#i feel like I'm disappointing so many of you

[thezombieprostitute]

The Arrangement - Chapter 3

Summary: Jake's done a lot of things to keep his sister, and then his niece, safe from his parent's influence and manipulation. If he wants to keep them safe, he has to marry you.

Warnings: Bad parents, Implied physical abuse. Let me know if I missed any!

Chapter 2 -- Chapter 4

Series Masterlist

You spend the car ride in silence. If your brother taught you anything about angry men it's that you don't speak to them without permission. You wince at the memories of his wrath which you saw matched in the eyes of Jake, your husband, throughout the wedding. So you keep yourself quiet and small, dreading your wedding night together.

Jake kept himself silent. He could feel your disappointment with him as your husband. You were likely plotting how to control him, make him miserable. He'd let you have the control if that's what you wanted. He can play the role as you need, or as your families need. But it was the private stuff that had him wanting to break. Would you let him play his video games? Would you constantly make fun of him, like so many others, for being himself? How much of himself will he have to sacrifice for the safety and security of his real family?

He pulls into the underground parking garage for the penthouse and parks. Not wanting to get lectured so soon, Jake is immediately out and going to open your door. He doesn't know that you only didn't open it because you weren't given permission. You step out and keep your eyes down so as not to anger him. As much as he's not looking forward to a life with a woman who drains his soul, it still hurts that you're so disappointed in him you can't even look at him.

The elevator ride is worse than the car ride. At least in the car you had buildings and people you could look at. Now it's just you and your eyes on the floor. You should be grateful he hasn't tried to touch you, but the fact that he puts as much distance between the two of you as he can speaks volumes. Jake tries making himself small in the hopes that you won't yell at him for taking up your space. The fact that you refuse to acknowledge him tells him a lot. When the doors open, Jake rushes into the entryway of the penthouse, the silence and tension was suffocating him. You hide your wince and try to make yourself smaller so you don't make him angrier at you than he clearly is.

Clay is waiting for the two of you in the entryway. He smiles, "good to know my pinto's got better speed and mobility than that fancy model they got you driving." Jake scoffs as he unlocks the door, using a keypad with the code he wants to change but knows he'll never be allowed to. Clay turns to you, "I know we were introduced earlier, but the whole thing was rather rushed. I'm Clay, Jake's boss, for lack of a better term." He holds out his hand and you shake it, you try to smile so as not to appear to be rude, but the day is weighing heavily on you.

Jake holds the door open for the two of you.

It's your first time seeing the place and you're immediately saddened by how much of it looks like your mother's tastes and preferences. It's overly crowded with useless, gaudy, overpriced things. You want to throw it all out. It's supposed to be a space for you and your husband, but it's just another reminder of how much your family still controls you. Jake groans as he looks around. Pulling out his phone, he quickly finds several "Internet of Things" devices that are easy to hack. Of course his parents would put in the fanciest refrigerators and thermostats without caring about the security risks. Jake doesn't need his refrigerator to connect to his phone, dammit!

Jake's groan makes you freeze. Clay asks, "what's wrong now?"

"I gotta do some serious cleanup for the sake of security," he grumbles. "Gotta make sure no one else actually gets to set the temperature of the thermostat, that I don't get text messages from my fridge, that my damn toaster doesn't get hacked!" He looks at you, "if that's okay with you, of course." His tone is bitter because he hates that he has to ask your permission for something so basic.

You nod, "of course." You keep your voice small, afraid of angering him any further. He really must hate you.

Clay looks at you, "how about you make yourself comfortable, little lady? I know it's your honeymoon and all, but Jake and I need to talk and who knows how long he's gonna be fixin' this internet problem y'all got."

You look to Jake but he's still on his phone so you ask, "is...is that okay with you?"

He gives you a confused look, "of course."

You make an internal note that, whatever Clay says goes. He's Jake's boss so you're best bet is to keep him happy to make Jake happy.

When you're out of sight Clay turns to Jake. "You best be gentle with that one, Jake. I think she's been through her own kind of hell."

"She's the spitting image of her mother, hasn't said a single word, can't even look me in the eye," Jake grouses. "She hates me and I'm likely going to spend the rest of my life never being good enough for her."

"I ain't so sure about that," he muses. "I get the impression she's afraid of you."

Chapter 2 -- Chapter 4

Series Masterlist

Tagging: @alicedopey; @ashdoctor; @delicatebarness;

@ellethespaceunicorn; @icefrozendeadlyqueen; @ronearoundblindly

[yuseirra]

Ch 161~

Can't draw so much during the week..!

More commentary about 161..

I'm actually convinced Fatal and Mephisto should be Kamiki's song?? I think some things hint of it.

and that he DOES really care about Aqua.

and that he does have to do with Sarutahiko, Amenouzume's husband(although this part is a speculation)

More stuff in the read more:

(first written in another language and chatGPT helped me translate it... I can't write things like this twice ;v; it's a great world here. so convenient~)

Honestly, it's frustrating and a bit agonizing; what is this even about? The plot is stressful, but...

Still, being able to focus like this... I guess it’s a good thing to find a work that hooks you and makes you think deeply in some way.

LOL, it also means I’m living a life where I have enough time to care about a manga, even though I’m currently in a pretty tough spot.

This manga, whether it's in a good or bad direction, seems to be driving me crazy in its own way.

If I’m disappointed, I can always go read something else, (I even got permission from someone to draw a Persona fanfic fanart, but I’ve been too hooked on this manga to do it.. that fanfic was so good.. I need to do it sooner or later..).

But I was so confident about my analyses. Like, really... I’m usually good at picking up on these kinds of things? This manga is great at psychological portrayal, and it was amusing to analyze that, There are just too many things sticking out for me, and things feel uneasy.

It’s not about the pairing... It just keeps bothering me... Am I really missing the mark on this? I’m usually good at sensing these things...

Without the movie arc, this development would be fine, but that arc is sandwiched in there, and I interpreted the character based on that too...

Honestly, every time I listen to the songs, I get this strong feeling like, "This isn’t Aqua." The kind of emotions in these songs, it's not him that's singing them. It's the dad. I immediately posted about it when I first heard it in July. As soon as I heard it, I thought, "This is it," and got a gut feeling.

I really want to feel that emotion again.

Even if Kamiki does turn out to be a serial killer, I still think these songs could describe his inner state.

I think we’ll get some explanation in the next five chapters or so, even if it takes a bit longer.

