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pynkhues · 3 years

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.... any succession fic recs? 👀

Yes!! I haven't read a lot for it yet, but some of the stuff I've read has been staggeringly good. I'm generally more into gen fic in this particular fandom, but have enjoyed some Stewy x Kendall, Gerri x Roman and Naomi x Tabitha too.

A few recs under the cut!

“I wanted to get out. From under all this. Take the money and run.”

Kendall tells Stewy even though he knows he’ll never get it, not like Naomi does. He’ll never understand the crush of it, the heart-stopping head-fucking fear of failing a tyrant. Kendall’s been ignoring the shape of it for a long time, putting pieces of it together in the back of his mind in total darkness like a blindfolded man. It doesn’t matter that one day his dad will die. It doesn’t matter about the money or the hostile takeover or the stolen files or any of it. There’s no running. Kendall’s Logan Roy lives inside his head.

Stewy laughs. Stewy laughs for a long time.

“There is no out, Ken, what the fuck are you talking about? You were born this and you’ll die this. You are what you are, and what you are is a fucking Roy.”

Kendall hates him, for a moment. Lightning-strike furious. What the fuck does he know about any of it, about his dad’s swinging dinner plate-sized hands, about getting 24% name recognition in reliable international polling, about puking every time you think about a car swerving off the road in the rain. About finding out that you can do something unthinkably, unimaginably terrible, and it doesn’t matter to anyone you know but you. There’s a scar on his arm that no one else who hasn’t already been told how it got there can ever know about, and he’s sick of it, and it’s not fair. He hates Stewy for a moment because Stewy’s right.

“I wanted to do the right thing, Stewy, for once in my fucking life.”

Stewy laughs again, more briefly, and the predator flash of his eyes in the neon of the motel sign is a torture all its own.

‘There is no right and wrong, Ken. How the fuck do you not know that yet? Not for people like you. Like us. There’s shit you get caught doing and there’s shit you don’t.”

“You don’t know what you’re talking about. You really, really fucking don’t,” says Ken, and fuck, there it is. The road less travelled, that only he has ever driven on. The path he’s down where Stewy can’t follow. That place beyond Stewy Hosseini where he never thought he could go.

“You’re not telling me something, and when I find out what that is, and I will find out what it is, Kendall, don’t you think I won’t, so I am warning you that when I do find out I am going to be righteously fucking pissed,” says Stewy, and if Kendall thought those were a predator’s eyes before—

“Yeah, you will,” says Kendall, because he knows exactly how perceptive Stewy is. Exactly how weak he is. Exactly, precisely what both of them are.

And treat this night like it’ll happen again by postcardmystery. 8k words. Kendall x Stewy. Post s2. (CW: internalised homophobia, some homophobic language)

I tried to pick a shorter excerpt, but I literally couldn’t, this fic is so. good. The voices are pitch perfect, and it’s got this incredible build to it overall that goes back and forth between time and point of views and just rips your heart out. The premise itself is pretty simple – after the press conference at the end of 2.10, Kendall calls Stewy, and they drive through rural America while Kendall has a breakdown, and it’s just - - unspeakably good. I love it so so so much, I have no words.

r/roysucks Connor’s gf just posted on Instagram (instagram.com) submitted two months ago by webbedscrum_2279 23 comments share save hide report

[–] DM_ME_SAMESMAIL 40 points two months ago I too like to escape to my yacht in the Mediterranean when my family and I are on trial for covering up rape and murder. permalink embed save report reply

AITA for accusing my father of multiple crimes on his own news station? By amleth 3k words. Gen fic. Post s2.

And now for something completely different – epistolary fic which is just reddit news threads of the Roy family drama. I love an epistolary fic and this is just totally charming, and made me laugh a lot out loud.

“You’re quiet,” she observes. “That’s a first.”

“Yeah, well, the Turks beat it out of me. Gave you a run for their money.” He waggles his eyebrows. “So what is this? Whips and chains? Are we doing the whole boat-sex thing? I heard Shiv and Tom are looking for a third —“

Gerri finds what she’s looking for: a black leather binder. She drops it on the bed and begins paging through it, and Roman cranes his neck enough to recognize that it’s just full of documents, not like, dick pics. “I’ve given some thought to what you proposed a few weeks ago, and I agree that we should make things official in some way,” she says, and he blinks.

“Uh,” he says. “Which — what part of it?”

“Take a look.”

Gerri closes the folio and hands it over. It’s deceptively heavy, and the print on these pages is way too fucking fine, he thinks, paging through it. “Is this some kind of, like, Fifty Shades of Roy sex contract? Because it’s not that I’m not into it, but I think there’s a strong argument for going paperless —”

“Strictly speaking, this isn’t legally binding,” Gerri says. “Just something I threw together with regard to our business arrangement going forward. But with no respect to the family — the past few weeks have really illustrated that no one should take anyone at their word right now. Give me a little more than your word.”

Evacuation strategies for a yacht on fire by devourthemoon. 11k words. Gerri x Roman. Post s2. Explicit.

After the events of s2, Roman and Gerri fake being married as a professional alliance, only, y’know, maybe it’s not so fake. This fic is just so, so much fun, and messy in the best possible way. The author nails all the character voices, and the sex scenes are just the right amount of hot and ridiculous, and I just love it all a lot too.

Kendall estimates it will take an hour for the first articles to go up. Some rapid-fire blog without oversight—the New York Post, maybe, or wherever those Vaulter hippies have skulked off to—will slap a catchy headline on it and report his words verbatim. Give or take a gif of his face when he switches to script number two. New York Times, Washington Post, AP, those fuckers take longer. They like to bleed the story like Middle Ages plague doctors for its marrow, fact-check and add context and analysis and as many backlinks as their servers can handle. Still, a couple of hours, and his face will be plastered on every major news outlet. His voice will play over the nightly talk shows. He’ll trend on Twitter. A few more days, and he’ll be the star of analysis segments, podcasts, weekly briefings. Maybe, fuck it, maybe he’ll trend on Twitter again.

It’s been years since Kendall read Shakespeare. But that shit sticks with you, gets under your skin and emerges when you least expect it, like eczema or Keynesian economics. He knows how the media will spin this. Kendall Roy Attacks CEO Logan for Years of Corruption. Prodigal Son Disrupts Family Legacy to Restore Credibility. That’s how Hamlet ends, right? And Macbeth, Lear, Othello, Romeo and Juliet, even Titus fucking Andronicus. The spilled blood sinks into the ground, the seedlings sprout forth from the soil, and a new castle is built on the bones. Order out of chaos, or at least close enough an approximation that the tabloids will buy it.

Legacy for profit by owlinaminor Post-2.10. Kendall Roy. Kendall through Shakespeare analogies – just - - ooooof. It's a beautiful, lyrical character study that weaves through Roy family history and teases at a future none of them are even sure they want. It's gorgeous writing.

For the next few days Shiv would have to keep the pressure on Kira like an open wound because there were other women, victims that Nate’s people were going to find one by one as soon as that phone call disconnected. Mo was her father’s friend, good friend, for a long, long time. Nate and Gil, Sandy and Stewy, too many sharks in the water and the share price probably dipped to a new low but she would never check a stock ticker. Her husband’s nerves fraying at the edges on national television. She had promised a woman she’d never met before that she would kill roughly one third of the top male executives of her family’s company. Her company.

The last look Rhea gave her before she shut the car door was concern close to fear—no longer the same woman who heard their pitch in the safe room, who laughed with her at Argestes. Rhea had only looked into the abyss; she got cold feet and she didn’t even know what it’s like to grow up in it.

Her family’s company is hers, will be hers. Even from a whale fall, new life would spring.

