Tumgik
#i have art skills and i use it for these things
sunsburns · 1 day
Text
good luck, babe!
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pairing: tashi duncan x fem!reader x patrick zweig x art donaldson
summary: patrick zwieg invites tashi duncan and art donaldson to join him at your engagement party. you think they came to celebrate you and your new chapter and put the past behind you, rebuilding lost friendships, but tashi hopes to stop you from marrying a man you never wanted.
—or: the trio crashes your engagement party
word count: 10k+ (i have a serious problem)
contains: SMUT 18+, smut with a lot of plot, post-challengers movie, fluff & comfort, angst, tashi’s pov but lowkey get's mixed up around the end, foursome, oral (fem receiving), oral (m receiving), p in v, unprotected sed (wrap it before yall tap it), homewrecking, cheating but also not cheating but also a worse third thing, three-way make out, four-way make out, dom!tashi, patrick being nasty, art being a loser, no use of y/n, situationship that lasts 13 years.
author’s note: this fic is based on this request with inspo from the greatest song on earth: good luck, babe! it was supposed to be a quick smut blurb but at this point, you all know i can’t write smut without some kind of angsty plot. everyone is super messy and there is some of the dirtiest smut i’ve written so far (it’s only going to get worse from here). this one is a roller coaster.
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It didn't make sense to any of them, how you could've possibly ended up with him. 
Tashi remembered him from Stanford vividly. He came from a white-collared family, with daddy's money that bought him everything he could've ever asked for, yet he still wanted more. He played golf and polo and even dabbled with tennis but never had enough guts or skill to take it seriously. But his dad funded most of the programs and events at the school, so everyone had known him, his charm, his family, and his inability to stick to one thing even outside of sports. He clung onto a new girl every other week, a new girl wrapped around his finger only to be ultimately tossed aside like the rest of them.
"What a dick," Tashi remembered you saying once, stabbing your fork into your salad while glaring daggers at him from across the cafeteria as he bragged loudly to his fan club about how he beat you in a game of tennis. 
Which he didn't. 
You let him win. 
His parents had been paying you to coach him, paid you extra every time you let him win a set or two against you, even if it was off the record. God knows you needed the money.
"I think I'm gonna quit." You said, turning back to glance at Tashi.
"About damn time," she snickered, shaking her head. "I told you you're wasting your time with him when you could be doing something better. Like training with me."
You had rolled your eyes and poked her arm with your fork, "If I'm still trailing after him this time next week, shoot me in the head and put me out of my misery."
Almost thirteen years later, you're walking around with his ring on your finger at your engagement party. A party where your fiancé announced your upcoming retirement after a tennis career run that Tashi would’ve killed for: a six-time US Open winner; two-time gold medalist at the Olympics; and brand deals that would ensure you and the next four generations of your family lived happily under your trust fund.
Clearly, you weren't marrying him for his money.
It made Tashi anxious, because, in some way, she could see that the marriage you will have with your fiancé is far too similar to how Tashi's would have been if she and Patrick stayed together. 
Okay, maybe that was a reach.
Or maybe it's how it would've been if neither of you had gone up to Art and Patrick's hotel room that night. Or maybe it would've been Tashi's ring on your finger instead.
She couldn't shake the bitter taste in her mouth as she watched you laugh with him, your eyes lighting up in the way they always did when you were truly happy. It used to be her who made you smile like that. She remembered the late-night practices, the shared victories, and the quiet moments shared in the comfort of her dorm room. She remembered the promises you both made and dreams of dominating the tennis world together.
But she shouldn't dwell on the past, she shouldn't think about what-ifs. At least that's what Art tells her with a hand on her shoulder. Tashi glances at his hand, noting the wedding band that rests on his finger. The squeeze he gives is meant to be reassuring, but instead, it feels suffocating.
"I'll never know how he bagged her," Patrick tuts from her other side, a drink already in his hand. He holds it close to his mouth, biting the rim of the glass before taking a swig, his eyes never leaving you. His gaze is shameless, tracing the way your dress hugs your curves, how your hair shines under the chandelier lights, and the way your lips move as you speak.
"Lucky, lucky man..." Patrick shakes his head, a bitter edge to his voice.
A waiter passes by, offering hors d'oeuvres, and Patrick takes enough for the three of them for himself, setting his empty glass on the platter. As he stuffs an appetizer in his mouth, he begins to walk away, his eyes fixed on you.
"Where do you think you're going?" Art asks, his hand slipping from Tashi's shoulder.
Patrick spins around, mouth full, and shrugs. "To congratulate the future bride."
Art and Tashi stand there, watching, almost dumbfounded when they see Patrick sneak up behind you, wrapping his arms around your middle and lifting you into the air. You shriek, champagne spilling from your glass, but once you see who it is, a wide smile breaks across your face.
"Patrick!" Tashi can hear you from across the hall. Patrick lifts you again, hoisting you into the air. You wrap your arms around his shoulders as he spins you around, your laughter ringing out—a sweet melody that draws the attention of everyone nearby. "You made it!"
Tashi feels a pang of surprise. 
You and Patrick had been in closer contact than she imagined. It stings, a reminder of the distance that had grown between you after her injury, much like the distance that had grown between Art and Patrick. She never knew you had turned to Patrick for comfort. Though it made sense—Patrick was the one you invited, not her, not Art. Patrick was the one who had to ask if he could bring two guests instead of the traditional plus-one. 
But surely, you must have known that if you invited Patrick, Tashi and Art would come too, right? 
Right? 
The question churns a pit of dread in her stomach as Art starts to lead her closer to you out of courtesy.
Patrick's arms are wrapped tightly around your torso, his hand resting too low to be innocent, but you seem happy nonetheless. Happier in Patrick's arms than in the arms of your future husband. You embrace him close, the ring on your finger glimmering under the chandelier lights as you hold onto the back of his neck, your laughter finally subsiding as the spinning stops.
As Tashi and Art approach, the reality of the situation hits her harder. She's watching from the outside, a spectator to your happiness, feeling the sting of what could have been. She forces a smile; your engagement to the worst person in the world can't possibly be the thing that makes her break. Not after everything she's built since she started coaching.
Art tries to catch your eye, offering a polite smile once you let go of Patrick. "Hey."
"Hi," you say breathlessly, a bright smile across your face while Patrick swings his arm over your shoulder. You seem happy, almost relieved that Tashi and Art were here as if you doubted their attendance. "Wow, it's been so long. You guys look great."
"Thanks," Tashi finally says, the words weighing on her tongue like lead.
"You look beautiful," Art tells you, and it's rushed as if he's been trying to keep it to himself but couldn't help it once he was close enough to you.
Before you can get a word out, another arm wraps around your waist, discreetly pushing Patrick away from you to slide into your side. Patrick lets out an annoyed groan, stepping aside as your fiancé squeezes you tightly and says, "She does, doesn't she? Hey, killer."
You turn to him, about to say something, maybe greet him back, maybe introduce him to everyone. But he doesn't let you, he's leaning closer until his lips lock with yours. It takes you by surprise—you flinch at first before finally letting him kiss you properly, his hand cupping the back of your neck, pushing you as close to him as humanly possible.
Art lets out a low, awkward sigh while watching it happen before him, and Patrick rolls his eyes, stepping back in search of a waiter for another drink.
He holds onto you like you're a prize he's won. Almost as if he's been competing with everyone in the world to finally hold you and show you off. As if that's all you had to offer.
You blink, clearly embarrassed, as you clear your throat to disperse the awkward tension in the air. "These are some, uh," you stumble over your words before nodding towards Art, Tashi, and Patrick, "some old friends from college. I'm sure you remember—"
He's interrupting you again, reaching out with the hand that's not on you to shake Tashi's hand. He holds it tightly, his thumb pressing against her wedding ring. "Tashi Duncan, how could I ever forget? Still beautiful as ever."
She has to force herself to smile, for your sake. "Good to see you too—"
"You know," your fiancé starts, cutting her off, "I still remember the time you told me to suck a bag of dicks 'cause I took up your court time. Best day of my life."
"Yeah," Patrick laughs. He's found another glass of champagne to sip on, and it's by his lips when he says, "who doesn't love getting cussed out by Tashi."
You wince. "Patrick—"
"No, no. He's right. It's one out of a million. I took it as a compliement," your fiancé says, glancing at Tashi again, his eyes darting up and down, lingering on her wedding ring once more before she finally pulls her hand out of his grasp. He spots the arm Tashi has been clinging to. "Art Donaldson, I'm a big fan."
Art stiffens as if taken by surprise. "Really?"
Your fiancé is nodding, and when Art glances your way for a split second, he tugs you closer. "You're incredible. Watching you play, it's like, woah! He's killin' it out there. Too bad you've retired though, would've loved to see you play longer."
