#i post like .1 percent of my drawings

[lisafication]

This post is uh, extremely normal I swear

So hello yes I am absolutely On My Bullshit regarding my new favourite game. 

That’s right, it’s the cannibal incest game, The Coffin of Andy and Leyley. And I’m here to shove five thousand words of pretentious analysis down your throat because, and I do not exaggerate, I think it is one of, if not the best written game I have ever played. And I have played a lot of games, including Baldur’s Gate 3, Final Fantasy XIV and Undertale, to name a few narrative luminaries to come to mind.

That wordcount is not an exaggeration. My brainworms are extremely powerful and now you can share them with me as I walk you through my insane skyscraper of inference-driven analysis.

Or you can click away. I really wouldn’t blame you, it’s quite a lot.

Content Warnings: …Yes?

(To drop the bit for a moment, The Coffin of Andy and Leyley covers extremely disturbing material and challenges you to examine aspects of living in this world that many have taken for granted all their life, it is not a comfortable game, this will cover similar topics and will often echo the game’s unremitting scepticism on basic principles of society and humanity and you should look after yourself first. My Content Warning is framed as a joke, but it’s also quite real in that the game is designed to make you uncomfortable and there’s no shame in that not being for you.)

This was originally posted on and formatted for Sufficient Velocity, and you can probably more easily read and discuss it with me here.

With that said, let’s dig in. I have had to split this into multiple posts because tumblr will only allow so many images. There will be spoilers for all endings.

She’s excited, are you?

It’s All About Ashley

It really is, isn’t it? I mean, for approximately eighty percent of the total game as currently released and the entirety of Episode 1, you’re in control of Ashley, just as she’s in control of her and Andrew’s relationship for 80% of the game, up until the various ending sequences where it begins to slip. The only other characters who really matter at all in and of themselves are Andrew and her mother — and the former is under her thumb, and she eats the latter. It’s all about Ashley. Even her obsession with Andrew is, ultimately, about Ashley.

But who is Ashley? What is Ashley? Why is Ashley, even? Let’s take a look.

Ashley as presented to us in Episode 1 is very straightforward, so let’s list off the traits we’re given — she is malicious, she is fearless, she lacks empathy, she doesn’t have anything resembling a conscience, she demands Andrew belong to her and her alone, she has him at her beck and call.

In Episode 2, we’re ostensibly shown how she has him at her beck and call— she leverages the threat of reporting Nina’s death over him and had him swear to be with her forever. We’re shown that even as a child she was “just, like that” — but as a child, she hadn’t learnt to live with it yet, to laugh at the farce of it all.

Yeah, exactly like that!

And she does this throughout Episode 1 — The Coffin of Andy and Leyley is a remarkably silly game much of the time, finding moments of absurdity and levity against a backdrop blacker than pitch — and most of the time, your internal narration is coming from Ashley and the jokes will not-infrequently come at her own expense.

She will later get negged by her human sacrifice for her poor ritual circle drawing

Her reaction to being told that her soul is as dark and viscous as tar is “You guess you already knew that” — it’s confirmation to her, not new information. Ashley knows who she is. But who taught her this? There’s layers to this, nothing in this game is as simple and straightforward as it appears at first sight, which is why I’ve been obsessing over it for days.

While it’s common in fiction, the truth of the matter is, most ‘bad people’ really do think they’re good people. But Ashley has never once thought of herself as a good person — or perhaps better put as a person worthy of love — as we learn across Episodes 1 & 2, with our flashbacks to Andy and Leyley and the VERY VERY QUIET!!!

I really wish I had space in this essay to talk about this, but I’d like to touch on these being traits usually more easily forgiven in young boys than young girls at some point.

If she removes all other options, only then can she expect him to like her.

This is something that is echoed in the modern day — her seeming self-assurance is easily shaken and she reaches out to the world — usually Andrew — to affirm and validate her, soothing her insecurities, using any tool she deems necessary. Even when her life is on the line when Andrew has her by the throat at the climax of Episode 1, the only ‘compelling reason’ she can give Andrew to not kill her is her ability to soothe his nightmares. When he tells her there are sleeping pills for that…

Most people would have a bit more to argue for their existence.

While she, unlike Andrew, acknowledges having had friends before the quarantine… you know she’s got a point that they didn’t even bother to answer her calls, that was clearly not something the state was interfering with given Andrew’s calls with his mother and his girlfriend, and given her general demeanour it’s not hard to imagine that… they weren’t ever very close. When we see her and Nina talk in the infamous ‘box scene’, it’s clear that Nina doesn’t like her very much, despite Andrew’s assessment of Nina as being one of Ashley’s friends.

We see further support for her general lack of companionship in her dream sequence in the Burial route — Leyley and Leyley Alone. No matter what you do, you can’t place the pink plushy at the family table, the flowers won’t bloom if you give the Julia and Nina plushies her own as a companion instead of Andrew’s — and if you’re bold enough to go for the ‘incest route’, in the ‘Love’ room you see that no one ever looks happy to be with her in the childlike depictions of her history, nor is she happy in turn, save for when she’s with Andrew. In a bit of heavy-handed metaphor, the player then overwrites all of these tense, upset, hard moments with Andrew, having him fill in for everyone else in life — and happy with her.

Once Upon A Lousy Life…

THE END

And that’s why she needs him to affirm her, because no one else ever has and no one else ever will. It’s even included in their comic beats — when the siblings are getting along well, they’ll often play a game where Andrew dramatically overpraises Ashley while she demands more; it’s a comedic bit but I mean — it really does matter to her!

For the record, she opened a door. She gets a little heart in a speech bubble after this exchange.

We have a great example of this dynamic, that of insecurity and affirmation, in Episode 1, after Andrew has killed for her, butchered for her, his girlfriend broke up with her, he’s seemingly thrown his entire life away for her… she’s still insecure over her relationship with him, she’s uncertain of her control and she needs him to reaffirm it for her.

This is her victory, surely?

Andrew affirms her once, with his usual dead-eyed look.

But she's still not so sure.

He actively reaches out to affirm her again with cheer.

Look how happy she is!

While it’s most obvious and clear cut here, it’s hardly the only case. Let’s look back to the aftermath of Andy and Leyley and the VERY VERY QUIET!!! (I’m not using the other name). Leyley is, after similarly extreme acts — he murdered a girl and hid her body for her — convinced Andy doesn’t like her and she needs this leverage to keep him around, to meet her basic needs for survival. Because that’s what this is — she receives no care of affection elsewhere, so she forces it out of the only source she sees available through the means she sees as necessary.

I really hope we see some of their earlier childhood in Episode 3

What exactly made her like this? Was it just neglect, or something more specific…

She needs this to be the case because otherwise she doesn’t believe he’d stay.

This pattern repeats throughout — Ashley’s insecurities are hit on and she reaches out to Andy to affirm that she is not alone, and she will use any and every tool to exploit her ostensible control over him and force him to be what she needs him to be — and as long as she has that, as long as she is everything to him and it’s not possible for him to leave, she’s happy. As long as she thinks he loves her in her very particular, very peculiar view of love, she’s content, come what may. As long as Andy and Leyley are together, they can take on the world.

Let’s talk about that view of love, because there’s always more layers to unpack here I’m only scratching the surface with this essay — Ashley consistently refers to anyone else Andrew may have befriended or spent time with as a whore, a slut, a bitch — highly gendered insults that bring to mind the idea that he’s cheating in some way. But it’s not even about sex — when Andrew mentions that their parents had friends, she accuses them of cheating on each other in the same way!

There’s a lot to unpack about Ashley’s view of femininity and the role the patriarchy plays in their relationship.

Any kind of emotional engagement, any kind of commitment, any kind of life outside of your significant other is, to Ashley, cheating. Because that’s what she needs from Andrew, a seeming complete and total commitment, secure in her place as the only thing in his life, because she cannot understand anyone picking her if they have a choice.

This insecurity she has in her relationship is what drives her to empower the trinket — he can’t leave her as long as she can protect him with prophetic dreams, after all. She needs every kind of leverage she can get because until she succeeds in being everything to him, in devouring him so completely she has him in her thrall mind, body and soul she can’t be sure of herself — hell, her dream sequence in Burial has you placing Andrew’s signature green plushy, ‘the best thing in the world’ in a cage far away from anything else.

Ultimately, it really is all about Ashley — even her seeming obsession with Andrew ultimately comes back to her own insecurities. If she is everything to ‘the best thing in the world’, some of that ‘best’ must surely reflect on her! 

But that’s enough about the more normal, straightforward and understandable sibling. 

That was not a joke.

Andrew’s Rank 100 Deception

The greatest trick the Devil ever pulled was convincing the world that he did not exist.

Let me explain.

