#i guess i enjoyed the source material but

[supercantaloupe]

The Rent Post™

aka, a lengthy screed on how rent the musical goes about adapting la boheme, where it fails, and what can be done about it

so i’m admittedly a reformed Theater Kid™. and tbh i still very much am a Theater Person, even a Musical Theater Person, i’m just in my 20s now and my taste has shifted away from what’s mainstream on broadway right now and closer to the world of opera. but there absolutely was a time in my early teens when i was Really Into Rent, as many Theater Kids™ were…and there was also a time in my later teens when i thought about it and realized that rent was not only just not my thing, but that there were some significant Problems with it, as its own work and as an adaptation. now, having finally seen boheme for myself, i feel like i’m really in a place to piece together how the two works compare to one another, and why/how i think rent falls short of success (as a piece of theater anyway. obviously rent is not lacking in commercial and popular audience success, for better or worse).

i knew years ago that rent is a direct adaptation of la boheme, but wow, only after seeing the opera did i come to realize just how closely rent follows boheme: in plot beats, in character names, even borrowing a couple of lyrics and musical motifs here and there. 

but it also changes things from the original opera -- namely, it adds things -- and i think this is the first place where rent runs into trouble. now i am by no means such a purist that i think no work should ever be adapted unchanged (more on this later...what’s the point of adaptation if not to change things to make the work resonate with a new audience anyway?). however, any and every change made to an existing work in adaptation should be thoughtfully made and motivated, because every single change has an effect on the whole product in some way, and many small changes can add up to create a rather different final product than a creator might realize. 

(and this goes both ways, i think -- both in a work where a more flawed source material is adapted into something new and better, and when a superior original work is adapted into a worse new creation.)

definitely some of the changes made in rent while adapting la boheme are due to the change in medium. opera and musicals are both theater, sure, and more similar in many ways to each other than either is to straight play or film perhaps, but it’s still like a spanish speaker and an italian speaker trying to have a conversation with one another. the languages are similar and there might even be a bit of crossover in mutual intelligibility but they are still ultimately two different languages with different grammars and vocabulary. opera in general tends to have slower pacing than book musicals, fewer plot threads of equal importance. that rent is specifically a musical adaptation of la boheme, rather than a true rock opera, demonstrates this well. the mimi/rodolfo relationship is still front and center (americanized of course as mimi and roger), with marcello and musetta close behind (though expanded in rent as more of a love triangle among mark, maureen, and joanne, the latter being an invented character for the musical who i think embodies the original marcello as much as mark does). but rent adds a lot of stage time and focus to a new couple, collins and angel, who are directly lifted from colline and schaunard, who are essentially secondary comic relief characters, whereas collins/angel are arguably as important plot wise to mimi/roger and mark/maureen/joanne. 

(and i’m not gonna get into the level of #problematic there is to the depiction of maureen as an overly promiscuous bisexual or discuss why colline and schaunard can’t have been a gay couple the whole time or whatever because. wow i do not care. there are more important things to complain about here c’mon)

first big addition to rent that wasn’t original to boheme is that increased stage presence/focus for collins and angel. it's not inherently a bad addition, and for its time the open depiction of multiple queer romances onstage was still kind of groundbreaking. and yes, rent having a longer runtime than boheme should give it the opportunity to flesh this relationship out more as well as the other two to make sure they all have an equal chance to develop and end in a satisfying way. hell, they don’t even all have to be equal in stage presence/focus/importance to be a positive addition to the show (and how can it be when angel dies halfway through act ii? then again, the character dying doesn’t exactly mean the relationship loses its importance in the plot…) but despite the extra runtime and faster storytelling pace, rent doesn’t actually develop angel and collins all that much, especially not before angel dies. this isn’t an issue with colline and schaunard, of course, cause it’s obvious they’re not important characters in boheme. but collins and angel are arguably more important in rent than even mark/maureen/joanne. and angel dies halfway through act ii…meanwhile, mimi survives the end of rent, when she very pointedly does not in boheme.

and…oh, mimi. she is probably the biggest and most problematic adaptational change in rent as compared to la boheme. on the surface she (and roger/rodolfo) seems the least changed of all the opera’s characters, her name not even undergoing the same americanization treatment as the others. but there are just so many small details that add up and up until she’s a fundamentally different character in rent. i don’t even begrudge the change in occupation: her becoming a stripper/exotic dancer/possible sex worker(?) rather than a seamstress does bring with it some cultural baggage, but i am not personally interested in reading any morality into her choice of occupation, and i choose not to read her line of work as having any implications for her “innocence” or moral value as a character. nor will i read her addiction or disease as being moral qualities either. however: there is a big difference between tuberculosis in the 1840s and both AIDS and drug addiction in the 1980s. neither boheme’s mimi nor rent’s are morally responsible for their illnesses. but there is absolutely nothing mimi could do about her tuberculosis in boheme except die, because it was france in the 1840s and nobody knew what an antibiotic was. in new york in 1989, there were rehab clinics and there were medications for HIV. these things were expensive and hard to access, yes, but rent really goes out of its way to show us that mimi had the resources to access these things -- she is able to afford AZT in act i on her own (and the fact that she’s on AZT is used as shorthand for her HIV+ status, as opposed to other characters about whom we are told outright)...

… and her relationship with benny (the much-expanded counterpart to boheme’s benoit the landlord character) in act ii, who verbally offers to pay for her admittance to a rehab program.

yet the next time we see or hear anything of her, her loving mother is calling to ask where she is as she’s presumably gone missing…

…and then discover she has been living on the street, dying from exposure/disease/addiction. 

did she do this willingly? did benny refuse to continue supporting her? we don’t really get an answer to any of this; rent isn’t really concerned with why mimi is in the position she’s in, but is rather entirely preoccupied with staying true to boheme -- up until mimi’s death, anyway. because mimi doesn’t die in rent, she is saved, and says that angel told her to keep on living (as though it were a choice). why? we can only speculate. really, if any character embodies the same “dying tragically in a world too cruel for them to survive” theme as mimi in boheme does, it’s angel. and her death is honestly used as a tool throughout the rest of the show: a purpose for kindness, community, life.

is this a bad “bury your gays” kind of thing? i don’t really know, i’m inclined to believe not. but i do think angel’s death is more thematically akin to mimi’s death in boheme than the actual (near-)death of mimi in rent. 

and this is the biggest difference between rent and boheme: boheme is not about hope. boheme is a tragic romance about how important relationships are among people in disadvantaged communities/situations, but it does not say that love will transcend or materially improve those conditions. rent, by contrast, does. rent suggests that the love of partners and community (even if filled with complications and tensions) is lifesaving. 

(and i know rent’s stated thesis is “no day but today,” i.e. live and enjoy every day as though it could be your last, but i think thematically all the characters and their interactions overall suggest a theme of community just as if not more strongly, whereas “no day but today” is more limited to the HIV+ characters and has little to do with the mark/maureen/joanne subplot. mimi's outlook on "no day but today" changes when she chooses to stay alive on the urging of angel from the other side.) 

now i don’t think this is altogether a bad moral to have in your theater piece. especially in one of the first major pieces of theater centered on marginalized queer characters. i will not deny how important and cathartic it can be, both now and especially thirty years ago when rent premiered, to end on a hopeful note rather than a tragic one. but i have a couple of issues with how rent goes about making this its central theme. for one thing, mimi has frankly too many Things affecting her health in the end for her survival to be realistic, and absolutely nothing up to this point in the show has suggested a setting of magical realism or pseudofantasy; everything has been as grounded in real life as possible, until finale b, when mimi suddenly and near-inexplicably survives. it feels like it comes out of nowhere tonally and thus isn’t very satisfying an ending when put to scrutiny. for another, angel has already died, and angel is, compared to mimi, a much more beloved and uncomplicatedly positive force in their community and relationships. angel’s entire stage presence (while she’s alive and when her character is invoked or referenced after her death) is a positive one: caring for collins when he’s injured, providing food and funds to the group, placating arguments, etc.

