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dimiclaudeblaigan · 9 months

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uh-oh she's gushing about shinon again and it's super long

So you guys know I love Shinaff. BUT!!! I would like to explain to you part of how that came to be, i.e. how Janaff's supports with Shinon were both different and important!!! In other words, a direct exploration of his development involving laguz and how he's turning out for the better post Janaff A support and RD (and how it makes the most sense to have their A support slotted between the beginning of PoR and the end of RD for a full progression of his development)!

First of all, Shinon only has three supports; so unlike most characters, every line counts and needs to hold more weight to his conversations.

Rolf and Gatrie's supports portray different sides of him: the mentor and the friend. What we see in these supports is stuff we essentially already knew about him, but we're given more depth. The thing to note here is, again, we already knew these things about him. This is the man we started with.

What we don't get in these supports is proper development. Janaff is the only support he has that gives him that. Janaff's supports with him are the only ones that gives him any self reflection and improvement. This isn't necessarily a bad thing for the other supports, but it's more that it props up these ones a little bit more.

Also, when you get to RD, Shinon comes off as though he's already gotten this development. He feels like he's grown as a person. While that makes sense, from a player's perspective, we didn't really see that development in him (like we would have with characters like Ike, Mist, Soren, etc)... unless you supported him with Janaff.

In RD, Shinon has Gatrie and Rolf as bonded by defaults. These are basically internal bonds in RD - ones that aren't needed by supports. You can carry over support data from PoR to RD, and characters will receive a bond with the character they A supported. For some, like Ranulf and Ike, these bonds will be there regardless of if they got an A support.

That means that even without supporting them in PoR, Shinon will bonded to these two by default. Janaff is his only other support, so if they reach an A support and that data is carried over to RD, he now has his full list of supports bonded to him. Mind you, that's a liiittle bit of a big deal (and kinda cool to me!) as nobody else can do that (or almost nobody, since I'm not totally positive what Stefan and Volke's situations are and would have to check on that in my game, as the only other characters with an extremely low amount of supports).

So why do I say that's important? Because the only character he won't have by default as a bond is Janaff. You have to go out of your way to get their support bond (and when I say out of your way, I mean it pretty literally if you don't normally use one or both of them, due to how PoR's support system works). Janaff is the only character Shinon has to build up a bond with from scratch, which is something the player has to decide to do.

Gatrie and Rolf are the base - the bare minimum. It's given to you, no questions asked. Shinon doesn't have to develop as a person to have those bonds. When Janaff arrives in 3-7, if they were A supported in PoR (and your data was carried over), he and Shinon automatically have their bond show up in the bond list on each of their profiles as of the turn Janaff is on the map. This also means they can get a double A support, which is, again, something Shinon has very few options for.

Without Janaff, Shinon doesn't get that extremely direct development. In RD it's assumed all the characters had development of some sort (example, Shinon is much more chilled out and takes a much more active role in watching out for the GMs and making sure they're properly funded). However, with the way Shinon's development toward laguz went, you'd think something must have happened for him to change his mind.

However, it's an uncontestable fact that Ike stated everyone in the GMs decided to stay knowing full well they'd be fighting for the Laguz Alliance:

"I told the others they could leave if they didn’t want to work with laguz, but everybody decided they’d rather stay. Don’t worry about it, Ranulf."

If they didn't want to work with laguz (Shinon and Soren would be the primary candidates he brought this up for), they didn't have to go. They didn't have to take part. They didn't have to be there. Shinon decided to stay despite fully aware they would be the only beorc there. That's development already... but if he supported Janaff, it starts to make more sense and feels like a proper linear path for his development.

"But DCB, he was racist toward Lyre!" Sure! He's not perfect and there's still room for growth. In fact, Shinon started out calling her a sub-human but referred to her as a laguz when Gatrie was the only one left to hear him, so he either:

is trying to keep up appearances in front of laguz he doesn't like, using sub-human to their face but not using that term in private anymore (or to laguz he doesn't hate, i.e. Janaff in their A support where he catches himself about to use that term. Though he wasn't quite ready to say "laguz" yet, he stopped himself from using "you sub-humans" and instead said "you guys").

slipped up in using sub-human (from habit*) and called her a laguz when speaking to Gatrie because he's becoming more used to using that term regularly. That is to say, it's becoming more natural for him to say.

If you got his A support with Janaff, it makes sense that he slips up sometimes still but is trying to speak more properly about laguz. Getting out of old habits is hard. Feeling differently about something you've had a steady mindset for (in his case for 27 years as per his support with Janaff) is hard. There will be slip ups.

*It's possible Shinon uses "sub-human" as an insult aimed at individuals he doesn't like while not meaning it toward others (i.e. he doesn't like Kyza and Lyre). Yes, this is a big flaw! He could very well be using a racist term to express distaste toward someone specific but not mean it toward the whole of laguz. It's still racist and shouldn't be done, but the fact that he turned around and said "laguz" only a couple sentences later (if that) means that something is kicking in and some gears are turning.

Again, if you look at his A support with Janaff, he wasn't even at the point of using "laguz" at all! If you consider their A support part of his linear development, he starts as he is in PoR, supports Janaff and goes through their conversations while seeing laguz differently now, and ultimately ends at respecting Janaff. Despite this, he's not ready to use "laguz" yet because he experiences with laguz to date, prior to Janaff, had all been presumably negative enough for him to develop this racist mindset.

Linearly, that brings us to RD. He's suddenly fine staying with the GMs and fighting a war on behalf of the Laguz Alliance, even when he was directly given an out. Next, we have him refer to a laguz as a laguz - something he wasn't able to do yet in PoR.