You might have noticed that in the previous section I often use language such as ‘ostensibly’ or ‘seemingly’ to describe Andy and Leyley’s relationship, and there’s a good reason for that. From the beginning of the game through to its end, Andrew is lying to you, the player, without ever falsely representing or misinforming you about events that occurred.

The common, or obvious ‘initial take’ on Andrew as presented in Episode 1 is fairly straightforward. The game primes you to think this way, it frames things and strings reveals just right so as to make it very easy to overlook the incongruities it introduces in Episode 2. He’s a victim. Plain and simple, Ashley is his abuser and he is her victim and would be fine, a normal albeit kinda depressed guy without her.

It really is not a difficult conclusion to draw

You can go all the way through the game, have him try to accept his mother’s olive branch and enter the Decay route as a method for him to finally actualise his desire to get out from Ashley’s thumb and it makes sense, it’s a reasonable way for the story to go, given his character.

You see him this way because the game primes you in Episode 1 to view their relationship like Andrew does — he’s lying. He’s lying to himself, he’s lying to Ashley and he’s so good at it — Deception Rank 100 — he even lies to you. Without misrepresenting a single event or otherwise misleading you directly, the game gets you to buy into his preferred self-perception. Nina? Ashley. Julia? Ashley. The murders they commit in the course of the game? Ashley, Ashley, Ashley, it’s not his fault he’s not to blame he’s just a doormat at the beck and call of his demonic sister.

But he wants to be there. From the very outset, the very first puzzle, that’s made clear. Does anyone else remember this exchange, from right at the beginning of the game?

Ashley wants to investigate the music!

Andrew disapproves…

…Or does he?! 

Like. Listen. Okay. You do not frown when saying ‘Nope’ and then smile when saying that you’ll instead tag along if they do it if your heart is at all in the no. That’s not an objection, that’s using Ashley as his excuse. Especially if you immediately throw her the balcony key that she could not possibly have gotten from you by force (more on Andrew’s ability to use force later).

This is the very first time you control both characters together with Andrew following Ashley instead of off on his own, the first adventure, the first puzzle! 

But put a pin in that for now, let’s talk about his initial framing in Episode 2 first. Episode 1 has set us up to, generally speaking, believe the superficial framing of the siblings as portrayed in its promotional art:

The question that we then ask, right at the heart of it is… why is he a doormat? We explore this in his dream sequence in Episode 2, which does make it clear that the boy’s not okay but— it’s real easy, given the priming from Episode 1 to make you think that he’s the one with the originally functional moral compass, to think that that him being fucked up is damage done to him by Nina’s death and being bound to Ashley for his entire life. She corrupted him.

But, well, is that the case?

You're primed to ignore this as manipulation (which it is) but the best manipulation has some truth to it.

Precisely two things spur Andrew to action in the entire game, consistently — they are the fear of consequences and Ashley. And the first incident of that fear, the very first time we’re shown his seeming moral compass as a kid — the first time it’s really hammered home that it’s a fear of consequences rather than any true moral qualms is after Nina’s death. And why does he fear consequences here?

……

The ‘natural’ read that many take away from this sequence, particularly those who have only played Decay, is that Ashley browbeat him into doing this against his will, using emotional blackmail to overwhelm his objections, and then used the event itself to bind him to her forever as her personal doormat.

In a strict sense, this is true. But this doesn’t match up with the details, something the game uses shock to encourage you to overlook. That outburst is before any kind of threat has been made, and absolutely nothing either of them say anything about it being morally bad until Ashley weaponises ‘you’re a bad person’ against Andrew — morality didn’t seem to enter his mind or the equation at all until Ashley brought it up. More than that, his greatest fear and driving motivation even prior to that is, as shown above, being taken away from Ashley.

She, of course, recognises this and uses it against him. But she never needed to, it didn’t change anything about Andrew’s attachment to her, it was there to address her own insecurities.

Just like to touch on how a lot of his affirmations are preceded by him confirming her insecurities.

I adore this phrasing

There’s a second prong to this as well, to the question of ‘who really calls the shots here’ because — Andrew can, at any stage, apply an ‘ultimate veto’ of physical violence. The game is very clear to the player that that is on the table — even when they were children, when Andy swears their blood oath, he briefly considers killing her — and take note of how he ultimately got a ‘winning’ condition out of her by not specifying there wouldn’t be others and she is forced to accept that, there. Even outside of their most serious confrontations, Ashley is portrayed as having to convince, manipulate or otherwise coerce Andrew into going along with her schemes — she really can’t make him do anything, she doesn’t have the supremacy in violence and, to a lesser extent, capability that would allow her to. 

Andrew, you are like ten years old.

The truth of the matter is, Ashley can only make Andrew do anything because he lets her. I don’t mean in the sense that I’m saying abuse victims let their abusers emotionally abuse them, I mean in the sense that he is clearly considering his options on the table and choosing to discard those that could stop her, or bring an end to any of this. He needs her.

But it’s true that he hates her, too. He has to hate her, because if he doesn’t hate her, if he isn’t forced to have done this, that means… he’s responsible. And nothing, at the start of the story, is as important to Andrew as avoiding the consequences of his own actions, not even Ashley. By the midpoint, he loves her, he hates her, he can’t live without her, he wants to kill her — by the end… well, that depends if you’re on Decay or Burial, but more on that in a bit.

A great scene to study for this dynamic is the climax of Episode 1, when Andrew grabs Ashley by the throat and considers strangling her to death. She’s pushed him too far with hurtful words and assault, and he’s seemingly had enough.

It’s still framed as a question of risk, of consequences happening to him. 

Like, this is not the usual behaviour of someone who’s been pushed past their breaking point.

He tells Ashley that he wants to kill her, because she’s just going to throw another fit and that’s a risk to him. She is… not framed as being able to fight back (she does have a gun here, and more on that in a later essay, maybe). He’s so calculated in how he approaches his use of violence here, which isn’t at all what you’d expect of someone about to commit a crime of passion… but it’s very easy to overlook because of the abuser/victim narrative that the player fits his behaviour into the narrative that the game primes them to accept, brushing incongruities under the carpet.

At the start of Episode 2, we get to control Andrew for the first time, and the first obvious holes in his cover start to show. Some of this is optional — you only learn that he’s been faking having nightmares in order to share a bed with Ashley if you choose to go back into the motel room and check the bed, for example — but not all of it.

----(See reblogs for the second half)

[g0dlyunsub]

red herring.

in which spencer can’t stop teasing you about how you constantly try to draw his attention away from your rather flawed board/card game skills.

pairing :: spencer x reader

warnings :: none? some [really slight] sexual tension but it’s mostly spencer being his witty self.

word count :: 1.3k

author’s note :: second post is now up! i’m a sucker for pure fluff that involves constant bickering, especially when it involves spencer’s ginormous brain. mention of his glasses like thrice. i also just realized i missed the opportunity to title this as reid herring, but i'm too lazy to change the cover :3

accompanying song :: show me by mac ayres and chris anderson

you let out a deep sigh before you can stop yourself, and you instantly try to fake cough to mask your disappointment. spencer’s quick to notice, however, and he flashes a smile at you. his glasses hitch up slightly as his nose lightly crinkles, and you can’t help but look and admire. in comparison, your smile is always turned downwards and you’ve never felt comfortable displaying a wide smile like his. 

you’d find his smile to be refreshing any other day, but right now, it’s more of a nuisance than anything. 

“what, can’t admit that you’ve lost the last seven games of chess?” spencer chuckles playfully and rests his chin on his hand. 

you huff in frustration and tap the table with your index finger. “you’ve been playing this game since like what, when you were a week old? your elo rating is probably well above candidate masters and-”

“so what else do you want to try? i’ve handicapped my queen, my bishop, do you want a rook gone next?” the rim of spencer’s glasses gleams under the lighting as he asks, and you hate how everything seems to be on his side. 

“no,” you pout, and tip over your king to surrender. “i want to play something different.” you fold your arms in front of your chest as you speak and lean back in your chair.

“you know, if it helps, i could explain the strategies i used to counter your plays. these seven- well eight games, we’ve played the italian defense three times, the caro-kann setup twice, the sicilian defense once, which is pretty impress-” you cut spencer short when you clear your throat and raise your eyebrows.

“can we not… talk about chess right now?” you pout once again, and push the chess board to the side of the table.

“well. is there anything else that you want to play?” spencer adjusts his glasses as you scratch the back of your head in contemplation.

“old maid. i’m a natural at that game,” you suggest, and you notice the corner of spencer’s lips tug into a smirk.

“oh, i bet you are. try me.” confidence oozes from his words and your heart beats just a little faster. he’s enjoying this a little too much.

“i’ll deal the cards.” you grab a deck of cards from the drawer of your desk and shuffle the cards in a swift and fluid manner.