and the fact that angel has no concerned parents leaving her voicemails, unlike mark, roger, and mimi, underscores that she has no one else to lean on for support except her community of bohemians. and we’re not given a reason to believe one way or the other about her home life or financial stability outside of today 4 u when she got a sudden windfall for killing a dog (whatever; schaunard did the same thing to the parrot in boheme). in contrast to mimi, roger, and especially mark, who are clearly shown to have family who care about them and want to support them, yet they choose to live in romanticized poverty anyway. mark even gets a good job in filming and still finds a way to complain about it.

really, except for angel (and arguably collins, too), it’s difficult to totally sympathize with the characters in rent and care fully about their plight because they’re just…not depicted as particularly likable people. maureen is an unfaithful and kind of manipulative partner, and her approach to “protest” is really just bad self-absorbed performance art. roger just kind of sucks at songwriting (how is your eyes the song that he’s spent the whole show writing? it’s the worst number in the musical lol), and he’s quick to anger…his decision to leave mimi makes even less sense here than rodolfo’s decision to leave her in boheme, where at least he did so out of genuine concern for her health (also why does he leave mark? rodolfo embraces marcello as a friend still after mimi leaves in boheme...act iii of boheme is the least closely adapted in rent by far.). wheras in rent roger seems to be both genuinely jealous of mimi interacting with other men and upset by her continued drug use. although this last one i don’t begrudge him for, since it’s made clear he’s a recovering addict himself…although it does make mimi’s relationship with him all the worse, considering that mimi’s take on the whole “no day but today” theme is to throw caution to the wind with her actions and not worry about the future at all, and her interacting with roger is directly tempting him back into addiction which he clearly does not want. (and roger’s rejection of her in another day is framed as him being in the wrong with mimi being backed up by the life support chorus…)

while mimi as we’ve seen is reckless and throws her life away even when people try to help her (very very different from boheme’s mimi, who makes no particularly reckless choices, and accepts help when it's offered). and mark is entitled and uses his film as an excuse to disengage with the real world, even exploit it (see: the way he films the life support meeting without permission, or the homeless woman, which is never really confronted elsewhere in the show…)

the inclusion of a homelessness subplot in rent is particularly strange to me. it shows up a lot, especially in act i: the threat of homelessness for the main characters should they not pay their rent or come to some kind of agreement with their landlord; the vague future threat of benny’s “cyberarts studio” getting built which is implied would evict those living in tents on the lot; mimi being found living on the street in the finale; and the chorus/ensemble who show up periodically, as above. homelessness is an ever present element of set dressing/conflict in rent but it’s never really addressed, no points are ever made about it, which is in my opinion kind of wild and very unsatisfying. the above scene especially, considering how direct of a callout it is towards the show’s own characters and writing, yet it is never addressed afterwards, and this conflict is never really resolved. 

one could take similar issue with the choice to swap tuberculosis in boheme with AIDS in rent. though in my opinion i think addiction is as much as if not more rent’s analogue to boheme’s TB, since that is a much more acutely seen disease for mimi and only mimi while there are multiple characters (main and chorus) living with HIV…then again, angel is the character who gets the real tragic death analogous to mimi’s in boheme, and angel dies of complications from AIDS, so i suppose it’s open to debate. regardless, there’s a significant contextual difference between TB in the 1840s and HIV and addiction in the 1980s: there was no system, political, social, or medical, that could truly heal someone of tuberculosis in boheme’s setting. but there very much was a medical and social system in place to help people with HIV and addiction in the 1980s; systems which were aggressively denied to those who were suffering by the political system. and for as much as the characters in rent like to sing about revolution, protest, and activism, not a single one actually challenges the powers that be or call out by name those responsible for the systematic denial of healthcare to the marginalized. activism and artistic revolution is hollow and meaningless in rent, they never name a real enemy, just a vague sense of “the man.” but it’s a story set in a real and still recent historical time period, the effects of which we still deal with today (and i’m sure even more acutely so back in 1996); it just feels disrespectful to me to use those crises as such important set dressing for your musical which positions itself as a “fuck the man” revolutionary kind of piece of theater and yet do or say absolutely nothing about the real world issues it is appropriating. for more information i highly recommend checking out lindsay ellis’ video on the topic. 

so is all this to say i think rent is an irredeemable, fundamentally broken work? actually, no; i think it has a decent foundation and some solid music. i understand the reasoning behind and appeal of updating an old work to a new time period/setting for a new audience, and i think trading 1840s paris for 1980s nyc is an interesting and workable substitution. but when i look at rent as it is now, i just do not see a finished product. 

and i think this is the most frustrating and disappointing thing about rent to me: rent is, quite literally, an unfinished show. its composer and librettist, jonathan larson, died suddenly the day of its first preview performance. and for so many developing (off-)broadway shows, previews are when the actual finished product is crafted, as the show is revised based on audience reactions. of course audience and critical reception to rent from the very beginning was positive, but i can’t help but speculate how much of that is influenced by the mere fact of its creator’s untimely death. and i wonder what changes larson would have made to his show if he had lived, and been able to hear the audience’s reactions, and revise the show accordingly. i wonder if he would have thought it worked. i wonder if he would have seen the same cracks that i see in it. i don’t think rent is inherently unsalvageable, but it is so far unsalvaged. 

and frankly i don’t know that it ever will be salvaged; not for many years, at least. not until copyright and licensing in musical theater changes, and not until broadway audiences get more comfortable with the idea of altering beloved and familiar classics (the 2019 revival of oklahoma! was, in my opinion, a work of genius, but i’m well aware my opinion is not universal, and especially during its national tour the show’s entire concept has been extremely controversial). do to rent what bartlett sher and aaron sorkin are doing to camelot right now: keep the heart and soul of the piece intact, but rewrite what doesn’t work. or do something even more drastic, cut subplots and change character traits, i don’t know. maybe mimi should die; maybe it really is important that she survive! maybe rent shouldn’t have been based on boheme at all; hell, what would rent look like if it was based on la traviata instead? (well the answer to this one is “a different show entirely,” most likely, but if you want to write a poignant and tragic love story based on a romantic opera and set in 1980s nyc featuring queer and/or HIV+ characters, well…it could work and i’ll leave it there.) maybe that’s going too far, i don’t know, but the point is, i want to see directors and writers have the freedom to try that stuff out. because i don’t think rent is unsalvageable; i think it’s unfinished. 

but rent is far too popular and beloved for anyone to dare touch its libretto with new ink. the memory of jonathan larson is held far too preciously for anyone to allow such debasement of his work. when searching online for libretti to reference when writing this essay, i found one transcribed script with this at its heading:

and i think that about sums it up for me. “may he be friggen worshiped!” him and all his creations, holy and untouchable.  it’d be tantamount to theater sacrilege at this point to try and change it. how dare you sully larson’s good name by thinking you could “fix” his masterpiece…the masterpiece no one wants to admit he never got to actually finish. well, i don’t know, maybe it’s me being jewish and sentimental here, but if i have enough respect for a piece of work i want to be able to engage with it and question it and interpret it as i think it best ought to be. (jonathan larson was also jewish. would he agree with me? i don’t know. but i think he’d want to see the best of his work, just like i do.) live theater is inherently participatory and dialectical. and it ought to be alive, not carved into stone. neither immovable nor under threat of utter annihilation should someone come too close with a chisel. rent has potential. la boheme is still as affecting today as it was a hundred thirty years ago (did you know rent premiered almost exactly a hundred years after la boheme?). rent could be the same. and it does have emotionality behind it as it is now, credit where credit’s due. but it could be more than just that. if we could just let someone finish the thing already, even if larson himself couldn’t.

[cosmictapestry]

“hob as a raven au” what if i told you. that you don’t need to go to these lengths. dismantling every single character’s narrative and motives. to get exactly the dynamic you’re looking for

[sporkberries]

is DC one of those things that was good at first but gradually turned bad? Or just got really far from the source material? ive never been interested in the comics bc they just look gritty and edgy but the older ones seem fun

this is a tough question to answer because comics don't really work that way, Dc has ALWAYS been bad but is has equally always been good. DC publishes dozens of books at once and it really just boils down to if i like whatever writer is currently writing the book im interested in. despite my current issues with DC I'd actually say things are pretty good right now especially compared to say, a decade ago.

lets look at two ongoing runs right now, Green Arrow and Detective Comics(which i will call 'tec for short). despite the fact i like green arrow as a character more i dont really like his current writer. and then moving over to the current 'tec run though i havent liked past writers i really like the current one, comics are just really fluid like that.

as for dc being more grim dark its both true and untrue, with the release of The Killing Joke in the 80's DC did spearhead a whole dark and edgy era in comics but things arent always that way, i wouldnt even say theyre that way the majority of the time. different writers have different styles and though things definitely happen for shock value sometimes i think frank miller esque grittiness is decidedly out of fashion. there has also always been silly funny comics Justice Leauge International in the 80's Young Justice in the late 90's and many more(id say most runs are dramas with some comedy action and suspense really. good mix)

[drop-the-curtain-123]

No but to be honest, one thing that I'm very happy the daddy long legs musical had the courage to do is just owning how petty Jervis is.

