#i mean in ‘crossroads of destiny’

[inamindfarfaraway]

Do you ever think about Azula after Zuko's banishment and before she was sent on her mission? About the time it was just her and Ozai? Because I do.

Her worst fear is being what Zuko is to their father. It's easy to look at her smirking while she watches Ozai light Zuko’s face on fire and think that she enjoys her brother’s suffering, but from the day she was born, Zuko has been the bad example. The scapegoat. The failure she exists to surpass. Where he is disrespectful, she will be obedient. Where he is weak, she will be strong. She will make Ozai proud. She will be perfect. She has to be. Because if she isn’t -

well, in that moment she sees that for herself. Iroh looks away, but she doesn’t. This eleven-year-old child watches the whole gory scene that her experienced general uncle can’t stomach, because this is a lesson for her as well, that’s why Father had her be here, and so she must not let herself tremble or cry or flinch or scream. Zuko is. That means she can’t. Instead she will do the exact opposite, smile with a princess’s proper posture.

Then Zuko is banished. He will most likely never return - most likely die young. He isn’t around to be the foil under her jewel anymore, making her shine brighter simply by contrast. (Or to play with her or comb her hair. But it isn’t useful or becoming to miss those moments. She isn’t a child anymore; her childhood was burned through like Zuko’s skin.) All Ozai’s attention is on her. All her people’s hope in the next generation of royalty rests in her. If she doesn’t hold her shoulders back and keep her head high, she will collapse under the weight of her nation’s future. Zuko got what he deserved. Just as whatever happens to her, she deserves it too.

How many nightmares does she have? How many times does she flinch or shake when her father touch her? Or force herself not to? How many times does she smell burning hair and flesh and hear her brother’s agony when she spoke her own opinion in a war meeting? How much does she secretly grieve him, and scold herself for it?

[zukosdualdao]

i will never understand when people act like zutara shippers are reaching when we say the crystal catacombs scene is intensely romantically coded because like... ignoring literally all other context (which does have other hallmarks of romantic coding, but literally pretend you don't know anything about the show or scene for a second)... what would you think happened in this picture?

would it .... would it maybe be an interrupted almost-kiss

[all-inmoderation]

if aang wrong choose katara,,, why universe show katara in danger to Aang 🤔🤔🤔🤔🤔🤔🤔 unless ?? universe want aang save katara 🤔🤔🤔 universe want aang die and katara save 🤔🤔🤔 universe say aang right to choose love over power😠😠😠😠🤯🤯👊🏼

[surgepricing]

I think about Azula shooters often and their common refrain of "if Azula hadn't had a mental breakdown, she would've won" and I'm here to tell you that no, she wouldn't have.

There is no universe in which Azula was winning that fight with Zuko (or Katara, for that matter).

Azula spent so much of Book 2 being built up as this deadly terrifying force against whom the heroes are badly outmatched that it can be difficult to catch exactly how quickly Zuko is advancing.

Back up a bit to Book One. For the fearsome exiled crown prince of the Fire Nation, Zuko's not that impressive a firebender. He's not bad by any stretch, and he's able to lay the untrained Sokka and Katara flat pretty easily. Then he gets in the ring with Aang, who is an airbending master, and the difference between a regular bender and a master becomes apparent when Aang literally puts his ass to bed:

People have attributed this to the fact that no one's fought an airbender in 100 years, but I think it's also worth noting that Aang (a 12 year old from a pacifist nation) has probably never fought anyone before. Like, ever. And yet the second Aang thinks "okay, I'll attack back", the fight's over.

Zuko's got the same genetic predisposition for firebending talent that Azula does, yet it never seems to manifest because of his mental blocks. At the beginning of the series, he's already so beat down that all he really has is conviction, pride, and anger, so even with training from Iroh (the firebending master, thank you very much), he struggles. Yet throughout Book 2, when he has no time to train because he's on the run, he actually seems to advance faster. The fact that his bending is literally tied to his character arc (as his morals become tangled and he has to fight off aforementioned mental blocks) is pretty brilliant. Like, by the time of the Crossroads of Destiny, Zuko getting his ass handed to him by Aang is a pretty consistent feature of the show--he just can't match wits with him.

Hell, at the beginning of the series, he and Iroh (again: the actual firebending master) launch a combined power surface-to-air attack...which Aang casually swats away into a nearby ice wall. Come the Crossroads of Destiny, however, and Zuko by himself launches this bigass fireball that blows through Aang's defenses.

Zuko advances so quickly that it's scary. That prodigious talent is in him even if it doesn't come through as cleanly as with Azula. Who, by the way, was busy about to get flattened by Katara some few dozen feet away, until Zuko took over and then effectively stalemated her himself.

All of this in retrospect makes it abundantly clear why Zuko's firebending seemed to skyrocket so much when he learned true firebending from the Sun Warriors: it was really the only thing left. He's hard a hard road learning how to fight waterbenders, earthbenders, and airbenders, and even if unconsciously, he's applying the philosophy Iroh taught him about augmenting his bending style with aspects of other styles (see also, the waterbending-like fire whips he uses in the above gif). Once he actually understands fire and how it works, he's got it mastered. Hence why any gap between him and Azula effectively disappears as soon as their next fight--before her friends have betrayed her and her stability goes out the window. There's no real sense of urgency to their fight at the Boiling Rock prison. True, Sokka's presence with the sword helps, but Zuko doesn't look remotely worried and he counters Azula's every attack perfectly.

All her life, Azula only ever learned fire. She was taught by the best people the fire nation can employ, so she knows all the cool tricks, but she's still poisoned by the corrupted firebending practiced in the modern ATLA timeline. Unlike Zuko, who managed to get the basics if nothing else from Iroh (fire comes from the breath, and can be used to survive as much as to kill), Azula has always used fire as a weapon and a means to hurt others. She has no true knowledge of the craft, meaning she's got the same weaknesses as Zhao, she's just better disciplined to the point she can make up for it.

Zuko's victory was a given considering Azula's complete loss of control by the time of Sozin's comet, but even had she been in a perfect mental state, she'd have lost, because in many ways Zuko is simply the better firebender.

And that's the truth of it.

[andy-15-07]

can you do a fic with Paul Atreides, where Y/n is a bene gesserit and they find he is the One

Our love is powerful

masterlist ! pairing: Paul Atreides x reader

Dune Masterlist

In the mystical world of Arrakis, where sand dunes whispered ancient secrets, Paul Atreides and you, a Bene Gesserit, found yourselves entwined in a destiny written in the sands of time. The air in the Sietch was charged with anticipation as the Bene Gesserit sisterhood, with their millennia-old knowledge, discerned a truth that transcended the ordinary.

As you and Paul stood in the sacred chambers of the Bene Gesserit, the reverence in the air hinted at the gravity of the moment. The sisterhood, with their eyes that held the wisdom of countless generations, regarded Paul with a mix of expectation and acknowledgment.

"Y/N," one of the elder Bene Gesserit addressed you, "the threads of fate have woven a tapestry that binds your path with that of Paul Atreides. He is the One—the Kwisatz Haderach."

The realization hung in the air, a moment that echoed through the corridors of time. Paul, with his piercing blue eyes and a destiny that weighed heavily on his shoulders, looked at you with a mix of curiosity and acceptance.

"What does this mean?" Paul inquired, the weight of the prophecy settling on his young shoulders.

The elder Bene Gesserit stepped forward, her voice a melodic resonance that carried the echoes of ancient wisdom. "The Kwisatz Haderach—the One who can bridge space and time, unlocking the secrets of the universe. He who possesses both male and female ancestral memories, breaking the limitations that have bound humanity."

You, a Bene Gesserit bound by duty and destiny, met Paul's gaze with a depth of understanding. "Paul, you are the culmination of a plan set in motion by the Bene Gesserit sisterhood. The threads of our bloodlines converge in you."

The gravity of the revelation seemed to settle in the room. Paul, born into a lineage of political intrigue and ancient prophecy, found himself at the crossroads of destiny.

As you and Paul retreated from the sacred chambers, the Sietch buzzed with a mix of anticipation and uncertainty. The sands of Arrakis seemed to echo the whispers of the prophecy that had been unveiled.