“that’s right, in a classic two-player situation for a deck of 1 card to a deck of 51 cards, the latter of which is the standard for a game of old maid, the expected probabilities for the dealer winning are always higher than the non-dealer. if you’re really going for the win, i’d recommend playing with a smaller deck of cards, but the difference is really minimal. you’re looking at a simulated probability of 50.4 percent with 51 cards versus 51.8 percent with 23 cards.” spencer rolls the facts off his tongue like it’s common sense, and you blink rapidly in stunned confusion. he’s playing it off with a goofy smile again. ugh.

the next hour is filled mostly with intense silence, and you could swear a part of your brain was going to short circuit from mental exhaustion any minute. 

“is it… here? hm?” spencer observes your facial expressions for any note of change, but you wouldn’t give it to him. you remain unphased as his fingers trail between your cards and pull the rightmost card from your grip. 

your heart makes an ecstatic turn when he takes the old maid and it takes everything in you to suppress your smile. so much for being a profiler.

your excitement doesn’t last, however, when he slightly cocks his head to the side and starts to shuffle his cards. it’s endgame, and you might be able to come out of this with your first victory. 

you lean in ever so slightly, brushing your fingers atop each card and pausing in between. your eyes lock onto his hazel beads, and neither of you blink. 

“it’s not this card.” you move to the next card, and spencer raises an eyebrow.

“are you sure? you know, statistically speaking, when one shuffles their deck of-” your hand snakes under his cards and you lay a finger to his lips. 

“shh, i’m trying to concentrate,” you whisper, and everything goes silent. the tension between the two of you hangs suspended in the air and it’s increasingly harder for you to focus on the game. in fact, you’re thinking of everything but the cards in front of you. 

you draw in a deep breath and settle on the card that sits second to last in his right palm. when you turn the card over, a frown instantly overtakes your face. the old maid had instantly made its way back into your set of cards.

the rest of the game is torturous; each turn, spencer discards his pairs one by one, and your disappointment seeps through your loud sighs. 

you set the last card on top of the messy pile of pairs. it’s a loss, again. 

“spence, i’d beat you in any target game like darts.” you lift your head with an exhausted groan.

“you know, phil taylor, a 16-time world darts champion, is often cited to utilize geometry to his strategic advantage since he aims for the triple 20 section, which is one of the highest scoring areas of the board. it takes practice, of course, to nail the angle down, but an estimation of the dart's projectile motion offers great leverage to your precision.” he looks at you as you start to stack up the cards and stuff them back into their case.

after a pause, he continues: “can i not impress my favorite person once in a while?" he reaches for your hand to interlace his fingers with yours. 

his thumb rubs the cave between your thumb and index finger in a circular motion, and you feel your body relax under his touch. you suppress your excitement at the mention of the word favorite by pursing your lips.

“you always impress me, spence. wait – hey, is that a red herring, coming from you?” you question, pulling his hand towards you.

“perhaps. and i’ll actually address mine, unlike a certain someone…” a sly grin spreads across his face.

“but what about that one time you-” you start, raising your other hand to contest. 

“hm. interesting. that’s your first whataboutist reply in two days,” spencer cuts you off short. what an actual jerk.

he breaks into a small fit of laughter before he waves his hand to control himself. you, on the other hand, aren’t impressed. he stands, his figure towering over you as you remain seated.

“come on, let’s grab a cup of coffee before we head out for the weekend. i’ll walk you home.” spencer motions for you to get up, and you reluctantly follow suit. you’re glad you could spend more time with the witty doctor, but you hadn’t expected to accumulate even more stress after work was over. a cup of coffee is exactly what you need to get a moment of relaxation.

he hands you your cup of coffee and turns to face you while stirring his drink with a coffee stick.

“hey, uh, listen. it’s been really nice playing with you today, and if you wanted to play again sometime, talk about strategies, stuff like that…” he trails off, watching you as you take a sip of your hot drink.

“of course, if you’ll ever consider adopting me as your apprentice,” you jokingly respond, and a glimmer surfaces in his eyes. before he can respond, you lean in and embrace him. 

“i’m just kidding. invite me for a card game any time.” you look up so your forehead sits right under his chin. he’s surprised at your sudden move, but he sets his cup down and returns the hug.

“poker next?” 

“oh hell no. get out of here.” you laugh and take his hand as you walk out of the office while he desperately scrambles for his cup with his free hand. both of your laughs echo down the hallway and trail behind as the elevator doors close.

[becauseimanicequeen]

The Timelines in 4 Minutes

Since the Olympics are finally over, and I have three episodes of 4 Minutes to go on, I thought I would spend some time trying to figure out the timelines.

I'm someone who figures out what I want to say by writing it out, so this post will most likely be me "thinking out loud" and drawing conclusions as I go, and then, at the end, I'll have a clearer view of the timelines (hopefully).

(This is most likely going to be one long-ass post, so beware.)

Let's start with some initial notes before I dive into the fun stuff.

The contents of this post may be influenced by some of my theories (pre-premiere theories, episode 1, episode 2, episode 3), and I might come up with new ones as I write this post (they will be highlighted in purple so possible readers of this mammoth post can choose to ignore them if they want, lol), but my focus is primarily on the timelines themselves and, perhaps, on the passing of time throughout the episodes as well.

As I start this post, I believe there are 3 timelines (which are subject to change as I continue to write):

The present timeline, which is what starts off both the 1st and the 2nd episodes (these are events from the future from our current vantage point).

The 4-minute timeline, which is where Great changes things (I've previously called this the OOBE timeline, since I believe Great is having an out-of-body experience and is "reliving" his past).

Then there's a possible third timeline (I've previously thought it might've been the real past, which showed us events that actually happened in the past paralleled with the 4-minute timeline) but I'm most unsure about this one, so I'll just call it the 3rd timeline until my thoughts are more clear about it.

Now... Where the hell do I start?

Time

It might be a good idea to start with the clues that there are different timelines at play and then dive deeper into the episodes to figure out what's happening.

Besides the obvious clues that Great is sent back in time when he has his moments of the 4-minute phenomenon (4MP), there are other clues that different timelines are at play.

The first clue shows up in the Korn and Tonkla scene from the 1st episode and all the way through to the scene where Korn drops Great off at his place after their family dinner.

This is where I'll be crazy about the details (but I'm a hundred percent sure they matter, especially since this whole show is about time), but if we look at Korn's watch when he arrives at Tonkla's place, it says 7:15-ish pm.

Later, when Tonkla wants a second round, it says 8:55 pm.

Then they get interrupted because Korn's dad wants him home for dinner. They have their family dinner, and then, when Korn drops Great off at his condo after dinner, Korn's watch says 7:15-ish while the clock on Great's phone says 07:13.

(Great already has issues with time, which I believe is the effect of him having a cardiac arrest at 11:00 in the present, but the time anomaly in this particular sequence is different than Great seeing 11:00 and counting when he's alone.)

This whole sequence is meant to be the same day Great hit Manee with his car. All of them (even the dad and Great's mom) are wearing the same clothes they wore when introduced throughout that very same day. Yet, the times on the visible watches and clocks tell us something strange is going on.

(Could this just be me overanalyzing the watches and clocks? Sure. But the interesting thing is that the time is still consistent in the sequence with Korn and Tonkla. It would make sense that they talk, then fuck, and then lie there butt ass naked and cuddling for a total of 1 h 40 min. And, again, considering this show is about time, I trust that the creators have been meticulous about those details, even if it means changing the time on the watches and clocks for every new take if needed.)

Considering what I wrote above, I might start calling the 3rd timeline Tonkla's timeline, because I feel like it revolves around him.

Either way, I will focus on the 4-minute timeline and the third one in particular because I don't see a possible 4th one right now (I might by the end of this post, though, lol).

The question is, then, how we can determine which scenes belong to which timelines. I will get to that further below, because first...

Let’s look at some more details I’ve noticed.

Blurry Edges

One of those details is the dreamy, blurry edges (I'm sure there's a technical term for this, but I have no idea what that might be, I'm just guessing that they're adding it in post-production, but don't quote me on that). Much of the show has a dreamy feel overall, but I'm talking about the blurry edges in particular.

I've noticed blurry edges in the following scenes:

When Great feels iffy in the elevator (ep 1)

I'm pretty sure there's some of it happening in the scene when Tyme is treating Manee, both in the ER and in the OR during the surgery (ep 1)

At the family dinner when Great's mom tells him he should go see Manee at the hospital (ep 1)

When Great feels iffy at the hospital before his second 4MP (ep 1)

When Great is sitting in Title's car talking about where View is (ep 2)

I'm not sure about this one since it's hard to tell because it's dark, but it might be used in the scene where Title beats the shit out of Dome (ep 2)

When Great brings Dome into the hospital (ep 2)

When Korn is having a meeting with Fasai and her dad (ep 2)

When Great feels iffy and has his fourth 4MP at the basketball court (ep 3)

When Win reads through Tonkla's brother's social media posts and comments, which is a memory of him doing it (ep 3)

And I'm pretty sure we're getting more of this since there were scenes in the trailer that had those blurry edges as well, for example:

The pattern I'm seeing with these scenes (if we exclude the first scene in the elevator, Korn's meeting with Fasai, and Win's memories, the latter might've had blurry edges just because it was his memory, btw) is that each scene has something to do with Great's 4MP, before the rewind and/or after the rewind.