Does the linear progression stop there? Not if you supported Janaff! Following those things, again, when Janaff arrives in 3-7, their bond will show up in their profiles. These bonds are separate from RD support bonds in that they're basically saying these characters were bonded before the events of RD and thus have special bonuses near each other, regardless of if you support them in RD.

So where does this lead us? Well, like in PoR, we start to lose focus on the GMs as a whole and only end up with focus on a few of them. Our next line of progression can only come from supports again. These are notable and extremely important if he's supported with a laguz.

If it's Janaff you support him with in RD, he gets one of his standard support quotes in battle. Maybe you're thinking that sounds unimpressive and unimportant... but this means he's responding to Janaff as someone he's familiar with and not treating differently from the others (which is not the case when responding to several others, which I'll get to). Normally you'd expect him to treat a laguz differently, but he speaks with Janaff like he would to any beorc.

It gives off an air of familiarity - like they already know each other, are passed all that nonsense and aren't even thinking about it anymore. This is, of course, the case regardless of if you supported them in PoR (but again, I find their PoR supports to be important in terms of a proper, full linear progression of Shinon's development, which is something not every character actually even gets, i.e. they don't get a fully fleshed out and ongoing development story between both games if they're not a main character).

It's almost like it's considering that you may have gotten their PoR supports. It has to leave it up in the air as to whether or not you did, because it'd be odd if he was suddenly treating Janaff like they weren't as familiar with each other after getting their PoR supports. In other words, by default, their relationship in RD is not as bad as it starts in PoR in their C support. It feels like they've already supported and are closer now to be at this point.

So why is it important that he acts no different with Janaff than anyone else? Because he does act different near laguz kings. He's given special, personalized lines to the laguz kings and refers to them sincerely as laguz. Important to note is that the laguz kings only become playable in part four (Tibarn and Naesala) and Endgame (Caineghis).

These are characters he would have absolutely no chance at having any development with in either game prior (even if you consider time spent in PoR, Tibarn and Naesala are not playable until the final chapter and you can only pick one of them. Caineghis, plain and simple, is not even an option). That means his supports with them are the very beginning of their relationship.

This is by part four. There's been development since part three in his character that we don't see. He's now openly referring to them as only "laguz" (remember, he was back and forth earlier in RD). He treats them with respect.

"But DCB, of course he does! They're kings! They're powerful!" But the Shinon we started out with in PoR wouldn't have cared less. To him back then a sub-human was a sub-human. Even as allies, he wouldn't have respected them (re: his C support with Janaff). Instead, here, in RD with these supports, he can talk with laguz directly, refer to them as such, and give them respect.

He also doesn't start out being intentionally racist toward them. He's at the point, by the time he can support the laguz kings, where he skips right past the active "sub-human" bullshit.

What do I mean by that? Well... I mean with Tibarn, he almost says sub-human but catches himself and doesn't just say "you guys" like he did with Janaff in their A support (which came before his C support with Tibarn if you consider his development linear and including Janaff). He corrects himself, and instead uses "a king" - similar to his "you guys" pull back, but outright referring to him as a king is actually a step above that (and again, this is their C support).

King Tibarn. It seems like a sub-hu– I mean–a king such as yourself can hold your own.

He's learning! He's growing! He's maturing! He's realizing he can get out of that mindset! All his experiences prior to PoR, based on his supports with Janaff, would imply he's only ever known that he has to protect himself against them. He never got to actually meet one. When he did, it was hard to pull himself out of old habits for new experiences. He was trying for Janaff, but he wasn't quite there yet. Here, he does something very similar.

With the other kings, he just outright refers to them as kings with no stumbles.

Hey, Lion King! Of anybody here, it seems like you’d be just fine.

Raven King, you seem all right. No need to be babied, I hope.

Mind you, the latter is pretty standard Shinon in personality. It's unrelated to Naesala being a laguz. However, both are these are completely respectful as a person talking to another person.

For his B supports we have:

I thought you were the all-conquering King Caineghis! And yet, you mess up. Bizarre. You better stay by me.

Hawk King, whew, even you mess up sometimes. Kinda makes me nervous. You better stay by me.

Raven King–your fighting? Not good. Just…stay by me and let me handle this.

Bizarre, he says, that one of the strongest people he knows is having trouble. He's actually surprised. No comment about how sub-humans suck or anything, not here!

Similarly, even Tibarn messes up sometimes. He's surprised. He expects basically perfectly from Tibarn (so this presumes he has positive expectations of him from what he knows of Tibarn).

Naesala's fighting isn't good? Well what does PoR Shinon care! Let him die! But that's not RD Shinon (and remember, these quotes could've been anything else considering he got specifically personalized quotes with these three, and personalized quotes for RD supports are somewhat few and tend to be for specific pairs).

Stay by me, he says! The same things he'll say to anyone! To any beorc and to any laguz. Again, personalized quotes did exist and they were there for certain pairs. Those pairs got special quotes specifically for their relationship). He didn't avoid saying "stay by me" just because they were laguz.

Mind you, his support quotes with these three are much more respectful than usual Shinon. He's very, uh, hilariously Shinon (there is a word for this, however at this time I cannot think of it 😔. I am not thinking of sarcastic, I am thinking of... something else. Granted, these lines are directed to Reyson and Rafiel, who technically can't fight... so I'll give him a break on that one) in most of his quotes, and some don't sound particularly respectful ("Prince ___, it’s really hard to watch you fight. Why don’t you stay by me and let me handle this?").

Now for the A supports (and BOY HOWDY I'M EATIN' GOOD HERE)...

You know, I’m not one for making friends and being nice. But, Caineghis, I gotta say, you are one bad laguz. In a good way! Hang in there.