Feed his flesh to wayward daughters by reogulus. 2k words. Shiv Roy. Set during 2.09.

This entire fic is set around Shiv bribing Kira not to testify, and god, it is so good. It’s bleak and rough, and really hones in on the complex ground Shiv walks as a character. It's another brilliant study of what it takes to be a Roy, and the way they make the awful choices in order to fulfill this legacy that they don't even know they want.

Kendall sets down his fork. “So. Tell me. Is it everything you wanted? Is it what you thought it would be?”

Roman stills. He never does that. He’s constantly a menace in motion, slouching and fidgeting, worse even than Kendall at his amphetamine peak. “What? The view from the tippy-tippy-top?”

“His regard.” Kendall wipes his mouth with the edge of the white cloth napkin. It comes away pink from the steak. “Dad. He’s all yours now.”

Roman still hasn’t moved. Finally, he lurches, like corroded machinery come uncertainly to life. “Yeah, man. It’s fucking tight as hell. I love every beautiful daddy and me moment I was a good enough little boy to earn.” He snorts. “Fuck you.” His face goes curiously slack then, like something Kendall’s own face would do. An intermission in the performance, an energy cut. Something genuine finding its way to the surface. “Why don’t you tell me. When you got everything you wanted, how the fuck did that make you feel?”

Nauseous, is the first word that springs to mind. Sick. Scared. I’ve never had everything I wanted, there’s that. I’ve never once had a single fucking thing I wanted. There’s that, too.

Interim leadership by arbitrarily 2k words. Roman + Kendall. Post s2.

I love Roman and Kendall scenes generally, but this one which features Kendall and Roman meeting for the first time a few months after the press conference in 2.10 is just a bit magic. The push pull dynamic that's just inherent to them mixed with the genuine affection and brotherly love is really special, and arbitrarily embraces both in equal measure. It's a great little fic.

There are lots more of course, and I'd also recommend checking out other works by these authors, but I hope this is a good place to start! :-)

#hbo succession #succession fic #fic recs #welcome to my ama #kendall x stewy #gerri x roman

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evesbeve · 4 years

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Hey there, you said your ask box was open for Justin Min's whole thing? I guess I just slept through the whole thing, honestly - could you just go over a gist of everything that happened? I get that it seems like a PR team didn't know how to use twitter (which, mood) and f-ed things up for him, but what were they "cleaning up" in the first place, who's Anna what did they do that warranted such a bizarre thread from the PR team, etc...? 😳

Hey! Okay so this is going to be a lot, so buckle up.

Right off the bat, I just want to say that Justin isn’t cancelled. The situation has been mostly resolved right now (more on that later).

So around a week ago, Justin Min started deleting his replies to fans. Depending on whether you’re on Twitter or not, you might know that Justin is one of the most interactive people of the cast. He knows a lot of fans by name, he has inside jokes with us, and he just interacts a lot with his fanbase. So you can imagine why him suddenly starting to delete his replies was a bit upsetting. There was nothing we could do about it though.

And suddenly, two days ago, Justin deactivated his account out of nowhere, which caused all kinds of drama to go down.

People started pointing the finger at specific accounts saying it was their fault that Justin deactivated (don’t even get me started on that logic; why a grown-ass adult deactivate because of a few teenagers is above me, it literally made no sense), even sending death threats. Others suspected that he got suspended because Twitter’s algorithm saw all these tweets get deleted and was like “welp, bot time.” Long story short, lots of misinformation was going around.

And then out of the blue, Justin’s account was reactivated, and he made a thread directed at Anna.

Now, who is Anna? Anna is a stan on twitter, whose @ I won’t be sharing for privacy, but here’s how they’re relevant in this:

Remember when I mentioned the inside jokes? Well, one of them was between a fan called Matt and Justin. Matt kept commenting on Justin’s tweets asking him to say trans rights. On the one year anniversary of Matt asking Justin to say trans rights, Justin finally said it. Then, Matt made a poll asking other stans what he should have Justin say next, and lesbian rights won.

Around a month ago, Matt replied to one of Justin’s tweets, and Justin responded with something along the lines of “haha, i know this is just an attempt to get me to say lesbian rights,” referencing the inside joke. People started commenting that the way he phrased it was a bit :/ so then he replied to his own tweet with something like “well, i’ll delete this before i get cancelled,” and that’s when things spiraled.

[id: Justin Min’s tweet #1: i see that you are trying to butter me up to say lesbian rights, nice try, matt. nice try.

Justin Min’s tweet #2: oh, here we go. this is an inside joke between myself and matt, if you’ve been a part o fthis fandom for more than a few weeks. but alas, i will have to delete this now before i’m cancelled by the end of the day. keep loving, everyone.]

Lesbians get spoken over and looked down upon not only by straight people, but also the LGBT community. So when Justin tweeted that, lesbians were like “this sounds as if you care more about your own self image rather than our community.” Then, non-lesbians got involved and started either a) calling Justin lesbophobic (which lesbians never did) or b) blindly defending Justin and saying he did nothing wrong.

(Side note: I am not a lesbian, and I’m not trying to speak over lesbians in this situation. But I did talk about this to some of my friends who are lesbians, and they told me that what Justin did wasn’t as big of a deal as Twitter made it out to be. These are their words, not mine. All I know is that it was definitely not bad-intentioned, just a huge misunderstanding.)

Anyway, Anna made a thread explaining to Justin why him defending himself came out as harmful towards the lesbian community, and then Justin apologised and that was it.

Which brings us back to yesterday (26/9/2020).

Everyone is freaking out, posting misinformation, panicking. I don’t exactly,,, know how, but the #justinminisoverparty hashtag started being used for actual hate towards Justin for deactivating, and some people (including Anna, though I think their tweet was in the context of a joke? please take this with a grain of salt though. update: it was in the context of a joke) mentioned that Justin is a lesbophobe.

A few hours later, Justin reactivated his account, tagged Anna, and said this (though it was actually his PR team, more on that later):

[id: Justin’s Tweet: @ [redacted] quickly jumping back on here from my twt break because i’m receiving messages that you’re continuing to spread misinformation, so i want to clarify.]

[id: Justin’s Tweets: 1. all of my interactions with you were deleted because of the need to set clear boundaries due to the fact that your incessant messages and replies from multiple accounts over the last several months were veering into stalking/harassment.

2. for someone who appears to pride themselves on reminding their friends/followers on a daily basis to be careful of the language they use on this app, you seem to be fine with flippantly labeling someone as homophobic/lesbophobic as if they’re cute little adjectives to give to someone, not realizing that such labels have real-life consequences.]

[id: Justin’s Tweets: 3. also noting here than in your original thread, you stated that you neither considered me nor my words to actually be lesbophobic, so a bit confused as to why your story has suddenly changed.

4. i realize you’re young, so i’m genuinely hoping you use this opportunity to learn and grow andbe a little more mindful the next time you decide to tweet.]

The next twenty minutes were pure chaos. Justin deactivated again, everyone started freaking out because that was very out of character for him. People were cancelling him because this could have easily been resolved in DMs, or tweeted without the mention of Anna (a minor) from a mainstream Twitter account.

And then, Justin Min DMed another fan on Instagram (her name is Em) about the situation.

Who is Em? For starters, I’d like to say that I personally know Em and that she’s one of my best friends. I’ve known her for more than a year now, and I can personally vouch for her. Everything that she posted is 100% true (if you want the thread where she posts proof of the DMs, please send me a different ask because I’m scared tumblr will not post this in the tag if I include it here).

The reason Justin DMed her out of all people is because he also kinda knows her? As I mentioned, Justin interacts with us on Twitter a lot, and Em is the one person he’s responded to the most, so he knows who she is. (He’s tagged her more times than other cast members, at least before all his tweets were deleted by his PR team.)

