Loki S2E6:
LOOK AT THE EPISODE NAME. SOMETHING'S GOING DOWN TODAY. (Also, this is the same name of S1E1).
Holy shit, it's an hour long.
The Marvel Studios logo is going backwards in time 👀
Time to watch Victor die again.
The first of many times.
Rip.
TIME LOOP!
Miss Minutes 🤣
Oh, well, that one was gruesome. Nice close-up of poor Victor's skull.
Loki: speedrunning the plan Sylvie: 🤨
He's actually gonna make OB teach him everything to make the next loops faster.
WAIT, REALLY. I did not expect the "centuries later" timecard, omg.
"Do not set the Multiplier down, or it will roll off the gangway." I wonder how many times that happened.
MOBIUS JUST CURSED 👀
There's the microphone shot.
HE'S ACTUALLY DOING IT. COME ON, VICTOR, YOU CAN DO THIS.
Suit integrity's failing....
HE DID IT.
Victor ain't gonna make it. I have never been so glad to be wrong.
It feels too good to be true. Something's gonna happen.
"The Loom is overloading again." Noooooooooooo 😭
"You can't scale for infinite. It's like trying to divide by zero." He's not even wrong. Damn, they were so close.
"It's almost as if as soon as the timelines started branching, this was doomed to happen." Yeah, and who helped create that problem, hmm?
YEAH, OKAY, THAT MAKES SENSE. BACK TO THE BEGINNING. HELLO, S1 FINALE.
Do it right this time, Loki.
Now he has to fight Sylvie a few dozen times, brilliant.
My heart is breaking all over again.
"If you want to stop me, you'll have to kill me." DUDE, IF IT ACTUALLY COMES DOWN TO THAT, I WILL LOSE MY MIND.
"So, how many times have you been at this?" Lmaooo, He Who Remains might be a time tyrant, but he is hilarious af. And scarily smart.
Oh. He froze time. Neat.
A COUPLE THOUSAND? This man is having way too much fun. Leave Loki alone.
He would totally mock his variant, oof. Be nice to Victor.
I can't decide if he's encouraging Loki or trying to keep him from stopping the Loom's overloading. Or if he just hates Sylvie that much.
OH, HELLO, S1E1.
Loki realizing that past Mobius doesn't know the Timekeepers were fake 😂
He's pretty much just telling him to kill Sylvie, omg. But also, that eight-year-old story is heartbreaking. Holy fuck, it was Renslayer.
"You just choose your burden." Ouch.
'Goodbyes' plays/Mobius spagettifies NO. I WISH I DIDN'T MEMORIZE THE NAME OF THIS TRACK FROM THE S1 ALBUM. Thank god for the timeslipping.
"I'm not giving you my blessing, if that's what you're waiting for." We'd never want you to, Sylvie. We'd never want you to. That might make it hurt even more.
Alright, Loki, what's the plan. Are we killing Sylvie and breaking everyone's hearts, or are we just letting them go back to the timelines as who they were meant to be?
Whoa, this guy's going out there himself. Without gear.
"I know what kind of god I need to be...for you. For all of us." 😭
Ooooh, now that's an iconic look. Definitely looks more like it's from the comics, that's for sure.
Oh, shit, there goes the fucking Loom. Is that undoable?
Ladies and gentlemen, may I present Loki, the God of Stories.
Also, I can't not mention the music. It's beautiful.
Well, there's one way to get back to the end of time.
HIS CAPE IS MADE OUT OF TIMELINES. HOLY SHIT.
sits down in the pristine golden throne in a crumbling castle
YGGDRASIL.
Oh god, they brought Miss Minutes back.
And, yay, OB's out of the shadows at last!
Oooh, Quantumania Kang reference.
"You're leaving." I don't know if I should be happy for him or fucking devastated. Mobius, don't go 😭 (all the same, he's earned it. and he's got good reason).
B-15 literally is the perfect person to run the TVA, though. They've got that right.
New TVA guidebooks 👀
A Victor Timely that got to live out life as he was meant to. ❤
Ravonna in the Void (good riddance)
GET HER, ALIOTH.
Mobius watching Don and his sons 😭
Oh, what's up, Sylvie
"It's the best house on the block." He's totally biased. But he should be allowed to be.
I love how supportive Sylvie is of him going back. She shouldn't have criticized him for it, but she's damn proud of him for having the courage to actually do it.
Is Loki just. Going to sit on that throne for all of eternity? That is so depressing. He sacrificed his life in a completely different way- he didn't die for the timelines, he decided to live for them, to literally be the one thing that lets them all flow. He really is the God of Stories.