"Y/N," Paul began, his voice a quiet contemplation, "what does it mean for us? For our relationship?"

You turned to him, your eyes reflecting the weight of the truth. "Paul, our connection goes beyond the prophecy. The Bene Gesserit may have seen the threads of fate, but our love is a force that transcends destiny. Together, we navigate the path that unfolds before us."

The days that followed were filled with the intensity of preparation, as Paul embraced the training and revelations that came with being the Kwisatz Haderach. The Bene Gesserit sisterhood, with their watchful eyes, guided him through the intricacies of their ancient knowledge.

Amidst the trials and tribulations, your connection with Paul deepened. As he grappled with the weight of his destiny, your presence became a source of solace and understanding. Late nights were spent beneath the stars, the two of you seeking refuge in each other's arms.

One evening, as the desert winds whispered tales of destiny, Paul looked at you with a mix of vulnerability and determination. "Y/N, I may be the Kwisatz Haderach, but my heart belongs to you. Our love will be the anchor as I navigate the complexities of this path."

You smiled, a reassurance that transcended words. "Paul, no prophecy can diminish the love we share. The threads of fate may guide your journey, but our connection is a beacon that lights the way."

As Paul embraced his destiny, the sands of Arrakis witnessed a love story that defied the limitations of prophecy. Together, you and Paul Atreides forged a path that merged ancient wisdom with the unwavering power of love—a journey that echoed through the sands of time, leaving an indelible mark on the destiny of Arrakis.

[late-draft]

I think that every comprehensive anti-zutara argument should try to answer a very crucial event, and that's Zuko's "I'm sorry (...)" to Katara in the Crystal Catacombs in the Crossroads of Destiny.

Because, why did Zuko do this? We've seen before that he's very unpleasant or even hostile towards people he doesn't know or doesn't care about (and even towards people he does care about). At this point in time, he still harbours a desire to return to the Fire Nation and is still capable of attacking the Avatar as soon as he lays his eyes on him. He did start to attempt to settle into his "Lee" persona in the Earth Kingdom but that persona is irrelevant when he comes face to face with Katara, someone who knows exactly who he is and who he already fought against with all he had. Someone he already insulted and griefed.

He is empathetic, but he instinctively shows it only in his facial expressions that he's clearly unaware of, and in extremely tense, critical moments such as when his ship's helmsman almost fell to his death, or when Zhao got pulled by the Koizilla. Katara had just started verbally attacking him, and based on everything we've seen thus far, it's entirely believable that Zuko might have just sat in silence, brooding as a response to her. They were trapped, sitting in a stable moment with nothing around them happening. She wasn't in danger.

And if an argument says that this indeed was an OOC moment for him, that creates a whole cascade of other problems if it's removed: it would basically affect the entire rest of the plot. There would be no shock of him betraying our heroes, there would be no tension/relief that Katara still has the magical healing water, Zuko wouldn't have known that the Avatar surely survived thanks to that water, who knows what the gaang and Zuko's dynamic would have been at the Western Air Temple if Katara wasn't locked in a state of feeling deeply wounded by his betrayal. Aang wouldn't have had a reason to get frustrated as intense as he had when he saw the scene in Ember Island Players, and he might not have done what he called himself stupid for afterwards.

Something compelled Zuko to overcome his broodiness and apologize to Katara, subconsciously probably for all his previous behaviour towards her as well (the talk about being marked, and lately thinking about being able to make his own choices definitely is a reference to his choices and behaviours from before). This apology isn't directed towards Aang, as he lunges towards him the instant he sees him, even though Aang had asked him for friendship months ago.

Add to this Zuko's suspicious comments and behaviours towards her from before, especially in the North, and it becomes pretty difficult to argue that he didn't have some kind of feelings for her. But I mean. What's the problem here? Everything in canon could still stay the same, identical, just with the added undertones of a melancholic "what if".

[hadesisqueer]

After rewatching The Crossroads of Destiny, I still believe that the people who criticized Katara over her being "too mean" to Zuko after he finally joined Team Avatar in Book 3 are the dumbest people who ever walked on Earth.

Zuko searched for Team Avatar and by the end of the episode, Aang and Toph thought he'd proven himself to be worth giving a chance —they weren't friends though, that took a bit more time and it's clear— Sokka was like 'well, of you must' and gives him a chance as well and later he'd end up warming up to him along with the others.

But Katara kept being a meanie to him oh why. Well, maybe because while everyone was giving Zuko a chance, Katara had already done so before? Dear God, Katara herself explains it several times. They opened up to each other in The Crossroads of Destiny, she felt bad for him and she offered to use the Spirit Oasis water to heal his scar and started believing he'd changed-- only for him to join Azula and help her five minutes later, betraying his own uncle that had gone to rescue him. She was ready to give him a chance and it ended up with him proving in her eyes that he didn't deserve it, with Aang barely surviving and with Ba Sing Se captured by the Fire Nation. Katara was right, what's assuring her that he won't end up doing the same thing and hurting her friends again?

Listen, I love Zuko, he's one of my favorite characters overall. But yeah, Katara had every right not to trust him and dislike him and to be furious at him, most of all when you remember that this was the second chance she was giving him, not the first like the others. Anyone who thinks otherwise and only empathizes with Zuko but never with Katara-- well.

[reunionatdawn]

Weighing in on ATLA shipping discourse

Iroh: You're not the man you used to be, Zuko. You are stronger and wiser and freer than you have ever been. And now you have come to the crossroads of your destiny. It's time for you to choose. It's time for you to choose good.

Why did Zuko have a fever after decided to let go of his Blue Spirit mask? Well, the imagery suggested that he experienced a Kundalini awakening. A Kundalini awakening is a profound spiritual experience that involves the activation and rising of Kundalini energy, located at the base of the spine. In Hindu and yogic traditions, Kundalini is often depicted as a coiled serpent, symbolizing dormant spiritual potential.

Ida and Pingala are the two energy channels that run alongside the spinal column and correspond to the left and right sides of the body, respectively. Ida is associated with the feminine or yin aspect. It is linked to qualities such as calmness, receptivity, intuition, and nurturing. It is also associated with the moon, coolness, and the element of water.

Pingala represents the masculine or yang aspect. It is associated with qualities such as activity, dynamism, alertness, and willpower. It is associated with the sun, warmth, and the element of fire. In the yogic tradition, the balance and harmonization of Ida and Pingala are considered essential for achieving physical, mental, and spiritual well-being.

Once the two energies combine at the crown chakra, a person's consciousness is supposed to transcend duality. What does that mean, exactly? It means to move beyond the perception of reality as consisting of opposing or dualistic concepts, such as good and bad, light and dark, right and wrong, or self and other. You understand that these apparent opposites are part of the same unified whole and are interconnected in a deeper, more profound way.

"I was head writer of ATLA, and this is exactly how I see it! There was some controversy that Zuko made the "wrong choice" at the end of season 2. A lot of fans were ANGRY! But it had to be this way… we wanted him to get everything he thought he wanted. The triumphant return. His father's respect, and a seat at his right hand. Only then could Zuko truly outgrow these things, and choose to do the right thing in a meaningful way." (Aaron Ehasz)

So, the symbolism definitely favors Zutara in that respect. Katara learned through Zuko that the Fire Nation is not innately evil. Even though he hurt her with his "wrong" decision, part of her character arc was understanding why he did it and being able to forgive him. And because he made that choice, she could trauma-dump onto him and that led to her gaining closure about her mother's death.

"I was head writer of ATLA. Azula and Zuko's relationship was not always well understood, even by the team internally. Azula loved Zuko, more than anyone save her father. She also felt competitive with him for their parents' attention of course, but since she had alienated herself from her mother, she focused her energy on pleasing dad… which of course meant acting in more and more intense and possibly evil ways." "By the end of the series, of course, her loss of her friends shatters the part of her identity that she could somehow control affection and love through intimidation. As a result she spirals… I did however intend to leave a kernel of humanity, and had we made a season 4 Azula would have completely bottomed and we would have explored the possibility of a path to redemption. True story!" (Aaron Ehasz)

But it's not even just Zutara. What I found interesting was that Azula was the blue dragon and Iroh the red dragon. Azula was crazy and needed to go down, right? By siding with his sister, you're meant to think that Zuko chose "evil" instead of "good". But it looks like some of the writers meant for it to be more complicated than that. There was no "good" or "evil" choice. Azula had a softer "yin" side, too.

