#i mean not really but just in case. but like the implication is there. and idk if it's on purpose but. like idk.

[twst-drabbles]

Jamil 17

Summary: You and Jamil lay in his bed in his dorm room. While you’re very tired, you’re visibly not bothered by the social implications of being in the bed of another. Jamil, on the other hand, is a little too aware.

(I saw the birthday card and went “eh, why not?” and wrote this.)

Was this something common in your world? Where, out of nowhere, people will just casually ask their friends if they can sleep with them in their bed? Because that’s what you did to Jamil. You approached him, luckily out of earshot from anyone important, and asked that very question with zero shame.

“Hey Jamil? Mind if I sleep with you in your bed tonight?”

Jamil will admit, it took him a good five seconds for him to register the words. And, he will also admit that he banged his knee against the table he was cleaning. Hit it so hard actually that he curled up into a ball, and practically retreated into his hoodie because why would you ask that?! In broad daylight?!

But you know what’s the worst part about all this? Jamil actually got excited. Giddy even! When the hot flush flooding through his body finally settled, all that was left was this glowing feeling.

At the time, he thought that his charms have finally got to you. That all his efforts to be in your good graces have begun to bear fruit.

And so he said, “You know what? Yes, let’s do that. Setting aside the way you asked that, I think I can find it in my heart to forgive that.”

Past him’s an idiot. For all those times he thought himself above the hormonal college students, turns out Jamil was no better. He supposed it was only a matter of time before he was humbled.

And so here Jamil lays on his side of the bed, dressed in his best pajamas, surrounded by the best sheets and pillows he uses for special occasions, and you laying on your stomach, reading the next chapter for one of your classes.

You came in with a tired wave, bag at hand, and flopped over in his bed. And you’ve been in that pose since.

“So, this was what you meant.” Jamil said. Now that his judgment is clear again after an hour of doing nothing, he really should’ve known you didn’t mean anything special by what you asked. Shame on him for expecting an extra meaning to them.

“Hmm? Oh, was the way I asked weird?” You glanced towards him. Jamil recognizes that exhausted look weighing in your eyes. Perhaps, through the rose-tinted glasses, Jamil didn’t notice. Once again, shame on him. Jamil should suffocate himself with these pillows. “Sorry about that. I just really want one good night of sleep. Just one.”

The urge to hit himself with the pillows lessened. Jamil moved onto his stomach, and copied your position, propping his chin on the pile. “Is there something wrong with your bed?”

You put your phone down. “Weather’s getting hotter and I still don’t have a working air con. It gets so humid at night that I sweat through the night. Can barely get more than three hours of sleep at a time.”

…of course the headmage would neglect to give you something as simple as a stable heating and cooling. Leave it to him to ignore your problems while he goes off doing whatever else. Probably binge watching an old drama that’s not even any good.

“I can’t imagine it’s been easy to deal with. Though, I have to ask, why my bed? You have others that you’re closer to, don’t you?”

Others such as Ace and Deuce, but Jamil didn’t want to say their names. It’s childish but he doesn’t want to see if your eyes light up at their mere mention.

You stretched your spine and settled down. “Yeah I know other people, but–how do I say this–they’ll make it weird.”

Weird? Like how Jamil preparing everything from the lights, to the blankets and even stuffing his drawer with extra wipes just in case wasn’t weird? What?

“Wait, what you mean by weird?” Now Jamil’s worried. Did something happen for you to say that? Did someone do something to you?

You waved off his concern. “Well, see, originally I was just going to ask Rook since he doesn’t mind sharing spaces with anyone, but he’s also very into cuddling and I’m not in the mood for that.”

“That’s true, he’s very open about that kind of thin–wait you cuddled him before?” Since when?

“Cuddled him plenty of times. Rook gives the best hugs without trying to flirt with me. Anyways, Rook wasn’t an option, and neither are Ace and Deuce since there’s no room to spare. There was Leona but after that whole ordeal with Azul, I really don’t want to go back there. And as for asking Azul himself… I feel like he’d charge me for that. So, here I am.”

Oh. Well, when putting it like that, it does make sense doesn’t it? So long as you don’t figure out exactly what went through his head when you asked. He’ll just keep quiet about that.

Jamil sighed into his pillow. “While I want to ask why you didn’t ask Kalim, but I know him too well. A peaceful rest isn’t something he can give, not with the way he sleeps.”

You patted his shoulder and it took everything in Jamil to not jump out of his skin. “You get it. So, yeah, thanks Jamil, for not saying no. Honestly, I was ready to find an empty classroom and just sleeping in there.”

Jamil narrowed his eyes. “Don’t do that. You’ll get in trouble. Just sleep here for the time being. When I have time, I’ll see about pestering Crowley into getting everything in order.”

“You do too much for me, Jamil. Really.”

While things didn’t play out the way he wanted to, the warmth flooding in his chest has not once went away. If anything, from the sight of your smile, it threatened to overflow.

This is nice, that you trust him like this.

“…alright, this is still bothering me. How did you and Rook even start cuddling in the first place?”

And can he add himself onto that list of people you cuddle with?

“Hahaha, yeah that is strange, right? Alright, may as well tell you.”

[saltywinteradult]

How is Dany is abusive to Jon?

Honest question, I’ve never given it a thought

I'm sorry this took me so long, anon, and I am really sorry for how long this post got. I had a lot of thoughts on this.

Before we begin, I'd like to point you to this compilation of Jon's reactions to Dany, which hardly paints a picture of a man who is happy and in love, as well as this post and this gifset, both pointing out the parallels between Jon's relationship with Dany and Sansa's relationship with Littlefinger, the latter being a relationship I hope most people can agree is abusive.

It's absolutely crucial to remember that in this relationship, Dany is the person with the power. She is the one with the dragons and the biggest army, and she is willing to both use and abuse that power to get her way.

Furthermore, Dany wants the North's loyalty, but the North needs her help. (The fact that it's Dany's duty as well as in her own best interest to help fight the Others is a different discussion; she doesn't seem to understand this anyway.) She has agreed to grant that help, but she could easily withdraw it if she chooses. She has more power than literally anyone else and there's simply no escaping that power imbalance - it permeates every single interaction Dany has with Jon and all the other Northerners for all of s7 and the first half of s8.

I want you to remember how Dany treats Jon on Dragonstone. His weapons and his boat are taken away immediately upon his arrival. She says Jon is "not yet" her prisoner, but 1) that line very clearly implies that she could make him her prisoner if she chooses to, and 2) how much does it really matter that Jon is "not yet" her prisoner when she's already taken away his means of defending himself or leaving the island? Remember how she later tells him "I haven't given you permission to leave." Girl, what happened to Jon not being your prisoner?

I think it's also very telling that Dany never once addresses Jon by his proper title of King in the North, even before he bends the knee. As you may recall, Dany cares a great deal about titles. She never grants Jon the same respect she demands for herself, and she likes to remind Jon that she is his Queen even during a supposedly intimate, romantic scene.

(Gif by yocalio via gameofthronesdaily)

Earlier in this scene, Dany pointed out that they could stay here in this secluded spot, away from the kingdom and its politics, and no one would find them. Yet even here, away from the rest of the world, she makes a point of referring to herself as "your Queen".