I gotta admit… I didn’t like you when I first met you. But, Prince ___, I hope you make it through all this. I was wrong about you.

You know, I really don’t care who lives and who dies. But, Hawk King, for a laguz– hey, for anyone–you seem pretty decent. I hope you make it.

You know, I never thought I’d say this, but… King ___, I’m thinkin’ you should live. Don’t ask me why! Just a crazy notion. Maybe I like you?

Not one for making friends and being nice in general, with beorc, but he's befriending a laguz? Well now! What would PoR Shinon pre-Janaff say!

If you need me to explain the lines to Reyson and Rafiel to you, I have no hope for you at this point. If you can't read "I was wrong about you" and understand what that means, you might need to go back to school. In fact you definitely do.

For a laguz - no, scratch that because that doesn't fucking matter anymore - for anyone - you seem pretty decent (<-- this is the way Shinon talks to everyone).

Maybe he likes Naesala? Maybe they're friends? Maybe he just admitted he's fond of a laguz? Maybe he just said he likes a laguz??? Gosh jolly, early PoR Shinon is rolling in his grave!

So uhhh, what does this have to do with Janaff? Well, like I said, I feel like their supports slot perfectly into Shinon's development that's going to exist anyway. It's like the middle part of it that you get to see but also may miss out on. It's like jumping from PoR to RD and wondering what on earth happened in between to bring Shinon to that point... and if you consider his A support with Janaff, it makes sense that that's what happened. It fills that gap, and it also slots in perfectly with where he is in his development as a character between two games.

Timeline:

PoR start - Shinon hates laguz. He seems to hate them for reasons unknown. Greil dies; Shinon leaves. Chapter 18 is reached and Shinon is recruited back into the GMs. Despite that the GMs are now working with the Crimean army which has actively allied itself with the beast and bird tribes, Shinon whatevers his way through that fact and rejoins. He'll tolerate, he guesses. Fam is here.

Cue Janaff supports. New birb, who dis, except he's rude! Yes folks, it was Janaff who was rude first (his lines were also very Janaff... who is very like Shinon, so it makes sense that would get a negative reaction from Shinon even if he was a beorc). Shinon is set off and now thinks he was right to hate laguz. Look at this annoying birb face and his dumb lil hat!!! Better threaten to kill him just to be safe...

B support, they're having a conversation and learning from each other because Janaff came over to apologize. He knows he was in the wrong to nag at Shinon just for being an unfamiliar face. Shinon is still pissy though because it's a goddamn birb with a hat!!! Their conversation is a mix of ugh fuck this annoying guy to actually talking things out... and Shinon admitting why he hates laguz - because he's always needed to protect himself from "those half breeds". Sounds like his only experiences were very negative, so he ends up racist. Well, Janaff was also racist until very recently for similar reasons, and he used to think all beorc liked to kill. He, too, had misconceptions that bred a racist hatred. Now, though, with Shinon talking to him, he's realized he was wrong about beorc and is open to seeing things differently. Shinon backtracks, realizing he's having this conversation with the birb with a hat and wonders why.

A support, they talk more and it's getting better... and Janaff not only admits to relating to Shinon - which is a nice touch because they're two sides of the same coin who are both still very much learning about each other's races - and mind you Janaff was racist at 110 years old so he's been doing this shit for a while! It was because he talked with Shinon and learned more about beorc that, on top of what Ike did for Leanne, he's being more open minded now. Janaff, understanding where Shinon is coming from (ignorance and misconceptions), is much more polite and kind to him. Shinon, in response, backtracks when he almost uses the racist term "sub-human" so as not to offend Janaff, leaves off here respecting him and, when Janaff has to leave because the support is over, calls him back because he wants to hear more about the world from him because Janaff has lived for so much longer. Maybe the birb with the hat isn't so bad at all after all!!

From here the GMs fight with laguz allies until the end of PoR. Two or three years pass idk shit's inconsistent I guess, and we get to RD.

By this point Shinon has already been in an army that allied with and fought alongside laguz, and maybe that's tempered his feelings. When given an out from joining the other GMs in their aiding of the Laguz Alliance, and as the only beorc, he chooses to stay with the group.

At this point he's back and forth with "sub-human" and "laguz". There's definitely improvement, but old habits still get out sometimes. Still though, he's progressed from "you guys" to outright using "laguz".

The laguz kings join in the fight against Ashera. Shinon can support them, getting personalized quotes specifically for them (and for the herons). With Tibarn, he catches himself and corrects what he almost said - something he did once before with Janaff as per this linear timeline. That's the only instance left of a mistake in his wording. By now he's not using "sub-human" at all (B and A support with Tibarn or C-A with Caineghis or Naesala), or he's freely and without stumbling using "laguz" with no "you guys" esque backtrack.

This is obviously only one aspect of Shinon's development, i.e. the development of him growing out of racism similar to Janaff, and there are more aspects to him that did develop and grow throughout both games, but this post was specifically to highlight the importance of having Janaff there as part of his growth. Without it, it's like a blank, empty spot in his development where you don't know how it started happening and to such a degree (how did he go from outright using sub-human to using laguz at all? It feels like there had to be something in the middle of that growth, and without Janaff's supports it's just missing.

With them though, it's quite clear how he reasonably went from sub-human to "you guys" to laguz with some slip ups (ones that he corrects himself with if he actually respects the person, in this case Tibarn. He didn't bother correcting it with Lyre and Kyza because he didn't like them, which again, is still a flaw, but that was prior to his ability to support the laguz kings. It would be more reasonable to say he's starting to grow out of using "sub-human" just to specific people as an insult by this point.

