#i figured you knew what you were doing

[fictionadventurer]

What was the point of Scrooge's trip with the Ghost of Christmas Yet to Come? On a structural level, it makes sense--three is the fairy tale number, and you can't visit the past and present without also including the future--but on a character level, it doesn't quite seem necessary. Showing a man that he'll die alone, unloved, and unmourned seems like the strategy you take as the last-ditch effort to convince a guy that he needs to change his ways. But that situation doesn't apply to Scrooge. He started softening immediately after he first arrived in his past. By the time he finished with the Ghost of Christmas Present, he was fully onboard with the need to reform, so the Ghost's vision of his future seems like unnecessary cruelty. Why show him all this when he was already planning to change his ways?

A few things come to mind. One is that this vision of the future wouldn't have affected Scrooge unless he had already changed his ways. A cold, hard businessman could have seen his lonely death as just the way of the world, might have viewed the people who stole the clothes from his corpse as just people doing what's practical in this world. He needed to relearn the value of the intangibles--human connection, respect for others--to see the true horror of the lonely death and the vultures who defiled the dead man.

But why the horror? Can't he reform without being threatened with doom? It's possible--but it's also possible such a reform would be temporary. After all, Scrooge started as a friendly, loving young man, but retreated into himself and his business out of fear of poverty and fear of the way the world looks down upon poor people. Even if a reformed Scrooge started on a course of Christmas charity, there was always a chance that the enthusiasm would fade, and the worldly fears would start creeping back in. The only way to beat those fears is to give him something to fear that's even worse than poverty. He needs to see the horrible end that his selfish ways would lead to, so he won't be tempted to slide back into them.

There's also the fact that seeing his death makes him ecstatically happy to find that he's alive after the Ghost is gone. Had Scrooge been spared the vision of his future, he might have been happy to find himself on Christmas Day, but his joy would have been nowhere near the manic glee he experiences after coming back from the future. Now, he doesn't just get a new start--he gets a second chance. Coming back from his own grave makes him mindful of his death, but it also makes him hyperaware of the fact that he's still alive. He isn't in the ground yet. He still has time to do good and make connections with others so he doesn't die alone.

Seeing the past reminded him of the innocence he'd lost. Seeing the present reminded him of the people whose lives he was missing out on. Seeing the future reminded him that death is waiting, so it's important to live virtuously while we can. All three are important because all three brought him outside of himself and taught him to value the wider world, just in time to live through another Christmas Day.

[chuthulhu-reads]

[ID: Two panels from Dungeon Meshi. The first scows Senshi clutching his face as tears start to spill out of his eyes, saying, "I've always... always wanted to have this soup one more time." He's not wearing his helmet in this panel, so his face is unusually visible, detailed and vulnerable. The second panel shows himself as a youngster, surrounded by his old mining team, all smiling at each other, one of them rubbing Senshi's head. Modern-day Senshi continues, "Thank you. All of you. Thank you." End ID.]

Holy shit. I anticipated some tragic backstory from the "I must feed the young ones" panels, but what I'd guessed was that Senshi might have become so devoted to cooking and eating literally whatever because he'd previously survived a famine and had seen children starve to death. I did not expect him to have been the child who was the sole survivor of a doomed travel party, one of whom was determined to feed Senshi first because he was the youngest, and that Senshi has lived with the fear of having inadvertently committed cannibalism by eating stew that he'd never quite known the contents of. I'm happy for him that Laios deduced and confirmed for him that it was griffin meat, that he was able to taste the meal that saved his life once more and remember the friends he lost. Seriously, I'm crying, and also earnestly relieved that while his backstory is pretty dark, it's not the type of fucked up I'd been preparing myself mentally for.

[wittyno]

You can't just have Elton John sing lyrics like "oath of silence for the voice of a generation" and "you are what you love not who loves you" and expect me not to get emotional.