You just see these kind of things all over the script of the musical. Magnificent, delightful characterization.

[dappy-dappernette]

Sometimes I wonder if people in the fandom have actually "changed" or if we've just gotten better at hiding our shit behaviour because of what some of y'all say ngl

Sure yeah the canon has it's qualities and while I do have a deep love for it acting as if POC and especially (South)East Asian folks not being too keen on all aspects of it does reek of privilege.

[just-spacetrash]

😰

[mango-dolphin]

wait Ren physically cant hold items past a certain quality??? based on what i read on the wiki i thought that if he holds anything high quality it just gets worse and worse until its value very low or its crumbling in his hands

IIIIIIT'S INCREDIBLY POSSIBLE THAT I MISREAD THE WIKI. what i was thinking of was Ren's bullet under Legendary Heroes in the Curse Series article:

The downsides to these swords are that he can't gather EXP nor would he be able to hold anything worth cash in the wake of utilizing the Curse Series arms Guillotine and Strong Decline.

either way. that also sounds really cool tbh?? part of me likes him not being able to hold certain things because it harkens back to naofumi realizing he couldn't hold weapons outside of the shield, but also him degrading things of a higher quality just by holding it is also pretty cool and feels like you could get more creative with it.

i view ren as someone who cares deeply about image, but particularly his self-image: he seems like someone who wants to be proud of his actions, so he's more capable of self reflection than most of the other heroes. but also, he's a teenager (the youngest out of the legendary heroes, in fact), so coming to terms with more egregious flaws is probably something scary or painful for him.

putting on a cool facade and being a bit of a loner type probably helps him twofold: convince himself of his better character, and keep people away from seeing him as anything but. getting help scary: doing things on your own more efficient, you don't have to worry about getting people hurt and being a bad person by extension. of course i don't think this is like, the Primary Root of his whole deal, but you could definitely interpret it as that. i'll need to rewatch the anime/read the series to see if this particular interpretation holds up to scrutiny.

but i think something like him causing things he holds to rot and crumble does just as good a job at conveying this vulnerability of his—of trusting others with his true self (never having to share himself)—as him being unable to hold things of value at all might demonstrate how his behavior denies him solace and companionship (keep taking, never giving). i could also see both of these curse after-effects working in tandem:

rotting could be from his gluttony series;

and losing access to valuables could be from his greed series.

frankly, it's kind of refreshing to see how Shield Hero applies the Seven Deadly Sins conceptually. the sins tend to be represented in a straightforward way, but the way the Heroes not only encounter these sins but grapple with them has been making me think for a good while on how precisely the Sins are meant to fit into this series.

The Curse Series is described by Naofumi (and/or as the wikia states lmao) as a defense mechanism unlocked by the weapons after undergoing psychological hardship. which implies that it's meant to protect the users... but honestly, with the way the curses have been shown to work (Naofumi's our best example as w/the anime it's the only one we've seen so far & also he unlocks it first), it's less actual protection and more perceived protection by the hero that unlocked it. (naofumi might feel safer never trusting anyone, but he wasn't able to progress in the world—and, more importantly, feel fulfilled and connected to the world—without making connections with the people inside of it.) so it's likely whatever curses they unlock are influenced by the user and their outlook on the world.

which would imply that ren feels obligated to pilfer and hoard in order to protect himself. (please note that i do not mean to use these words interchangeably between the sins. not to oversimplify, but for the sake of my ramblings: greed is taking (thus emphasis on value), gluttony is wasting (thus, rotting.)) so the question keeping me Up At Night is not just what he's taking/collecting, but why he's taking/collecting it.

and the wiki does answer pretty neatly on the face of it: to exact revenge. to have the ability to exact revenge. items. levels. strength, XP, dignity. but, honestly? i think while looking for empowerment when you're wronged is not only understandable but justified, going the extra length to try and prove that the people who wronged you are the weak ones (rather than maybe letting that fact stand for itself ig? or doing self-evaluation first?) can get pretty immature.

ren can't let his insecurities get the better of him: otherwise, his facade will crumble, and he will be forced to look at the mirror and see how weak he is. so he has to cover up that mirror with whatever he can find, and if he amasses enough stuff he will be able to hide it. he will never have to give himself away (something he may be afraid of) nor will he have to give up his facade (something he holds onto).

so uh. not being able to hold things up to obscure this figurative mirror, be it through sheer inability or the means of decay, are pretty fitting.

...i will Also say that honestly i think the best source for any canon info in general would be straight up canon, i am just 1.) poor 2.) too lazy to look it up on free sites rn fkjsfnsejkfNESJ. the wikia in particular won't necessarily give concise, accurate, or truthful information, especially as it's an english wiki for a japanese series. (which reminds me i should probably try looking things up in japanese. and also continue practicing japanese)

all of this is to say: i only watched the anime so i am the least reliable when it comes to canon information OOPS. it is a little curious that i'm trying to make an AU so soon tbh? but honestly making fanwork helps me digest the canon more, as trying to write for the characters/write alterations of the characters forces me to hone in on all the little nuances that make those characters (and their world) tick.

[jane-friend]

I think that post was a perfect way to word what I always get frustrated with when it comes to a good number of fan interpretations with characters in particular. Complete disregard for canon in favor of whatever identities or troupes the fan wants to see in a character. And for the record, there’s nothing wrong with that! But at a certain point that’s not you liking the character anymore, rather you like the aesthetic or style of that character or find them attractive in some way. And, again, nothing wrong with that, but the second you start insisting that the borrowed aesthetics paired with your interpretations is ACTUALLY how the character is and should be is where it becomes abrasive.

[theresa-of-liechtenstein]

im not kidding though whoever said they liked rivalfic even though they hadn't listened to cabin pressure...... insert the ¿quieres? meme except instead of a blunt im handing you a gdrive file/masterpost link

[theres-whump-in-that-nebula]

The numerically-related spell I recited and wrote down incessantly in high school is kicking my ass and also may literally break my bones at some point in the near future.

[alittlewomble]

question what is a womble. is this reference to the band. the show. a joke about those fake australian animals. or just a fun word

please i must know 🙏

It's a reference to the 1969 hit book 'The Wombles', by Elizabeth Beresford; A novel about a group of animals that reside in Wimbledon Common (although they have burrows all over the world) and live by the motto "Make Good Use of Bad Rubbish, which later prompted multiple follow-up books and even a tv show.

I read a lot of The Wombles as a child, having an English father (although I didn't even know there was a tv show until much later) so they were an important part of my development. I also used the word 'womble' as part of my first ever email address so I think it's stuck with me through sentimentality.

They also get their names by flicking through an atlas:

Truly the most creatures ever.

[abowlofpetuniasandawhale]

honestly the worst thing about adhd for me is that a new hobby or hyperfixation is one of the greatest sources of joy, but its always haunted by the knowledge that it won’t last and i don’t get to decide or even know how long. I can’t count on being interested in anything long term.

it feels like theres a clock ticking above my head and i cant see how much longer i get to enjoy something. i can’t start big projects for fear of never finishing them. i have to hold myself back from anything that requires long-term commitments or consistency because i can’t rely on future-me to follow through.*

when i pace myself and try to casually keep up with something after the hyperfixation ends it just isn’t the same, the joy is gone. when i say fuck it and just let myself run, i end up trying to cram years of a hobby into weeks or months. i bite off way more than i can chew, burn out spectacularly, and spend the next month feeling guilty every time i look at the pile of expensive, unused materials that i sat down one day and never picked back up.

