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thequibblah · 3 years

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hi so i'm looking for some new music to listen to and i thought you could help because you have great taste!

if this helps, i'll tell you what i normally listen to, which is very basic & basically the same few artists over and over lol

- mostly just taylor swift, she makes up 70+% of my listening probably haha and if i had to pick a favorite genre of hers it would be the folkmore style

- some other pop, like olivia rodrigo and conan gray and lorde & some doja cat but i'm not a huge fan of doja's lyrics

- lyrics are really big for me, so is having a pretty voice and nice melodies

- i love your playlists but the old songs are usually not my style (there's been some though that i really like, ty for that !! <3)

- ceremonials is my favorite florence album

- liability is my favorite lorde song

no problem if u don't want to!

OH i basically recommend things for a living so why not music, eh?

so. what i'm getting from this is that you have three big listening buckets: soft acoustic and indie pop and just plain old pop. so i will divide my recs by those broad genres! i too prefer singable music so i will try to lay off on especially dissonant artists, or mark them as such so you can be prepared (LOL)

acoustic/folksy (i'll admit i am a big indie pop girl so this stuff will be a bit sparser)

phoebe bridgers — admittedly she is more alt-rocky, but see garden song, savior complex, moon song, graceland too, prayer in open D

waxahatchee — can't do much (GOD THIS SONG), lilacs, st. cloud

lucy dacus — also more alt-rocky, but here r some softer jams: hot & heavy, christine, green eyes, red face (a jily song)

anything by first aid kit! start with stay gold and the lion's roar

hozier — i feel like most people on the internet have listened to SOME hozier but check out wasteland, baby! (i tried to pick individual songs and ended up listing most of the album LOL)

kacey musgraves — another artist you've probably listened to already, but try golden hour

brittany howard — stay high must be the sweetest song in existence, and basically all of her album jaime

arlo parks — the whole album but especially caroline, hurt, and black dog

lake street dive — i can change, good kisser (a mary song if i've ever heard one), and i adore their hall & oates cover!

anya marina — this whole album has had me by the throat since like 2013

lucius — just the whole album wildewoman, h/t @figg-anon for putting me onto this!

idk what tf genre fiona apple is but try her out as well!

artists i listen to less of but are in this vein: the lumineers, bon iver, vance joy

u know i had to rec some old people shit (LOLLLL), so in this vein, joni mitchell, heart, judee sills, emmylou harris, joan baez, vashti bunyan

one-off songs you might like: hold you now by vampire weekend, big wheel by samia, i eat boys by chloe moriondo, strawberry blond by mitski (i worship at the altar of mitski but she might not be your speed haha), like i used to (acoustic) by sharon van etten & angel olsen, body by julia jacklin, jackie onassis by sammy rae and the friends, cowgirl bebop by HANA

indie pop BELOVED

maggie rogers — ok i cannot recommend this higher like if u like lorde and conan gray drop everything now and mainline maggie's brilliant debut album

HAIM!!!!!!!!!!!!!!!!! — they've got poppier songs like want you back and more mellow songs like summer girl, but honestly i would just recommend a deep dive because they have a pretty surprising breadth within their own alt-rock/pop niche

caroline polachek — can sometimes get way out n weird in the pop sense but so hot you're hurting my feelings is a very listenable pop standard (also it's so funny she's such a clever lyricist also this is irrelevant here but she sounds amazing live), also love look at me now and her cover of breathless

charli xcx is more experimental pop but would rec trying out warm (FT HAIM!!!), blame it on your love (FT LIZZO!!), and official

rina sawayama — technically her album is all sorts of genres but especially XS, comme des garcons, paradisin', bad friend, and tokyo love hotel

orla gartland is a lil softer and i love more like you, oh GOD, and did it to myself

king princess — especially cheap queen, 1950, holy, but basically all of cheap queen

more one-offs: kansas by ashe, comeback by CRJ (full paean in her honour to come in the pop section), i am a big fan of other people covering the bleachers (LOL) especially rollercoaster by charli xcx and i wanna get better by tinashe (full tinashe praise to come too), saturdays by twin shadow (FT HAIM!!!), the kiss of venus and 3 nights by dominic fike (also his interlude on halsey's album), aute cuture and milionària by rosalía, young lover by st. vincent (i love her but again might not be for u haha), good days by sza, backyard boy by claire rosinkranz, slow dancing by aly & aj, hot sugar by glass animals

if ur down to try out something weird witchy and cool, kate bush is like the originator of 9 billion pop and rock genres and hounds of love is a masterpiece

pure pop (we can split hairs on what makes pure pop LOL but basically everything here is based on ur enjoyment of doja)

carly rae jepsen — ok if u haven't listened to her non-radio-hits u may be like "what?? call me maybe lady???" to which i say YES, especially window, stay away, no drug like me, and too much

victoria monet — this may or may not be a selling point to you, but victoria is a frequent ariana grande collaborator and you can absolutely hear it in her music (see also: the mattress spring background noises in dive JUST like they are in positions...), and i love experience, go there with you, and we might even be falling in love, and why not throw in her ariana grande collab monopoly

magdalena bay — how to get physical which i am destined, nay, contractually bound, to put in a jily modern AU someday, killshot, stop & go

tinashe — basically ALL of her new album!!! SO good. i also love rascal (superstar), esther, and old jams like company (and i JUST found out she has a chaka khan cover!)

chloe x halle have the most angelic vocals in the world

this might sound actually demented because WHO hasn't heard love on the brain but rly... go give ANTI a re-listen...

tove lo — especially are u gonna tell her, mateo, and jacques

WAIT I FORGOT TO SAY ROBYN!!!!!!!!!!!!!!!!!!!!!!!! EVERY ROBYN SONG!!!!!!!

for that throwback poppy sound u may as well go real throwback KJAHKJA and check out donna summer!

one-offs: right to it by louis the child n ashe, serial lover by kehlani (also more by her but im getting lazy now kdjfhgk), missed calls by max n hayley kiyoko, peppers and onions by tierra whack, idk who hasnt heard this song but circles by meg, todo de ti by rauw alejandro (the way i wanted this to be song of the summer so bad ;___;)

hope you enjoy and pls come back and tell me if you really liked any of these!!!! xoxo

#genuinely i have revealed so much about myself w this i feel like you could pick me out of a spotify lineup HAHHAAH #ask me #anon #music disk horse

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mentally-unstable-fangirl · 3 years

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Heyyy bestie!!