Also, the expression Kamiki makes when Aqua stabs him is so genuine. Until that moment, he had been smiling, but...

If that expression was because he suddenly felt threatened with his life, it’s a bit pathetic. But... I don’t think that’s the case. What I really pay attention to are the emotional flow and expressions.

When Aqua says he wants to watch Ruby perform, the smile on Kamiki’s face... it’s soft. That’s... definitely a look of affection. It’s not like, “Oh, I've won him over!” or, “Yes, I’ve convinced him!” I interpreted it as Kamiki having paternal love, and there was a scene that backed up that idea earlier. I’m sure he really likes Aqua.

That’s not a bad expression. It’s more like, "Yeah, you wish to see Ruby, don't you. Go ahead, watch her. Keep living" (Which makes me wonder, is he really planning to harm Ruby? If he harms her, maybe he plans to do it after the Dome performance? But even that doesn’t make sense. Does that mean Aqua would have to come back to stab him AGAIN after that takes place?? Does it really add up to his logic for telling him to go watch her?)

Aqua says Kamiki will destroy Ruby’s future, but...

How exactly is he going to do that? Hasn't this guy literally done nothing? If they're talking about the Dome performance, at least that should go off without a hitch, right? So at least until then, Ruby would be safe?? So, Kamiki isn't planning to harm Ruby now at least, right? Even with that weird.. logic that he proposes (I hope he's lying about that tbh)

Then when Aqua smiles and says something like, "Haha, but I’ll just kill you and die with you," while pointing the knife at him again...

Kamiki’s expression at that moment really stands out, and it’s not like a twisted look of being frustrated about things not going his way. It’s not anger or annoyance he's feeling. It’s the same shocked and despairing expression we saw in chapters 146 and 153.

Aqua seems to have no clue what kind of person his father really is, huh? He can’t read him at all.

Honestly, from the way Kamiki speaks, I get the impression that he’s actually quite kind. He’s not saying anything too wrong.

Remember the scene where Ruby gets angry because people were talking carelessly about Ai’s death? Kamiki probably knows about that too. I think Aqua and Ai, and Ruby and Kamiki, are quite alike in nature. Kamiki might’ve felt a lot of grief over Ai at that time. I do believe he loved Ai.

The phrase, "People don’t want the truth," is pretty painful, especially if you think about Ai. That’s why Ai lived telling lies. Isn't Kamiki thinking about what's happened to her, then? By bringing that up? He should have felt it, loving/watching a person like her and what unfolded.. Ai died because of the truth that she had kids with him. Ugly fans like Ryosuke and Nino couldn't take her being less than perfect. Wouldn't this have hurt Kamiki too? The fact that they loved each other(At least Ai did genuinely, we know that) was unwanted. People could not accept that, and that's one of the reasons why they had to break up.

From the way Kamiki talks, it feels like he genuinely doesn’t want his son or daughter to go through that kind of pain.

I think Kamiki has a pretty good nature. When you look at how he speaks, it’s gentle, and he seems to genuinely care about Aqua and knows a lot about him. Maybe he’s been watching over him from afar for a long time? He probably even knows who his son has feelings for.

It really feels like Kamiki is trying to persuade him: "I’m fine with dying. But you, you have so many reasons to live, right? Shouldn’t you return to the people you care about?"

And, the way Kamiki reacts after Aqua stabs him also shows it. He’s visibly agitated afterward. His expression noticeably shifts to panic and darkness.

Wait... stop it, don’t do this! That’s what he says.

The way he’s talking to Aqua in that moment.

It’s not like, “How dare you?” but more like, “Aqua, please don’t do this.”

It really seems like he doesn’t want Aqua to die.

He’s really shocked by it.

From his expressions, he seems more shocked by Aqua getting stabbed than by his own fall, like he didn’t even know how to react properly. He's being grabbed onto but he isn't looking at the hands that are grabbing him, his line of sight is on Aqua there

The final expression he makes can seem really pathetic, but...

Oh man, I think that’s the truth of that situation.

And it makes sense because Ai dreamed of raising her kids with this guy. I think he could’ve been a really great father who adored his kids... at least until the point they separated. He was just really young back then.

Doesn’t this guy really love his kids? Even without the movie arc, there have been hints of his concern for them.

I’m not trying to interpret him kindly just because I particularly like or find this character attractive.

If he’s a serial killer psychopath, then yeah, he should die here. When I first got spoiled, my reaction was completely merciless. "Well, he should die if he's like that," I said. But...

I don’t think that’s the case. It really seems like he cares about Aqua.

Oh, and Kamiki’s soul being noble in the past is mentioned, right?

So, he was a good person before?

Well, I guess I wasn’t totally off in reading his character? LOL.

Does that mean he could be a fallen god?(could be a stretch, but there IS a lyric in fatal about fallenness!!!)

Sarutahiko is often described as a "noble" and "just" god, so it’s quite possible that Kamiki’s true nature is based on Sarutahiko, the husband of Ame-no-Uzume = Ai.

That couple was very affectionate, and according to the Aratate Shrine description, they even go as far as blessing marital relationships. Those gods really love each other. In that case, Ai being so fond and loving of Hikaru also makes sense. It could explain why she asked her kids to save him...

So, can't “Fatal” be his song? Maybe he’s fallen from grace?

The lyrics in "Fatal" say things like, "What should I use to fill in what’s missing?" Could that be about human lives? But did he really kill people? How can you save someone after that? That’s why I don’t think he went that far.

"Without you, I cannot live anymore"

“I would sacrifice anything for you”

This isn’t Aqua. This is Kamiki.

Would Aqua do that much for Ai? He shouldn’t be so blind.

When I listened to "Fatal," I immediately thought of "Mephisto" because the two songs are so similar in context.

They’re sung by the same narrator, aren’t they? That made it clear what Kamiki’s purpose was, which is why I started drawing so much about him and Ai after that.

He keeps saying he’ll give up his life and that he wants to see Ai again. This isn’t Aqua! These feelings are different from what Aqua has.

At first, I thought because Ruby = Amaterasu, with Tsukuyomi having shown up, and Aqua perhaps having relations to Susanoo (he’s falling into the sea this time, right? LOL) I wondered if Ai and her boyfriend’s story was based on the major myth of Izanagi and Izanami, since they’re so well-known.

That myth is famous for how the husband tries to save his wife after she dies, though he fails in the end.

The storyline is similar to Mephisto’s, so I thought, "Could this be it?"