Zuko wanted to get along with his sister. He did not want to kill her, even though Iroh thought that was the only option. The fact that Azula never got her redemption arc did a massive disservice to Zuko's arc as well. The fact that Azula had good in her is exactly why Zuko's choice in BSS couldn't truly be called "wrong" or "evil".

Azula loved Zuko and that idea wasn't conveyed very well in the cartoon. She was the one person on that beach who actually did understand him. She was jealous that Zuko chose the Avatar over her. And she knew that targeting Katara with her lightning was the best way to hurt Zuko. Katara found a non-lethal way to defeat Azula for Zuko's sake. Because after seeing how hard it was for him to fight her, she finally understood why he made his choice in Ba Sing Se.

"[Azula] had not bottomed in the end of season 3, she had further to go. At the deepest moment in her own abyss she would have found: Zuko. Despite it all, her brother Zuko would be there for her. Believing in her, sticking by her, doing his best to understand and help her hold her pain that she can no longer hold alone. Zuko — patient, forgiving, and unconditionally loving – all strengths he gained from Uncle Iroh." "And I always imagined that after coming out the other side, she would be one of those people who hilariously over-shares her own feelings all the time, and that she would be a bit over-apologetic. Like a Canadian version of Azula." (Aaron Ehasz)

The first episode of Book 3 was called The Awakening. Aang literally awakened to the energy twisted up in the middle of his back. He did not complete his spiritual transformation. The Kundalini energy did not reach his crown chakra. It was still blocked because he had an attachment to Katara that he hadn't worked through yet.

Zuko's awakening was figurative. Mai didn't understand how he felt. Symbolically, when she turned his head to kiss him, it showed the audience the scarred side of his face. When Zuko lied his sister, the unscarred side of his face was shown. I suspect that the writer for the episode, Aaron Ehasz, wanted to hint that Zuko did still feel a connection to Katara and didn't want Azula going after her and Aang.

Zuko in The Crossroads of Destiny was not supposed to be the same Zuko from The Avatar State. Both versions of Zuko still wanted to go home. But 201 Zuko was motivated more by selfish attachment. 220 Zuko was more motivated by love. He loved Azula unconditionally. Even with all of her twisted, ugly, and cruel behavior. His consciousness had transcended the duality of Iroh and Azula being opposites where one is "bad" and the other is "good". During The Beach he was fantasizing about a time when Iroh played with both of them as little kids. Back when they were all a family.

Mai: You know what will make you feel better? Ordering some servants around. I might be hungry for a whole tray of fruit tarts. And maybe a little palanquin ride around town. Double time.

I don't dislike Mai. I think she is an interesting character who was not a bad person or anything. I just thought she served a very specific narrative purpose. She was there to show how Zuko wasn't compatible with his old lifestyle anymore.

Mai wanted a typical socialite boyfriend. They really didn't get along too well or have much to say to each other during The Beach. She didn't like him when he started talking about his trauma and showed his uglier side. Zuko was insecure and jealous because he was not even sure if she really liked him. And she didn't even know the person he was after his banishment, only the person he was as a child. When he turned his head away from her, his unscarred side was shown.

Zuko: When I got to the meeting, everyone welcomed me. My father had saved me a seat. He wanted me next to him. I was literally at his right hand. Mai: Zuko, that's wonderful! You must be happy. Zuko: During the meeting, I was the perfect prince. The son my father wanted. But I wasn't me.

He walked out of that war meeting with the scarred side showing. Mai didn't love Zuko. She loved the perfect prince. The fantasy she built up in her head and the role Zuko was acting out at the start of the episode when he was ordering her the fancy fruit tarts.

Mai: I guess you just don't know people as well as you think you do. You miscalculated. I love Zuko more than I fear you.

Mai stood up to Azula to save Zuko, and she genuinely believed she loved him. But he left her behind to be with his new companions. If not for Ty Lee, she would have died. That should have been the end of that relationship. I thought it was very weird that they got back together. The NATLA writers should definitely find a different way to conclude Mai and Ty Lee's character arcs. Especially Mai. She deserved a more dignified ending than being left in prison and then threatening her ex-boyfriend to take her back.

"I love that even though Aang is sort of not in this story very much, to me, he's-his presence is in all of these scenes 'cause you know he's like the little angel on her shoulder [...]" (Bryan Konietzko)

The main reason I think the shipping discourse in the ATLA fandom is so toxic is because the creators Mike and Bryan saw the narrative differently than the other writers. They seemed to have a completely different vision for the story and characters compared to the head writer. So, there were two conflicting visions and fans who liked one over the other could argue their side indefinitely. Bryke saw things as more black-and-white and good vs. evil. You can see it in some of the interviews and commentary, particularly with Bryan.

IMO, there really was no "good" and "evil" side in The Southern Raiders. There was no "angel" or "devil" sitting on Katara's shoulders. To Katatra, what Aang said must have sounded like nothing more than a trite platitude. It's true that in the end, she didn't choose violence. But I don't think Aang's words were very pertinent to her decision-making when she finally faced Yon Rha, LOL.

It's understandable why Aang would come off as preachy, though. He was just a child coping with his own grief. The Air Nomads' philosophy was one of the only things he had left of them, after all. Such a teaching was no doubt his own personal coping mechanism.

Aang was right in the sense that Katara didn't need to resort to violence in the end. But ya know, maybe she would have if she didn't have someone by her side who understood her inner darkness and accepted her even if she had chosen violence. Just like how Aang might have killed the sanbenders if Katara hadn't been there. And Katara would not have condemned him if he had done so.

"Zuko and Katara might have shared some sparks, but sometimes there are people along your 'journey of love' who are there to teach you about yourself and what you really need, but don't necessarily end up being your partner. Come on, kids! 'Zutara' never would have lasted! It was just dark and intriguing." (Bryan Konietzko)

Zuko was a character of duality. Yin and Yang. Light and shadow. His two sides were represented by the scarred side and non-scarred sides of his face. I think Bryan viewed Zutara as a "dark" ship because a big part of Zutara was about Katara's shadow side.

Just like Mai did with Zuko, Aang built up a fantasy version of Katara in his head. The perfect, well, "waifu," I guess. The endlessly patient feminine maternal figure. The sweet beautiful girl with such manageable hair. But that's only half of who she was. There was another side to her that he never saw. One that used bloodbending. Angry, hateful. Yes, even ugly. And that's not a bad thing. It's human.

[starlight-bread-blog]

Zuko and Katara Aren't Toxic to Each Other

I keep hearing this take that's biasically just different variations of this:

Zuko and Katara would bring out the worst in each other. They would be fighting constantly, and their similar tendency to anger will escalate these situations. They'd both grow miserable and bitter.

I don't like this argument for a number of reasons, but I'll adress just one: I feel as though these takes miss how Zuko and Katara have been shown to respond to each other's anger in canon.

For most of the story, they're enemies. Prince of the Fire Nation and the Avatar's friend & teacher. They fight because they're on opposite sides of a war. They do have an arc before they reconcile, there are fights from The Crossroads of Destiny to The Southern Raiders. But in my opinion they don't point at toxicity. They show how Zuko actually reacts to Katara's rage. And it simply doesn't escalate even before they become friends. So let's take a look at a few of said arguments:

The Crossroads of Destiny

At this point they are pure enemies. Katara didn't see Zuko's journy in the Earth Kingdom and they don't know anything about each other.

Zuko and Katara are in the crystal catacombs and Katara starts yelling & preaching at Zuko for all he did do them. At first Zuko just takes it all, just listens to her. But he hit his breaking point.

Zuko (calmly): You don't know what you're talking about.

Katara then rightfully gets angry. And opens up about how the Fire Nation hurt her personally – they took away her mother. Instantly, Zuko isn't angry anymore.

Zuko: I'm sorry.

He immediatly understands and offers comfort. And even, connect with his enemy.

Zuko: That's something we have in common.

Katara: I'm sorry I yelled at you before.

