#i don't think this is very well structured

[luimagines]

can I request the chain with a modern!reader that has a ton of knick-knacks from their era that the chain is absolutely obsessed with please? like wind loves their sunglasses, twilight is obsessed with their lip balm, sky keeps stealing their hand cream, etc. I'm super excited to read it ☺️🥰

OOhh!! Cute! I'll see what I can do! :D

Masterlist

Content under the cut!

"....So.... what is this again?" Twilight takes the cap off of your lip balm and puts it back on. He does it again. And again.

"Chapstick!" You snatch it back. "If you keep doing that you're going to mess it up."

"I like these." Wind grins, playing with the sunglasses as they fit on his snuggly on nose. "I want some! Everything looks cool and dark."

"Well yes." You laugh a bit as you apply the lip balm to your lips, only vaguely aware that Twilight had been watching the movement. "That's the point of them anyway. They're meant to wear on very sunny and bright days so you don't hurt your eyes."

"How do I look?" He strikes a pose. He looks ridiculous. They don't remotely fit him.

"You look great, little buddy!"

"This smells nice." Sky rubs his hands together, smelling his hands again right after. You had been trying to do your morning routine when the boys had caught your various skin/health care items. You didn't have the strength to stop them as they fiddle with what you had and began to continue looking through your stuff.

"Good." You reply absentmindedly to Sky as you take your lotion back. "It's supposed to."

"But what is it for?" Warrior takes the bottle out of your hand and tries to read what's on the bottle. Naturally, he understands nothing.

"It's to keep your skin soft." You sigh and hold your hand out for it. Honestly, the least they do is ask. It's like trying to keep your brother's our of your drawer.

"Can I try?" Warrior asks, eyes bright like a child's.

You groan and face palm. "Sure. Go ahead. It's not like that's the only bottle I brought with me or anything."

"I'm surprised you brought it at all." Legend jokes, playing with one of your pens that has multiple inks on the inside. You think he likes the clicking sounds the most. It's not like he knows he can draw with it. "What good is all this stuff?"

"You don't get to say anything!" You accuse. "You brought three journals, two shovel and like five different magic rods!"

"Those are are tools!" He sits up at once. "They're to help when you're out and about and adventuring!"

"Well this is for my sense of routine and structure!" You fire back. "I need some sense of normalcy in this crazy messed up time wibbly wobbly thing I've found myself in! None of you know what a microwave is!"

"Did you bring it?" Wild tilts his head. "What's does that do?"

"I- No, I didn't bring one." You fight the urge to face palm again, "It's too huge and heavy but it's suppose to heat up food faster than a fire and it's convenient."

Wild grins. "I want one."

You sigh. "...I'll see what I can do, big guy."

"Yes!"

[pomefioredove]

since my little dorm post has been getting a lot of notes(?!) I wanna explain why I feel I'd get sentenced I mean sorted into diasomnia ^^

the thing about twst dorms is that while there are superficial traits (ignihyde students being introverted, savanaclaw students being athletic, etc), those are more like stereotypes, and are not why you would be sorted into one of those dorms

the dark mirror reads your soul, not your hobbies. it's not a quotev quiz that'll ask you what your favorite color is. it's about you as a person: your values, beliefs, dreams, wants and needs, etc

like, epel felmier is a rough 'n tumble rural boy who swears and picks fights. but he belongs in pomefiore, because pomefiore isn't actually about looking pretty and doing fancy things, it's based on the fairest queen's tenacity. no, epel isn't proper or polite, but that's not what the dorm is about. he's a goal-oriented, determined, hard-working young man who embodies the spirit of persistence. that is why he's in pomefiore, and not savanaclaw or what have you

so when talking about diasomnia, I am never saying "oh, I think I'd be a really powerful mage" because that's not what the dorm is. that's just a stereotype. etc etc

(I feel like what we actually know about diasomnia itself is quite limited. at least compared to the other dorms. the thoughts I have of it could be completely non-canonical, but I have thoughts, nonetheless. so)