There's a faint redness to Art's face when he nods. "Oh, thank you."
"I've always wondered if I'd turn out the way you did if I stuck to tennis." Then he laughs, nudging your side. "If only this one put me to work like Tashi did to you, maybe we would've competed in the US Open a few times."
You snort and shake your head, the idea of watching the two of them even standing on the court together amusing you. "You couldn't beat Art if you tried."
Your fiancé shrugs. "Maybe Patrick."
"Stop kidding yourself. You can't even beat your nephew and he's twelve."
He hums, turning so that he'll face you. He holds your waist with both hands, caressing you gently. "You sure know your way into a man's heart, baby," he says lowly before kissing you again. It's rough and messy, his tongue forcing its way into your mouth. You shriek and press your hands against his chest. He doesn't let go immediately, peeking a glance towards the trio while kissing you.
Tashi feels a knot of disgust tightening in her stomach. The audacity of him to touch you like that in front of them, as if he’s marking his territory, sets her blood boiling just a little bit. God, did no one teach this guy any kind of etiquette?
She catches Art's expression out of the corner of her eye—his jaw is clenched as he turns to look away. Patrick's lips curl in a sneer, the glass in his hand trembling slightly. He fights the urge to throw it.
Your fiancé reaches down and gropes your ass over your silky white dress before finally separating from you.
You stand there, looking flushed and embarrassed, letting him whisper something in your ear before he walks off, joining a group of men who whistle and catcall at him as he nears them. Each jeer and hoot feels like a slap to the face.
"Uh, sorry," you apologize, unable to meet their eyes as you blindly wipe at your chin to fix your lipstick. "That was... I don't know what's gotten into him. He's not usually like this. He's, uh... he's great."
Patrick scoffs, his voice dripping with sarcasm. "Yeah, real great."
Tashi can’t help but frown, her heart aching as she watches you fumble. "You can't possibly want to marry him," she wants to say, but the words get stuck in her throat. She can't bear to hear the answer, especially if it's the one she fears.
Art steps forward, his face a careful mask of neutrality. "If you’re happy," he says, but there's an edge to his tone, a challenge. The unspoken words hang heavily in the air: "Are you?"
You nod quickly, too quickly, as if trying to convince yourself as much as them. "Sure, sure. I mean, what’s not to be happy about? His family loves me. I'm retiring this year, and gonna spend more time with my family. Hopefully more time with some old friends?"
"Old friends?" Tashi repeats, the words tasting bitter on her tongue. The casual way you say it, as if years of distance and silence can be bridged with a few meetings, stings more than she cares to admit.
"Yeah, before I get busy with the baby."
"Baby?" Patrick's voice is sharp, almost disbelieving. "You’re pregnant?"
"What? No!" You quickly sputter, shaking your head. Then you pause, a thought crossing your mind and you lighten up a little bit, a hopeful smile gracing your face, "But I do want kids one day. I want three."
"Does he want kids?"
"We've talked about it, but he shuts it down all the time."
"You poor thing." Patrick puffs out, pinching your arm before reaching for your hand and leading you toward the bar. "Let's bring this conversation outside, ladies. I need a smoke. And you all need a drink stronger than his champagne."
The idea of fresh air and a strong drink is appealing. After grabbing a bottle of finely aged wine, the four of you make your way to the garden outside the grand hall. The shift from the stuffy indoor atmosphere to the cool night air is a relief. 
The moonlight casts a silvery glow over the meticulously maintained garden, illuminating the path with a soft, ethereal light. You glow in your pretty white dress, the fabric shimmering as you take a seat on a patch of grass near the rose bushes. The scent of roses mingles with the crisp night air, creating a tranquil yet poignant backdrop. You glance up at the three of them who stand there, watching you.
Tashi raises a brow as you take a long swig of the wine. She didn't remember you to be much of a drinker. 
"It's not that big of a deal," you say, passing her the bottle when she finally sits next to you. 
It's as if her movement had woken the two guys and then Art takes a seat on your other side while Patrick lies down on the grass a few feet away to light a cigarette. 
You pout, "If he doesn't want kids, then we won't have kids."
"But you want kids," Tashi reminds you, but it's more of a question as if she's wondering if that's truly what you want. Don't get her wrong, Tashi loves being a mother, she would kill anyone for Lily, but you wanting kids barely before confirming your retirement threw her off a little bit.
"Of course I do." You hiccup, reaching for the bottle again. "I'm not getting any younger. It's just... he'll come around."
"And if he doesn't?" Art asks, his voice gentle but probing.
"Can we not talk about that right now? I just want to get shitfaced and party."
"Now we're talkin'!" Patrick interjects, his grin wide as he takes a drag from his cigarette. The embers glow briefly in the dark.
"Come on, everybody gather." Patrick flicks his cigarette off to the rocky pathway and snags the bottle from Art's hands. He raises it, nodding at you with that same smirk he's had for years. Snarky, cocky, and yet endearing. "To celebrate new beginnings. Even if your future husband's a dick and can't make you cum nearly half as hard as I can. Good luck, babe."
The rest of you all make a noise of annoyance, rolling your eyes. "Seriously?"
"Shut the fuck up, Patrick," Art scoffs, though there's a faint smile tugging at his lips as you let a giggle slip out past your fake annoyance.
Patrick's smile only widens at the sound of his friends' protests. It reminds him of the good old years when his biggest worry was which shorts he'd wear to his next game. "Cheers!"
As the bottle is passed around, Tashi can't help but feel a pang of nostalgia mixed with bitterness. The comradery of the past clashes painfully with the reality of the present. Is this how things are going to be like now? Is this night a call for a truce, waving the white flag so that all of you could be friends again, now as adults, making plans for brunch and getting the kids together for birthday parties?
You take another sip from the bottle, your gaze drifting towards the moonlit sky. "To new beginnings," you repeat softly, though the hope in your voice is tinged with uncertainty.
Tashi leans back, her eyes lingering on you, a mix of longing and regret pooling in her heart. Art sits quietly beside her, lost in his thoughts, while Patrick’s laughter rings out, masking deeper sentiments beneath his forced cheerfulness. The chatter and music from the hall spill into the garden, the warm lights casting a golden glow over the scene. Patrick talks animatedly about the seasons he thinks he has left in him, and to Tashi's annoyance, you encourage him.
She shakes her head at the way Patrick's eyes light up, glancing at her with a knowing look. Despite her irritation, she can't deny the comfort of slipping back into their old dynamic.
Suddenly, Art hums thoughtfully. He has been mostly quiet, listening to the conversation with occasional quiet laughs. Now, as he puts down the empty bottle of wine, he looks at you, his eyes more alive than they have been in a long time. "I had a burger for the first time in years," he announces, a smile spreading across his face as if he is proud of it.
You gasp, perking up as you reach over to hold his hands. "How was it?"
"Amazing," Art says fondly, "like heaven inside a bun."
"You should've seen him," Tashi smirks, shoulder to shoulder with Patrick, playfully kicking Art. "He was drooling just looking at the menu."
He rolls his eyes, "I wasn't drooling." When you fall silent, he looks at you again, frowning. "You haven't had one in a while, have you?"
You shake your head, "No, I think the last time I had one was when we graduated."
Patrick scoffs, "Bullshit."
You laugh, "It's true! I've been very strict with my diet. And now that I've retired... I don't know..." You shrug, suddenly getting shy as Art starts tracing stars against the back of your hand. "There are so many options, I wouldn't know where to start."
"It doesn't have to be anything fancy," Tashi says.
"Pretty sure I saw an old diner on the way here," Patrick suggests. He stands, stretching and groaning before bending over to take Tashi's hand and help her up.
You sputter, watching them all start to stand before you. "Shut up, we're not driving, you're drunk."
"But sober enough to see how badly you want this," Patrick teases, waving a finger near your face and smirking. "You're drooling."
"No, I'm not!"
"Sure you are," Art joins in, pulling you up to your feet. He swipes a thumb at your chin, "Look right there, by your lip."
"Oh," Tashi grins, "I see it."
"Shut up, Tash, no you don't." The words fall from your lips before you can stop them. The old nickname fits too smoothly as if it hasn't been years since you've called her that. Tashi smiles, feeling like a teenager again, messing around with you. She starts to walk off, Art and Patrick following her while you stand there, dumbfounded and a little breathless from their teasing.
"Where are you going?"
"To get a burger?" Tashi shrugs, and she smirks at you, a mischievous smile that makes you wonder if any of you have ever grown up at all. "You coming or what?"
You try to be reasonable, "I can't just leave."
"We'll bring you back before anyone notices," Patrick bargains, jogging back to your side and taking your arm to lead you to the exit. "Lighten up, when was the last time you had some fun?"