[kaurwreck]

have yall ever noticed in osamu dazai's entrance exam that ranpo cuts to the heart of dazai within moments of meeting him, weighs him against the feather in his gaze, decides it neither too heavy nor light, and then says, simply, unfeignedly, deliberately, "Oh, that's nice. Anyway, welcome to the Agency."

and dazai, despite smoothing himself shapeless under ranpo's scrutiny, is rattled, slipping aside his noh mask to self-soothe by asking kunikida about ranpo's skill. because the radio static crackling along his spine can't be the sensation that he's been caught, or ranpo would have renounced or redressed or recoiled from the snake in his home— so it must be no longer human, buzzing and frustrating such and such skill ranpo set on him, and this placidity is a facade to save face. ranpo couldn't have seen what dazai didn't deign to show him, however much the thought briefly excites dazai.

except then kunikida explains that ranpo's skill is to deduce the truth of a case just by looking at it, and dazai is momentarily stunned, the static roaring in his drums as muscle memory swallows piqued yearning and spits bitter incredulity. even if there were a skill that could crack him apart to out the pluck meat that might reassure him he's made of flesh beneath the chitin, there is no exception to his nullification.

even as the blackened grief encroaches like ennui around dazai's edges, ranpo is calling them, promising them the answer they asked for, and no more than that much. he asks dazai for his glasses (the glasses precious to him, typically on his person, but in that moment, somewhere else), and dazai is coaxed by his curiosity and ranpo's beckon.

and because dazai is still a pitiable creature prone to wanting, he leans towards the taunting lure and takes it between his fingers while holding his breath to brace against the certain-to-be-crushing disappointment.

and instead, substantiation brokering little argument. ranpo can deduce the truth by looking at it. and as dazai's own discernment reverse engineers ranpo's conclusion, he finds no fault in it.

dazai's rhapsody enlivens him in the car with Kunikida, the well of him overflowing with the salvific implications that moments prior he was pinned, writhing in place, by someone sincerely seeing him, who was satiated by enough substance to then look away, who wasn't the least surprised to see wriggling, living flesh in the shape of him.

dazai's so beside himself that when kunikida remarks that he's never seen dazai marvel over someone else's skills like that before, dazai scarcely lies to him when he says lots of things take him by surprise, like when he tried to pick up a clam with his chopsticks, and it was still alive, startling him.

kunikida, who also notices more than he's given any credit for, dismisses dazai's third perspective, depersonalized, debumanized, and disassociated clam metaphor, and says: "You seemed taken aback that someone had the ability to see and know all."

to which dazai responds with the same seamless and subtly mean spirited deflection he tends towards whenever he's suddenly feeling vulnerable.

but yes, he is taken aback. it's worldview shattering, not unlike when chuuya incited him, or oda shrugged at him, or when kunikida would, later, see a lock without any key (a climax without any hope) and create one himself.

ranpo saw him, saw who he'd been, and said, with prejudice: "Anyway, welcome to the Agency."

because I didn't until a couple of weeks ago, but I haven't stopped thinking about it.

[murdererofthumbs]

Seeing reactions after this episode is actually slightly hysterical? It proves that this fandom can be so blind-sighted by characters relations, that they forget what show they are watching. Like, I have always been a self-proclaimed Roman-girl, because I find him compelling and extremely psychologically interesting, and like all of these characters, to a certain extent, I do empathise with him on the level of trauma that he went through. But why the fuck are people surprised that THIS is how he behaved in this episode is beyond me. Oh, suddenly Roman is dead to you because he behaved in the way that was very much consistent with who he is? That’s who all of these people are, like come on, what do we think we are watching here? You didn’t really think he will suddenly become a defender of democracy because it serves a greater good of the country? He was the one to fucking choose Mencken as a president, he cherry-picked him for Logan, because he knew that their views align, that Mencken will be a smart business decision. This whole thing is a transactional procedure - they needed to get someone who will be willing to serve their corrupt interests. Roman doesn’t see a problem in having fascist as a president, because he will never be touched by the consequences of having that kind of man in power. He is very much safe at the top of the mountain, and who the fuck cares what will happen to the peasants at the bottom of the chain? In this way, he imitates Logan the most, because in the end of the day, people are units to him, to all of them really, some of them are just more willing to admit this than others.