I said somewhere on this blog that I put a lot of value on things like politeness and civility and respect, and that I consider myself a polite person. I was raised to mind my manners and put aside my personal feelings for the sake of formality. I have never started a fight in my life, but I do get very upset when I feel as if I'm being disrespected. my family observes a lot of old traditions that are rather outdated

ex:

if you are invited to something but don't attend, you still send a gift

if you are invited to something, you invite the host to your future events

you always say thank you after receiving a gift

if you don't have anything nice to say, then you can complain about it at home. but you never, ever insult a host to their face. it's so uncouth and terrible it's like a deadly sin to me

things like that. lots of rules about hierarchy and respect. doing something disrespectful or impolite (especially without an apology) is enough to create schisms in my family. we hold grudges here

when I think of the thorn fairy's "nobility", this is the sort of thing that comes to mind. the high emphasis on the hierarchy of respect, on civility and graciousness. the value of tradition, and doing things the old-fashioned way (and the dislike, or fear, of change seems to be a common theme in diasomnia)

you could surely look at the things I just said and say, "well, you would also fit in at pomefiore" because, sure, I would! I can do the rules, I can respect the housewardens, but I lack the tenacity and the want to be something that makes the dorm what it is. diasomnia may have some similarities, but its reluctance to embrace change is what makes it so different

I, as a person, do not have dreams. most of my life has been spent just trying to get by whilst at the level of this hierarchy I was born into. I couldn't be in pomefiore because, unlike epel, I don't have big goals to work towards. I feel more comfortable being a follower than a leader, and I have a tendency of structuring my life around the lives of others rather than my hopes and dreams. I do not live boldly

and it doesn't bother me. I've found that there are benefits to staying in the shadows, and I'm comfortable with my socially nocturnal life

that is why I'm diasomnia, and not pomefiore

my favorite fairytale, which is not sleeping beauty, is very much about social structure. it's about a heroine's malicious compliance to that structure and how she manages to turn it in her favor

ironically, it also is about a spinning wheel

[the-worms-in-your-bones]

I've been thinking about the societal structures built around regeneration on gallifrey lately, but also the fact that renegades do not get that. On gallifrey you can regenerate in a controlled and safe environment (obviously with some exceptions, but sudden regenerations are not the standard) where you know that an outside factor will not interfere with or influence your regeneration. And while its not guaranteed, there's some amount of reassurance that the regeneration is likely to be on your own terms and that you'll have time to recover and get used to your new body after

But a renegade is much more likely to face a violent and unpredictable death, its rare for one to live the full expected lifespan of a time lord, and when they do die regeneration is much more of a gamble, it is much easier for things to go wrong, just look at what happened with five or eight, and how an incorrect regeneration probably had lasting effects that could have easily been avoided or fixed in the hours after regeneration on gallifrey, but are now things they just have to live with. The unpredictability of regeneration for many renegades also leads to them regenerating out in the open, which makes them much easier to kill because you have access to them mid regeneration. And there also the factor that time lords are both rare and powerful, anyone knowing who they are may very well want to take advantage of either the energy a regenerating time lord produces or the vulnerable and easily manipulable state a newly regenerated time lord finds themself in, and others who don't know what a time lord is may want to experiment on them and it is much harder to fight back in a body you do not know yet

All that's to say, regeneration is probably an at least stressful experience for all time lords, you are literally dying, but it has to be terrifying for renegades. There is no guarantee that you will make it through without complications, or really at all. I mean looking at it this way its kind of obvious why the doctor tries so hard to cling onto each life they have

[haveyouseenthisskeleton]

this ask may sound dumb but can i have the main 10 reacting to their crush with a fixation with bones? i have one of those life sized plastic skeletons and my brain always itches to study the structure of the human skeleton lmao 💀

Like, i KNOW that i’d be absolutely fascinated with the brothers and would probably ask to look at their bones or something 😭

anyways, i love your writing and i hope ya have a great day/night!

Undertale Sans - He doesn't mind. He's laying in bed, snoring, and lets you do whatever you want with his bones. He might even actually like that. You swear you heard something similar to a purr escape his throat for a moment.

Undertale Papyrus - He stays very still with his big googly eyes every time you have a sudden interest in one of his bones. He's still bewildered about what you're even doing but you seem to like it. A lot. So he guesses it's a good thing?

Underswap Sans - Um... Personal place? Please? Blue keeps trying to push you away, but somehow you never get the message and come back. He would gladly appreciate you not randomly poking his bones, it's starting to get a little weird.

Underswap Papyrus - He's always flushing when you do that, but he doesn't push you back either. Honey loves being touched and tickled and will never say no to a weird bones-touching session where he gets to be cuddled while you're looking for... Whatever you're looking for. That's fine by him!

Underfell Sans - He got really concerned the day you proudly said you were starting a plastic skeleton collection and started bringing home random naked skeletons to hand everywhere, but now that's just creepy. He's not one of your plastic skeletons, the hell do you want with his bones? He might reluctantly give you his arm if you insist a lot to see if it's enough to satisfy you, but that's all.