(Perhaps the reason for the blurry edges showing up in Korn's scene is because he's the possible third character that's having an OOBE. And if this theory is true, there's a possibility that there's yet another timeline/reality/perspective present that entwines with both Tonkla's and Great's timelines.)

There are also the tilting camera shots (mostly showing up in scenes with Great), which I might get into next week as I continue to build on this post.

But, what does all this with the blurry edges mean?

I have no fucking clue.

Perhaps it's just meant to show that things aren't what they seem. Perhaps it's meant to show which characters are experiencing OOBEs (Great, Tyme, and possibly Korn)? Perhaps it's meant to show moments that are affected by Great changing them through his 4MP? Again, I have no fucking clue, yet (but it might start to get clearer as we get more episodes).

So, moving on...

Different Realities/Parallel Worlds/POVs?

There is another aspect to this whole timelines discussion I'm having with myself that I want to bring up. And that's the clues I've found that support the possibility of different realities/parallel worlds/different point-of-views. I'm not sure what to call them, yet.

So, let's dive into the moments I'm referring to and try and figure it out.

The second time Great experiences his 4MP, he goes to the ER's front desk and we're shown the nurse's actual desk where there's a clock that we're supposed to focus on because it's telling us that time will do weird shit again.

The moment Great has been sent back in time (after being in Manee's room), he's standing in the same position, looking down at the clock on the desk, and realizes it's happened again (just like when he hit Manee). However, this time, the things on the desk are different.

The time on the clock is the same, but the mirror is in a different position, 75 has turned to 74 (I'm not sure what these numbers mean), 77F has turned to 76F (which I'm guessing are Fahrenheit degrees), and the pink, blue, and yellow papers are lying on top of the folder the second time around.

If Great was sent back in time to the exact moment he was in before he went to Manee's room, the things on the desk would've been in the same place, right? So, he might not even have been sent back to the reality he was in before this 4MP happened.

Another clue is the sunrise and the sunset artworks on the wall at the hospital. We often see them by the entryway:

Then, in the 2nd episode, it looks like at least the right one is hanging outside Manee's room (which we've seen isn't anywhere near the front desk since Great had to walk around a bend to get to her room in the first episode).

Could they have more than one of those artworks in the hospital? Sure. So, take this with a grain of salt.

(Btw, I find those artworks so fascinating because sunrises are usually cooler (more blueish) while sunsets are usually warmer (more red/orangeish). But from our perspective, looking at them straight on, the warmer artwork has the sun setting in the west while the cooler artwork has the sun rising in the east. And, since the eye in left-to-right reading cultures often automatically goes from left to right, it's interesting that the sunset comes first and then the sunrise. Perhaps it's to show that the world is turned upside down now that Great is having these weird experiences. Or perhaps it's to show that the time between the sunset and sunrise will be important for Great and Tyme since Great watches Tyme pass those artworks (from sunset to sunrise) the first time he has visions of them having sex. But, I digress...)

Another set of clues is in the scene with Great and Tyme sitting on the bleachers by the basketball court and Great has another 4MP in the third episode.

The first time we see this wide shot, there are 5 people (excluding Great and Tyme):

4 of them are wearing white shirts (one with a darker cardigan), and they sit on Great's side. One wears a blue shirt and sits on Tyme's side. This is where Great asks Tyme why he didn't call before coming to the University.

As they continue to talk (and the camera shot is closer to them), you can see the top of the head of a girl walking towards the bleachers. There's also another person walking by, waving, but he's walking right past them rather than towards the bleachers.

Then, as Great thanks Tyme for the Thai tea and gets up to leave, we get this wide shot. The only difference here is that the girl who walked towards the bleachers is now sitting next to her friend. That seems logical, right?

But, then Great has his rewind, and he comes back to the moment where Tyme reminds Great to get his wound treated. Great tells Tyme about his precognition and Tyme tells Great that he will consult with one of his doctor friends. Then, as Tyme stands up to leave, we get this wide shot:

The two girls at the bottom left are in the same position but the girls two steps above and to the far left are different, the boy and the girl next to them are new, and the boy with the white shirt to the right is the same boy that sat on Great's side previously.

Coincidence?

Well... After Tyme tells Great that he can call him Tyme rather than Doctor, and Great says that they should grab something to eat after he gets his wound treated, we get this shot:

Now we're back to the original two girls to the left, there are new boys wearing black on the bottom left, and the boy in blue is back again. That's a lot of moving around in such a short time.

The only things that stay consistent in all of the shots are the bags (except for one of them) and bottles.

So, what's going on? Is this another one of those things that happened at the hospital where Great was sent back to a reality where things were different from the reality he was in before the 4MP?

Is the show giving us different perspectives? For example, Great's perspective before his 4MP, Tyme's perspective when he says he'll talk to Den, and Great's perspective again when Tyme has left? That could work for the hospital example as well since it was from Great’s perspective before the 4MP but turned into Tyme’s after the 4MP as he asked the nurse at the front desk who the guy that bumped into him was.

Or is the show just underlining how strange everything is during the 4-minute timeline (and Great's possible OOBE)?

Well, the latter might not be it because clues like this don't just show up when Great is around.

In the first episode when Korn comes to Tonkla's place, Tonkla's laptop shows he has something blue and yellow on his screen:

Then the screen is black as if it's been turned off:

Later, when it cuts to them lying naked on the sofa, it's just white:

Also, notice how the small spotlight behind the desk is positioned differently and pointing in another direction on the desk than in the first image above.

Could it be that Tonkla simply used the laptop and moved the lamp between them having sex and lying there? Sure. Again, if we look at Korn's watch from the beginning of this whole sequence (7:15-ish pm) to when Tonkla wants a second round (8:55 pm), we know he had 1 h 40 min to rearrange things and do stuff on that laptop.

But, you know, unless the house is on fire, who would move from that spot on top their sugar daddy who is lying there deliciously naked? And especially to do some stuff on a laptop? Fuck technology (the not-so-good kind of fuck) and fuck your sugar daddy instead (the deliciously bad kind of fuck). We all know Tonkla wants to. But, I digress...

Take this detail with a grain of salt if you want to (or a whole fistful). For me, though, this shows that there's a possibility that changes and inconsistencies like this aren't just happening around Great. And (to my crazy mind, at least), that it might be two timelines showing up throughout this particular sequence between Korn and Tonkla.

24 Hour vs AM/PM Clock Settings

And on the topic of inconsistencies... Another thing I want to point out is the inconsistencies with the digital clocks when it comes to them being 24-hour clocks or set to the am/pm thing.

The hospital seems to have a 24-hour setting in some cases:

But not in others:

This could be in the morning, of course, and the darkness outside Manee's window might just be because of the thunder/lightning storm (but I still think it's night rather than morning).

And then we also have Great (who, to be fair, has a special relationship to time in this show), who sees 11:00/11:02 both in the morning and at night:

And the am/pm thing is on his phone when Korn drops him off:

Even though his phone seems to have the 24-hour setting:

More than once:

But, again, Great clearly has issues with time and clocks/watches. So, this might just be a way to show how confusing it is to him.

But, what if it isn't? What if it's an indication that several realities are entwining? (Okay, I feel like I'm going with the term "realities" when it comes to this.)

My Timelines So Far

So, what are my conclusions after watching the first 3 episodes?

At this point, I think there are 3 timelines:

The present timeline.

The 4-minute timeline.

The real past/Tonkla's timeline (which is meant to show us the real past events that happened, most of it from Tonkla's perspective).

Having Tonkla's timeline be the real past is possible considering the inconsistencies in time during the Korn and Tonkla scene and then the Korn and Great scene in the 1st episode.

And before someone says this doesn't make sense because of all the missed calls Korn has (if anyone is still reading this, lol)... Well, that's because Korn exists in both timelines and the scene when he looks at the missed calls in that bathroom in the 3rd episode:

Could be the 4-minute timeline rather than Tonkla's timeline (the real past). That could make sense because all we've seen of Tonkla since Korn told him off over the phone is him waiting by his phone for Korn to call.

We never saw Tonkla call Korn again after being told off.

On the flip side, if Korn is in the real past when he looks at those missed calls in episode 3, it would make sense that when he wants to call Tonkla while he's waiting for Great at the bar (in the 4-minute timeline), the icons on the top right of his phone are different from the phone he looked at in the bathroom:

(Am I getting too crazy about this? Yes. Do I care? No, because it's fun.)