Something tells me there won't be a season three..
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Bill Cipher thoughts (BoB Spoilers Ahead)
I'm really sitting on how Bill's displayed so much of himself indirectly in the BoB. How during the Love section he denies having exes, marking them out. How said exes show up SEVERAL times scratched out or are regarded with this bitterness of someone who did NOT do the breaking up part. Bill got dumped. Every time. And is desperately trying to bury his feelings.
And that's something I think the Book of Bill really highlights in a way. The fact that Bill has feelings. That deep down he's a broken triangle. It's all over the book's writing. Him pointing out how to use denial and rationalization and other bad coping mechanisms to basically ignore and lie to himself (and show us how to do it) and basically convince himself that he is as heartless as he tries to be. Him avoiding his exes. The tone he uses and the avoidance really giving the "I don't handle breakups well and I'm still petty about it". Him constantly telling himself that he's fine. He's not fine. Him crying over Ford leaving and getting wasted. Him being bitter about the henchmaniacs not calling. His regret over what happened to his world. His loneliness. GOD his loneliness. His self-hatred. His scathing remark about definitely NOT having some tragic backstory that humanizes him and how he's not an "I can fix him case". Calling himself a monster. His longing for home. The "Last one breathing". The "I tried to change the past". The "my hands shaking, as I realized I could never undo the". The "until there was no one left but me, covered in blood, alone in the universe". The goddamn "I don't want to die alone" Valentine's card. The last few pages. Just, the last few pages. That isolation, his pained "I'M FINE". The almost sad plea for someone to let him out.
Bill cares. He's fucked up, unstable, violent. But he does care about people he gets along with and he feels understand him. For every "I'm just playing the bit" and using people with nice gestures, I think a fraction of that is somewhat genuine. And he hates it. He hates his own vulnerability. He hates his lack of apathy. He's denying himself his own emotions constantly under so many layers of distractions, eldritch horrors, and repression. He can't think about home, about failure, about how every relationship he's ever had, platonically or otherwise, ended. And it wasn't on his terms.
Him talking about/to his mom when he's drunk. How his mom called him Billy as a kid. How his home life sounded simple. How Bill as an individual is anything BUT simple. And how his drunken state holds such fondness for that simplicity, yet it was suffocating. How he would've broken free eventually, inevitably, because he knew that's who he was. It's his nature. He was destined for more.
How it cost him everything.
How he's constantly chasing insanity like it's a drug. Like he needs the power trip to stay high. To not think too hard. To drown out his emotions and his self-reflections and everything he hates about himself.
How in Gravity Falls he still tried to get Ford to side with him after everything, cause that was his vulnerability showing, for the slightest glimpse of a moment. Cause he doesn't want to do it alone. Him reaching out to the reader in his book, because he doesn't want to do it alone. Can't do it alone. Even when he eventually betrays that person, I think him offering Ford that cushy spot alongside his henchmaniacs makes me think that yeah, Bill actually would've upheld his end of the deal.
He thinks he wants multiversal domination. He thinks Weirdmageddon is his Magnum Oppus. His purpose. But he's so lost. If he ever does get what he wants, he won't know what to do with himself. He'll be faced with the "Now what?". He'll hit the end of the road and realize how unsatisfying it is. How this isn't what he wanted.
How lonely it is to be God.
I think the Axolotl sees that in Bill. It's why he doesn't try to destroy him or attack him or anything. He sees that inner self of Bill. Sees him for what he really is. Someone who needs a LOT of therapy, a true, honest to goodness friend or partner in his life, and maybe a more sustainable life purpose or hobby. He has so much potential and in a way his pursuit of power, rather than being an actualization of his abilities, is a waste of them, because it gets him nowhere.
And he needs help, even if he doesn't think he does. He's a depressed alcoholic frat boy trying to drown his misery in a way that hurts and kills worlds. He's a girlfailure, a bisexual/pansexual disaster (he's at LEAST canonically bisexual or at MOST canonically pan cause this guy has dated both ways).
Bill's book is so incredibly amazing for what it is. All the lies, all the unrealiable narrator parts of Bill's facades and flaws and him being himself and all of his genuine thoughts and feelings bleeding through the lines and showing themselves but only in a way that you can really understand if you understand him and can tell when he's lying and when he's not. To see the real parts of him, and everything else. This book was perfect, and it was perfectly imperfectly him. This truly is Bill's book. It's so him in such a raw and genuine yet dishonest way. I'm gonna cherish this damn book forever.