Mans ain't perfect, but he's trying and he's working on it. Why is that without Janaff involved in his development? I 'unno, I guess he just had some random offscreen development between the games. With Janaff though? It actually works, fits and makes sense. It feels like that part of his development is meant to be there, as it compliments his development going forward.

that's it that's all i had to say bye now

#Shinon #there is quoted evidence so nobody can say im just bias and making shit up 😤#anyway he's a multi faceted character AND gets development which FE does NOT usually do for non-main characters!#they especially don't usually get BOTH of those things!#Shinon's extremely lucky in that regard (especially bc not even all of the GMs were given this treatment and good fortune)#It's also very fun seeing Shinon and Janaff develop simultaneously. you get Janaff a SINGLE chapter before you can #get Shinon back (actually use him again) and the very first time you can ever use Janaff is ON the chapter Shinon returns #cooooincidence? maybe but I choose not to think so #Janaff feels so integral in Shinon's character growth in this regard #at this point my brain has cemented their supports as canon #anyway they're a great couple they never kiss and they definitely don't admit to being in love #they think y'all are delulu for thinking they're dating but actually they're the ones who are delulu #i have a do not separate policy for them in part four so shinon always ends up in the hawk army #which rly i don't need to do bc it's not like i need as many shrieks as i end up with #so really janaff doesn't HAVE to be with ulki and tibarn but it feels right #also it's like the one time i have everyone from a respective class type (archer classes) in every army #ALSO also I think it's an interesting situation to have Shinon in the final chapter before endgame 1 #maybe it would be cool to write about someday. him seeing the feral drugged laguz and how nastily mindless/cruel/violent/etc they are #compared to the people he knows and starting to realize this was how he used to see ALL laguz #and now seeing it's only these mindless drugged ones and how the people he knows are nothing like this...

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swordmaid · 9 months

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most beautiful woman in the world BTW…

#shut up about bg3.#me doing all the romance scenes so I can take more screencaps of shri’iia 😔🫶#i managed to get lae’zel/astarion/karlach/shadowheart this time around so WHO SAID she doesn’t get bitches!!!!!!#but I think out of the four lae’zel and astarion’s scenes fits with her character the most bc she’s not the type to sit down and have #heart to hearts… which pains me to say because karlach was so cute about it 😭😭😭😭😩🙏#i think I’ll keep astarion bc I’m still delusional and believe that shadowheart and lae’zel can have a thing 😭#like what was that homoerotic straddling with the knife on the neck for….. ??? idk …. I love enemies to lovers 🙄🙄🙄#but I managed to be an oath breaker in this playthrough ! and defended the grove from minthara #which was SUCH a hard fight like omg ….#I just got lucky that I managed to kill her in one turn with shri’iia otherwise i would’ve been wasted ..#but it’s now the start of shri’iia’s oath breaker arc aka she’s not bound to her oaths / devotion to lolth #so maybe now she’ll be decent LOL #speaking of oath breaker arc I actually have a sketch for shri’iia but I’m like u know who this pose will fit too ….. jaime…..

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timeisacephalopod · 1 year

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I've kinda seen some pushback to the idea of representation in media and I don't necessarily think it's bad to point out actual rights are more important than Disney's thousandth first gay character that's fine, but I've had a LOT of people comment on my works about asexual characters and tell me what I wrote changed their life-and it's always that phrase- because they now have the language to describe what they feel. I've had people who ARENT ace or aro comment that what I wrote finally made a concept they didn't understand make sense, or that the way I explained things was interesting and enlightening and I'm kind of a mediocre writer who hasn't written anything in ages.

Like idk, if reading something from a writer who is fucking around and only somewhat talented can genuinely impact someone because they've not seen anything like them reflected back at them in life or media I don't think pushing for representation in media is as "needless" as some people seem to think and caring about that doesn't mean you don't care about more "important" (although if you think seeing people like you in media ISNT important it's because you already have that representation or are privileged enough to not care if you do, in which case maybe pipe down) stuff. Hell, I even got a Facebook message ages ago from someone who found a comment I left in an ace group about QPR's and what they meant to me and how I perceived them and the person no joke said what I wrote two years before they even found it changed their life forever because they finally knew what kind of relationship they actually wanted.

So like sure, of course there's always bigger fish to fry them diversity in media (you know, like diversity in real life lol) but I don't think it's as frivolous as some people are beginning to act like it is. At least not if you're an aspec person it's not, I STILL don't see ace characters almost ever and I'll bet my whole everything if I asked a writer of a show why they'd tell me that EVERYONE has to be in a sexual relationship and characters that aren't won't sell and are boring- I say this because in film school I had a teacher TELL ME every character needed to basically be sex obsessed and when I pointed out a GREAT MANY CHARACTERS are not revolved around sex (Supernatural stars two brothers, I pointed out) and when she asked if I had love interests I was like ??? That doesn't matter- using my aforementioned supernatural example almost all their love interests die or get mind wiped because at the end of the day that's not what the story was about. So actually I think writers who act like that teacher need like 50 reality checks, and representation in stories isn't unimportant and also support indie writers you'll probably find more funky shit there then Disney anyway lmao.

And also even the asexual characters I DO see in media don't remind me at all of myself even if I appreciate the effort, but they never feel real or genuine and their sexuality doesn't get a lot of exploration so 🤷🏻‍♀️ I actually could use more media focused on characters that I can genuinely see my sexuality reflected in in a meaningful and narratively impactful way because I've got nothing.