You don't even look back.
You find yourself laughing, nodding as the four of you make your way out of the garden. The moonlight guides your steps, casting long shadows on the path.
The walk is a blur of laughter and shared stories, the kind of carefree joy that you haven't felt in years. Before long, you arrive at the diner. The neon lights buzz softly, casting a nostalgic glow over the parking lot. You can smell the greasy, comforting aroma of burgers and fries even before you step inside.
The few people in the diner stare, watching as what seems to be a runaway bride and three wedding guests stumble and giggle over each other, lips a little purple from the wine you've all had and ordering burgers to go.
Once you have your food, you all find yourselves sitting on the curb of the diner's parking lot, the warm night air wrapping around you like a comforting blanket. Patrick hands out the burgers, his eyes twinkling with a mischievous light as he makes a show of presenting yours to you. "First bite in... how many years?"
"Too many," You take the burger with a chuckle, unwrapping it and taking a bite. "Oh my God," you mumble around your mouthful, "this is amazing."
Tashi watches you, a soft smile playing on her lips. "Told you."
Art takes a bite of his own burger, nodding in agreement. "There's nothing like it."
You shake your head, going in for more, "This is the greatest thing I've put in my mouth."
Patrick, already halfway through his, lets out a loud laugh, "Yeah, I bet."
The parking lot felt like a little bubble of the past, untouched by the years that had separated you. It was strange how easy it was to fall back into the rhythm of your old friendships, how natural it felt to banter and laugh as if no time had passed at all.
Tashi rolls her eyes, though you don't even seem phased by Patrick's joke. "I can't even get mad," you say, swallowing, "I feel like I'm eighteen again."
"Tell me about it," Art agrees. Then he pauses for a beat, chewing on her burger a little slower before turning to you. "You know, this reminds me of that time... when, you know."
"Oh," You snort and nod, scrunching up your face at the memory. "Yeah. It kinda does."
"What?" Patrick looks between the two of you, raising his brow in interest. "What time?"
"It was a long time ago," you tell him.
"Like back in Stanford," Art explains, and then he points between Tashi and Patrick with his burger, "when you two were still a thing."
Tashi sits up straight now, her full attention on you and Art. "Oh, really?"
"It was that time Patrick came for a surprise visit in the middle of our girls' night," you say, nodding your head at her, hoping she'd catch up with the memory. "And you kicked me out of your dorm so you and Patrick could... you know."
Tashi nods. "Have some alone time." She finishes for you.
She remembers that night well: you were both nestled in the haven of her dorm room, the soft glow of the television casting gentle shadows on the walls as the movie played on. You were curled up under her covers, your bodies intertwined, legs tangled together in a comforting knot. The world outside ceased to exist in those moments, leaving just the two of you in your little cocoon of comfort.
Tashi can still feel the sensation of your fingers running through her hair, the tender, rhythmic motion soothing her in a way nothing else could. The warmth of your touch lingered on her scalp, your fingers traced lazy patterns, and she remembered the way her body instinctively relaxed into yours.
But then came the knock on the door, and she felt her heart jump at her throat as she swung her legs out from under the covers and padded softly to the door.
When she opened the door, there stood Patrick, his presence almost surreal. He was holding a bouquet of carefully picked-out flowers, their vibrant colours contrasting sharply with the dim light of the hallway. His smirk was both nervous and charming
"You kicked her out?" Patrick gasps, and Tashi gives him a blank stare. He's acting as if he wasn't even there, as if he didn't stand by her desk while watching her scramble to clean up the mess the two of you made in her dorm and shove you out the door before locking it.
Patrick shrugs, that stupid smirk painted on his lips again before he finishes his burger. "Would've let you stay if it were up to me," he tells you, "The more, the merrier."
"No way," you poke your tongue at the inside of your cheek. "She wanted you all for herself."
"Please, I would've been too distracted with you to even give him my time of day," Tashi admits. "I did you a favor, Patrick. Saved you from blue balls."
He holds a hand to his heart. "I'm so honored."
"But anyway," you start, "while I was walking back to my dorm I bumped into Art, who got stood up on a date."
Patrick blinks, turning to Art. "You got stood up?"
"Was it that girl from marketing?" Tashi asks.
Art's cheeks start to turn red, the flush growing from his neck and up to his ears at the attention. "Yeah, she, uh, she bailed on me last minute."
"I remember you telling me the date went well," Patrick says. "That you guys went out late, bought takeout... you made out in your car," Then, to fuck with him, he adds, "You came in your pants 'cause she kissed your neck. Remember?"
"And that did happen," Art confesses begrudgingly, glaring at Patrick while Tashi laughs. "It’s just... it wasn't with her..."
"It... it was me," you admit.
Tashi wishes she could say she's surprised, but it's nearly impossible because anyone who knew you back in college knew very well about the big crush you harboured for a certain blonde. She knew the way you swooned after him, even if you never tried to admit it because it was too embarrassing.
"Wait, so," Tashi starts, poking at your side and drawing a nervous giggle from you. It makes her smile. "Is Art that guy you told me about, with the puppy eyes and pretty smile?"
"Okay," you puff out, blushing, "I did not say puppy eyes."
"You think I have puppy eyes?" Art asks you, his gaze softening.
When you take a few seconds too long to answer, Patrick claps his hands together and swings his arm over yours and Art's shoulders, pulling the two of you closer to him. "Aw," he teasingly coos at the two of you getting all flustered, "you think he has puppy eyes."
"It was so long ago," you say, running your hands over the soft fabric of your dress. "I don't even remember."
"I'm so sure you don't," Patrick hums, a knowing look in his eyes before he presses a sloppy kiss against your cheek.
You groan, shoving your hand in his face to push him off before you stumble to stand on your feet again, wiping your cheek from his spit. "You're disgusting," you huff, but there's no real bite in your words because there's a faint smile threatening to appear at the corners of your lips. 
You stand there for a beat or two, brushing off your dress and feeling the weight of the night settling in. You stare down at the three of them sitting on the curb, the neon lights of the diner buzzing behind you. You can see the hall where your engagement party is from where you stand; you almost don't want to go back.
"Okay," you tuck your lower lip between your teeth as you hesitate, "this... this has been fun."
"Don't leave yet," Tashi says while Art's smile drops, his face falling in disappointment.
"Yeah," Patrick rushes to stand, reaching for you, "the party was just getting started."
"I really have to get back," you step away. "If anyone finds out I left, I'll hear about it for days. This has been great. Like, seriously, I don't think I've ever laughed this hard since before..." You trail off, your tongue getting tied as you glance at Tashi, then at her knee, covered by the length of her dark purple dress. You clear your throat. "Well, uh, I better go. But thank you again, for the beer and the burgers and the memories. I hope you guys can make it to the wedding."
You start to walk away before they can say anything. Like, on purpose, as if you know that if they tried to make you stay and ditch your party, you would. You would cave to their defences.
The sound of your heels is deafening. Tashi watches you go, she watches how you wrap your arms around yourself, and it all feels too similar to how she watched you go all those years ago and never chased after you. 
"Don’t marry him," Tashi stands from the curb. She's shaky on her feet, taking long strides to walk past Patrick and hoping to catch up to you. She sees you freeze in your steps, barely out of the parking lot. You turn to look at her quickly, face falling in shock at her demand.
"What?" Your voice is quiet, hoping that your ears are betraying you.
Tashi slows down once she is close enough, the distance between you is almost nothing but the gap feels like miles. The red and blue lights from the neon sign blend into a deep purple against your skin, casting an ethereal glow that makes this moment feel suspended in time. She watches your face, sees the way your brows knit together, the flicker of anger and confusion in your eyes.
Her heart is pounding, the blood rushing in her ears almost drowning out her voice. But she forces herself to speak, her voice low and urgent. "Don’t marry him," she says again, each word feeling like it's being ripped from her chest. Her resolve, which had held firm all these years, finally crumbles.
Getting Patrick back into her life had been one of the most complicated, tangled pains she had ever undertaken. The late-night calls, the awkward meetings, the painstakingly slow rebuilding of trust between herself and Art. 
None of it had been easy.
Yet, even with Patrick back, there had always been something missing—a void that only you could fill.
She looks into your eyes, her gaze unwavering, despite the tears welling up. "Please," she pleads, her voice breaking. "Please, don't marry him." The words hang heavy in the air, a desperate plea that carries years of longing and regret. She knows that having you back won't make up for the lost time, and won't magically fix all the mistakes and missed opportunities. But she can at least try, can at least fight for the chance to make things right.