Theres a toll that years of it takes on your self-trust, it compromises your ability to make decisions without second guessing the most basic things. “What will I want?” and “what will I like?” aren’t any less opaque at six months from now than six years. I can’t count on what I want. In a way, I can’t count on myself and there’s a grief that comes along with that.

i see so much about dealing with adhd shame, but i dont think i’ve heard more than one person express the grief that comes with losing something you really love, not because it leaves you, but because your body simply decides without your permission to stop loving it.

[daveth-isnt-dead]

Tentatively

Summary:

You don’t want to tell him the truth, that most of your friends have grown up and don’t talk to you anymore, that while you love your family it’s too difficult to find time to travel and see them, that you are incredibly lonely.

Contains: Fem Reader, Death Mention (but only as much as you would expect given the source material) Word Count: 2,235 Read on AO3

You still feel strange a few hours after leaving the chatroom. Grim, who despite all evidence to the contrary, is actually the Grim Reaper, left pretty abruptly after telling you there is something incredibly wrong with your soul and you are unsure if you should be concerned or offended about the whole thing. 

After a disappointing meal of microwaved leftovers and an attempt at enjoying a relaxing bath despite your apartment’s abysmal water temperature, you find yourself laying back on your bed and staring up at the all too uninteresting ceiling as you wait for your hair to dry. The window above your desk is open and the cool breeze is pleasant, but you’re already getting the sense that you will have trouble getting to sleep tonight, despite Grim’s uncharacteristic insistence that you get some rest after today. 

There’s something so lonely about these summer nights, lonely enough that you find yourself scrolling through your contacts list, looking for someone ( anyone ) to talk to. Calling your parents this late will only make them worry, and all of your friends from uni have much better sleep schedules than you do and will already be out cold. You toss your phone onto the vacant pillow beside you and let out a sigh, that really only leaves one option. 

Hoisting yourself from the bed, you walk over to the desk and grab your laptop. Quickly tapping open the chatroom app and turning off your camera before hitting the call button. You push your lamp and pot-plant out of the way to leave room for the laptop on your bedside table and lay back down as you wait for an answer. 

You spend the first seven rings worrying that he won't pick up, by the eighth you are proven wrong.

“I thought I already told you to go to sleep.” He says in lieu of a greeting. 

All the lethargic energy in the room suddenly dissipates, and your mouth tugs up in a smile, “Hello to you too”

“I was being serious.”

“Yeah, but you aren’t my boss.” He huffs, “I am your reaper.” “Oh?” You reply, smirking to yourself, “ My reaper, are you? Just mine?” “No! I- I’m just assigned to you. That does not mean-”

You laugh, “Sorry, sorry. I’m just teasing, thank you for picking up, I mean it.” It’s quiet, but you swear that you hear a sharp intake of breath on the other end of the call, “I- well, I just wanted to be certain that you were not suffering any side effects from the soul connection.” He clears his throat, “You…aren’t…are you?”

“I’m having trouble sleeping, but I don’t think I can blame that on you. I suppose I feel a little jittery? But that makes sense given my emotional state right now.” “What is it?” “What’s what?” “Your uh- your emotional state.”

“Oh.” You say, feeling your heart beating a rapid tattoo behind your ribs, “Well, I dunno. I’m a little overwhelmed, I suppose. I really just thought you were an edgy cosplayer, and I mean, you still are but you are also literally the Grim Reaper, so I’m still just dealing with that I guess.”

“That is perfectly normal, then. Though you should have been feeling frightened the moment I contacted you, your reaction was quite delayed.” “Hey! I never said ‘frightened’ I said overwhelmed! That’s a completely different emotion.”

He chuckles, “Unable to stop thinking about me, then?” “That also isn't what I said.” Though, he isn’t entirely wrong, “I’m just worried about how I'm going to focus at work tomorrow when I’ll be spending the whole day looking over my shoulder to make sure some white-haired twink isn't about to commit murder upon me.” 

“White-haired what? ” “Twinnnnk~” You reply, “Look it up, I’m sure that will keep you busy for a few hours.” “I hardly need to be kept busy , I have important work to do.” “Like stealing my soul.” “Yours and others, I do not just follow you around all day.” He says dryly, “You are not that important. Also, I will not be murdering you. I am pushing you in the correct direction, one you have stubbornly been avoiding for far too long.” You hum quietly to yourself, reaching out to pat your cat where he sits next to you on the bed, “How was I meant to die anyway? Just out of curiosity, since you seem to know everything about it.” He doesn't answer for some time, and the deafening silence makes you regret even posing the question. 

“Do you really want to know?” He finally asks, “Most people never find out, because unlike you they die when they are supposed to.” “Hit me with it, Grimmy.” He groans, “Do not call me that.” then you hear him sigh, deeply, contemplatively, “You were supposed to die of food poisoning.” “Oh.” You reply, feeling your heart sink a little, “Damn, that sucks. That’s so…boring”

“Death often is.” “I guess, well, I guess I was hoping that the way I die might be interesting at least. What food would have poisoned me anyway?” “Ham sandwich.” “Yikes. Was the ham poisoned or something?” “No, just expired. On a related note, you do need to clean out your fridge more often.” He’s right. Your fridge is pretty nasty, and it kind of always has been. It’s a very low priority on your list of tasks.

“Grim?”

“Yes?”

You swallow, unsure how to phrase the real question hiding in the recesses of your mind, “could you…I dunno, kill me gently, if it comes to it? I mean, I just-“ you roll over onto your side, making eye contact with the black screen of your laptop, “If I have to die, I don’t want it to hurt.”

There’s silence for a moment, and then he replies, “I don’t want it to hurt you either.”

“That’s…sweet, Thank you.” “Lacking desire to see you suffer does not make me sweet , it makes me considerate .” He sighs irritably, “More importantly, does this mean you’re finally willing to hand over your soul?” You laugh, “ No! I just- I dunno, I had a weird day and I'm feeling kinda existential now.” You look through your window, staring up at the night sky, “Do you feel that way sometimes, or is it just a human thing?”

“I do not see how that’s any of your business.” “C’mon, Grim. Just play along for once, get silly with it.” You hear him huff on the other end of the line, you can picture the exact pouty face he must be making right now, “I have been a reaper as long as I can remember, and will continue to be one for the rest of my life, there is little for me to be existential about.”

“Hm.” 

“What?” He says brusquely, “What are you ‘hm-ing’ about?”

“The thought of having one job for the rest of my life is exactly the sort of thing that makes me existential, that’s all.” “Well you don’t have to work at the same job for the rest of your life, so what exactly are you complaining about?” “I mean, the rest of my life might only be a few more days.” You say, “Provided you win our bet of course, which you will not be doing.” “Do not doubt me, Sunshine. You may come to regret it.” You giggle, “Doubtful.” There’s a rustling sound on the other end of the call, you can only assume that he is also lying in bed right now, “I am quite literally death, and I even gave you concrete proof of this fact this evening.” his voice turns quiet, dare you think it, wistful, “Why aren’t you afraid of me?” You shrug, even though he can’t see you, “You aren’t very scary.”

“I am going to take your soul .” “You are going to try and take my soul.” a smile tugs at the corners of your mouth, “And even if you do, you’ve already promised to do it gently .” “I promised not to hurt you, I never said anything about being gentle .” 

“I’m sorry, I just don’t see the difference between those two statements.” He groans, and when he speaks again his voice is muffled. You suspect he has his face buried in a pillow, “You are infuriating. When I leave the chatroom for the evening I assume that I am done with you, I was not prepared for you to insist on continuing our conversation well into the night.”

“What, are you tired?” All goes quiet for a moment, and then, “No. Are you?” “Nope.” “Hmph, you should be at this hour, especially after a day of work.”

“I- well, I dunno…”

You don’t want to tell him the truth, that most of your friends have grown up and don’t talk to you anymore, that while you love your family it’s too difficult to find time to travel and see them, that you are incredibly lonely. You are tired, you have to be up at 5:00 to get ready for work tomorrow morning, but the idea of saying goodbye, of hanging up, makes something ache deep inside you. Something inside the very soul he wants to steal. 

“You don’t know, what?”

