#i love her on purpose

[bingothedingo666]

When your snusband is feeling under the weather so you go full spa-mode

I love the HC that Crowley turns snakey when he's ill or in pain. Luckily he has an angel to take care of him ☺️.

Click to full size for better image quality, Tumblr deep fried the thumbnails.

[poorly-drawn-mdzs]

Thanks for listening to my sad backstory. Anyway, here's Wonderwall.

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[delborovic]

I am not immune to Knight Chappell Roan❤️‍🔥

[theloveliestfool]

One of the only things I'll say negatively about leverage is how they handled parkers Thing in the French connection job. She spends the whole episode talking about how she wants something to enjoy OUTSIDE of the life like eliot has cooking, hardison has gaming, and sophie has theater but then her thing ends up being art which like. Is fine. We know she loves art and shiny things, but the clear answer is music.

She did not stop dead in her tracks in the middle of a con, losing track of time and what she is doing TWICE because she heard her boys performing music, for you to say that music doesn't make her feel things.

She got CAUGHT in the scheherazade job bc she was so enamored with hardisons playing. She was completely caught off guard when they came in the room which is fucking unheard of for her. Don't tell me music doesn't make her Feel Things.

[visenyaism]

They butchered Alicent so bad

oh i LOVED her this episode. some of the execution was a little clunky in places but moving the blood and cheese “pick which of your kids are dying” moment to be a conversation between rhaenyra and alicent was sooo fucking choice in a way i really found compelling.

like aegon this episode, alicent has been realizing she doesn’t know what the fucking point of all of this has been. again like aegon because they were raised in a deeply ableist society she cannot conceive of aegon where he isn’t the king she cannot wrap her head around what he’s supposed to be now all of the suffering she bore to get him to this point was for nothing. aemond is acting scary and out of control to the extent that he is an active threat to her and her other children she does not know him anymore.

she gets out loud explicitly asked by rhaenyra to resolve the dilemma that has been her entire character: she either has to choose her children or her relationship with rhaenyra. otto has been drilling this into alicent’s head since she was a child, alicent has been drilling it into her children’s heads since THEY were children. rhaenyra was the only one who pretended that wouldn’t be a choice forced on alicent! so then rhaenyra is the one to demand this of her it’s CRAZY. and alicent, who has been trapped for almost her whole life who has done everything expected of her and has been left with what? so much blood on her hands, everyone hates her, no one listens to her,and the children that she had to bear the conception and raising of against her will are unrecognizable to her. this war is transactional and will not stop until everyone is dead.

and alicent does something fundamentally selfish and cut them loose in the name of all of this just being over. she wants to be a person again. she can’t tell the difference between being her own and being rhaenyra’s those are the same to her. and then she steps out to look at the wide open sky, out of her cage for the first time ever while rhaenyra settles deeper into hers. that’s so interesting. 

the consequence being that she never had control of the narrative! but she’s still punished for this in how this story is told. she’s largely written into the background of the historical record and when she’s there she’s a caricature of a cold ambitious stepmother-queen. they’re trying really hard to reckon with the historical record as history is happening.

overall, I think I can understand why people are upset about this, but I loved it. I thought it was really compelling and there could’ve been a bit more buildup to that moment for her but I don’t think it’s that far out from her previous characterization at all.

[kroosluvr]

Life's beauty is like a myriad of flowers, and I want to pluck the one that never wilts.

[novelconcepts]

One of the most fundamentally interesting things to me about YJ and writing fic, specifically, is how the blame changes hands depending on the story. On whose perspective you're writing from. On whose story it is at a given moment. The very thing I dislike about viewers missing the point becomes so fascinating to me from within the narrative. Who are these characters when seen through the eyes of their peers?

Who does Jackie become? If you're Shauna, she's the love of your life, and your greatest rival, and the other half of your soul, and the person you blame for your dead dreams. If you're Van, she's the respected captain who earns none of your respect in the woods, the one who left you to die without blinking, the easiest target for teenage malice. If you're Natalie, she's competition for affection, the blabbermouth who can't leave well enough alone, the hands putting themselves to no good use. If you're Jackie? You're just a girl. You're so tired. You're so scared. You're losing face a little more every day, and you're made of despair, and you can't even trust your best friend. It's not your fault. It's not your fault. It's not your fault.

Who does Lottie become? If you're Natalie, she's your direct foil, the splinter under the edge of your thumbnail, the smart mouth to match your own, the confusing amalgamation of normal friend and mad ritual. If you're Misty, she's the first shred of obvious power in months, a leader who might need to be nudged back into line, a fascinating exercise in hitching your wagon to the right star early on. If you're Taissa, she's flat-nuts and endlessly frustrating, she's got your girlfriend's full attention, she's incredibly dangerous. If you're Lottie? You're just a girl. You're so tired. You're so scared. You've built a pedestal you can't keep your balance on, and you're not sure if you're right or going crazy, and you didn't want this. It's not your fault. It's not your fault. It's not your fault.

From outside the narrative, there is no bad guy. There is no blame. It is no one's fault. It is Man v. Nature, they are doing the best they can with an impossible situation. They're all trying to contribute what they can to the story, for better or worse.

From inside the narrative, you are a teenager trapped in a society constructed entirely of bare-bones-survival with the wildest assortment of girls. From inside the narrative, to stay human, you have to love and fight, respect and judge. Every story changes the game. Every story shifts the blame. A hero in one has the bloodiest hands in the next. And that, to me, is such a thrilling sandbox to play in.

[almea]

"But what if she isn't Ruby anymore when she comes back out?" "Maybe... that's not for us to decide."

[tubbytarchia]

@mcyt-yuri-week Day 5, Rose/Thorns I never stop thinking about SL episode 8 never ever

[mary-kasexual]

what if she was fucked up and evil actually

[yashley]

It’s easier with people around you. To make you feel more like you.

[psirem]

doodles

[makenna-made-this]

Favorite little problematic white girl

[rottengurlz]

try to be gentle when you are ripping me apart 🔪

w/ @kashisun

[nicollekidman]

there’s something SO specific about smg’s performance in mid season seven where she goes like. almost entirely neutral around spike in a way buffy doesn’t naturally, so it comes off extremely intentional and like. the way you can tell buffy finally understands how she feels is that she very specifically does not let it show but she also like. holds herself around him like she knows he can tell anyways? i am delusional but there’s Something with her faces around him that are so so so aching it’s crazy…… “i can be alone with you here” but physically because she lets herself be Still and just Look

[iamespecter]

HOLY SHIT I FOUND YOU!! I SAW YOUR FNAF ART LIKE A YEAR AGO ON PINTREST AND I WAS LIKE DAMN THATS PRETTY FUCKING AWSOME BUT FOR THE LIFE OF ME I COULDN'T FIND THE ARTIST BUT I JUST DID, ITS YOU!!

I have no idea which art of mine you found from pinterest but based on what you're implying I lowkey think it's this screenshot redraw I made for the FNAF movie lmao (which I hope I'm right)

Unfortunately you won't get much FNAF art from me nowadays anon, ever since Ruin disappointed me immensely I've just lost most of the hope I've been clinging onto for the franchise, now I'm just here... reminiscing, watching from the sidelines, and making a once-in-a-blue-moon art for it if I'm feeling extra