#i long rested once too

[the-potato-beeper]

hello dearly beloved mutuals (and other friends)! does anyone have any beginners tips for Baldur's Gate 3? i am struggling a bit, and would appreciate any help y'all can give!

[tiffanyachings]

it would have been very beautiful. camilla would have had to cook (horrible bone soup)

[turtleblogatlast]

Headcanon that Leo really loved to give his family massages growing up. We know that he’s good at them from the episode “You Got Served” and we know he likes spas and relaxation and getting massages himself from when he tried to get these in “Bad Hair Day” and from when Donnie made a tennis ball massage machine in “Smart Lair.”

So I think it’d be cute to think that maybe one day Leo overheard Splinter complaining about a bad back and immediately Leo thinks back to a comic or movie or something he saw where a massage helped so he offers to give one and it actually ends up helping Splinter.

Then April swings by the Lair at a later time and mentions her back hurting because of her backpack from school and Leo’s all like “I gotcha!”

From there, he occasionally manages to convince Donnie to sit for one because Donnie’s shrimp posture does not help him any (Leo pokes fun at how sandpaper-y Donnie’s shell is despite knowing it’s always like that and Donnie smacks him for it.) Donnie usually prefers hand massages instead however as all his typing and inventing adds up over time, and shoulder massages too once he starts wearing his battle shells more. Leo also figures out how to give massages to Raph and Mikey’s shells as well, though it’s a struggle at first to not scratch his hands on Raph’s spikes.

I think since Leo has such bad luck with spas and the like, he tries giving himself massages (though it’s not as helpful.) Like, with how his abilities work his legs are probably always aching from his portal jumping and one foot landings, so maybe he branches past back massages out of a need to help his own aches too. (Though he really wants a shell massage himself, the same way he’d give them…the one time with Donnie’s tennis ball massage machine was but a short moment of what Leo’s been missing out on and what he’ll continue missing out on…)

I don’t know, I just think it’d be cute to think Leo could have honed his massaging skill this way in order to help out his family (and also partially because he wants a massage himself.)

[seyaryminamoto]

My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D

The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!

The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...

Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD

Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!

Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...

... And that is my likely unexpected choice for Yao:

ZUKO.

ZUKO IS YAO.

YES.

I'M NOT EVEN SORRY.

(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)

People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)

Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:

Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).

And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...

So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.

... but this isn't all.

Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:

WHY ZUKO AS YAO, THO??

... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!

What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...

He treats Mulan as his RIVAL.

And more often than not? SHE SCREWS HIM OVER. Intentionally or not.

What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!

The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?

So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!

I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney has never again seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.

So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.

Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.

And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!

Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!

[carnivalcarriondiscarded]

the artblock be hitteth Harder than normal, for tis not normal artblock. woe. Wally be upon ye

[hestzhyen]

Already Waist-Deep

Hi internet void. Please allow me to kagura my bachi all over the place for a little bit. I've got a bad case of the brain worms about these boys that I haven't even had together for 20 chapters yet. Let me ramble a little bit about why they're already so compelling as not only a duo, but a ship.

First off, a caveat. Kagurabachi is a Weekly Shounen Jump (WSJ) action series. That means that if romance is ever addressed in the series itself, the protagonist is going to end up with a girl. Doesn't matter how underdeveloped or lackluster his relationship to her is, or how flat she is as a character. Invest lightly and come along for the ride without any expectations of m/m ships becoming canon. (That said, it might not be the worst thing in the world for our MC to end up with a girl in this case- more on that later.)

Second, I don't really ship that often. Not seriously at least. I need more than two guys being close with each other to start wanting them to be a pair, y'know? So I hope you understand the intensity of the material Hokazono-sensei has been giving us the past few chapters. I am on the brink of going all-in on HakuHiro/ChihiHaku in less than 20 chapters, it's that insane.

Third, I will be talking about current developments without marking potential spoilers. There are only 38 chapters out as of writing this, but there are at least two reveals that would be better appreciated going in blind. Spoilers for the oneshot Farewell! Cherry Boy are also a thing near the end.

Okay? Okay. Let's begin.