What music do you like listening like artists and genres?

ooooh, excellent question!!

i definitely like pop and alt music (idk how to describe it really, like just kinda think Halsey)

and for artists i love so many, but i'll go with the ones i'm following on spotify lol

Anne-Marie, Ava Max, Bebe Rexha, Daya, dodie, Halsey, Katy Perry, Lewis Capaldi, Taylor Swift, MARINA, and I could go on

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94373264 · 5 years

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Hi,

I need music recommendations.

I like alt/indie/pop artists like:

Florence + The Machine

Lana Del Rey

Marina & The Diamonds

Ellie Goulding

Charli XCX

Grimes

Natalia Kills/Cruel Youth

Sky Ferreira

Lorde

Banks

FKA Twigs

Tove Lo

MØ

Halsey

Melanie Martinez

Troye Sivan

Allie X

The 1975

Passion Pit

MGMT

Two Door Cinema Club

Sleigh Bells

The Weeknd

as well as

Washed Out

Clams Casino

Crystal Castles/Alice Glass

Balam Acab

Gold Panda

Any recommendations (Songs/Artists/Albums) would be greatly appreciated.

Thanks!

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earwaxinggibbous · 5 years

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Top 10 Worst Hit Songs of 2019

So 2019 was kind of a weird year, wasn’t it? Not just for like, life, though it was weird in that aspect, but in music.

I can’t tell if 2019 was an incredibly strong year for music or a weak one. This, to me, is a sign that we’re transitioning into a new era of popular music. The youth are once again taking the reigns of the music scene as did the punks of the 70′s and the grunge kids of the 90′s. Meanwhile, the oldheads flounder for relevance in the face of this new adversity. “Nobody could’ve expected this!”, said no-one ever.

There was a lot of great pop this year, which I will get to, but there was also a lot of bad pop. All of it was either by shitty new artists who have no talent or previous hitmakers swimming around in their own piss. Regardless, it was all interesting to look at. You won’t see any “this entry is short because this song is boring” sections. I also won’t have to rant and rave constantly about the reprehensibility of certain artists, though it will come up. So I guess 2019 was a better year to talk about bad music.

Less do dis.

10. Senorita - Camila Cabello and Shawn Mendes

I can’t explain why I hate Camila Cabello so much. I didn’t even realize I hated her until, like... now.

I thought Havana was okay, and her work with Fifth Harmony was tolerable, but every other single she’s dropped has been fucking excruciating. Bad Things sucked, that one song where she can’t pronounce the word “heroin” properly sucked, and this song sucks.

Much like Selena Gomez above, Camila Cabello is yet another female singer who lacks the ability to display any chemistry with anybody, even her actual real friend Shawn Mendes. As well, like sister Gomez, she fills the chart niche of sexy Latina women for men to drool over. “I love it when you call me senorita” is one of the corniest and stupidest lines ever written. She may as well have said “it gets me hot when you call me Ms. Cabello” because that’s essentially the equivalent.

There’s nothing sexy about the airy whimpering or the obnoxious “ooh-la-la”s or the way Shawn harmonizes, which implies he also loves it when you call him senorita. Nobody actually bothered to think any part of this song through because nobody ever thinks very hard about writing Camila’s songs. Otherwise Bad Things wouldn’t have accidentally sounded like an abuse anthem when it was supposed to be kinky and sexy. And it’s how creepy lyrics like this got by in Senorita.

If he says you’re just friends then you’re JUST FRIENDS. Did we learn nothing from Ann-Marie and Marshmello last year?

This is just yet another lame, plotless, meandering love/sex song by Camila Cabello who has a good voice, but only ever performs these god-awful sex jams with no sex and no jam. And it’s unfortunate because this is sort of the lot dealt to most Latinx artists. Pop-friendly artists like Camila are divvied up into racial categories without anyone even noticing, and most likely she will only ever write and perform sex jams because that’s what a Latina woman in pop is pushed into. Not that I think she has any problem with it, it’s more indicative of a bigger problem than specifically one with Camila herself.

People have been sexualizing the Latinx community since the dawn of time, and while the new movement of Spanish music might change this, it sure as hell hasn’t started yet.

At least it isn’t seven minutes long like Te Bote.

9. Money in the Grave - Drake and Rick Ross

Drake had 25 hits last year, and only one of them was a song I might say I actually like. I remember I said there’d be no boring songs, but... Drake hasn’t been interesting in a long time. Even when I found out about his secret son, or the fact that he was with a significantly younger woman, I just kinda shrugged and said “oh”. Drake has to be on his way out. How much longer are people going to stand this?

Money in the Grave isn’t as turgid as 2018’s Nonstop, or as audibly inept as the 2017(?)’s Pop Style, but God. At this point, every Drake song sounds the same. The man is incapable of bringing forth any kind of emotions, his beats are pathetic drum loops, nothing he writes has any personality. It’s almost funny how boring his music is.