Also, like, “uuu, Roman was such a misogynist to Shiv this episode, he just didn’t listen to her at all”. Look, can we stop being delusional here for a second or is it some sort of selective memory situation? Roman is a misogynist. Kendall is a misogynist. Shiv, in fact, has a lot of internalised misogyny going on, and her being a woman never stopped her from pushing other women under the fucking bus, so let’s be real here for a second. And that is not to be said in defence of Roman, frankly nothing what I’m saying here is supposed to justify his behaviour in this or any other episode, but it’s more of like… reality check? I know that Roman’s self-destructive spiral and semi-decent behaviour at the beginning of this season might have clouded certain aspects of who he is, but please, go back to season 3 and count all the instances of him throwing misogynistic and, frequently incestuous jokes and innuendo, at Shiv? How many times he undermines her position on the basis of her being a woman? Or how Kendall, for that matter, uses similar arguments in 03x02? All the siblings use aspects of each other as weapons. Kendall is undermined because he is unstable, because he is a drug-addict, because he has a tendency of flying off on the cloud of mania, and crashing in the heap of depression. Shiv is crossed out because she is a woman, because she frankly has no real experience in the firm (which, although people might be super angry about that, because she is such a “girlboss” apparently, but this is a factual argument), because of her relationship to Tom and tendency to take several sides at the same time (with not much thought put into it). And Roman is frequently undermined because he is a freak and a pervert, because “there is something wrong with him”, because he is the weakest dog that is most easily manipulated, who crumples like a wet tissue if only to receive a bit of affection. They all weaponise their “weak” points against each other, because this dog-eats-dog mindset is focal to who they are as a family, to how they were brought up, to how Logan wanted them to be. So please, let’s not be surprised, when Roman suddenly uses misogyny as an argument against Shiv, because it’s not sudden at all, and it’s always been there.

I think what we have on our hands, is the same situation we had in 03x07 during Kendall’s birthday (and previous episode with Mencken), where some people are so outraged by Roman, and by his ability to shove the knife where it hurts, that they suddenly cross him out completely. Again, all these characters are bad people, there was never any doubt about that. They are compelling because of the complexities of their familial relationships, because of their childhood trauma and the consequences that this trauma has on them as adults. But they are still completely reprehensible as human beings, and I think some viewers forget about that and then get outraged when show about awful people features awful people. And I’m sure, either in next or final episode, something will happen and Roman will become sympathetic again, and he will regain his position as a “poor meow meow”, just as he did in the finale of season 3. Its always a fucking carousel with this character and people get sucked in and have their eye’s covered just to realise that nothing really changed, and nothing will change, because in this show people, at their core, remain the same.

[jtl-fics]

May I propose: ex boyfriends au. Neil and Andrew go back in time per usual, but they arrive together at the beginning of Neil's recruitment to palmetto. They agree that for now, they should keep it low key and not change much in fear of making the future worse. But, they come to find out that repeating your life exactly the same way is BORING. So, they decide to spice it up a bit. In order to explain their familiarity to the foxes, they create this awfully dramatic backstory full of twists and betrayals, where neil met Andrew while he was with Cass and then Andrew did something to land them both in Juvie, and maybe in juvie they betrayed each other or smthn. All of its fake but the foxes eat it up. Neil and Andrew even incorporate song lyrics that haven't been made into fake arguments that they have for fun (strawberry ice cream in Malibu don't act like we didn't do that shit too) and the foxes fully believe that they're ex boyfriends. But even they can't fully hide the affection they have for each other and when that bleeds through the fixes think they're witnessing the best second chance trope when in reality they're just fucking around

This is such a funny concept.

I am going to add one thing though. In this AU Neil and Andrew made it all the way to their 90s. They went to sleep in their bed old, in love, and happy together. They've both been getting more and more tired lately, they know what's coming. They've seen it with their friends. It's fine, whatever the next step is they're going to go together. If one leaves a little early, well they've had years to get patient while waiting for the other to catch up.

They pass together and their great grand nephew (Kevin's) finds them the next morning (he'd been staying with them to help with a few things. They're holding hands.

They find themselves in the immediate aftermath of Andrew having driven an Exy racquet into Neil's stomach. There's a moment where Andrew truly panics because "OH FUCK, WHAT IF I RUPTURED HIS COLOSTOMY BAG?" and then oh he never really forgot how Neil looked (Neil had been the one that needed the reminders about things) but seeing his husband at 18 with brown hair, wire thin frame, and brown eyes? It throws him off even if he'd know Neil no matter what hair color or eye color.

Kevin comes up and it's been almost 10 years since he'd died but he's there young, no liver spots, and with a 2 on his face again.

They have long been able to talk to one another without a single word. Now that Andrew's face has full range of motion again (partial stroke 3 years before) it's even easier.

"So this is where you ran off to?" Andrew demands.

"Oh, like I had a choice after what you pulled!" Neil shoots back.

Cue two old fucks who are now in the prime of their life bodies and when they lost a lot of their mobility with age the thing they had most loved to do was fuck with their numerous grand nieces and nephews (I am stating right here that every fox who has a kid FULLY views Andreil as uncles so it does not matter if there is a blood relation).