And then I realized Sarutahiko and Ame-no-Uzume's lores also fit really well. Ai thinking Kamiki was like a jewel when they first met is similar to how Ame-no-Uzume saw Sarutahiko shining when they first met. Sarutahiko guiding Ame-no-Uzume is similar to how Hikaru taught Ai how to act. They even had descendants that have a title that means "maiden who's good at dancing" The two also fell for each other at first sight. The shrine the characters visit in the story is supposedly where those two met and married. If they REALLY are those gods in essence, It feels like something went wrong with the wish because one or both of them became twisted.

Anyway, I think Kamiki was originally noble but fell from grace, and it’s likely that Ai’s death was the catalyst.

But I’m not sure if he really went as far as killing people.

What is Tsukuyomi even talking about? I’ve read it several times, and I still don’t fully understand.

I really hope she's wrong because… killing others to make Ai’s name carry more weight? That doesn’t make any sense. What does “the weight of her name” supposed to mean?? I don't think that's something that should be taken just at face value, I feel like there's more behind this idea.

What kind of logic is that? And on top of that, I can’t understand why Ai’s life would become more valuable if Kamiki dies. It just doesn’t follow.

Why would he even say that?

He must be really confident... Does he think he’s someone greater than Ai?

Even so, how does it connect?

I read two books today, because I started wondering if my reading comprehension has dropped. Thankfully, I’m still able to read books just fine. It’s not like I can’t read, you know? I’ve taken media literacy classes and pride myself on not having terrible reading comprehension.

I tried to make sense of what exactly the heck this may mean, and I think.. if it were to mean something like, “I’ll offer my life as a sacrifice to Ai,” I’d at least get that. That kind of logic, in a way, has some practical meaning.

Kamiki talked about sacrifices? tributes? offerings? in chapter 147. I really remember certain scenes clearly because I’ve gone over them carefully. In that case, if Kamiki dies, then the weight or value of his life would transfer to Ai, and that would “help” her, right?

If the story is going in that direction,

when I look at “Mephisto” and “Fatal,” I can see that by doing this, Kamiki would have a chance to either save Ai or get closer to her. At least that makes some sense.

But is it really right for Ai to ask someone to save Kamiki, who killed others? As soon as the idea of it came up, I knew something was up.

Because of what Ai's wanted, I think it’s possible that Kamiki didn’t actually go that far. In the songs, they talk about gathering light and offering something, but they don’t say anything about killing people… Kamiki said he’d sacrifice his own life. People around him may have died, but…

Kamiki’s true personality doesn’t seem like the type to do that… And looking at his actions when Aqua was stabbed??

He hasn’t shown any direct actions yet, so I still don’t know how far he’d actually go.

It’s not that I don’t believe Tsukuyomi’s words entirely,

but I don’t think the conclusion is going to be something like, “Ai should’ve never met Kamiki.”

Every time we see Kamiki’s actual actions, there’s this strange gentleness to him, and that’s what’s confusing me.

The more I look closely, the weirder it feels, and something about it just bothers me. If Kamiki were truly just a completely crazy villain, I’d think, “Oh, so that’s who he is,” and I wouldn’t deny it.

But each time, I start thinking that maybe Ai didn’t meet someone so strange after all? Ai liked him that much, so on that front, it makes sense to me. I want to believe that’s the right conclusion. I mean, doesn’t what he says sound kind? Isn’t he gentle?

No, but seriously, when Kamiki listened to Aqua’s reasons for wanting to live, I thought his expression was warm. It didn’t seem like some calculated expression like “according to plan” like Light Yagami. It felt more like a fond, affectionate expression. I draw too, you know. I pay a lot of attention to expressions. This character often makes expressions that really stand out.

It’s like he’s genuinely trying to convince Aqua not to do anything reckless. Maybe I’m being soft on Kamiki because he’s Ai’s boyfriend? But actually, it’s not like that?

I mean, I’m the type who’s like, “Anyone who did something bad to Ai should die!!” It’s because he’s a character. If this were a real person, I wouldn’t so casually tell someone to go die or say such strong things.

But… he seems like a good person.

+It’s a small thing, but why did Kamiki drop his phone while talking about Ruby? Ppft If you drop it from that height, it’d probably crack. Was he trying to look cool? (It’s an Apple phone, huh.) Is he a bit clumsy? Well... since it looks like him and Aqua are about to fall into the sea, maybe it was a blessing he did so. The phone might be saved after all. If he manages to climb out of there, he could contact someone with that phone.

[bcacstuff]

Hi bcac ! I was wondering if you had any idea or guess as to how much Sam and Catriona have made in salary for their work in Outlander. Honest question as I have no idea. Thank you for your blog- I love coming here and learning about things although on a personal level have become disappointed in Sam. You have such interesting posts and just wanted to say thank you!

Thank you for the compliments, nice to hear you enjoy my blog and find my posts interesting. I think more started feeling kinda disappointed in him, but then again, he's just a human being with his good things and his flaws as well. He's not anybody's book bf and many fans have put him on a somewhat unrealistic pedestal perhaps.

For your question about their earnings for the work on OL. It's not an easy question to answer, there are only guesses as I'm sure nobody but the persons involved are aware of what's in their contracts.

If you google a question like 'how much earns SH per episode' you will learn that there are many figures floating around. From one reporting $1 million per episode (which seems very unrealistic to me) to another reporting a $100.000 per episode. The latter one is probably more realistic, though that was reported in 2019. I'm sure it has been renegotiated over the years, with less salary per episode at the start and probably more since the last seasons as they have been EP's as well. (and as we know Catriona directing an episode in the final season as well).

That said it's not that easy to do the math, take an average and multiply by 101 episodes, as I think other things should be taken into account as well. Like earnings for photoshoots, cons, interviews etc.

What I can tell is what the public figures are for Sam's private company Cairn Mor Creative LTD, which he incorporated in 2015 for his earnings as an actor. Financial data are stored and public for anyone to see. Though one have to take into account that this isn't solely for his work on Outlander, but for the movies and tv series he worked on as well.

Anyway those figures show a net assets of £87.625 in 2016 to a £5.5M at the latest filing of the total accounts. (March 2023)

in another diagram you see the growth from 2019 - 2023

(*the drop in 2021/2022 is mostly due to Covid)

So it's not only his earnings on OL but other work as well. His earnings for projects like his booze business are not included in this company, as they are part of GGC (for which there are no public financial records as far as I know)

I don't have any knowledge for Catriona owning a similar company dedicated to her work as actress. But it's said they always negotiated equal payment for their work on OL.