Anyway, this is what Em tweeted:

[id: Em’s tweets: please read this !!!

justin dmed me on instagram and basically the gist of it is that he hired a pr team and they tweeted the thread at anna without knowing everyone could see it. all of the tweets being deleted/ him deactivating was also them.]

Below is the image Em attached to the tweet:

[id: Justin’s DM to Em: hey. this is justin. i’m just hearing about what’s happening on twitter right now. for context, i was asked to work with a team of people to “clean up” my twitter in the past few weeks. they’ve taken the liberty of deleting a bunch of my responses and posts in order to safeguard me (whatever that means) as well as deactivating my account to comb through other things.i believe they accidentally sent anna a message and mistakenly believed the function for her to comment only would mean that she would be the only one to see it as well. needless to say, i’m no longer working with this team and want to personally apologize to her. do you know any way i can get into contact with her?]

And then, in a follow-up tweet:

[id: Em’s text at Justin: sorry for dming you again. is there any other way i can help? i just feel really bad about this whole thing and i know how quickly this stuff can spread if it’s not taken care of

Justin’s text: i mean, i guess you can share the information i’ve given you? it’ll take a bit of time for me to take back ownership on everything as i sever ties with that team, so maybe the sooner the better people know.

Em’s text: okay ! is it okay if i tweet a screenshot

Justin’s text: sure.]

Then Justin’s account got reactivated an hour ago (almost 24hs after Em’s tweets), and he tweeted this:

[id: Justin’s tweet: hi. it’s me. thank you for all your messages. this has been an incredibly tough week for me on multiple fronts. some things you might already be aware of; many other things you don’t know about.asking for a bit of privacy as i take sometime to unplug. hoping to be back soon.]

And that’s all, I think? There’s lots we don’t know about what happened yet, so please please please try not to spread misinformation. This is a stressful situation for us on Twitter, and especially for Justin, and misinformation going around is the last thing we need right now.

tl;dr: Justin Min hired a PR Team that started deleting all of his tweets and deactivated his account. Misinformation started spreading, people started cancelling Justin for no reason. The PR Team decided to respond to Anna, made the response public, deactivated again. Justin DMed Em and explained the situation, and an hour ago, he reactivated and said he’s taking a small break to sort things out.

If anyone has any other questions/clarifications, my askbox is open! Hope this shed some light on the situation <3

UPDATE 28/9/2020: Justin has DMed and apologised to Anna for the situation, and Anna has accepted the apology. Anna posted all of it on their account, but again, if you want a link, send me an ask!

#im gonna go to bed now so ill respond to any follow-up asks tomorrow #i hope this made sense #ask #anon #evelina nonesense #the umbrella academy #tua #tua cast #justin min #justin h min #justin h. min #ben #ben hargreeves #tua ben #the horror #tw: drama

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bossladytae · 5 years

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Five Key HijiTae Moments

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I’ve been shipping Hijikata x Tae /土妙 since 2007, and as self-proclaimed captain of this ship, I’ve sailed without expecting a canon ending. Indeed, I expected nothing more beyond the Yagyuu arc, but Sorachi gave me even more moments to be thankful for - five of which are compiled in this post as a final send-off.

Before I begin, I wish to convey my gratitude to @arirna, who is the chief officer of the HijiTae ship, as well as the Tsukuyo to my Tae, our ladies whom we adore so much. I’ve much enjoyed all our numerous discussions on many topics. You make great gifs (thanks for granting my requests! And for allowing me to use and link them in this post because I couldn’t figure out how to embed just one gif from a single post, woe is me), and you’ve long been a staunch supporter of the ship. I will never be able to thank you enough, my friend!

Now then, to the Moments:

I’ve written a summarized analysis of HijiTae and why I like them as a ship before, along with brief mention of other viable Tae and Hijikata ships heavily implied in canon (Kondou, Kyuubei, Mitsuba), so I’m not going to get into them for this post, which is purely to celebrate each HijiTae moment, counting down to what I feel is the most important one.

(5) Episode 18, the “Underwear Thief”

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“Tear him apart.”

“Dismember him and stomp him into the ground.”

“Hey! Both of you are getting very scary!”

Hijikata and Okita are not present in the original manga story arc, but they are added to the anime (no doubt to appeal to audiences with their growing popularity at the time). This is the first instance that made me see the appeal of their potential relationship, as well as the potential friendship that can result from their rare interactions. Early on in the series, I had no particular ships in mind until I watched this episode. Hijikata and Tae start talking about the best ways to torture somebody, and they eventually get so out of hand with their discussion, complete with shoujo anime bubbles and all, that Shinpachi breaks them up because they are too terrifying together. And, indeed, they would be the most terrifying couple in the country.

(4) Character Poll Arc

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“As long as you are around, Shinsengumi, including Kondou-san, won’t be able to stand alone at the top.”

“So you intend to eliminate the woman who is the source of your boss’ scandalous behaviour? I would expect no less from the Demon Vice-Chief. You’re used to doing dirty work.”

Dashing the Fourth Wall to pieces, this arc addresses the original concepts behind some of the characters, particularly those that are based on real historical figures. When Tae rallies Kyuubei, Kagura, Tsukuyo, and Sacchan together to stand against the men, Hijikata and Katsura soon accost them – one to Tae and the other to Kyuubei, and both line-ups make the best sense for each character. Katsura and Kyuubei bicker over their shared characteristics, and they also know each other better since Katsura was once invited to Kyuubei’s birthday party. Tae also knows Katsura, but she’s very familiar to the Shinsengumi for obvious reasons. Hijikata and Tae facing off allows Kondou to seamlessly return to the scene, since he has closer ties to Hijikata and Tae.

What I enjoy about this interaction is the way Tae is fearless around Hijikata; his demon nickname and reputation don’t intimidate her. She knows just how to push his buttons, too, teasing him about his voice actor and how historians have a bone to pick with such brazen depictions of famed samurai. As for Hijikata, he reveals that he knows just how much of a powerful force she is, wielding great influence over the Shinsengumi, impacting their reputation with their commander under her thumb.

This interaction shows the potential for fun bantering and bickering between them. They don’t hesitate to challenge one another, and as we see in the top two moments below, they also don’t hesitate to support or defend one another/what’s important to them for the other’s sake.

(3) Timeskip Arc

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“Please, for our child’s sake, we have to run away! To a world without gorillas!”

“Did you think something like this would fool me? Give me the kid and scram. I’ll look after him.”

Never in my wildest imagination did I think Sorachi would give us a canon child for this ship. Togoro is the hypothetical son of Hijikata and Tae in an otherwise hilarious farce of a story arc. Tae is noted to be pregnant and married to Kondou, and then gives birth within an hour to a baby whose father is revealed to be Hijikata. She wants to run off with him and raise their child together. Hijikata refuses, saying he will raise the child as a single father. And then he proceeds to name the child (as a fifteenth son and as a combination of his and Tamegoro’s names) and begs Shinpachi to let Togoro live.

Some people say Tae’s ambition was to have a child with Hijikata. To me, it’s more like she envisioned a soap opera plot line, typical of the drama series she watches, especially since when she and Hijikata first talk in the Yagyuu arc, she imagined Kondou and Hijikata vying for her affections in true theatrical style. She could have had that baby with somebody else, but once again, Hijikata is in the mix, and probably made for a more dramatic soap opera story line of a woman caught between the police chief and his deputy.