“Huh?” Grim huffs again, “You said, ‘i dunno’ and then stopped talking, which is very out of character for you, by the way.” “Oh? Did you miss me? Were even those brief seconds of silence enough to make you realize how much you love hearing my voice?” “I will hang up.” 

“Don’t.” You say before you have time to think better of it, “Please.”

“I-“ he clears his throat, “Only if you can act normally for the rest of our conversation.”

“I’m plenty normal, you’re the weird one.”

“What’s weird, how am I weird?”

You roll onto your back, staring up at the celing, “Oh i dunno, just the whole ‘I am death incarnate! I have come for your soul! I will connect my soul to yours! ’ schtik” 

“You know fully well that it is not a…what did you call it? A schtik?” He pronounces the word completely wrong, “Whatever that is, it is not one of those. I am death incarnate, I am here for you soul, and you were literally an active part in the soul connection.”

“Oh, about that soul connection thing, by the way.” He scoffs, “Your ability to change the subject at a whim is still strong as ever i see.” 

“I know, I’m very talented- anyway! I wanted to ask if you can do anything cool now that we have a soul link or whatever.” “I have already told you, I cannot control your body. As entertaining as it would be to embarrass you publicly, even my exceptional abilities could not do that” 

“Oh kay , how about something easier, then?” You feel the warmth of your cat as he snuggles up against your side and instinctively reach out to pat him, “Read my mind, go on!” “I cannot do that.” “C’mon, Grimmy, give it a go!” You squeeze your eyes shut, “I’m thinking about something real hard right now.” He sighs, “Are you thinking about your cat?” “ Whaaaat? How did you know?!”

“I didn’t know , i guessed. I can’t read your mind, but i am still attuned with your soul.” His voice has turned uncharacteristically soft, he’s almost whispering, “It… flutters …when you are happy, and your cat makes you happy. So I guessed…”

“So you’re a soul reader, then?” You ask, trying to ignore the fact that your stomach also feels oddly fluttery right now.

“That is not a thing. You’re just making things up now.”

“Try again.” You say, your mind unwittingly flooded with thoughts of soft white hair and judgemental red eyes. Of hands you wish were bare, of sharp toothed smiles. Your heart slows to a languid rhythm, and something you aren’t ready to put a name to curls warmly in your belly. You close your eyes, softly this time, and breathe, “What am i thinking about now?”

He goes silent for a long time, you can hear the slow, even draw of his breath. You can picture him laying back on his bed, hair splayed over the pillow, brow creased in concentration and you wonder if he is thinking about you too. After what feels like an age, he finally answers, “your…plant?”

You burst into laughter and any tension in the air shatters, “My plant?! What about my soul was screaming plant just then?”

“Well, I don’t know! It was just happy again, happier, even and I assumed that you were smart enough not to just think about your cat again.” 

“Yeah, you got me.” You lie, “it was my cat again.”

“Hells, every single day you find a new way to get under my skin.” He sighs, and despite his earlier statement, his next words come out almost fondly , “You need sleep, mortal.”

“Yeah.” You reply, feeling that ache tug at you again, “I probably do.”

“I will talk to you tomorrow, that is, if you survive until then.”

That gets a laugh out of you, and you can’t tell if that was his intention or if he was being completely serious, “I look forward to it. Remember to murder me nicely, Grim.”

“As nicely as I can, I swear.” You can hear his smile, “Goodnight, Sunshine.”

[anthurak]

Something I absolutely love about the alternate-timeline aspect of Scott Pilgrim Takes Off is that it really feels like a logical extrapolation and ‘next-step’ to the genre/trope-subversion and exploration of the original comic.

Remember how the whole idea of Scott Pilgrim the comic is taking a very basic, generic and ‘tropey’ premise; ‘Boy likes girl, boy must defeat girl’s seven evil exes in order to date her’, and uses it as the backdrop and framework to explore, deconstruct and develop its characters.

Like how the biggest conflict at any given point of the comic is never the actual battles with any of the Seven Evil Exes, but rather Scott being forced to confront some major problem with himself or his relationship with Ramona (usually the former). How the true ultimate ‘antagonist’ for both Scott and Ramona isn’t any of the Evil Exes, but rather themselves. Their own long-festering hang-ups and insecurities that they’ve been refusing to confront or acknowledge that have in turn led to them being pretty shitty people over the course of their lives. For as bad as Gideon is, he’s still only a mirror showing all the bad that SCOTT could become.

So with that in mind, it really feels like the anime simply took this idea a step further: What if we took the basic, generic and tropey premise that nonetheless served as the framework for the story and held it together… and broke it.

When the narrative guide and scaffolding that held the original story on a certain course is shattered when the story is just getting started, where does the story go?

It’s actually one of the ways I think Scott Pilgrim Takes Off can be appreciated even if you haven’t read the comic or watched the movie. Even if you aren’t familiar with the story, the first episode makes it pretty easy to guess how this story should play out: Scott meets Ramona, they have their first date, they really hit it off and seem set to become a couple. We’re introduced to what clearly seems to be our ‘Big Bad’ in Gideon and our ‘Starter Villain’ in Matthew. Again, even if you don’t know one thing about Scott Pilgrim, by the time Matthew Patel crashes the party you probably have a pretty good idea how this whole story SHOULD go.

And then Matthew (seemingly) KILLS SCOTT in their first fight!

THEN the second episode ratchets things up even further when all signs point to Scott, our title character, being ACTUALLY DEAD for real. And then Matthew, again the guy who should be the starter villain, goes and beats Gideon Graves, the guy who clearly SHOULD have been the FINAL BOSS of this story!

And then the third episode sees Ramona, the girl previously set-up as the designated love-interest, firmly established as the new PROTAGONIST of the story. With Ramona given both an overarching goal in finding what really happened to Scott, and an ongoing character-arc of meeting and reconciling with each of her ‘evil exes’.

Basically, even if you aren’t familiar with the full specifics of the source material, I feel like Scott Pilgrim Takes Off can still be enjoyed as essentially a show that at first sets up what seems to be a fairly wrote and predictable story before flying COMPLETELY off the rails at the end of its first episode into something quite a bit more unique.

[the-owl-tree]

Deer's Xenofiction List - The Good, the Bad, and the Furry

Compilation of my xenofiction books I've read, my opinions on them, and ones that I've yet to get to. Will be updated as I go along, if I remember. Books I have not read have an asterisk (*) in front of them. Not a complete list, I will update as I gather more titles.

Adaptations will be listed along with the source material and not as a separate entry.

While I am accepting additions to the list, please make sure your suggestion isn't already listed.

Last Updated: 27-05-2024

-New 'miscellaneous' section. -New addition to the books section. -New addition to the film section, removed Dreamworks and Disney films. -New addition to the television section.

-Categories and sub-categories being considered: short films, animal transformation (human to animal).

-Content Warning: Mentions of sexual assault, animal abuse, animal death, and violence. Only a handful of entries have content warnings because they were given to me prior. Please look into the works beforehand to see if you feel comfortable engaging with them, this list is not a content warning guide.

Books

Warriors by Erin Hunter - A long-running series following the drama of four groups of feral cat groups in a forest.

Rating: sucks just read the first arc and nothing else. unless you have childhood nostalgia for this series you probably won't like anything that comes after.

Seekers by Erin Hunter - another animal series from the erin hunter team. It follows a group of bears searching for a safe place to live.

Rating: It's fine. I only read the first arc. While it has a much drearier tone than Warriors at times as it deals with growing environmental impact of global warming and human interference. If you like Erin Hunter's writing style, you might like this one.

*Survivors by Erin Hunter - Look we just gotta get these out of the way, these guys have a monopoly on kid's animal books. Survivors follows a dog named Lucky (yes. really) trying to survive in an area abandoned by humans.

Rating: I read the first book and nothing else. I'm sure it's...fine, suitable for a dog-obsessed young reader but as it is, no one's really rushed to recommend it to me. I'm sure it has fans somewhere, but I can't really speak for them.

*Bravelands by Erin Hunter - uuuhhh animals? in Africa? Surviving? I guess? Sorry my bias against Hunter is showing, but at some point you start to wonder what's going on here, you can feel them trying to recreate the success of Warriors.

Rating: idk what to tell you, never read it and probably never will. If you're a person who likes lion stories, you might enjoy this, maybe? Been told the hyena rep is appalling, another sad day for hyena lovers everywhere.

