#i have so many more things i want to draw for it but i am trying to hold myself back. for the sake of my Wrists

[angelltheninth]

Can I et uh... can I get one "leaning against the other one in close spaces" and with... separate reactions from Thoma, Neuvillette ad Zhongli?

Am I a coffee shop? I suppose I can get you your order. That will be, one like and one reblog please.

Pairing: Thoma, Neuvillette, Zhongli x Fem!Reader

Tags: fluff, teasing, forced proximity, kissing, grinding, tail shenanigans, body warmth

A/N: I would love to be stuck with them. There's so much to talk about.

2. Leaning against the other in close spaces

Thoma calms you down first and foremost. There are many people in the Kamisato household, someone is sure to find you eventually. He would give you some space but unfortunately he can't and under this light you can just about make out his cheeks redden because he can feel all of you pressed against him.

This would be a perfect opportunity for a little make out session, unfortunately your boyfriend is doing his best to try and find a way out of here first. Kisses wouldn't motivate him like they usually do, they would make him want to stay in here longer.

Neuvillette thinks this could be some type of a prank, already getting ready to punish who ever locked you in here. He could use his powers to ram through the door but that would only draw more attention to this situation, and he would very much like to avoid being seen in such a compromising position at work.

As his nerves increase you feel his tail wrap around your leg, the touch sending shivers up your spine. You didn't mean to clench your thighs on it but you did, which did indeed lead to the two of you in a compromising position, with him pressing you against the wall as he kisses down your unbuttoned shirt.

Zhongli knocks on the locked door, baffled how it could have closed so suddenly and so tightly behind you. You on the other hand find the whole thing a little amusing, asking if he wants to get away from his wife so badly, which he if course doesn't.

After some time has passed his body begins to grow hotter, the small and enclosed space combined with your own warm body making it very hard for him to keep himself under control. He is well aware that this is his fault and asks for you to distract him somehow, mildly suspecting that you would kiss him in response, therefore not helping the situation at all.

[hollowed-theory-hall]

Harry was never really Dumbledore's man

So, in HBP Harry says himself:

“Well, it is clear to me that he has done a very good job on you,” said Scrimgeour, his eyes cold and hard behind his wire-rimmed glasses. “Dumbledore’s man through and through, aren’t you, Potter?” “Yeah, I am,” said Harry.

(HBP, 348)

But, I'm here to argue Harry actually has many many doubts and reservations about Dumbledore throughout all books (even HBP), and I find it interesting how Harry convinced the Wizarding world (and the readers) that he's Dumbledore's man when he isn't. Not really.

(Just makes me all the more annoyed at him calling his son Albus...)

I'm going to go through some examples of Harry showing his doubts about Dumbledore way before book 7. Because Harry is an abused, distrusting boy, and Dumbledore isn't actually an exception to that until very late into the books. And even when Harry chooses to trust Dumbledore's intentions, he never fully trusts his judgment.

“D’you think he meant you to do it?” said Ron. “Sending you your father’s cloak and everything?” “Well, ” Hermione exploded, “if he did — I mean to say that’s terrible — you could have been killed.” “No, it isn’t,” said Harry thoughtfully. “He’s a funny man, Dumbledore. I think he sort of wanted to give me a chance. I think he knows more or less everything that goes on here, you know. I reckon he had a pretty good idea we were going to try, and instead of stopping us, he just taught us enough to help. I don’t think it was an accident he let me find out how the mirror worked. It’s almost like he thought I had the right to face Voldemort if I could….”

(PS, 217)

This quote above is from the ending of Philosopher's Stone and the outlook Harry, Ron, and Hermione have on Dumbledore and his behavior is the same as seen in the later books. So I wanted to talk about each of them and how they see Dumbledore because this quote really sets the tone for the rest of the series.

Ron is doubtful and distrustful. The situation is odd, and he's clever, he analyzed the situation and came to a frightening conclusion — the whole ordeal seemed planned by Dumbledore. And Ron isn't scared of voicing this question.

Hermione, while not always a rule-follower, respects Dumbledore and his authority. A lot. So, she doesn't believe Dumbledore could've planned it as it would reflect badly on his character and authority. Hermione is a very loyal person, and once she decides she respects someone she is willfully blind to their flaws (we see it with her later in the series).

Harry, while he's clever enough to notice the same things Ron did and come to the same conclusion — that Dumbledore planned for an 11-year-old to face Voldemort — he attributes good intentions to Dumbledore. Harry sees the situation and draws his conclusions, but chooses to hope/believe Dumbledore's intentions were good ones.