Who's Involved? First up is our protagonist Chihiro Rokuhira, an 18 year old boy and the son of a famous swordsmith. He was raised with genuine love and care by his father (no idea what happened to his mom yet), taking care of their day-to-day life while learning his father's trade. And from the very first chapter he is steeped in tragedy as he witnesses his father's murder and life's work being stolen. He then sets out on the long, fraught road of vengeance.

Sounds grim and not exactly compelling, right? Especially when this scene from the first chapter was making the rounds being memed to death:

But there's much more to Chihiro than meets the eye. Flashbacks to his time growing up show him being a natural caretaker to his dad and their fish- cooking meals, keeping his dad on task, and so on. We see glimpses of underlying tenderness when he meets and rescues Char, a sweet little girl with her own tragic past. And we get some insight that he might not be quite as resolute as he's projecting himself to be when he faces off against Sojo, a fan of his father who worships a much different version of the man than Chihiro knew. And now the Rakuzaichi arc has definitively shown us that Chihiro isn't as collected as he seems. One of his father's killers easily cracks the mask and shows us Chihiro is really just a desperate kid with a heaping helping of trauma, while Tenri's pointless sacrifice shakes him to his core. But despite it all he's still doing determinator things in the most badass way possible. Chihiro has layers, man. A lot of them. And the best way to understand our protagonist right now is through his foil: Hakuri Sazanami.

Who is Hakuri? Another 18 year old boy with a special lineage, but he's a loser who needs to be saved from common thugs. A pathetic guy who latches on to Chihiro and doesn't take the hint when Chihiro literally runs away to ditch him. An utter failure to his family. A lost puppy looking for a samurai.

Hakuri Sazanami is one of the best goddamn foils I've seen in shounen manga yet.

Let me tell you all the ways I love the writing around this kid and Chihiro because MAN I can't even contain all these feels.

What's Going On? From the start, Hakuri looks like he's just another person for Chihiro to bail out. He witnesses Chihiro's awesomeness fighting Sojo in the streets and decides to imitate it, standing up for a little girl being kidnapped. Instead of winning out, though, he's captured and kicked around. Once he's coincidentally rescued by Chihiro he's immediately all-in on tagging along and keeping Chihiro in his life. Look at this pitiful guy:

Chihiro decides to hear him out due to his connection to the Sazanamis, the Big Bads of the arc. He's initially put off by Hakuri's intensity but brings him along anyway, as Hakuri's insider information regarding the Sazanami family makes him useful. Then, as Chihiro wavers under Hiyuki's assault, Hakuri is truly useful for the first time:

And it only gets better from here. We see Hakuri hanging off Chihiro's every word trying to be as useful as possible for his samurai, striving to do anything he can, though it ends up with him forcing Chihiro to give up his precious sword Enten in exchange for his life. (Yes, Chihiro "buys" Hakuri from Hakuri's own family.) Later on during the invasion of the auction is where things go into overdrive though. We see their character arcs start to invert and shape each other's as the action unfolds and Hakuri's own tragic past comes to light, eventually awakening him to his special abilities. Chihiro's bravery and strength help him pull this off and finally defeat the older brother that tortured him in the name of "love". Hakuri ascends to being the strongest Sazanami since the progenitor started their line centuries ago. He's the Special Boy!

All this to say that Hakuri Sazanami isn't just a deuteragonist or a foil…

He's the goddamn heroine.

Kagurabachi's Built Different What makes a shounen series heroine? Firstly, they support the main character without getting involved in most of the heavy fighting. A shounen heroine will usually at most have a fight against another girl while the Big Event is happening nearby, making sure the main character has the spotlight. Second, most of the value they bring to the protagonist's story is emotional. They encourage him, validate him, provide a bit of a refuge for him to safely let his guard down. They can get him to express softer emotions that he wouldn't normally show around others. Third… they're the love interest. Ochako, Orihime, Chichi, and now… Hakuri? Really?

We know the third one will not happen for HakuHiro in canon. But what about the first two? Well, let's recap what Hakuri has done for Chihiro so far.

Hakuri can defend himself now, but his most useful ability is access to an interdimensional storehouse. Given the way that his magic works -he needs to prioritize maintaining the storehouse or using Isou- he'll likely be the means of keeping the enchanted blades safe rather than a front-line fighter. Support-centric character that will still get some combat time against lesser opponents: check.