Underfell Papyrus - He stands really still as you're turning around him. He gives you concerned side eyes from time to time as you randomly poke his ribs, but he's not moving an inch. He said he would let you check his bones only one time, after you insisted a lot. But he's not going to make it easy for you. He growls if you look too long at the same spot.

Horrortale Sans - He doesn't mind. The only problem is that he's so happy to have attention he keeps bumping his head into yours, so you don't see his bones a lot. He's also purring like a tractor, which prevents you from focusing too much. He's accidentally impossible to study.

Horrortale Papyrus - He's very uncomfortable with that and won't hesitate to tell you he doesn't like it. Willow doesn't like when people are staring at him, or at his bones for all that matters. He's too uncomfortable with how he looks for that. Please give him some personal space.

Swapfell Sans - You think you can fool him? He watches your human movies! He knows those weird thrillers where a nice human starts doing strange things and then just straight-up kills their partner in their sleep. First, you collect bones, then study him, and then, bam! You're breaking all of his bones to do weird experiments on him or something. Stay away from him! If he catches you staring too long, he will bite you.

Swapfell Papyrus - You're so confused. Every time you check his bones, you swear some bones were not here before. Rus keeps adding fake bones to his bones just to see your face twitch in confusion. You're his favorite TV show.

Fellswap Gold Sans - He slaps your hand away every time you're trying to poke at his bones. You tried to surprise him. A lot. He's impossible to surprise, to the point you're wondering if he can see behind his head. You're so frustrated. So close yet so far...

Fellswap Gold Papyrus - He lets you check him if you let him check you. He's curious too! Well... You just didn't expect Coffee to randomly sniff you from head to toe, but, uh, that's how he wants to do it apparently.

[simplydnp]

you majored in straight up math??? God that's so fuckin cool of you!!

yeah! i've always loved math, so even though i registered late for uni, i knew it would be for math--i just wasn't sure what to do with it. ended up in math-ed. but, unlike some places, i did a double degree, so i have my full mathematics degree & my full education degree

the math degree was so cool. i've really considered going back for my masters since i loved it so much. there's something about pure math that just,,, makes sense to me. proofs are sometimes a pain in the ass, but there's really nothing like staring at one for hours and then it suddenly Clicks and you're off to the races. it's all built on logic--everything that happens makes sense and has a flow.

i also really enjoy the language aspect of it--which a lot of people find couter-intuitive. math should be numbers! but when you do high level math, there's not a lot of numbers involved usually 😂 it's all logic and arguments and specific wording and sentence structure. i love that shit. there's a specific and intentional way to communicate. there's words you use for getting from one idea to the next.

there's a really great video that breaks down how math and language is connected and, in particular, if you're good at 'traditional' math, you might not want a math degree.

here's a transcript:

if you want to go to school for mathematics and this is what you think it'll look like [gestures to background full of equations, trigonometry, and formulas] i suggest you do something else. the joke in the math community is that after sophmore year, you don't see a number over like, 10 again. this is because you learn math as a language. it's like the difference between studying Spanish and studying linguistics. you can study Spanish, but that doesn't mean you'll understand language as a whole. while linguistics studies syntax and semantics because it's the structure of language as a whole that they study. so in this example, if you want to just study spanish, be an engineer. if you decide to take this [math] route, you have two options: pure or applied mathematics. so applied wants to study linguistics as a whole, so they can become a Spanish translator--and maybe pick up Portuguese along the way. while pure mathematics wants to study linguistics so they can make up their own language. it sounds strange but the best mathematicians are often very good with languages too. if you're interested in learning why they have so much in common, then mathematics is for you.

[end ID]

it's like problem solving to the nth degree. a silly example is something like 'what's 1 + 1?' hopefully you know the answer is 2. but in pure math, they'll ask you why 1+1 is 2. and it takes you down this path of laying the foundations for the building blocks of traditional math. (now, that's advanced linear algebra which, frankly, i really disliked, but it's an easy example)

calculus & number theory were actually my 2 favourite 'subjects' in the mathematics we did (which, is very funny bc calculus has the least proofs and you take 4 years of it, vs 1 entirely proofs based course). i was lucky to have really great profs for most of my courses as well

[theprinceandthewitch]

Tbh... I don't think TOH should get a pass for it's shoddy plot just because some of the stuff that happens within the plot invokes an emotional response in people.