Anyway while it isn't exactly what you asked for (we can only make a more or less educated guesses to that), I hope this will give you at least some idea.

[goopi-e]

Okay, so I am not going to spoil anything (mostly because I'm not far enough to spoil anything meaningful yet), but I've been checking out A Certain Videogame...

...And "good" doesn't even begin to describe it.

It's so wonderful and refreshing, not only compared to what came immediately before, but just in general. There's nothing to worry about, there's nothing to be disappointed by, just pure joy on every step of the way. The whole thing feels as if it was tailored to fit my dreams, it's so unbelievably in tune with what I love about this series. God, it's such a Zеlda game. I am thriving.

The echo gameplay scratches the same itch I usually look for in randomizers — I've always loved non-sword combat and creative/loophole-y item usage based on some obscure, interconnected mechanics. The bind mechanic looks like something more applicable to dungeons, which I haven't seen a lot of yet, and I'm still getting used to it, but I've always loved Mаgnеsis/Ultrаhаnd, so it's not a bad addition. And, even early on, the sword gameplay is nearly not as scarce as I feared — the gauge replenishments are easy to find.

Another little thing that, despite not being the merit of the game itself, still brings me immense joy, is... It comes in Russian! And features many classic enemies and worldbuilding elements that weren't in any games previously translated to Russian! And you don't even have to scrape through the text dump or whatever, everything is conveniently placed in a compendium-ish system! You have no idea how much it pained me to not know what an official translation for the term "redead" was. Man, I love it when videogames have compendiums.

And from what little (very little) spoilers I saw of the plot-related stuff... I am pretty pleased, too. The story looks pretty intriguing as far as this series goes, I didn't think it'd steer in this direction. At this point, knowing what I know, I don't think the game can pull anything to suddenly become disappointing in that regard.

tl;dr: This game tastes like hope. Immediate fave.

[megamindsecretlair]

WIP Tuesday

Buckle up babes, it's going to be a long post!

I come before you humble, hat in hand. I know I been wilding ya'll. I know there's a lot of fics I need to update and get back to. I haven't forgotten! And since there are...so many new people thanks to my Terry fics, what a great time to call myself out chuz ya'll too nice to do so! I saw @nerdieforpedro do this a few weeks ago? Forgive me for not tagging the person you got it from, but I am tiredt, chilleee.

Current focus: Terry got my whole heart, ya'll. Every fic I read of him, I just want to go hop in the booth myself and get to writing. Ya'll inspire me every damn day, it's magical. There is a filthy, disgusting, mean, despicable fic I wanna write with him. But alas, he is not the only one I write for.

Girl, there's how many series????? Listen, the muse wants what it wants. 11 series in total. Chillee, why I do dissssss. Some are closer to finishing than others. So let's count them out (click the links to learn more):

Be My Little Darling - Loki series | It Started With a Whisper - Sam Wilson series | Midnight Sin - Vampire Tyrone series | Blackbird - Mob Boss Fontaine | Camp Wanderlust - Franklin Saint series | What You Deserve - Homewrecker Stunna | Runaway Lover - Professor Stunna | If I Took You Home - Kevin Atwater | Kill Her Softly - Zyair Malloy | A Taste of the Divine - Yakuza Sukuna | We Are the Night - Qimir

Frenn, that's a lot, do you sleep? Are you okay? Blink twice if you need help. I'm promise I'm good ya'll, I just love writing and I love interacting with ya'll. You have NO idea how much each and every single one of ya'll mean to me. I love the support, I love the comments, I love the reblogs. I'm trying not to disappoint folks, I was on a schedule and well, life happened. I can course correct, I promise. Just gon' take me a little minute. Let me close the smaller series first!

Okay, surely that's it right, frenn? Ahh no, because there's also the asks that have been piling up. Per my pinned post, you know that I have a scatterbrain. Some asks I deleted because they're too similar to what I've done before. Some I'm still trying to picture before I start writing. But the ones I've kept? At last tally it is...33. Some are similar and I'm going to combine them, but yeahhhhh. This isn't a callout post, keep sending those requests in! Just know it's gonna take me a smoooooooth minute. Also, welcome new people, welcome! But not everything needs a part two, I promise. If I write "The End" at the bottom, that truly means the end. No part 2 planned, ain't trynna write a part two. I want to move on sometimes. I love you, but I'll be writing until I'm gray if everything got a part 2. And I wanna get paid for my writing. Which brings me tooo...

Umm, umm, what's this I hear about a book??? Yes! I am actually writing a book based on an ask I received. It was a sweet ask about what kind of story would go with "Handwritten Letter". I said it gave friends to lovers, she fell first, he fell harder type of vibes. It has morphed into dark academia about a shy girl just trying to come into her own. It's a combo of and a love letter about girls like me, girls like you, each and every person who identifies as a Soft Black Girl. And I already have *so* many ideas about other books I want to do. There will be one based on the Mr. Black series I wrote. There will also be a vampire one! I just can't decide yet which will be the second book I put out. I'm leaning towards vampire because Terry is HEAVY on the brain ya'll. And he'd make a sexy vamp. But anywhooo...

I say all this to say that I'm not a machine. I'm not that quick despite appearances. I may not seem like I have any chill, but I've been fantasizing and turning over these fics in my head for days or weeks before I sit down to write. And I'm not saying to stop. Your support is exactly why I feel good enough about my writing to sit and write an entire book! I want to be a full time author. I want to share my ideas with the world. I'm just slow lmfaoooooo.

In the mean time, I hope you're hitting up all these amazing writers on here. I hope you're commenting and reblogging and showing love on here. I will keep saying it. This site will DIE and these BLACK writers will LEAVE if people keep stealing, not commenting, not reblogging, asking for part 2s and never showing love. Fandom is a community, not a pillar. No one know it's you behind that avatar, go crazy! Go nuts. Show nuts. whatever.

Love, love, love you all. If you read this far, drop something funny in the comments. Or go unhinged in my asks about Terry. Don't get me started about that man, but go awff about him because that's my baby favaaa.

no pressure tags: @chaos-4baby @j0kers-light @umber-cinders @harmshake @planetblaque @babybratzmaraj @soft-persephone

[ginnyluna]

who’s your favorite Riordanverse character?