"Tashi, you can't possibly be asking me to—"
"It’s not worth it," she tells you anyway, her voice trembling with the weight of unspoken truths. She knows it’s a risk, a gamble she's taking by laying her heart bare, but she can’t hold back any longer. The years of resentment, of silent longing, bubble to the surface, fueled by the sight of you with someone else's ring on your finger. It's a bitter pill to swallow, the realization that she resented you not for leaving, but for never coming back. 
Why didn't you come back?
Tashi's words hang heavy in the air, a desperate plea born from years of unspoken desires and regrets. "Both of you want different things anyway. You don't love him," she continues, her voice raw with emotion, "it's not gonna last. One day you're gonna wake up in the middle of the night and realize I'm right. You'd hate to admit it, but I will be right. I am right. He doesn't deserve you. He's no good for you."
You scoff, "And you are?"
"You said it yourself," she presses on, her voice barely above a whisper, "You've never laughed the way you do with us. And you kept in touch with Patrick, so that's gotta mean something." It's a feeble attempt to grasp at straws. "Marrying him will just be another excuse, another stupid reason. I thought you were better than that."
Then she remembers that night before you left for London, back in 2012. It's like a distant memory now, a flicker of what could have been. The air was thick with anticipation, the tension palpable as you stood on the precipice of something new. She remembers the way your eyes met hers after your exchange with Art at the hotel bar, a brief greeting with an old friend, both of you at the peaks of your careers. It is a silent exchange of longing and regret. For a moment, it felt like time stood still, like the world was holding its breath, waiting to see what would happen next.
She remembers the smell of your perfume, the bitterness of the drink you were having and how she could taste it when she kissed you; tongue running over your teeth, nails clawing at skin, hair tangled between fingers, hot breaths and unkept promises and false apologies and a night of regret.
And then the morning came, and with it, you had to leave. And she never stopped you.
"Tashi… I can't just throw this all away for you. For any of you. You were the one who told me to leave."
"I know."
"Because you know everything, right? Because you know he's not good for me, you know it all."
"I know you."
"No, you don’t," you say, your voice tinged with hurt. "Not anymore.”
Tashi huffs, shaking her head before she reaches out, cupping your cheeks gently in her hands. Her lips hover over yours for a moment, a silent plea hanging in the air between you. She waits, her heart pounding in her chest, for you to make a move—to kiss her, to push her away, anything.
You gaze into her eyes, tears glistening in the dim light, before finally closing the distance between you. The kiss is tender, and bittersweet, a culmination of years of unspoken longing and regret. It's a brief moment of solace amid chaos.
Your hands dig into the nape of her neck, where the short ends of her dyed hair tickle the skin of your wrist. The heat of your engagement ring nearly burns her, the edge of the diamond scraping against her skin.
When you pull away, breathless, Tashi fears this will be the last time she will see you. 
"Tashi, this doesn’t change anything," you say, your voice trembling.
"It changes everything," she whispers, her fingers tracing the line of your jaw. "You know it does."
But you step back, breaking the contact, the distance between you growing with each passing moment. "I have to go," you murmur, the weight of the decision heavy on your shoulders. "I need to think."
As you walk away, Tashi watches you go, her heart heavy with uncertainty. She clings to the memory of that fleeting moment, a glimmer of hope in the darkness. 
Back in the hotel room, an uneasy silence settles among the trio. Tashi steps out of the shower, her mind a whirlpool of conflicting emotions. The press of your lips still lingers on her own, a persistent buzz that crawls under her skin. 
As she rubs lotion into her arms, she takes her time, methodically moving over each inch of her skin as if she could somehow rub away the confusion and yearning. She finishes her skincare routine, staring at herself in the mirror, almost meeting the eyes of the eighteen-year-old girl who had her whole life ahead of her. It's a constant chant in her head not to dwell in the past. 
She has to focus—she needs to find a way to pull Patrick Zweig out of the top 200 ranks and get him qualified for the US Open by the time the next season starts.
Speaking of the devil, when Tashi steps out of the bathroom, she finds Patrick lounging on the loveseat by the open window. Naturally, his shirt has found itself a home on the floor, and a cigarette dangles from his lips.
He perks up when she walks out, sitting up to greet her, "Don't beat yourself up."
Tashi rolls her eyes and climbs into the bed, letting herself sink into the soft comforter. "Shut the fuck up, Patrick. And put that shit out."
"I'm just saying," he shrugs, taking one last drag before flicking the cigarette out the window, grinning when he hears Tashi scoff. "She's a stubborn little shit," he says as the hotel door clicks open and Art walks in. Patrick hums, "Probably only marrying him to piss us off anyway. Been trying to talk her out of it for months. Never listens."
"She might listen to Tashi," Art says, turning to his wife with a hint of optimism in his voice. "Lily's asleep, by the way."
"Right, because my word is stronger than both of yours," Tashi retorts, pulling the blanket over her legs.
Art and Patrick glance at each other before nodding, "Yes."
"Well, yeah."
They all sit in silence for a while, each lost in their own little bubble. The hotel room is quiet except for the faint hum of the air conditioner and the occasional rustle of the bedspread. 
Art joins Tashi on the bed, absently flipping through the channels on the television, the remote clicking softly in his hand. Beside him, Tashi pretends to read a book, her eyes scanning the same sentence over and over again without really absorbing the words. Meanwhile, Patrick rummages through the mini fridge, the sound of bottles clinking and wrappers crinkling breaking the stillness.
A quiet knock on the door makes the three of them freeze, their heads snapping up in unison. They exchange hesitant glances, each wondering if they imagined it. Then three raps against the wood sound again, more insistent this time. Patrick scrambles to the door, Art and Tashi close behind him, their curiosity piqued and their hearts pounding.
Patrick swings the door open, and there you are, a sight for sore eyes. You're still in the same dress, though one of the straps has fallen off your shoulder, and your makeup is smudged around your eyes. You hold your phone close, dropping it from your ear.
"I tried calling," you say, turning your phone so they can see Patrick's contact, a simple 'pat' with a cute tennis ball emoji next to his nickname. "You never answered."
"My phone died." He shrugs.
You let your hand fall to your front, where your fingers pull on each other nervously. Tashi can't help but notice the lack of a ring on your finger all of a sudden. She raises her brows at you, a knowing look flashing across her face before she tells you, "Something's changed."
You roll your eyes and step into the room, sliding between Art and Patrick easily. "A lot has changed." You walk until you reach the middle of the room. 
It's a big hotel room, not nearly as big as the ones Art and Tashi are used to staying in, but big and luxurious nonetheless. You fit in perfectly with your white gown and styled hair, a vision of elegance even in your dishevelled state.
You turn, facing the three of them again. "I hope whatever offer you guys were hinting at earlier still stands... I don't exactly have anywhere else to stay, unless I want to hear my mother telling me how she was right the entire night."
Tashi smirks. "You know I'm about to tell you the same thing too, right?" She closes the space between the two of you, tucking a fallen strand of hair behind your ear. Her nails brush against your jaw in a feather-light touch until her fingers pause below your lips.
"Yeah, I know."
You don't seem too upset about it. Instead, you're grinning, letting Tashi push her thumb between your lips. The gesture is intimate, charged with unspoken emotion. You're standing face-to-face when she says, "I told you so."
She leads you to sit on the bed, and you let her, nearly tripping over your heels before you land on the soft duvets. Tashi leans down, her nose brushing against yours, and you swallow your heart racing.
"You were right," you murmur. It's hard to maintain eye contact when your skin is buzzing with heat and when there's so much going on in the depths of her eyes that it dizzies you. "I hate it, though."
Her nose is cold against yours, a sharp contrast to the warmth of her breath. You let your eyes fall shut as she slowly traces patterns under your chin, pressing her thumb harder into your mouth before pulling it out. She catches the side of your face with it, making a mess with your spit.
She smiles, "I know you do."
Instinctively, and embarrassingly, there's a shiver rolling down your spine.
Tashi releases a small chuckle, and then, after a final moment, her lips fill in the small gap between you both. You sink into it immediately, heart rejoicing as her lips, warm and smooth, explore your own.
It's a little fumbly, nervous and making you tremble under her hands. Tashi loves every second of it. Her fingers grip your face tighter, mouth pressing to yours with more hunger as you wind your fingers into her hair and sigh. Between gasped breaths and soft sounds of enjoyment, she slips her tongue along your lower lip, and so you open your mouth a little wider.
Tashi ends up straddling you, making out like you're both teenagers again, putting on a show for Art and Patrick. The exhilarating butterflies twirling in your stomach match the memories, too. 
You moan softly as she pulls away from your mouth, her attention shifting to your neck. As you watch Patrick and Art make their way to sit next to you on the bed, the bed dipping, you tilt your head to the side and open up your throat to Tashi. You whimper as you feel her lips drag over your exposed skin. She nibbles and sucks until she finds the sensitive part that makes you cry out.