Neil and Andrew rarely need to lie about the shit they've gotten up to, it just hasn't happened yet. They only make it like 2 weeks MAX pretending like they're mad at one another. They've slept in the same bed holding hands for 70 years. They don't do well when they're separated and Andrew is on that god awful medication but this time they know the medical expert who can argue about how BAD this whole shit show is and they know the lawyer to hire. Neil might dip heavily into his stash money but they know more than enough to make that cash back.

Andrew off his meds almost a whole year early via an outpatient treatment.

Still they keep referencing some insane past. "I'll say sorry for getting us thrown in Juvie when YOU apologize for lighting the car on fire in the first place!" he huffs.

"Then I guess we're at a standstill."

These arguments are had while they are absolutely all over one another because a bunch of parts of theirs just WORK again and that's super fun for both of them. They seem like Seth & Allison 2.0 with 8x the history but Neil makes Andrew act like a human and not a monster so they're all very invested in the relationship working out.

This past is also NEVER elaborated on but they never fuck up the fabrication of it either. Andrew because his perfect memory and Neil because even decades later he is a super tier liar.

They're having fun, it's sort of like being back with all their grand nieces and nephews except it's all of their friends (+Seth). The Original Foxes were long used to Neil & Andrew's shit so it was impossible to mess with them like this.

They're going to have a blast.

Edit: Thanks @the-inner-musings-of-a-worm for the fun idea once again!

[fantasticgothicpeachsludge]

Help! I’ve fallen for a rarepair from a show that ended 6 years 1 month and 7 days ago!

And by rarepair I mean there is one singular fic about them where they’re not a side ship or in a collection of smut drabbles

[racing-stripes]

okay. lol. killing myself brb

[goldensunset]

surprise art attack!!! here’s @deityofhearts ‘s cashmere, everyone’s favorite whimsical tiefling

[romanticatheartt]

“You will never be my friend. You will always be my enemy.” She bellowed the last word with such soul-deep hatred that he felt it like a punch to the gut. ~ CoM ch.30

“I want you to remember that it wouldn’t have made any difference to me. It’s never made any difference to me when it came to you. I’d still pick you. I’ll always pick you.” ~CoM ch.55

Well...

[jrueships]

guess whos not going in at all this week, actually

[sullina]

i think part of what makes so many people just flock to dungeon meshi as well is that it's also a story involving an autistic main character, who actually IS the main character

Because many stories will have an autistic character in them and then the story is more about how all the neurotypical people AROUND the autistic character deal with the characters autism, and the autistic character ends up as a side-character in a story that's supposed to be ABOUT them.

But in dungeon meshi, Laios especially is so much the main character! And i know he's not the only one, and not the only autistic character obv, and i know the story isn't about just him alone OR his autism...

But we get Laios' perspective. On just about everything. The story is, in the roughest terms, about the party venturing into the dungeon in order to save Falin, who got eaten by the red dragon. They're on a time constraint and have no money or equipment except what they literally have on their backs. That's the story.

Another author, a worse author, probably wouldn't have made Laios the party leader. A worse author would've relegated Laios to the "weird, awkward newbie who's excited about monsters but doesn't have the slightest clue or experience with them" who's job would've been to cite fun facts about whatever monster they encounter from some book he carries around, and the main interactions between him and the party would've been them yelling at him or calling him weird, to the point where you're wondering what this characters purpose even is in the story beyond comic relief.

And I'm so glad we didn't get this.

Instead of a story that emphasizes how "weird and unlikable" this weird character is, we get Laios being the partys leader, who, yes, is weird, but also competent and knowledgable and skilled and also is still a full character, with thoughts and feelings of his own, who actually speaks his mind and interacts with others on equal footing, who defends himself when he KNOWS he isn't in the wrong.

Laios and Shuros confrontation is both shocking, and also a huge breath of fresh air.

(Also, i know that "Shuro" isn't his real name but i can't remember his real name and I can't be bothered to look it up rn)

Shuro tells Laios to learn to read the room. A worse author would've had Laios apologize to Shuro for his own incompetence, but instead of meekly accepting that accusation, Laios throws it back in Shuros own face. That Shuro should've just been direct and honest with Laios when he KNEW that Laios wasn't getting it, instead of just playing along and letting that resentment fester.