As for Hijikata’s ambition, well, it’s a little hard to say since he and Shinpachi were the stand-in for the audience, trying to unravel this mystery of a wart-infused world only to find that they had become warts themselves. At least we see that Hijikata, once confronted with the possibility of fatherhood, was willing to take responsibility. He’s not explicitly interested in Tae as a romantic prospect, and I don’t expect it since Sorachi would and should have written obvious interest (something that people can’t deny) between them right from the start, so that it would make sense later.

But, it doesn’t change the fact that Togoro is Hijikata and Tae’s hypothetical son and theirs alone, warts and all.

(2) Farewell Shinsengumi Arc

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“If you really do want to drink, I don’t mind spending a while with you.”

“If you poured it for me with that face, I wouldn’t be able to drink it.”

There are few moments that have triggered Hijikata into fierce emotional reaction. He has shed tears for Mitsuba, the Shinsengumi’s disbandment and Kondou’s arrest, and Kondou’s revival. He’s gotten angry on behalf of not only Kondou, but also Tetsunosuke for what Isaburou was doing and saying to him. Hijikata is short-tempered, most of the time for comedic purposes, and he’s endured many ordeals in his young life, so it takes a lot to push him over the edge into true sorrow and true rage.

Nobu Nobu cuts the neck (actually does cut it in the manga) of a teary-eyed Tae, who defended Kondou and his reputation. She knows she could easily lose her life for going against the Shogun. That was the reason Hijikata had held back on doing or saying anything. Perhaps he feared anything he might do would advance Kondou’s execution, threaten the remaining Shinsengumi, and further endanger civilians’ lives. Feeling he could do nothing, he stood there, taking the shame and the mockery from both Isaburou and Nobu Nobu – that is, until Tae’s life is threatened. And, finally, Hijikata reacts with a terrifying gleam of rage in his eyes.

This is the kind of trope that comes standard with any kind of ship, romantic or platonic, when someone shows great concern and fury for another being threatened. If this were another series, people would be proclaiming “canon” all over the place, but in this fandom, very few acknowledge this scene, and they skip over to other parts instead. But that doesn’t make Hijikata or Tae’s acts insignificant.

As for Tae, we’ve seen her shed tears of sorrow for Kyuubei, for Hajime, and now for Kondou. While it has taken many chapters to reach this point, it’s clear she respects and believes him to be a good man. Standing up to a tyrannical shogun at this point in the story could mean immediate execution. Tae risked her life to defend Kondou, to stand up for what she believed in, and it did not go unnoticed. We know how devoted Hijikata is to Kondou, how his arrest left Hijikata in such a broken state of mind, but Tae’s defense and life-threatening moment sparked something once more; the catalyst needed for when the rest of the Shinsengumi reignited that fire within.

Of course, it could have been anyone else, and Hijikata would have done his best to ensure no civilians are harmed. But he wasn’t able to move or act during that time of mockery by his enemies. He said and felt he couldn’t do anything at all with Kondou gone. But I think hearing Tae’s impassioned speech, sharing in her belief that Kondou would never conduct himself so shamefully, inspired him to act. He knows Tae is important to Kondou, and I like to think Tae is important enough to Hijikata as a comrade, as a friend—and the potential for more is what fans love about this scene.

Kozenigata did call the Shinsengumi, “her police,” and that includes Hijikata. It’s why she played a role in the Farewell Shinsengumi arc, and in the Silver Soul arc, she welcomed them back home to Edo. The Shinsengumi admire, fear, and respect Tae, and so her police they remain.

(1) Yagyuu Arc

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“I…am the worst, aren’t I? In the end…going off on my own…I got other people hurt because of it. Causing trouble for Kyuu-chan…and for everyone else. Even though I couldn’t see it through until the very end, I did it with such half-hearted conviction… What I did in the end wasn’t for anyone’s sake.”

“You’re not a Buddha. Did you think you could save everyone in front of you? No matter how many bones you break trying, there are things you can save and things you can’t. So what? Is your way of life so fragile that it would break with this? Now, if there was someone who could be saved by your so-called half-hearted kindness…what would you do?”

This is the official first HijiTae moment within Sorachi’s manga canon: the Yagyuu arc launched two new Tae ships. You’d think the previous moment would be the culmination of everything, but it is the beginning that I find the most important because it shows that Hijikata and Tae are capable of civil conversation and speaking to one another as equals.

We first start out with a comedic exchange in which Tae thinks Hijikata has come to battle for her heart against Kondou, followed by a brief banter of which drama series best suits Kondou and Tae’s imaginary tales. But the point of his visit is to convince Tae to marry Kondou just to help him avoid marrying a gorilla. He earns bonus points for saying that “No means no” when a woman declines.

Later, after the main events of the arc, Tae invites everyone back to Snack Smile to apologize to them, but they’re present at Kondou’s wedding. Only Hijikata goes, and I think he went back because he knows Tae has a good heart. He doesn’t ask her specifically to marry Kondou again, but he listens to her outpouring of feelings over the situation. He then gives practical advice, and in a roundabout way, asks if she will consider just saving Kondou from his wedding at least. And Tae does.

What I love about this arc is their conversations – from casual and fun to serious and thought-provoking – and it didn’t take them hundreds of chapters to reach that point. They arrived there easily and naturally. This quiet moment of introspection they share was more than enough for me to solidify my love for them, and that fondness for the HijiTae ship has continued on for almost twelve years.

BONUS: Soul Switch Arc

A bonus only because it doesn’t strictly involve the two of them alone.

People often forget that Tae only blushed after Hijikata-in-Gintoki’s-body flirted with her. She was charmed by Hijikata’s way of flirting, which was very genteel and sincere and a bit impassioned, much like the way he wrote Shinpachi’s letter for Kirara. When Gintoki-in-Hijikata’s body attempted his usual way of flirting, Tae was unimpressed, aside from being skeptical that Hijikata would truly proposition her. However, once she took it as truth, she was more than willing to consider him a prospect.

In my opinion, Gintoki on his own really doesn’t do anything for Tae since the only moments she was romantically attracted to him was when he lost his memories and original personality, and when he was actually Hijikata. She has also mentioned desiring a partner with a stable income, and I can see someone more traditional, not to mention stricter in handling one’s responsibilities, fitting in better with her lifestyle (hence why Kondou and Kyuubei are the other commonly teased ships), whereas Gintoki is more unconventional about life, going at his own pace. Tae always bases her life around goals and working toward them; she’s not the type to sit around, doing nothing, waiting only to welcome people home when she has a life and dream of her own, too.

There are some other minor interactions (not to mention that Otose and Tatsugoro parallel), but these five are the most important and relevant.

And there you have it. This is a summary of why I enjoy the Hijikata x Tae ship so much. They are both people who hold fast to their convictions, and who do their best to be strong for others’ sake, both leading, respectively, a district and a military police force. They are capable of comedic and civil conversations with one another; prone to bickering but also fighting for one another’s cause based on what they feel is right. At the very least, they remain friends and comrades in the end.

Nothing changes what Sorachi wrote about and for them. It was all his decision, not mine, and if others can celebrate moments for their ship, then there’s no reason I can’t, either. All the negative arguments people throw at me, I have addressed before, so I will not waste time doing so again. I’m not obligated to respond or justify a fictional ship to strangers on the Internet at their demand. Fandom is not a monolith required to bend to a single person’s will, and liking one ship doesn’t cause the erasure of others (that line of reasoning is beyond ridiculous). If you don’t like the ship, the simplest thing is to move on with your life and forget the ship exists.

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p-and-p-admin · 5 years

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Interview given to The Severus Snape and Hermione Granger Shipping Fan Group. (sharing here Admin approved)

https://www.facebook.com/groups/199718373383293/ Hello CRMediaGal and welcome to Behind the Quill, thank-you for letting us get to know you a little better.

Many of our members will know your Unquestionable Love series.