To absolutely nobody's surprise i'm gonna have to go with Jason, my beloved ⚡🌪️

It's the mix between the identity crisis and the constant expectations placed upon him, and also being made to feel like a disappointment by his parent despite doing his best, and STILL coming out being so kind and selfless and loyal, it's all of that really that gets me everytime

This made me curious, what about you guys?

There are so many other characters i would have included, i'm sure Thalia Luke Clarisse Will Meg Magnus Alex Sam Blitz Hearthstone Sally Carter Sadie, they could all be someone's fav rrverse character, and more probably

Thanks for the ask anon this is fun ☺️

[jemandthesingalongs]

so a second article has hit the da fandom and i'm in the part of the "this is genuinely so disappointing i'm considering not actually preordering/playing on release". i'm sure i'll come to terms with it and still get it but this really has been such a blow to my sheer enthusiasm that is like...incredible really for me as a fan invested in this franchise for over a decade to put me (and others) so low lmao

(under a cut bc it got stupidly long, a cookie if you read all of it)

one of the big "reasons" i've seen parroted by the fandom and the justification from the devs is (paraphrasing) you're in the north and all of these major decisions are in the south, which is frankly, stupid? sure, the choices of the divine wouldn't matter too much (if the circles are disbanded or not, for example) but the divine choice itself, should matter? the throne of ferelden? orlais??? these are major characters!

whoever is the sitting ruler of ferelden, regardless of the choice, has obv, lived through a blight not 20 some odd years prior. so one could imagine they would be invested in this, you know, double blight is going on and would like to help or help for their country? given the fact one of the last of the two archdemon prisons is canonly within ferelden!! marketing has also started the blight has spread across thedas, so one would think the current world leaders would be supporting or at least looking to the group seemingly working on stopping the blight. but i guess not since it's not a choice.

even setting aside the lore and plot significance of the majority of choices, even if it truly did not matter, you can say the exact same for choices within dai itself, however the devs knew the desire to have that impact + fan service, even minor, still superseded lore and plot significance. the hof letter and mentions by their romance partner is clearly fan service (since tbh i doubt leliana or morrigan would willingly talk about their partner themselves) but it was also telling you, the player, where your mc was. another example is there is no impact who the sitting king of orzammar is, but the game still mentions in a codex the consequences of that choice, even if the anvil was kept or not in ambient dialogue.

these and many more mattered, not in a world shaping way, but to tell you, the player, yes you played in this world and here's the acknowledgement of it, thank you. i didn't need to decide the fate of the world to enjoy leliana talking about my warden or varric supporting templars because my hawke did, because it still felt like i mattered, that yes this is a world i changed, even in a small way, that i lived in it.

and they removed all of that.

like, hell it was even a good way to "check-in" in choices and characters without dedicating entire plot beats to them! the epilogue for a non-divine!romanced leliana heavily implies she and the warden are still doing their own things but meeting up when hey can. that aside the cure? the fucking cure??? did they find it? did they share it with the other wardens? was it suppressed? the other members of the inquisition were invested in stopping solas, what about them? since you are literally going to their turf, is dorian, josephine, isabela, and even bull okay? is zevran or fenris going to be ignored? fenris had a whole comic about him!

the only way i can take this is being told to no longer be invested in previous material, even material leading up to this game. even if i know that's not really the truth, it really feels that way.

i don't even like the excuse for getting newbies into the series, because, well, dai did that fine WITH returning characters and overall plots lol? there's a loss of some context and dai itself had writing flaws with this method, but it did show you could have both returning and new players work fine, and not alienate said new players despite it being the 3rd game.

speaking of dai, why bother making the choices so endgame linear if they wouldn't of even mattered? why no matter your choice of divine, another group rises up to oppose her? why have the grey wardens going quiet and possibly on the brink of civil war, exiled or no? i had assumed at the time the bottlenecking was future proofing to create less variables, and i guess i was wrong since there are no more variables lol!

i'm genuinely not sure what they truly thought would be the reaction, given they are still trying to pull returning players via the marketing? like. varric, harding, morrigan returning, the focus on the grey wardens as a group (and likely why davrin gets such a spotlight) are all indications for returning players. fuck even solas, no matter what you feel about him, is a returning npc! to resolve his plot!!!

i never truly believed we would see big huge cameos, i did expect the divine, those who live in the north, but otherwise simple codex entries or letters if anything.

but to have.......nothing? be left with nothing? burns.

i do mean this completely honestly: what is the point of investing myself, my time, my money, hell even just interest in this series anymore? without the impact of previous games (or a better lore reason, such as a longer timeskip than 5 fucking years since the last dlc) then this is your run of the mill rpg with better writing than most, but that's all it'd really have. i didn't fully play or get into the series because of the decisions carrying over, but it sure as fuck kept me and others coming back. if this is the norm going forward past da4 then well, might as well pick any other rpg series.

[codename-adler]

when you cannot handle class discussion;

a non-aftg post still addressed to the aftg fandom because i know the aftg fam got me.

CW below: Harry Potter and JKR.

TERFs et al. not welcomed, fuck off.

one of my uni classes this semester is called Children's Literature in English. i will abstain from relating my whole life background, but here is the issue: Harry Potter and the Philosopher's Stone is on the syllabus, due to be discussed for the next 2 weeks. other works on the program are: both Andersen's and Grimms' fairytales, Enid Blyton's The Twins at St. Clare's, The Catcher in the Rye, A Little Princess, Gene Luen Yang's American Born Chinese and Neil Gaiman's The Wolves in the Walls. (the latter is a whole other issue in itself that is not the point here)

the objective of the class is worded as followed by the professor in the syllabus:

This course will involve a critical study of children’s and young adult literature (in English) by analyzing historical and cultural connotations of childhood, adolescence, and related subjects. By analyzing a variety of texts students will explore several dimensions of children’s literature including children’s education, questions of race and identity, children’s understanding of abuse and trauma, young adult adventures and more. Literature in this course will range from the eighteenth-century concept of children’s texts, twentieth century popular school stories, as well as contemporary popular fiction including picture books and graphic novels. Students will be expected to critically engage with the texts and appreciate the sophisticated themes present in them. Children’s literature is often considered to be repositories of cultural values and deemed as agents of socialization—students will be encouraged to dissect these texts from their literary and political perspectives.

