Having sad hours and listening to music when this pops up! I can’t believe it’s the first time I noticed they use the word firefly in the lyrics as a pet name - anyways, it got me thinking about what ifs. More specifically, what if the moment Mycheal finally became attached to someone, when he loves them as much as he can, when they don’t want to leave and everything is right, his person dies? The creator has said that when he reaches this point on his “affection scale” that his yandere tendencies would only be triggered if you tried to leave. If you left by dying, one way those tendencies could manifest is him being unwilling to bury or stray far from your body and feeling a deep, soul-wrenching upset every time he notices a new aspect of rot set in. In the hours following your death, as a yandere, he’d probably be in shambles - would he be disoriented enough to forget about rigor mortis? Would he reach for your warmth after stepping away for a moment to collect himself, only to return and find you devoid of it?
So many possibilities
Mycheal and Mushroom Oasis by @/deerspherestudios
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A bunch of things being thrown around involving the Game AU that I wanted to mention? Yes. Yes indeed. :) @universewolfpup
RXQ/Shadow Bonnie is basically like... a character that one of the villains/bosses made at some point, hoping that they would help with their plans.
...Though the villain/boss was quickly proven wrong. Very quickly. Because RXQ was genuinely just like: “No.” and left, and eventually joined the team (Freddy, Crimson, etc).
Earlier, I was basically like: “What would Jack-O-Bonnie sound like?” and right now, I’ve just kind of settled on King Andrias’s VA from Amphibia. Might change, might not.
Jack-O was the first one who actually happened to find Crimson once she arrived. No matter if he actually had been or not, though, Crimson still becomes attached to him quite quickly.
There’s... just so many father-daughter things that I’m imagining with these two. And just little things here and there. He’s a decent singer, and will occasionally sing her lullabies.
Crimson just... absolutely doesn’t know how she’s supposed to get out of the game. She assumes, for a short time, that it’ll happen when she wins... but she has no idea.
And, even then, as she spends more time there, she honestly doesn’t really want to leave all that much, and is kind of starting to dread the eventual day. But, she knows she has to go.
Speaking of her being in and out of the game: In a previous post, I (think) I mentioned how her consciousness gets sent into the Game Avatar, while her body remains, and is simply unconscious/in a coma.
By the very end of it—when she does go back, her body has basically been like that for a couple of months at that point.
There would be game-overs that could be experienced—but they technically aren’t death ones. So it’s not like Crimson would repeatedly deal with that happening.
Instead, if she and the others were in a fight, and they all lost, they’d basically faint, and wake back up somewhere else (like Pokemon? There’s other comparisons.)
It doesn’t stop her from being anxious during battles, though. As also mentioned before, Crimson can see a lot of the stuff—text boxes, health, etc. So, when one keeps getting low... she keeps getting scared.
Mangle wasn’t torn apart by kids here or anything. But, for quite some time, she’s still sort of hesitant around Crimson—it just takes some time.
Crimson likes to get piggyback rides from Jack-O.
Whenever she does eventually leave, I keep comparing it to the endings of the Mystery Dungeon games—it’s angsty, but there’s still way more to it. She never returns.
Except for a smaller AU of this AU—where she does, and there’s less angst. She just sticks around 👍. Happy times, I guess.
While the other characters, in battle and everything, do have moves to use, Crimson doesn’t. At least, not immediately. So, she focuses on healing them with the items she has.
She does eventually start calling Jack-O “Dad.”
...This was a lot—anyways, I think that’s it. It’s late.
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thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.
the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)
there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.
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Asami Enatsu, The Hero || Rin Kyutoku, The Villain (my hero academia)
I was tagged by @lilywatt @a-treides + @simonxriley to use this picrew, so have my current brainrot! I’m back on my mha bullshit and only wanted to make these gals lmao, thank you for the tags lovelies!!
Tagging: @carrionsflower @risingsh0t @tommyarashikage @kanos @confidentandgood @unholymilf @florbelles @thedeadthree @shellibisshe @roofgeese @aezyrraeshh @faerune @tekehu @jackiesarch @minaharkers @sergeiravenov @carlosoliveiraa @rosenfey @greenecreek @queennymeria @heroofpenamstan @tethrras @jamessunderlandgf @solasan @bigbywlf @delzinrowe @fenharel @imogenkol
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Cave Scene from Book One
“I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”
“I am now,” I say.
“Well, I don’t have much competition here,” he says.”
I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”
I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in. Our lips have just barely touched when the clunk outside makes us jump.
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