We’re grateful you can spend some time with us today.

Okay, so let's jump into it!

What’s the story behind your pen name?

CR is an abbreviation for “cracked rendition” and that comes from the excerpt from a poem I’ve loved since I was young. Years ago, to help put myself through art college, I did web design on the side and called my little company Cracked Rendition Designs. When I created my pen name, I combined all of these elements together to make CRMediaGal (for some illogical reason I thought it was a solid name at the time lol) and, to this day, I still think about changing my pen name altogether. I figure it’s too late for that now, though.

Which Harry Potter character do you identify with the most?

Luna Lovegood. I wish I’d had her self-assurance and confidence in who she is at that age but, that aside, I identify with how she’s a bit of a loner, an oddball, and tends to be left out (or does until she finds her Hogwarts friends). I’ve really struggled with being an outsider most of my life, so it’s comforting to see that representation in literature but through a young woman who possesses the self-confidence people like myself often lack.

Do you have a favourite genre to read?

I tend to love period dramas, so a lot of the classic novels are my favourites (i.e. Austen, Henry James, etceteras).

Do you have a favourite “classic” novel?

The Portrait of a Lady is one of my favourite novels. I reread it every couple of years.

At what age did you start writing?

I’ve been writing since I was very little, so probably seven, eight, nine-ish? I used to be much more of an artist/sketcher than a writer, so I’d make up stories and write and sketch and staple them together all day long lol.

How did you get into writing fanfiction?

After watching Deathly Hallows: Part 2 at the cinema in 2011. Severus Snape’s death hit me hard all over again (I hadn’t read the last book in a few years), and I decided that I desperately needed to change that for myself lol. Unquestionable Love is the first fanfic (SSHG) I ever wrote and it’s become an ongoing series, so I’m grateful to have gotten the “spark” to write fanfic from somewhere around that time. I decided in 2011 to try my hand at “fleshing out” my little Snape family that had been mucking about in my head for much longer than that.

What's the best theme you've ever come across in a fic? Is it a theme represented in your own works?

I’m a total sucker for the brooding, self-loathing male who thinks himself unworthy of love and redemption and the sunshine, kick-arse lady, aka Centre of His World, who loves him back to life. #GimmeMorePleaseandThankYou

What fandoms are you involved in other than Harry Potter?

I’ve written fics for Star Wars (ReyBen/Reylo is another one of my favourite ships outside of SSHG), The Hobbit (Thranduil/Tauriel), and Les Miserables (Enjonine).

If you could make one change to canon, what would it be? Do you have a favourite piece of fanon?

Severus Snape’s death (he’s NOT dead! #nope #denial4ever).

My favourite piece of fanon is probably Severus being Draco’s godfather. Regardless of where it originated from, I’m all for it.

Do you listen to music when you write or do you prefer quiet?

I used to need complete solitude and quiet to write, but nowadays I can write with some instrumental music playing in the background. It depends on where my headspace is at.

What are your favourite fanfictions of all time?

I don’t read much fanfic anymore, as it’s hard enough for me to find time for my own writing…but off the top of my head, I’d probably have to go with a “classic” - The Tattered Man (SSHG) by Aurette. It’s gutting and heart-wrenching and doesn’t have a happy ending, but it’s a hauntingly beautiful piece that stays with you.

Are you a plotter or a pantser? How does that affect your writing process?

I’m somewhere in the middle. I tend to plot out certain points I want to hit from chapter to chapter (if it’s a multi-chapter fic and heavy on plot, for instance), but writing is an organic process and I enjoy allowing my muse to surprise me as well.

What is your writing genre of choice?

A good mixture of Angst and Fluff (and nearly always with a HEA!)

Which of your stories are you most proud of? Why?

I’m proud of all my stories for different reasons, mainly technical milestones I was able to achieve with the writing or the emotional attachments I had to them at the time that I wrote them.

If I had to choose one (or two because I gotta cheat here haha!), I’d go with either Unto Their Own (SSHG) because the subject matter was so dark and took me to places mentally that were very tough for me to navigate (the fact that I finished that fic is an achievement for me because it could have very well been abandoned at various points in the story); or Unquestionable Love (SSHG), both the original and the series as a whole, because that story has my heart entirely invested in it. That precious family means everything to me and the story, from beginning to present, is my headcanon for the SSHG pairing. I really can’t see them any other way, though I’ve written other stories where their lives turn out quite differently.

Did it unfold as you imagined it or did you find the unexpected cropped up as you wrote? What did you learn from writing it?

Sticking with Unquestionable Love here, the original story came together mostly as expected, though there were a couple darker turns the fic was supposed to take that I didn’t have the heart--or the stamina, I suppose--to end up developing.

One of my dear OCs/one of the daughters was supposed to die at one point in the story and I realised that doing so would have ultimately changed Severus’s fate, as well as the entire course of the storyline. (There is just no way that UL!Severus would survive the death of one of his children, so I guess I’m no JK Rowling or any other esteemed writer who can just ruthlessly kill off their characters haha!) I’ve learned through writing this series that I can tackle subject matters that are very emotionally tough for me and that’s a good feeling.

I’ve also learned that I have something to say, even if it’s not much heard or well-liked, and that that still makes my storytelling worthy of being out there in the fandomverse; or, at least, I try to remind myself that it’s okay to exist.

How personal is the story to you, and do you think that made it harder or easier to write?

It’s intensely personal in some respects and those aspects are difficult for me to discuss. I’m not sure if I’ll ever be ready to talk about them in depth, but I will say a couple scenes in the latter half of Unquestionable Love were incredibly trying to write due to personal experience. I pushed through those moments, though, and I think that, because of that therapeutic exercise, I’m able to tackle other tough subjects in my stories more easily.

What books or authors have influenced you? How do you think that shows in your writing?

I admire various writers, mainly for the love of the language that’s reflected in their writing styles. Anne Rice immediately comes to mind. If I had an ounce of her talent, I’d write with so much confidence lol. I don’t think writers like her necessarily affect my writing style, but they’re certainly people I aspire to write more like.

Do people in your everyday life know you write fanfiction?

Only more recently. I haven’t really allowed any of them to read my work, as so much of it is deeply personal, but just being upfront with my closest friends and family has been a nice development.

How true for you is the notion of “writing for yourself”?

I think this is something, as a fic writer, that’s essential. However, I’m also of the mindset that fandom is about community, and fanfic writers want to engage with their audiences. We want to feel less alone in these wacky and often times complicated scenarios we put our characters through, and we want people to respond to them...hopefully, with a positive reaction.

That’s what it’s all about--interaction--and it can be rather heartbreaking, as a writer, when you don’t receive engagement because maybe your headcanons or takes on characters aren’t popular or are considered outside of the ‘norm’.

For me, I find it too crippling anymore to continue sharing my stories with the fandoms I love when they’re met with silence or hate. There’s nothing more soul crushing than just being dismissed or disliked or not accepted...and that’s why I’ve chosen to post my stories privately (for now, at least).

How important is it for you to interact with your audience? How do you engage with them? Just at the point of publishing? Through social media?

It’s pretty essential to me to be able to engage with readers. I absolutely love it and I wish it happened more often haha. I used to run polls and interact with readers on my fanfiction.net and AO3 accounts (both now inactive) and through my still active Tumblr account (http://crmediagal.tumblr.com/ ). I now have my own website - www.crmediagal.com - where I can fully control the flames and negativity.

It may be temporary but, so far, it’s working out pretty well. It’s made my readership a lot smaller but, at least, I know the people who are there genuinely want to read more of my work and won’t leave me hate comments. That’s so comforting and encouraging.

What would you most like your readers to take away with them when they've finished your stories?