Rick Ross, if you remember him, was known in his time for writing shouty drug dealer anthems. He yelled a lot, and I was sitting with bated breath waiting for him to fucking 6ix9ine scream over this track, only to be disappointed when he lowered into a calmer register for this tune. Drake even made Rick Ross boring, and Rick Ross is one of the funniest bad rappers I can think of, aside from like, Soulja Boy.

I no longer understand what niche Drake fills. You can’t dance to this, you can’t get high to it, nobody’s gonna think you’re cool if you enjoy it, the lyrics aren’t even passably interesting. It’s the same rap cliches as always, perhaps with a new coat of paint, but said paint is the same color as it already was previously, and makes no change.

No wonder Drake endorsed Lil Baby. Nobody else can equal his talent at sounding bored.

8. Bad Guy - Billie Eilish

So here’s an unpopular music critic opinion: I don’t like Billie Eilish.

I’ve known of her for a long time, and never once has she drawn my intrigue. I’ve gone all over asking people why they like her, and I’ve heard all sorts of answers. Her voice is good, her lyrics are good, her production is interesting, her subject matter is deep... whatever it actually is, I couldn’t tell you. But in the end, I basically feel the same way about her as I do about Twenty-One Pilots. She’s an artist in an oversaturated micro-genre who, despite being of lower quality than her contemporaries, managed to do something different enough that she rose up in the latter part of the genre’s life. In Billie’s case, it’s the trend of female alt-pop singer-songwriters who write about things like politics, feminism, and ESPECIALLY mental health.

Lorde was the original, but we also have Lana Del Rey, the more pop-friendly Halsey, Marina and the Diamonds, the dreaded Melanie Martinez, to some extent even Alessia Cara, just a whole bunch of them. They all had their own unique personality. Billie Eilish’s personality is that she has none.

Okay, I’m being a little mean. I do think that Billie’s music videos are actually very interesting, but good music videos does not a good musician make. Her voice is more of a phlegmy whisper than people let on, and her lyrics... like, what, what makes them so special? And why didn’t wish you were gay get ANY backlash when it’s basically just a backwards version of Little Big Town’s Girl Crush?

Bad Guy is the worst of her singles without question. Its beat, much like most of her songs, sounds like two people accidentally banged on top of the Cassio and somebody pressed record. Her voice continues to be boring and flat, for some reason she has to whisper everything, and the lyrics are some of the most mind-numbing shit I’ve ever heard. Which moron at corporate told the 17-YEAR-OLD to write a “steal yo man” song where she threatens to seduce my dad? Like, ignoring my own personal history with my dad, you are literally a CHILD.

Generally speaking, the song sounds like someone gargling mouthwash in my ear for a minute or two, but like, very quietly. Which is kind of pathetic for a song called Bad Guy. You sound like a pretty average guy to me.

It’s obvious from the music video that Billie’s main inspiration is grunge, and if that isn’t the case I’ll be surprised. The weird imagery and intentionally dressing like a homeless person to every public thing she does gives off big Nirvana energy. One could argue that Billie Eilish is a good segway into teaching the youthsters about the ghosts of music’s past. There’s just a few problems with that.

One: Bad Guy sounds nothing like a grunge song.

Two: Billie Eilish does not have a grunge voice.

Three: Billie Eilish just... isn’t doing it right.

Billie Eilish’s parents are two wealthy actors and she was basically born with the ability to get into the business easier than other people. I’m not saying that you can’t be a grunge artist if you’re wealthy and have a decent family life, but I am saying that Billie’s music doesn’t convey any kind of grunge appeal. There’s no roughness or rawness to it because she could immediately walk into a producer’s studio with a wad of fifties and ask for a sick beat. Her music displays no emotion, and emotion is the main draw of grunge. Like, Kurt Cobain wasn’t a very good singer, but he knew how to perfectly channel how he was feeling. Grunge music is about feelings, not polish. And Billie Eilish is all polish.

I’m not gonna get all angry because grunge is being gentrified by a tiny girl when it was originally started by broke heroin addicts and lesbians, but I am gonna get angry because her music sounds worse than albums made on a budget of 600 dollars by a guy who has had one voice lesson his whole life.

She should just go into modern art.

7. Worth It - YK Osiris

Originally I was gonna give this spot to a different song. Worth It was so immediately bad that it rescued Lil Baby from my list this year.

Don’t expect to be this lucky next year, bitch.

But we’re not talking about that squealing douchebag, we’re talking about THIS squealing douchebag:

YK Osiris. I have no idea where he came from, I think he was part of last year’s XXL Freshman Class? He’s more of a singer than a rapper, so I’m not sure why he was, other than the predetermined idea that all black artists in pop are rappers. I wouldn’t even call him a singer, because the man cannot sing.

At the beginning of the music video, you see dozens of paparazzi swarming around YK Osiris’ car as he exits with a girl. This is the set-up for the song’s impressive amount of self-fellating narcissism, as YK Osiris assumes he has fans. Who the fuck listens to YK Osiris? I mean, clearly someone, because he charted, but like... what does a YK Osiris fan look like? Do women actually like hearing him wheeze into their ear? Like BEES?

NO MORE BEES!

Hearing this fucking chicken nugget talk about whether or not I’m worth eet is the lamest thing. Why does she have to be worth it? Are YOU worth HER time? Who the fuck are you? The attitude is very, I guess, mid-70′s Paul Anka-esque. And now I’ve made you imagine a YK Osiris cover of You’re Having My Baby. I also remember Todd in the Shadows compared this song to Earned It by The Weeknd, but I dunno if I get that vibe.

I mean, Earned It is a song about like... BDSM sex, presumably. So that’s more of an “if you’re good master will make you squart” kind of thing. This is more some sentient dildo insisting that you prove his worth to him before you’re even DATING. That’s a red flag on the same level as meeting a guy who lives alone and still puts a lock on his fridge. Like, what’s in there? What’s in the fridge? Is it human meat?