"Fuck," you whimper. You tug on her air-dried curls, coaxing her back up to your lips so you can enjoy the feeling of her mouth on yours. Tashi sighs, and you can feel her smiling into it while beckoning Art and Patrick to join in.
Their lips are on you in a split second, with Art pressing soft, ticklish kisses against your collarbone, and Patrick sliding his tongue from your shoulder to the back of your ear. He's moaning at the taste of you, sucking a bruise under your jaw while digging his hand into the back of your hair. 
He slowly starts to bring his sloppy kisses to your mouth, lips brushing against Tashi's and your own before she draws back. You whine, pouting as you watch her take a few steps away before making herself comfortable in the cushioned seats by a small dining table. You can't pout for too long, because now Patrick is kissing you, tugging softly at your hair until your back arches.
His tongue presses against yours, pressing as far back as he can reach, swallowing your every moan and whimper. You bring your hand up to scratch at his beard, then run your nails over his scalp. This is when Art starts to get a little bolder by running his hands up and down your thighs, pulling and pulling the long skirt of your dress until he reaches the end of it and he can touch your skin and take off your heels, tossing them aside somewhere.
Patrick traps your lower lip between his teeth, watching it bounce back into its place as he leans back just the slightest bit. You break apart with a whimper. Your half-lidded eyes meet his, then flick down to the trail of spit strung between your glistening lips. He stares at you, cheeks a little red as he smirks, "I've missed this. Missed you."
You smile, breathless as Art's hand makes its way up higher and higher and closer to your heat, his mouth is relentless with its attack at your neck. He grinds his crotch against the side of your leg and you cradle the back of his head with your other hand.
"You saw me last week, Patrick."
"Last week?" Art pulls away. His lips are parted, eyes a little dazed but focused enough to stare between you and Patrick in confusion. Tashi smirks from where she sits and shifts in her place.
"We're not all perfect, Art." You groan, rolling your eyes as Patrick laughs, reaching over you to start pulling down Art's pants who shifts in his place to let him. Once they're off, he looks at you, and it's embarrassing how fast you tangle together, melding together into a pathetic heap on the bed for Tashi and Patrick to see. 
Your lips move in tandem, his soft, pouty lips slitting against yours with ease as you lead his hands to your chest and shove them under your dress.
Art squeezes and fondles your breasts over your bra, his hips jerking against your leg again, almost desperate as his boner presses against the fabric of your dress as it has fallen down again.
Tashi startles you as she settles behind, one knee on the bed while her other long leg steadies her on the carpeted floor below. You let her tilt you backward, parting you from Art and she draws you into an upside-down kiss. The salacious kiss leaves your legs parting for the two men beside you. 
Patrick makes quick work of taking that damn dress off of you and you sputter out a pathetic moan when Art's soft hands tease your hardening nipples once Patrick gets half of it off.
Your dress eventually falls into a heap on the floor in front of the bed, you’d matched with it a white paired set underneath. 
"No fucking way," You peek one eye open slightly to see Patrick scowling while Art runs his hands everywhere he can reach, across your stomach, your thighs, under your boobs, down your back. 
Patrick tilts his head and groans, "I can't believe you wore this shit for him."
Your hand cups Tashi's jaw to deepen the kiss as you both ignore Patrick, only Art snorting out a laugh as he tugs his shirt over his head. 
Patrick slots himself between your open legs, stopping just a breath short of your aching cunt to nip teasingly at your soft inner thigh before dragging his mouth up to your neck again. He revels in the moans he's able to draw from you as he finally comes to caress your face. 
You pull away from Tashi and gasp in a breath. "Kiss me, Pat," You bite your lip, feeling your heart race as he eyes you up so openly. 
"Beg me," He counters with a quirked brow, challenging you. 
Your nose crinkles, "I'm not doing that."
"I'm not kissing you, then."
"Shut up and kiss her, Patrick," Tashi groans, attached to Art. She holds his face the same way she did with you, pulling him closer and letting the man crawl to her. But she's glaring at Patrick with venom behind it you know she can’t mean when she's trembling under Art's gentle touch as he slips off her silky nightgown.
"Come here," You beckon Patrick closer with a fiendish look in your half-lidded eyes.
"Yes, ma'am." Patrick nods, dazed as he obliges. "Anything you want, beautiful," His voice slightly slurs as the space between you diminishes once again. "I'll do anything for you," His husky voice drapes around your name like velvet as it's whispered against your plush lips.
Your hands easily find themselves tangled in Patrick's curly hair and tug him to your lips with aching want. You dive in immediately, lips meshing against and, eventually, catching against his chapped lips. 
A moan escapes from your throat and he uses it as an opportunity to slip his tongue into your mouth. From there, it's another flurry of saliva, tongue and entirely too much white-hot pressure building below. 
When you break for a breath, a string of saliva stretches between each of your red, puffy lips. Patrick groans at the sight and pulls you in for a slower, raw kiss that leaves you slick and trembling for more. When you pull apart again, Patrick plants a sweet kiss on Art's mouth before focusing back solely on you, his hand slowly approaching your white thong.
When he starts to rub, you moan into his mouth and start trailing your hand to his crotch, palming his dick. Patrick reciprocates easily and tugs at your lower lip with an impish look in his eyes. 
Lips attack your neck again, pulling you higher up on the bed. You hear pants and clothes being shed from every angle around you before you're surrounded again, hands everywhere.
While Art pulls Patrick into a kiss, Tashi cups your face again and draws you into a gentle one as you settle between her legs, your back to her chest. You rest your head on Tashi's shoulder as you heave out another breath, her hands travelling from your navel to tracing shapes on your clit, over your wet panties, spreading your legs apart with her own. 
"Please, Tash," you whimper as her fingers curl around the edge of the fabric and tug so it strains against your leaking cunt perfectly. She then decides to skim a whisper of her touch against your pulsing ache. 
You gape as Patrick wraps his hand around Art's dick, stoking it, and he lets out the prettiest little whine. Patrick slowly works his way down Art's body, running his tongue between each curve of his muscles, collecting the sweat that's been building on his skin before wrapping his mouth around him, taking all of it in one insatiable bob of his head.
Tashi's nails tickle lightly up your stomach, then in the valley between your breasts and then back down again. It has you spiralling, arching your back as she presses a kiss at your neck.
"You're being so good," she coos into your ear. Your name is only a breath out of her mouth, and she's edging your clit with a gentle roughness that could only come from a woman of her calibre. Tashi pulls your panties aside and flicks and flits about your dripping cunt like she already knows how to make you come undone.
It makes you tremble. You'd sworn up and down earlier about how Tashi didn't know you anymore, and here she is, proving to you that she still does, that she knows every curve and divot of your body, that she still knows what makes you whimper and twitch.
Your hand quickly reaches behind you, between the heat of your back and her body and finds her clit and you try to emulate how she's making you weak. Each quiet gasp you earn from her has you moaning back tenfold under her saccharine trance and she quickly starts pumping two fingers into you.
One particular flick of Tashi's thumb on your clit coupled with her lips gliding against and sucking your own in a wanton kiss sends you over the edge. You moan and cum, back arching as you relentlessly force Tashi's hand against your cunt, searching for more delicious friction. 
She takes you all, and lets you ride it all out on her fingers while swallowing every moan you let out in a lewd, wet kiss. Art and Patrick moan appreciatively at the two of you, then focus back on each other.
Before you're able to come down from your high, Art's shoving his come down Patrick's greedy throat. He swallows it all, pulling off Art's red-tipped cock with a vulgar pop that creates a trail of saliva in its wake. 
Patrick smiles down at you and leans closer, and you think he's about to kiss you but then he swerves and kisses Tashi instead, who removes her hand from your cunt and slowly works it up his thigh until she cups his balls and gives them a gentle squeeze. He moans into her mouth, winking at you amid his impromptu make-out session you were tempted to join.
You shimmy back and turn on your stomach, positioning yourself between Tashi's long tanned legs. "Can I eat you out?" You ask while kissing up her leg, and you want to hear how much she needs you. You bite at your bottom lip as you nuzzle into her juicy cunt. "Tashi?" You look up at her from where your face is pressed against her. Her sweet smell makes you sigh as you tease your tongue with her hip bone. "Please, Tash, let me taste you." 
"Yeah, go for it," Comes her breathless plea.
You finally pull her lips apart, revelling in how she squirms against your hold on her hips. 
You're on your knees, trapped arching between Tashi's long legs when you hear Art clear his throat. You give one long lick up Tashi's twitching cunt before turning around with her slick dribbling down onto your chin to where Art has sidled up behind you.
Art crawls closer to you, "Can I touch you, beautiful?" He tilts your chin up as he awaits your answer. 
