#i mostly post my work here

[barksbog]

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i´m Bark (he/they) welcome to my bog!!

i handmake all my plushies this process usually includes designing, patterning, printing and embroidering fabric myself, sewing and stuffing.

I also do the business side of things entirely on my own and always appreciate patience but you can dm me any time with order questions!

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my shop: barks-bog.com

ko-fi: ko-fi.com/barksbog

discord: join here

[tblsomedoodles]

plushy time

sometimes you just have to curl up with your largest plushy until the world stops being so bad. You'll know you're there when you wake up from your impromptu nap having been tucked in at some point.

[heartorbit]

the star you've longed for

[flowerakatsuka]

hello, my fellow karamatsu comrades.

⛔ BLMATSU / PROSHIPPERS DNI!! ⛔

[originalartblog]

Dear new followers,

Change your avatar, put anything in your title! Did you know that when lurking here, you can just hit the reblog (two arrows) button to keep a copy of the post/art on your blog and turn your blog in a scrapbook of stuff you liked? It works a lot better than just liking a post and makes people who post stuff happy! (you can also search your blog to see those posts again later that way!)

And if you made a side blog to be active on instead, know that your main blog is the visible one in follow and like notifications, so make sure to check that too!

[birdhand-art]

My first submission to Xerox Candy Bar has officially been published!! I'm so excited to share the Monsters & Cryptids edition with everyone on distribution day :]

Thank you so much to everyone at XCB! Y'all are amazing and i'm so interested to see what comes next 👀

[zhongrin]

a guide to keep your writers feeling happy and appreciated: what to put on reblog comments/tags

note: you can (and are encouraged to!) mix & match these. and they're not just for reblogs ー we also welcome you into our ask box to drop these kind of asks <3

❤️❤️❤️❤️❤️❤️

OMG I LOVE THIS

hflkazjsdklahsdlkajskljdklas

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

bless you op

thank you for the food. very delicious. will come again

ohgodohgodohgodohgodohgodohgo

someone hold me i'm about to go feral

i need [character] to hold me

i am gobbling this like a starved squirrel who forgot to stock food throughout winter

iwillnotsimpiwillnotsimpiwillnotsim- i'm simping

i'm so normal about this. totally.

screaming yelling screeching

oh fucー

OMNOMNOMNOM

i liked the part where [insert scene here]

i like it when you [insert writer's writing style here]

@[friend] look.

[insert a quote from a character in the fic and your reaction here]

[insert a conspiracy theory of what happened behind the scenes with the characters here]

[insert any fan creation (fics, art, incorrect quotes, memes, etc) inspired by the fic here]

[a live description of play-by-play reactions as you read the fic]

this picture:

alternatively, any puppy/kitten/bunny pictures

DO NOT put:

part 2 when

do [character(s)] next

[insert comments that views us as a content machine and not a human being]

[insert unwanted criticism here]

[insert any sort of hate comments here]

as a general rule of thumb, remember that your writer is a fellow human and you should treat them with the way you want to be treated: love and respect <3

[averlym]

litany of the martyrs (click for better resolution!)

[mitchmotch]

i was commissioned by @achinga to draw vash and milly! they're so silly :)

[andromeda3116]

i feel like a lot of Discourse (read: fandom wank) happens in places that have forgotten or never learned the death of the author theory

(which i know is not sacrosanct but it is very useful for handling fandom spaces, particularly fraught ones)

for those who don't know, the death of the author theory goes like this: as far as the work is concerned, the author dropped dead the second that the final word was published, and thus cannot comment, object to, clarify, or expand on anything that is not on the page.

my understanding is that it's most strictly used to mean that that the author's interpretation of the work doesn't matter, but can be expanded to state that nothing which is not on the page matters. imo, the expanded definition is particularly useful for fandoms and needs to be adopted on a larger scale.

because what it means is this:

it doesn't matter what the creator(s) intended. it doesn't matter what they said in an interview. it doesn't matter what the actors think, it doesn't matter what supplemental materials say or imply, even if they're signed off on by the creator(s). it doesn't matter if everyone involved in making it hates your interpretation and says that it's wrong.

they don't get to say that it's wrong. they dropped dead the second the last episode/book ended. their interpretation is simply one more in a vast sea of others.

listen to me, fandom spaces. i am taking your face in both of my hands. embrace the death of the author. you will no longer be bound to the (possibly fickle) words of the creator(s), your interpretation can no longer be the wrong one. if the text can be used to support it in any way, even twisty ways, it's valid. you don't have to jump through hoops to defend it against haters who say you're wrong.

the death of the author. open your heart to it. live it. be free.