Could he be using different phones? Yes. Could those icons change depending on where he is and what settings he's using? Sure (I'm not familiar with Samsung phones so I have no idea what most of those icons mean). But it could also mean that we're seeing Korn in different timelines in these two scenes, which makes it possible for Tonkla's timeline to show us the real past.

(I personally prefer the option that the scene with Korn looking at the missed calls is from Tonkla's timeline (the real past) while Korn almost calling Tonkla in the bar, and then smiling at his phone as he's going to the bathroom, is from the 4-minute timeline where Tonkla's brother (who I believe is Dome) hasn't been killed.)

Also, I think showing us the real past is a smart way to show us what leads up to Tonkla beating the shit out of someone.

(I believe that scene is from the real timeline, and whoever he's beating with that rock, might have an effect on the things that are happening right now. I'm not sure what kind of effect, though. Perhaps it's a possible third person experiencing an OOBE and "living" in the 4-minute timeline. Perhaps Great is going through this OOBE to prevent that murder from happening after he wakes up (if he ever does). I'm not sure at this point.)

So, that's where I'm at with the timelines after 3 episodes.

And, when it comes to the inconsistencies in certain scenes, the easy answer is that they are just meant to show that this whole 4-minute timeline is an inconsistent mess of (what I believe to be) Great's OOBE.

But, I would personally find it more interesting if these inconsistencies (like all the people around Great and Tyme changing in that scene at the basketball court) are evidence that there is more than one character experiencing an OOBE and that the inconsistencies shown are there because the characters have different perspectives of the events happening.

Now, I had planned to make a flowchart of the scenes in each episode divided into the three different timelines I've written about above. But, I want to get this post out before the 4th episode drops tomorrow, and I just don't have time to make the flowchart before that (or enough images left in this post to fit something like a flowchart in it before I hit the pesky limit). So I'll wait with that chart until next week instead (when I'll continue to build on this post in a reblog).

Waiting to create and post the flowchart until after the new episode tomorrow also gives me another episode to nerd out about. It's a win-win for me.

[kit-kat-jo]

My Murder Drones Finale analysis… 1/2 - 2/2

i stayed up until 2 am with friends last night (who i roped into binging the series with me) freaking the fuck out and theorizing, so next morning post hello!

i am FAR from done with this series, it’s been my hyperfixation and comfort show for over a year, and i pray y’all don’t die out too quickly because i have so much left to share. This show and community has blessed me in so many ways, and no way I’m letting it go just yet.

so now, of course, my frame by frame crazy analysis! ready? cool!

spoilers of course!

firstly i love how the first character they hone in on is the teacher, just laying on his desk and accepting his fate. like “really?……. ok. i guess.” fucking hilarious. man is so done.

the solver straight up pulling a Cluster from Steven Universe is not what i expected…. but so on brand. truthfully i don’t understand how in the end, uzi killed THIS whole fucking thing too when swallowing the [null], but if this finale proved anything to me its that about fifty loose ends are kept loose. and that’s… oddly okay with me?

you spin me like a ballerinaaa-

on my first rewatch i realized she tried to yell out “MOM!” in the vacuums of space… what if i just fucking cry?

mother daughter bonding… i’m so glad they have the chance to properly meet. :’) give this woman a drone body post finale so she can give her girl a hug…

SPACESHIP PILOOOTTT!! i love how all the fan content of N pulling Uzi from space into a ship came to fruition! it makes my little heart happy!!

proud of N here for being mad at her!! it doesn’t last long like i knew it wouldn’t, but still.

another thing i realized in my rewatch is that he stops being mad as SOON as he sees her cry? STOPPP😭💔

and yeaahhhh that doesn't last long.

CLOSEST to a walle kiss i got. and i’m HAPPY with it!!!!! just uh... gonna draw in that little spark later...

solver said: stop being straight :)

this whole scene makes my heart SCREAM, they’re so goofy and awkward and cute, they’re dating!!! i’m so proud of them!! them continuing to do coupley things throughout the fights coming next was absolutely too much.

oh you…. you hear something guys?? YOU SEE THAT?

MY WIFE LIVES!!!!! “itd be better if she stays dead nehnehneh” /lh NUH UH!!!!!!!! ANDDD she’s riding in on the fucking sentinel! my life…. my life is complete…. and i heard that “will it ever end for me,” so Eternal Dream IS one hundred percent HER song!

Oh, V. “We were supposed to get away, J! You said we do our jobs on this planet, and it leaves us alone!” as soon as this was said, i REALIZED. and oh, my GOD, all of V’s actions make so much sense now. J, as the leader of the squad, led V to believe that if they all did their jobs, killed blindly until no drone was left, cyn would leave her and N alone. no more messing with them, tearing them open, mutilating them and traumatizing them. as long as she made N do his job, he would be safe. I’M GONNA BE SO FUCKING SICK!!!!! J mislead them this whole time and was on the solver’s side! she knew tessa was long gone! as much as i wanted a J plot where she realizes she’s on the wrong side, i can’t say i wasn’t secretly expecting something like this.

“There’s no escape, even in death!” J has given up. she sided with the solver to end her own suffering. she sided with the abomination that was tearing them apart, tired of fighting against it. Oh, J. That’s so tragic. Fucked up what you put your teammates through, though.

the aforementioned coupley stuff. YAAAAAAALLLLLLLLUHHH. get a room

now to the fucked up shit. can i just say how much i love cyn’s animations here? she’s so fucked up. love her

you did a lot more than hurt his feelings girlie, LOOK AT HIM! his pure, horrific fear here actually broke me.

ran out of space for images! here pt 2!

[yaeggravate]

Unraveling Princess Fischl

So I recently finished studying Princess Fischl in a lab and the results I got were kinda crazy.

As a disclaimer, I do this just for fun. I like connecting dots and solving puzzles. But I'd rather you draw your own conclusions. In this post I will try to dissect the mysteries surrounding the Prinzessin. And you really can't talk about Fischl without including Kaeya. I've even got a surprise guest star for you.

WARNING: this post is VERY long, click on that Read More at your own risk, otherwise you'll be stuck scrolling forever.

For simplicity's sake Princess Fischl will be referred to as Fischl while playable Fischl will be demoted to F.

PART 1: MIDSUMMMER NIGHT'S DREAM

Most of this will use the books Legend of the Shattered Halberd and Flowers for Princess Fischl as a source. These books are authored by someone named Mr. Nine. The books are published by Yae Publishing House. So keep in mind there's a non-zero percent chance Mr. Nine is actually just a certain Nine-Tailed Fox.

F's alternate outfit is called Immernachtstraum. This is a reference to Shakespeare's play Midsummer Night's Dream. In German the play is called Ein Sommernachtstraum. So you can see the similarities (Immernachtstraum means Eternal Night's Dream.)

Kaeya is in part based on the Indian changeling prince from the same play. The character Oberon, the Fairy King, is the french derivative of Alberich. The play itself is basically about people getting into Shenanigans so absurd it might as well be a dream. Oberon and his wife Titania are actually key players in quite a bit of different media… But as much as I want to delve into that, this isn't a Kaeya post.

Just remember for now that Titania is the Fairy Queen.

In the book Flowers for Princess Fischl, there is a mention of a Sommernachtgarten. It is described as a Domain possessed by someone highly skilled in the magical arts. Sommernachtgarten seems to have existed in Teyvat. The domain Midsummer Courtyard, which has the Thundering Fury set, tells us the Sommernachtgarten was buried underground.

The domain is located in Starfell Valley. It's nearby Starfell Lake and Starsnatch Cliff. Starfell Lake is said to have been formed by a fallen star.

Fischl is also equated to a star that fell down. Notably, in F's birthday letters, and in Legend of the Shattered Halberd.

Birthday Letter: Day of Destiny… On the day of a sacred star's descent from the depths of the night sky into this realm, I, the Prinzessin der Verurteilung, have asked Oz to cross the ocean and bring, me exotic treasure.

LotSH Vol. 1 The story was that an iron meteorite had fallen from the sky five or six years ago, and convention dictated that as nature's treasure it belonged to the imperial family.

Starsnatch Cliff is the only place where Cecilia flowers grow. These flowers have a triquetra shape, which is similar to Kaeya's passive talent Glacial Heart. Kaeya has been featured with these flowers in his birthday arts, and even invites the Traveler to go see the flowers with him.

Alice: With enough bombs placed in proper positions, even huge cliffs like Starsnatch would crumble into dust in a second. With flatter terrain, Mondstadt would surely look much nicer. But that unctuous Cavalry Captain rejected my proposal instantly. He even asked me to stay away from Starsnatch Cliff.

Furthermore, when Alice proposed to blow Starsnatch Cliff up, Kaeya denied her request and warned her to never go near there again… Starsnatch Cliff also overlooks the Nameless Island which is shrouded in mist and invisible on the map.

