recurring benoit blanc character aside from benoit shud b his husband who occasionally crops up solely to show off a new hobby

[hoofpeet]

Chandelure bullying hours