The guitar solo in this song is the only thing about it that’s... worth it. ZING!

6. ZEZE - Kodak Black ft.Travis Scott and Offset

ZEZE is a bad song. Plain and simple. It’s the essence of bad.

It feels like... it wasn’t even finished. Like everyone involved came in the next day to finish tweaking it only to find out that it was already sent out to be published and sold. I feel like there are things missing. Like yeah, the steel drums are nice, but where’s the rest of the instrumentation? There’s a drum and a steel drum and then nothing. Why does this song feel so naked?

Kodak Black sure doesn’t help, still sounding like he’s half-man half-screaming rubber chicken and mumbling like an actual infant still figuring out the whole “talking” deal. It’s not like Travis Scott or Offset add anything. I can’t remember what they did. ZEZE sounds the way I imagine taking ketamine and cocaine would feel. This song is so amateurish, I almost have good will for it.

If this was made by, say, a couple of high school kids dinking around with a Garageband, I might find it a little cute. The problem is that this song was made by several Whole Ass Adult People who have enough money to not make shit that sounds like ZEZE. It’s cute until you remember that Travis Scott produced big sexy SICKO MODE and yet somehow his presence couldn’t make ZEZE sound like it was made on a higher budget than 20 bucks. Someone even put an echo on Kodak’s voice, like that’d make him ANY BETTER.

It doesn’t help that I have continuing ill will towards Kodak Black because he’s a sex offender and nobody seems all too pressed about it. (Some rappers even congratulate him for having a rough past, like yeah, I guess some of those serial killers really did deserve better, huh?) I won’t be satisfied until he’s wearing orange pajamas on an island far away, and until then my feelings stand.

As it is, ZEZE is a song so chintzy-sounding and lame that I can’t imagine who would enjoy it. This song has the same energy as one of those hula girls you put on the dashboard of your car: Cheap and ugly.

5. The Git Up - Blanco Brown

Whenever something new is created, there’s always a leech.

I probably don’t need to tell you about the monstrous year Old Town Road had on the pop charts. For weeks and weeks, Lil Nas X was blocking people from his throne at the top of the Billboard Hot 100, bumping off new faces like Billie Eilish and oldheads like Taylor Swift. Old Town Road knew no mercy. This is the year that a gay black kid singing about horses ruled the world.

And Blanco Brown wanted a piece.

Blanco Brown is one of those artists who started out producing and writing for other hitmakers. He worked on some song by 2Chainz, a couple by some woman named Demetria McKinney, he produced that accursed MILF song by Fergie, a lot of relatively famous people. But he looked at Old Town Road and realized that he, being a black man from the lovely state of Georgia, could also do that.

He could not do that.

The Git Up is a husk of a song, only validated by the fact that it achieved what it was aiming for: TikTok memes. It’s as shameless as Watch Me, but doesn’t even have the small sense of excitement Silento gives off. Blanco Brown’s The Git Up and the “challenge” that it’s attached to are pathetic. The only reason Blanco isn’t too ashamed to go outside after writing this is because he knows plenty of people have fallen into his trap, and that they’re bigger fools than he is.

I started off hating Old Town Road, but over time I’ve sort of come to love it. There’s innocence in it. Lil Nas X didn’t mean for it to be a number one hit, it just happened. A lot of artists were trying too hard this past year, and I suspect it’s why Old Town Road made the pop charts its bitch. It didn’t have to try.

A lot of people will point at rock bands for being “fake”. If they draw inspiration from grunge or punk, and they don’t have the proper edge, many will point and laugh. But just because something is fun and hip doesn’t mean it’s easier to make. In fact, I feel it’s a lot easier to tell if someone’s making a shitty pop song for any reason other than themselves. A lot of people thought Lil Peep was faking, and he really, really wasn’t. There’s grey area in topics like depression, but Blanco Brown (and anyone like him) is as transparent as a window. I see through his mock-excitement, his cute little dance challenge, his “innocent” song. We all do.

I believe Tyler Durden put it best:

“Sticking feathers up your butt does not make you a chicken.”

4. I Don’t Care - Ed Sheeran ft. Justin Bieber

Speaking of being fake...

I don’t know if Ed Sheeran realizes how embarrassing this song is. More than any other song he’s been involved in. More than Shape Of You, or that one song on Revival, more than anything. I Don’t Care is an exercise in humiliation.

Generally speaking, I don’t like Ed Sheeran’s music. I think he’s had a couple good songs, we all like Sing and Castle on the Hill, it’s not like he’s untalented. But every time he’s gotten a big hit these past few years it’s been so shitty or mediocre that I wanted to scream. I’m not sure why, but all of his fans seem to flock towards his worst songs. And of all of them, I hate I Don’t Care the most.

Usually the problems with Ed Sheeran’s music just revolve around his meek, tiny personality and his weird style of lyricism. The level of detail he gets into can be both an asset and a detriment. I remember I basically described Shape Of You as a virgin anthem, because Ed Sheeran exudes dorkiness. Sometimes it works, sometimes it doesn’t, and when it comes to nerd music I’d rather take Thomas Dolby, but he definitely had a style.

I Don’t Care is Ed’s Intuition.

As in, the Jewel song. The blown-up pop song released by Jewel, a previously sincere folk singer who played acoustic guitar and sang about break-ups and The Media(TM) and stuff like that. Ed Sheeran is a lot like Jewel, if you think about it. Both of them are skilled lyricists who play acoustic guitar and sing about personal topics, and both of them suddenly decided to throw that away and make a sell-out pop hit. If this kills Ed’s career, they’ll have had basically the same musical trajectory.