First of all, people react to concepts with varying degrees of emotional intensity based on what they like and/or their life experiences. Secondly, you can still create resonate moments with a good plot lmao.

There is no reason TOH should get a pass for making Belos a non threat for most of Season 1 just because people think x, y, z moment is wholesome or whatever.

[rathologic]

I've always found Alexander Saburov interesting, especially P1 Rubin's take on him where he tells how Alexander in incognito saved people from burning house and went unrecognized for the deed (nor flaunted it). Wonderful and easy to miss characterization.

YES saburov's fucked up sense of performing duty by putting himself at risk... my favorite... have had thoughts brewing in response to this that aren't quite cooked enough yet but it's very much a gendered standard that he holds himself to IMO, of idealized masculinity as a responsibility. as an active role and as the way things must be done. making the choices that he thinks need to be made regardless of how bad they are for him. pairing beautifully with katerina's self-destructive attempts to conform to the extremely feminine-gendered role of mistress, pairing wonderfully with the two of them's catastrophic attempt to conform to the heteropatriarchal nuclear family archetype by adopting the changeling :^) and especially how this is a function of how saburov relates to his Job, a role that's been passed down in his family and Actually Is critical to the function of the Town, inescapably so as long as the system of rulers exists

[thecoolerliauditore]

I think big issue rw/by has just as a show is it being confused with its own identity. It wants to say it's a feel-good shounen-esque good vs evil hopepunk love triumphs all story but at the same time it desperately keeps wanting to put its characters into moral quandaries with no clear correct answer.

So you end up with weird situations like with ironwood and the white fang where a character makes a decision to do something and the story seems to be trying to convince you that was the Wrong decision and Evil and Bad while you as the viewer is left there going is it really? Is it?

It wants to be mob psycho but it can't help but ask questions like "hey do you think extremist groups are okay when it comes to minorities asking for equality? and would the minorities being catgirls change anything" and I'm over here with my popcorn and anime theme song going I dunno man, I just work here please leave me alone

[longagoitwastuesday]

I keep thinking that this Gojo is just like Sukuna. I truly don't see much of a difference between them beyond the human/curse point of view

[tcfactory]

Okay smartass how would you fix Bingqiu if you had your way?

If you actually want to know you could do to be less of a rude little shit about it, anon, but all right.

This is not about 'fixing' anything. Bingqiu is a wildly popular ship and a lot of people enjoy the exact kind of delusional insanity these two have about each other and that's honestly great. Love it for them. Not my cup of tea though.

I think the easiest and fastest way to make them sort their shit out and maybe put them in a position where I might actually be interested in what's going on with them is to take the protagonist halo away. Maybe the System short circuits, maybe it just gets automatically turned off after the extras, don't know don't care.

A lot of Shen Qingqiu's self delusions are fueled by his unshakeable belief that Luo Binghe, being The Protagonist, is Perfectly Fine the way he is. Binghe is the Protagonist, so when there are no character development or obligatory angst events going on he is happy and healthy and a slightly charred good boy and Shen Qingqiu is The Happy Wife who dotes on his hubby and Everything Is Right In The World. Endless honeymoon with their responsibilities only coming to bother them every once in a while. And it makes it way too easy for Binghe to cover up that he's still hurt, still unstable and still insecure by what went down because Shen Qingqiu is willing to take him at face value when he presents his insecurities as just being shameless neediness for his husband. Of course he happily indulges Binghe! But that isn't really helping with the core of the problem now, does it?

Like, Binghe takes steps towards ensuring Shen Qingqiu's mental wellbeing even at the cost of his own as soon as Maigu Ridge is over when he takes him back to the sect. Shen Qingqiu tries too, in his own way (the entire segment in the tombs is all about him putting himself in very real danger for Binghe's sake) but at the same time, this is a guy who completely missed the writing on the wall that Bingge was deeply unhappy in PIDW. As long as he can hold onto his internal picture that The Protagonist Suffered A Lot But He Is Fine Now I don't think he can really offer the right kind of emotional support for Binghe to actually heal from what happened to him and move on to a healthier frame of mind.