菲谢尔 = Fischer = Fischl

Fischl's name might be a reference to the Fisher King from Arthurian legends. One name of the Fisher King is Amfortas. In the game Anfortas is the name of the Knight Marshal of the Schwanenritter; he's thee Alberich who stepped up as Regent King when Irmin was indisposed.

Perhaps Fischl was the original "Fisher King" and the kings who came after her, like Irmin and Anfortas, fulfilled her role. …But this would imply Fischl was once the ruler of Khaenri'ah. That would be crazy, right? Right, guys?

PART 2: THE PRINCESS OF JUDGEMENT

When I was analyzing the 8-pointed star, I discovered these 8 points could actually correspond to the Guardians of the Eight Directions in Hinduism.

For some reason, ascension gem stones are named after Hindu gods (with the exception of Electro). This isn't the case in the original Chinese naming however.

Still, I tried to mix and match the gemstones to a direction.

North: Kubera, The God of Fortune -> GEO

South: Yama, The God of Justice and Death -> ???

East: Indra, The Lord of Heaven and God of the Weather, Sky, Rain, and Storms -> ELECTRO

West: Varuna, God of the Seas, Oceans, and Rain -> HYDRO

Northeast: Ishana, God of Birth, Death, Resurrection, and Time -> DENDRO

Southeast: Agni, God of Fire -> PYRO

Northwest: Vayu, God of the Winds and Air -> ANEMO

Southwest: Nirṛta, God of Death, Sorrow, and Decay -> CRYO

Hydro (Varunada), Pyro (Agnidus) and Anemo (Vayuda) gems already have the same names as the Hindu gods so that was easy. The Electro gemstone Vajrada is named after a sword but it belongs to Indra, God of Weather, Rain and Storms.

That just left me with Cryo (Shivada), Geo (Prithiva) and Dendro (Nagadus). Ishana is the God of Birth, so I'll assign him Dendro. Kubera is the God of Fortune which is Geo because Mora.

Now Cryo is a bit puzzling, because it's named after Shiva, who in Java and Bali Hinduism is actually the direction in the center. Some crazy implications here for our buddy the Tsaritsa because Shiva is the God of Destruction within the Trimurti, a trinity of deities. The other two are Brahma, God of Creation and Vishnu, God of Preservation.

In Java Hinduism, Brahma and Vishnu would correspond to the directions Zenith (South) and Nadir (North). Whether this is hinting at something about the nature of the Tsaritsa is unclear. When you see Three Deities you think Moon Sisters, right? However, we can't rule out the possibility that Genshin decided to mix these deities up. Let's just spare ourselves the headache for now and forget about this. This is a Fischl analysis after all.

So instead, let's have a look at the Cryo gemstone's original name in Chinese. The stone is simply called Grieving Ice.

哀叙冰玉: Grieving Ice

Since Nirriti is the God of Sorrow, I decided to assign them Cryo. Now we are left with one deity, Yama: The God of Justice and Death. Well, it can't be Hydro, because we already assigned them to a God. So it has to be someone else.

Fischl's title is the Prinzessin der Verurteilung. Which translates into Princess of Judgement. According to Legend of the Shattered Halberd and F's voicelines, Fischl's role was to act as a judge.

More About Fischl: I To condemn the guilty, to sanctify the just, and to draw all castaway dreams into the embrace of the infinite Immernachtreich. This is the birthright of the Prinzessin der Verurteilung, and her burden. None may gainsay it.

What's interesting is that Fischl uses magical arrows to shoot down the "enemies of fate".

About Us: Shooting Down the World Beast Should this world, like a beast prowling in the night, covet your dreams, then I, Prinzessin der Verurteilung, shall fell it with my ensorcelled arrows of judgment!

Feelings About Ascension: Intro My magic arrow cries out my holy name as it streaks through the night, praying that the violet lightning of retribution shall strike the enemies of fate down from the skies!

On the 8-pointed star, there's an arrow pointing upwards. Kaeya, Clothar and Halfdan's stars on their outfits and even F herself have the arrow pointing downwards.

The achievement you get when you find this door is called "Abandon All Hope Ye Who Enter Here". Which is a reference to the entrance to Hell in Dante's Inferno.

The Immernachtreich is described as a place where all things will eventually flow into. Immernachtreich literally translates into Eternal Night Realm…

Flowers for Princess Fischl: Phantasmagoria Every good, bright and noble thing must eventually fall to inexorable entropic destruction, and the final destination of the universe is the realm-in-waiting of the Prinzessin, Immernachtreich. This is the fate of all worlds, of the universe, and all who live in it.

In the Immernachtreich Apokalypse, Leon calls Fischl the Soteria.

Soteria means salvation, preservation. It's used as an epithet for Persephone and Hecate. Persephone was forcibly made Queen of the Underworld, and Hecate is also known as the Goddess of the Underworld and Witchcraft…

Look, I don't want to claim Fischl was the secret 8th Archon or anything, because lest we forget Khaenri'ah was a godless nation who would've been Fischl's enemies. But why then would Khaenri'ah have this giant star referencing the 8 deities as their emblem in the first place? Seems a bit counterintuitive. I don't have the answers for now, and perhaps the 8th "archon" was simply Irmin. Or maybe it's not even representing a god but an element or a direction.

Regarding Oz, he is a not so subtle reference to Odin/Irmin but is also a reference to the Wizard of Oz. In the first book, it was revealed this wizard was literally just some guy pretending to be powerful. Eventually Oz starts working as an advisor for the true ruler of Oz, Princess Ozma, who is the inspiration behind Fischl. We'll get back to that later.

This Oz's full name is Oscar Zoroaster Phadrig Isaac Norman Henkle Emmannuel Ambroise Diggs. OZ is actually short for Oscar Zoroaster. Zoroaster is referenced in Flowers for Princess Fischl.

In a distant causality, if the philosopher Zarathustra was not chosen, then the opera writer would have gained victory in the contest over the will of the world.

This does make you wonder if Irmin really was the true ruler of Khaenri'ah and if he even existed the way we believe he did. Perhaps Fischl got Irminsnapped and now everyone believes Irmin was always the One-Eyed King.

Of course this is all my personal speculation and I could be way off here.

Wait, before we move on to next section, I want to point out something that always gets ignored:

Kaeya and Mona, when they cast their bursts, summon the same 8-pointed star. This is unique to them alone. Could there be a connection between Khaenri'ah and witchcraft? Or is either Kaeya or Mona an outlier?

PART 3: HEXENZIRKEL

In the trailer Mage's Teaparty, there are eight witches shown. However, we only know the names of six witches, and there is a chair missing at the table.

There is a slideshow where the figures of the eight witches are shown, minus Andersdottir who is represented by the book The Boar Princess.

Observe the witch on the broom and the little witch. The design of the little witch is similar to the design of a famous fictional character who got pulled into another world: Dorothy Gale from The Wizard of Oz books.

Dorothy is illustrated as having twin tails and wearing a farm girl dress. Dorothy's character was influenced by the character Alice, from the Wonderland books.

Originally I assumed Alice Genshin might be based on book Alice. However, it's the Narzissenkreuz quest that's based on the Wonderland books and Mary-Ann who takes the role of Alice.

With that in mind, could Alice Genshin actually be more of a Dorothy inspired character instead?

Now, Dorothy had a very good friend, called Princess Ozma. Ozma seems to be the inspiration behind Fischl.

So who is Ozma? I only have the Wiki to go on because I'm not about to read 40 books, but by the sound of it, Ozma is the current ruler of the realm of Oz. She is the daughter of a human king and a Fairy Queen. Her mother Lurline was the one who created Oz and turned it into a Fairy country.

Ozma took it one step further and separated Oz entirely from the outer realms making it invisible to outsiders. Everyone who enters Oz never ages.

If you're an F main I'm sure you know by now Fischl created another universe and founded paradise.

Now I want you to take a look at the witches portrayed in these circles. There are two witches holding a sphere. In F's cutscene from the Summertime Odyssey event, she is also holding a sphere which contains the Immernachtreich which you can see in the header image of this post and below.

You might think a glowing sphere represents a crystal ball to scry in, but that poses a problem since known prophet Barbeloth is probably represented by the witch holding a waterdrop, which is Hydromancy. So the glowing sphere might not necessarily mean a prophetess.

As for the identity of the other witch with the globe, I believe this could be Alice, since she was the one who created the domain/dreamscape of the Veluriyam Mirage. It could also be Rhinedottir who is creating something in a flask.

So Orb = Domain/Realm/Creation

Furthermore F's specialty food is Die Heilige Sinfonie, which has a Magic Hexagram painted on top… (Die Heilige Sinfonie translates into The Holy Symphony.) As mentioned before, the Sommernachtgarten could only be created by someone with great magical powers…

Magic Circles is Ceremonial or Arcane Magic, and according to a note left by Master Ruggiero in Bravais' study, Arcane Arts originated from a pre-Remurian civilization.