Harry’s brain seemed to have jammed. He stared numbly at Riddle, at the orphaned boy who had grown up to murder Harry’s own parents, and so many others. . . . At last he forced himself to speak. “You’re not,” he said, his quiet voice full of hatred. “Not what?” snapped Riddle. “Not the greatest sorcerer in the world,” said Harry, breathing fast. “Sorry to disappoint you and all that, but the greatest wizard in the world is Albus Dumbledore. Everyone says so. Even when you were strong, you didn’t dare try and take over at Hogwarts. Dumbledore saw through you when you were at school and he still frightens you now, wherever you’re hiding these days —” The smile had gone from Riddle’s face, to be replaced by a very ugly look. “Dumbledore’s been driven out of this castle by the mere memory of me!” he hissed. “He’s not as gone as you might think!” Harry retorted. He was speaking at random, wanting to scare Riddle, wishing rather than believing it to be true —

(CoS, 282)

This is one of the scenes people call to to show how much faith Harry has in Dumbledore (even Dumbledore himself), the thing is, Harry says (in his mind) he's just saying things to try and scare Tom. To try and buy time, or unbalance Tom so he may have a chance at escape.

The important note is that Harry doesn't actually believe what he's saying to Tom. He's just saying what he thinks would bother Tom the most.

Harry had never shared this piece of information with anybody. He was very fond of his wand, and as far as he was concerned its relation to Voldemort’s wand was something it couldn’t help — rather as he couldn’t help being related to Aunt Petunia. However, he really hoped that Mr. Ollivander wasn’t about to tell the room about it. He had a funny feeling Rita Skeeter’s Quick-Quotes Quill might just explode with excitement if he did.

(GoF, 310)

This part about telling no one about his wand's connection to Voldemort is true. He never told anyone by that point in GoF. Not Ron, not Hermione, not Dumbledore, not even Sirius.

As I mentioned above, Harry is abused and distrustful. He's not at all Dumbledore's perfect soldier who trusts him with everything. In GoF, Harry decides against telling Dumbledore about his dreams and the pain in his scar:

“Your scar hurt? Harry, that’s really serious. . . . Write to Professor Dumbledore! And I’ll go and check Common Magical Ailments and Afflictions. . . . Maybe there’s something in there about curse scars. . . .” Yes, that would be Hermione’s advice: Go straight to the headmaster of Hogwarts, and in the meantime, consult a book. [...] As for informing the headmaster, Harry had no idea where Dumbledore went during the summer holidays. He amused himself for a moment, picturing Dumbledore, with his long silver beard, fulllength wizard’s robes, and pointed hat, stretched out on a beach somewhere, rubbing suntan lotion onto his long crooked nose. Wherever Dumbledore was, though, Harry was sure that Hedwig would be able to find him; Harry’s owl had never yet failed to deliver a letter to anyone, even without an address. But what would he write? Dear Professor Dumbledore, Sorry to bother you, but my scar hurt this morning. Yours sincerely, Harry Potter. Even inside his head the words sounded stupid.

(GoF, 21)

Harry doesn't wish to share secrets with Dumbledore, nor does he feel comfortable to go to him with his troubles (his go-to adult while Sirius was around was always Sirius). Again, Hermione is mentioned as the one who trusts Dumbledore's authority, in Harry's head, but he's right, he knows her well.

Harry actually spends a good portion of the series purposefully trying to hide information from Dumbledore. (I'm saying 'trying ' because Dumbledore always found out, but not because Harry told him).

“He seemed to think it was best,” said Hermione rather breathlessly. “Dumbledore, I mean.” “Right,” said Harry. He noticed that her hands too bore the marks of Hedwig’s beak and found that he was not at all sorry. “I think he thought you were safest with the Muggles —” Ron began. “Yeah?” said Harry, raising his eyebrows. “Have either of you been attacked by dementors this summer?” “Well, no — but that’s why he’s had people from the Order of the Phoenix tailing you all the time -” Harry felt a great jolt in his guts as though he had just missed a step going downstairs. So everyone had known he was being followed except him. “Didn’t work that well, though, did it?” said Harry, doing his utmost to keep his voice even. “Had to look after myself after all, didn’t I?” “He was so angry,” said Hermione in an almost awestruck voice. “Dumbledore. We saw him. When he found out Mundungus had left before his shift had ended. He was scary.” “Well, I’m glad he left,” Harry said coldly. “If he hadn’t, I wouldn’t have done magic and Dumbledore would probably have left me at Privet Drive all summer.”