A powerful message of some kind...remembrance...perhaps, suggest one or two of them to other readers and shippers out there.

That’s the only way our stories survive, really.

What is the best advice you’ve received about writing?

That you need to protect your “voice”, no matter how unpopular it may be, and that there is no one else who writes like you and that you should take pride in that.

I try to remind myself of these important pointers when I’m feeling particularly down about my storytelling abilities.

What do you do when you hit writer’s block?

Watch my favourite films or television shows to help re-spark my creativity. I come back to the writing when it ‘speaks’ to me. I no longer press myself to push out writing because, more often than not, the result is going to get tossed and reworked anyhow.

Has anything in real life trickled down into your writing?

Yes, certain experiences and people I’ve encountered in my life have definitely wound up in some of my stories.

Many of my OCs in different stories are examples of that.

Do you have any stories in the works? Can you give us a teaser?

I’m working on a new SSHG story that’s based off of a fun prompt from a dear, long-time reader.

It will start posting at my website - www.crmediagal.com - in the coming weeks/months, so if anyone would like access to it, you can contact me there.

Here’s a short excerpt:

Cradling his head in his hand, Severus stomped to his front door and opened it a crack, jostling the handle loud enough that it caught three people’s attention, the woman firstly before the others.

“What’s the bloody idea?” he snarled, shouting above them.

Each individual—two wizards and one witch—went mute and turned to stare from the neighbouring sidewalk.

“I’ll have you know that this is a quiet street! And I was sleeping!” When the guests next door to him, who were just towing the property line and about to get themselves knocked out, offered no response, he prodded, grinding his teeth together,

“Are you daft, you fools? Do you not comprehend? HEY!”

The two gentlemen, who appeared to be fresh out of Hogwarts—or maybe they hadn’t gotten that far in their magical studies, judging by the stupidity on their expressions—startled and nodded in unison.

“Yes, sir!”

“Oh, my...” the witch, in turn, murmured, seemingly more to herself than anyone else.

Severus identified her vacant, open-mouthed expression at once: she recognised him. As of yet, he had little recollection as to who she might be and didn’t give a damn. He kicked his door open the rest of the way with his boot, jostling the three near trespassers backward a few more paces, and stalked down his steps and onto his sidewalk.

That was when he finally understood the reason behind all of the commotion: one of the branches to the old oak tree that shielded his stoop, and had been there since the earliest days he could recall of his childhood, had crashed onto the pavement, cracking the sidewalk in half.

A part of his iron fence, too, had crumbled under the weight of the broken branch, and there was an assortment of boxes, some severely banged up, scattered across his property.

“What the...? That’s my tree you idiots hit! And my bleedin’ fence...!”

“I - I’m sorry, sir,” stammered the witch with wildly curly hair and worrisome brown eyes, hastily stepping forward to intervene.

“I’ve been trying to figure out how this happened—”Severus turned his glare on her.

“And who are you?” The seemingly thirty-something woman blushed to her roots, which he couldn’t account for, until she spoke in a faint, insecure whisper,

“Um, Hermione, sir... Hermione Weasley. Oh, gosh, I mean, I - I was Hermione Weasley until...” She cleared her throat and attempted to reintroduce herself, flushing in such a manner that it flaunted dainty-looking freckles that dotted her cheeks and nose. Had she always had those? Severus couldn’t remember.

“Oh, bother! It’s Hermione Granger, Professor. Surely, you...you remember me?”Severus went as rigid as a column.

“Oh, for fuck’s sake...” he blurted aloud before he could stop himself. Hermione blinked, taken aback.

“I’m sorry?”Severus’s shock morphed into a tight-fitting sneer.

“I thought I was done with the lot of you.”

Any words of encouragement to other writers?

Try not to get too discouraged by lack of reviews or not making the recommendations lists. Keep persevering and know that someone out there, even if it’s just one reader, will love what you have to share with the world.

Thanks for spending some time with us today CRMediaGal, we’ve enjoyed getting to know you.

#fanfiction #fanfic #pro snape #snamione #sevmione #snanger #hermione #hermione granger #snape #severus snape #snape community #writing

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knotty-hottie · 6 years

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@alycat919 So, we haven’t talked before, but your post in the Ouran High School Host Club tag reminded me of my final paper for my Gender/Women Studies and I thought I’d share it. I promise I’m not tagging for drama, but just because I wanted to thank you for reminding me. It was a lot of fun to write a research paper about my first anime, and, despite the negativity I talk about in the paper, it’s still a personal fave of mine. You’re free to scroll past this if you aren’t interested, or to engage if you are. I just want to share the work I’ve done with the fandom I’ve explored. 😁

Ouran High School Host Club: Rich in Benevolent Sexism and Rape Culture

He pinned her against the bed, looming above her like a wild beast. Her chocolate brown eyes were wide, her nightgown bunched, her breath caught in her chest. The two stared at each other, like predator and prey, for a split second that felt like an eternity. He opened his mouth, and spoke, surely, calmly.

“You should fix that, ‘being a guy or girl doesn’t matter’ naivety of yours. It’s your fault for being too defenceless.”

It may sound like something from a badly written smut piece, or the rape fantasy of a young person, but in Ouran High School Host Club, this is the reality of our heroine, Haruhi Fujioka. She is a ‘commoner’ (lower middle class) student at a school for Japan’s most elite, having gotten in on a scholarship. After an incident involving her stumbling into an occupied music room in search of a study place, a vase worth ¥8,000,000 (equal to approximately $73,000 in today’s United States dollars), and some classic anime tropes, she ends up as a member of the school’s host club. The series itself describes the host club as “[The place] where the school’s handsomest boys with too much time on their hands entertain young ladies who also have way too much time on their hands. Just think of it as Ouran’s elegant playground for the super rich and beautiful.” The series is one of the most famous of all time in the anime community, coming in at spot 20 out of the top 50 most popular anime of all time on the Anime News Network. On SBS, Ouran came in at spot 40 on a fan-voted poll for best anime of all time. On Funimation (the anime’s publisher site) and Crunchyroll (one of the most popular anime streaming sites of today’s day and age) Ouran comes in at 5 stars. It’s a well known, well liked piece of media, that has earned itself an anime adaptation from its manga origin, a dating simulator from its anime adaptation, and a live action reboot based on all three of the previous iterations. Yet, somehow, underneath all of the things to like, there’s a dark underbelly that many willfully ignore or are just plain unaware of. The series perpetuates gender roles, rape culture, and some not-so-subtle homophobia. The way that it gets away with these things is by portraying them through the lens of benevolent sexism, which catches readers, watchers, and players alike off-guard.

Benevolent sexism falls under the larger umbrella of ambivalent sexism, which is divided into two main categories. The first category is hostile sexism, which is what most people think of when they try and imagine sexism. It is described by Dictionary.com as, “[sexism] reflecting negative views of women who challenge traditional gender roles.” It is the toxic, hypermasculinized form of sexism that many are taught to look for. It is the comments of, “You aren’t a real woman if your hair is short like that,” and, “Women are dumber than men.” On the other end of the spectrum, there’s the idea of benevolent sexism. Rather than comments of, “Women are weaker than men, making them inferior,” we hear the benevolent sexist say, “Men should protect women, as it’s the right thing to do.” It’s those moments where women are told they look better when they smile, or are in dresses, or have children in arm. The words are complementary and polite, but they hold the same message as those negative comments of the hostile sexist. Ouran works carefully to craft its message so that it doesn’t insult its main fan base (young women), while still getting its message across. For example, there’s the character of Renge Houshakuji.