So someone must have taught humans magic. Might sound obvious, but it begs the question of WHO?

PART 4: FREYJA

To answer this question we need to dip our toes into Norse mythology. As you know, Odin is Irmin.

There was a war between two groups of gods: the Aesir and the Vanir.

Eventually they had enough and decided to exchange hostages as a peace offering. The goddess Freyja, originally part of the Vanir, joined the Aesir which would be Odin's group. As a sacrificial priestess, she was the one who taught the Aesir dark magic, which included seeing into the future. The implication here then is that Odin was taught black magic by Freyja.

This magic is known as seiðr. Seiðr is derived from *soi-to- which means rope/string. The distaff, a tool used for spinning wool, is associated with dark magic. There are images of women riding distaffs as a broom, similar to a witch riding a broomstick. To quote the Wiki: "In any case, the string relates to the "threads of fate", that the Nornir spin, measure, and cut. " Wait, that sounds familiar:

F, joining the party voice line: The threads of your fate lie in my hands!

Scholars suspect Freyja is the same person as Gullveig who was involved in the Aesir-Vanir war. Gullveig was attacked by the Aesir with spears; she died and was reborn three times. When Fischl tried to visit the Kingdom of Eternal Twilight she was also attacked by its people and "shed her blood on the sacred emblem" whatever that means. It was Oz who saved her, pledging his loyalty to her.

Freyja sometimes is conflated with another goddess named Frigg. There has been much debate whether or not these two goddesses stem from the same deity. Frigg is part of the Aesir and usually Odin's wife.

I mention this because in the book Hex and Hound, one of the characters is named after Frigg: Nottfrigga. This book is about two twin witches sharing the same body. In the book we find out that they were the daughters of a powerful witch, but witches are unable to keep more than one offspring of the same generation. This led to Nottfrigga's twin sister Magdalene eventually dying, and her using magic to sustain her sister inside a magic bracelet.

In Norse mythology, Nott is the personification of night. Nott's father is named Narfi. This really got my attention, because Fischl's full name is Fischl von Luftschloss Narfidort. (Fischl of the Castle in the Sky Narfidort.)

In the Hexenzirkel teaser, every witch is represented by a teacup (or in the case of Andersdottir, an inkbottle) but the saucer next to Nicole's teacup is empty. Since this saucer belongs to the same teaset this could mean one of the missing witches is Nicole's twin sister or a relative.

So what could Fischl's role be in all this? Perhaps she's one of the twin sisters, or their mother. Perhaps she's even an ancestor. ...Or completely unrelated to them and I'm full of shit.

PART 5: THE HARBINGERS

F's theme shares a leitmotief with the Fatui Harbingers theme.

F's theme: Sieh an, mein Sommernachtgarten! Signora's theme: Saltatio Favillae

Obviously this means Fischl is Capitano.

Composers don't do these things by accident. This is hinting at something. Either Fischl is connected to the Harbingers, was/is one of the Harbingers, or she is indeed the Tsaritsa.

Which is not as crazy as it sounds.

In Legend of the Shattered Halberd, Fischl possessed someone else's body. And if she is Freyja's equivalent, who died three times, then it's possible she could've been reborn as someone else. In the book, it was Mir who summoned Fischl into Weiyang's body and sacrificed his eye to appease her. Pierro is working for the Tsaritsa and has his right eye covered for reasons unknown. Having been a royal mage who would have had access to Khaenri'ah's restricted library, perhaps it was Pierro who summoned Fischl into the Tsaritsa's body.

The Tsaritsa is collecting the seven Gnoses, Fischl had to collect seven of the nine Ominous Swords to repair the Divine Halberd, which would be herself. She already had two of them in her possession… Could also be that the Tsaritsa is trying to revive her. This would imply Fischl is the Third Descender. Since she came from another world, this is not impossible.

The Fisher King, Fischl's possible namesake, was struck with a wound that could only be healed by a "pure fool" who would ask him the right question. ...Fatui is Latin for fools. If the Tsaritsa really is/is possessed by Fischl, then creating an organization of fools starts to make sense: the fools are her saviors.

This could also connect to the empty 10th seat within the Harbingers. The vacant spot could be a reference to the Siege Perilous, which was an empty seat reserved for the one successful in obtaining the Holy Grail by way of saving the Fisher King.

Usually this is accomplished by Percival, who later finds out his mother is the sister of the Fisher King. In the story, Percival keeps failing to return to the kingdom of the Holy Grail since it is an otherworldly place. Does that not remind you of Kaeya trying to find Khaenri'ah but failing halfway through?

Going back to Princess Ozma, an evil witch cast a spell on her that turned her into a little boy named Tippetarius. This was done to prevent Ozma from ascending to the throne. Tip was unaware of his true identity until he was transformed back into Ozma.

tippet /tĭp′ĭt/ noun A covering for the shoulders, as of fur, with long ends that hang in front.

As noted in The Marvelous Land of Oz, Chapter 23, Tip has brown colored skin.

…Kaeya, blink twice if you need help.

As a staunch hater of things that don't make sense, I highly doubt this means Kaeya is Fischl; the game would never go there. Perhaps being "Fischl" is simply hinting towards the fact that he will become one of the Fisher Kings.

That would certainly explain this random hangout ending.

Now, here's where things get really crazy.

Remember Anfortas? The Knight Marshal of the Schwanenritter who took over as regent after Irmin became indisposed? At the time of writing, Anfortas's fate remains unknown.

As said before, Anfortas is the name of the Fisher King in Arthurian legends. Fischl's name might've been a nod to that.

But it gets weirder.

T.S. Eliot's poem The Waste Land combines Arthurian legends with the legend of the Fisher King. In it, he associates the Fisher King with the tarot card Three of Staves.

The Man with Three Staves (an authentic member of the Tarot pack) I associate, quite arbitrarily, with the Fisher King himself.

…We have seen this symbol somewhere before. On the constellation wheel of the Fatui Harbingers. By process of elimination this constellation belongs to Il Capitano.

👏🏽👏🏽CONGRATULATIONS CAPITANO YOU ARE KAEYA'S NEXT TOP GRANDPA 🎉

Kidding of course, but I doubt this is a coincidence. This doesn't necessarily mean they are the same person, maybe Capitano simply mindmelded with Anfortas. It's a fantasy game, everything is possible at this point.

Wait a minute… three nails, three deaths… Uhhh maybe Fischl really did turn into Capitano.

👏🏽👏🏽CONGRATULATIONS CAPITANO YOU ARE PRINCESS DIANA'S NEXT REINCARNATION 👸🏼

PART 6: THE THIEF AND THE MAGE

Alright, for this section I want us to keep in mind the following things:

Fischl is a fallen star

Fischl may have been a mage

Fischl could be connected to Irmin and thus Khaenri'ah

The play of the Veluriyam Mirage is written by Zosimos. This play stars Kaeya as a Thief, Klee as a Mage and Idyia as a last minute heroine added to the story.

You see, Zosimos originally wanted to write a story based on rumors he'd heard about a thief and a mage. This means the play might not be entirely fictional. The problem is that Zosimos combined Idyia's backstory with the story of the Thief and the Mage, making it hard to tell which bits belong to Thief's story.

We know at least that Alice was the mage who helped Idyia. But what about the Mage who helped the Thief? Who was she? Could it have been Alice or someone else?

For that we need to consider the character Kaeya was playing. It's unknown who he is, but if Klee was playing her mom then it stands to reason Kaeya must've been playing someone connected to him. Before you get excited, this does not necessarily mean someone related to him by blood. Could also just be someone from Khaenri'ah. Heck, we don't even know the gender of the mage, for all we know they could've been a man.

Now, the soundtrack that plays during Kaeya's part is called Towers of Afrasiab. This name has come up before. In the play of Kaeya's hangout, the character he plays opposite of is called Frasiyav. The location of the Khaenri'ahn door is called Hangeh Afrasiyab.

I personally suspect Afrasiyab is either Irmin or the founder of Khaenri'ah.

Afrasiyab is a character from the Persian epic, the Shahnameh. Afrasiyab lived in an underground iron palace held up by hundreds of columns. (If you look at the architecture in Hangeh Afrasiyab, you'll see little reliefs of men holding up a ceiling above them.) Afrasiyab lacked the divine royal glory known as Khvarena and was obsessed with obtaining it. In the play they say Frasiyav lost because he lacked the blessing of god…

I mean it can't get any more obvious than that. So this could mean the dude from Kaeya's hangout was Irmin. Which does raise a bunch of questions, such as who is the identity of the Prince in this play? And why were they at war?

Should be noted in the hangout's play, Frasiyav offered hostages as a peace offering. Kind of reminds me of the war between the Aesir and Vanir… Also, Kaeya's character Prince Qubad is based on Siyavash who eventually married into Afrasiyab's family…

Towers of Afrasiyab then could refer to Khaenri'ah. In the Veluriyam play, the Thief is also from a dark realm. I hesitate making the assumption that this guy is Irmin or Kaeya's pirate grandpa so I will refer to him as simply the Thief.