(OotP, 63)

Harry is angry here, true, but he doubts Dumbledore's idea of what's "safe" for him. He's actually glad for the dementors because he doubts Dumbledore would've brought him over if it wasn't an emergency.

And Harry is right to be doubtful and suspicious. He's right that he's less safe at the Dursleys than at Grimmauld Place. He's right to feel angry and betrayed at literally everyone knowing he's being followed except for him. He's right Dumbledore probably wouldn't have brought him if it wasn't for the dementor attack. Harry is correct in each and every one of his assessments of Dumbledore's character and decisions here.

“No,” said Harry, shaking his head. “It’s more like . . . his mood, I suppose. I’m just getting flashes of what mood he’s in. . . . Dumbledore said something like this was happening last year. . . . He said that when Voldemort was near me, or when he was feeling hatred, I could tell. Well, now I’m feeling it when he’s pleased too. . . .” There was a pause. The wind and rain lashed at the building. “You’ve got to tell someone,” said Ron. “I told Sirius last time.” “Well, tell him about this time!” “Can’t, can I?” said Harry grimly. “Umbridge is watching the owls and the fires, remember?” “Well then, Dumbledore —” “I’ve just told you, he already knows,” said Harry shortly, getting to his feet, taking his cloak off his peg, and swinging it around himself. “There’s no point telling him again.” Ron did up the fastening of his own cloak, watching Harry thoughtfully. “Dumbledore’d want to know,” he said. Harry shrugged. “C’mon . . . we’ve still got Silencing Charms to practice . . .”

(OotP, 382)

Remember I mentioned Harry hiding things from Dumbledore? This is one of such occasions. There are more in GoF that I didn't copy, but this is an example of Voldemort-related, dangerous information Harry is hiding from Dumbledore because he doesn't trust him and doesn't feel comfortable telling him things.

“It’s lessons with Snape that are making it worse,” said Harry flatly. “I’m getting sick of my scar hurting, and I’m getting bored walking down that corridor every night.” He rubbed his forehead angrily. “I just wish the door would open, I’m sick of standing staring at it —” “That’s not funny,” said Hermione sharply. “Dumbledore doesn’t want you to have dreams about that corridor at all, or he wouldn’t have asked Snape to teach you Occlumency. You’re just going to have to work a bit harder in your lessons.” “I am working!” said Harry, nettled. “You try it sometime, Snape trying to get inside your head, it’s not a bundle of laughs, you know!” “Maybe . . .” said Ron slowly. “Maybe what?” said Hermione rather snappishly. “Maybe it’s not Harry’s fault he can’t close his mind,” said Ron darkly. “What do you mean?” said Hermione. “Well, maybe Snape isn’t really trying to help Harry. . . .” Harry and Hermione stared at him. Ron looked darkly and meaningfully from one to the other. “Maybe,” he said again in a lower voice, “he’s actually trying to open Harry’s mind a bit wider . . . make it easier for You-Know —” “Shut up, Ron,” said Hermione angrily. “How many times have you suspected Snape, and when have you ever been right? Dumbledore trusts him, he works for the Order, that ought to be enough.” “He used to be a Death Eater,” said Ron stubbornly. “And we’ve never seen proof that he really swapped sides. . . .” “Dumbledore trusts him,” Hermione repeated. “And if we can’t trust Dumbledore, we can’t trust anyone.”

(OotP, 554)

Again we see the same exact dynamic from first year. Hermione is loyal to Dumbledore, not even considering he might be wrong about something, or not have their best interests at heart. Ron and Harry on the other hand, are both open to the possibility that things aren't so simple. They don't think Dumbledore is intentionally harming Harry, but they think he's wrong about Snape. Something Hermione, Arthur and Molly would never consider.

(This is actually the most annoying thing in Hermione's character for me, her unshakable faith in Dumbledore, who doesn't deserve her trust)

“. . . so you see what this means?” Harry finished at a gallop. “Dumbledore won’t be here tonight, so Malfoy’s going to have another clear shot at whatever he’s up to. No, listen to me!” he hissed angrily, as both Ron and Hermione showed every sign of interrupting. “I know it was Malfoy celebrating in the Room of Requirement. Here —” He shoved the Marauder’s Map into Hermione’s hands. “You’ve got to watch him and you’ve got to watch Snape too. Use anyone else who you can rustle up from the D.A., Hermione, those contact Galleons will still work, right? Dumbledore says he’s put extra protection in the school, but if Snape’s involved, he’ll know what Dumbledore’s protection is, and how to avoid it — but he won’t be expecting you lot to be on the watch, will he?” “Harry —” began Hermione, her eyes huge with fear.