Renge first appears in the manga in ‘Episode 3’ and in episode 4 of the anime adaptation. She is what is known as an otaku, which, in modern culture, refers to someone obsessed with some aspect of pop culture (whether that be video games, anime, movies, etc.) to the point that their social life suffers. In Japan, the word has become a word similar to our ‘nerd’ or ‘geek’. In American culture, the word is considered derogatory, and usually falls in line with words like ‘weeaboo’ and ‘wapanese’. Renge wholeheartedly accepts her otaku status, locking herself in her room to do what she enjoys most; playing dating sims. After a turn of events, she ends up at the Host Club, believing that she is in love with Kyouya Ootori, a host who looks identical to one of her favorite characters. After she reveals that this is why she likes Kyouya, she is bashed for her hobbies and considered crazy. The moment her hobbies come to light, they are painted as wrong and she is vilified, even though her male counterparts are considered just and right in there own hobbies. When Hani, one of the hosts, is depicted as morally correct for acknowledging that he is allowed to like the color pink and cute things rather than martial arts. Renge is one of the few female characters in the show that is depicted as having personality traits outside of, “infatuated with handsome boys” and “ultra feminine”, yet she is considered “crazy” for expressing those outside traits. It isn’t that she isn’t traditionally feminine, but that she has more to her character than that, much to the dismay of her male counterparts. She has her own hobbies and ideas. She knows exactly what she wants and goes for it. Even if her methods are questionable and a bit on the stereotypically crazy side, she still goes after her aspirations.

When Tamaki, one of the main characters of the show, greets and flirtily welcomes Renge to the club, she flinches away at his nonconsensual touch. She seems shell-shocked, blushing in what seems like embarrassment. After she comes to terms with him touching her face without permission, she slaps him, calling him a phony (among other insults), and leaving him emotionally beaten before going to Kyouya, the one she really wants. She decides to reinvent the Host Club’s characters in order to help Kyouya make more money, which should, she believes, make him fall in love with her the way she loves him. She is shown to get her ‘comeuppance,’ in a sense, when everything she goes for backfires. Kyouya reveals that he does not like her, she nearly ends up hurt, and she is told that she must take her time and learn about others in order to have a good relationship of any kind. When you come into relationships expecting someone to act a certain way, you are harming your chances of a healthy relationship. The message is good, but Renge’s fate is not quite as nice. She becomes a frequent background character, used for exposition, cheap plot device, and/or the voice of the fawning fan girls. The closest we get to her personal hobbies is the fact that she sometimes cosplays and, if we’re lucky, hear her talk about them for five or so seconds.

Another example of women in the show comes in the form of Benio Amakusa and the rest of the Zuka Club. In the third book of the series, specifically in ‘Episode 10’, we are introduced to Benio. She is dressed in the men’s uniform, has short hair, and is openly flirtatious with Haruhi, acknowledging Haruhi’s sex publicly to the Host Club’s dismay. Once Benio and company reveal to the hosts that they are, in fact, women, Tamaki labels them all as lesbians. All three do end up showing attraction of some sort to women, but the fact that he labels them all as such simply because one is shown to enjoy dressing in the men’s uniform and having short hair is a disturbing thought in and of itself. Tamaki sees that one is a lesbian, and begins making assumptions about their collective character based on that assumption. He goes so far as to pass out in shock at the presence of lesbians, and, once he awakens, says the following to the three Lobelia Woman’s Academy members; “You girls are all wrong!! What can come from a woman loving a woman!? Why did God create Adam and Eve, if not--!” He’s cut off before he can finish the thought, much to the LGBT+ community’s pleasure. Much to the community’s displeasure, however, is the imagery used in the anime to depict lesbians as nazis, having them do the nazi salute to a flag labeled “women”. Back to the plot, once he believes that he might lose Haruhi to this all-girl’s academy, he has some of his fellow hosts dress in exaggerated womanly clothing and wigs so that she can have ‘the best of both worlds,’ so to speak. The hosts think that, if they act ‘womanly’ enough, they will be a satisfactory replacement. Haruhi proceeds to explain that she had never even considered going with the girls, as her home was with the hosts. The Lobelia girls promise their revenge in a seemingly silly and typical manner.

In the only other episode that the Lobelia girls show themselves in, we get to see them kidnap Haruhi and, under the guise of needing Haruhi to perform, trick her into a situation that would lead to a non-consensual kiss in front of a large crowd, if not do more to her. When you watch the show, there doesn’t seem to be much going on aside from a silly and ridiculous plan that some rich lesbians are pulling to get revenge on the ‘noble and correct’ Host Club. When you really think about what’s happening though, it’s scary. They kidnap someone. They nearly sexually assault someone. What does it say that there only true gay representation resorts to these tactics when they are previously thwarted? The girls are basically degraded to recurring villains with silly beliefs, antics, and existences. Why is that?

In volume 5 of the manga, ‘Episode 17,’ we get exposed to Ayame Jonouchi, who is entirely skipped over in the anime. She makes a return in the live action series, however, holding her own arc in the third episode of the series. She’s incredibly intelligent, notably attractive, and, according to the hosts, a monotone speaker. They even go so far as to call her, “Miss Morse” and “Morse Code Lady” at one point. She is described as scholarly looking and strait-laced, and holds a major grades complex. The last of those points explains why she has always been in the top two of her classes grading system, holding the second place position hostage directly under the Host Club’s Kyouya Ootori. Once Tamaki transfers to Ouran, however, she gets knocked down to third, much to her displeasure. She becomes a foil for Tamaki in a sense, showing that her struggle and constant practice to gain knowledge will never be enough to beat the natural tendencies of her male counterparts. After checking the traditional genders of all of the names listed on the sheet for her class, I discovered that there was only one other girl on the page. Her position? Seventh place.

Ayame’s tale’s conclusion is a little bit painful to watch, as it is near a cliche at this point. It turns out that she actually loved Tamaki for a certain comment he made about her straight hair during their first meeting. Her hair is naturally wavy, leading to her having self-image issues in the face of her crush that lead her grades to drop just enough for Tamaki to take her spot. Her wavy hair being exposed by the rain, a breakdown of frustration, and a few compliments from Tamaki later, she discovers that she is beautiful no matter how she looks on the outside, and becomes a regular customer of Tamaki’s. She is petite, cisgender, heterosexual, and pale. The only reason we know that she continues attending the Host Club is because it is literally written into the final panels of the chapter. We never actually see her again in either rendition of the story.

The most famous ‘woman’ in all renditions of Ouran High School Host Club is Haruhi Fujioka. She is a first semester high school student. She is of the lower middle class. She lives with her father that, in every rendition of the story, is called a ‘tranny’ who works at the local ‘tranny bar’ (rather than addressing him as a drag queen at a drag bar). Her mother was a lawyer before her passing. She is attending Ouran Academy on a scholarship. Her hair is short, she needs glasses, and she can’t afford a uniform. She wears her father’s hand-me-down clothes and her grandfather’s hand-me-down glasses to save money. She’s blunt, book smart, and open minded. She’s a lot of things, but, somehow, she gets some of the worst treatment of the series. She is the reader’s insight into the author’s world; the character being exposed for expositional purposes, so to speak. For the sake of brevity, let’s walk through some key episodes of the anime (which is the story’s most well-known adaptation) and talk about what goes wrong in each one.