If you take the protagonist halo away, then first of all Binghe can, you know, suck a little. Or a lot, actually. The world not making excuses for him and him being a little defanged would be good for him. He gets really nothing he actually wants from being the protagonist - Shen Qingqiu will love him anyway. Mobei-jun will still stick around to back him up and help him out, because he's still Shang Qinghua's favorite fictional son and Qinghua is happy to see Binghe happy, just, you know, somewhere way over there where he can't get jealous tsundere over Cucumber bro and maybe murder him about it. Sha Hualing is still going to be his buddy because he's her best source of human trivia and the writing inspiration for her girlfriend. Not having to be demon emperor and getting more time to spend with his husband would be a relief.

But he would have to be more aware of other people because he's not above them anymore. Maybe even forced to make a few new friends to get by. And his mask will fail and Shen Qingqiu will have to see him for what he is: just Luo Binghe, still hurt and still confused half demon, who loves him very much, but can't make sense of him and is afraid that he will be left behind or pushed away without explanation again and that's kinda Shen Qingqiu's own damn fault.

And Shen Qingqiu can't hold onto his delusions about The Protagonist. He can't willfully ignore that things are not fine with Binghe because he's not the Protagonist anymore and the world only allows that special privilege for the Protagonist. Binghe is just a guy now and he has so many heart demons he needs help with. His trauma from the abyss or Xin Mo can't be brushed off with 'oh that's just part of his blackening he's fine now' anymore. And it might need a little bit of adjusting to internalize that these problems have always been here just below the surface, but Shen Qingqiu genuinely loves Binghe and would want to help him become happier and more stable in any way he can.

Binghe becoming part of the world in a way that's one person among many - building a support network! maybe befriending new demons or actually getting to know and making up with the QJ disciples or finding common ground with LQG and becoming sparring buddies - rather than a protagonist in a sea of NPCs is a lot more interesting to me than whatever he has going on at the end of canon. And Shen Qingqiu can be there with him on that journey, because he already started unlearning the sense of unreality the System conditioned into him, but he still has a long way to go.

[sisterdivinium]

Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.

Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.

Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.

And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.

An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.

Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.

The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".

Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.

But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.

Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.

However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.

What's more is that this lurking "optimism" matches really well with our own protagonist's personality.

And it makes perfect sense that Ava would do the best she could with whatever she is given.

Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.

Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.

Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?

True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.

And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.

Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.

Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.

It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.

[metanarrates]

Post structuralist anon here TYSM that was a very interesting perspective, I also don't know much abt post structuralism tbh, its a new thing I discovered while rereading Orv and looking at meta posts lol. Anyways you mentioned LHS in the post too 👀 can you elaborate cuz ngl it's kinda hard to think of any meta abt him. You don't have to answer this rn!

sure!

i was talking about how orv adults frequently have very gendered arcs, and lhs is a standout example imo. yjh and ysa have the more overtly Gendered Fictional Role stuff (male action hero and female heroine respectively) but lhs has a comparatively more grounded arc that deals with real life highly gendered stuff. his entire thing is that he's a soldier. and not just that he's a soldier, but that he was drafted and could not figure out a better place to exist outside the military. despite the military being a source of trauma for him, despite it crushing any individuality he could have, he still felt like he could not act as an agent of his own destiny without someone giving him orders. when you consider that in south korea the military draft is mandatory for men, that's a really highly gendered background!

[mister13eyond]

🍦

name three good things about a character you hate

oh god when thinking "characters I hate" i can only think of ONE example: this motherfucker

i so rarely hate characters, even ones that are meant to be disliked, because i usually appreciate their presence in the story and how fun it is to dislike them, but joshu.... joshu is another story entirely. so uh, challenge mode, here we go:

i think nut king call genuinely has a really interesting power and design

the way he's written makes it really clear just how much of him being Like That is a result of his messy family situation and intergenerational trauma, and i really appreciate the nuance to show that sometimes well-intentioned families can fuck their kids up

[PART 8 SPOILER] giving yasuho his arm was nice i guess, shame about the Entire Rest of that scene

[batemanofficial]

hello upper middle class northern usamerican tumblr user. i want to play a game. you will notice that you are in a super america convenience store in rural kentucky - you have three minutes to purchase a snack and drink of your choice and make normal small talk with the cashier. however, if you use the word "cryptid" or generally make reference to appalachia and its inhabitants as "wild", uncivilized, or lacking restraint around alcoholic beverages during your time here, i will personally tie you to the chassis of a four wheeler and tip it into the river. live or die. make your choice

[chiropteracupola]

always on the edge of collapse now / absolutely nobody cares...