And Laios is not only shouting it out, speaking his mind, and refusing to be treated as lesser than anyone else just because he can't "read the room", but he's also portrayed as RIGHT! Shuro would've have had to put up with Laios, whom he didn't like, but whom he let believe that they were friends, if he had just TOLD Laios he didn't like him DIRECTLY.

and look, i know that there's some hints or pages or whatever you wanna call them, that Shuro is also autistic, but comes with a different background, which basically just makes him and Laios incompatible in a certain sense.

But even with all that, Shuro still had no right to fault Laios for his shortcomings, when his own shortcomings played just as much of a role in their eventual confrontation. And the difference? Shuro KNEW how he himself AND Laios felt, but Laios only knew how he himself felt. Shuro was at an advantage in their situation, and he still faulted Laios and made him out to be this villain, who was purposely trying to make Shuro miserable, when Shuro himself NEVER opened his mouth to correct Laios!

And the thing is, Shuro isn't in the wrong for not liking Laios. Shuro is in the wrong for blowing up at Laios without EVER even giving him the chance to correct his behaviour!

And Laios KNOWS this, and he REFUSES to just apologize for something that wasn't even his fault! How could he possibly have known Shuro didn't like him, when Shuro never gave him any kind of indication of that fact?

And that's just it, isn't it?

Because I know I've experienced this kind of situation, even if exact memories don't come to mind, and I know other autistic or otherwise neurodivergent people have experienced this kind of thing. Of someone whom they were just having a normal conversation with or whom they considered a friend, just randomly blowing up at them for no conceivable reason. From our perspective, the other person just randomly decided they didn't like us anymore, didn't care about us anymore and wanted to be rid of us, or decided we were suddenly just evil, and they got mad at us, yelled at us, called us names, and then just left. And we're left confused and sad and, having no other information to go off of, because none was given to us, are bound to come to the conclusion that there's something wrong with us. We're just not likeable and any kindness from other people coming our way is just them being too polite to say anything until they've decided they had enough of us and abandon us. Because they never liked us. They were just too polite to say anything until they couldn't take us anymore.

[torybrennan]

show tempe gang crossover with the morris islanders would actually have been the best episode of bones ever. btw

[rearranging-deck-chairs]

if graham thought the used to be a man thing was just joking and like 5 minutes earlier she said she used to live in the outback for 123 years, he also definitely doesnt have ANY idea how old she is does he

[riiviir]

i wanna know more about kyer and alisia, their designs are super cool and the stuff u said about them in tags sounds super interesting!!

AA PEOPLE BEING INTERESTED IN MY OCS

so. they're both major characters in this RPG I would really like to make someday called The Mission Of Imperium.

Basically everyone is aware of the 4th wall, Players are seen as an entity that must be summoned when the world is faced with a dilemma that ordinary heroes cannot solve.

however, Players need a vessel.

in this particular story, Kyer is The Intended Vessel. they were chosen for this role because they tend to be a pushover and thus would be easy for the Player to control.

Alisia has been Kyer's best friend since childhood, and planned to go with them and basically be the Game's deuteragonist while Kyer would be the protagonist. she doesn't trust the Player, nor does she particularly like the idea of Kyer being possessed, but she is willing to let this happen and support their decision to act as a vessel.

however, when the player tries to inhabit Kyer's body, it is revealed that they are actually unable to act as a vessel. having the Player inhabiting them causes a lot of pain and could lead to death (that the Player would not be able to respawn them from) within less than an hour if the Player is not removed from their body.

Because of this, the Player ends up switching vessels last minute, causing Alisia to become the Player's vessel. she hates this, but for the fate of the world and the fact that she seems to be doing just fine as a vessel, she ends up becoming the Game's protagonist.

aside from the main conflict of "go defeat evil and save the world", this story centers a lot around the Player being able to make whatever choices they want regardless of what Alisia and Kyer want. and boy do I have plans regarding that

[fisheito]

If you want actually good BL reccs, I've been reading Cherry Magic recently and it's v sweet.

I also read this other one a while ago that was wholesome in a weird way: "My quiet best friend's just tongue-tied"

dude do u know what this ask feels like? like... me: *puts down the toxic high school BL midway through* *heavy sigh* *takes a swig of lavender lemonade* why tf all these yaois so damm .. i don't know. sigh. this is a young man's game. maybe i'm not fit for this no mores anon: hey so i heard u like wholesome and probably not teens *slides recs over* me: either i am unbelievably easy to read or you're just a seasoned BL sommelier. thank u dearly, anon