Ed Sheeran opens the song by saying he’s at a party he doesn’t wanna be at, and that’s how the song feels. You, the listener, are at a party you don’t wanna be at. What good did adding Justin Bieber to this song do? Oh, right, that’s what made it a hit. I Don’t Care goes far beyond Blanco Brown’s brand of shamelessness. Blanco Brown specifically wanted a dance challenge hit. Ed Sheeran just wanted a hit. Any hit will do. He brought in guaranteed hitmaker Justin Bieber, tossed out his acoustic guitar for fully electronic production, and sang about something vague and already done. And the worst part is that it WORKED.

I imagine this was almost entirely through radio play, because this song is so radio-friendly and milktoast it’s unreal. With a stupid music video greenscreening Ed’s face onto shit and “ooh ooh”s and all, this song exists to pander. It wasn’t created for humans, rather, it was created for the pop music algorithm that’ll shove it into people’s laps without them asking. There’s no artistic integrity, nothing worth thinking about for longer than its runtime. It made it to the Hot 100 because it can be played in grocery stores and clothing stores and really any kind of store. Ed Sheeran is a God of nothing, and I can’t imagine he’s proud.

3. No Guidance - Chris Brown ft. Drake

This song is bad on every possible level. Starting off with the fact that it’s nine minutes long. It out-lengths last year’s overly long garbage fire that was Te Bote.

And then you look at the credits and know exactly who’s to blame for all this:

I don’t know if Lil Dicky anticipated giving Chris Brown’s career a second wind with Freaky Friday, but I think that’s what he did. I defended Lil Dicky last year, and I’m still not clear on how much he actually wanted to work with Chris Brown since that’s not really the kind of thing famous people are honest about, but this wasn’t Lil Dicky’s hit. This was a springboard to launch Chris Brown back into the limelight. Earth didn’t even chart. I wouldn’t be surprised if that was the last gasp of Lil Dicky’s career in the spotlight.

But I’d take Freaky Friday over No Guidance any day.

No Guidance is the formal beef-squash between Chris Brown and Drake. Apparently they both dated Rihanna at some point and allegedly had an actual literal bar fight. Despite Drake claiming he still loves Rihanna, he’s also choosing to publicly make up with and work with the man who got her hospitalized at 19 years old. Then again, Rihanna also wants nothing to do with Drake.

(source)

Over time, Drake has proven himself to be his own flavor of scumbag, a weirdo who dates younger women and pretended not to have a son. Perhaps this is his way of getting back at Rihanna. Or he’s simply using Chris Brown’s new power to bolster his own career. Regardless of why it is, it’s gross, especially when he’s dropping bars like this:

Someone else here is looking a little violent, no?

On pure quality, it sounds like every other Chris Brown song, just with Drake tossed into the mix haphazardly. It’s a lame song about hitting on some girl where both artists drop references to their old songs because that’s the easiest way for a failing artist to feign relevance. Assuming nobody features Chris Brown on another massive hit next year, there’s a fair chance he’s done for, and after years of oversaturation, the public finally tires of Drake. No Guidance is a nothing song with scummy shit going on behind the scenes.

RIP Lil Dicky.

2. 7 Rings - Ariana Grande

I never really understood the hype around Ariana Grande. She has a few songs that I enjoy, and her voice is very good, but nothing by her really stands out to me as an amazing song. Ariana stans are relentless. When I posted my review of the thank u, next album some complete stranger replied to it with “Uhhh ok sis”. Like barring the fact that I’m not a girl and we’re not related... it’s an opinion, calm yourself.

Frankly I don’t know how people enjoyed this song. Her stans are insane, but surely not that insane, right? I mean... this isn’t a song. It’s a MISTAKE.

Between Gwen Stefani and Ariana Grande, sampling The Sound Of Music for your pop song is a dangerous game. And really, she should’ve sampled like, anything else. Because nothing says “wealthy, savage girl” like a cute song about your favorite things, I guess!

I’ve never felt quite so immediately gross and uncomfortable as I did when listening to 7 Rings. I have no problem with women flexing, of course I don’t, but this isn’t flexing, it’s mocking. 7 Rings makes me feel like I’m being bullied.

Ari had a horrible 2018, and she’s more than allowed to flex a little, but I can’t imagine why anyone would want to essentially play the villain of a high school movie. She’s not Cher Horowitz or Regina George, because then at least she’d be entertainingly bitchy. I judge a flex anthem based on how much I get excited for the person being wealthy and cool. This song makes me want to commit a robbery.

The lyrical content isn’t the only bad element. It also sounds like shit!

Ariana Grande is a belter. Everyone knows she’s here to sing and not... rap. Which is exactly what she does on this song. The filters she puts over her voice during the rapping sections are just... gross. When she drags out certain words it hurts my ears. That and apparently multiple people have accused her of stealing their flows, though that’s really hard to say since it’s an incredibly generic rap flow. Also, she samples Gimme The Loot by Biggie Smalls, a song about robbing people. Which makes sense because if you bought Ariana’s album, you were robbed! Congrats!

But in the end, the most damning thing about this song is its lyrics. Why should I be excited about this absolute bitch having tons of money? Why should I care when she has the gall to say shit like this?

There were ten writers on this song and nobody thought of saying “hey, maybe the phrase ‘happiness is the same price as red-bottoms’ is a little fucking shallow!”

And I’m not making any judgments on Ariana’s character in real life. I’m sure she’s a perfectly nice person, but if this song was supposed to project some sense of camaraderie and a “we did it!” attitude, it fails. What it does project is a snide, rich girl looking down on you for not just buying yourself out of depression. Never write a song like this again.

Honorable Mentions

Happier - Marshmello and Bastille

I’m not gonna be the first to say every Marshmello beat sounds exactly the same, but every Marshmello beat sounds the same. I picked this one because it charted highest, but really it makes no difference which Marshmello song I pick on.

