Eldritch Echo Pt 8:
I'm pretty sure this is the longest section I've done for this fic. I'm not sure how that happened, one minute I was like "I'm kinda tried but I'll try to write a bit of this so I can say I wrote something today" and then next thing I know I'm in a writing groove. Not what I was thinking when I thought of Echo going feral earlier but I think it works.
Also, can someone who's seen more than a tiny bit of the Bad Batch confirm for me whether Crosshair sounds like Cad Bane? Cause I think he sounds like Bane.
@mezmatch , new part!
The Bad Batch’s mission doesn’t go well.
Hunter jerks awake in a cell to the sound of distant screams.
It’s not his brothers, he realizes. He can hear their heartbeats and see Tech in the opposite cell. Tech appears to still be unconscious and he can hear Wrecker grumbling to himself.
The screams stop.
“Wrecker?”
“Hunter! You alright?”
His head hurts and his ankle feels sprained, but that’s manageable. “Nothing too bad. You?”
“Bruises. Crosshair doesn’t look good, and I can’t see Tech or Echo.”
Echo Hunter realizes suddenly. Checking for the other three is habit, he’s still getting used to checking for four. “Tech’s unconscious. I can’t hear or see Echo, but someone was screaming earlier.”
“Do you think it was him?”
“No but they’re too far away to be sure. What the hell did they hit us with?”
“Nothing that would keep me down.” Is Wrecker’s grim response, meaning that whatever had been in that gas it wasn’t exceptionally strong. They called Tech and Crosshair’s names, trying to wake them up.
Four floors up, Echo is angry and working his way towards fully pissed off.
The Separatists who had caught them had brought him here to confirm that he was the trooper the Techno Union was hunting for and to get some information out of him. They had been straightforward about their plans to torture the rest of the squad for any useful information before killing or selling them, that detail was still being decided.
They had made two crucial mistakes. One of them was deciding this was a good idea in the first place.
The second was not asking the Techno Union exactly how they had managed to keep Echo down for so long.
The Techno Union got very, very lucky with Echo. He’d been in a state not too far from hibernation while his body recovered from the explosion, and then there were prosthetics and stasis chambers and things digging into his mind and one of the scientists had realized that they needed a very strong cocktail of drugs to keep him sedated. It had taken all of that to keep him under control, and even then he’d managed to cause trouble a couple times.
Your average sedative and some reinforced binders? Yeah, good luck with that.
Echo stands in a room with the remnants of five droids and three people. He walks to the terminal and turns on the security cameras with sticky red fingers. Blood drips from the knife at the end of his right arm and he narrows his eyes as the other Separatists hurry towards the cells where his squad is imprisoned, several droids with him. He taps another button.
“I would strongly suggest leaving my squad alone.”
He knows the way his voice sounds as it echoes, ha, through the intercom. Echo’s never called himself a sadist, but he won’t deny he relishes the way the Separatists jump out of their skin. He continues. “I’m coming for my squad. If you want to live, I suggest leaving now.”
He watches the screens just long enough to confirm his next actions, then turns and walks out the door.
He doesn’t have his armor or his blaster, but that’s alright. He’ll check for their location once he gets the others out, then he won’t have to try and carry everything. This trick Elevenses and Chomper had taught him and Fives during ARC training didn’t work with armor anyway.
In the cells, Hunter and Wrecker have managed to wake the other two up. Tech’s alright, but Crosshair has a concussion and a broken leg due to the sedative disorienting him as he was fleeing his compromised perch. They’d all been awake enough to hear Echo’s announcement and had almost immediately taken bets on whether the Seps would leave or not because some troopers would bet on anything, if only for the hell of it.
When the Seps arrive, they’re rushed. A minute later, the droids in the hall start blasting. There’s a sound like Wrecker ripping the hull off of a ship and the droids start yelling.
“Take him he’s the most injured.” The woman orders her companion, pointing at Crosshair. “I refuse to lose to a clone.”
“You certainly ran from him quickly.” Crosshair spat. He’s unsteady, but if he can get to the control panel for Wrecker’s cell…
He punches the man in front of him. There’s a shout, but Crosshair can only move so fast on a broken leg and finds a blaster leveled at his face, out of range. He puts his hands up and a stun baton hits his back.
He hears the others shouting as he goes down, tasting blood. They cuff him and drag him out of the cell and something on the ground catches his eyes. There’s too much light in the hallway between the cells for his shadow to be that dark, and he knows his shadow can’t grin.
“I told you to leave them alone.”
That’s Echo’s voice, if Echo was something massive and predatory speaking from the depths of a cavern too dark to see into. And those are Echo’s eyes, the violet golden color he’s grown familiar with. The handprint on his chest is Torrent blue, the 99 to the left of it in the same red the Batch uses. But the rest of him is black and white and something like armor. There’s a knife where his scomp should be, something shining on the ends of his fingers that could be claws and could be something else entirely. There’s too many teeth. Crosshair doesn’t have the words and doesn’t know how much of that is because of the concussion.
The woman keeps her blaster pointed at Crosshair’s head. The man points his at Echo, who sighs and raises his arms.
Something flashes. Someone yells. Something yanks Crosshair out of the way and he screams. When he stops, Echo has his teeth in the woman’s throat.
“Bleh. Never liked doing that.” Echo grumbles. He hurries to Crosshair, crouching down just out of arm’s reach with a face closer to what they’re used to. There are red lines over one eye much like Crosshair’s tattoo. “Are you alright?”
“When the fuck did you get a tail vod?” He croaks. Echo smiles, worry and relief plain as day even with the damn concussion. “Can we leave now?”