[flintlock fortress is a collaboration with @dxppercxdxver]

[steakout-05]

quick post clarifying what i'm gonna do with my Crarry art and my Craig design moving forward

i just wanna make this post as short and sweet as i can as i've been struggling to find a way to write this in a coherent fashion (i'm VERY tired today, lol), especially with everything that's been going down in the fandom lately. people are not happy right now. this is a post meant to explain what i'm going to be doing with my Crarry stuff from now on, as well as how i'm gonna be using my fan design for Craig.

on the topic of my Craig x Barry art: i've been a little bit conflicted on what to do with it for a little bit, but i've mostly decided towards keeping it up on my blog for archival purposes. i don't like having to remove my art, especially when 1. it was made with the context that the (at the time) canon truth was that Barry and Craig were nothing but unrelated friends, and 2. it's still good art and it brought me a lot of joy when i first created it. i've regretted deleting art in the past and i think that i'd definitely regret deleting it now, especially if there was a threat of it becoming lost media and i didn't have the files to back it up. i care too much about my art to do that. so, it's all staying up on my blog, with the added disclaimer that it was made before August 17th 2024 and that it was obviously not supposed to portray weird incest stuff. can't do much about putting a disclaimer on it if it's already been reblogged though, so it's only gonna appear on the original post :/

on the topic of Craig himself: this is the bit i'm most excited about, but it's also the hardest bit to explain in a way that makes sense, so i'll try not to get ahead of myself here.

so, to start off with: in this post, i made some doodles showing an improved fan design i had made for Craig that portrays him as a blond nerdy guy with glasses and an injured eye. this is obviously not how Craig ended up looking like in canon and wasn't what i expected him to look like, it was something i made for myself and my own art. even so, he was practically just a skin applied to a pre-existing character whose personality had already been established. but now that the Craig i intended that design to be attached to has been revealed to be something we thought he wasn't (barry's entire freaking dad), i'm gonna do something a little different with my Craig to differentiate him from canon. i'm gonna take everything i liked about him before the reveal, retool him and his personality to better match the ideas and headcanons i had brewing in my head for him, and create a whole new canon for him to reside in. i've basically made him into a slightly divergent alternate version of canon Craig, basically. and it is incredibly self-indulgent, lol. (isn't that what being a creative is all about though..... self indulgence and insane storycrafting)

this bit might be slightly controversial, but what i'm planning with this version of Craig is that i'm gonna continue shipping Barry with him instead of Canon Craig like before. i really like the dynamic that Barry and Craig had in canon before the Dad Reveal Jumpscare Incident, with them sort of being polar opposites who would have some silly banter with each other, but also having a few similarities and shared interests that would bring them together, so that dynamic is gonna be brought over to this canon i've created for myself. it's basically gonna be a smorgasbord of everything i like about these characters with some expansions and slight changes to better fit with what i think would have been cool to see actually happen in canon. i'm likely gonna make a post about how i want to characterise my Craig later, but just know that 1. CranBarry is a thing in my little universe and 2. my Craig =/= Canon Craig and there will be a disclaimer explaining that on each fanwork i make depicting the ship from now on. i should probably give my Craig a last name so i don't have to keep calling him "my Craig" for disambiguation......

this hasn't been done out of spite or disrespect towards HB or anything at all. i'm disappointed with the change they made, and i do think it was very poorly executed, but at the end of the day, what happens in canon is not my story to write no matter how much i want to see in the series, and all i can do is sigh, shrug, pick up a pencil and start enacting the change i want to see for myself. i'm someone who believes that, while art can absolutely be criticised, it's up to the artist to decide what they want to do, and they don't have to cater to feedback if they don't want to. granted, it is a little different in Halfbrick's case because Jetpack Joyride is their product, and they are a sizable company who also makes money and business decisions and has a big audience and whatnot, but you get it right? it sucks, but like.... there's not really much you can do about it apart from write something you'd want to see.

so yeah, that's pretty much everything. i'm hoping this will go over well with everything that's happened because i really do love the gay little relationship i've given these two, i just can't continue doing it with the canon version of Craig for obvious reasons. the only problem i really see this causing is the very slight irritation that will come with possibly having to clarify this every time i post a Crarry thing. it'll probably be no biggie though, i'll just link to this post explaining everything. i sure do love coming up with incredibly convoluted solutions to simple problems looolll, it's my special talent at this point XD ahh well. if there's a bright side, it means i get to be even more self-indulgent and creative with these doofuses, and there might be some new headcanon and fanfic stuff coming later, as well as new Craig art. sucks that canon decided to fold in on itself, but i'm gonna try to ignore it for the most part.