I point all of this out to illustrate that from the very beginning and throughout their relationship, Dany views Jon as a subordinate, not an equal. That is very much not a good foundation for a healthy and equal romantic relationship. Her constant expectation is that Jon will submit, obey, give things up to benefit her, and ensure that the people he has power over act the way she wants.

Case in point:

"Your sister doesn't like me. [...] She doesn't need to be my friend, but I am her Queen. If she can't respect me..."

The implication is that Sansa is doing something wrong by not liking or respecting Dany (meaning "not acting deferential enough for Dany's taste"). The fact that Dany is saying this to Jon and not to Sansa herself implies that it's Jon's responsibility to ensure that Sansa behaves acceptably. "If she can't respect me..." Then what? What exactly is she implying will be the consequences? That their romantic relationship will end? Something worse?

At this point, the North has bent the knee to Dany. As their monarch this is not an entirely unreasonable thing to ask of her subjects - but it's not a very reasonable thing for a girlfriend to ask of her boyfriend, is it? The line between Jon and Dany's political relationship as monarch and subject and their personal relationship as girlfriend and boyfriend isn't just blurred, it's practically nonexistent. To state the obvious, there is a reason we decided that absolute monarchies are bad here in the real world. There is also a reason why a boss dating a subordinate is frowned upon in the real world. Big power imbalances are a bad idea in general and in romantic relationships especially. They should at the very least be considered and navigated carefully. Dany not only fails to do so; she is only happy with her and Jon's relationship when she has power over him.

For proof, let's look at how she reacts when that power imbalance is upended by the revelation of Jon's true identity:

This revelation is a bombshell for Jon. Everything he thought he knew about his own origins turns out to be untrue. However, Dany's first and only thought is how this affects her. Her first reaction is denial and scepticism; the second is to turn cold as soon as she realises that this makes Jon a threat to her ambitions.

There's also this line:

"A secret no one in the world knew, except your brother and your best friend. Doesn't seem strange to you?"

Which implies... What, exactly? That Sam and Bran made this up? Why? Just like with Sansa in the previous scene, we see Dany questioning the actions and intentions of Jon's loved ones. Remember that.

Things escalate in episode 4:

Dany is faced with the notion that Jon might hold more political power than she thought, that they might actually be on somewhat equal footing, and this makes her unhappy.

"I want it to be the way it was between us."

Her desire is to continue their sexual relationship and to return to the previous status quo where she held more power than him and therefore didn't consider him a threat. Jon having a stronger claim to the throne than her threatens Dany's sense of her own identity and purpose, and she reacts by trying to deny and suppress this reality:

"You can say nothing, to anyone, ever! Swear your brother and Samwell Tarly to secrecy and tell no one else! Or it will take on a life of its own and you won't be able to control it or what it does to people!"

(Imagine this with the genders reversed. Yikes.)

Dany is demanding Jon keep his own identity secret from his own family. That's not a reasonable thing to ask of a person you love. Not for one second does she show any consideration for how Jon might feel or what Jon might want. It's all about her. Her expectation is that Jon suppress his own identity, his own reality, to benefit Dany's ambitions. Never once does it seem to occur to Dany that what Jon does with this secret is up to him to decide, not her. His agency is of no concern to her.

Jon: I have to tell Sansa and Arya. Dany: Sansa will want to see me gone and you on the Iron Throne. [...] She's not the girl you grew up with. Not after what she's seen, not after what they've done to her. [...] Jon: They're my family. We can live together. Dany: We can. I've just told you how.

Here we are again with Dany questioning the motives and agendas of Jon's loved ones. Now she's no longer implying but outright stating that they're working against her. What we have here is a pattern of Dany implying that Jon's loved ones are up to no good and can't be trusted. I don't need to explain why that is a dangerous and manipulative thing to do to one's partner, right?

I also want you to pay extra attention to how Emilia delivers that final line. Throughout the whole scene Dany is distraught and desperate, but at this point she turns cold and closed off with an unmistakable anger that Jon won't agree to do as she demands. It is very hard not to read a threatening undertone into that line. "Keep it secret, or else."

Before we move on to episode 5, I'd like to highlight this line, spoken by Dany to Tyrion and Varys in episode 4:

"Speaking to Cersei will not prevent a slaughter. But perhaps it's good the people see that Daenerys Stormborn made every effort to avoid bloodshed, and Cersei Lannister refused. They should know whom to blame when the sky falls down upon them."

Let's be clear on one thing here: Cersei could choose to back down and surrender to avoid bloodshed - but, and I cannot stress this enough, so could Dany. Cersei and Dany are both being selfish and power-hungry by refusing to give up the throne in order to avoid bloodshed. But to admit that would ruin Dany's deeply rooted self-image as morally superior to her enemies. So what does she do instead? She deflects blame. She's the one with the dragons, but if she makes the sky fall down on people, as she puts it, it's not her fault. Keep that in mind.

Now for the absolute low point:

"What did I say would happen if you told your sister? [...] She betrayed your trust. She killed Varys as much as I did. This was a victory for her. Now she knows what happens when people hear the truth about you."

Okay. Varys was conspiring against Dany, which he could've chosen not to do; I guess Dany was within her rights to punish him. She still could've chosen to imprison him, or at least give him a trial. Nobody made her kill him. But as we've just seen, Dany doesn't like to accept responsibility for her own decisions. She'd rather deflect the blame onto the people who displease her.

What's more, she's not just blaming Sansa for Varys's death but Jon as well, for telling Sansa the secret in the first place - which Jon was well within his rights to do! He never agreed not to tell anyone. That wasn't up to Dany to decide in the first place. Jon did what he wanted to do and not what she wanted him to do, so now everything Dany does as a result of Jon's actions is Jon's fault? Do I even need to explain how shitty this is?

"Far more people in Westeros love you than love me. I don't have love here. I only have fear."

This is entirely true. She never stops to think about why Jon is more beloved in Westeros than she is, but whatever. What's important is that after this, Dany initiates a kiss and Jon rebuffs her.

(Gifs from snowsource)

"Alright then. Let it be fear."

Again, what exactly do we think she's implying here? Remember the context. During this conversation, Jon already told her "you will always be my queen". He hasn't rejected her as his queen (which at this point he damn well should), he's just rejecting her sexual advances. And yet, Dany's reaction to his personal rejection of her is to embrace "fear", which again refers to how all of Westeros sees her, not just Jon. Dany already deflected blame for her previous actions onto people who displeased her including Jon, and now she's deflecting the blame for her future actions in the same way. And we all know what she did after this, don't we? I don't know how the line "let it be fear" can mean anything other than "you rejected me and that's why I'm going to embrace being feared, so whatever I do now in the name of being feared is really your fault. Look what you made me do." If that isn't abuse, I don't know what is.

[hyun3hk3y]

Symbolism in "Portrait of Lady Edelgard Von Hresvelg"

This is something that I’ve usually never really felt comfortable doing. If you ever wonder why some artists are a bit more reluctant to actually *talk* about the “meaning” of their work, its because it strikes the same tenor as having to explain why a joke is funny.  If I have to actually lay it out for the viewer why certain decisions were made in the execution of a work of art, the magic of the whole experience may be lost.  Moreover, many artists avoid making definitive statements on their work because they do not wish to deprive viewers the opportunity to derive their own unique explanation. 