Now the argument is over. They were enemies just a second ago, but Zuko was able to put it aside, realize that Katara was well within her rights to get angry, see her pain and connect with her. So much so, that he tells her about his destiny, about how he feels he's free. And Katara offers to heal his scar to help him too. She too understood his pain, calmed down instantly and helpped.

The Western Air Temple

Zuko has redeemed himself, but not in Katara's eyes. She still suspects him after he betrayed her. She confronts him.

Zuko doesn't get angry if defensive, he knows why she's yelling and lets it happen. He understands her and knows his place.

Then, she threatens him with death. And what did Zuko do?

Nothing. It's not his place. He has gained the emotional maturiny needed to do nothing. To take her rage, knowing it's deserved.

The Southern Raiders

At this point Zuko is completely redeemed, he saved the Gaang just this day and proved he's trust worthy on multiple occasions. But that's still not enough for Katara. She makes a mean spirited comment about him not deserving any credit and leaves. Zuko follows her.

Thus the hostility begins. Zuko asks Katara why can't she trust him? He's proven himself, everyone already trusts him. It's a fair question, and fair frustration. Katara didn't provide substantial reasons to why she still doesn't trusts him yet. She just reminded him she was the first to trust him.

Zuko: What can I do to make it up to you?

He calmed down and tried to help, even when he had every right to be upset. In her next line, it became clear that she was projecting her grief onto him. Zuko realized this, what did he do? What did he do after finding out that Katara's rage at him isn't even about anything he personally did? What did he do after finding out that her rage is unfair and rooted in projection?

Says nothing & goes to her brother to help her solve her trauma. Regardless of it was healthy or not, Zuko was trying to help – not get angry at her.

All of these arguments happen before they even become friends. After they did, they are nothing but wholesome.

This argument that they'd bring out the worst in each other has no basis in canon.

"But it doesn't need to be prominent in canon! They didn't disagree yet, and we don't know what it'd look like".

They did once: Zuko agreed to an Agni Kai with Azula. He invited Katara just so he wouldn't have to do this. Katara finds it unreasonable. But she hears him out and trusts his judgement.

Yes, it does need to be backed up by canon. If it doesn't need to, you can pick any two traits of any two characters and think of how they could be miserable. It doesn't matter that that's not how they are, because it's a hypothetical. It doesn't need to be backed up in canon. Now I'm suggesting that Zukka would be toxic because Sokka's sillyness would clash with Zuko's anger. Sokka would joke around and Zuko would be irrutated & ask him to take it seriously. But it's stupid. I just picked two traits and went wild with it. Same goes for Zutara. They don't act like this, so it's irrelevant.

In conclusion: When Zuko and Katara were "fighting constantly" they were on opposite sides of a war. The first time they talked, it naturally starts as an argument, but turns into a beautiful moment where they both understand each other. When Zuko joins the Gaang, he waits pationetly to Katara's forgiveness, takes all her anger without being at all hostile, does everything he can to prove himself, stays calm even when it's unfair and helps her resolve her trauma. After they reconcile Zuko and Katara don't have a hinch of toxicity. They don't bring out the worst in each other.

[mythicalgeek]

I ship Zutara and Aang is Great

Im a big Zutara fan but one thing that I hate is when some fans think that means I somehow hate Aang, witch I dont. I love all the atla character's and I think Aang is a wonderful protagonist with a well developed coming of age journey about staying true to your values and maturity into a strong hero and person.

I just like Zuko and Katara more as potential romantic leads because I prefer there chemistry and there relationship growth throughout the series is just so beautifully developed and had the potential to be an epic enemies to friends to lover's arc. I also think a romance between them would fit the themes of avatar more and enriched the overall narrative better.

I love Aang and was never and will never be anti kataang because I understand why a lot of people ship them. I actually did sort of ship Aang and Katara a little in the beginning but then crossroads of destiny happend and the rest is history.

We can all like we what we like because this is fiction at the end of the day and we dont have to be toxic about it, and that goes for all side's.

[poohsources]

🐝  *  ―  𝑨𝑽𝑨𝑻𝑨𝑹: 𝑻𝑯𝑬 𝑳𝑨𝑺𝑻 𝑨𝑰𝑹𝑩𝑬𝑵𝑫𝑬𝑹 𝑺𝑬𝑵𝑻𝑬𝑵𝑪𝑬 𝑺𝑻𝑨𝑹𝑻𝑬𝑹𝑺.

❛  i'm angry at myself!  ❜ ❛  it's easy to do nothing, it's hard to forgive.  ❜ ❛  you miscalculated. i love them more than i fear you.  ❜ ❛  there is nothing wrong with letting the people who love you help you.  ❜ ❛  but now you're not letting yourself feel anything. i know sometimes it hurts more to hope and it hurts more to care. but you have to promise me that you won't stop caring.  ❜ ❛  my own mother thought i was a monster ... she was right of course, but it still hurt.  ❜ ❛  in the darkness, hope is something you give yourself.  ❜ ❛  never forget who you are, for surely the world won't.  ❜ ❛  why am i so bad at being good?  ❜ ❛  it is important to draw wisdom from different places. if you take it from only one place, it becomes rigid and stale.  ❜ ❛  sometimes the best way to solve your own problems is to help someone else.  ❜ ❛  and now you have come to the crossroads of destiny. it's time for you to choose.  ❜ ❛  you may not always see the light at the end of the tunnel, but if you keep moving, you will come to a better place.  ❜ ❛  protection and power are overrated. i think you are very wise to choose happiness and love.  ❜ ❛  get over here, [ name ]. being part of the group also means being part of group hugs.  ❜ ❛  stop! stop it right now! what's wrong with you? we don't have time for fun and games with the war going on.  ❜ ❛  i'm too young to die!  ❜ ❛  in my country, we exchange a pleasant 'hello' before asking questions.  ❜ ❛  i didn't know what or when, but i knew i'd know it when i knew it!  ❜ ❛  the past can be a great teacher.  ❜ ❛  when we hit our lowest point, we are open to the greatest change.  ❜ ❛  there really is no fathoming the depths of my hatred for this place.  ❜ ❛  failure is only the opportunity to try again, only more wisely this time.  ❜ ❛  i wanted to take out all of my anger on them. but i couldn't. i don't know if it's because i'm too weak ... or if it's because i'm strong enough not to.  ❜ ❛  look [ name ], you're going to fail a lot before things work out. even though you will fail over and over again, you have to try every time. you can't quit because you're afraid you might fail.  ❜ ❛  while it is always best to believe in oneself, a little help from others can be a great blessing.  ❜ ❛  you must never give in to despair. allow yourself to slip down that road, and you surrender to your lowest instincts.  ❜ ❛  if we knew each other back then, do you think we could have been friends too?  ❜ ❛  you know, [ name ], i don't care what anyone else says about you. you're pretty smart.  ❜ ❛  if i try, i fail. if i don't try, i'm never going to get it.  ❜ ❛  let your anger out, and then let it go. forgive him.  ❜ ❛  pride is not the opposite of shame, but rather its source. true humility is the only antidote to shame.  ❜ ❛  life happens wherever you are, whether you make it or not.  ❜ ❛  the greatest illusion of this world is the illusion of separation. things you think are separate and different are actually one and the same.  ❜ ❛  you stand alone. that has always been your greatest weakness.  ❜ ❛  bad skin? normal teenagers worry about bad skin, i don't have that luxury.  ❜ ❛  in my dream, we were right in the middle of the invasion, and you stopped to use the bathroom. we die because of your tiny bladder.  ❜ ❛  you need to find someone who waits and listens before striking.  ❜ ❛  everyone has to be treated like they're worth giving a chance.  ❜ ❛  i don't need luck, though. i don't want it. i've always had to struggle and fight, and that's made me strong. it's made me who i am.  ❜

[zvtara-was-never-canon]

What did you think of kataras character arc if you exclude all the shipping wars?

Did you like it

I think it's pretty good, and I like her character a lot. I'd say she was the best written female character, and one of the best written characters in general, and that's despite her not being my favorite on either category.

There were a few issues/inconsistencies, namely her going from not being as good as Aang at waterbending then suddenly she's a master, or her stealing from the pirates yet getting on Toph's case for "cheating a cheater", but overall I'd say the show handled her well.