Hakuri's given Chihiro some much-needed direct emotional validation that he hasn't gotten from anyone else yet. ("You saved me." … "That katana suits you.") Hakuri's words fortify his resolve and Chihiro later pays it back by trading Enten, an incalculably precious sword and memento of his father, for Hakuri's life. He even uses the same phrase when asked why he'd do that for someone as worthless as Hakuri ("That guy… saved me."). He later reaffirms that Hakuri's encouragement gave him the courage to let go of Enten in the first place:

We even see Chihiro open up to him for the first time just minutes after they met:

Chihiro's been a stoic good guy with buried trauma up until this point. But somehow Hakuri is the first person he outright admits his fears to- not Shiba, not Hinao, but the freaky kid he just rescued. Emotional support pillar: check.

"Well that's not enough!" you say. "That's just taking some moments and doing that thing you said you didn't do- smushing boys together just because they're close!" OK but look at how Hakuri thinks about Chihiro:

Chihiro has been his inspiration from the first time he saw him. It can be read as admiration and hero worship, but doesn't that feel like selling Hakuri's feelings short when remembering how devoted he's been since they first met?

And just look at Hakuri's face here, he's beaming when Chihiro busts in to save him just like he believed he would:

Mostly, though, Chihiro is the one who gives Hakuri strength in the moment. The Ice Woman broke him free of his family's mentality, and now Chihiro gives Hakuri what he needs most: hope. Something he never had before, which doomed his relationship to the Ice Woman; he couldn't prove to her that there was more to life than despair because that was all he knew… but that completely changed once he met his samurai.

And that's been their thing through this arc. Each one is giving the other the vital thing they needed to grow and keep going. When Hakuri was struggling at the start, Chihiro was his guiding light towards a better future. And when Chihiro struggled in the aftermath of Tenri's cruel death, Hakuri pulled him along so they could finish the job. They're in perfect sync now as they take down the Rakuzaichi. Don't just take my word for it, check out Hokazono-sensei's color page for the most recent chapter (38): https://twitter.com/KaguraShiba/status/1804898273859445181 From Hella (KaguraShiba): >Kagurabachi Ch 38 JP Color Page 「阿吽の呼吸で薙ぎ払え」 "Two people dancing to the same beat, mowing down enemies" >阿吽の呼吸/"Aun no Kokyuu" Synchronized breathing >Or when people are the most in tune with each other >阿吽の呼吸/"Aun no Kokyuu" Is a Buddhist expression in Japanese meaning something close to "harmonizing in sync together" >"Aun" is also used to indicate an "Aun relationship", indicating an inherently harmonious relationship or nonverbal communication Yeesh. But holy shit it's paying off. In chapter 38 these boys are already in harmony- Hakuri registers Chihiro into his storehouse (yes they both "own" each other now) and sends him in to fight his father. During the fight Chihiro trusts Hakuri to interpret his intent and it works. Chihiro wordlessly tags a bunch of grenades with his spirit energy and Hakuri pulls them out into the real world to bomb the shit out of the Rakuzaichi audience. They didn't plan this beforehand- they had no idea Kyoura had fucking grenades laying around in there. But they're close enough to understand each other's thoughts already. Peak soulmate material right there!

What's got me most interested now, though, is how they will pull/push each other after this arc. Chihiro's going to be focused more than ever on tracking down his father's killer and the swords. But Hakuri, well… I think it would be very interesting if he starts to become a despair monster. A reflection of Chihiro's state at the very start of the manga where nothing mattered to him except exacting revenge. We're seeing shades of this in the most recent chapter (38) where he's slumped over and obviously depressed about how all this is turning out. He's going to end his family's cruel trade but at what cost to himself? Will Chihiro see some of himself in Hakuri and be able to help him out, or at least promise to find relief from the pain together? Obviously a Bad End where Hakuri takes himself out is in the cards given Hokazono-sensei's previous works but… on a meta level, I think his storehouse ability will keep him relevant. I mean yeah he could be used to slap Chihiro across the face by showing what a bad end for his revenge story could look like but I think (hope) that won't happen. [Note to future self: I give you permission to go batshit insane if Chihiro stops Hakuri from committing sudoku.]

And this is where my brain worms are coming from. In just under 20 chapters we have an extremely strong set up between them- so much room for them to teach each other; push to grow and pull back from the brink when tragedy strikes again.