While I chiefly view myself as a fine artist, most of my artistic training was as an illustrator.  As an artist, this can lead to an interesting dichotomy when it comes to creating paintings.  During my studies, I was told that the job of an illustrator is to solve pictorial problems for people often by making pictures that tell a story or convey an idea.  Fine art’s definition, in contrast, tends to be more nebulous.  But I digress, on to the painting…

A number of people on reddit and Tumblr have remarked on the candle with the snuffed-out flame.  No interpretations on it have been offered, the mere presence of a candle with a smoldering wick is a strong enough implication.  However, this is one instance where I drew inspiration from art history so I believe it is worth elaborating on.  The animus for the candle originates in the Arnolfini Portrait by Jan Van Eyck.  Below is an image of the painting with the pertinent candle circled.

Art history scholars have a number of different readings about the candle’s presence, but the one I was taught in Art History is that the lit candle indicates the presence of the holy ghost or the watchful eye of God.  Three Houses draws from a number of religions for its world building, in the case of The Church of Serios, the developers took the majority of their cues from The Catholic Church.  If a lit candle would suggest Edelgard’s faith in the Goddess, then an extinguished one must imply Edelgard’s *loss* of faith. 

In addition to the extinguished candle, I would also like to direct viewers to the reflection of the candle in the polished wood table surface. In the reflection the candle is still burning very brightly, almost down to the base of the candelabra.

The purpose of this image is to recall a saying from old Taoism Philosophy in China: “The candle that burns twice as bright burns half as long.”  Those who are familiar with Edelgard’s back story in Three Houses will find its relevance obvious.  I doubt I am the only one to make the allusion.

This brings me to the next major piece of symbolism I employed in the painting, the dagger and the drapery on the table.  The dagger’s significance should go without saying, but its application as a device will become more apparent after I explain the table cloth.  To put it succinctly, the majority of the dark shadow shapes made by the tablecloth are arranged to evoke the shape of the crest of flames.  Below is another visual to help illuminate this detail. 

The immediate implication here is the detail of Edelgard possessing the crest of flames.  As for why I decided to depict it in a more concealed way…When I first got the idea for this painting, the whole concept was that if a person saw this painting in a gallery, they would be looking at an actual artifact from Fodlan, one that created by an artist who actually lived there.  This is why the second row of the inscription reads “In the Imperial Year” on the left side and “1179” on the right.  This means the painting would have been completed just before Edelgard starts attending Gareg Mach, and long before the greater public would know she has the crest of flames.  How the artist came to know this would remain a mystery.  I like to imagine it as a detail that Fodlan’s historians would debate over for years after the game’s narrative.

There is also a second message that I have intended with the dagger’s placement cutting (heh) across the crest…Gripping the dagger over the crest of flames is a statement about what the path is that Edelgard will take, especially when the crest is examined as representing the Goddess Sothis.  In fact, there are two (technically three) lines of dialogue from Three Houses I had in mind for this symbolism.

That about sums it up!  I may do a couple more posts in the future where I show how the painting evolved from thumbnails, to studies to the finished image if theres interest in that sort of thing.

[lord-squiggletits]

Okay another instance of "fuck canon" that's not just Pharma-related, but Ambulon related. I keep thinking of Luna-1 where Ambulon called Pharma "Doctor DJD" and I feel like that's such a total "he would not fucking say that" moment. Obv JRO controls the characterization so what's in the comics is canon/right, I just think that it doesn't make sense for someone in Ambulon's position with his backstory to be that petty towards Pharma?

Ambulon's a Decepticon traitor, he's on the DJD's List. Moreover, he's stationed on Messatine which is the DJD's home planet and is (was?) still an active battle front until very recently.

Proof that Messatine being the DJD's territory is common knowledge: not only First Aid, who's stationed at Delphi, but also at least three Autobots on the Lost Light, know that the DJD make Messatine their home. And this is long before Pharma does his monologue to Ratchet about his t-cog blackmail with Tarn.

Proof that Delphi/the nucleon mines were in an active warzone at least until Pharma started his plague: Pharma wouldn't have had any t-cogs to harvest if there wasn't a continuous stream of soldiers/war-dead coming in to use as his supply.

So then, Ambulon knew fully well that he and all of the rest of them were right next to the DJD's home base, and as an ex-Decepticon he knows he would be on the list. Probably not very high on the list, since Ambulon was a mere MTO who got turned into a failed combiner experiment, but he IS on the list; just because the DJD only proceed through the list in order of importance, doesn't mean that Ambulon wouldn't know that they'd come for him eventually.

And this is a really fucking neat idea to play around with! We don't ever get a canon/explicit explanation for why Prowl decided to station those three medics on Delphi, especially one who's an ex-Con on an execution list. Did Ambulon have a choice? Or was he told to go there with no argument? Either way, I think Ambulon deserves some major kudos, because he must have ball (bearings) of steel to be an ex-Con in DJD territory without constantly being on the verge of a mental breakdown or panic attack. I could honestly write a whole post on the question of "why were these three stationed on Messatine" in itself, but that's for another time.

The point I'm trying to make here is basically that Ambulon of all people should've been sympathetic to the circumstances that drove Pharma to do what he did: they were ALL stationed in the DJD's territory and they knew it, they ALL knew that the DJD's playbook is horrific torturous murder, they ALL knew that Ambulon was a former Decepticon. It wouldn't take a genius for everyone at Delphi to piece together the fact that the DJD would come for Ambulon eventually if either he wasn't evacuated or Delphi as a whole wasn't evacuated. But I mean, this is wartime, right? Every soldier is risking their life, everyone could die at any moment. They can't close down Delphi or evacuate all of the personnel in an active war front battling over a mine just because a medic or three might feel unsafe. Nowhere in war is safe. If High Command let everyone abandon their posts who was afraid of being killed, nothing would ever get done because war comes with inherent risk of death that all soldiers accept by participating, as well as accepting the obligation to follow orders on threat of punishment. (Almost as if Pharma couldn't have just evacuated or run away like Ratchet suggested, but JRO clearly isn't a military expert so I'll digress/chalk it up to "wasn't plot relevant to bring up".)

We got all of like, two pages that showed Pharma and Ambulon's working relationship, and the best we have besides that is JRO's word of god that Pharma and Ambulon had 'mutual reluctant respect' for each other. It's highly unlikely that the two were best buddies regardless, but I don't think you need to be friends with someone like Pharma, while sharing the same situation as him, to be a little more sympathetic to him? Like I get that Ambulon would be offended by the idea of his boss trying to frame him for murder to cover up his own murders, but the "Doctor DJD" line always seemed weirdly callous and petty to me. "Doctor DJD" implies that Pharma was some sort of willing collaborator or servant to the DJD which clearly wasn't the case. And I find it hard to believe that Ambulon, who knows exactly what kind of people the DJD are, would have an opinion of Pharma that was just "oh he should've tried harder/been less of a coward and resisted." Hell, Ambulon's reaction to Sonic and Boom showing up at Delphi asking for refuge was to instantly take pity on them and offer them shelter immediately; if he feels protective/sympathetic towards literal random nobody Decepticon soldiers, shouldn't he have at least as much feeling (if not more) for another Autobot who he worked with and supposedly had respect for?