Sweet But Psycho - Ava Max

This song reads like a 12-year-old’s deviantART journal.

Drip Too Hard - Lil Baby and Gunna

Like I said, this song almost got on the list proper. It’s a slow burn. At first you feel like the beat is solid, and Lil Baby rides it decently enough, but then it keeps going and the flows never switch and Gunna basically sounds the same as Lil Baby and you begin feeling like you’re losing your mind.

Thotiana - Blueface

People kept memeing about this. I thought it’d be fun. I hate you guys.

God’s Country - Blake Shelton

Namedropping The Devil Went Down To Georgia does not make you Primus. Because you are not creative or interesting.

Trampoline - Shaed

I wouldn’t have even given this song a second thought except apparently it’s hit the alt-rock charts? Where is this rock? Like I get we’re pushing the boundaries of genre but I think the bare minimum of a rock song would be a GUITAR.

Knockin’ Boots - Luke Bryan

This song is dumb. But I’m oddly amused by how dumb it is, so it may live.

Baby - Lil Baby and DaBaby

Sometimes things sound like a good idea, and then they’re not. This didn’t even sound like a good idea and it proved to be an even worse idea. Something definitely could’ve been done with this, but Lil Baby is essentially a creative void that consumes all it sees.

Someone You Loved - Lewis Capaldi

Another song that’s too dumb for me to really get mad at. God knows, Capaldi is putting a hell of a lot of effort into something. What it is, I’m not sure, but he’s doing his best.

With those out of the way, we move onto

Number One:

You Need To Calm Down - Taylor Swift

"I AM LAID LOW BY THE HUMAN RACE. ME, AN INNOCENT WOMAN, MUST DEAL WITH ‘HATERS’ EVERY SINGLE DAY. MY HEART HAS BECOME WEAK WITH ALL OF THE UNKIND WORDS. DARE I SAY... I AM OPPRESSED?”

It’s ironic hearing Taylor Swift tell me to calm down. She hasn’t been calm for a long time. She sure as hell isn’t calm in this song. It’s basically the equivalent of someone screaming “I AM NOT ANGRY!”

Like, you’re... still mad about the snake thing? It’s been a few years now and you’re still bothered enough by an emoji that you referenced it in a song about how not-bothered you are? I mean, apparently this song (as well as ME!) is about celebrating individuality. It definitely is celebrating an individual: Taylor Swift.

I think a big theme of this year was “embarrassing”. The Git Up was embarrassing, I Don’t Care was embarrassing, but none of them are more embarrassing than this. You could probably do a list of the ten worst Taylor Swift lyrics and it’d be mostly this song. And if the lyrics aren’t terrible enough, it also blatantly copies the beat from Sunflower, the second-biggest hit of the year and a personal favorite. Like, a fellow critic remixed them together and the backing track is essentially unchanged.

And then we get to the gay stuff.

I’m not the first to point out that the underlying message of this song is pathetic at best and offensive at worst: “I have haters, and gays have haters, so we’re basically the same.” This is essentially Taylor Swift hoping she’ll get an invite to judge on RuPaul’s Drag Race.

There’s just kind of an eensy weensy problem.

Gay “haters” are like... ACTUALLY DANGEROUS.

They’re not just the goofy, protest-sign waving boomers she depicts in her music video. An internet comment is harmless. Homophobia isn’t. Homophobia leads to suicide, gets teens kicked out of their homes, causes hate crimes, it can cause incredibly serious harm. Someone sending you a fucking snake emoji isn’t the same as years and years of systematic oppression!

Does Taylor Swift have to worry about her safety when she tours in more conservative areas? Does she have to fear the possibility of losing friends and family ties when opening up about herself? Does she have to worry about letting the public see who she dates, beyond the usual celebrity drama? Do people shout slurs at her on the street? Do churches and politicians campaign against her right to marry?

Of course not.

Taylor Swift has always made everything about herself. She’s lied and been petty for years and years in her music. Imagine lying about KANYE. You don’t need to lie about fucking Kanye to make him look bad! He does it himself! She was the victim that time, and every time. But at no point until now did she stoop low enough to openly compare herself to oppressed groups because people are mean to her on the internet.

Like this isn’t even about articles or tabloids or anything, it’s about people being nasty online. The phrase “shade never made anybody less gay” is basically a crackhead way of diminishing our suffering. It’s not “shade” we’re worried about, Taylor, it’s having our fucking legal rights taken away. Your biggest worry is “haters”. Haters aren’t going to ban you from being married.

This song is phony, it’s a rip-off of a much better song that literally came out in the same year, it’s repetitive, it’s petty, and most of all, it tries to diminish the oppression of the LGBT+ community by boiling down all of our pain and suffering to simple “shade”.

I will not calm down.

Woo-ee. That was something alright. We’ll be moving onto the best list soon, if I don’t get caught up in my other quarantine activities.

#panda posts #top 10 list #worst hits of 2019 #top 10 worst hits of 2019 #worst hits #pop song review #pop music #music criticism #music review

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blogaboutmusic · 6 years

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all the playlists !

did this a while ago, but my spotify changed so much that i decided to do it again, and also because i have a lot of new followers! thank you & thank you if you follow my playlists! Be sure to check the list out bc i have a playlist for almost every genre & mood!