(HBP, 552)

Even in book 6, the book Harry grows the most comfortable and trusting towards Dumbledore, even then, he doesn't trust Dumbledore. He thinks (and somewhat rightly so because he doesn't know of Snape and Dumbledore's plan) that Dumbledore is wrong about Snape. that Dumbledore is wrong about Malfoy. Harry doesn't trust that whatever protections Dumbledore would leave would be enough (and they weren't).

Even at the end of HBP, the point in the series where Harry has the most faith in Dumbledore, Harry still doesn't trust Dumbledore's judgment or his ability to protect the school. Even after Dumbledore calls Harry out on it, telling him the safety of the students is important to him, Harry still tells Ron and Hermione to get the DA to protect the school without notifying Dumbledore.

And Dumbledore raised Harry to feel responsible for the school's safety, Harry is doing what he was "bred" to do. But he does it behind Dumbledore's back, because like every adult, Harry deep down expects to be let down. After all, he's used to saving the school himself.

So, no, Harry never really trusted Dumbledore fully. At least, not Dumbledore's judgment. Harry does believe Dumbledore's intentions are good for the most part, even if ineffective.

“He never told me his sister was a Squib,” said Harry, without thinking, still cold inside. “And why on earth would he tell you?” screeched Muriel, swaying a little in her seat as she attempted to focus upon Harry [...] Where was saintly Albus while Ariana was locked in the cellar? Off being brilliant at Hogwarts, and never mind what was going on in his own house!” “What d’you mean, locked in the cellar?” asked Harry. “What is this?” Doge looked wretched. Auntie Muriel cackled again and answered Harry. [...] Numbly Harry thought of how the Dursleys had once shut him up, locked him away, kept him out of sight, all for the crime of being a wizard. Had Dumbledore’s sister suffered the same fate in reverse: imprisoned for her lack of magic? Had Dumbledore truly left her to her fate while he went off to Hogwarts to prove himself brilliant and talented?

(DH, 135-137)

And in Deathley Hollows, Harry is very quick to start questioning and doubting Dumbledore. Especially when compared to Hermione:

“Harry—” But he shook his head. Some inner certainty had crashed down inside him; it was exactly as he had felt after Ron left. He had trusted Dumbledore, believed him the embodiment of goodness and wisdom. All was ashes: How much more could he lose? Ron, Dumbledore, the phoenix wand . . . “Harry.” She seemed to have heard his thoughts. “Listen to me. It—it doesn’t make very nice reading—” “Yeah, you could say that—” “—but don’t forget, Harry this is Rita Skeeter writing.” “You did read that letter to Grindelwald, didn’t you?” “Yes, I—I did.” She hesitated, looking upset, cradling her tea in her cold hands.

(DH, 311)

Harry is hurt, he feels betrayed, because while he never 100% trusted Dumbledore's judgment, he trusted his intentions. He trusted Dumbledore was good and cared for him. He feels cold and betrayed, showing trust in his intentions. But his readiness to accept Skeeter's and Muriel's accusations so quickly shows he always had his doubts about Dumbledore and they never really left, even if he wanted to trust him, he never did, not fully.

Hermione, on the other hand, who was always loyal and trusted Dumbledore (both his intentions and judgment) 100%, tries to rationalize Dumbledore's actions and convince herself everyone who says bad things about him is lying.

Harry doesn't. Because out of the Golden Trio, Hermione was always Dumbledore's woman, Ron and Harry... not really. Not as much.

“That old berk,” muttered Aberforth, taking another swig of mead. “Thought the sun shone out of my brother’s every office, he did. Well, so did plenty of people, you three included, by the looks of it.” Harry kept quiet. He did not want to express the doubts and uncertainties about Dumbledore that had riddled him for months now. He had made his choice while he dug Dobby’s grave, he had decided to continue along the winding, dangerous path indicated for him by Albus Dumbledore, to accept that he had not been told everything that he wanted to know, but simply to trust. He had no desire to doubt again; he did not want to hear anything that would deflect him from his purpose. He met Aberforth’s gaze, which was so strikingly like his brothers’: The bright blue eyes gave the same impression that they were X-raying the object of their scrutiny, and Harry thought that Aberforth knew what he was thinking and despised him for it. “Professor Dumbledore cared about Harry, very much,” said Hermione in a low voice. “Did he now?” said Aberforth. “Funny thing how many of the people my brother cared about very much ended up in a worse state than if he’d left ’em well alone.”