It doesn’t take too long to find their armor and weapons, even with Wrecker carrying Crosshair. Most of the droids had been in the hallway, and they clear out the remainder with ease as they get their stuff and swipe a speeder to get to the Marauder. Echo scomps into a terminal, he can practically hear Tech holding back questions when the blade changes smoothly back to a scomp, and retrieves the data they came for before they leave.
Crosshair’s gritting his teeth in pain by the time they get to the ship. While Tech and Wrecker are taking care of him, Hunter and Echo head straight for the controls. They don’t fully relax until they’re off the planet. Echo leans forward with a sigh, skin warping back into his usual shape.
“That could have gone worse.” Hunter groaned. Echo snorted. Something beeped.
“If that’s another mission we’re not here.” Echo grumbled. Hunter would have laughed if he hadn’t been so surprised. When his face is back under control, he answers the comm.
“Sir.”
“Hunter I’m glad I caught you.” The small blue form of Commander Cody says. “You boys alright? Is Echo there?”
He sounded stressed. “We just wrapped up the mission, only need to send in the data. Crosshair’s injured, he might be out of commission for a few days. Echo’s right here.” The ARC trooper waved one hand in range of the comm. “What’s wrong?”
Cody sighed, rubbing his hands over his face. “The Chancellor was a Sith, he’s now dead, and Fives was involved.”
Echo’s in front of the comm in a heartbeat. “Fives is on Coruscant?”
“The Chancellor’s a Sith?” Hunter asks because that also sounds important.
“It’s been a long day.” Cody replies. “I’ll give you the rundown but first, how soon can you get to Coruscant?”
“About two days if nothing goes wrong.” Echo replied. Hunter steps in.
“Would it be easier to send us a report? I assume you need to send one out anyway, and we can get the full details when we arrive.” Echo opens his mouth. “I’m not going to stop you getting details about your twin, but Cody looks exhausted and I know the others will have questions.”
“Fine.” Echo grumbles as Cody agrees. “You tell that idiot I’m going to wring his neck when I see him okay?”
Far away, an ARC trooper blinked and looked up. Something had pinged across his mind, resonating in his veins and resting on his back like a weight.
“Something wrong?” One of the Corries asked. Fives grinned, tired and relieved.
“Somewhere my twin is pissed at me.”
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anyone wanna get emotional about collaborative art with me?
[Mirage 19 Story: E&L, Layout: Eastman, Pencils: Jim Lawson, Inks: Laird, Letters: Steve Lavigne]
ID from alt: Cropped section of the page annotations by Laird, (relevant) text: Page 18 is also the beginning of what I think of as "Brick hell" - Jim drew so many panels with hundreds of bricks in them, and I felt obliged to ink them all in. That was a LOT of bricks." Left is a panel showing Raph running down a curving brick tunnel, the wall is drawn with individual bricks, uncountable amounts of lines that illustrate the curvature.
If not, enjoy brick hell instead (I'll leave, just a doozy of a brick hell image at the end)
(this issue has beautiful layout paneling, which little snippets of could never replicate. great one to check out. imho)
come one come all to the worst barn party of the decade...
[IDS AND ALTS THE SAME]
ID: Jones family barn interior. Mike and Don speaking to Raph (off panel). Mike, in an open gesture: Life is good here... It's given us time to heal, to accept what's happened. Leo's needed this time, too--. Don, by his work table, no mask, wearing an apron. More neutral: We're not the guardians of society, Raphael... we never were. END
ID: Three panels, Raph pushing Leo around, yelling at him. The background moves from uninked, to midtone, to dark tone, as they both get more angry. Raph: No-- You're hiding out here... scared to face facts... And you're dragging all of us down with you! Fun and games are over, Chump... Look at yourself! END
ID: Two panels, Raph looks down to a wooden sword Leo (off panel) has held up in his way. He looks at it, unimpressed. Then looks up, pissed off and says only "Mistake." END
1. Three panels, Leo in the forground, just his leg seen. Raph on the floor against a wall. He whips his chin, saying "You were always good, Leo...". Close up, spit hangs from his mouth, continues "... One of the best..." He stands and finishes "...Which makes life here even more of a crime."
2. Four panels, Leo has Raph in a choke hold, holding him from behind, they are on the floor. Sweaty and teeth grit with exhertion. Leo says "--Do you hear me?!" Raph starts throwing punches to Leo's head, just above his own. As each one land we close in on Leo's face. END
Well. Thats great. Ill eat my own heart out how abouts.
AND ANYWAY. My favourite favourite effect.
ID: 1. Four panels, Leo, Mike and Don, run along a roof top, grab some fire escapes, and make their way to street level, skirting the edge of a street lamp's glow. The entire set is pen inked normally, and washed completely with the mid tone, save the small circle around the lamp, glowing white.
2. Large panel. Raph, 3 point lands, kicking up dust in the center of a spot lit section of sewer. The tail ends of a hood he wears trail up with the motion. Very little double-tone is used on the page, instead the shadow is communicated by increased hatch lines still following the shapes of every object in shot. END
ID: Raph sits in the tattered remains of the turtles lair, his brothers shadowed in the foreground. Raph, not very warmly says "Welcome Home." END
Okay okay. cry forever and every. please for the love of god. read comics. now. more brick hell
ID: Three panels, showing the entrance of a sewer tunnel into a larger area, closed and open pipes along the wall. The shot holds empty for two panels, then with the inclusion of Raph jumping out the exit in the third. If you are to look carefully. You can tell, though the scenery remains the same, in each, the intricate pen inked brick work and shadows have been done three separate times. END
LIKE. I KNOW ITS TRADITIONAL MEDIUM COMICS. But sir.... SIR? Another annotations from Laird specifically. Have mentioned using the copier to place certain things in backgrounds.... i just.... SIR?
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