Assuming that Ambulon got the full details of Pharma's blackmail deal. I mean, there's no reason to assume that Ratchet would've lied to First Aid and Ambulon about what Pharma told him (unless??? conspiracy theory!!!!) , so Ambulon should've heard about the t-cog deal and how it was the only reason the DJD didn't raze Delphi to the ground so long ago. Then again, maybe Pharma's story got explained to him and First Aid via Ratchet's extremely judgemental take on events, so who knows how much of Pharma's side of the story Ambulon would've actually known.

But wouldn't it be so much more interesting if, instead of sneering at Pharma as "Doctor DJD", Ambulon had a more conflicted perspective of Pharma's face-heel turn? Would he wonder how it is that someone who he had such respect for could've been so despicable? Or, more sympathetically, would Ambulon ever wonder if Tarn threatening Delphi was his fault for being there? Would Ambulon wonder what he would've done in Pharma's position, being forced to bargain to postpone his own horrific execution? Would he be angry at Prowl or the higher-ups for stationing them all in such a dangerous post to begin with?

I mean, the answer is that Ambulon was a tertiary cast member at best, to the point that half of his appearances on the Lost Light literally are shown in retrospect after he died, so there would've been no room to explore this in the plot, and Ambulon and Pharma were way lower priority compared to other, more important protagonists. I just think it would be interesting to explore these questions in other metas and fan works.

And yes, I do think Ambulon would not fucking say that ("Doctor DJD") regardless of what canon actually says lmao.

[swordfaery]

anyway my favourite thing about dead men fanfiction is the wildly different characters we all write. like. not even the ones who have been dead for years and have so little actual characterisation but even the ones who were alive in canon were probably very different one hundred, two hundred, three hundred years ago. also theyre under characterised in fiction. also we are all just having fun

[the-eclectic-wonderer]

A big thanks to @witchybitchybisexual who tagged me in this amazing 30-questions Golden Girls-themed game; I had a *great* time answering these! I look forward to reading everyone's answers (including yours, @witchybitchybisexual!).

I'm hiding all questions after #1 under a cut, because this got long haha!

1. How did you find out about the show?

Via another show I love -- Good Omens! Or, actually, via the amazing book that inspired it. One of the main characters, the demon Crowley, is a big fan of The Golden Girls; there's a great scene in which the forces of hell hijack one of Rose's monologues to send him a message while he's watching the show! I was in need of something new to watch at the time, and I figured if Crowley liked it so much, it was at least worth checking out. :)

2. One storyline you’d eliminate?

Hmm... probably Miles' witness protection program storyline? I don't mind it that much (it gave us some fun jokes and some memorable scenes!), but I feel like that was a turning point in Miles' character, and I just don't like the person he became after that turning point.

There was no question 3 here, so I made up my own! Hope that's not an issue :)

3. Best guest star/character?

Lynnie Greene takes the cake as the best guest star, for sure. I adore her and she played a phenomenal young!Dorothy. The second place goes to Dick Van Dyke, just because I love him in general!

As for the best guest character, I think the honour goes to Angela, Sophia's sister! She's absolutely hilarious and her comedic chemistry with Sophia is stellar. I also have to mention John Neretti from S6E23 What A Difference A Date Makes for being the best man in the series imho.

4. Character you most relate to?

Dorothy! My personality nowadays is a bit of a mix between Dorothy and Rose, I feel, but the Dorothy side is prevalent (and it was even more prevalent a few years back). I love reading and literature (and I enjoy learning about history, although I don't have her passion for it); I share her love for teaching (although I'm not a teacher); I was a great student in school, but not a popular kid at all; I'm level-headed and responsible, but I can be impulsive under the right circumstances; I'm very protective of the people I love; I'm Italian and was brought up a Catholic; I'm often the tallest girl in the room (I'm just a bit shorter than Bea Arthur was!) and I'm not attractive (not that Dorothy isn't -- but she is perceived as unattractive in the show), so I also understand her self-esteem issues fairly well.

I'm not as quick-witted as she is, unfortunately, and nowadays my outlook on life is more positive and easy-going than hers, but she's still the one I relate to the most.

5. Favourite character?

Blanche, although the other Girls are very, very close. I adore them all and I especially love to see them interact, but if I have to pick one, then it's Blanche. She's the one who surprised me the most! At the start of the show I kind of wrote her off as 'the man-crazy one', and that's as far removed from me as possible, so I didn't really focus much on her at the beginning. Then came S1E4 The Transplant, and then came her family issues, and then came all her memories of George, and before I knew it I was head-over-heels in love with her. Rue was masterful in how subtly she played her; she showed Blanche's depth as a character little by little, letting the audience peek behind the mask only for moments at a time, so when I realized I hadn't given her the attention she deserved, I was already in too deep.

6. Favourite story of a cast member?

Oh, so many good ones to choose from! The first one that comes to mind is Bea's anecdote about the time she was Tallulah Bankhead's understudy. The awe with which she describes her coming down the stairs is palpable -- but I mostly admire how she took Bankhead's mean comment and turned it into motivation. And Bea did get her 'coming down the stairs to thunderous applause' moment (more than once!), so her vow came true!

A fun one that involves all four main actresses is this blooper related to Blanche's Christmas gift to the girls, the 'The Men Of Blanche's Boudoir' calendar. Watching all of them lose their marbles over this prank is priceless -- it always puts a big smile on my face!

(Is this what you meant by this question? I wasn't sure!)

7. Which was the episode that got you hooked?

The pilot, lmao. It might be a cheesy answer, but it's true! I was immediately hooked from S1E1 scene one. Dorothy's incredible entrance got me.

8. You could wear one girl’s wardrobe for the rest of your life, who would you pick?

It's a toss-up between Blanche's and Dorothy's.

9. How many kids do you think they all actually had?

... this ask made me realize there are doubts about this, lmao. I've never done the math! Had to go check on wikipedia 😂

As far as I can tell, it's fairly set in stone that Rose had five children, of which we meet two (Kirsten, with two different faces 😂, and Brigit, who I assume is her youngest one).

It also seems reasonably certain that Dorothy had two kids -- Kate and Michael. I will say I've always thought Kate was much younger than she should have been in her appearances on the show, considering Dorothy was pregnant with her when she married, but maybe she just looked much younger than she actually was, I don't know.

Blanche is more complicated. We see both of her daughters, Janet and Rebecca, and in S3E3 Bringing Up Baby she mentions three sons, Matthew (also known as 'Skippy'), Doug, and Biff. In that same episode, though, she also says she's had four kids! I get where the disconnect comes from, haha. To be precise, her quote is:

"I have had four kids, I have never had a Mercedes."

This is just off the top of my head, but I wonder if she means 'I have had' in the sense of 'I have given birth to' here? This would imply one of her children is actually adopted (which is very interesting to think about!!). Since she directly mentions her three sons after this quote, I suppose our suspects are Janet and Becky. I'll have to give this some more thought, though -- for now my answer is that Blanche has five kids, and that 'four' is a continuity error on the writers' part.

10. Do you think the actresses would’ve gotten along with their characters if they met in real life? Why/Why not?

Interesting question! I think so, yes.

Dorothy and Bea seem fairly similar already -- as far as I know Bea was a big sweetheart, a private, gentle person, and Dorothy's a big sweetheart too. Plus I feel like Dorothy would have been respectful of Bea's introverted nature, and Bea would have been understanding and accepting of Dorothy's personal history (not to mention, she wouldn't have mocked her for not dating/for her appearance).