When you nod, he easily descends upon your lips, placing a sure hand behind your head as he deepens the kiss into something absolutely filthy. As soon as you break apart, he kisses your shoulder, then down your spine.
Tashi guides you back to her. You allow her nails to tangle in your locks as she forces your head back down against her arching hips.
"Shit," Patrick huffs, rough hands reaching for the globes of your ass while Art's smoother ones trail up your spread, inner thighs. Tashi tugs at his dick a little harder, which has him panting against her lips.
Tashi gasps as you flick at her clit then quickly move to tease her entrance with the tip of your tongue. You flatten your tongue, dragging it across her length and repeat the motion until she whines for you to stop. 
You slurp the combination of drool and slick as you pull away with a pussy-drunk smile. She meets it with a panting, dazed one and removes her hand from your hair to push her own out of her eyes while Patrick sucks at her neck.
"Ah!" You startle forward into Tashi's tits as Art finally breeches your entrance with his index finger. 
"Eat our girl out, Art," Tashi motions for Art to lie down under your spread form to get a better angle. You can't deny that the new nickname drives you a little crazy. "Show her she's ours."
Art's soft hands draw another moan out of you as they assuredly grip your hips to keep you in place while he unleashes teasing licks against your pussy.
Tashi draws you back to her. You'd know that look anywhere—she's ready to cum.
"I want you," Her breath hitches around your name while your tongue steals the rest of her coherent words until she's a withering mess under your touch. 
Her pornstar-worthy moans ring out across the room like a beautiful symphony. Tashi's wanton noises coupled with the wet whines you're unleashing against her folds until the two of you create the lewdest duet this hotel's ever heard. 
She arches against the bedframe as she tells you her near release, tugging at your hair as she draws closer and closer to the edge.
Panting, she draws you against her lips for a sloppy, uncoordinated kiss. 
"Fuck, Tashi," You groan against her plump lips, feeling your own impending orgasm drawing near. "You're so fucking hot, I-"
She cuts off your rambling with another wet kiss. Her tongue flicks out to tease yours before sucking it into her mouth with a lewd slurp. Your hand works alongside hers to leave her shaking and whimpering against your lips as she comes undone by your hand. You smack her cunt lightly, eating the groan she feeds into your open mouth as she rides it out.
Tashi eats your moans as they echo against your messy tangling of lips and tongues.
Art's fingers start to pick up a pace as Patrick, feeling left out, starts thrusting his throbbing cock in the middle of your sapphic kiss with Tashi. You eye the two with half-lidded eyes as you share Patrick's cock with her. After only a few moments in your mouth, Patrick pulls out and releases across Tashi's and your expectant tongues.
"So fucking good to me," Patrick pants as he splatters the last of his come across your faces with a shaky groan. "Best fucking orgasm ever, swear it," He says as he encases his lips around yours, swapping his cum between your mouths before moving to Tashi to do the same.
Art moves out from under you, offering your knees relief as he lays you back against Tashi's stomach to fuck into you.
It's a slow and cruel pace, only made crueller by how Patrick and Tashi touch you like they already know where you want to be touched. Each brunette takes a side, Patrick sucking your tit into his mouth while Tashi's mouth draws you in for a kiss. Her nails tickle at your other erect nipples until you're arching off of her and into Art's thrusts, making him whimper.
"Just like that," Art whines your name. "You're so fucking tight."
It's when Patrick and Tashi move their attention down to your clit that you know you're fucked. Patrick spreads your folds with two fingers, watching as intensely as Art does as his cock disappears in and out of your hole.
"He could've never made you feel like this, right?" Tashi rasps. "He has no strategy, no real game. Just a fucking waste of space. Could never make you feel this good, this loved."
You don't need her to say his name, you know what she means. You're panting, shaking your head against her shoulder. "Never."
"Told ya," Patrick laughs into your skin. "Make her cum, Art. C'mon, man." 
"Fuck- please," You whimper, nodding. "I need to come, baby-" Without warning, you arch off of Tashi. Neither she nor Patrick stops their jerks against your clit as you gasp, eyes rolling back in your head with the thrum of a second wave creeping up on you with a steady building heat. Waves of pleasure roll over you as the tantalizing sensations become too much. You come loudly, arching pathetically off the bed as you desperately reach for Art, to hold him.
You're wriggling in Tashi and Patrick's arms as Art pulls out and releases across your expanding and retracting stomach as you pant out the remnants of your orgasm. 
"Shit," He moans, and his voice sends waves of aftershock across your body while his steady hands draw you against his naked chest for a toe-curling kiss.
You'd never been happier to have invited Patrick Zweig to your engagement party.
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sabertoothwalrus · 14 hours
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OK PREFACING WITH IM SORRY IF I ALREADY SENT THIS EXACT ASK BUT MY WIFI KILLED ITSSLF AS I SENT IT SO IDK IF IT ACTUALLY WENT THROUGH. but in case it didn’t . i know youve gotten this countless times in the past because i blog stalked just in case youve mentioned something similar before but i need to know if you have any specific inspirations when you draw exaggerated expressions specifically like these two images of marcille. ive actually cried laughing over this comic and being able to communicate this type of visceral emotion is such an insane skill and ive followed your art for probably close to a decade through various fandoms so watching you develop this style has been fucking awesome and epic. like i cannot articulate how funny these are to me i just need you to understand i look at this comic to inspire me to draw now. the closest comparison i can draw to the feelings they evoke are like those mspaint reaction images and also mspaint tails i included for reference even though you probably know exactly what im talking about anyways but its actually so much harder to do that intentionally when you study art. also i lied you literally don’t even need to answer this i just had to let you know how obsessed i am over your silly comics and now ive written out a whole ass discussion post about it. im sorry if this is weird at all i think my daily prescribed amphetamines r wearing off and i know this is such a dumb specific thing to fixate on and im so sorry if its not something you want to hear about your art. ive just always seen that as an artist this type of expressive stupid silly style is something that comes after a significant amount of time and practice and study and style development despite being “simple” in theory. its just so cool to have worked with your own style so much that youre able to go “off model” from it and still maintain consistency with the rest of the piece. i said it already and im sorry this is actually rendundant now but the ability to communicate such raw emotion somehow decreases from at its height when someone is a beginner artist learning how to proportion and keep a steady line and what looks “normal” but somehow it all comes full circle because taking all that experience and using it to almost return to where you started but in a fully informed and intentional way so you can make choices to draw characters like this when the situation calls for it is just dhcidogakgoshfhw. i think i need to cut myself off or im going to talk in circles im sorry tumblr user sabertoothwalrus i just am fascinated by your style and progress and the years you’ve dedicated to art can be seen in so many places but this is just one that stands out to me specifically.
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MMMMM what a fun question!!!
I'm not gonna lie, I think it's just Letting A Drawing Be Bad. I definitely think the people that struggle with this the most are people who have genuinely very pretty art styles, to the point of being kind of perfectionist about it. and to Draw Funny often means Drawing Fast and Weird. Pretty is kind of the antithesis of funny (unless being pretty is the punchline). do drawings that make yourself laugh. tracing/lining funny sketches almost always makes them less funny.
one of my favorite types of humor is when it skews more deadpan, actually. This is one of the reasons I love Adventure Time. minimal expressions and flat line delivery + absurd context is a really good combo. the key to comedy has more to do with contrast! if your drawings are allllll crazy ren & stimpy all the time, they're not funny anymore cause it's just "normal". if it's all subdued UNTIL it's extreme, and vice versa, then it's funny. The reason this comic is so funny is because of the complete lack of any expression. I feel like the one you sent of Marcille shouting "WHAT" is funnier when you know how much she tries to be dainty and feminine and delicate, how much she values her appearance, and how averse she is to "gross" or "weird" things.
something I find really annoying (and this is with comics/animation in general, not the expressions themselves) is when the joke goes on for too long. Like you'll have the joke, then the punchline, and THEN the characters reacting to the punchline??? Like the author didn't trust that their audience would find the joke funny, so they basically drew in a laugh track. But, this is distinct from a character's reaction being the punchline (like how the examples you gave from my Marcille comic are). MY POINT IS sometimes expressions aren't as funny on their own as you think, and context can affect how you feel about it!
as far as inspirations go!
my own face! even if I don't have a mirror, I like making the expressions myself so I can "feel" where the points of tension on my face are, and it gives me a sense of what to exaggerate.
my brother's art, believe it or not! we've been trying to make each other laugh with our drawings since we were kids, and he's really good at it.