I like that they allowed her to be one the kindest characters, yet don't shy away from making her assertive, proud, strong-willed, stubborn and even mean sometimes (because children be like that) and that is so satisfying to watch, especially compared to bullshit like the Netflix version that is fucking TERRIFIED of giving the characters any flaws, to the point of stripping them of any agency or emotion.

Even her being both a fighter AND a healer ties into that duality. If you mess with her, you're fucked. But if you're nice to her, she'll be nice to you. And if you're in trouble, even if you're are a stranger, she'll help you because she can't wrap her head around the notion of just letting an innocent suffer. And as a bonus she commits ecoterrorism and helps deliver babies. Girly can do anything! How could anyone NOT love her?

We see her compassion ties in with her morals and convictions in MANY episodes (Imprisoned, Jet, The Avatar State, Crossroads of Destiny, The Painted Lady, The Puppet Master, The Southern Raiders, etc) as a result it feels like we really KNOW Katara, to the point that it's super easy for me to forget that she's a character because she's just that believable. I don't see a list of traits or just necessary actions that move the plot forward, I just see Katara being Katara, reacting to and influencing the world around around her.

As for her arc, like I said, I do think it was strange how she went from struggling to do some basic stuff to being able to hold her on in a fight against Pakku so fast, but once the show settled on "This girl be strong as fuck" they made damn sure we didn't forget it and they were smart to tie that in with her being a super inspirational figure (and to also have continue to learn new things even after being considered fit to be the Avatar's official teacher, so it made that incosistency a bit less distracting).

Pakku calls her master and Aang calls her sifu, we see her doing lots of cool moves in fights, and she's powerful enough that Hama's bloodbending doesn't work on her, she literally held up the rain and parted the seas and, oh yeah, she brought the Avatar back to life. No fucking wonder the messiah of this story took one look at her, fell in love immediately, and said the SHE gives HIM hope. It IS pretty difficult to give into despair when you're friend is that awesome, and goddamn, it'd be hard not to simp.

I also love that the show lets her be smart with HOW she uses her powers. Even in the second episode, when she's struggling with her bending and accidentally freezes Sokka instead of their enemies, she's smart enough to think "I just have to do the exact same motion, but to the other direction", she can work with her mistakes. She uses her waterbending to lift up a piece of the floor to defend herself from Mai's knives. She even uses her own sweat as a source of water before meeting Hama and being made to think of "Oh yeah, nearly EVERYTHING has water." Her last battle move in the show even was a mirror to her struggling to freeze her enemies at the start of the series, with her luring Azula to the right spot to freeze them both, unfreeze herself and slowly chain her, showing us how using her powers effortlessly has become second nature to her.

But THE episode that shows us the key role Katara plays in the story is "The Desert." Appa is gone and can't fly them away, Aang is too emotionally distraught by Appa's kidnaping to be of any help, Sokka is high as fuck, Toph can't "see" or use her bending as much because she still struggles to use sand the way she uses Earth, and we know for a fact that Momo doesn't understand a damn thing that's going on. The responsibiliy of keeping everyone together and then getting them out of there fell entirely on her shoulders for that episode, and she handled it like a pro. And at the end, when Aang is going nuts with grief, Katara is the only one not cowering before his power and can bring him back to earth with just one look.

The show could never work without her. The creators even said she's the heart of the story. That's why her voice is the first one we hear in every episode. She introduces the audience to this world and is the one to welcome us back each time. We learn her backstory before we even see Aang, that's how central she is to the plot.

And just like her introduction was handled perfectly, her send off was the same. She is reunited with her dad, who is very proud of her and knows her mom would feel the same way. She has helped save the world, and now she can finally be a kid again. She is free from the war. Free to go home with her family, travel with her friends every now and again for FUN instead of on a mission.

And yes, she's in a relationship now, with the guy she has clearly been in love with for a while. That romance IS one part of her arc and I celebrate it because there's nothing wrong with wanting love. I was cool with it even back when I didn't care for Kataang as a ship and didn't think it'd last - because I already cared about Katara and had seen the literal YEARS of foreshadowing, set up and development for it.

That's why I don't mind it when people ship her with her someone else - but get furious when Zutara shippers claim ALL OF THAT doesn't really count as her being treated with respect, both in universe and by the writers, because she didn't up marrying Zuko and becoming his girlfriend and future wife. Like it was all for nothing unless she kisses an emo boy and/or end up being a ruler, despite never having any interest in ruling anything. Like Katara's character and arc, all that she is, all that she overcame, accomplished and was rewarded with is irrelevant if the romance is not with the "right" guy. ONE part of her arc not being what they would have preferred RUINS her for people COMPLETELY.

And they have the nerve to call themselves "the REAL Katara fans"? What a joke. They can ship whatever they want, but they better put some respect on her name.

[letsgetrowdy43]

From Eden (Rowan’s Version)—

Quinn Hughes x Honey Hughes

I tried a new style of writing, it's a bit more creative writing than normal so tell me if you like it!!

Ro's 1000 follower celly

Au Masterlist!!

"Babe, there's something tragic about you, something so magic about you. Don't you agree? Babe, there's something lonesome about you, something so wholesome about you. Get closer to me?"

Quinn’s draft day had been nerve-racking up until the moment his name was called, relief filling his lungs as the Canuck’s general manager called his name.

Seventh overall, it was a great day to be Quinn Hughes.

As their gazes collided, he was abruptly enveloped in his mother's arms. Yet, the impression of Honey's stare lingered in the back of his mind.

Something about this moment mixed with the way his best friend stared at him with such pride and love had him foggy-brained as he hugged Luke and then Jack quickly.

He made his way through his family members, thanking them and hugging them for everything before he found himself placed in front of her. She stood so prettily in a blue long-sleeve dress that matched his tie, something that Ellen had orchestrated to make their day more special.

A soft blush adorned her cheeks as she chewed on the inside of her plump lips, uncertainty filled her as she searched for the perfect words but was met with a silent cry of happiness as he pulled her into his chest. It was the perfect moment in his eyes. Every important person in his life at his side and the girl he loved most whispered short affirmations of her pride in him into his ear.

In the tender hug that followed, a sigh of pure contentment escaped her lips as his face found comfort nestled in the crook of her neck. "I'm so proud of you, Q," she whispered. Quinn, overwhelmed by the weight of unspoken feelings, could only manage a subtle nod, his voice lost to the emotions building up within him.

Instead, he expressed his gratitude with a kiss pressed against her blushing cheek before slipping his jacket from his shoulders and gently draping it across hers—a silent testament to the warmth that existed not only in fabric but in the shared moments of vulnerability and pride.

Jack looked at her knowingly as she fixed the jacket that sat on her shoulders, his arm wrapping around her shoulder as they along with the rest of the Hughes family and friends watched the oldest walking up to the stage to shake hands with the members of the organization.

Loud cheers erupted through the arena as he slipped the blue and green jersey over his head and onto his frame. A smile found its place on his face as he looked to the photographer in front of him taking his photo before exiting the stage. But not before looking back at the crowd, finding his family, and giving his best friend a little wave before heading toward the media booths.

★★★★

"No tired sighs, no rolling eyes, no irony. No 'who cares', no vacant stares, no time for me."

Honey ran her fingers through her tangled wet hair, the salt water causing the ends to curl. In the radiant embrace of summer, Honey blossomed into a picture of beauty. Quinn thought she was the most beautiful thing to walk this earth.

His heart stammered in his chest as her fingers stopped playing with her hair and moved to his, her fingers fixing the mess of damp hair that sat atop his head. Breath got caught in his throat as her fingers stopped playing with his hair and moved down to fix the dainty gold chain that hung from his neck, a draft gift from Honey's family, that he had yet to take off since she put it on him in late June.

It was now August, meaning that decisions were being made, and Quinn was being pressed into either returning back for his sophomore year at Michigan or moving across the continent to British Columbia to fulfil his dreams.

Quinn found himself standing at a crossroads, where the lines of destiny branched into two possibilities. One path beckoned him toward the path of his future, whispering promises of a professional athletic career. The other held the allure of youth, freedom, and the silent melody of unspoken confessions that he had yet to complete.

Summer's gentle touch adorned her, the radiance of her smile, lingered for mere seconds before a frown wove its way onto her expression. "Have you made a decision yet, about school?" she whispered, the words carrying both curiosity and an awareness of the timing.