*Bamboo Kingdom by (you guessed it) Erin Hunter - It follows three pandas (apparently) each in different panda kingdoms.

Rating: I couldn't tell you shit about this one to be honest. You want more bears? Here's bears!

The Bees by Laline Paull - A novel following the life of Flora, a sanitation bee in her hive who rises through the ranks of her devout society.

Rating: Unfocused at times and a rushed ending, but a gripping story nonetheless. Would recommend!

Pod by Laline Paull - Follows the life of Eira, a spinner dolphin from an "exotic tribe" who is forcibly taken into another group of dolphin's to become a member of their leaders harem.

Rating: This book relies on the mythos of "dolphin rape" with numerous, non-graphic sexual assault scenes. While interesting concepts are introduced and, at times, the plot becomes compelling; it otherwise flounders its premise with messy execution and poorly thought out ideas. Also there's an American spy dolphin named Google, make of that what you will.

*The Wildlings and its sequel The Hundred Names of Darkness by Nilanjana Roy - A book about a small band of cats lives in the labyrinthine alleys and ruins of Nizamuddin, an old neighbourhood in Delhi.

Rating: Recommended multiple times to me by different people, no warnings given.

Varjak Paw (and sequels) by S. F. Said and illustrated by Dave Mckean - A short book about Varjak, a Mesopotamian Blue Cat, and his journey to learn an ancient art from his family’s past.

Rating: Varjak Paw is unique with striking imagery and interesting ideas. However, the writing in itself is far from anything special. The book it at its best when accompanied by Mckean’s striking visuals.

*The Underneath by Kathi Appelt - An abused dog hides under the porch of a home to escape from its owner. Based on a reply I've been given, do not ask me to expand anymore on the plot of this book, I have no goddamn clue.

Rating: Described as a formative book for reading xenofiction, it’s been recommended highly! Contains heavy topics such as animal abuse, be warned.

*Fire Bringer by David Clement-Davies - A novel following a red deer named Rannoch and a prophecy that looms over him.

Rating: It seems to have a decent fanbase and it's been recommended to me a handful of times.

*Bambi, a Life in the Woods by Felix Salten - A coming-of-age novel following a roe deer named Bambi. Best known from the 1942 Disney film.

Rating: If you're a deerhead, check it out I guess!

*Raptor Red by Robert T. Bakker - Often (favorably) compared to a textbook, Raptor Red follows a female Utahraptor. Written by a paleontologist, it's meant to be a realistic look at dinosaur's social habits and their interactions with their world.

Rating: Yet to read but sounds cool as fuck. This book contains a heavy emphasis on realism and world-building, with little dialogue. It may be slow for some readers!

Black Beauty by Anna Sewell - Horse girls, certain English classes, and so on, Black Beauty is fairly well-known. Though for those unaware, Black Beauty follows the titular Black Beauty's life in Victorian days.

Rating: It's a classic! Pulls at your heart strings! Just typing this out makes me want to reread it.

Watership Down by Richard Adams - Similar to Black Beauty, I can't imagine anyone reading this list doesn't know about the tale of a group of rabbit's trying to survive a harsh world.

Rating: It's well-written with a lively world, but its treatment of its female cast reveals a deep gendered bias in the writing.

*Mrs. Frisby and the Rats of NIMH by Robert. C. O'Brien - Mostly known from the (excellent) Don Bluth adaptation, the book follows Mrs. Frisby and he encounter with a group of highly intelligent rats.

Rating: Yet to read.

*Redwall by Brian Jacques - A 22 book series following a group of anthrophormic animals who live in Redwall Abbey and their call to action to defend themselves from "vermin".

Rating: Yet to read

Guardians of Ga'Hoole by Kathryn Lasky - A 31 book series following a group of owls and their attempts to thwart evil. The first arc follows Soren and his attempts to find the owls of Ga'Hoole and beat the 'Pure Ones' while the later books act as an epilogue and prequel.

Rating: First half read and loved! Highly recommend! Handling of Kludd is...meh.

Note: It has an animated film adaptation! While not entirely faithful, it still does a great job keeping to the themes of the books, trimming the fat, and telling a complete story. It also has two video games, one on DS and one on ah other consoles? Both are fun, I like the Wii version.

*(sorta?) Wings of Fire by Tui T. Sutherland - Most people reading this will know this one! It takes place in a world of dragons with seven tribes. The first arc follows the exploits of prophecized dragonets and their attempts to end a war.

Rating: I've yet to finish it. The writing is skewed for a younger audience but is charming nonetheless.

Note: It has a graphic novel adaptation illustrated by Mike Holmes.

*Duncton Wood (First book of the Duncton Chronicles) by William Horwood - A novel the three groups of moles in Duncton Woods and the tyranny of a powerful mole named Mandrake.

Rating: Not yet read, heard good things! lots of mole sex apparently.

The Plague Dogs by Richard Adams - After escaping an animal research facility, Snitter and Rowf escape out into the wild where they must survive a hostile world.

Rating: ough. my heart. would recommend.

Note: Well-known for its animated adaptation, would recommend it as well.

*Silverwing by Kenneth Oppel - The first in the Silverwing book series, Silverwing follows a bat named Shade who loses his colony during a migration to the south.

Rating: Yet to read but I've heard good things!

Note: Currently has an animated television adaptation, go check it out!

*A Black Fox Running by Brian Carter - The story follows the tale of a dark-furred fox named Wulfgar and his human nemesis, Scoble the trapper, over the course of time.

Rating: Yet to read.

*The Books of the Named/Ratha’s Creature (First book of the Ratha’s Creature series) by Clare’s Bell - Ratha’s Creature is set in prehistoric times following the story of Ratha, a Dinaelurus nimravid(?) and her role as a female in her Clan.

Yet to read, often recommended in the Xenofiction scene.

*The Taken (Book one of the Foxcraft trilogy) by Inbali Inserles - Follows the story of Isla, a fox kit who loses her home and family and must survive in the world of “furless” while mastering Foxcraft.

Recommended by @girlashfur

*Hurry Home, Candy by Meindert DeJong and illustrations by Maurice Sendak - Described as "heavy", Hurry Home, Candy follows the life and struggles of a dog named Candy.

Recommended by @mosshugs

Felidae (the first book in a nine book series) by Akif Pirinçci - A crime novel following Francis the cat as he tries to uncover the truth behind a series of murders in his new neighborhood.

Rating: I haven't read the novel and nor do I want to, but I did watch the adaptation. It's a grisly one but apart from the violent murders and striking imagery in the film, you're not missing much by skipping it. I can't really recommend this one for a variety of reasons.

Important: I can't stop you from reading the book or watching the animated adaptation, I watched the animated adaptation, but please do not financially support the author in any way. Pirinçci is a far-right dipshit and does not deserve support.

The Animals of Farthing Wood by Colin Dann - With eight books under its belt, The Animals of Farthing Wood originally started as one book about a group of woodland animals trying to find a new home after losing their old one to human development. It was followed by six sequels and one prequel.

Rating: Haven't read the books but I love the animated adaptation of it! I recommend checking out both.

*Ragweed (First book of the Dimwood book series) by Avi - A book about the adventures of a mouse seeing the world.

Recommended by @meanling

*A Dog's Life: An Autobiography of a Stray by Ann M. Martin - Written by the same author of the Babysitter's Club series, A Dog's Life chronicles the life of a dog named Squirrel.

Recommended by @meanling

*Scary Stories for Young Foxes by Christian McKay Heidicker and illustrations by Junyi Wu - Scary Stories for Young Foxes is a book consisting of several stories all told by a mother to her kits.

Recommended anonymously

*The Sight (and its sequel The Fell) by David Clement-Davies - Set in the same universe as Fire Bringer, The Sight follows a pack of wolves cursed by a lone wolf, Morgra, whose powers foretell the destiny of one of the mother wolf's pups: Larka, a white wolf gifted with a mysterious power known as The Sight.

Not yet read.

*Last of the Curlews by Fred Bodsworth - A realistic depiction of the journey of the last of a critically endangered and soon to be extinct bird.

Not yet read.

Note: Has an animated adaptation!