In all the interviews I've seen, Estelle seems very respectful and very fond of old people in general -- I think she'd find Sophia a riot! I seem to remember a clip in which she actually says she likes Sophia, so I feel pretty secure in stating they'd get along.

There's this famous quote by Rue in which she essentially says that she's similar to Blanche in everything but the fact that she's not from Atlanta 😂 so I feel justified in assuming they would have had fun with each other! Rue's stated that she felt an immediate connection to Blanche as a character, and that playing Blanche helped her gain more self-esteem and confidence, so I think meeting her in person would have had a similar effect! And Rue (being a very open, honest, compassionate person) might have helped Blanche drop her mask a little bit.

The only one I have an inkling of doubt about is Betty -- mostly because she'd run circles around Rose! But ultimately I think any 'mocking' would be gentle and affectionate, much like the Girls' jokes in the show. I think they would have liked each other -- and they could have bonded on their common love for animals alone!

11. What are your other comfort shows?

Apart from the aforementioned Good Omens, I'm also very fond of Only Murders In The Building, a really fun show about solving murders and found family that I wholeheartedly recommend. Derry Girls is another recent favourite. Oh, if you like cartoons too, I recommend Steven Universe, Hilda, and Avatar: The Last Airbender.

12. Headcanons? (Feel free to list as many as you’d like)

Oh, my god. I have so many and I'm for sure going to forget some. Let's see...

I've already said some time ago that in my mind Dorothy drives stick shift. Reasoning for this is that Italians (including yours truly, haha!) drive stick shift, and she's of Italian descent, so... she knows how to drive an automatic car, she just learned how to drive on a stick shift one (and in the streets of Brooklyn, no less!). Still on Dorothy: I think she has a very neat handwriting (she feels like the type of person who consciously decided to improve her handwriting at some point in her life), but she's prone to leaving ink stains on the page (and on her hands!!), especially when she's writing in a hurry.

Rose is really strong! Physically strong, I mean. I know she was a housewife for most of her life, but she was a farm girl first! Farming takes a lot of physical resilience, and that's the kind of strength that stays with you, I think. She's the one who lifts up the furniture when they clean (S2E12 The Sisters), and I don't think they'd let her do that if she couldn't handle it. Plus, remember that time she broke a whole ceramic cup with one bare hand (in S7E19 A Midwinter Night's Dream)? Yeah. I also subscribe to some mutuals' hc that she's autistic (although they'll be able to comment on it much better than I can, if they want to!).

Regarding Blanche, I really enjoy @\eeblouissant's hc that she has a permanent tan! She's from the South, she's lived near the coast for ages, *and* she's expressed an appreciation for sunbathing in the show, so it makes perfect sense to me. Also: she's a cover hog! In the show Rose is the one who admits to stealing the covers (in S2E5 Isn't It Romantic?, iirc), but I like to think Blanche is the worst offender. It's a good way to complete the Girls' trifecta of sleeping annoyances (Dorothy snores, Rose sleeptalks, Blanche steals the covers!), and I think it's thematically appropriate for her -- considering her Southern origin, I think she's more sensitive to the cold than Dorothy and Rose are, and she's always looking for affection, so...

Oh, regarding their sexuality: I don't have a marked preference for any of them, but I tend to think of Blanche as a bisexual with a lot of internalized homophobia. Rose is also bi, and somewhere on the asexual spectrum (and I have textual evidence for this!). @\hecatesbroom has completely convinced me to read Dorothy as a repressed lesbian, but I'm fine with people considering her bisexual too. I prefer queer interpretations of all of them, but I'm honestly fine with any take, as long as the strong (platonic or romantic) bond between them is preserved.

Most of my headcanons on Sophia are just traits borrowed from my grandmothers -- for example, I like to think that she started getting into gardening once she moved in with the Girls, and she's really gifted at it (like my grandma!).

13. What would you change (if anything) about the show/ characters if it was set in the modern day?

This is a really hard question to answer properly, because while the show is still very relevant to the present day, some aspects are so grounded in their time that a lot of things don't make as much sense when transposed into the future. For example -- would Dorothy end up marrying Stanley and staying married to him for 38 years if he'd gotten her pregnant in the 90s? Single mothers weren't exactly celebrated back then either (Madonna's Papa Don't Preach is from 1986), but they still had it much better than they did back in the 40s-50s -- and divorce has become much more accessible (and socially acceptable) in the past few decades. Would she have left him earlier? Would she have married him at all?

And what about Sophia? Being an Italian immigrant in the 50s seems different from being an Italian immigrant in the 20s -- there was a whole World War between the two, for starters. Would she still emigrate to the US? Would she even emigrate at all? How would she have survived the fascist regime in Italy?

Blanche and Rose are perhaps less grounded in their time. St Olaf is so absurd it might as well be the exact same in the present day (and dying in childbirth is unfortunately still too common, so it's not strange to think that Rose would be an orphan in any case), and considering how some people still think and behave nowadays, Blanche's biography and opinions seem plausible even when transposed 30-40 years into the future (at least to me). But still -- many of the issues they deal with were grounded in their time. Take Rose's AIDS scare: would she react in the same way in the present day, knowing that care for HIV patients has progressed so much?

To be fair, apart from all these questions, all of the Girls are still plausible (and relatable) characters from a modern POV; but society has changed a lot in the past 30-40 years, and I think a groundbreaking, socially advanced show like Golden Girls would necessarily have to change as a consequence. It's just in the spirit of the show! The core idea of four women sharing a life is still a perfect premise, but the problems the Girls face, their careers, their economic stability, their ideas on love and relationships -- there's a lot that could be different when transposed to the present day! I feel like this question requires much more space, time, and analysis to be answered properly.

One thing I like to think is that at least some of the Girls might have been explicitly queer if the show was set in the present day! Which opens up a lot of avenues for plot-lines and relationships :)

14. Which other Fictional Characters would you like each one of the golden girls to meet?

I have a storyboard in my notes for a little comic in which the Girls travel to England and meet Aziraphale and Crowley from Good Omens, so them, definitely 😂

Also, the Derry Girls! Check out this great crossover fic on Ao3 -- the chaotic energy is just off the charts, I love it.

15. Who were your favourite duo?

Oh, I can't choose. Any duo within the Girls. Their 1:1 interactions are all amazing, there's no way I can pick just one. I love the bond between Dorothy and Sophia, I love Dorothy and Blanche's chemistry, I love how fun and silly Blanche and Rose get to be together, I love the ironclad trust between Dorothy and Rose, I love Blanche and Sophia's love-(fake) hate friendship, I love the way Sophia hides her immense affection for Rose under a veil of humour and the way Rose sees right through it. I could write an essay on each pair of them.

15. Who should’ve got more 1:1 screen time with each other?

I'm pretty happy with the amount of 1:1 time each pair of Girls got with each other, actually! One of the strengths of the show imho is how well-balanced the interactions between the main cast are. If I really have to nitpick, I think I might have liked a couple of episodes specifically on Dorothy and Rose in the last couple of seasons; it feels like they interacted 1:1 less after S5, but that might just be me.

I also think the Girls' interactions with secondary characters and guests were well-balanced, in general; I can't think of any specific example where I wished for one of the Girls to have more interactions with a certain character.