(DH, 478)

More of how Harry thinks about Dumbledore, showing, again, how he always had his doubts and reservations but he chooses to trust Dumbledore's intentions because otherwise, he doesn't think he has any hope to defeat Voldemort. He chooses to keep following Dumbledore's path because he has no real choice but to trust what he sees as the only path that'll lead to Voldemort's destruction. But Harry has plenty of doubts about Dumbledore.

Hermione, on the other hand, has little to no doubts. She doesn't allow herself to doubt.

And this pattern, of Harry doubting Dumbledore again and again, never truly trusting him, just trusting his plan will kill Voldemort... like, how does that lead Harry to want to name his kid 'Albus'? I just don't get it...

TL;DR

Harry likes to say he's Dumbledore's man, but he always had his reservations, even when he choose to ignore them since trusting Dumbledore's plan felt like his only chance at survival. Hermione is much more trusting of Dumbledore than Harry is.

[foxritz]

Sneak peek. Working on more Lamb and Leshy interactions, very happy that won the poll cause it sparked two new ideas 👀

I want to find a faster way to draw this comic-ish things, I have so many ideas but I am so slow.

[cemeterything]

This isn't a gotcha, so please don't take it as such, but would yuou be willing to explain what it is about VAL that makes her such a favourite of yours? I can't stand her myself, she comes across to me as a bully given god-like power that she abuses for her own amusement, and I've seen you acknowledge as much, but we draw completely different conclusions from that. I just want to understand your perspective.

i've been anticipating a question like this for a while now, so i'm more than happy to answer for you!

you're right, VAL is in some ways a "bully given godlike power" as you put it, and there's no avoiding that (nor do i want to). and yeah, i do like her in part because of that, because i have a fondness for horrible fictional characters and in particular "bad victim" archetypes, of which VAL certainly is one. but i think what makes her compelling to me, rather than repulsive, is that she is fundamentally a cautionary tale and a tragedy. in-universe, she's the scapegoat. the example. the "make the right choices or this could be you". she's inescapably, heartbreakingly human in her awfulness, and that makes her terrifying, but it also makes her deeply sad (at least to me).

i also strongly believe in rehabilitative/restorative justice, so for me, wanting better for VAL is about my real-world principles to a degree. i can't and won't argue that VAL doesn't function as an uncomfortable allusion to a lot of atrocious crimes against humanity (by humanity) within the narative, and that anyone who finds her upsetting or even hateful for these reasons is absolutely justified in doing so. however, she's still a fantasy entity at the end of the day. she's not a 1:1 stand-in for real-world abuses any more than, say, a vampire or werewolf, which plenty of people are more than happy to explore the nuances of. and there's also the question of what punitive measures would even achieve in her case, beyond personal satisfaction for the one administering or spectating them (which is not to say that wanting to punch VAL makes you as bad as she is, just that her arc is, among other things, about how cycles of abuse and violence perpetuate). the worst that could possibly happen to her has already happened. she's been tortured. she's been taken advantage of for her mistaken belief that working for and with the system has the opportunity to benefit her, and died for it. there's nothing to be "learned" from her punishment that hasn't already been shown to us. that she hasn't already internalised. if she were ever to develop a stable conscience, that would be punishment enough in my opinion.

despite being a victim of people not entirely unlike VAL, i personally am not her victim, so treating her with sympathy and kindness whilst acknowledging the elephant in the room that is her many (fictional) war crimes is not something that requires any cognitive dissonance on my behalf. i would cautiously argue that the narrative agrees with me somewhat in this regard - the few times VAL is treated to a genuine act of kindness with no ulterior motives, it shatters her composure and outward conviction that what she's doing is necessary for her personal satisfaction, and even prompts her to reconsider on occasion (sparing the woodsman comes to mind). i'm not saying anyone needs to hug her and tell her she's valid, but if all it takes is some genuine good intent to get her to engage in introspection, i'm willing to be the person to offer it.