But where's the real meat, you ask? The actual literary analysis in this gushing rant about how much I love these boys I barely know? Well, fine. Buckle up because it's time for some…

Daddy Issues The Rakuzaichi arc really digs into comparing Chihiro's affection for his dad to the Sazanami family structure. And I gotta talk about this because it's the key aspect that makes Hakuri such a brilliant foil.

First off, the similarities. Chihiro and the Sazanami kids are all intensely devoted to their fathers. All of them were raised with love while learning the intricacies of their family trade. We see the Sazanami kids getting praised for doing well, just like Chihiro. Hakuri and Tenri were even told they were special. During the arc, the Sazanami kids put their lives on the line to defend their dad and family legacy with zeal matched by Chihiro's intensity to avenge his dad. When he falls, Tenri's final words are apologizing to his father.

It's truly heartbreaking that the Sazanami's dad never loved them back.

You see, the Sazanamis are one of those families that put their lineage and craft over everything else. Every member of the family lives for ensuring the Rakuzaichi auction goes off without a hitch. One of the clan is chosen to inherit the storehouse and the rest are trained to defend it to the death. Kyoura, the current patriarch, has no compunctions about letting his son Tenri die just to delay Chihiro and the gang for a few more minutes. He had his kids put their lives on the line to defend a storehouse door that he had already broken in secret- making it completely useless. And he's equally cold when it comes to children who can't perform to standards like Hakuri. Once Hakuri (apparently) fails to manifest an ability for sorcery, Kyoura turns a willfully blind eye to the abuse his kid starts to suffer. He knowingly lets Hakuri be tortured by his older brother for years and does nothing, then disowns him once some "merchandise" kills herself in front of him. There's no love for children who can't be useful to the family's traditions. And any love that does exist between father and child is manipulated as seen here:

What the fuck man.

So Hakuri is going into this arc firm in his conviction to end his family's evil ways. He's been abused physically and emotionally for at least six years straight; he knows his father doesn't love him. And even now when he's about to bring the whole place down with Chihiro he's still yearning for his dad's praise. Hakuri's family is fucked up bad and he needs a hell of a lot of healing after all is said and done.

Meanwhile, every flashback with Chihiro shows us that he was truly loved and cared for like every kid deserves. His dad wasn't perfect but he was exactly what a parent should be- kind, understanding, and supportive. His goofy advice helps Chihiro to this day. Chihiro and his dad had a genuine father-son bond that was broken by tragedy and thus Chihiro's desire to do right by his father's memory is driven by grief, first and foremost. So when we see his expression after Tenri's death, we know why he's so badly shaken. They clashed out of love and duty for their fathers, supposedly prepared to pay the ultimate price. But the Sazanami version of "love" is a very different, much less wholesome version than the kind Chihiro knows… yet no less effective in terms of motivation.

You can practically hear his heart breaking for Tenri. And his inner thoughts in the next chapter say it all: he was naive to think he could enact revenge while holding fast to the kindness he grew up with. Chihiro's kindness that he learned from his father is a liability to him in this situation. Meanwhile, Hakuri knew from the start that he had to finally give up the last of his familial affection. He hardened his heart and steeled his resolve to do whatever it took.

Both Chihiro and Hakuri knew what it was like to be loved. Hakuri's version might have been twisted, but it was still painful to have that bond suddenly broken. And now we've seen Edgy Revenge Man's inner softness hold him back while Silly Soft Guy has a heart colder than the arctic. I go absolutely feral comparing and contrasting their situation and how their positions have reversed. Yeah, Chihiro's going to be the action guy who saves the day but Hakuri's the reason he can do it. Hakuri's surprisingly strong core has pushed Chihiro to put his feelings aside to get things done. I can't fucking wait to see how this arc ends and where these boys end up. What will the the most important thing Chihiro takes away from Hakuri here? I hope it leads him to be a bit more openly compassionate and soft around his allies- Hakuri's situation being a lesson in not letting your family's bonds overtake everything else. For Hakuri, well… I think being around Chihiro, Char, and the rest will help him heal. But I hope it's Chihiro that keeps him stable as the person that can relate to him best.