ATLA has some great expressions
OK KO has been a reallyyyy good source for me lately. That show is so tailored to my sense of humor and the expressions and line deliveries feel exactly like the kinds of things I'd come up with. The tone, timing, and art style are all really close to the tv show pitch I'm working on, so when I feel like I've "strayed" too much from it (like after drawing a bunch of dungeon meshi, and my art feels tighter and... idk "manga-ier"?) I like to go and watch a couple episodes of OK KO to loosen back up
A lot of things like OG Spongebob, Calvin & Hobbes, the Simpsons, Chowder, etc etc
memes in general. if it makes you laugh, keep it in mind
and lastly, I wouldn't say I ever try to mimic funny expressions I see. Like if I watch a show for inspo, I'm not pausing it to copy specific drawings, I'm just trying to notice patterns and pay attention to what about it I find funny.
talking about being funny is really bizarre and I dunno if it makes it lose some of the magic. Ultimately it's something you can't think about too much, and just gotta go with your gut.
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hellonerf · 1 day
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au based on a dream i had thats basically reworking my old caname ghost au but with more dubious implications and less blatant insp from aono kun 🤤
the dream that spurred this on went like this
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probably unrealistic but what are dreams right... a dramatized cruelty from others because its funny and also because i think it was influenced by those animations of goth(?) kids(usually a girl) summoning demons to get revenge on their classmates. this one is a little more specific in the reasoning... and cana took a year or so to turn his horrible grief into using the dark arts for revenge (15 years old) 🙏 in that time he was a rly sad lonely kid i'd imagine and suddenly hes in a comedic hijinksy routine with a demon he summoned and his big little brother trapped in his old rabbit plush. this is how he views it actually! when he goes to school he cant take rus and rus has nothing else to do so he stays in cana's room (at least in the human world he stays there) he puts ame in his bag and wipes off his mouth so he doesnt cause suspicion at school. he carries him around sometimes bcz everyone is cruel to him he'd at least have his dollbrother. ☺️❤️(That kid who you judged for carrying around a stuffed animal in highschool? that thing was his dead brother. You never know peoples #lifestory)
if ame wants to emote he has to tell cana to draw him eyebrows. if cana wants ame to shut up he just wipes off his mouth. ame has little control of his rabbit plush body too because its difficult to move around. he can whack cana a bit though...
basically the old ghost au i had is this now cz 🤤 the other one was probably just an aono kun au and thats less funny. and im not as skilled as that author with that tone and themes. i can however envision specific situations that cause ame to lose control to his body! i love to tie ame to cana like a balloon. this au has no ruscan anymore sorry i mean u can see it that way but i realized thatd be misleading to say bcz Its All Caname to me. 🙂 so this is it now
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mcflymemes · 2 days
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PRIDE AND PREJUDICE (2005) PROMPTS *  assorted dialogue from the film, adjust as necessary
you must know... surely, you must know it was all for you.
you are too generous to trifle with me.
if your feelings are still what they were last april, tell me so at once.
my affections and wishes have not changed, but one word from you will silence me forever.
you have bewitched me, body and soul, and i love... i love you.
i never wish to be parted from you from this day on.
i have struggled in vein and i can bear it no longer.
these past months have been a torment.
i came to [location name] with the single object of seeing you. i had to see you.
are you too proud, [name]? and would you consider pride a fault or a virtue?
we're doing our best to find a fault in you.
i have fought against my better judgement, my family's expectations, the inferiority of your birth by rank and circumstance.
you really do love him, don't you?
please, do be seated.
this is a charming house.
all these things i am willing to put aside and ask you to end my agony.
how are you this evening, my dear?
may i have the next dance, [name]?
my brother gave it to me. he shouldn't have.
i wish you would not call me "my dear."
what endearments am i allowed?
what should i call you when i am cross?
i cannot believe that anyone can deserve you... but it appears i am overruled.
are you out of your senses? i thought you hated the man.
have you no objection other than your belief in my indifference?
i do like him. i love him.
only the deepest love will persuade me into matrimony, which is why i will end up an old maid.
i love you. most ardently.
please do me the honor of accepting my hand.
i appreciate the struggle you have been through, and i am very sorry to have caused you pain.
believe me, it was unconsciously done.
are you... laughing at me?
i wonder who first discovered the power of poetry in driving away love?
i thought that poetry was the food of love.
what do you recommend to encourage affection?
i'm very fond of walking.
i do not have the talent of conversing easily with people i have never met before.
perhaps you should take your aunt's advice and practice?
so this is your opinion of me. thank you for explaining it so fully.
those are the words of a gentleman.
from the first moment i met you, your arrogance and conceit, your selfish disdain for the feelings of others made me realize that you were the last man in the world i could ever be prevailed upon to marry.
forgive me for taking up so much of your time.
maybe it's that i find it hard to forgive the follies and vices of others, or their offenses against me.
my good opinion, once lost, is lost forever.
i cannot tease you about that. what a shame, for i dearly love to laugh.
i will not and i certainly never shall.
you have insulted me in every possible way, and can now have nothing further to say.
i must ask you to leave immediately.
i have never been thus treated in my entire life.
i can admire you much better from here.
do you talk, as a rule, while dancing?
i prefer to be unsociable and taciturn.
i dare say you will find him amiable.
it would be most inconvenient since i have sworn to loathe him for all eternity.
no one would suspect your manners to be rehearsed.
i've come to tell you the news.
not all of us can afford to be romantic.
i've been so blind.
they are far too easy to judge.
i was wrong. i was entirely wrong about him.
i am well aquainted with you, [name], to know that i cannot alarm you, even should i wish it.
your skills in the art of matchmaking are positively occult.
i've never seen so many pretty girls in my life!
i do not deny it.
has the pig escaped again?
we are all fools in love.
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to all the wonderful people who followed me for isat........ im sorry, I got oc rp brainworms and woke up two months later
Sianyan is meant to be a dnd character, but so far Ive been using him to rp in a server with dnd friends <3
He was character concept around the idea of having 0 fighting or spellcasting skills, and instead only contributing to fights with creative use of magical items, like using a whip to trip an enemy over a cliff, or one of those immovable rod things to block a doorway, etc
he's a sex worker who loves luxury and indulgences of the senses. he loves to pamper people and make them feel accepted for their desires. He loves letting loose and loves when other people let loose with him. besides having sex, he also loves natural beauty and art, especially poetry
this doesnt happen in the rp (yet), but his backstory goes like this He's the best girl in a major brothel in town, until the brothel is hit by scandal and burns down. With his lifestyle destroyed and his reputation in town ruined by association with the scandal, he travels to find the previous owner and bring him back to restore his name, and that of the other workers (though he won't admit that).
believe it or not, deciding that his class would be bard was the hardest, I didnt know bards could be something other than musical until a friend brought in a bard who barely talks. he was almost a rogue
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jynxeddraca · 2 days
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Small, Soft BG3 Things
Just an ongoing list of small headcanons for Team Tadpole.
Astarion:
Astarion learned how to sew and embroider from his mother. She loved to embroider poems that she sold at market. Most of his word based embroidery looks like her handwriting, even though he doesn't remember that.
He's the go-to member of Team Tadpole for mending because he's the best out of all of them at it. More importantly: as he comes to view them as friends, the basic mending is supplemented with subtle embroidery.
Every child that he ends up spending time around learns some slight of hand trick and/or how to use a knife.
When everyone is asleep and he's particularly at ease, he'll quietly sing to himself while doing other things.
Gale:
As the self-appointed cook - come time to set up camp, Gale might fuss about the bizarre assortment of food stuff they find on their travels, but he secretly revels in the challenge of making filling, delicious foods out of what they're able to scavenge.
Cooking was how his mother and him bonded as he grew up so now it's his favorite way of showing affection/appreciation to others.
Spoils Tara with all her favorite foods when they're reunited (also I headcanon Tara joins the camp most nights in Act 3).
When he was younger, he specifically created an enchantment to enchant his mother's favorite rocking chair so that when it was activated, mage hands would appear and give her shoulders and feet a massage.
Halsin:
He learned to whittle from an uncle and the knife he uses today for his carvings was given to him by his mother - whose favorite animal was ducks.
Halsin likes to go sit in Bloomridge park when the city gets to him, taking Yenna with him if she's agreeable. He has taught her and several other random children how to braid flower crowns.
When he returns to Reithwin Town, he teaches Art how to whittle and Art teaches Halsin how to play the lute.
On nights where Halsin is keeping watch will offer to turn pages for Tara so she can read a book or two.
Jaheira:
Will turn into a cat/dog to give comfort to children if they are inconsolable.
Takes an afternoon with Halsin - both in wildshape - to show him how nature and the city can be more harmonious than he originally thought.
The lullaby she knows how to play on the tin whistle was one taught to her by her late husband - she has put all her children to sleep to it's tune.
Teases Tara about her treating Gale like her kitten.
The rats that show up in camp do give her updates on other Harpers - but most of the time they are updates about her children.