... okay, there is one instance, but it's not really a matter of screen time, more of what happened during said screen time. I really, really wanted to see Blanche (with Rose as support) tear into Stan. I think we deserved a scene where she tells him off for the way he treats Dorothy -- she's already pretty caustic in the show when it comes to him (except in S6, for some reason...), and a proper confrontation would have been glorious.

16. Calmest season?

Is there one? 😂 the first season, I guess? It feels a bit more 'domestic' and contained in scope, likely because it was the first -- but it's still a wild ride!!

17. Most chaotic season?

Season 3, for sure. It's a bit all over the place, and it contains some of the wildest premises in the whole series -- I mean, Bringing Up Baby? Letter to Gorbachev? Mister Terrific? I could go on -- there's lots of chaotic episodes in there! (Just to be clear: I love the chaos! S3 is not my favourite season, but it's still great -- and it's got some amazing episodes!)

18. Favorite Season?

I think the honour goes to season 5! It would probably be S6, if not for the whole 'Dorothy falls back in love with Stan' plot line. S7 is the one that contains the highest count of favourite episodes for me, but I think S5 is stronger as a whole, and it's got some true gems.

19. If the girls hadn’t had their established careers, what other ones could you picture them doing?

Oh, let's see! Stan mentions Dorothy always wanted to open an antique shop back in S1E11 The Return of Dorothy's Ex, and I think that really fits her. I can also see her as a (very passionate) librarian! And, of course, she'd be great as a college professor / history researcher.

Despite the Girls' lack of confidence in her ability to keep things alive, I think with proper training Rose would work well as a nurse. She already volunteers for the hospital, she can be competent when given the chance, she's a giving person, and she loves taking care of people, so I think she at least has the right attitude for it -- although I'd never place her in a stressful unit, especially at the start of the show! Apart from this, anything to do with animals, of course -- a zoo, a farm, a pet shop, she'd excel in all of them!

I can see Blanche thriving as a trophy wife, haha 😂 but that's not properly a career, so it's not a valid answer. Taking her keen artistic eye into account, I think she'd be great as a designer -- either a fashion designer, or an interior decorator. She also showed some talent and interest in psychology during the series, although I'm not sure she'd manage to remain completely professional as a psychologist. 😅

As for Sophia, I think she'd do well in any position that allows her to be a motivator! She's great at encouraging people through a bit of tough love, and she's a very driven person herself -- so I think she'd do well as a manager of sorts, although the kind of manager that still works hands-on too. I believe she'd manage to hold her own in more or less any field; she's very adaptable! I do think she's at her best in a kitchen, though.

20. Best aspects of the show in your opinion?

There's a lot! The writing, the performances, the costume department, it was all exceptional. I think the best aspect to me is the premise, and how seriously they took it! The idea of a show centered on four older women living together is groundbreaking, especially since it didn't make a mockery of them -- the Girls are serious, well-rounded characters, with full lives, written with lots of love and respect. I think this show really convinced me that life isn't over once you hit 30, and that there's plenty to look forward to as you age! A lot of people my age are terrified of growing older, and here I am, eager to see what's coming next -- and I owe at least some of this attitude to this show. I'm really grateful!

21. (This question is for my fellow cheesecake lovers) favourite cheesecake flavour?

:) Great question! I love cheesecakes in general, but I'm especially partial to raspberry cheesecakes.

22. Storyline you wished they had expanded upon?

The show has an unfortunate tendency to introduce characters and then forget about them, which allowed for more variety in the stories they chose to tell, but I would have liked to see some of the Girls' relatives and friends return! Like, I don't know -- Jean, for example, or Blanche's nephew from back in S1. Some of the guests' arcs are complete within their episode (as happens eg for Lily, Rose's sister), but others remained a bit 'in the air', and I think it would have been nice to see them again.

Oh, and also -- I would have liked some little references to the Girls' issues and problems outside of the episodes they're tackled in! References to Blanche's pacemaker, for example, or to Rose's addiction, or to Dorothy's CFS (or her hearing aid!!). I understand that the time was limited, but even a small callback or two would have been nice!

23. Questions you’d ask the actresses?

Does 'will you marry me' count? 😭

I'm not sure -- knowing me, I'd probably be unable to utter a word in their presence! Rather than ask questions, I think I'd just thank them for bringing such an incredible, wonderful show to life. It wouldn't have been the same without them.

24. Episode that brings you the most comfort?

Most of them, really. Even the sad ones; I hear the first few notes of the opening theme and my spirits are already lifted. I can pick one per season, if that's alright:

S1E25 The Way We Met

S2E17 Bedtime Story

S3E3 Bringing Up Baby

S4E4 Yokel Hero

S5E23 The Mangiacavallo Curse Makes a Lousy Wedding Present

S6E26 Henny Penny -- Straight, No Chaser

S7E23/24 Home Again, Rose

But honestly there's so many more I could mention! I just love these ladies so much and I love to watch them in situations, haha.

25. Episode that made you laugh the hardest?

This is a cruel choice! Golden Girls is infamous in my house as 'the show that makes the-eclectic-wonderer howl with laughter', and I think that speaks for itself 😂

Let me pick at least three: S2E4 It's a Miserable Life, S7E2 The Case of the Libertine Belle, and S7E4 That's For Me To Know.

26. Which other work that the actresses did you enjoy the most?

I believe most of Estelle's career prior to The Golden Girls was in the theater, so I'm not sure it's even possible to watch her other works, unfortunately.

Show me Bea Arthur singing literally anything and I will be on my knees in seconds. Her musical performances are peak. Also -- I still haven't watched Maude, but I already know I'll love it.

Maude includes Rue as well -- I cannot wait to fall in love with her as Vivian too! And I have one of her early movies in my watch list, although I'm waiting for the right moment to watch it (homegirl plays a stripper and I'm not sure I can handle it in company without making a fool of myself, considering my big gay crush on her).

As for Betty -- Life With Elizabeth, absolutely. She's so funny and so beautiful and so captivating in it! She's simply charming, I love her to bits.

27. Best St Olaf Story?

The Great Herring War from S1E25 The Way We Met, no question. It's not necessarily the strongest from a comedy point of view (although it's certainly up there -- it's hilarious!), but the context and the way Dorothy and Blanche contribute to it make it the most memorable one, imho. It's my favourite, for sure.

(The story of Gunilla Bjorndunker, St Olaf's tallest woman, as told in S6E3 If At Last You Do Succeed is in second place).

28. Best slut story?

It changes every time I hear one, lmao! I love all of Blanche's stories!

If I must pick one -- I really enjoy Blanche's retelling of that time she realized she was even more devastating by moonlight in S1E25 The Way We Met, if only for that incredible final line ("It was at that moment I realized my bosoms had the power to make music!"). I'm not sure if it counts, because it's so brief, but her involuntary remembrance of that time she had to call a cab to get home because the sailor she hooked up with wouldn't wake up (S2E17 Bedtime Story) always has me in stitches -- I love how unexpected and effective it is!

Oh, and I'm really fond of the one she tells her mama in S3E25 Mother's Day. I'm very sensitive to the theme of loved ones getting older and having trouble remembering stuff, so that whole flashback hits close to home for me, and I love how Blanche's story helps her and her mama connect over shared memories. It's really touching (and Rue's acting is spectacular).