Meta Ramblings Whew. Now then… Yo dumbass writing this, we're not even 40 chapters in yet. Don't you think it's a bit too soon to start getting hyped for a character that could be shelved as soon as the arc is done?

It's interesting to see the themes and characters Hokazono-sensei's reused in Kagurabachi. From the four one-shots available to read, it seems like he's is interested in writing about characters encountering tragedy through various kinds of love. I think it's intriguing that three out of the four end in despair, and the one that doesn't still involves a fair bit of sadness. It's a bit early to say about Hakuri's circumstances since this is only the second proper arc in the series, but given Hokazono-sensei's past works, I think Hakuri is here to stay. For one, Hokazono-sensei seems to love his color-coded foils (Chain, Enten, Roku no Meiyaku). Farewell! Cherry Boy also explores the circumstances of a blindly loyal boy who feels useless being given his first chance to prove himself… I think this is a theme that Hokazono-sensei is revisiting in a more in-depth fashion with Hakuri, so there's a good chance there's more planned.

And just for fun, if we want to look at his romance stories… Madogiwa de Amu is all about one person being the other's greatest hope, their reason to persevere in the face of hardship and seeing that reciprocated in turn. Complete with the weaker person becoming strong enough to protect the person who inspired them first. Hmm. (Hopefully it doesn't end the same way though 'cause man, I can see Hakuri doing something similar right now…) It's also not impossible for Kagurabachi to touch on love given we see Farewell! Cherry Boy incorporating love as the crux of the narrative, despite starting as a gangster story. The true MC is quite like Chihiro as well in terms of motivation and action plan.

I also think it's impossible to overstate how important it is for Chihiro to have a friendly peer to compare to, narratively speaking. Char is a woobie, Shiba's an uncle figure, and Hiyuki is set up to be the aggro rival/frenemy. Hinao could become more than a side character but it seems unlikely at this time. Chihiro needs someone his own age to just be himself with. And that, I am 99% sure, will be Hakuri. A guy who's suffered just as much as he has. Someone who knows what it's like to have a famous last name and lineage to protect. An equal who's unquestionably on his side, who will lift him up when he's down, will need some protection and care. So yes I think Hakuri will be sticking around to be Chihiro's foil. He might take a back seat at times as heroines do, but he'll still be there to support our sad boi through thick and thin.

Anyway that's why I'm ready to jump feet-first into this ship. It's got all the hallmarks of a wonderfully strong bond and I hope we get to see these boys comforting each other for years to come. If you read all this… thank you? Maybe get yourself checked for brain worms? And tell everyone you know to read this amazing action-packed tragedy laced with BL crack cocaine.

[poorly-drawn-mdzs]

Collection of edits from this comic with Disco Elysium dialogue.

[bioethicists]

irt poverty/homelessness + alcohol use (esp with @butchfeygela‘s tags on my post)- people really underestimate the function that substance use/alcohol use can have for someone who is unhoused. being unhoused is boring, cold, painful, + lonely. substances can allow the 8 hours panhandling to get the $45 you need for a motel to fly by. alcohol reduces your perception of the cold + can knock you out whben you can’t sleep. substances can help you cope with the physical deterioration from malnutrition, constant stress, + sleeping outside. substances can provide social connection with others who you would otherwise not enjoy or help you cope with being alone.

not only that but- many unhoused people are stuck in a seemingly inescapable position. the pathway to financial stability or even housing is difficult or even impossible. in the wake of that hopelessness, the downsides of substance use start to seem insignificant. arrest? you’re getting arrested anyway for sleeping outside, peeing outside, standing in the wrong place, etc. physical danger? you’re already beat the fuck up, anyway, right? loss of relationships? you’ve lost most people already. inability to keep a job? nobody will hire you + you can’t stay employed, anyway, because you have no car + no shower.

perhaps for you or me, the cons of heroin use or binge drinking nightly greatly outweigh the pros. that isn’t the case for everyone. if we are really serious about ending overdose/addiction, we need to start looking at giving people lives worth recovering into instead of shaming them for their own hopelessness.

[moongothic]

This is gonna turn into some Crocodad Propaganda eventually but putting the man aside for a little bit

Let's be real for a moment. Regardless of who Luffy's other biological parent is, regardless of if they're relevant to the story or not, no matter what has become of that person, if they're dead or somewhere out there alive, etc-- I believe Oda "knows the truth".