Comics (Webcomics included)

Beasts of Burden written by Evan Dorkin and illustrated by Benjamin Dewey and Jill Thompson - The comics follow along the adventures of the ‘Beasts of Burden’ a group of animals who investigate paranormal happenings in their neighborhood.

Rating: With gorgeous art and an interesting world, I recommend! Just be warned, it is bloody and the sory doesn't hold your hand.

Note: Beasts of Burden currently has 21 comics published in Dark Horse Comics.

What Lurks Beneath by ArualMeow - A feral colony must grapple with a food shortage while simultaneously tussling with the divide between two groups of cats.

Rating - A highly compelling read. Each character plays a role in the unravelling drama of three siblings and you will walk away loving someone.

Note: Ongoing!

I Hope So by Detective Calico - A rewrite of My Pride turned into an original story, I Hope So follows the story of three lionesses navigating both the complicated politics of the lion prides but also the harsh environment they must survive in.

Rating: Slow to update but absolutely worth it! I Hope So is a charming and interesting read. It’s yet to finish but it’s far enough that you'll be able to invest yourself in the world and characters with no trouble!

Note: Ongoing!

Tofauti Sawa by TheCynicalHound - A revenge story that follows a spotted hyena named Sahara.

Rating: Tofauti Sawa is not here to endear you to its protagonists or hold your hand. It can be a tough read but a worthwhile one nonetheless. I need to catch up but I recommend it!

Note: Ongoing!

*Golden Shrike by Doeprince - A story about twin deer and their friends and their search to retrieve three fallen stars for a bored God.

Rating: Yet to read but I've heard good things!

Note: Ongoing!

*Doe of Deadwood by Songdog - It follows a deer who has a pact with a demon that takes the form of a tree. It has some heavy themes and light gore.

Recommended by @beeloaf

Note: Complete!

Jet and Harley by Doeprince - Described as a beautiful piece on grief and moving on, Jet and Harley stars a kitty cast and gorgeous artwork.

Rating: Recommended anonymously. It's still starting but it has some strong set up and charming writing going for it, I recommend keeping an eye on it!

Note: Ongoing!

Preeny Has to Repeat 6th Grade by momodriller - A love letter to adoptables and the creativity of young artists, this charming comic utilizes designs bought from adoptables on DeviantArt! It follows the story of Preeny, a young cat with a magic brush tail and what happens when her whole world turns upside down.

Rating: Beyond adorable, charming and sweet. There's a lot of love put into this webcomic and it shows! Highly recommend.

Note: Ongoing!

Africa by Arven92 - The story of a female leopard named Africa and her quest to protect her family and loved ones while her territory comes under threat.

Rating: Gorgeously drawn and with a story that twists, Africa pulls no punches in showing you the wickedness of its antagonists but also the enduring bond of a family.

Note: Ongoing!

*Oren's Forge by Teagan Gavet - A webcomic that explores the dynamics of predator and prey and what happens when those divisions fall in the story of a pair of pine martens and their journey for sanctuary.

Rating: Not yet read

Note: Ongoing!

*Pride of Baghdad written by Brian K. Vaughan and Niko Henrichon - A graphic novel falling the fictionalized account of the real life escape of four lions from the Baghdad Zoo after an American bombing in 2003.

Rating: Not yet read.

Content warning for graphic violence, gore, animal death, and a brief one panel depiction of sexual assault.

I Didn't Know by Songdog - A comic about a cat exiled from her Church.

Rating: Not yet read.

Note: Ongoing

Manga & Anime

*Silver Fang Gin and Ginga Densetsu Weed written and illustrated by Yoshihiro Takahashi - The original and the sequel respectively, the manga series follow Akita dogs, Gin and Weed. While Silver Fang focuses on Gin's search to fight the monstrous "Red Helmet", Weed follows the titular Weed and his search for his father.

Rating: I've not read this but upon getting recommended it, multiple people warned me about the misogyny in the series. Ye be warned. Additionally, the manga is (apparently) very gory!

Note: Both have anime adaptations. Weed's opening is a fucking banger go watch it at the very least.

Beastars (and Beast Complex by extension) written and illustrated by Paru Itagaki - In a world of anthromorphic animals, Beastars follows Legosi, a young wolf navigating his complicated feelings towards other species and learning more about his world.

Rating: Beastars is action-packed, fun, emotional, and dramatic! The first half is a compelling story of identity and how we interact with one another and the complex forces of society that drive our feelings, all wrapped up in a wonderous animal metaphor. As a coming-of-age story, it carries themes of desire, sexual desire, yearning, shame, and more. The second half is eeeeehhh not as strong, but I still recommend it nonetheless!

Note: Beastars currently has an anime adaptation by Studio Orange! It looks fantastic and has some really nice quality of life changes. Highly recommend.

Chi's Sweet Home written and illustrated by Konami Kanata - An adorable slice-of-life story following a cute kitten named Chi adapting to her new home.

Rating: It's just plain cute! If you're looking for something adorable to help you relax, I recommend this one. It's for a younger age demographic so don't go in expecting deep storylines or anything.

Note: Chi's Sweet Home has two adaptations: one with traditional 2D Japanese animation and two seasons and a 2016 3DCGI adaptation. I'd recommend the original adaptation but that's pure preference.

Nyankees written and illustrated by Atsushi Okada - A comedy manga that depicts street cats as brawling "yankees", drawing them as both cat and human to depict their brawls over food, territory, and ladies!

Rating: It's funny, I can't deny the humor in this one makes me chuckle. It's a little racy but otherwise, a fun, light-hearted read.

*A Cat's Tale written by Sae-Him Kwon and Hyeon-Jung Kim and illustrated by Kwon-Sam - A thrilling tale of murder and deception from the animals living on the Sae-Min's farm from the point of view of an elderly cat.

Rating: Yet to read, discovered on Anime-Planet's search system.

Monotone Blue written and illustrated by Nagabe - A story set in high school, it's a BL manga that follows Hachi the cat and Aoi the lizard.

Rating: Yet to read, but I adore the author's other works so I have high expectations!

*Neko to Ryuu written by Amara and illustrated by Sasaki Izumi- A cat raises a baby dragon as her own.

Rating: Yet to read but come on, that sounds adorable.

A Story of Seven Lives written and illustrated by Shirawaka Gin - A Story of Seven Lives follows Nanao, a former housecat turned street cat after a terrible tragedy.

Rating: It's a tearjerker and absolutely adorable. The artwork is lovely and all the cats' designs look fantastic. if you're interested in a simple drama about the relationship between cats and people, i would highly recommend it.

Note: There are human protagonists! If you want pure animal protagonists, maybe skip this one.

Film

i'm not gonna put every disney or dreamworks film on here i'm sure a majority of us know that disney makes a lot of already popular animal films. if possible, i'd like to spotlight some films that weren't made by big studios and/or don't get a lot of attention. Further note, some of these are adaptations of children's books. I'm cheating a little here mainly because the adaptations are more well-known and probably more appealing for readers of this list than the original books. Uh, sorry.

The Brave Little Toaster directed by Jerry Rees - The film follows the adventures of sentient kitchen appliances and the search for their owner.

Rating: Aimed for a younger audience, it's an adorable viewing for all ages.

Isle of Dogs directed by Wes Anderson - In the year 2038, canine flu breaks out in a futuristic Japan and all dogs are sent to 'trash island' where they fight to survive. One day, a young Japanese boy crashes down on trash island to find his dog.

Rating: The stop-motion animation is gorgeous, the writing is fun and charming, and the visuals are amazing, however the film has rightfully garnered criticism for its stereotypical depiction of Japanese society and 'white savior' narrative around one of its human characters.

Chirin no Suzu (English Title: Ringing Bell/Chirin's Bell) directed by Masami Hata - On a farm, Chirin witnesses the death of his mother to a wolf. Distraught and filled with rage, Chirin vows to get revenge and trains to do so.

Rating: A fantastic and visually striking film, the film's cute aesthetics hide a sombre and darker story. Would recommend!

*Vuk (English Title: The Little Fox) directed by Atilla Dargay - A Hungarian animated film that follows the life of a fox and how he must use his wits to survive.

Rating: Not yet watched.