#winters ramblings #todd from bojack horseman im sure is SOMEONES version of asexuality but i dont see ANYTHING of myself in him #great character dont get me wrong but not relatable to me on any level including our shared sexuality #sex ed got a bit closer with their brief ace character although maybe she got more exploration in season three or four??#the latest one i havent watched lmao. but being closer and having a moment wjere shes told shes not broken #while DEEPLY vindicating isnt necessarily all im looking for either #like i wamt a REAL character thats ace or aro or both thats written by people who UNDERSTAND what theyre writting #not just well meaning people who dont know what theyre doing its kind of tiring #also idk why theres no dating shows with gay men because reality dating shows are ALL ABOUT who fucks who and who gets together #gay men would be hooking up ALL OVER THE PLACE and the DRAMA youd think reality tv freaks would be SALIVATING #but no none of that lmao. just ru pauls drag race and thats great it is like its not my bag but people love it #back on yrack though the weord blowback representation is getting is strange and its VERY clear to me #the people writing those posts havent gotten dozens on dozens of messages from people like them who found their writing #and haf their life altered forever for the better because someone who KNOWS what theyre talking about wrote a character like them #and it opened doors they never knew existed. doesnt even need to happen with fiction either i had a friend i had in toronto #tell me the info i sent to her on being aromantic changed her life- THAT'S the phrase i keep getting thats TELLING- because it describefld #described** how shes felt her whole life but didnt have words for. how frivolous IS representation if im getting these messages?#not very i dont think if some rsndom indie fic writer who hadnt written anything substantial in years can change someones life #REPEATEDLY might i add. ive been getting a LOT of messages like this lately and seeing this new bramd of discourse latetly too #like maybe YALL have enough that you dont care anymore but speak for your fucking selves

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livvyofthelake · 1 year

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this is what i was referring to the other day btw.... she literally said well you people were annoying last time so fuck off i'm not doing it anymore.... and i stand with her <3

#i love the way she writes responses to people who are clearly annoying her... one of the funniest things about her fr #beth.txt #this post is from 2015 just fyi. so both 1 year pre tda and 5 years pre tlh #i don't know what characters she's speciaifcally referring to that she explicitly said their sexuality before the book came out. because i #wasn't there back then. but i CAN speak to the way she handled ty. which i WAS there for. and it was hilarious. you all really missed out #one of those things you had to experience in real time spanning years...#that was back when this franchise was still accessible tho. and you could get into it with minimal work #there were only like ten books back then....#ok ten is a lot but you have to understand that there are 21 now. AND sobh. and four more coming. AT LEAST.#not even counting all the holly black books that are not essential to the tsc lore PER SE. but actually they are. for REAL ones.#like i cannot imagine thinking you have a full understanding of cassandra's work and you haven't read holly's modern faerie tales or the sp #spiderwick chronicles. OR MAGESTERIUM.#god imagine being a cassie fan but you havent read the magesterium books.....#(me. i never finished them)#and then also you of course must familiarize yourself with the writing of cassie's collaborators on the novella collections.#so you also have to read hacking harvard. and 13 little blue envelopes.#and of couurse you have to do all of this concurrently with wearing a cheap fandom neckalce every day (izzy's ruby necklace) that turns the #back of your neck green and gets really worn and ugly looking because it's cheap metal and you literally don't take it off.#anyway. only THEN do you understand the lifestyle.#what the fuck was this post originally about. oh yeah cassie is soooo funny <3

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bigbroemen · 11 months

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you know im starting to think that all this mulling over the disparity and intersectionality inheret to yin and yang and the four elements is less of a hobby funtime hyperfixation and more like a. im discovering the source of my ideology and spirituality

#talk #recently ive been realizing that playing with the different combinations of #active yin and yang (the self. action. by the means of. water and fire)#and passive yin and yang (the world. perception. for the purpose of. earth and air)#and the different paths that a person can take on their journey to reach understanding of all four elements #is a fantastic way to imagine up three dimensional characters. locations. histories. cultures. arcs. stories.#even after achieving all four elements; how do the elements that a character began with that most identify that character?#which elements does a person have? which elements are they missing? how does this create conflict?#line up the elements of a locale (a vast night city. practically unknowable via all its small pieces but easily perceptible as a whole.#THE WORLD. the earth is the foundation of the city. buildings. networks. infrastructure. the air is the freedom of the city.#people doing as they please. gusts of wind blowing on rooftops. lights beaming and flickering separately but as a whole)#with an arc that your character(s) need to experience to learn an element (for characters who have yet to understand the pure #vastness of the world [no earth or air]. for characters who love the freedom but cant stand the form that its built on [only air].#for characters who are familiar with the infrastructure but dont know how to set themselves loose into what it offers [only earth].#and then characters who are equipped to embrace the city in full and offer guidance to the other characters when prompted [earth and air])#ive been setting my mind LOOSE in it and the ONLY thing that i get is interesting and dynamic and real ideas.#it is an absolute story building gold mine and it is by design that its a gold mine

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kdramacrybaby · 2 years

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I haven’t really ranted about Alchemy of Souls yet, and though I don’t have that much to say, I do have some thoughts I might as well air out ⬇️