Karlach:
Clive - her teddy bear - was knitted by her mother and she considers him her 'good luck charm'. Before the infernal engine was forced onto her, he could often be found tucked into Karlach's belt at any given point of the day or in her purse/pouch.
Karlach almost left Avernus without Clive, and risked missing the Nautiloid to go back to grab him.
Because she calls Halsin "Bear Man" Arabella starts calling him that too. At the same time, Karlach starts calling Withers "Bone Man" because of Arabella.
Her parents used to dance around the living room with her - in camp she'll get Arabella and later, Yenna, to do the same. When she's especially energetic, she makes Wyll join her.
Lae'zel:
While she originally hates everything about Faerûn, she becomes especially fond of the sunrises and finds she enjoys sunflowers.
After the egg is acquired, she does softly sing an old githyanki lullaby to when she tends to it.
Because she feels it is an important skill to have for when the egg hatches, she learns to sew by watching Astarion. Eventually, she asks him for tips.
Lae'zel seems well-read (on githyanki literature anyways) in my opinion so I feel like even though she's a very skilled fighter, she also spent much of her time in the creche library growing up. In camp, she raids Gale's library bag often.
When Karlach started calling her 'Lae', she began referring to Karlach as 'Kar'.
Minsc and Boo:
When Boo isn't around Minsc, he spends time around Shadowheart curled up on her shoulder or sitting beside her as she meditates.
Amused that it baffles people who can speak with animals, Boo purposefully does not allow them to understand him and sticks with his telepathic communications with Minsc.
Minsc enjoys finding excuses to tell stories and is a good storyteller.
Teaches Tav a few Rashemen songs and stories.
Minsc and Boo both have a faint smell of warm stone about them due to being statues for a while.
Shadowheart:
When meditating, sometimes unknowingly hums an old lullaby her parents used to sing her.
Still sometimes mutters "Lady of Sorrows" when exasperated, and at one point while very tired said "Lady of Sil-rrows" instead.
Has started keeping seeds and nuts on hand for Boo.
Talking to Astarion and Halsin in Elvish is soothing to her, and sometimes it triggers memories of her father.
Tav:
Was gifted a stuffed bunny by her dad when she was a baby. His name is Biscuit.
Biscuit was handed down to Temerity (Tav's little sister) while they were in the orphanage and he currently lives on Temerity's pillow.
Tav and Karlach have introduced Clive (Karlach's teddy bear) to Biscuit.
The smell of leather oil reminds her of her father.
Wyll:
Has a soft spot in his heart for trashy romance novels and anything related to mermaids. An aside: even though he hasn't been home in years, the merfolk around Baldur's Gate remember him fondly as a child trying to swim deep enough to see them.
Actually enjoys debating Astarion about laws and their effects - even though they have wildly different views on the laws.
Has a secret tattoo, and yes, it's mermaid themed.
Offered to teach Lae'zel to use a rapier if she showed him how to wield a longsword.
Also enjoys cooking and likes to show Gale different ways to season/cook in the wilds.
The rapier he has at the start of the game was gifted to him by his father.
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inkskinned · 8 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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choccy-milky · 2 months
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bruh i need to vent about a rude comment i got on my recent chap and also about clora, cuz its something thats been on my mind for a while now. it has spoilers to my most recent chap tho so im putting it below
so in my most recent chap clora gets hit by the killing curse but thanks to seb sacrificing himself for her, it doesn’t work/she survives. and I got a rly rude comment about how that’s super cringe and that clora is a "shoe horning of every possible manifestation of Mary-Sueism I have ever seen." theyre dropping my fic after almost 500k words bc apparently THAT’S where they draw the line and that "just somehow pulling it out the bag and surviving a killing curse from the power of love. In simpler terms, it’s absolutely cringe worthy" and "forgive me if I rolled an eye at the yet again invincible nature of Clora Clemons-the-one-eighth-Veela-extraordinaire"
BUT LIKE LMAO TELL ME U DIDN’T READ/WATCH HARRY POTTER WITHOUT TELLING ME. that’s literally what happens to harry??but its only cringe when it happens to our "mary-sue" clora? like yeah sure love magic might be a bit cringe but IM LITERALLY JUST PULLING FROM THE SOURCE MATERIAL. of all the things to take issue with in my fic and interpretations, theyre taking issue with something that’s canon BAHAHA.
and since im on the topic of clora being mary sue can I just say I hate the misogyny/internalized misogyny that i've seen some people (NOT A LOT, THANKFULLY) treat her with. like i get it, im not pale and blonde and as conventionally pretty as clora is, but even if I was, is that a reason to hate me?? and does being beautiful and well-liked = mary sue? bc as far as I know, mary sue is a chara who is just naturally amazing at everything and doesnt need to try hard and theyre just inexplicably great for no reason (like mc in the base game BAHHAA) if anything the mary sue in MY fic is seb LMAO (but hes a boy so its ok). like clora has worked hard and studied magic all her life due to being a squib and wanting to make up for not being able to DO it. she isnt good at flying, seb is still better at her than duelling, shes really short sighted when it comes to doing/thinking whats best for others and can be a huge idiot.... and like. the only guys that have even shown interest in clora on a real scale have been seb and leander (and then lawley for blackmail purposes, and also bc he hates seb) so its not like literally everyone is falling over themselves for her?? like her interactions with the main cast of boys (ominis, garreth, amit) theyre all indifferent to her LMAO but still, the fact that shes pretty and guys here and there might look at her and go o shes cute! doesnt make her a mary sue SORRy thats just called being attractive idk its just annoying that ppl automatically see a nice kind beautiful female character without any VISIBLE flaws and go SHES TOO PERFECT!! MARY SUE!! WAH IM JEALOUS! and like I get it bc when I was younger I probs would have been annoyed by clora as well due to my own insecurities and internalized misogyny but hey, how about u just realize that’s ur own problem and your own jealousy, and not a real one HAHAH anyway ive since evolved bc I used to be a ‘not like other girls’ type girl back in highschool. trying to be super tomboy-y bc I thought being feminine was cringe and too basic but now ive embraced it and love girly things and dresses and charas like clora who are still strong and showcase their strengths and weaknesses in subtler ways, and I want to smooch her and make out with her. get behind me clora ill protect you🤺🤺🤺
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ganonfan1995 · 2 years
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Burnt out
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zookie-art · 1 month
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Transistor 2023
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uncanny-tranny · 7 months
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If I'm honest, the whole "love in every stitch" saying for fiber artists does not apply to me, like. I'm trying to get this fucking hook into stubborn yarn and I'll be stabbing it like it owed me money. Is that love because I hope not 😭💀
#art#crochet#honestly the closest thing i feel to love when crocheting is this feeling that this is bigger than me if that makes sense...#...i think it'sthe feeling of knowing how old the craft itself is and knowing that millions of people have done the same as you...#...millions of people have stabbed their crochet hook into the yarn because it's stubborn but so are you...#...millions of people in the past have sat and devoted their time and effort into all of this...#...millions of people have passed on this knowledge and kept this thing alive...#...and it's the feeling of knowing that humans across millenia aren't THAT different#to our core we are more or less similar - across the ages across the colours across everything. that really comforts and humbles me#have you looked up ancient textiles? because that also sparks these emotions in me#it makes me think about the tupes of people to make the textile but also about who wore it#and so many of them are still beautiful and colourful and it shows you SO MUCH about the people who made them#even the ones that are tattered and faded and stripped of colour still feel beautiful...#...because it has SURVIVED. it is evidence of a people who made it and a people who had technical skills#and THIS is why i HATE HATE HATE the idea that ancient people were just 'dumb' and 'uneducated'#that is so unfair to them and cruel and just. wrong. (and often it reeks of white supremacy)#i'm sorry i rant and rave about this so much but i canNOT be normal about this. i can't be normal about humanity#i am learning to love humanity and learn about us and learn everything and it'll never be enough - i will never know enough#i will never know everything about everybody and it will be the death of me#okay the only thing i liked about the greatest showman movie was Never Enough because that is me thinking about all this
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rainbowpufflez · 19 days
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Team RR but it’s their mugs 🤯
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clownsuu · 1 year
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I hope this question doesn't make you uncomfortable (extremely sorry if it does) but do you see howdy and wally as a couple? Your art of them is very sweet and I love it a lot
[looks at all my tagged ship art of them and then back at u]
yes HDGDGSH-
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the-last-quest · 1 month
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Dumbass fairy and his lameass brother
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theokusgallery · 4 months
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I went to sleep at 3am for this. Made in Ren'Py
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Look at my little guy.
Context:
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Then me explaining the concept in more detail:
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olliesneweyes · 2 months
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Hello idv community I offer you a self indulgent Emil redesign
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