Although it took One Piece until post-Enies Lobby to reveal some of Luffy's blood relatives to us, Oda had technically introduced both Garp and Dragon to us all the way back in the East Blue saga. And Ace was introduced not too long after in the Baroque Works saga, along with his tattoo which held that secret tribute to Sabo all along. (Also he was introduced as "Portgaz D. Ace" meaning Oda must've intended to make the two non-blood brothers from the get-go.) All this means that Luffy's family, both adopted and blood relatives, have been in Oda's mind from the very begining of the story. And so if Oda had figured out Luffy's grandfather, father and at least one brother (if not both) from the begining, then why would he not have decided what became of the person who gave birth to the idiot as well? Like considdering how detail-oriented and meticulous Oda can be, would it not be unusual for him to essentially forget about a character that important (in the sense that Luffy literally would not exist without them) and just handwave them away without much thought? Would that not be out of character for Oda? As such, I don't think it is not unreasonable for us to believe that Oda would know what happened to Luffy's other bio-parent. Mind you, it really could be just something like "Luffy's mother died of The Disease when Luffy was a baby", or "the mom fell down the stairs" or "was eaten by a bear in the woods" or something, anything, whatever. Even if it truly does not matter to the story one bit, I'm sure Oda knows the truth of what happened and why that character wasn't a part of Luffy's life.

But at the same time, if the identity and the fate of Luffy's birthing parent truly did not matter to the story at all, then why wouldn't Oda just tell us who that was and what happened to them? In an SBS or an interview? It's not like people haven't been asking about it, because fans and staff alike have been asking about it for years. If the information really would not change anything, be it the direction the story will take or how we view the characters, if it really is just worthless trivia, then why keep it away from us?

Now of course, I'm sure you'd want to point out that one time Oda told Mayumi Tanaka that "A young boy's adventure begins after he leaves his mother's arms. I want to tell this young boy's adventure story, so his mom is not part of it." And Oda isn't known for lying, we do kind of want to take what he told Mayumi Tanaka at face value. At the same time though. If Luffy's other parent did become a plot relevant character in like the final 200 chapters of the story, after a 1100 chapters, they and their potential connection to Luffy would not have mattered to the story for 90% of its run. For an overwhealming majority of Luffy's adventure, that person would not have been a part of it. So if that character did become relevant, and Oda was lying, then it'd be a white lie at worst. But also, if Oda did intend to reveal that other parent eventually, when the time was right, then surely he wouldn't want to get people hyped up about it way ahead of time. If it did turn out to be a big plot twist or an otherwise important plot point, Oda would want to keep it under the wraps and a secret until the right time, you don't want to spoil something like that. Not to mention it could end up working like a distraction and make people not focus on the more important things happening in the story currently. So really, I think we'd all forgive him for a white lie there. Not to mention, technically speaking, if Luffy doesn't even have a mom but two dads, then Oda wouldn't really be lying either.

But that does bring up an important thing to considder.

If Crocodile does turn out to be Luffy's other dad, when did Oda get that idea, and when would he have committed to it?

Because, keep in mind, One Piece began back in 1997. Twenty seven whole years ago. Which means there's two things to considder; the evolution of queer rights over the past near three decades, as well as the fact that One Piece has more than surpassed Oda's original plans for the series. We must not forget how for a manga to remain serialized in Weekly Shounen JUMP, you need to perform well in the popularity polls consistently; if your manga starts dropping in popularity, JUMP can cancel it and force you end it prematurely. Of course, Oda arguably does not have to worry about those polls anymore after all these decades, there's no way in hell JUMP would ever cancel fucking One Piece in this day and age. But that might not have been the case 15 years ago, that was not the case 20 years ago, and that was absolutely not the fucking case 25 years ago. Like we all famously know that Oda originally planned One Piece to maybe run for like a year, then five years, then ten etc etc. That really is because at the begining of his career he had no quarantee he'd be able to tell the full story he was slow cooking at the back of his mind. Back in the early days, One Piece could've been canceled and ended prematurely, so Oda smartly chose to write it focusing very specifically on what mattered to the story at that moment, in the short term. Yes, he did start laying out the groundwork for things to come, but he did it so subtly that had OP been forced to end early, the series wouldn't have been left with too many massive, gaping plotholes or unresolved sidestories. Another thing to keep in mind is how comic artists for JUMP do have editors etc who can have a say in what goes into the manga (famously, Sasuke only existed because Matashi Kishimoto's editor suggested it). So again, while Oda might be able to do whatever the hell he pleases in One Piece at this point, that wouldn't have been the case 20+ years ago. He would have been more or less at the whims of his editors back in the day.