#alchemy of souls #drama rant #alchemy rant #spoilers!!!#this is just gonna be whatever pops into mind and probably wont make that much sense but idc tbh i just wanna get it outta my head #first of all while i do actually really like the drama i feel like it is sometimes kinda… slow? idk i just feel like they could do so much #more with this - like the first episode was so intense and dark and i was so hooked and then the rest is more comedy and so much love drama #like i cannot keep track of who likes who and why and what it’s actually driving me insane and it brings nothing to the plot if you ask me #why does our main character need THREE GUYS to sort-of-kinda like her?? for what???#she can have a child-hood friend without it being first love and why the Crown Prince??? makes literally no sense to me #and while on the Crown Prince I did not expect to actually like him that much but he’s actually become a top character for me - he’s a bitch #and annoying as fuck yes - but also one of the only people in the Palace who seem to have some common sense when it comes to suspiciousness #is that a word? oh whatever 😂#also his voice is… really nice… yeah 👀#i do want to punch him in the face 90% of the time but let’s not talk about that #also i am not sure i vibe with the relationship between Mu-deok and Jang Uk… there’s just something there that’s off to me idk what it is #and while we’re on the topic of love - dang-gu deserves better fight me #she’s kinda coming around now i guess but oh my god he deserves someone much better #and since I’ve now gone over three of the four seasons there is seo yul left and I’m sorry but he’s just… kinda boring #idk what about him annoys be but he just… i don’t really like him I’m sorry #okay i started out saying i didn’t have much to rant about and now I’ve done nothing but complain typical me #i guess I’m just kind of disappointed cause i thought this drama was so much more than it turned out to be #if i had gone into it knowing what it is i think i would have liked it more as well #so it’s a shame the first episode tricked me so much 😂#my own expectations of something tend to ruin the experience for me… i guess i gotta work on that #but yeah… those are my thoughts so far #oh if i have to say one positive thing this drama is actually really funny #not like i laugh out loud but i do snort out a laugh here and there and that takes a lot so #the jokes are just 👌🏻 right up my alley 😂

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prokopetz · 3 months

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Something I love about The Far Roofs is how much of a swerve its premise is if you're coming to it uninitiated.

Okay, so there's these talking rats with a culture of swashbuckling heroism – basic Redwall/Reepicheep stuff.

Also, there's a magical realm called the Far Roofs which exists above every human community, and that's where the rats go adventuring; a little weird, but you can see the precedents in popular fiction. It's like wainscot fantasy taken to its logical-yet-absurd conclusion.

By default, the game wants you to play as a fictionalised version of your (presumably human!) self and go up onto the Far Roofs to have adventures with the rats. All right, now it's coming together: it's like isekai fantasy meets The Muppet Show, with you as the obligatory human character, right?

Then we get to the nature of those adventures: the rats have this whole culture built around questing against beings they call "the Mysteries" – beasties with names like Harpy and Goblin and Unicorn. So basically it's a bunch of muppety rats on the roofs fighting Dungeons & Dragons monsters, and you go up and help them do it. Great.

And then you get to what the Mysteries are actually like, and... well, I'm going to let the following excerpt carry the weight here. (This particular bit of text also appears in a previously published work by the same author, so I'm not giving anything away that's still under wraps.)

Unicorn, which is named Numinous, dwells three steps away and beyond the world, but most often in the Farthest Roofs, where the Steppes of the Sky come down to touch the Vast and Earthen Court. There it is stepping upwards from the world, as it has always been stepping upwards from the world, caught in a moment of transcendent glory that does not complete. It simply is. Melanthios heard the footsteps of Unicorn. Melanthios heard the ringing of Unicorn’s bells. So Melanthios chased Unicorn off to the Farthest Roofs, and Melanthios did not return. Anton and Karel, who were his sons, were wiser than their father. They heard the bells but they did not follow. Instead, they memorized the scent. They gathered swords, and ropes, and nets, and they went out. They brought food and water and all manner of gear. They clung to the roofs with all four feet wheresoever after Unicorn they went. It proved no good. Anton looked up, and Karel to his brother. The world came down— That’s what Karel said. He had time to look away. He had time to bury his head in his paws. He did not see the fullness of Unicorn’s presence. He only saw Anton his brother become unreal. In the light of the moment of the Unicorn, Anton became as a paper figure in the fire. His reality burned out. His shadow seared into the roofs behind him. Where he’d stood, for just a moment, the Steppes of the Sky came down to touch the Vast and Earthen Court; and Anton was gone away. So Karel ran and Karel ran and Karel ran from the Unicorn; and all his life, he envied but was more fortunate than his brother.

These are gods. You're going up there to kill God.

Like, it's still silly wainscot fantasy with funny talking rats, but there's that tension. It's like if Fraggle Rock occasionally took a hard turn to serious cosmic horror – Lord Dunsany by way of Jim Henson – and that tonal juxtaposition was treated as something unremarkable.

Basically what I'm saying is go back The Far Roofs.

#gaming #tabletop roleplaying #tabletop rpgs #the far roofs #dr. jenna moran #crowdfunding #kickstarter #violence mention #death mention

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bmpmp3 · 11 months

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MORE REVENGE Sylvester and Ombeline for Cyellolemon/@cyellolemon and Ghost for Rgbeatboxing !!

#artfight 23 #art for others #art #traditional art #watercolour #paint markers #finally remembered to start linking the tumblr users of the people im attacking if they have one fkjdsfkdd #fixed up the old posts too!#also you know. i realized i like basically never do attacks with more than one character. and the reason for that is the same reason like #70% of my art is a headshot of an oc looking 3/4s to the left. i am lazy <3 #but the other day at work i was thinking like. what am i doing. what am i doing #have i forgotten who i am. have i forgotten who i've always been. have i forgotten everything #my art career for the past 15 years can be slotted into four separate eras: youtube furry ms paint. then RP comics for IRL friends.#and then 2016 dA adoptables. and finally: a ceaseless amount of lovey dovey otome game fanart #(current era is unknown. ask about the fifth era in like five years LOL)#i know my skills. i know my skills. i know my abilities. i know how good i am at drawing sleepy lovey dovey cuddles. i KNOW who i am #i cant believe i had forsaken my destiny like this. i had forsaken....myself. what i excel at. what i love to do. i had forsaken it all #ANYWAY what im trying to say is i decided i wanted to draw more couple art on artfight LOL #so uh. watch out if u got any oc couples. they might get hit with the sappy sleepy chibi beam

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computercreature · 9 days

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something i see a lot in the dungeon meshi fandom is attributing izutsumi's personality traits to her being a cat. and while ryoko kui definitely gave her cat-like traits intentionally, she's a talented enough writer to also give her a backstory with reasons for those traits. for example, her tendency to only do and eat what she wants.

izutsumi's character arc revolves around freedom. she grew up caged in a circus. and although she was fed enough to survive, this was only because a living catgirl attracted more customers than a dead one.

