#i had things to do tonight……….

[charlie-artlie]

opinions on cassidy five nights at freddies and the golden duo theory

anon do you realize you’ve asked me about my favorite topic?

TLDR, i dont like either of these theories! but i love talking about them, and if you WOULD like to read about it, i will ramble at length under the cut

so I’ve already spoken at length about my issues with the cassidy theory but here’s a quick rundown:

if shes real, she is one of the most important characters in the entire series and we know literally nothing about her. her name was gotten from a cypher in a word search, and her popular fanon design was just a random kid on the same page (or a different page that was also cassidy relevant? idk) (also also, i have seen a great theory that midnight motorist is actually about cassidy, and honestly id love it if that were true and this was hidden cassidy lore all along, but the character is only referred to with he/him pronouns, which leads to my next issue)

every character that refers to her uses male pronouns. the only argument i could see for this is retcon, because im not going to argue with people that republican scott cawthon made a character named cassidy with he/him pronouns. this would have to mean that sometime between the security log book and UCN scott changed cassidy into a completely new character, which to me, is a much bigger leap than the retcon from “SAVE HIM” to charlie, but, thats just me :/

her name was removed from princess quest, which signifies to me that she is not supposed to represent the princess in that game. steel wool has hidden lots of easter eggs and lore hints in the code, but to my knowledge the only one they’ve removed is the princesses name as cassidy (renaming her just ‘princess’ i believe). imo, it makes more sense if the princess represents vanessa, seeing as they follow the same path, both collect the vanny mask, both get trapped by glitchtrap, beating the game frees vanessa, etc etc etc

my honest opinion? everything she represents in the story would be better served to a pre-established character. i KNOW im biased as a charlie stan, but literally why isn’t TOYSNHK charlie? shes already established as having more control and awareness than the other spirits and likely was the only one who personally KNEW afton when she was alive, giving her even more motive to hate him. or even CC would make more sense! arguably the very first child to die to an animatronic, narratively, it’d make way more sense for it to be him. hes been stewing in agony and remnant for decades, seeing everything his father does, the one character who ACTUALLY has a connection to the golden freddy suit, and! now that we have a slightly more concrete answer to the fnaf 4 cameras from sister location, could actually be counted as one of his fathers victims!

okay, now with that out of the way, onto why i specifically dont like the golden duo theory, because, here’s the thing, even if I could accept cassidy as a Thing in the franchise (which i can! she’s been acknowledged by scott so I have to accept that shes at least real in some capacity [cassacity]) i STILL have issues with the golden duo theory for different reasons

the first and biggest reason is simply that CC is a hugely lore relevant character, who has an actual backstory, a tie to the main villain and the main protagonist (if you consider michael the protagonist, which i personally do), and makes narrative sense to possess golden freddy (the animatronic that killed him, not to mention his father possesses its counterpart, i mean come ON that is just a delicious parallel!!) cassidy, meanwhile, is a name you can find in a word search. and thats pretty much it. (not counting the yandere simulator chica mini game as actual cassidy lore. im literally just saying no. you cant make me.) im sorry, but it just cheapens CCs role in the story. there is literally no point in making him share golden freddy

its just not present in the games at all. there was every opportunity in UCN to hint/tease/confirm this but none of those things were done. the ONLY thing i’ll grant is that “The One You Should Not Have Killed” and “The Vengeful Spirit” COULD MAYBE be different characters, but why would they be? that sounds like two similar descriptions of the same character to me, personally.

the only evidence for it in the books is that, if you ALREADY believe that cassidy and CC are both possessing golden freddy, you can then reverse engineer that theory into “cassidy is TOYSNHK” by saying its a parallel to the stitchwraith plot line. feels more likely to me that TOYSNHK was originally just going to be andrew from the books? i just dont see how any of this actually ties to cassidy

the security log book. i hate the stupid security log book. everything in it is so arbitrary but its also the lynchpin for major fanon accepted theories. sorry but the “two spirits are talking to each other and also michael i guess” just doesnt hold water for me. why is the dialog on random pages out of order, and why does some of it not even line up with each other. the logbook honestly made more sense to me when the theory was bite victim=michael, the way it is now just seems like people deciding it means whatever they want it to mean

okay now this one is a little more nitpicky but im including it anyway (this is again more of problem with cassidy in general but stay with me) including cassidy in the missing children incident would mean we have five missing kids (cassidy, fritz, jeremy, gabriel, and susie), and then separate from that incident i guess, is charlie, and then also separate from that incident is CCs death, so seven dead kids in total (ignoring elizabeth since shes at SL, and also the “second missing children incident”, which is another theory i dislike but thats a rant for another anon messenger). with that math, that means someone HAS to be excluded from the fnaf 6 gravestone ending and i hate that. if cassidy is one of the missing children then shes the obscured gravestone, and then only charlie or CC could be the one in the distance, and excluding either of them feels wrong. CC is (arguably) the first kid to die in a freddys and (arguably….) what started everything happening, and charlie is the one to help the others possess the original suits. they are both more established characters than cassidy, who, again, we know nothing about.