● ✧･ﾟ*✧･ﾟ* existential crisis: everything i have that is sad ● 2019 ; letz getit: music i discovered so far in 2019 / music that is important to me in 2019 ● 20(18)GAYTEEN: every album that came out in 2018 (at least of artists i like) ● 20(19)BITEEN: every album that came out in 2019 (/artist i like :) ) ● 5sᴏs ; complete: i think the title says it all ● ａｌｉｅｎｓ: a mix full of alt. songs. dope. 10/10 recommend to aliens ● all of it ; alternative ?: stuff that is alt but not quite, pop punk but not quite, rock but not quite, etc! ● all of it ; emo music: EVERYTHING YOU NEED. EVERYTHING SAD. EVERYTHING ANGRY. EVERYTHING GUITAR. pop-punk punk-rock emo/rock indie/alternative ● all of it ; k-pop: all the k-pop music that I listen to, stuffed into one mix. ● ᴀʟʟ ᴛɪᴍᴇ ʟᴏᴡ ; ᴄᴏᴍᴘʟᴇᴛᴇ: all of all time low’s music ● angry k-pop bops: a playlist that was inspired by district 9 of stray kids ● autumn, baby: perfect songs for fall! ● back to the future: idk some albums that i love listening to that go really well together ● bandito tour ; twenty one pilots: a playlist for an upcoming concert ● b͓̽a͓̽n͓̽g͓̽ ͓̽c͓̽h͓̽a͓̽n͓̽: a playlist for my bias of stray kids! ● ʙᴀɴɢᴛᴀɴɢ sᴏɴʏᴇᴏɴᴅᴀɴ ; ʙᴛs: all of bts’ music in one playlist ● best intro's, no argue: okay but really 505 is one of the best songs ever don’t fight me on that one ● bi bops: actually it doesnt matter if you’re gay, straight, pan or bi, these all work. just bops. ● b-sides, : songs i tend to forget about because i mostly listen to other songs on the albums... but they deserve the world so there you go ● 𝖇𝖎𝖙𝖊 𝖒𝖊: kinda angry, kinda alternative. ● bon voyage: i listened to this a lot when i went to paris and when i have to travel a lot. travel worthy. ● bop that Bussy ; emo version: FAV EMO JAMS AND BOPS AND BANGERS ● bring me the horizon ; complete : all of bmth’s music ● bts amsterdam 13.10.18: SETLIST ly tour amsterdam but also europe. i miss them a lot & wanna thank them for one of my best nights ever