So would Oda have thought about giving Luffy, the main character of the series, a transgender father back in the year 2000? Could that really have been the secret plan from the start? And would Oda's editor(s) at JUMP have allowed that? Or, did Oda maybe come up with the idea later?

Now just so we're clear, I am NOT suggesting Crocodad was Oda's original intent and that his editors didn't let him do it or anything like that, my tinfoil hat isn't on that fucking tight. What I do want to suggest, is that it is plausible Crocodile being Luffy's other dad was an idea Oda was playing around with at the back of his mind from the begining, but wasn't sure he'd ever get to, mainly due to the uncertainty of series' future and partially because he could've been unsure if his editors would even allow him to write that story. And IF this was the case, Oda may not have even started committing to to the idea until around the CP9 saga. Or, it's possible Oda only got the idea sometime after the completion of the Alabasta arc/during Skypiea saga, and started laying down the groundwork for during Summit War so that, if he ever got around to it, he'd be able to commit and tell that story.

Regardless, let's be real.

It is interesting and kind of suspicious how Crocodile does just happen to be introduced around the same time the rest of Luffy's family was first shown to us, even if we didn't know Garp and Dragon were Luffy's family yet (this was also the same time the first canon queer character was introduced; Oda was playing around with queer characters during Crocodile's introduction, possibly testing the waters to see what he could get away with?) During the CP9 Saga we got the Miss Goldenweek cover story, where we see what's become of Crocodile after the fall of Baroque Works. This is of course adding to the world building of the CP9 Saga (where we're told the criminals who go through Enies Lobby are either sent to Impel Down or to Marineford; so us finding out Crocodile's gone to ID is playing off of what we knew would become of Robin and Franky and the Strawhats not come to rescue them. AND it's foreshadowing for the Summit War Saga), but also, soon after we were reminded of Crocodile and told where he's been sent off to, we were finally formally introduced to Garp and Dragon (Garp having already been mentioned by Aokiji at the begining of the Saga). And we close off the Saga watching Ace and Blackbeard have their fateful match. So again, Crocodile was on Oda's mind around the same time the rest of Luffy's family was. And indeed, after Thriller Bark we then move onto Summit War proper, where Oda does all The Things we would considder The Groundwork for Crocodad, most important being the introduction of Ivankov and their Devil Fruit. But again, just like before, Crocodile just happens to be there at the same time as this saga, which really heavily focuses on Luffy's family, plays out. While we learn about Dragon's secretive nature and connection to Iva-chan, Garp's feelings for the boys, Ace's struggle with his heritage and Luffy's love for him, Sabo and Garp... Yeah, Crocodile's just... Also there.

Whenever Oda starts dwelling into Luffy's family, Crocodile is always there. It's a bizarre coincidence if nothing else.

(And oh won't you look at that, Crocodile has once again become a plot relevant character, just in time for The Final Saga where Dragon has also started becoming actually plot relevant as well)

All of this to say, again.

The fact that Oda has refused to tell us anything about Luffy's other parent is sus, and to me indicates that either although unusual for him Oda genuinely just doesn't give a damn about Luffy's other parent, or he's been trying to play it safe for years so that if he ever got the opportunity, he could give Luffy two dads. (Or maybe there's some other twist that has nothing to do with Crocodile, that is possible too, I just feel like if that was the case then why hide it for 27 years?)

Whatever the case, I'm sure Oda knows the truth.

And I'm sure we will find out the truth eventually, be it on the pages of the comic or in the SBS.

[t3chborb]

I'm one year older today, so I figured I gotta wrap a present or two~

.

..

...

... Wait...

... I got it backwards, didn't I...

... I'm supposed to be... uhh... the one opening gifts today...

... Oh, how incredibly silly of me...