[id: first image is izutsumi as a child framed behind bars and standing on all fours, making it clear how skinny she is. a hand in the foreground holds out a bowl of what appears to be kibble. narration says “thrown in a cage and given food every once in a while… is that what you would call ‘being raised’?” in the second image she is now sitting on the floor of her cage and eating a rat. end id]

look how skinny she is! we see her eating what appears to be... kibble? oats? and then a rat that she possibly caught for herself. she had no choice but to eat anything she could.

[id: part of the dungeon meshi manga. a slightly older izutsumi is tied to a post and tade sits next to her to say "we've got a roof over our heads, beds, food, and clothes. they've got everything here. is there someplace nicer than this out there?" izutsumi thnks for a moment and says "i hate that someone's already decided what i'm going to eat tomorrow. my name, the clothes i wear, where i sleep, where i go next... here, all of that's been decided by another person... even though, come tomorrow, i might want to eat something else instead. that's why i'm leaving." at this, tade cries out in shock. end id]

when she's taken into the nakamoto household they begin to treat her much better. she's on about equal footing as tade, who also had a rough living situation before being taken in, and tade loves it there! they get healthy and tasty food and they're not sleeping in cages. but izutsumi still isn't free. she can pass off her chores and vegetables to tade and disobey in any way she can but she can't leave. maizuru even put a collar on her, further dehumanizing and trapping izutsumi.

when izutsumi joins laios's party, she's finally 'free', but it's not the kind of freedom she wants. she has to eat even more food she doesn't want or else she'll starve. but the difference now is that she's can leave at any time, and if she stays, she's treated as an equal. they're not feeding her monsters because they see her as inferior. they're all eating the same food so they can reach their goal(s). and this is part of izutsumi ultimately learning that in order to do what she wants, she has to be willing t do the things she doesn't want to

#i feel like this is mostly just restating the text but like. it's an aspect that i never see talked about #she's not the family pet!!! she is a whole ass person!!#it just annoys me when people post these scenes and go ''oh she does this because she's a cat'' like you are so close to the point #and you still missed #dungeon meshi #dm manga spoilers #flavor text

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yandere-writer-momo · 28 days

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Yandere Head Canons:

Your Only Option

Yandere Otome Game Character x GN Reader

TW: psychological horror, trapped forever in a time loop, yandere behavior, mind break, and manipulation

It was always spring when your world would reset once more. When the flowers were in full bloom and the scent of spring was heavy enough to make your head spin. You were in this digital world you had somehow ended trapped in, forever forced to repeat the story premise until you inevitably had to start over once more… yet you always ended up with only one of the capture targets. The villainous crown prince, Edwin Fritz.

Edwin was your favorite character in this game prior to you ending trapped in it. He was the hardest character to romance but the creator had stated in a forum that he was a yandere. The kind of character you were a sucker for each time! With his silver hair and crimson red eyes, you always melted into a puddle when he’d appear on your screen… yet it was much different in real life… Edwin was terrifying.

You spent over a hundred hours playing the game to romance him because you adored his twisted love routes, but it was so different now that you were in the game… especially since he’d always greet you at each starting point.

Both of you retained your memories of the countless previous games and he’d always greet you with an extravagant gift of some sort… must be the perk of being the villainous crown prince.

You gulped when Edwin made his way over to you, his crimson gaze didn’t leave your shivering form once. His large form easily towered over you as he held a giant bouquet of ruby roses in his arms. A ghost of a smile on his gorgeous face.

“Hello, darling.” Edwin handed you the roses before his hand brushed a loose strand of hair from your face. “You tried to talk to Count Jesse in the last game play through… do you enjoy making me jealous?“

You trembled like a leaf but gave Edwin a bright, reassuring smile. You needed to reassure him before he went ballistic in a fit of rage… and you didn’t want to see other characters die again. “Of course not, Edwin. I only love you after all.”

Edwin pulled you into a hug, the roses in your arms shedded a few petals from the embrace. You gulped when you felt his breath shudder. “You do, don’t you? That’s why you’re the only one who didn’t give up one me…”

Edwin sighed dreamily when you relaxed in his hold. “I don’t know why you keep associating with such lowly characters when you have me. I can offer you such a wonderful life of luxury. You’ll never die or age. We can truly be together just like you’ve always wanted before I brought you here! You said you hated your life prior to me.”

Edwin pressed his lips against yours in a hungry kiss. He didn’t care about the gazes from the other nobles at this small party. You were his in this life and his again in the next loop. Forever and ever and ever and ever. No one would be able to take you from him. He would keep repeating this loop until you swore you’d be his spouse!

“So what do you say? Will you be my spouse for all of eternity or do you want to keep playing this game?” Edwin gave you a smile that made a chill run down your spine. “I don’t mind repeating time another four hundred times until you finally relent.”

Edwin moved to cup your cheeks between his hands so his eyes could look into yours. You felt as if you could drown in the sea of obsession that lies behind those ruby red eyes. “I’m your only option, after all.”