29. Best Sicily story?

Sophia's alleged encounter with Pablo Picasso, as narrated in S6E24 Never Yell Fire In A Crowded Retirement Home: Part 1. I somehow didn't anticipate the punchline, and I lost my shit when Sophia name-dropped Picasso. I still lose my shit every time I listen to it. It's a classic.

30. Which girl would you be most interested in seeing a prequel of? And at which point in their life?

I would pay dearly for a young!Dorothy show. It might be depressing (because her life with Stan was... well... yikes) but also imagine -- Dorothy learning how to be a mom, her life at college, building herself a life... so many possibilities!!! And it would be even better if it featured some flashbacks to Sophia's life in Sicily!

I would enjoy a show about teenage Blanche's adventures, too, but a part of me thinks those stories are at their best when retold by Blanche herself (ie when there's a good amount of doubt as to their veracity, lmao).

[maeamian]

tbqh it's weird as hell to me that there's this given understanding about fictional aliens that they'd be surprised or confused by adaptability, but like, as far as we know and understand that is a fundamental quality of life itself not life on earth. In order to become a spacefaring species any spacefaring alien would've had to survive whatever space threw at them for billions of years as well as whatever their planet in specific threw at them, even the 'good' planet we know about is pretty fucking hostile to life. It's just implausible to me that like, among all the possible sapient species we'd be unique or interesting for the level to which we have the ability to adapt to situations, something that any biological creature of any origin would also need to survive long enough as a species to figure out how space works.

[cockworkangels]

honestly i think it was the more insane route to take with this episode that the siren pretends to be dean's little brother instead of just making it so that dean wants to fuck some guy. like much more to unpack here with this little brother thing and a lot of it. well. lmao. ms. humphris you sure made some choices

[pandoratheprocrasticreator]

saw some art of hunter making a grimwalker of belos to cope and man am i glad the owl crew made belos into a writhing pile of goo so he doesn’t have any more bones to make grimwalkers with. like i can imagine hunter’s mental state getting bad enough somehow that he’d think to do something like that, to raise belos so he’d turn out good. and that’s the same pitfall phillip fell into when creating grimwalkers of caleb.

and damn what a cruel thing to do to a kid. to the grimwalker, hunter-his creator and probably father figure-would have created him to prove a point to himself. that someone evil in his past could have grown up to be good. that hunter could shape the grimwalker into what hunter wanted him to be. and everything the grimwalker does, he would have to wonder if phillip did the same in life, and if hunter would approve.

its the exact kind of existential crisis hunter is having in the show from being the clone of caleb. except the theoretical belos grimwalker would have to live with the fact that his ortet almost committed genocide on his entire civilization. im sure hunter would avoid being an abusive parent the way belos was. he might even be a good dad. but the act of making the grimwalker means hunter is giving the kid the same kind of trauma he struggled through. belos couldn’t accept that caleb left him, so he tried to reshape innocent kids into filling that void. if hunter creates a grimwalker, he would be doing the same with belos. he would have turned into his uncle, which to me is a very depressing way to end his story arc.

[memento-mariii]

I just know that right this moment, Quincey and Lucy are having their cowpoke adventures in heaven, with that horse the (presumably non-supernatural) vampire bats had gotten 🥲

[todayisafridaynight]

Throwing in fun (not fun) facts to contribute esp bc I was tagged in the essay: (Sorry in advance this is literally my career and special interest AND I just got back from a training conference about this SO obv I am going to talk too much. Disclosure: These statistics are from peer-reviewed sources AND the National Children's Alliance. The NCA IS an American association, though, so take this all with a grain of salt bc we're applying it to someone whose bg is not American lmao. This is an essay for funsies. CW: discussion of and stats about CSA, Child Abuse) Relevant to the Jo stuff is also that victims of one/any kind of abuse are statistically much more likely to subsequently face overlapping abuse, so knowing he comes from a home where abuse and potential neglect was actively occurring sets Jo-boy up for some sad statistics. I am looking for my notes on the stats for that but it's something stupid high, I wanna say over 30 or 40%.

Additionally, 47%~ of CSA victims are revictimized. Abysmal statistic but mostly just an interesting note if this IS the case/if we choose to interpret Jo this way bc of the other things mentioned in Masu's ask, specifically if we're viewing his unhealthy and ultimately traumatic relationship with Ikumi as a potential example of that revictimization (similarly, coming from a like background, it may have been revictimizing for Ikumi if she had ever experienced something like CSA, as well. It's one of those cases where they both got hurt even if neither of them were at fault for "playing house" as Jo calls it).

Seconding/Adding on to Masu's thoughts about Jo's behavior being as self-destructive as it is because of the compounded trauma of his life, victims of adolescent abuse "engage in health-risk behaviors such as substance use, physical fighting, and risky sexual activity," in far higher numbers than non-victims. We know for facts that adolescent Jo checks at least 2 of those 3 boxes, and that he still puts himself in unnecessary danger as a full grown adult (the Heian Tower fight, and Hoshino's Office fight): An interesting and well-written cycle of trauma and abuse on RGGs part, tbh, but also so narratively telling about how he saw/sees/continues to see himself as more an object than a person. (Love your notes on that btw, it rings very true. I could write an essay on that alone tbh.)

Another weird little thing I notice from both a Doyalist AND Watsonian perspective: Jo's disclosure of his father's abuse would classify as what we call an "accidental disclosure" in the field even though it's clearly intentional that he shares it with Ichi - it's offhanded and markedly unimportant in the story he's telling. He says it passively in a literary sense, as well: "The only thing waiting for me at home was my father's fists." Like homie, that's the most roundabout way you could have said "My dad beat me." Interestingly, up to 50% of [specifically CSA] victims do not state outright that abuse occurs, but disclose it accidentally/offhandedly; and in general, accidental disclosure is more common among people who have also delayed disclosure. Up to 66% of admissions from victims of child abuse come delayed if they come at all.

I think it's a very in-character remark of him to make, but statistically, it lines up with other victims of abuse as a whole. I think it's also just cool that from the Doyalist perspective, writing his lines in this way was intentional. It's part of the whole "Everything Jo says sounds like it could mean more than one thing" thing. He speaks poetically - it's intentional not just for the character but for the writer.

Okay, I'm done for now I'm sorry I just wanted to throw some added stuff into the convo bc I love applying my everyday usage of adolescent-focused trauma care and pysch shit to blorbos and seeing what sticks. Anyway, I also have a shit ton of thoughts on Masumi Arakawa as an abuse survivor but THATS another essay I won't dig into now. If I am still in your good graces after this long ass spiel I will consider it not only amazing but perhaps even cool as hell.

[ continuity of this ask ]

[trophygony]

Wooow guys look at these two characters confessing their love to one another that is sooo hashtag friend goals hashtag nemesis hasht

[headgehug]

retrospectively maybe a big autism moment was when I guess I said I didn't feel an obligation to take care of my parents when they got to That Age because children have no obligations to their parents but that I would do it because I love/care for them etc . (NOT out of the blue we were on the topic) and they keep bringing it up (jokingly, like they do get it) but what was I supposed to say man. like ok dad, like many children I will act only because I feel I owe you for bringing me into the world ? secretly resenting you as a perceived burden? is it not better to know you've done a good enough job as a parent that I care ? hmmmm.