now. i've known about HP as assigned reading since the summer. initially i was very, thoroughly disappointed. and pissed. and helpless, because i did not know who the professor would be. therefore i had no clue as to how it would be handled, from what angle it would be approached. from the list of texts, i could assume a certain theme around school as a major setting for children's socialization and growth. fairytales is also always the starting point. but apart from that, no clue.

then the syllabus came, and it was grief all over again. because as you can see, nothing indicates that HP will be discussed with current events in mind. moreover, the thematic section under which it is to be read, in the syllabus, are: coming-of-age stories, adventure, YA fiction. so... nothing, you know. and so since August, i've been nursing this weird wound?

i'll admit, i was much, much, much more affected by the news than i ever thought i would. i haven't interacted with the texts and fandom for years. i actively avoid it. my ex-bestfriend who i've 'broken up' with in April was the only contact i had, because she is a die-hard fan that, although disagreeing with JKR, did not try to change the ways she engaged with the content. i rarely discussed HP with her, because i did not like it, and it was never as of major importance to me as it was to her; she has grown up with HP, whereas i only read the series around 14, never saw the movies in theatre, etc. that is not to say that i was not an ardent fan; i was immensely taken with the books, the world, that author herself. i was in awe of her genius. was.

all this to say, i have carefully curated what i'm exposed to and what i engage with. i've laid down pretty good boundaries. a little too good, perhaps, if my deep shock and perpetual grief are anything to go by. my surprise at my own feelings certainly does not help to lessen them and process them.

and now has come the time for discussion. i won't reread HP1, because i still have it pretty much memorized, and because i simply refuse to. i have so many other things to do and read and write for other classes and clubs, i cannot be arsed to give that book a single glance. but for the next 2 weeks, the next 6 hours of that class, everything will be HP and JKR. and i do not know how to handle it.

because. because the students of the class are, mostly, fans. still. and the professor too, i believe. i do not see a discussion on transphobia, homophobia, racism, antisemitism and misogyny in the cards. i'm really not getting the 'vibe' from the prof that there will be a portion reserved for those aspects. i hope i'm wrong. but i cannot prepare myself on hope.

just the discussion from some girls, during the break, about their favorite fanfics and eagerly and enthusiastically chatting about HP and the reboot and whatnot, i'm feeling awful. and, well, apart from me, these women are among the students that participate the most in discussion. (as it is, a discussion-/seminar- based course)

i understand, okay? i understand. that HP/JKR permanently changed the children's lit landscape and market. whether it was deserved/original or not, it remains that they have had a very important role in the history of kids' lit. it cannot be erased, though i wish it would. and that is, fine. nothing anyone can do about that. the mark (stain) is there to stay. i understand.

so i cannot change:

the syllabus

the professor

the students

history

i can only control the way i will handle this. i will try my very best not to engage in the discussion. though 15% of our final grade goes to participation, i have secured my full mark by now and know after HP i will pick up the work again. that is no concern to me. when i say try not to engage, i mean try not to waste energy and peace over whatever bs is bound to be said. i'm not afraid of outright far-right problematic 'opinions' or responding to them if be the case, but i doubt it will happen, which is a tiny bit of relief.

but i cannot skip those sessions. it remains that i must be present and actively listening. that is tiring and hurtful enough. and i do not know how to plan how to cope. i do have a dear friend i know i could talk to in person afterwards. and i have you guys.

so what i'm asking, after all this blah-blah, is advice, tips, ideas, to help me remain calm and well for the next 2 weeks suffering through the HP bs.

i sound dramatic af. i feel dramatic af. i don't understand why i am so affected. i don't even know for sure if the professor will skip over that crucial evil of JKR. i might be pleasantly surprised.

i'm happily open to provide any additional info if you have questions or need clarifications. i don't know how coherent i'm being. feeling real blurry rn.

yeah. that's all.

- Love, Adler xx

[hms-no-fun]

i have an intense love/hate with godfeels because it is beautifully written but it also makes me viscerally uncomfortable. something something disturbs the comfortable and comforts the disturbed probably. engaging with that discomfort teaches me more about myself and is definitely worth it for something like godfeels. any advice for constructively engaging with media that Pisses You Off, by no fault of the creator? what would you say to your haters in good-faith, if you could?

well, to be fair i have said plenty to my haters in good faith previously, but that was a very direct response. if you and i were having a polite conversation amongst the two of us, my first question would be "how far did you get?" godfeels has been going for six years now (!!!), and it's gone through many phases in that time. i'm at a point now in my life where if someone tells me gf2 didn't click with them, i'll probably nod and say "yeah it's rough around the edges, there's a lot of stuff i'd do differently today." the most vocal contingent of haters i've ever gotten were the handful of people who dipped at gf2.2 when june got superdrunk and accidentally murdered a bunch of people, assuming the story was going to be about how cool and based that decision was. anyone who's actually read gf2 to completion should find that misconception laughable. it also makes a difference if you finished gf2 and stopped there, or started 3.1 and fell off, or if you got through chapter 8 and fell off, or if you're currently reading Double Album. each of those is a slightly different conversation with its own pros and cons. whether or not i'd try to talk someone into continuing their read depends entirely on those questions (and also how self-confident i'm feeling in the moment).

i guess i would say to someone who is not enjoying godfeels that they should stop reading godfeels. it's an extremely heavy story that digs into a wide variety of traumatic subject matter. it is also deeply personal in a lot of ways, which is perhaps a weird fit for a Homestuck fanfiction. so i can understand someone from the wider fandom hearing about godfeels as "the June Egbert fic" being disappointed that it's not fluff. i've documented in the past how gf2 emerged out of my dissatisfaction with the image of "Hairclips June," whose transition exists off screen and whose acceptance by her friends is an obvious expectation. i kind of feel bad for how that shook out in the long term since, between the lengthy hiatus of hs2 and the broader strangulation of the post-canon movement during the pandemic, the canonical "Hairclips June" story (or at least "June Who Doesn't Suffer 100% Consequences" story) doesn't seem to exist. i don't mean literally canonical, i mean "seeped into the fandom's collective unconscious" canonical, like Detective Pony. there are plenty of fanworks that do a good or at least interesting job with June, but they're not *about* June in quite the same way godfeels is. it's entirely possible that such a thing DOES exist and IS popular (i freely admit to being out of touch with modern fanworks), but for better or worse godfeels still seems to be the thing that comes up most often-- and not always in a positive light.