[lnmei]

2023 and 2022 art summaries! Last year I started coloring figure drawings and I’m happy to see I’ve gotten more creative with it this year. Something completely new I tried was painting with ink at a live model figure drawing session! In general, I drew more beyond just figure drawings and homework assignments and I hope to keep up a good balance, draw things I’ve never drawn before, improve with both color and black/white, and make more original and fan work, as always! I have projects and courses I’m looking forward to in 2024, but my overall goal is just to draw consistently and see what I make. Happy New Year! 🌟🐉

[dailydndadsdoodles]

eugh. first day of school

[multifandom-nerds-blog]

The first days (part 1)

After the portal closed, they walked. They didn't really know where, it's not like either Kai or Bonzle had a map for this dimension, but they kept walking. Kai just hoped they wouldn't randomly meet with on of the forbidden five, or four, since one of them swapped places with Kai after all. He didn't like to admit his own weakness, but if the storys about them were true, then there was no way for Kai to beat the four or even just one of them on his own. Especially when he would probably need to protect Bonzle in a fight as well.

"Do you have a plan?", Bonzle asked, pulling him out of his thoughts.

"Find a portal somehow, I guess. Or create a new one. Either way, we should check out how this place works. Aside from the random gravity rules."

Though, to call that a plan was probably to much. More like a general idea to get back to if the chance for it ever comes. Lloyd and the others would be able to deal with the one of the five that escaped, right? So they would be fine eventually, it was all that mattered.

But he wouldn't tell Bonzle that he basically gave up hope to get out of this place. Not after he just told her that 'Ninja never quit' and everything. Just like he never told Nya when they didn't have enough food for the two fo them, or couldn't afford her school materials, after telling her that he earned good money that month.

Lying wasn't very hard for Kai if it meant not making others worry. The situation may be vastly different, but he would adapt. Eventually.

A little voice in his head, honestly sounding a lot like his sister, tried screaming at him how this was one of his many bad habits he should get rid off. But ignoring that voice was another thing he just learned over the years.

He would just have to deal with this situation live gave him. He always did. One way or the other.

[jils-things]

by the lighthouse.

dividers

[hiraganasakura]

Hi so me being me I've decided to hyperanalyze the conversation Qrow and Raven had in Higanbana practically line by line bcus I have Many Thoughts and this is the best way I can think of to get them all out. If you can't tell I'm absolutely obsessed with these two. Btw.

Thanks to the RWBY wiki for providing transcripts for every episode, otherwise I definitely would have missed smth despite having just watched this scene recently lol

I put it under the read more for easier scrolling due to how long this post got!

I immediately noticed smth in the very first lines of the interaction:

Raven: "Hello, brother." Qrow: "...Raven."

You'll notice throughout the whole conversation that Raven never calls Qrow by his name, only condescendingly referring to him as "brother" this one time and never calling him anything else. Meanwhile, Qrow directly refers to Raven a total of three times throughout the conversation, and only one doesn't call Raven by her name (which we'll get to shortly)

On the other hand, Qrow doesn't bother with even so much as a greeting beyond simply stating Raven's name

It's different ways of communicating their distance. While Raven holds her relationship with Qrow over his head — never once, even outside of this scene, does she call him "brother" with affection iirc, only derision and condescension — Qrow doesn't seem to rly know how to greet her. He hesitates before saying her name and approaching her, as if trying to assess the situation before acting

Qrow: "So, what do you want?" Raven: "A girl can't just catch up with her family?" Qrow: "She can, but you're not. Now how 'bout we get on with it? Unless you plan on keeping these [drinks] comin'."

Again, Raven seems to bring up her familial ties with Qrow as a tactic to get him to do what she wants — in this case, stick around to talk to her despite him not seeming to rly want to. Frankly, it feels manipulative. We're gonna put a pin in this for now and come back to it in just a moment

Additionally, Qrow already knows that Raven's not just here for a friendly chat between two siblings, and sees right thru her facade that it is. Raven is here bcus she wants smth from him. But interestingly, it is Raven in V5 that says, in an almost frustrated/disappointed tone, "Family. Only coming around when they need something." There's another pin; keep both in mind

Raven: "Does she have it?" Qrow: "...Did you know Yang lost her arm?" Raven: "That's not—" Qrow: "Rhetorical question, I know you know. It's just obnoxious that you'd bring up family and then carry on like your own daughter doesn't exist." Raven: "I saved her." Qrow: "Once. Because that was your rule, right? Real 'Mom of the Year' material, sis."

