So. Fatebreaker, right? Ryne's biggest fears made manifest, daddy issues personified, yes?
He's an amalgamation of Thancred and Ran'jit, his face, his voice and his weapon is Thancred's, but his body, his fighting style and his words are Ran'jit's.
Throughout the fight Fatebreaker constantly makes comments about how only he can protect Ryne, only he can provide for her, only he has even the right to so much as stand beside her, to be in her general presence. He's possessive and obsessive, repeatedly asserting that she is HIS and his only. Which is exactly what Ran'jit says basically every time we encounter him.
But this time it's in Thancred's voice. This time it's with the voice and face of a man she actually cares about.
Ryne isn't scared of Thancred, she never has been. Even when she first met him she was barely even nervous (as clearly shown in Thancred's short story). There's a lot of different feelings happening between those two, but fear has never been one of them.
But now, after things have gotten so much better, she is scared of Thancred becoming like Ran'jit. Because if Thancred was just a little further gone, if he was just a little less compassionate, he would've. It wouldn't be hard for him to go down the same path as Ran'jit did, to be incapable of letting go of the ghost of that girl he loved so so much to the point he'd stubbornly grip anything close to her he could. He didn't, but the fact he could've is terrifying.
It makes his final words, words that are Thancred's, so very important. This is her deepest fears made manifest, but he still says he wants her to be happy. Her happiness not only matters, but is important to him.
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and like, despite the deliciously shippable couples it has, Twinkling Watermelon is not a romcom, it’s a fantasy coming-of-age. the theme is family, the main relationship is between Eun Gyeol and his father and while their respective romantic storylines are crucial, they’re not central.
which is nice, on the one hand, because it offers a slightly different (and beautiful) kind of story, but then because instead of being [main couple] > [second couple] it’s [son and dad] > [son’s gf and mom], it ends up letting down Eun Yoo and Cheong-ah a bit and leaving their resolutions a bit rushed / open ended (you know, like how in other shows you’ll see the second couple standing together at the main characters’ wedding but no actual, solid resolution).
so the final scene of the show is primarily a bonding moment and a resolution for Yichan and Eun Gyeol, and you don’t get much of Cheongchan and a very quick last-moment wrapping up of Euneun (and like. what happened to our girls in the years in between?? we need answers!)
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GRANDMA HUA???
You're out picking flowers and Grandma casually drops that she used to be part of that incredibly cursed cult village your most incessant stalker drew a whole entire picture book about and uses as a light moral bedtime story.
THIS LADY RIGHT HERE. Conversation under the cut.
Grandma Hua: Better than the past when you had to trade something just to get a bite to eat...
Rover: Exchange?
Grandma Hua: Hmm...When I was younger, in another village, they had the habit of exchange.
Grandma Hua: Exchange...What exactly are we exchanging...?
Grandma Hua: I can't remember...Every time I think of the word "exchange", I get the heebie-jeebies...
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The fact that we played when we were both little boys on field trips, somehow drawn to each other, unsure why, a shared bond neither of us could articulate let alone grasp in any sort of meaningful way, both of us just starting to grow out our hair out for the first time, running through the rain together, splashing through puddles, playing with fallen sticks we've found along our shared path, seeing each other only a few days a year, yet finding each other nonetheless,
So much has changed, yet we still play, both of our breasts just beginning to develop, puddles turning to buckets of ice, the raindrops still fall, bead down her blisteringly red cheeks, puddles still form, but rather than at our feet, in the small of our backs, under our sore buds, between our thighs, the branches crack on her soft skin as she coos and cries, we still find each other from time to time, though we change so much it all seems to stay the same in the end,
Two spirits, akin, yet strangers, walking the same lonely path, never truly seeing one another, yet finding an understanding in that that haze, finding each other if for nothing else than for one sweet embrace, before we are cast back to walk along, with fallen sticks and pink rain boots.
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“Queen Aemma ignores Alicent’s courtesy to address Rhaenyra.”
Does she know that the Hightowers are up to no good? 👀
I wish Queen Aemma had more screen time. We know nothing about her, except that she will die horribly. Instead of focusing on the characters and the plot, they wasted all of it just to whitewash and downgrade the characters and cram all of the events that led to a civil war in 10 episodes.
There are so many scenes that were omitted if y’all look at the script, which is here.
Anyways, fck the writers.
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I have said this before but me being self proclaimed number 1 Ryoma fan and that being possibly literal-bc even if this bro had fans before me I might’ve simply done the most for him by talking about him so much + being the first to write fics that are in depth studies on his trauma across canons-I gotta say if there’s one other character I rotate a lot that isn’t him it’s probably Kei. (Shocking it’s not Hayato even if I do think about him too- but it’s usually associated with Ryoma bc gays 🗿)
I’m not even exaggerating when I say Kei would be my favorite and only isn’t because she doesn’t exist in many other canons yet my brain rotates the endless possibilities of how to incorporate her. I’ve already written a fic where she’s in shin vs neo verse which worked surprisingly well but I’ve been thinking how universally she could appear in other things. (Whether it be fitting her into a idea of a possible Go team in New or just a new canon completely) I think what I’ve narrow it down to is that she could be like- in Michirus role? Like she’s the supporting female who isn’t a pilot but helps out the real occasionally which I think would align very well especially with the original manga role she has of being Hayato’s assistant. And even if Hayato isn’t grandpa mode yet he still very much is in Saotomes position at that point. Not sure if she’d Hayato’s biological kid to further parallel Saotome and Michiru given well Hayato already adopts the Go team and his wife is irrelevant LOL.
I have no idea if I’ll ever write this specific idea but I’m still- rotating it cause this is such a easy way to get around “picking between Sho or Kei as the 2nd pilot” since both of them can still exist even if one doesn’t get to pilot, idm my supporting females. (Granted there could always be like- plot line where Sho gets hurt so Kei is temporary pilot but I can’t remember if Getter ever really did this since “once your hurt your ass is basically replaced” lol)
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