for a while now i've been working on an "Author's Introduction" which on the surface is an attempt to contextualize the phases of godfeels for new readers, but in actuality is more of a history of/commentary on the post-2019 fandom and the so-called "Homestuck Renaissance." i see this as necessary because godfeels is an extension of that moment, in particular the loudly recuperative pro-Vriska boosters and their exquisitely galaxy-brained VrisRezi meta. then gf3.1 responded to the fandom backlash, chapter 8 responded to my experience watching every foundation of my post-transition life crumble during the pandemic, and then Double Album is an exploration of building yourself and community back up in the aftermath of tragedy.

it's not that this context is necessary to understand or appreciate godfeels, just that i think it helps put things in perspective. when i started gf1, i hadn't written fiction in nearly 7 years. today, the series is sitting just shy of the 500,000 word mark. at every step of the process, the quality and ambition of my writing has increased exponentially. there's a reason i've written Double Album as a jumping-on point for new readers-- besides being better in virtually every way that matters to me, it's also largely shorn free of the baggage that can make godfeels a hard sell for folks. whether or not it actually SUCCEEDS as a jumping on point is another conversation entirely.

so i guess all of that is to say, if we were having a private conversation just the two of us, i freely admit that godfeels is a wildly disjointed story on top of being extreme and often emotionally masochistic. i am proud of this work from start to finish, but it fundamentally is the process of its authorship in a way that a thoroughly drafted and edited novel simply isn't. i used to publish chapters the instant they felt done to me, with only minimal revisions. these days i let chapters bake a lot longer and put much more thought into how they fit into the larger whole. i kinda miss the old way but the new way results in much better work.

i'd be curious to hear what exactly it is that Pisses You Off about godfeels, and why you nevertheless feel it's a worthwhile reading experience. you ask me for advice on how to constructively engage with media that pisses you off, but i don't have any because in general i don't engage with media that pisses me off. i stopped reading fanworks after 2020 because everything that survived seemed to cater only to the sector of the fandom that harassed my friends out of their jobs and platforms. i found their interpretations/extensions of canon lacking, their tendency for straightforward fluff rather grating. i COULD have made that everyone else's problem, but what would be the point? i wasn't the target audience. i didn't enjoy the work, so i stopped reading it. i'd rather move on to media i enjoy than suffer through media i don't.

BUT. there's a fine line here, because it actually takes a lot to Piss Me Off. i don't really believe in rules or standards in art as Inviolable Laws Of Nature. my measure of whether something is good has a lot less to do with its inherent quality and a lot more to do with the balance between intention and execution. it rarely matters how amateur something is, if it meaningfully accomplishes the thing it set out to do then i'll probably like it (or at least respect it). i look for expressions of authenticity, moments where the artist and the medium are in perfect sync. there are plenty of critically praised pretty-looking movies and games with big production values that i don't particularly like. sometimes that's because they're a naked moneymaking enterprise disguised as art. sometimes it's a problem of too many cooks in the kitchen. and then sometimes an artist is just full of shit and doesn't really know what the hell they're talking about (i like to call these people "Californians"). mostly, i just embrace that art-making and art-viewing are inherently subjective experiences, and i find little value in numbered rating systems of any kind.

a lot of my favorite movies and albums underwhelmed me my first time through. they challenged me in a way that i at first interpreted as incompetence, but have come to see as brilliance. there's stuff i found alienating in high school and early 20s that i find deeply relatable in my 30s. as a film student i've had so many conversations with so many people who have wildly different takes on the same movie that i've completely given up on the idea that anyone is an objective arbiter of what's good and what isn't. the only real thing is if it works and if it works for you. i search for the best in everything, because at the end of the day i'm just here for the love of the game and i don't much enjoy hating things. for media to really Piss Me Off, to elicit a genuine I Hate You response, it has to be more than just, like, poorly edited or whatever. it has to embody a repulsive worldview, be a tool of jingoistic propaganda, or otherwise act as an extension of corporate greed and wealth extraction. these days i reserve my hatred for that which has connection to real Power and exerts a mass cultural Influence, or that otherwise blindly reproduces the same problems.

i think it's far easier to critically engage with work you don't like when you search for the things that work, rather than the things that don't. when it works, when it really clicks, you see what they were going for, and only with that perspective can you see why what doesn't work doesn't work. all i ever ask is for readers to take my stuff as it is, good and bad, and judge it on those terms. i find your use of "comforts the disturbed, disturbs the comfortable" funny and fitting. art that wants to be for everyone is art that cannot be for anyone. it is a perfectly round grey sphere that all who gaze upon it can agree "exists" and "succeeds at what it's trying to do." good art is imperfect, because it is the result of a perspective you may not share. i've never wanted to make art for the masses. i want to make the kinds of things that i wished existed when i was younger. there are a surprising number of people who feel that godfeels positively affected their lives, and i know that i have very little to do with that. godfeels is an object that exists in the world. i had ideas of what it was when i wrote it, but i can't control what anyone else sees no matter how much digital ink i spill trying to explain my original vision. if it truly comforts the disturbed and disturbs the comfortable, then on some level i must have succeeded in what i was trying to do even if the path to getting there was spotty and rough.

i did the best i could at every stage of writing godfeels. i would do things differently today, but i also wouldn't be here at all if i'd done it differently back then. i try to extend this grace to other artists as much as possible, that we're all just figuring it out as we go along. but i also know that everyone goes to art for different things, and finds value in different aspects of its expression. really, all i ever want is to have a conversation about the object without the looming specter of Respectability Politics and Moral Hazards. it's when people start acting like godfeels is Dangerous, and that i'm dangerous by extension, that i start having opinions about where critics are fucking up. tell me what it does or fails to do. point at the text and show me you've read and comprehended it by citing your sources and arguing through the text instead of around it. absolutely fuck off with the moral hand-wringing about Transgender Representation and Glorifying Violence and Perpetuating Toxic Stereotypes. it's a fucking Homestuck fanfiction, for god's sake.

but anyway you're not doing that, so, good job! i'm glad you find the experience of reading godfeels illuminating even if it pisses you off. i hope you found this lengthy answer enlightening, and maybe a bit annoying also. consistency is key, or so they say

[imaginethebeautifulworld]

"I'm in a writing slump," I say while I publish four fanfics about the weird scientists from a movie that came out 10 years ago.

[nachosncheezies]

In defense of late-canon x files (including the revivals)

I was thinking about this poll after I commented on it, and I kinda want to be brave and say more.