Arashi no Yoru Ni (English Title: One Stormy Night) directed by Gisaburō Sugii - On one stormy night, a sheep and a wolf take refuge from a storm in the same abandoned home and befriend each other...unaware of what species the other is until later. They strike an unusual friendship that's tested when their respective groups begin to clash.

Rating: Cute, sweet, and well-animated, One Stormy Night is well known for the romantic undertones of its two leads. I think it's adorable and highly recommend.

Note: It received another adaptation of the same source material, a 3D animated show where they made the sheep a girl. Do with that information what you will.

Leafy, A Hen into the Wild directed by Oh Sung-yoon - A farm chicken dreams of one day living a life in the wild and raising her own clutch of eggs and, after faking her death to escape, finally gets the opportunity to do so.

Rating: A gorgeous animated film with moments that will tug at your heart strings. It's got some kiddy jokes with poop and fart jokes but they're not too distracting. Would recommend!

Note: Please find a version with the ORIGINAL ending, not the censored one. It is more thematically fitting and one heck of a gut-punch.

Underdog/A Dog's Courage directed by Lee Chun-baek and Oh Sung-yoon - After being abandoned by his owners, a dog joins up with a pack of other dogs in search of 'paradise'.

Rating: Despite some poor pacing and wonky tonal problems, I think this movie is still worth checking out! The character designs are cute and it's decent entertainment if you've got some time.

Note: There's a post that says this movie is about dogs escaping to North Korea, it's not true. They escape from North Korea to South Korea.

Padak directed by Dae-Hee Lee - A dark and sometimes brutal film about a wild fish that ends up in a restaurant fish tank that overlooks the ocean. The film stays there and the audience is given a tense, nerve-wracking narrative of life and death.

Rating: A fantastic, emotional movie that uses its limited setting to its full advantage. It's brutal and unforgiving but one hundred percent worth the watch.

Khumba directed by Anthony Silverston - A film that follows a zebra with only half his stripes and his journey to gain the rest of them in hopes of being accepted by his herd.

Rating: It's fine, a little wonky but it has a lot of heart.

Earnest and Celestine directed by Stéphane Aubier, Vincent Patar and Benjamin Renner - A gorgeous 2D French animated film based on a series of children's films about a bear who takes in an orphan mouse in an anthropomorphic society that does not approve.

Rating: you're going to get cavities at how sweet this film is. Charming, funny, and visually stunning, you would be remiss if you didn't watch this wonderful film at least once.

The Land Before Time directed by Don Bluth - After tragedy strikes, young Apatosaurus must embark on a journey to find the Great Valley.

Rating: It's a classic! A bit cutesy and meanders at times, but still worth a watch.

Note: Pretty well known for the host of direct-to-DVD sequel movies it produced, a television series, and a video game.

Television (Online Productions Included)

My Pride directed by Maddi Patton - My Pride is an independent internet production that follows the tale of a disabled lion named Nothing trying to exist in her cruel society.

Rating: My Pride is clearly a work of passion, one can’t deny the creator clearly had a vision of what she wanted from this show. However, the execution is flawed and the handling of disability has been (rightfully) criticized. While the animators and voice actors have clearly put a lot of love and effort into the project, the writing falls short of what it could be.

Note: The series ends on a cliffhanger and has been discontinued. You have been warned.

My Little Pony (Generations 1-5) developed by Hasbro - If you like ponies, here you go! While G1 did have a human character, G3 to G5 are purely horsies. Each generation has a different story and main cast to follow.

Rating: Very obviously for a younger age demographic, the generations do have their own charm! G4 is popular for a reason with a sleek style, witty writing, and a lovely cast of characters.

Azurehowl and Azurehowl Reborn created by azurehowlshilach - Bet this one brings back nostalgia lol Azurehowl is set in a world where wolves have the magic of dragons! It centers around Ruuza who may be more special than she realizes.

Rating: i gotta rewatch this one to make my thoughts clear but i remember finding it charming. Azurehowl Reborn appears to be the remake/reboot of the original series.

Note: Ongoing!

Twelve by Petpyves - An original series about May and Imp, a duo who's jobs are to jump from body to body and guide them to a better end, results vary. It's a work of love and has some really strong concepts and writing, as well as doing its best to handle more mature subejcts with respect.

Rating: It's rough around the edges but nonetheless a great show to binge! I recommend it, though it's been a while since I watched it.

Note: Complete!

No Evil by Betsy Lee - In the land of myths and fables incarnate a group of spirits live their casual lives alongside humans, until a cataclysmic force thought to be dealt with shows once again in the world. A prequel series to the webcomic Brother Swan.

Rating: Not yet watched.

Note: Complete!

Burrow's End by Dimension 20 - A Dungeons & Dragons campaign following a group of stoats.

Rating: Not yet watched.

Note: Complete!

Video Games

Okami developed by Clover Studios - You play as the wolf Amaterasu on her journey to save the world from forces of darkness.

Rating: A classic for a reason. Fun to play, great story, lovely characters. Would recommend!

Stray developed by Bluetwelve Studios - In a walled city populated by robots, you play as a cat.

Rating: ending made me bawl. Gameplay is a bit clunky, the platforming is essentially hitting buttons to automatically jump to your destination instead of you jumping yourself. Otherwise, would recommend!

*Tokyo Jungle developed Crispy's! - Set in a deserted, furistic Tokyo, you can select from a wide array of animals to play as and survive.

Rating: never played but maaan do I want to.

*Spirit of the North developed by Infuse Studio- You play as an ordinary red fox whose story becomes entwined with the guardian of the Northern Lights, a female spirit fox.

Rating: Yet to play.

Untitled Goose Game developed by House House - honk

Rating: honk

*Copoka developed by Inaccurate Interactive - You play as a pigeon trying to build a nest in a totalitarian state.

Rating: Yet to play.

*Seasons After Fall developed by Swing Swing Submarine - 2D platformer where you play as a fox in a magical land.

Rating: Yet to play.

Pokemon Mystery Dungeon developed by Spike Chunsoft - A rogue-like RPG in which you take the form as a human turned Pokemon and must navigate your world. There are currently seven games to choose from, each with a unique world and story.

Rating: I love PMD, I'm putting it here because I'm biased. I love it a lot and it fits the criteria so here you go!

Cattails & *Cattails: Wildwood Story developed by Falcon Development - With the creator known for their WC fan game, Untold Tales, Cattails branched out from the bones of the fan game and became an original game of it's own! In this RPG, you play as a cat where you can hunt, fight, find love, and solve puzzles. Wildwood expands on the base mechanics, adding in farming, characters, and more!

Rating: I found the first Cattails to be cute and simple. It's not an intensive RPG, the mechanics become repetitive after a while. If you're someone who likes getting into the rhythm of a grindy rpg, you'll like this one. Not yet played Wildwood but I've heard it's great!

Rain World developed by Videocult - You play as a nomadic slugcat in a brutal world with only your wits, agility, and strength to survive. Eat, hunt, flee, and hibernate while finding out the secrets of your world.

Rating: Okay. this game is HARD. Like unfair hard. Imprecise controls, brutal difficulty, and sometimes really unfair save points - this one is tough. However, it is gorgeous and it's really fun seeing all the beautiful environments the creators came up with. Enemies are also incredibly complex, reacting to each other and you in different ways. It's an acquired taste, while it wasn't for me personally, I would recommend giving it a try at the very least.

Miscellaneous

Additions that aren't necessarily xenofiction but pertain to it in some way.

Cheek by Jowl: Animals in Children's Literature by Ursula K. Le Guin -A fantastic essay that explores the role of the animal in children's literature from its role as something to reflect human society, or how it teaches children about animals. Furthermore, it explores the ways in which xenofiction can intentionally or unintentionally reinforce human bigotry through what we deem the "natural" order of the world.

Rating: Please read if you're interested in xenofiction! A fantastic essay that kicks you off thinking critically about what xenofiction has to say. The essay has a striking section on Watership Down that I highly recommend reading.

Cardinal West (YouTube) - A YouTube channel that discusses xenofiction. Videos that I recommend to start with are:

How (Not) to Write Xenofiction: A Literary Autopsy of “One for Sorrow, Two for Joy” by Clive Woodall (CW for discussions of sexual assault)

How Adapting The Fox and the Hound Changed Animation