[fictionadventurer]

....Is half a day too short of notice to suggest a new writing challenge?

The situation is this:

-I enjoyed the daily writing routine of National Poetry Writing Month and want to keep the momentum going

-Ever since I started the Inklings Challenge, I've vaguely wanted to have some kind of event marking Chesterton's birthday

-We have precedent for a single-Inklings-author-referencing writing challenge with the Four Loves Challenge

-Chesterton's birthday is in May

-Chesterton was an extremely prolific author, essayist, artist, poet, biographer, journalist, etc., etc., and it would be fun to have an event honoring that

Ergo, the idea that won't leave me alone is:

The Chesterton Challenge

Which would be an event on the Inklings Challenge blog throughout the month of May that challenges people to create something every day of May--be it a story, drawing, poem, doodle, meal, sculpture, sentence, puppet, essay, scribble, whatever. If it involves making something, it counts. Every day throughout May, there'd be a post on the blog with a completely optional prompt to inspire creative works. People could then reblog that post either showing us or telling us about what they created that day.

People could interact with as many or as few days as they like. So it would be less of a writing challenge and more of a community thing.

Am I crazy? Does anyone else want to be crazy with me? Should I make it a thing or leave everyone alone?

[harrowharkwife]

camilla or pyrrha for the character ask meme!

THANK YOU EMMA FOR GIVING ME AN EXCUSE TO TALK ABOUT CAMMMM MY GIRL.... CAMILLA DARLING

favorite thing about them: where do i even fucking start. her skill, and strength. her wit, she's so goddamn funny. her resolve. her bravery. the quiet ferocious intensity with which she loves and cares about people. as tragic and troubling and fucked up as it is in canon, i find her perennial tendency towards pair-bonded dysfunctional codependency to be. ALARMINGLY relatable. i love her flat affect. i love her observational skills- she's clever, and perceptive. i may or may not have an enormous crush on her. i love her loyalty and devotion. i love (read: hate) her tendency to deflect any and all important personal questions. i love that she doesn't let go. i love her love for spreadsheets and sharp knives and sensible shoes and sketching. i love her impeccable bedside manner. i love her and her letters and her cassette tapes and her fuckass bob and her smile that makes the earth want to marry her and i love her slate-clay eyes and her laugh. i love that she fought like her heart had already exploded.

least favorite thing about them: i mean, with camilla this question is really more of a "most concerning things about them," isn't it? her codependency, her lack of individuation and independence, her refusal to develop her own identity and exist as her own person. which, like, from one autistic bitch to another, girl i Get It. if i could get away with making myself a satellite accessory to another person instead of having to figure out how to be a person myself, if my society had groomed me to do exactly that from birth, yeah, i would probably do the same thing. being a person is fucking exhausting. but it's also so, so worth it, and it breaks my fucking heart that cam never had the chance, and that the people in her life by and large never encouraged her to really try. we do see pal pushing her on it a little here and there from time to time, and i appreciate that, but it was clearly never enough to stick, y'know? i hate how self sacrificing and selfless she is, i wish fandom at large would talk more about her depression, i want to give her wellbutrin and a hug and therapy.

favorite line: too many to choose. life is too short and love is too long. i don't let go, it's my one thing. sure, it's a nice handkerchief. i think there's another teaspoon full of blood in here somewhere. camilla hect fought like a grease fire. the cohort has taken the rest of him away and i don't know where they've put him.

brOTP: gideon, though i am a lover of the cam/gideon agenda! also nona, and palamedes.

OTP: dulcie, but i also love campyrrha, in like a mutually sorrowful toxic cathartic cav4cav grief sex sorta way.

nOTP: idk that i have one? i'm not really into cam/corona the way some people are

random headcanon: autistic like i mentioned earlier. i think she'd love cats

unpopular opinion: personally speaking I'm not a shooter for the aro/ace cam agenda, though i don't have anything against it!!! I've definitely seen it done in fascinating and lovely and compelling ways before! it's just not how i personally interpret her, but i think that's literally just a personal grudge on account of being an autistic woman with somewhat flat affect, and having seen fandoms Immediately jump to hit every serious-mannered, autistic-coded woman character that has flat affect with the aroace headcanon stick Immediately and at first blush without interrogating the potential stereotypes and assumptions behind that choice. not saying that that's what people are doing with cam at all, just that it was a general pattern i was observing across fandoms- honestly i see the logic behind it with her, and i don't think it's a "wrong" way to interpret her at all, i think it's perfectly founded! but unfortunately i am just projecting on her and she got caught in the crosshairs of me deciding i had Had Enough and that it was time to draw the "let autistic women fuck" shaped line in the sand and take a political stance 😂 you understand. aroace cam truthers are some of my most beloved comrades in arms. peace and love on planet earth

song i associate with them: EXISTENTIAL CRISIS HOUR! BY KILO KISH. see also: butterfly net by caroline polachek, true blue by boygenius, my friend by hayley williams, ***look at me now by caroline polachek,*** francis forever by mitski, the body is a blade by japanese breakfast, crude drawing of an angel by caroline polachek.