Welp, I'm sure Ramattra doesn't mind~

[possamble]

Do you think Falin ever saw Marcille in her little elven loungewear or would it be a bit of a surprise for her? In "a little creature" it might be a bit of a (pleasant) surprise, depending on whether Marcille hasn't used the clothes up to that point. Though it might make things a bit more awkward

so this doodle from Ryoko Kui implies that Falin has seen it, but the fact that they're on an ipad and a phone means this isn't really supposed to be canon... still, I figure an informal image in the creator's mind is still closer to canon than anything else.

I'm imagining that Marcille prooobably started wearing this type of stuff closer to her later years at the academy? Maybe she finished the graduate track program and went on to the post-graduate whatever the fuck they have. That would probably mean getting a dormitory upgrade to something a little bigger and more private, too.

As for Falin's reaction seeing it for the first time... going by how casual they are in this image, I get the feeling she didn't have much of a reaction beyond the usual "oh Marcille is wearing something new and nice" ?? I do lowkey believe she just kind of Didn't Think About Herself hard enough that her horny teenager phase was incredibly muddled and mild. That, and she got so good at "I'm not allowed to think about Marcille like that" that it just didn't happen until the dragon came along and was like. HEY. WE'RE HOT FOR ELF. CAN YOU PLEASE DO SOMETHING ABOUT IT

[that-foul-legacy-lover]

SWORD

ignore my hand again ;-;;

[hamable]

Hey I just finished Hilda season 3 and I am forever changed.

I joke that I could write a thesis about some media but I could really truly talk for hours about how fucking good Hilda is.

It’s core strength, which tears at my heart and soul so earnestly, is that it is not just a story about child adventurer, but equally a story about the MOTHER of a child adventurer and it’s just so beautiful. So impactful.

I think Johanna may be one of my favorite characters… ever. I think she is Absolutey Incredible.

Season three was just so amazing, the whole series is. I beg y’all to watch it because it’s so so good and deserves all the love it can get.

[skunkes]

if life is categorized by Before Loss and After Loss then I exist in the before but with a countdown to the after. and the countdown is always always present and debilitating. the loss will be debilitating too but i cant help myself. i will always suffer twice.

[puppetmaster13u]

Danny Phantom Crossover

Where Amity has been near abandoned for years, untouched and unaged if not for the destruction from long ago, when (GIW, Ecto-Contamination, the Portal, Whatever or Whoever) demolished it.

Of course nowadays it's long forgotten, a city laid to ruin, slipping from the minds of those that left. Until someone finds it again, and finds a place of forgotten dreams, the living dead, and a towering figure cloaked in red with a large needle-esque weapon to their neck.

"Leave now, while you still can, stranger. You won't find anything here. All that lies in this place are ghosts and broken towers."

[stevieharringtonwifeguy]

i love a/b/o steddie where they get started like so young that if it was someone i knew irl i'd have a panic attack. like,, mated right out of high school, baby pops out a year later, they've got like five kids by the time they're 25

thinking about an au where they were already together pre- start of s4 and steve goes through the whole thing like three months pregnant. like he's stressed about the baby and eddie and eddie's SUPER stressed about the baby and steve, like eddie's trying to get steve to sit this one out for the baby and steve has to yell at him to stop bc yeah, he's worried about losing their first child, but if he sat at home while everyone else dealt with the upside down and someone didn't come back??? he'd never be able to live with himself

and when the bats get eddie and steve tries to use the mating bond to share some of eddie's pain, help him hold on until they get to the hospital, eddie weakly tries to tell him not to, to think of the baby. and steve's just. not having it. and once eddie wakes up from his medically induced coma he's like :(( why'd you do that and steve is just. so mad. he says yeah, if i had lost the baby (he doesn't, she's fine) that would have been the most terrible pain i'd ever felt. but it would have been worse if i lost you. and eddie's like. oh. bc maybe part of him has always been thinking that steve's only stuck with him bc he's the father of their kid. but no, steve loves him.

so eddie's crying, and steve's crying, and then steve shows eddie the ultrasound they did during eddie's coma to check the baby hadn't been hurt by the week of stress and danger and pain-sharing, and it's the first time they've been able to actually see the shape of a baby in all the weird white noise of an ultrasound, and now they're both crying even harder