Qrow dodges Raven's question about the Relic and instead brings up her hypocrisy in how she treats family. And it's a good point. Here she is lording her siblingship with Qrow over his head while simultaneously defending and upholding her rule that she is only obligated to help her own daughter a single time. Another pinpoint on our little conspiracy board

Also, here's the one time in this conversation Qrow refers to Raven as "sis". Like Raven's use of "brother", Qrow's use of "sis" is very pointed and with intent. But it's not to manipulate Raven, it's a snarky jab meant to rly hammer home Qrow's point

Raven: "I told you Beacon would fall, and it did. I told you Ozpin would fail, and he has. Now you tell me. Does. Salem. Have it?" Qrow: "I thought you weren't interested in all of that." Raven: "I just want to know what we are up against." Qrow: "And which 'we' are you referring to?"

A few things of note here. At some point in the past, Raven expressed an outright disinterest in Ozpin's inner circle, at least to Qrow. Qrow also feels excluded in the "we" Raven mentions being against Salem. To me, there seems to be a distinct possibility here that it wasn't that Raven felt personally disinterested in Ozpin's operations, but that she somehow felt excluded and feigned a lack of interest in order to protect herself. An idea that is further supported in my eyes by the following dialogue:

Qrow: "You should come back, Raven. The only way we'd beat her is by working together. All of us." Raven: "You're the one who left. The tribe raised us, and you turned your back on them." Qrow: "They were killers and thieves." Raven: "They were your family." Qrow: "You have a very skewed perception of that word."

And there it is. Raven's problem is laid out here for us, loud and clear: She feels like she was the one abandoned, not the one running away. She says it outright! "You're the one who left." To her, Qrow is the traitor, the one who left their family behind. If you ask Qrow (or, for that matter, Tai, Yang, and even Summer based on the scene in V9), it's the opposite

Bcus they have different definitions of family

Another thing to pin (I promise this will all become clear soon)

Raven: "I lead our people now. And as leader, I will do everything in my power to ensure our survival." Qrow: "I saw. The people of Shion saw, too." Raven: "The weak die. The strong live. Those are the rules." Qrow: "Well, you've certainly got someone strong on your side. I've seen the damage." Raven: "We couldn't have known the Grimm would set in as quickly as they did." Qrow: "I'm not talking about the Grimm. And I'm not talking about you, either."

Notice Raven's shift from "the tribe" to "our people". More of that guilt tripping!

Additionally, Raven is *obsessed* with rules. One save. The weak die, the strong live. Raven lives and breathes rules, even seemingly arbitrary ones. Guess what this is? Another pin!

Raven: "If you don't know where the Relic is, then we have nothing left to talk about." Qrow: "I don't know where the Spring Maiden is, either, but if you do, I need you to tell me." Raven: "And why would I do that?" Qrow: "Because without her, we're all going to die." Raven: "...And which 'we' are you referring to?"

Qrow's "either" here implies that he also doesn't know where the Crown of Choice is, which is... interesting. He's one of Ozpin's closest lieutenants, and is in the dark on where Beacon's Relic is? Wherever it is, it is such a closely kept secret that even Ozpin's best spy doesn't know where it is (maybe so that in the event Qrow gets captured by Salem he can't be forced into giving her the information?)

Meanwhile, Raven's "And why would I [tell you]?" implies that she does know who the Spring Maiden is (obviously. Raven's the Spring Maiden lol) but refuses to disclose to Qrow

A lantern sputters out after Qrow says "Without [Spring] we're all going to die." Now, I genuinely can't remember if this is headcanon or canon, but iirc Misfortune seems to act up when Qrow's upset. He's clearly tired of this little game of dancing around topics that Raven's been playing with him

And once again, Raven indicates a feeling of exclusion from Qrow's life in the iconic final line. She gets the final word in before leaving

We've finally reached the end of the conversation. Now what does all of this tell us?

And here is where all of those pins I wrote down are relevant. As I mentioned, the twins view family very differently

Qrow's view is pretty obvious: he views family as the ppl in his life who matter most to him. Unlike Raven, he does not view the tribe as family despite the fact that they raised him, disgustedly referring to them as "killers and thieves". It's implied that he was, in fact, neglected and/or likely abused by the Branwen tribe, saying in V6C4, "No one wanted me... I was cursed..." further explaining his distaste for them. Furthermore, despite not being related to Ruby by blood, they clearly consider one another family throughout the series, and he even seems closer to her than he seems to his niece who's actually blood related to him (I personally headcanon that he keeps more of a distance from Yang bcus she reminds him too much of Raven, who he feels abandoned and hurt by, but that's neither here nor there). Bloodlines and debts are secondary compared to loyalty, if they're considered at all. He is obviously furious that Raven only insists on saving Yang once and never directly interacting with her beyond that, despite Raven constantly guilting Qrow over abandoning his so-called "family" of the tribe. And yet. And yet. He still offers Raven a place back in his life, even if only to unite against Salem