She understood that the weight of such a decision wasn't something he wished to face at this moment, yet the curiosity that danced in her eyes revealed the undeniable urge to be in the know.

"I think I'm gonna wait another year, they said it was up to me, and I just think another year would be better for me," he watched as she tried to contain the excitement that was clearly written on her face. "Makes sense," she said in a sad attempt at being straight-faced, which he immediately read through as her grin got the best of her.

"Not that I don't want you to go fulfill your dreams, but I want you by my side for at least one more year, I'm selfish," she said repositioning herself so her head could rest against his shoulder, "I don't know what I would do without you Q" "You'll be just fine Hun, I'm never really gone, just a quick call away," he smiled as she moved momentarily to press a kiss to his sunburnt shoulder.

The awareness stayed in the space between them– Quinn would always be a simple phone call away from a decision that could alter the course of their lives. The potential of the forthcoming adult world loomed, yet there remained a precious promise of one more year. One more year to soak up the unbreakable bond that made them inseparable.

Honey and Quinn adopted a silent vow to make this final year, their sophomore year, an era of memories

★★★★

"Honey, you're familiar like my mirror years ago, idealism sits in prison, and chivalry fell on its sword. Innocence died screaming, Honey, ask me I should know. I slithered here from Eden just to sit outside your door"

In the warmth of his dorm room, Quinn found himself mesmerized by the allure of Honey's kisses. Since the moment their lips first connected, an insatiable hunger had taken residence within him, fueled by her intoxicating adoration.

"I think I'm in love with you," he confessed, the words a tender murmur as Honey laid her head against his bare chest. Soft breaths escaped her lips, creating a gentle rhythm with the beat of their hearts. In the quiet intimacy of their entangled limbs and sheets, she smiled against his skin, a silent acknowledgment of the emotions that words could only begin to express.

Her fingers traced circles on his skin, and she sat up, her gaze meeting his with a soft intensity. "I know I'm in love with you," she declared, her words carrying the weight of certainty, she leaned in to press a less gentle, more passionate kiss to his chapped lips.

★★★★

"Babe, there's something wretched about this, something so precious about this. Where to begin? Babe, there's something broken about this, but I might be hoping about this. Oh, what a sin"

There was something so tragic about being in love with someone who lived so far away.

The ache of longing manifested in her final kiss, a sweet torment as tears welled in her eyes. She desired relief in his arms, her face buried in the curve of his neck as she mumbled about calling whenever he felt. "I swear Quinn, you call whenever you need to talk, even if you think it's something dumb wanna hear about it all," she mumbled as he smiled into the crown of her head. "Thank you, Hun," and with that her fingers gripped the soft cotton of his sweater, and his hands traced comforting patterns across her shoulder blade, a silent reassurance echoing through the tender touch, as they swayed back and forth.

With a heartfelt whisper, words of her adoration for him were followed by sad murmurs about how she would miss him. As he pulled away, the lingering warmth of his lips on her cheek, oblivious to his brothers' groans, left an unforgettable mark. "Thank you for everything Hun," he smiled a genuine expression of love on his face.

With one last squeeze, he began to make his rounds of goodbyes to his family, leaving Honey with a promise. "Go have a good rest of the semester, I'll see you in a few weeks, and then we have all summer together," he affirmed.

As he hugged his little brothers, Honey stood, both anchored and adrift, in the thought of their shared moments, eagerly awaiting the summer.

★★★★

"To the strand a picnic plan for you and me, a rope in hand for your other man to hang from a tree"

"Date night?" Quinn nodded to his brother as he stole a quilt from the hall closet and draped it over his arm, "You're so in love, it's unbecoming," the comment earned Jack a glare as Quinn shoved the blanket into a bag. "That's a really big word for you J," he poked back which gained a laugh from Jack. "I'm just saying, you are fulfilling your dreams and you get the girl, it sounds like it's gonna be your year," Jack teased, savouring the chance to poke fun at his older brother, but instead of pressing any more he left to go and bother Luke instead.

As Jack retreated, Quinn stood there, quilt in hand, fully aware that this was in fact his year.

Honey got his car, the engine humming with potential, a cooler bag of dinner nestled by her feet, as she leaned over the center console, planting a kiss on his cheek.

"Where are we going?" "I don't know," Quinn admitted honestly, his eyes reflecting the spontaneity of the evening, "we could go to the park, or that little clearing outside of town."

His gaze lingered on the girl beside him, her hair woven into loose braids and the bridge of her nose adorned with freckles and a hint of sunburn.

The words "outside of town" escaped her lips like a secret shared between the couple, "It's more private," Honey's whisper hung in the air. Leaning in, she sealed the idea with a passionate kiss, leaving Quinn momentarily breathless.

Quinn, hand now on the wheel, felt a combination of excitement and dizziness. His other hand found its way to her thigh as they set forth on the road to the outskirts of Plymouth.

It was Quinn's year, and he was sooo in love.

★★★★

"Honey, you're familiar like my mirror years ago. Idealism sits in prison, and chivalry fell on its sword. Innocence died screaming, Honey, ask me I should know. I slithered here from Eden just to sit outside your door"

In the quiet embrace of nostalgia, Quinn found himself lost in his old Instagram posts, scrolling through the old captured memories that he hadn't looked through in years. The images that appeared on the screen told tales of life, their life together. Each photo was a snapshot of a chapter he had lived alongside her and were the moments that had sculpted him into the person he would become today.

With baby Maeve cradled in his arms, a symbol of the present and the future, Quinn's heart warmed at the stark contrast between then and now. Fifteen years had woven into a prosperous life of experiences, and as he looked up from his phone, he saw the picture-perfect scene unfolding before him. His wife, snug on the couch, sharing a bowl of popcorn and M&M's with their other two children as they watched old Disney movies

In this snapshot of domestic bliss, Quinn realized just how full of love his life had been. Quinn's heart swelled with an appreciation for the present— Honey and their babies were his everything, and in that quiet living room, surrounded by their shared history, Quinn cherished the beauty of his life.

-

-

-

[zuko-always-lies]

Every Single Time Azula Insults or Criticizes Zuko

"The Avatar State":

Zuko:[Angrily.] What are you doing here?

Azula: [Holds up a shell in her hand.] In my country, we exchange a pleasant hello before asking questions. [Rises and walks toward Zuko and Iroh.] Have you become uncivilized so soon, Zuzu?

2.

Azula: You know, Father blames Uncle for the loss of the North Pole. And he considers you a miserable failure for not finding the Avatar! [Cuts to Zuko, who is panting heavily.] Why would he want you back home, except to lock you up [Cuts back to Azula.] where you can no longer embarrass him?

"Zuko Alone":

1.

Young Azula: You waste all your time playing with knives. You're not even good!

2.

Young Azula: [Sits back down, and looks at Zuko out of the corner of her eye and whispers.] You'll never catch up …

"The Chase":

Azula: [Coolly.] You mean you haven't guessed? You don't see the family resemblance? Here's a hint. [Covers her eye and deepens her voice, imitating Zuko.] I must find the Avatar to restore my honor! [Aang remains silent; back in her normal voice.] It's okay, you can laugh. It's funny.

"The Crossroads of Destiny":

Azula: You're so dramatic. What? Are you going to challenge me to an Agni Kai?

"The Beach"

Zuko:[Cut to closer view of Zuko and Mai. Angrily.] Doing nothing is a waste of time. [Rises from his seat next to Mai.] We're being sent away on a forced vacation. [Walks over and grips the railing of the boat.] I feel like a child. Azula:[Frontal view.] Lighten up. So Dad wants to meet with his advisors alone, without anyone else around. Don't take it personally.

2.

Zuko:[Frontal view from behind the girls. Losing it now; furiously.] I'm angry at myself!Slamming down with his clenched fists he causes the camp fire to turn into a pillar of fire, the girls recoil from the flames. Cut to close-up view from above of Zuko. Cut to a wide-view of the entire campsite as the flame dies down. Zuko turns away. Azula: Why? Zuko[Close-up.] Because I'm confused. Because I'm not sure I know the difference between right and wrong anymore. Azula: You're pathetic.

"The Avatar and the Firelord"

1.