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fabrickind · 11 months

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I know the joke is that Ghost Trick fans can't tell you why to play it, just that you should, but here's some spoiler-free reasons to play it:

It's an incredible puzzle game. The puzzles are basically Rube-Goldberg machines, where you manipulate objects in a series to effect change in the overall situation. Do you like complex mechanisms and the concept of the butterfly effect? Play this.

The basic gameplay: you are a ghost. You have the ability to posses and manipulate objects, and move from object to object. Someone bas died. You can go to four minutes before their death to change their fate using your Rube Goldberg powers. Also! The puzzles do a great job of ramping you up in difficulty and teaching you the gameplay, but wow do they get HARD in late game. You can replay any puzzle, and also rewind time as you wish. You can't lock yourself out of things by doing it wrong, since you can redo.

The story is SO GOOD. There's a reason why everyone tells you as little as possible -- it's a compelling mystery that sucks you in. The basic idea: you are dead. You need to figure out who you are and who killed you. This spins out into a tale of political intrigue.

It's by Shu Takumi, the creator of Ace Attorney. It has very similar vibes, in that it's absolutely bonkers characters and situations but also WILL make you cry once it's all revealed. Great mix of serious and humorous tones. Seriously, someone dies when a giant roast chicken statue falls on them and the root cause is because of [serious political events]

The aesthetics. Great music, great character design, have you SEEN what the game looks like? Really good use of color and stylization. Character animations are often hilarious.

Missile is there. You WILL love bestest boy. Don't google him. Just trust.

#ghost trick phantom detective #ghost trick #please play ghost trick #if you saw this reposted from twitter #no you didn't

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thebibliosphere · 11 months

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One of the really fun and interesting things about writing a polyamorous romance as someone who is ambiamorous/polyamorous is finding new ways to make sure the narrative hits the expected genre beats without just sort of... mushing it into a pre-existing monogamous romance mold, which is what I'm afraid happens a lot of the time.

Trust me, it was my job in the publishing house to make them fit that mold. I hated it.

Reading other poly-centric romances, I can always somewhat tell when someone is writing polyamory from a sexual fantasy aspect (zero shade; I'm here for all the group sex) without actually considering how it functions as a relationship dynamic, which can often come off as... well.

It's lacking for me as a romance.

Erotica-wise, it's fine. But it misses the romantic beats for me that I want as a polyamorous-leaning person.

There's so much emphasis on the polycule and never the individual dyads within the larger relationship.

For example, in a triad, there are actually four relationships to handle.

The dyad between A + B. The dyad between A + C. The dyad between B + C. And the overarching relationship between A + B + C.

With monogamous-leaning authors or authors that've been pressed into conforming to the pre-existing genre beats, there's a tendency to treat the relationship as a homogenous mass where everything is fair and equal, and you treat all your partners the exact same way.

And I get it. It's easier to write everything as peachy-keen and to have external conflict be resolved with either acceptance or a brave confrontation.

But it doesn't always land for me as someone who wants to see my style of love represented in the genre.

In healthy polyamory, either closed or open, each relationship is unique in its own way. Taking the example of a triad again, the way A acts with C likely differs from how A acts with B.

And that's a good thing!

Because C might not want the same things as B, so trying to treat them both the exact same is a surefire way to make sure someone isn't getting their needs met, and that will lead to conflict.

Polyamory isn't striving for equality between partners but rather equity.

What are your individual needs, and how do I meet them, as well as meet the needs of my other partner(s)? What do you want from the larger relationship as a whole? How do we accommodate everyone without making someone feel neglected or uncomfortable? How do we show this in the narrative? How do we make sure character A isn't just treating B the same as C in every interaction? Do they ever fall into that pitfall? How do they remedy it?

It seems like common sense when you write it out like that, but it's a major pitfall I see time and time again. The characters never alternate their approach between partners, if there's any focus on the individuals at all.

The other major telltale thing I've noticed is that taking time to be with one partner is seen as a step down from the "goal" of the greater polycule.

The narrative is framed in such a way that they might start out with individual dates, but the end goal of the romance is to eventually be together 100% of the time all the time, and wanting individual time alone with any one partner is somehow "lesser."

Which is the goal of romance in monogamy, but it's not the goal of romance in polyamory.

Granted, you do need to end on a Happy Ever After or Happy For Now for it to fit the genre requirement. And a nice way of tying that up is to have everyone together at the end as a happy polycule all together all at once. I'm not disputing that as a narrative tool. I'm just pointing out that there's a tendency to present those moments as the sum total of the relationship when in actuality, there are multiple relationships that need to end happily ever after.

The joy of polyamorous love is the joy of multitudes. It's the joy of experiencing new things, both as individuals and as a polycule. If you're not taking care of the individual dyads, however, your polycule is going to crash and burn. You cannot avoid that. So why, then, is there such avoidance of it in stories meant to appeal to us?

Is it simply inexperience on behalf of the author? Or is it that they're not actually being written for us? Is it continued pressure to meet certain genre beats in a largely monogamous-centric genre? All of the above?

Either way, I'm having fun playing around with it and doing all the things we were warned against in the publishing house.

I'm having fun with Nathan and Vlad enjoying their own private dynamic that is theirs and theirs alone. I'm having fun with Ursula and Nathan being so careful and vulnerable around each other. I'm absolutely 100% here for the chaos of Vlad and Ursula without a chaperone. And I'm here for the chaos of Vlad and Ursula together and Nathan's fond, loving eye roll as he trails after them, too enamored to tell either of them no because where would the fun in that be...

Anyway. Don't mind me. Just getting my thoughts out while everyone else is in bed.

#long post #rambling with joy #I see so many interesting stories just sort of... neglect the dyads in the end #and it makes me sad #I wish it happened less

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