all of that is to say this: if cassidy is a thing, why does she have to be in golden freddy? can i tell you what id prefer? what i think would be so much more narratively satisfying? what i lay awake at night staring without blinking up at the ceiling gritting my teeth wishing was real? i wish…cassidy was possessing freddy. freddy, og brown freddy, is the face of the franchise, and has literally zero lore significance. the only reason we know who possess him is from inference from the fnaf 6 gravestone pic lining up with the fnaf 3 ending head placement (does this sentence make any sense? can anyone hear me?) if cassidy is freddy, then charlie is the fifth missing child (i see no reason why she couldn’t be, theres nothing to indicate that the kids all died on the exact same day) and CC is golden freddy and the narrative is satisfying. cassidy can still be important, can even still be TOYSNHK for all i care, and CC can continue to writhe around in golden freddy in the 5020 ending.

deep weary sigh. i think…. thats actually all i have to say on the subject. if you’ve read this far thanks and also sorry. i just wanna cap this off by saying im not mad at anyone who likes cassidy theory or likes cassidy as a character, i have absolutely no problem with any of that! my problem is entirely with scott, who has just dropped this deus ex machina william-afton-seeking-missile on the table in front of us and refused to elaborate.

[manderleyfire]

BOYD CROWDER & AVA CROWDER in 'JUSTIFIED' (SEASON 2)

I lied for you taking that mining money. This is different, Ava. I guess me taking you in and building you up was a mistake. Just set you back to square one. That's not true. You took me in, and you healed me, Ava. You give me a reason to wake up in the morning. For that, I'll be eternally grateful.

[hedgehog-moss]

[ecstarry]

reg finally accepting a ride home from his co-worker james but traffic is so bad it takes them an hour and a half to get to reg’s place and first they fight over james’ music taste and reg is like let me put my playlist on and james loves it and they talk and talk the entire time and don’t even notice how long it took them and after that james keeps driving reg home and eventually they make a collective playlist to listen to and finally they go out and they date for a while and one day reg goes to james’ place and realizes they live so far aways and james drove him home not because it was on his way but just because he wanted to get to know reg

[rhinocio]

so tired of having a brain that won’t cooperate

[laurapetrie]

Late November came, and the cold kiss of the snowflakes.

L.M. Montgomery, The Blythes Are Quoted

[transk0vsky]

The return of the Casey gifs yipeee!!

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[autisticaradiamegido]

day 24

it is time once again for my accidental streak of Redrawing Aradiabot On Day 24. i swear i literally don't even set an alert for this or anything, it just works out like this every year. i hit january 24th and smth in my brain goes "huh what were we doing this time last year, anything good to revisit?" and i check the day 24 tag and im like OH YEAH. THE SAME DAMN ARADIABOT DRAWING I'VE DONE THE PAST HOWEVER MANY YEARS!!!

[freckleslikestars]

“...we developed, shortly after, I think, the battle pony, which became famous apparently in playgrounds. Ian Watson, one of our directors, was saying that his daughter had taken the expression to school and everyone would go out and play in their battle ponies. À la Aeryn. Little Aeryn Suns running around everywhere.” ~ Claudia Black

FARSCAPE | 1x09 DNA Mad Scientist Audio Commentary

or Aeryn Sun's Battle Pony Appreciation Post

[mt-beast]

I just think he's super fly, you know?

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.

[dekusleftsock]

I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.

I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.

I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.

There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:

A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.

B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.

And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.

This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.

But yk. That didn’t happen. At all. Nowhere close even.

The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).

To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)

And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.

Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.

I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.

Izuku is not controlling too much, he’s expressing just enough.

I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.

In fact, I’ll even say that this moment right here?

ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)

Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.

Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this

And this

Aand this

That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.

[boygirlctommy]

i cant think about exile conflict/arc era cclingy for more than 20 seconds at a time or else i start decomposing

[golyadkin]

Long road to Colorado

[skinnypaleangryperson]

I find it sad, pathetic, funny and cute in that cartoon network is airing the old man and his seat two times tonight in a row. All I do is sit around the house and get drunk and cry-I would never waste my precious free time watching Cartoon Network, but I happened upon the schedule for the night and I think it's funny, silly, in a really pathetic way that it feels like Rick has the same drunk sad drunk soulfully loveless aimless energy as much as I do, just sitting on a TV screen instead of real life