Azula: It's never too early for a sitting with the court painter, Zuko. Make sure he gets your good side.

2.

Zuko: But how did he die? Azula: [Turning toward Zuko.] Didn't you pay any attention in school, Zuko? He died peacefully, in his sleep. [Cut to a shot of the full room, as Azula walks away.] He was ancient.

"Nightmares and Daydreams"

Azula: Hello, Zuzu. If you've come for a royal hair-combing, I'm afraid you'll have to wait. Zuko: So I guess there's a big war meeting coming up, huh? And apparently I'm not welcome there. Azula: What do you mean? Of course you're welcome there! Zuko: Oh, yeah?! I guess that's why no one bothered to tell me about it! Azula: Oh, Zuko. Don't be so dramatic. I'm certain Dad wants you there. You probably just weren't invited because it's so obvious you're supposed to be there. Zuko: Well, were you invited? Azula: Of course! I'm the princess. Zuko: And I'm the prince! Azula: Exactly, so stop acting like a paranoid child! Just go to the meeting.

"Sozin's Comet Part III":

Zuko: Sorry, but you're not gonna become Fire Lord today. [Jumps off Appa.] I am. Azula: [Laughs.] You're hilarious.

The most consistent things she criticizes him for are being too "dramatic" and immature.

[zukosdualdao]

i’ve sometimes seen the idea that azula cheating in the agni kai by aiming at katara is supposed to show how far she’s fallen and how lost she is because she wouldn’t have cheated before, but that just… does not ring true to me.

i think this idea comes from her characterization of trying to live up to perfection, but i think it’s important to remember she’s functioning under ozai’s definition of perfection, a guy who infamously colluded with his wife to kill his father so that he could be firelord. i don’t get the particular sense he cares how, exactly, azula carries out the goals he’s set for her, as long as she accomplishes them.

and a lot of really prominent azula scenes turn on the axis of her being exactly this underhanded. in the avatar state, she tries to manipulate iroh and zuko into coming home under false pretenses, when she really means to arrest them. in bitter work, seeing she’s outnumbered, she makes a false surrender so that her opponents will hesitate/back down and then attacks iroh when they do. in the crossroads of destiny, she strikes aang with lightning from behind while he’s in the avatar state. in the awakening, she lies that zuko killed aang because she wants an insurance policy she won’t be blamed on a hunch he might be alive.

whether or not these break official rules of combat or acceptable legal/social behavior in-universe, i think it’s hard to deny that these actions form a pattern that showcases azula as someone not concerned with integrity or ideological fairness in such situations.

azula is a fascinating character, and her breakdown in sozin’s comet is tragic. but it’s not because she’s acting out of character; if anything, it’s because she’s falling back on old patterns despite her hallucination of her mother (and therefore her own subconscious) trying to warn her that using fear to control people isn’t truly viable. but that means her entire concept of the world is wrong, so she doubles down and shoots for katara, a noncombatant in this fight, having seen zuko agree to an agni kai in the hopes she wouldn’t get hurt and thus understanding he fears that and will make sure the lightning never reaches her. azula doesn’t care how she wins because it’s never mattered how she wins, as long as she does. but with katara defeating her and ozai’s impending downfall, it’s about to matter a lot more.

[likealittleheartbeat]

hey! i really enjoy your analysis of aang and zuko's relationship, and i was just wondering if you have any thoughts on this:

when aang considers what he's afraid of the most, he doesn't just see zuko - he sees the blue spirit. why do you think his fear is linked to that mask? zuko was the most amicable towards him when he put that mask on, and was hostile every other time.

Ooooh!! This is such a rich and meaty question!! And it's something I've wondered about but never dove into before.

I guess there are a couple of questions we need to explore. One, do we want to begin to analyze this from Aang's perspective or the series' themes, which, when put together, should offer us the fullest idea of what the intent might be? If we begin with Aang's perspective, then the next question we need to next ask what is Aang's view of Zuko and/or the Blue Spirit at this point in the narrative? My worry about beginning at that intimate level is that we might miss possible connections that a thematic understanding might facilitate and may, like many fandom analyses, leave it at a character level when, in fact, the characters exist to serve larger philosophical purposes, especially in a show like ATLA.

So, we'll return to those questions about Aang after we visit some questions about the broader themes here. We know for a fact that the team did a lot of research into Eastern philosophies that they had to then pack down into 24 minute episodes, preserving a surprising amount of complexity not in the words but in the actions and visuals. The 2 part Crossroads of Destiny episode is probably the most evocative of this practice. The four-way fight scene is celebrated for the way it masterfully shows character development through fight choreography. Then, Aang's crystal chamber he forms to master the Avatar State is a direct reference to a statement about pre-enlightenment in one of the foundational texts about Japanese Zen for American Buddhists, "The Three Pillars of Zen." The rapid explanations of the seven chakras with Guru Pathik might seem like a a skimming of Tantric beliefs based on the brief statements and processing, but it's another prime example the way ATLA suffuses meaning beyond the script.

What more can be said about the Earth (also called the Root or Muladhara) Chakra, then, that the show might reflect without stating it explicitly. Guru Pathik explains that the Earth Chakra "deals with survival." Is there any subject more prescient than that for our protagonist, the single survivor of an otherwise all-encompassing genocide? Other accounts of this chakra that I can find explain that it's at this chakra that one can observe that their base needs are being met--enough food, enough water, etc. There seems to be a subtle witnessing to the effects of PTSD here then. With this chakra untouched, unopened, and out of balance, Aang within his mind has been living in a state of emergency without knowing it, believing himself at a core level beyond his consciousness to still be under immediate threat even in moments of peace like his meditations throughout the opening of his chakras. "Your vision is not real," Guru Pathik points out, not to say that no danger exists for him in the world but to illuminate the immediate reality surrounding his person.

The memories and visions that flash during the sequence hint at how fear conceals deeper realities and thus possibilities. I'll start with the clip of Katara sinking away from the first episode of Book 2, "The Avatar State." The Earth Kingdom General performed this cruelty after many other attempts to force Aang into suffering to gain the Avatar State. Believing he lost another person he loved, the state was triggered despite the actuality that Katara was unharmed. The fear of her loss overwhelmed Aang, and even her safe return could not assuage his traumatic response. The Blue Spirit incident forms a striking parallel to this event, in that case. Aang felt himself helpless and in danger only to discover the opposite: the seemingly malevolent force freed him from danger. Further, that Blue Spirit Mask concealed Zuko who, by the end of the series, will be revealed (to himself and) Aang as an ally and a friend. The shadowy image of Ozai, then, connected with these two fear-inducing semblances, can be seen then as perhaps the ultimate foreshadowing of Aang's ultimate success in pacifying Ozai. Put in the context of this chakra and the other two visions, it frames the Firelord as a facade meant to induce terror and distance, when in reality, life and humanity still lay behind the horrifying megalomania.

Concerning the Blue Spirit element specifically in the series, I want to explore one more factor within the series before getting back to Aang's character relationship in this moment. Blue has a running symbolic theme within the series that seems especially relevant here since it played a huge role in a highly symbolic part of the directly previous episode, "The Earth King." As Zuko rides out his psychogenic fever induced by releasing Aang's bison and abandoning his Blue Spirit mask, he is confronted in his dreams by a blue dragon voiced by Azula and a red dragon voiced by Iroh. I felt really confused by these two would-be shoulder angels for the longest time (literally until I was sorting my thoughts out to write this) because Azula's blue dragon is the one who entreats Zuko to rest, which even in Grey Delisle/Azula's clearly threatening tone--she even ends the temptation by saying "sleep just like mother!"--seemed to be what Zuko needed to do as opposed to the red dragon's exhortations to get out. I could see how sleeping might also refer to accepting his upbringing without thought, but why blue? The layers upon layers of possible meaning overwhelmed me.