Short answer to the poll's question before I go any further: If you're a new fan and a sensitive sort who thinks you'll struggle with your blorbos Really Going Through It and you really need a happy ending, I suggest you stop at the end of season 8. Do not pass go, do not look at spoilers. Disregard this post entirely, close the internet, and go look at something that makes you happy. (Also fuck every part of society that characterizes sensitivity as inherently weak and bad and some kind of personal failing, you are valid.)

That said, "quality" as a concept is entirely subjective, and the question of whether or not there's a decline in quality for any story is wholly subjective, too. In the case of x files? I'm not convinced there is a decline. I am going to be upfront that I haven't yet watched past season 8, though I am almost completely spoiled on events after that - and the reason I haven't watched yet is not because of how I know events are going to unfold, but simply because I don't want it to end!!! Ohh, the tension between "I CAN'T WAIT!!!" and "Nooo don't be over D:"

When I first came to txf fandom on tumblr and gradually became spoiled about what happens in late canon though, I was often left uncomfortable and tbh kinda queasy about it. As I said in my comment on the poll, the hate for especially the revival and IWTB, or to a lesser extent even seasons 8 & 9, is very well documented. But! There are other takes to be found here on tumblr if you figure out where to look, and my feelings have changed!

The thing is, I have yet to find myself in any fandom where there isn't a vocal subset of fans who dislike the story after a certain point. I am not joking when I say that no one hates the things they love as passionately as sci-fi and fantasy fans. In my experience, it often hinges on the extent to which a viewer has strong notions on where they would like the characters to end up. In particular with series where shipping is a dominant component for the bulk of a fandom, I have almost universally found that there comes some turning point in the story where "let them be happy you cowards" is the dominant view, and things that compromise the attainment of a degree of romantic stability and/or domesticity are, to many fans, annoying at best and despicable at worst. But! As one tagset on the linked poll said:

and I think for any fandom, that last tag especially is so so so important. (I think that's harder for people watching a weekly series live, bc you have so much time to analyze and speculate and dream before the next breadcrumb drops, but I digress.)

So why am I saying this and how do I apply it to x files? Well, I eventually found that there are also a subset of fans who find redeeming things right up to the very end and actually quite like the whole thing! The things that I had seen people rage and ventpost so much about honestly never quite sounded to me as "out of character" or "untrue to the story" etc as those same ventposts made them sound. And I've discovered I'm not the only one who felt that way. Do I love that the spooky squad had to go through all of those things? No, those poor guys D: Life is hard and they have been through so much trauma. But do those events and their choices make sense to me in light of everything that came before? Yes! And I honestly can't wait to see them fight to overcome those things, breaking, healing, always learning, always growing, always getting better.

So if you're wondering "where does it go wrong"... well, I'm a completionist, as many people who've answered that post are, but also my personal opinion is that I don't think it does go wrong. If you're new and interested in exploring why I've gone from "vaguely queasy" to "excited" about the whole thing, or want to maybe balance out the impressions you're getting about the later seasons before deciding whether or not you want to see the whole thing, I'll put a few blog names in the comments.

Final admission: even once I started feeling a little more confident in the possibility that "actually ok maybe I'm not crazy, maybe this all kind of is in character and does make sense", there was one big plot point that I was NOT looking forward to and I thought I would never be comfortable about. In hindsight, I think my discomfort came from the negative responses being SO seemingly universal that I hadn't stopped to let myself truly consider other possible interpretations on that point. (I mean my initial instinct when I first read about it was, why are we mad about this?? CSM is literally the most unreliable narrator in history???? it's obviously fake news?????? this must be either a fever dream someone's having or it's a misdirection ploy against whatever shadowy forces might still be lurking?????????????? but for whatever reason I guess I had halfway written that off.) Happily, just last month there's a new post-s11 novel out, and although reviews for the book as a whole are mixed, it seems to have laid the groundwork for resolving that plot issue in a way I think most fans would be broadly happy with. If you're interested in being spoiled about that and seeing how, I recommend searching #perihelion on @agent-troi who liveblogged reading it with receipts, scroll back chronological-style to the first post on the subject and see how it unfolded. (And never forget that Dana Katherine Scully is the queen of denial as a coping mechanism lol)

Everyone's mileage will vary. Each person can feel however they want! But for anyone new, I wanted you to know that the very many ventposts you might be seeing are not all there is to this show or its fandom. Some of us love it despite - or even because of - all the things that went "wrong". I think we just don't talk about it as much.

[captainofthetidesbreath]

[blows a kiss out to sea] for the Mighty Nein pirates arc

[somewhereincairparavel]

TFOTA update (major spoilers for book 1): chapter 20

this book just keeps throwing plot twist after plot twist after plot twist on me and I'm falling for every.single.one. gosh. first jude kidnaps the human girl to free her into the mortal world, and she drowns herself? Then Dain yells at Jude for the thing I WASN'T expecting (stabbing Valerian) and then Jude fucking KILLS Valerian not even a few minutes later, then buried the body in HER house, then Balekin gatecrashes and slaughters almost everyone in his fucking blood line in the matter of MINUTES. Madoc kills Dain?? And ghost kills Caelia?? Rhyia kills herself?? Taryn and Locke might secretly have an affair??

Jude feels pleasure in seeing Cardan miss out on the coronation bc he got drunk which is ironically the best thing he did bc he dodged a bullet?? Now Cardan is the only hope elfhame has, which is also super ironic since Jude was marvelling over how glad she was that cardan wasn't ever going to be king in the first few chapters.

I NEED A MOMENT TO TAKE ALL THIS IN

[pardonmydelays]

huh

[vimbry]

"likes don't do anything" they do

"there's no algorithm" there is

"well nobody uses the for you tab" I do

"reblog all art and fics you see" there's no thought put into that. if this does work on people, then it's just pity engagement borne out of guilt rather than genuine interest, which is arguably worse than having none, because it's totally hollow.

[loopnoid]

No more star trek?

i still love star trek dearly! i wish i could be one of those artists who are just pumping out art all the time like it's nothing, but unfortunately i am quite slow and my drawing energy is limited so i tend to focus my efforts on my newest ideas, which are usually for my latest interests. i haven't necessarily given up on star trek—i still plan on participating in the yearly swimsuit zine however long it runs (i skipped this year's because of burnout and college but i'm doing better now), and i'd love to do some art for lower decks before it ends... but i can't promise anything :( i can barely keep up with new ideas for new interests, so going back to older ones is a little difficult for me, much as i try. i don't like it anymore than you do but it is what it is