[pulquedeguayaba]

And after dealing with lawyers for almost 3 years, was kinda surprised that I fell so hard for this Japanese fictional lawyer to the point that I'm seriously considering get his shikigami tattooed, on my thigh no less.

[onthecrescentofthehill]

it’s funny when ppl talk about the harpy omelet scene and say things like “why did he do all of that? he didn’t need to. JUST doing that for laios???” (seen these nearly verbatim on posts i’ve made.)

i don’t really get how you can hear his backstory & not understand that every decision he makes within the dungeon is fueled by a profound trauma borne out of horrific, structural negligence. of course he would do fucking anything to enact his plan? if he computes “getting in laios’s favor = proxy control of the dungeon” and he has very limited time to do so, he will jump at the chance. he’s already DIED for this.

kabru has maybe the clearest possible motivation that a character can have. he has a Protagonists Motivation, and it guides him forward in a very coherent way in the beginning of the story. things get more complicated in later acts that directly address how that motivation manifests itself/gets contradicted, bc ryoko kui is great at exploring this, but it’s still extremely present.

and as a labru fan i strongly dislike the implication i see from some ppl that his interest in laios is mostly personal or romantic (posts that range from pure joke to actual ship meta.) even when taking the “confession” at face value, where i think he was telling the truth, there’s still a lot more to it than that. i think at first kabru does see laios as a means to an end in a way that’s impersonal, partly because he tends to keep everyone in his life at arms length. but that “end” (preventing history from repeating itself) is something foundational to his psyche, and we should consider that potential sense of safety getting mixed in with his warring fascination/apprehension towards laios. he’s drawn to him for visceral reasons, and his stated motivations are so intertwined with his sense of self that untangling this push-pull is much more interesting than boilerplate Yearning, to me.

it’s just confusing when any meta or basic discussion of kabru diminishes the weight utaya has on his inner world and i’m really surprised every time i see it? like i understand that different types of meta will put other lenses on things intentionally, and in most cases i think it’s an interesting tool to work with. but it’s a massive disservice to his character to put the most foundational experience of his life on the back burner ESPECIALLY when it’s in favor of shipping. dissecting character relationships, romantic or otherwise, is at its best when you have their full personhood in mind!!

[jennifer-jeong]

Fluff + Suggestive | JJK x GN!Reader Their Favorite Beauty Marks

CONTENT Fluff, suggestive, nothing explicit, implications of seggs, mostly just the jjk men being cute and in love with you, ALL CHARACTERS ARE 18+

AUTHOR NOTE Mostly based on the beauty marks I actually have! (Yes this is self indulgent!!!!) Also pretend that somehow Yuji is Sukuna's vessel but they have separate bodies idk LMAO

WORD COUNT: 999

Beauty marks, to you and your boyfriend, signified places you two liked to kiss each other in past lives. You both say “your past lives” because you’re both cheesy and madly in love so of course you’re soulmates. It makes you both chuckle but you both know you mean it. So where does your boyfriend soulmate like to kiss you?

GOJO SATORU

One on each shoulder

Satoru isn’t usually a stickler for symmetry but if he sneaks up behind you, arms snaking around your waist, he can’t give one beauty mark on your bare shoulder a kiss without giving the other the same! Then he proceeds to either lick you or kiss you at least 100 more times anywhere he likes or can reach. He’s just a brat that likes making you flustered and more. It’s a wonder how you aren’t covered in beauty marks.

GETO SUGURU

Right side of the forehead

Suguru is always walking curbside to the right of you in true gentleman fashion (people walk and drive on the left side of the street in Japan). Of course he’ll switch up depending on which side of the road you’re walking on but this just feels right, he’s just been doing it forever. He also sleeps on the right side of the bed. He really can’t explain it. But he just adores knowing you’re to his left and he loves giving you quick pecks on your forehead beauty mark… among many other types of kisses.

NANAMI KENTO

Inside of the wrist

Kento basically treats your body like a shrine, he worships it. He knows exactly which perfumes/scents you use and will buy you refills or recommend you new ones. They’re meant to be innocent gifts but sometimes he feels almost self indulgent taking a deep breath of your delicious scent along with the new scent he bought you. He always holds your hand, kisses the back of your hand, takes his intoxicating whiff of your smell, and gives you a kiss on the beauty mark on your wrist after it… or maybe some more, depending on the mood.

FUSHIGURO TOJI

Top of the left side chest

Toji is simultaneously very much a scary guard dog but also a cutie cuddly lap dog. He’s very serious and domineering when in public or when he needs to be but he’s always physically connected with you in some way when you’re alone. He really enjoys laying on top of you or to the side of you and just smashing his face into your chest, kissing at the beauty mark on the top of your left chest. It’s really endearing how he seems like he can’t ever get enough of you but unfortunately he also really knows how to tease you in this position he loves so much.

ITADORI YUJI

Left side of face/cheek

Yuuji is such a sweetie, he loves holding you with his dominant arm and it's why he’s always to your left. He also likes knowing that he could pick you up quickly if you were in danger or if just for fun. He sleeps on the left side of the bed because it’s closer to the door and he was so cute when he was innocently explaining “if a bad guy comes in I can easily WACK BOOM POW!” while punching the air. Always gives you quick pecks on your squishy cheek’s beauty mark before leaving, work, or bed. Sometimes the one before bed ends up setting a little bit of a different mood though…

RYOMEN SUKUNA

Right side of face/cheek

Sukuna and his favorite beauty mark on you are quite silly. You tease him and say “like vessel like curse!” since Yuji always kisses his partner on the left cheek and Sukuna kisses you on the right. Sukuna always frowns a bit but he admits its pretty funny. He just likes having his dominant arm free just in case he needs it to protect you (even his reasoning is similar to Yuji’s LOL). He sleeps on the right side of the bed but will commonly invade your space to cuddle and more (not that he’d ever admit that he likes cuddles).

KAMO CHOSO

Collarbone

Choso is very protective but also very babygirl, so anytime you’re together, he’s stuck to you. He looks like a baby otter or koala holding on to its mom. He’s fully latched onto you and puts his face into your collarbone. He understands why you have a beauty mark there, he’s there so often, it’s only natural! He’s a bit of a tease sometimes though when he takes advantage of tbe fact that your collarbone is extremely sensitive to his mouth.

FUSHIGURO MEGUMI

Right base of the neck

Megumi is a bit touch starved so when you’re alone, the man is never not touching or cuddling you somehow. This ends up in you two studying, taking naps, or sleeping with him spooning you. He loves your scent and warmth so he usually also buries his face into your shoulder, typically your right side. Since he’s there so much and refuses to leave (not that you mind) he’ll usually just give you little smooches on your beauty mark. Sometimes after a “nap” the skin around your mark is a bit bruised though.

TOGE INUMAKI

Tip of the nose

Inumaki isn’t a man of many words, he kind of can’t be. So among sending you silly texts, giving you notes, randomly breaking out into dance, or using sign language to sign you something dumb, he loves giving you kisses. His favorite is the tip of your nose because he thinks its so cute and also because sometimes when he’s wearing his uniform, he can only really touch noses with you since his mouth is covered. He’ll shake his head back and forth to keep rubbing his nose on yours before you both giggle. When his uniform comes off when you two are alone though, it’s a bit of a different story…

|| MASTERLIST ♡ || Thank you for reading! ||