In the first episode of the series, “Starting Today, You Are a Host!”, we are introduced to Haruhi Fujioka, the protagonist of the story, who is simply looking for a quiet place to study, and, by mistake, stumbles across a club room in use by Ouran Academy’s Host Club. The members (specifically Tamaki, the series’ largest offender) proceed to insult Haruhi on monetary grounds, insert themselves into her personal space, and assume her gender identity and sexuality. After Haruhi drops an 8 million yen vase, the hosts (again, primarily Tamaki) begin to call Haruhi a dog and basically use her as a servant/errand runner. At one point, Tamaki calls Haruhi a ‘piglet’ in reference to her poor ‘servant’ status putting her beneath him. Later in the episode, Haruhi is revealed to be conventionally attractive, her wants are ignored as the hosts makeover her. Her hair is cut, a uniform is bought, and contacts are put in to make her fit the traditionally beauty standards of manhood (as, for the moment, some of the hosts are under the ruse that she is, in fact, biologically male and cisgender). Once this happens, all who attend the host club seem to treat Haruhi better. She is talked to by girls (which, many argue, is understandable, as she is now a host. My counter-argument is that the girls had to request Haruhi in the first place, something they likely would not have done before Haruhi’s involuntary makeover) and the hosts begin paying her real attention. Tamaki begins claiming Haruhi as ‘his own’ to other people, signalling that, to him, attractiveness is the primary trait that is needed to be on the same level as him, personality be damned. He also proceeds to invade her personal space without consent, which leads to her calling on Mori (another host) for assistance.

Once we hit the final moments of the episode, we find that Haruhi has gone to a changing room as her uniform has been soaked in the events of the episode’s climax. Tamaki, yet again invading personal space without consent, walks in with little to no warning on Haruhi changing, discovering her sex is female. He is shocked and embarrassed, reacting in a seemingly cute way to the discovery. Kyouya eventually comments on the predicament, laying out on the table the true message of the episode. “Could this possibly be the beginnings of love?” he asks the viewer, turning to the camera. He wipes over all of the harassment Tamaki has done to Haruhi, ignores what she really wants in the moment, and waters her character down to ‘love interest’. She is the pretty, feminine foil to Tamaki’s handsome, ‘persistent’ (read as; incessant harassment) personality. They are clearly ‘meant to be together,’ and the show makes it clear in that moment that they will be together whether she wants to be or not as the men in her life see it that way.

In the eighth episode, “The Sun, The Sea, and The Host Club!”, we find the most controversial scene of the series. Before we can get to that, however, we need to walk through the circumstances that lead us to it. The Host Club is on a trip to the beach (after all the men in Haruhi’s life argue about which swimsuit she should wear, of course), and the male hosts decide to figure out what Haruhi is afraid of via a game. The game is that whoever finds out what Haruhi is most afraid of gets pictures (taken and supplied by Haruhi’s father) of Haruhi in middle school (the more I rewatch these episodes, the more creepy things I realize are in them). After a long day with no results, Haruhi gets called up upon an overlook by some of the Host Club’s guests. As she makes her way up to spend time with them, some drunk men beat her there and begin harassing the guests. They grab the girls, asking them if it’s dull without any boys around and ignoring the girls’ pleas to stop. Haruhi, arriving upon the scene, throws a bucket of shells at one of the offenders, calmly asking them to go away. She stands her ground when one of them attacks back, allowing for one of the girls they were harassing to get away at her own expense. After some verbal abuse, Haruhi is thrown off the overlook into the water below, where Tamaki immediately goes in after her. The other hosts handle the assaulters, and, once Haruhi is proven to be safe, the berating begins. “Are you one of those?” asks Tamaki. “Actually a martial arts master, like Honey-senpai?” He grabs her, and goes on. “How could you think that you, a girl, by yourself, could do anything about those boys?!” After Haruhi explains that her actions were a split second decision and she didn’t have time to think, he yells at her, “Well, think about it, you idiot! You are a girl!”

Tamaki and the rest of the male hosts seem to be on the same page, insisting that Haruhi needs to apologize for her actions. Haruhi, on the other hand, does not see any wrong in what she did, which leads to some friction between herself and Tamaki. The two refuse to speak to each other until one apologizes to the other. At dinner, to avoid talking, Haruhi overeats to the point of making herself sick, which she notices only after being chastised again by the hosts sans Tamaki and Kyouya for her actions. After they request an apology from her, she finds that she needs to empty her stomach’s contents and runs to the nearest bedroom. She finds out that the room is, in fact, Kyouya’s, and that the two of them are now alone, prompting the series’s most controversial scene. Fans sometimes call it, “The Scene in the Dark.”

Haruhi apologizes to Kyouya on multiple grounds as he takes the time to lay out all the hassle she has caused him. When Haruhi offers to pay him back, he points out that he has far more money than her and that she is already in debt. He turns down the lights as he lays out her dilemma and brings up a new solution as he leers at her; why doesn’t she pay him back using her body? While she stands there, attempting to process what he’s said, Kyouya takes action. He grabs her arm. He throws her upon the bed. He straddles her, pins her to the bed, and tells her, bluntly, “You should rethink your own gullibility, that things have nothing to do with a person being a guy or a girl. You’ve made a mistake in leaving yourself so open.” He looks her in the eye and, in simple terms, lays out that he could take her. He has more money, more power, and, most prominently, a penis. Haruhi says that he is bluffing, and, luckily, he was. He gets off of her, and she comments that he is “nicer than she thought” for the experience he’s provided. Bisco Hatori, the creator of Ouran, drives home her message bluntly. Women are weak and should be protected by the men in their lives. They should be passive and, if they fail to be such, should immediately apologize. If a man decides to not sexually assault or rape you, he is nice. You should be thankful that he has the courtesy to not sexually abuse you. It’s legitimately terrifying that this is the message that is being sent out.

As salt in the wound, the very next scene is with Tamaki and Haruhi, with the latter cast as a scared little girl in the damsel in distress trope. She hides herself in the closet, curled in a ball, as the audience and Tamaki discover that Haruhi is scared of thunderstorms! She explains that she has always had to rely on herself as her mother is dead and her dad is constantly working. In response, Tamaki promises to take care of her from now on, she seems to come to a silent agreement to lean on the men in her life more, and the two have an emotional make up moment. Haruhi gets love and support from her friends again once she begins to lean on the men in her life and accept the help. I’ve seen other people argue that the message of the episode is that everyone needs to rely on others sometimes, which is a fair argument, but I can’t bring myself to agree the more I look at it. If it’s just about relying on others, why is there the scared little girl imagery? Why do they even emphasize Haruhi’s sex at all in this scenario if it’s not about that? Hatori knew what she was writing, and the message she sent out. She had a plethora of other ways to explore this theme, and she wouldn’t have written it this way unless she meant for it to be taken in a gender-biased manner.

I could go on, but I feel that I’ve explained my stance on the matter. Ouran High School Host Club is a classic anime in the anime community. A lot of people I know and that I’ve heard from in my life grew up with the show, and some still seek a romantic partner like one of the hosts. In all of the series’s adaptations, we find that certain themes remain prevalent. Women are meant to be pretty, submissive things that are interested in their male counterparts at all times. If you have your own interests, you are obsessive and crazy. If you like the same sex, you are against men. If you take a leadership position, you’re a nag. If you stand for what you think is right, you are a bother to the men around you. It’s scarily similar to what I’ve seen on social media. If you talk about sex too much, you’re a slut. If you talk about sex too little, you’re a prude. If you are too skinny, you’re on drugs, too fat, you have no impulse control. It seems that there is no ‘right’ woman to possibly be, in the fantasy that is Ouran or in the reality we face daily. We can only hope that, someday in the future, we can look back at Ouran and unanimously see it for what it is; a romanticized sexist daydream disguised as a teenage anime romantic comedy.

Works Cited

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#ouran host club #ouran hshc #ohshc #ouran koukou host club #ouran academy #essay #research paper #final paper #gwst #i promise that i’m not trying to rip this series to shreds or something #it just happened to be what i wanted to rewatch at the time and i decided to kill two birds with one stone so to speak

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