favorite picture of them: im on mobile and also stoned outta my gourd so I'll rb this with some art tomorrow!

ty emma!!!!

[kaliyakarnage]

He was so tired after combat training, he fell asleep right then and there.

Well, I guess you have to sit like that until he wakes up again, Draal... XD

Too bad those two never met. Pretty sure Draal would have loved his new troll brother ^___^

-----SORRY! LONG, INSIGNIFICANT TEXT INCOMING!-----

So I am back into my regular drawing style again. That seems to be all I can really do and it made me realize that I am stuck. My skills didn't improve for quite a long time now, despite having watched several drawing tutorials. Especially on composing, coloration and backgrounds, because those always were my greatest weaknesses. The only things I'm kinda good at is anatomy, cell shading, expressions and a little bit of character design.

I do digital art for almost 15 years now (before that it was only traditional drawing), but I believe nobody would think that by looking at my works. I really started to feel embarassed after seeing so many genius artists here on tumblr and instagram, that are only 18 or 19 years old and whose works are putting mine to shame. Yeah, I know I am by far not the only person experiencing this. But it doesn't change the fact that I am, for so many years now, struggeling really hard with not achieving more with the thing, that is and always was my life. That one and only thing I thought I was really good at. But "good" will never be enough. So maybe it is finally time for me to leave the "great" to those who have a chance and to stop uploading my drawings for good. I will still need some time to finalize this decision, but I'll make sure to let you all know.

Sorry for this sentimental flood of words. I want to thank everyone who did like my works. I enjoyed all of your likes, funny hashtags in reblogs and kind comments I recieved over the years. I would have left a long time ago, if you guys hadn't kept me going. So much appreciated!

Artwork(c)KaliyaKarnage

Characters(c)Dreamworks

[sneez]

pathologic but it's a lost 1920s german expressionist film [id under cut]

[id:

image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.

images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads: 'Pest', a film by Robert Wiene Alfred Abel as Victor Kain Ernst Busch as Grief Lil Dagover as Katerina Saburova Ernst Deutsch as the Bachelor Carl de Vogt as Vlad the Younger Marlene Dietrich as the Inquisitor Willy Fritsch as Mark Immortell Alexander Granach as Andrey and Peter Stamatin Bernhard Goetzke as General Block Dolly Haas as the Changeling Ludwig Hartau as the Haruspex Brigitte Helm as Anna Angel Brigitte Horney as Maria Kaina Emil Jannings as Big Vlad Gerda Maurus as Yulia Lyuricheva Lothar Menhert as Georgiy Kain Asta Nielsen as Lara Ravel Ossi Oswalda as Eva Yan Fritz Rasp as Stanislas Rubin Conrad Veidt as Alexander Saburov and Tragedian Paul Wegener as Oyun Gertrud Welcker as Aspity

image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).

image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.

end id.]

[shaykai]

Violently bouncing between LoZ, DA, and UTMV, have another TikTok thing :>

[humanmorph]

"This is a message to you, who listens. You must trust me, because we are friends. You just don't know it yet. "

(The Road to PARTIZAN 05 : Ech0 & dusk to midnight)

currently halfway through PARTIZAN (making my way towards palisade extremely slowly. see u guys there in a month or two) & this is to date my favourite intro Austin has done. what an great introduction to an extremely cool character

[theswedishpajas]

[Mii Maker Music]

!!Find the palette in this thread!!

[crescentfool]

i just want good things for them 🥺💗

[turtletoria]

a mask of my own face

[tarteggs]

some tristamp ww sketches cuz i miss him

[miahasahardname]

i found a super old drawing tablet which, naturally, ended with me drawing women all day

[rotisseries]

inspired by elli's poll lol cause this seems fun actually but if you guys have bad answers I'll kill myself on your doorstep or smth