I posit that blue in the series, especially when put in relationship to red/orange, as it is in the dream sequence, the dynamic between the water tribe and the fire nation, the fire of zuko and azula (especially the final agni kai), and the energy-bending of Aang over Ozai in the finale, ought to be read as Yin (making red/orange yang). Yin is passive, retractive, and receptive, which makes the invitation to rest by a blue dragon make perfect sense. Yin is also feminine in nature, hence the association with both Azula (whose blue fire and lightning becomes especially interesting to explore under this understanding) and Zuko's mother in the dualistic dragon dream. If you know anything about yin and yang, you know that it's key tenet is ever-changing coordination of yin and yang within one entity and with relationships between entities rather than the privileging of one above another. The two dragons in Zuko's dream, while seemingly in opposition to one another, are actually seeking, like the bumper stickers say, "coexistence" of their dispositions.

Now, back to Aang's vision of fear over the Blue Spirit. The red that overlays everything is specifically a reference to the Earth Chakra, which is symbolized by the color red. But the fact that he has one fear of Katara, the pinnacle of blueness/yin in the series, dying, and another fear of the Blue Spirit, a de-flamed (read: emasculated) Zuko attacking him that are then overlayed by this Earth Chakra red, a color otherwise used to portray yang (masculinity, activeness, expansion, and repulsion) and the fire nation in the series, suggests that his fears are specifically about within holding onto yin nature (symbolized by his grasping for a disappearing Katara) without being entirely overwhelmed by it (in the image of the fear he felt as the Blue Spirit approached his imprisoned body). And all those fears are intensified when living in such a patriarchal, or yang-skewed age and society, which gets depicted through both the final image of Ozai, the ultimate patriarch within this world, and the red coloring.

I promised I would get back to the characters, and after that hopefully illuminating thematic expansion, we can hopefully get at the core of what's going on here for Aang personally and what it might mean for him to be picturing Zuko with the Blue Spirit mask as a fear. I want to put this moment into context with Aang and Zuko's relationship at this specific moment. Aang hasn't seen Zuko since he watched him cry over his uncle in the ghost town after Azula struck him with lightning as a diversion. That was ten episodes prior (and more than 6 months time if you were watching the show in real time as it premiered; May 26th-Dec. 1st). The next time Aang sees Zuko, two episodes later, they are glowering across a crystal prison cell at one another with antipathy as they're embraced (a gesture I can only remember from the fantastic black romance film Love & Basketball, and in a gay context that is clearly referencing that moment in L&B, in the Norwegian teen romance series Skam). Right before this scene, Aang readily agrees to co-rescue Zuko and Katara with Uncle Iroh despite Sokka's protestations. Nothing seems amiss with Aang, no obvious belligerence toward Zuko until he sees him. Zuko has barely seen the airbender this whole season, and the one moment they encountered one another, Zuko was attacking Aang's attacker rather than him. Why is Aang expressing anger toward Zuko in the crystal chamber then? It's a rare expression from Aang even when we look at their more antagonistic interactions from the first season.

Here's where this vision of the blue spirit Aang envisions as he opens his earth chakra might enliven his characterization and his relationship to Zuko. We get two pieces here. His attachment to Katara and the queer implications of his partnership with the Blue Spirit/Zuko. And they are inseparable.

I don't feel that I need to especially dive into the attachment to Katara since it's been a pretty big component of discourse within the fandom, both in general analysis and more specifically relating to the (literally historic) shipping wars between zutara and kataang that emerged after the series came out originally. What I'll say here is that the first vision that Aang has as he addresses his root chakra points to his fear of losing her and what she represents pretty explicitly and, as I suggested earlier, also provides its antidote in the realization that accepting/surrendering the fear of impermanence reveals its simultaneous illusion. Katara wasn't actually harmed and wasn't truly lost when the general subsumed her into the ground. Aang has to let go of her as a permanent fixture that he'll always be able to see and know entirely (not, as many have interpreted it, let go of loving her). He'll also have to let go of saving her and the world of so many others she represents, which is as much a pressure and role Katara and others put on him as Aang yolks himself to.

Part of this acknowledgement of Katara's impermanence as a living being and a romantic possibility is addressing the others in her life who pose both danger and attraction for her. Zuko embodies both of these things simultaneously. The aggressive stare Aang launches at Zuko in "The Crossroads of Destiny" can be understood through this lens. The Eve Sedgwick's concept of the triangulation of male homosocial desire between romantic rivals was one of the foundational ideas of queer theory. It's so well-established as to be a meme among the tumblr crowd. The show even references the history of these literary homosocial tropes in "The Avatar and the Firelord" as Sozin and Roku's tight-knit youthful friendship is slowly rent apart at the event of Roku's heterosexual marriage, which thus begins the imperialism of the Fire nation.

Except that Roku and Sozin aren't romantic rivals. And Zuko's obsession with Aang begins sans Katara. And, as you pointed out, if the romantic threat is Zuko, it ought to be Zuko in the Earth Chakra vision instead of the Blue Spirit? Well, those all exist because ATLA is not a tragedy for homosocial relationships, and it's hard for me to explain how groundbreaking that was.

You see, the show theorizes homosociality differently. If Aang is required to let go of Katara, he has no pivot point, no object (because women shouldn't be objects for male fodder!) to connect with and compete with a rival male, so he has to look directly at the desire of another male for him and, therefore, face the fears that he might have similar desires. I said above that the Blue Spirit is an entirely de-flamed Zuko, which I then paralleled to emasculation. One could even go farther to call it a kind of symbolic castration (Firelord Ozai losing his firebending at the end of the series certainly demands this kind of reading). These aspects ignite fears about lacking masculinity which then cause reactions, which make men avoid accepting any thoughts and behaviors associated with vulnerability and homosexuality invoked within themselves or by others.

I think Aang, in his way, is confronting these fears but not from the angle of someone raised within a homophobic or misogynistic culture. His openness to Zuko and the potential of connection to him is ripe from the first time they meet--"you're just a teenager" connects them without any intermediary. He comes to understand the rigidness of the environment he's in, though. He feels like he's being forced to choose between a yang/masculine role he plays with Katara, who at this point in the series though growing out of it and certainly not a fault of her own making still sees him as her savior and depends on him to save her and the world through metaphysical mastery and the repulsion of evil, and yin/feminine role he plays with Zuko, who finds Aang in and forces him into positions of elusion, surrender, and passivity, while requiring his compassion and forgiveness. When the Blue Spirit comes swinging his swords (read that with all the innuendos you want lol) at a shackled Aang, it's the ultimate expression of Aang's potential for submissiveness because, not only is he entirely helpless but the one who could harm or save him in that scenario is another who is not participating in the expected power of fire/yang/masculinity.

I think everything in the show says this is attractive to Aang--that he remains with Zuko immediately after their escape from the fort, that he reflects on the Blue Spirit as he opens his chakras, that a reference to the conversation that followed their escape that Zuko makes halts him in his tracks when Zuko asks to join the team. Zuko's Blue Spirit persona means a lot to Aang, a scary amount, and my point is that it's this fear of the meaningfulness of their encounter as two men who are not the masculine paragons they are supposed to be which Aang faces as he opens his chakra. As much as he wants Katara, he wants Zuko. He fears he'll lose Katara and he fears he'll lose his life to Zuko. These are the dichotomies he's tackling as he processes the Earth chakra.

Aang eventually opens the chakra, but that's only to say he acknowledges and surrenders his fears to a destiny and understanding beyond his control, not that he necessarily learns how to address and solve all the conundrums contained therein. We know he chooses his attachment to Katara at the end of the episode to obtain power over the Avatar state but perhaps we could've been clued into this choice by noticing he has not chosen Zuko with that initial glare Aang gives him. Aang hasn't found a way in his chakras or his heart to hold both Katara and Zuko at once, so he chooses Katara and expresses a newfound jealousy and rivalry toward Zuko (not that Zuko's at his best behavior at this point, but it's Aang who initiates the exchange).

By the end of this season, Zuko abandons the Blue Spirit mask and Aang loses his life for prioritizing Katara and a yang-centric mastery of the Avatar state. The next season involves all three of the protagonists finding more internal balance between yin and yang for themselves and accepting mutually reciprocal feelings for one another that allow them to escape the kinds of patriarchal tropes that have dominated Anglo- literature for centuries. The ability of this brief sequence to highlight so many of the series' central revolutionary themes speaks to the depth of the show and the way it invites the audience to think about rich subtext rather than pedantically hammer us with morals will just continue to be the gift that keeps giving from this show.

Thanks so much for asking! Didn't know how much I missed doing a deep dive into this kind of stuff.