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thinking about Aiglamene. Like, so
a child crash lands in town. mystery where she came from. the mother is dead. this tiny redheaded thing has no one in the world. the town takes her in because what else are you supposed to do with a orphan dropped on your doorstep, but they don’t love her. the reverend family needs an heir, so they kill every single child on the planet- wait, scratch that, all but one. this one kid is alive, she’s alive, against all odds. so naturally, everyone’s scared of her. everyone hates her. out of all the children to survive why was it the one no one cared about. but they move on, everyone does, and the kid grows. and she starts asking questions. you start answering them. you start telling her stories, and it’s nice to be listened to, even if the kid is just a twerp. you start teaching her, she’s a natural with a sword, but you don’t tell her because it’ll go to her head. you’ve never had a maternal bone in your body, you aren’t mothering her… but she’s got nobody. and neither do you. you train her, you teach her, you tell her she can get out, get free from this place, if she works hard enough, fights good enough. she works hard. she fights well, better than you ever did at her age. she tries to get out. she gets caught. she tries again. and again. and again. and eventually, there’s a chance, a real chance. you’re the only person in the world who could get through this kid’s thick skull, and you tell her: this is your chance, this is it, you’re getting out, you’re leaving me, you’re never coming back, you’ve going to live, you have to get out now. and she goes. she goes, and she doesn’t come back. she doesn’t come back, and then she does… and she’s dead. she’s dead, and she’s back, the two things you prayed wouldn’t happen. she’s back and she’s dead and this is your child, you raised her, and you sent her off, promising a bright future, and it killed her.
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Coriolanus Snow's character is so fascinating to me.
At the movie's beginning, he is just this sweet boy, just trying to protect his family, keep them alive, and protect his tribute and keep her alive. And you adore him, and you're rooting for him; by the time you get to the end of the movie, he's slowly twisted everything around, until suddenly, he's not the person you thought he was, and even though you saw glimpses of that person, he's gone now, and you don't like what's left.
The thing I love is that you can see the inner fight that was there all along, the darker side is represented a lot by how Coriolanus is similar to his father and connects back to his past. He gives up pieces of that person throughout the games where Lucy Grey is his tribute, sacrificing them in the form of a handkerchief (a piece of his dad) that has the potential to implicate him in a crime that would cost him his life, but also the potential to grant Lucy Grey hers. You can see it in the way he gives her his dead mother's compact full of rat poison. In the way he cheats to save her, even with the knowledge that he won't gain anything from it. You can see it in the way that he lets her in on secrets he's guarded so fiercely from his capital friends. Living in a world where he has almost no control.
He also has close zero regard for the people in the arena with whom he has no connection. He convinces a classmate to help kill her tribute to save his, and he tells Tigress he felt powerful killing a little boy (a feeling she connected back to his dad). Things that grow smaller in comparison to his love for Lucy Grey, the affection he shows for Sejanus, the way he cares for his family, and the relationship he has with Tigress.
It's in the second part of the movie that things start to go awry. he gets his father's handkerchief and his mother's compact back. along with those pieces of himself. His hair is buzzed, and he's shipped away from his family, who were the original motivation for everything, most importantly the motivation behind befriending Lucy Grey. He has nothing. Seajanus ends up joining him and they go together to District 12, where he has even less control than he did before.
Coriolanus stands by while an innocent man hangs. He holds Sejanus back from stopping it to keep him safe. He gets in a fight with Lucy Grey's cheating ex. His best friend gets him out. He gives Lucy Grey the last piece of his parents he has with him. He gives the girl he loves all of his trust. He betrays Sejanus to the capital. He tries to protect his best friend. He kills a woman, putting them all in danger. He killed her to keep them safe. It's his fault Sejanus hangs for treason. His best friend cries for him right before he dies. He runs away with Lucy Grey to keep himself safe. He runs away with his lover so they can be together. He lies about Sejanus's death, so Lucy Grey leaves him. He lies about his best friend's death, to keep his love with him.
He abandons his friend and is abandoned by his lover because of it. He breaks trust, and so his trust is broken.
He gets all the pieces of himself back with his mother's shawl Lucy Grey leaves for him to find.
He had so many opportunities to be good, and you could see that he was fighting against the worst part of himself. And yet, you can also see him fighting less and less as time goes on, eventually, once he gets all of the pieces back he stops fighting. He goes back to the capitol, prepared to do whatever it takes to gain control. He's not a victim of circumstances or his childhood, Tigress proves that. But he is a victim of the choices he had to make.
Coriolanus Snow is such a complex character, who is shaped by his own choices, and the people in his life, who he can never really escape, the echoes of which will follow him throughout his whole life.
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