● calm my anxious ass: what i need when i’m breaking down & alone again ● chanyeol (っ◔◡◔)っ: a playlist for my exo bias, mostly english sung songs though ● chilly billy doobop: so nice to have as background music or for when there’s a friend over. just ever so fckn CHILL ● classical // piano: classical music, mostly piano ● current mood: songs i’m probably listening to right now (lmao still) ● daniel james howell: a playlist for my fav youtuber!!! ● daydream: my playlist with music that makes me dream for a better version of me ● ᴅᴀʏ6 ; ᴄᴏᴍᴘʟᴇᴛᴇ: every day6 song ever. stan talent stan day6 ● death / school mix: songs about dying & other relatable stuff for school, ha ha ● dizzy tummy: stuff i listen to strolling through the city or being in a specific trainride ● dope on a rope: no, this isn't a playlist for the growlers' song, it's old beats. ● emo & alternative: sum emo tunes! totally random *insert that one crazy emoji with the tongue out* ● energize this tired bub: upbeat tempo music that really energizes me ● energetic appleflap: playlist for a friend (that i have crush on) ● eɴᴛᴇʀᴛᴀɪɴᴍᴇɴᴛ ᴛᴏᴜʀ ᴡᴀᴛᴇʀᴘᴀʀᴋꜱ: music i listened to before & after my waterparks concert + every waterparks song ever & the setlist ● ᴇxᴏ ; xᴏxᴏ: exo complete. please give us a ot9 comeback ● exploring: stuff i have yet to listen to ● fᴀʟʟ ᴏᴜᴛ ʙᴏʏ ; ᴄᴏᴍᴘʟᴇᴛᴇ: all of FOB’s music. can you believe i’m still emo trash? ● frickity freck!: fresh alt-ish music ● fuck me up: a ReAlLy gOoD aLterNaTiVe / IndiE / eMo playlist? ● funky dunky business: the bass in these is mostly really mcflipping good ● geez, morty: playlist for fake friends ● ɢᴏᴛ7 ; ᴀʜɢᴀsᴇ: all of got7 their music ● ɢʀᴇᴇɴ ᴅᴀʏ ; ᴄᴏᴍᴘʟᴇᴛᴇ: all of green day aka my fav band their music ! every.thing. ● grrr. : just metal and grunge. heavy shit ● guitars: really good guitars like guns ‘n roses & beatles and just guitars that i love??? ● guns n' roses setlist: setlist g ‘n r Europe 2017 ● halsey: indie artist, all her music in a playlist ● happy vibes: music that makes me smile!! ● hoe anthems (k-pop ver.); k-pop bops that make me go wanna hoe the heck out ● homework // calm: music i listen to when i make homework ● hug me pls: acoustic songs i wanna listen to while cuddling ● i’m a mess: a good, short playlist i- lol- unironically made when i discovered Michael Clifford had a girlfriend lmao i hope theyre happy they deserve it ● i, an intellectual: a nerd: music from movies and series i really dig ● interactive introverts: music they played and i listened to before interactive introverts ● jae = bae: this one goes out to jae, guitarist and vocal legend in the band day6 ● jazzin' away: jazz, my friend. ● j-pop ; rock 'n soul: my favourite j-pop songs!! yes, that includes all one ok rock songs. ● journal writings: i attempt to keep up a journal. this gives me vibes. sometimes a bit more uptempo, but mostly a bit softer ● judith.eliza: for a friend ● jughead's tape: for jughead jones, of riverdale ● just guitars, nothing else.: just acoustic guitars of some of my fav songs, really good for while studying i think ● k-grooves: korean r&b and indie ● k-pop ; essential jams: my favourite k-pop songs, which are quite a lot! ● k-pop ; girls: all my girl groups’ music ● k-rock ; you make myday: all my favourite k-rock songs, yes that includes every day6 song because they are just that good sorry ● last young renegade tour: music i listened to before & after my all time low concert + the setlist ● letters to you: songs that made me think of my crush. i think people can realate? ● let there be luf: some new alt, sum songs about love ● lilacskyjimin ; fav: playlist for a friend ● lone hours: in: feeling lonely? we do, too, dont worry. youre not alone. ● mama: stuff i grew up with / stuff my mother and i both like ● marina & the diamonds: apperantly she’s only called marina now? one of the best female singers i know, indie as f*ck ● ᴍᴇᴇᴛ ʏᴏᴜ ᴛʜᴇʀᴇ ; 5sos: playlist for the 5sos concert, setlist and the songs in between! ● micmicbudgee ; fav: playlist for a friend ● mom jeans, tired eyes: mostly 70s and 80s BOPS ● ᴍᴏɴsᴛᴀ x ; ᴍᴏɴʙᴇʙᴇ: all of monsta x’s music in a playlist ● muse ; complete: all of alt rock band muse their songs ● my chemical romance ; complete: emo rock band mcr all of their music ● my youngblood chronicals: alt rock songs. the reason why i’m still fighting ● nederlandse bodem: my favourite Dutch songs! ● ɴᴇᴏ ᴄᴜʟᴛᴜʀᴇ ᴛᴇᴄʜɴᴏʟᴏɢʏ ; ɴᴄᴛ: nct complete, in a playlist ● nienisneckdeep ; fav: playlist for a friend ● nights: songs i like to listen to before going to sleep ● noa.myg: fav: another playlist for a friend ● non-english bops: jewish, french, spanish, swedish, irish and celtic music like omnia (which is partly english but i think it fits here so tough luck) ● one ok rock ; complete: one ok rock is a japanese rock band that sings in english in their latest work ● ᴘᴀɴɪᴄ! ᴀᴛ ᴛʜᴇ ᴅɪsᴄᴏ ; ᴄᴏᴍᴘʟᴇᴛᴇ: all of panic! at the disco’s music in a playlist ● paramore ; complete: paramore was a punk rock band with a female singer, and now they make alt rock ● paris: a playlist for a city that i miss, a time that i miss ● ᴘᴇɴᴛᴀɢᴏɴ ; ᴄᴏᴍᴘʟᴇᴛᴇ: aka all of k-pop group Pentagon their music in a playlist ● pizza punk: waterparks, neck deep, with con and music like that. perfect for skating eheh ● power vocals: beautiful voices ! voices that make me jealous ● problems with sleeping: lovely alt songs, some of them are about not being able to sleep ● queen discography: you know that movie, bohemian rhapsody..? ● rad activist shit: end gun violence. black lives matter. abortions should be legal, pedophiles and rapists should not be able to walk free. oh and love is love, get over it. angry songs, songs about revolution. ● rainbow: love songs, some sad (rain), some ever so happy (sun). together they make a rainbow ● red hot chili peppers: the red hot chili peppers are rock band and if you dont know them, look them up!! ● revolution radio 2017: music i listened to before & after my green day concert + the setlist ● rev up my spaceship, bois: modern hard rock in a playlist! ● sad boi o’clock: another sad playlist, you can never have enough of these ● sᴀʏ ᴛʜᴇ ɴᴀᴍᴇ ; sᴇᴠᴇɴᴛᴇᴇɴ: seventeens (k-pop) complete music discography ● skylinn ; khaleesiqoyi: first playlist i made for a friend: my best friend ● slytherin headgirl: this is what the people in slytherin listen to, i swear ● socrates would deffo stan: indie and alt, only for intellectuals (i’m just kidding) ● soft; rock™: soft (old) rock ● soft; k-pop: for if you wanna weep along with exo, bts,, etc ● soundtrack of my life 🌙: the basics to my music ● space jams 🚀: most songs are about wanting to run away, perfect for when you’re in space ● spoopy rave: i secretly listen to this through the year, idec ● starry skies, snazzy beats: mostly cute beats, perfect for studying or staring at the sky ● sᴛᴀʏ ; sᴛʀᴀʏ ᴋɪᴅs !: all of stray kids songs, go stan them already and please stay ● stranger things: songs that give me a stranger things vibe ● supernatural ; rock & grunge: stuff Dean Winchester would listen to, blue oyster cult, aerosmith, black sabbath, stuff like that ● tae tae: a playlist for v of bts, one of my biases ● the 1975: an alt band, latest work: an brief inquiry into online relationships ● the neighbourhood: very chill music. kinda rap, kinda alt ● these physically turn me on: really, really good songs, or nice vocals, idk how to explain ● tits out for harambe: the closest thing i have to pop music / rap i guess, with khai dreams, frank ocean, childish gambino, ari, troye, ya know ● tokyo: a playlist for dreaming about the feeling of a city ● travel back in time: 50s, 60s music, stuff i listen to with my grandpa but also alone cuz its fun ● twenty øne piløts ; complete: all of twenty one pilots their music ● underappreciated alt songs: alternative songs that i think deserve (even more) hype! ● waterparks ; complete: nice new pop punk band that deffo has a lot of talent! ● when the week ends: a mix for the weekend ● wubbalubbadubdub: old bops that make me forget about my sadness ● year in review: 2018: music i discovered in 2018 / music that was important to me in 2018 / songs that came out in 2018 ● yoongi: songs where you can sing yoongi really clearly and songs that make me think of him ● you’re making me feel miserable: songs i listened to after i confessed to my crush and he turned me down sksksksk

please reblog, it helps my blog a lot, tysm

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