Raven's view, to me, has been an enigma for a while. But after hyperanalyzing this conversation, after noting down all of those points of interest, I feel like I've finally cracked the code. Raven views family as an obligation, an exchange that always has an ulterior motive behind it. She seeks out Qrow only bcus she desires smth from him despite showing distaste when someone does the same to her; condescendingly calls Qrow "brother" more than his actual name and calls the tribe their "family" to try guilting him into doing what she wants; and feels fierce loyalty to the tribe but barely interacts with her daughter, only seeming to count one of the two as true family. She views the concept of family with cynicism and seems to feel an obligation to the tribe, as if she "owes" them for raising her

I think the two's perceptions of what defines family are all to do with the way the tribe treated both of them. This crosses a bit into headcanon territory, but as you can see by the above quotes and analysis, I rly don't think I'm just making it up entirely

As I already mentioned, I think it's implied that the Branwen tribe neglected/abused Qrow. In fact, we could probably blame their treatment of him for the deep self-loathing he has due to his "cursed" Semblance. But what about Raven?

Well, it's simple: I think she was abused, too, just in a different way. While Qrow was likely shown and told on a consistent basis that he was unwanted, unloved, undeserving of good things, Raven may have been shown and told she was wanted, loved, and deserving of good things... if she did what the tribe told her. If she repaid them for raising her and her brother, for being her "family". The way she uses her familial ties with Qrow as almost blackmail may be exactly the way the tribe treated her. Her obsession with following rules may stem from the fact that she had to follow the rules the tribe set for her in order to be accepted and deemed worth smth

As for her distance from Yang... honestly, I wonder if Raven is aware that Yang deserves better and keeps her distance as her way of doing that. When Summer confronts Raven in the V9 scene, Raven says, "...You're better at that life. Better than I was." She seems to have a fear and insecurity about being a good family member, a good mother, and maybe that's why she fled. Maybe she was scared of being like her abusers due to how she emulates them as a self-preservation tactic in so many other ways. Not entirely sure about this point tho

And I think too this is why the twins don't rly understand one another. They may have been unaware of the different ways in which the other was treated. Qrow, constantly unwanted and loathed, can't understand why Raven sticks around with the tribe; Raven, who obeyed the tribe and, in doing so, garnered enough of their favor to even eventually become leader, can't understand why Qrow can't just be "good", earn respect, and stay

This dissonance between the two experiences may also be completely intentional on the part of the tribe; abusers will often eliminate their targets' support systems in order to make them completely reliant on the abuser, so it's highly likely that the wedge was intentionally driven between the two siblings so that they could not find support in one another. This would also tie into why the twins seem to feel excluded from one another's lives and abandoned by one another: bcus they were made to feel that way by their common abusers, and did nothing to challenge these assumptions bcus they saw no reason to — and only seemed to keep proving one another right if they did

Which rly has some disturbing implications about how the Branwen tribe works. Like, do they just pick orphaned kids up off the street and abuse them into being perfect little bandits, molded to be of the greatest possible use and discarded if they're deemed worthless? Plus Qrow says his Semblance is how he got his name, which implies that the tribe also renames the kids they scoop up (possibly as a form of control or a way to make sure they can't be tracked down by any remaining family)? Plus there's the whole thing where Qrow and Raven were originally sent to Beacon to learn how to kill Huntsmen, which carries with it the implication that the Branwen tribe grooms literal orphan children into becoming stone-hearted murderers? What. The heck.

And if I'm right, if the Branwen tribe is that severely abusive, then like... wow, no wonder Qrow and Raven are Like That. They're both very deeply hurt people expressing it in different ways

I was considering adding their conversation at the Battle of Haven to this post, but I think that would be better as its own thing. Also I haven't gotten there on my rewatch yet so I may miss some details if I try to analyze it rn; it's better to wait overall methinks

But I have reached the point of my rewatch where we see Weiss and Whitley interact, and I think it would be very efficient to sum up what Qrow and Raven's relationship seems to be by using those siblings as a point of reference. Qrow = Weiss, actively trying to break free from and fight back against their abusers in different ways, while Raven = Whitley, continuing to do as their abusers want and have wanted as a method of self-preservation. Only, unlike Weiss and Whitley, Qrow and Raven have yet to come to a point where they can understand one another. I think that's a good way to briefly summarize the uh. Absolutely massive post this is.

In conclusion, I may have cracked the majority of the Branwen twins' pre-Beacon backstory purely by hyperanalyzing a single conversation. Oopsies

[kaijudyke]