In the play, the Thief witnesses a shooting star falling from the sky and follows it. However, what he finds is not a star but a young woman. Well, we know Fischl was also a star that fell down. And we know Fischl visited the Kingdom of Eternal Twilight and got bodied for her efforts. Oz took her under his wings and saved her life.

If the Thief encountered the Mage this way it would explain why the Mage helped him as a way to repay him. Perhaps the Mage taught him Arcane arts or helped him protect the "Dark Realm", who knows?

If this Mage really was Fischl and the Thief someone connected or related to Kaeya it would explain why Fischl and Kaeya seem to be connected.

About Kaeya F: His nature is obscure, his fate a mystery, and his speech a vexing tapestry woven of both fact and fiction… Perhaps he and I share the burden of mystical sight…

About Fischl  Kaeya: Hmm? You think Fischl having one eye covered is very fitting given her title of Prinzessin der Verurteilung. Hahaha, if that's the case, that must also make me a descendant of some kind of former royal lineage, no?

Furthermore, in Legend of the Shattered Halberd, Fischl's partner in crime, the man who summoned her, is named Mir. This is a reference to Mimir, the severed head from Norse mythology who acted as an advisor to Odin.

Mr. Nine states Fischl was attracted to Mir… and that Oz was more of a familiar of Fischl.

In Wagner's opera Der Ring des Nibelungen, Mimir is known as Mime, the brother of Alberich.

....😮‍💨

Well, I have to say, even after all of that, I am completely stumped. If anyone knows what's going on, let me know, because I for one would love to know WHAT'S GOING ON FOR ONCE. GIVE IT UP FOR KNOWING WHAT'S GOING ON

[gt-ridel]

writer truth and dare game: 🍬🦋 and 🎨

🍬 ⇢ post an unpopular opinion about a popular fandom character As much as I love Uncle Ingo as a concept, If we're going directly off of the game, I don't think he really cares about us any more than the average hisuian rando. ( ཀ ʖ̯ ཀ) 🦋 ⇢ share something that has been on your heart and mind lately I've been in a pretty poor state lately, so there's nothing from my heart I'd especially like to express just now. It's mostly gloomy. ╮(╯∀╰)╭ But one thing that I have been rotating in my noggin lately is starting a Patrion, since my teaching work has dropped off dramatically and I could seriously use the money. Unfortunately, I don't think that I have anything of value to offer. (:,з」∠) 🎨 ⇢ link your favourite piece of fanart and explain why you like it LITERALLY impossible to choose. What a demented question! But here are a few artists whos work I admire! NOTE: I'm pretty sure none of these people fall into this category? But just in case, I shall reiterate. I do not care about fictional drama, or if someone creates art of kinks or whatever that I don't personally like/approve of. That is literally none of my business. As long as they are not drawing child porn or something, I don't want to see your callout post. BE TOLD. In no particular order: #1 @cloudy-dreams has such a soft and appealing art style. I could look at it for hours! Her art tastes like marshmallows, and you can't change my mind. She's one hundred percent of the reason I got into Welcome Home, even though I usually like to wait until projects like this are finished before investing my time into them. #2 @nosnexus has been consistently creating INCREDIBLE Dimension 20 fan art, which is what first drew me to their account. with vibrant colors and lots of attention to small detail, both in character and background, they are WELL worth checking out! #3 @grassyneptune draws THE most beautiful Half-life character portraits I've ever seen. I wish I could do line and color work like them. *dreamy sigh* #4 @critterbitter gives every character SO much expression in their movements, they even made a gosh darn lamp instantly recognizable as a sassy mean girl. I am forever surprised and terrified by the sheer volume of quality art they manage to create in such a seemingly short amount of time. Honorable Mentions: @fronomeeps has a deceptively simple style, but once again captures a lot of character in seemingly few lines. @choochooboss is not afraid to take on complex pieces with dynamic angles and detailed backgrounds. @waywardstation moves away from the traditional anime look in their PLA art, and instead injects a style completely their own. Are they a professional illustrator? I'm not sure. But they sure could be. There are SO many others. Honestly, I could go on and on and on. But I should probably wrap the post up. Hope these were more or less satisfactory answers!

[its-in-the-woods]

Chapter Two, Life's too Short

Chapter one <- if you missed it.

Cooper howard/The Ghoul x Lucy Maclean

Post end of season 1

No beta.. I tried to edit 🫠

Ninety five percent written just tweaking

⚠️ Warning ⚠️

There will be canonically typical violence and eventually smut

+18 only

Slow burn sorta kinda

Please be nice this my first fic in almost a decade 🫣

Will eventually post on AO3 once I can get access... or where suggested 🤷🏻‍♂️

They had made it to the outpost. An outpost that was okay with Ghouls anyway. Ghoul's kind wasn't accepted at many places, the whole going feral thing was a bit of an issue. The other issue was that Lucy drew a lot of attention. Even though Lucy had done her damnest to blend in the lack of scars, having all her teeth and most of her fingers was a dead giveaway. She made sure to keep herself close to the Ghoul as he walked into the village. There weren’t many eyes that weren’t looking at them. They made a hell of a sight, a genetically engineered dog, a pre-bomb Ghoul, and Vaultie. Sounded like a lame joke Chet would make back in the vault. 

A man stood up and moved towards them as they walked past him. The hair on the back of her neck stood up. Trouble. Her brain screamed to turn around. The Ghoul had already moved, his sawed-off pointed directly at the man, men, there were at least four of them. Lucy’s hand went to her gun holster and they paused. She desperately needed to start listening to those instincts.

“I don’t know whatcha boys are thinkin' of doin', but if you don’t wanna new hole in your meat suit I suggest you. Back. The. Fuck. Up.” Ghoul punctuated the last words with a clenched teeth grimace.  The man held the gun as if it were an extension of his arm. 

The whole place was silent, the scene from when Lucy had originally met the Ghoul played out in her mind. The whole place blasted to pieces in a matter of seconds. She knew the Ghoul had zero reservations about murdering anyone who even looked at him funny.

“We aren’t looking for any trouble” Lucy swallowed, part of her hating that she was always trying to look for solutions that didn’t end in blood. 

One of them gave a near-toothless grin. “Just wanted to say hello to such a fine little thing.” His voice made her skin crawl, as the man moved towards her. “Don’t see too many smooth-skinned Vaultdwellers around these parts.”

“I am sure you’d find a better company with us then,” Another man’s eyes roamed over the Ghoul, “Unless you're a Ghoulfcker.”

The Ghoul’s face tightened, and his finger went to the trigger-

“Wait, can we please not. I don’t want company. In fact, I would actually be really flattered if you just left us alone. Because this is going to get ugly fast” Lucy sighed out rubbing the bridge of her nose. The tension in the air could be cut with a knife. Part of her had already resigned to the fact that these men were dead.

The four men looked in between each other and then went to draw. The Ghoul blasted the closest two without a second thought. Lucy had pulled and hit the third, the fourth went to bail and Dogmeat had grabbed his calf. He screamed trying to beat the dog off. Lucy aimed at the same time as the Ghoul and brains went everywhere. A bloody mess, it always ended in a bloody mess. 

"Oh for fucksakes. I let the Ghouls in an suddenly everyone's getting blown away." Hollered an older woman from the second story of a building. She was a tall imposing figure with striking red hair streaked with grey. Her clothes where a patchwork of various materials, boot knee high leather of some kind. She looked at the two of them, the only ones left out in the open.

"Well, I will be damned. Is that fuckin Coop?" The women yelled, peering down at the Ghoul.

Coop? That's what the Ghoul's name was, Lucy felt like she had heard that somewhere before. Her mind went over the name a few times trying to place it. 

Coop tucked his shotgun back into its holster, a sly grin turning one corner of his lips up. "Guilty as charged, Tracy." 

The women came out from a lower door and walked up to them. Her face was lined with sun damage and her eyes were probably green once. But now they are more pastel grey. She poked the Ghoul in the chest with a gnarled finger. He chuckled at her, they clearly had met before. 

"I just started letting you radiation suckers back in two days ago. Why the fuck are you shooting up my paying customers?" Tracy gestured to the very dead men. "Who's gonna clean this up now?"

Coop chuckled, patting Tracy on the shoulder. "You and I both know that the roaches, irradiated or not, will have those bodies picked clean by morning."

The woman glowered at him, her hands on her hips. "Supposed you're right, but can we not shoot up anyone else?" She cussed some more and spit something on the ground.

"Well if your customers were more respectful to my companion here I wouldn't have to blow them away." 

The woman's eyes narrowed and she looked over at Lucy. Graying eyes or not, the woman looked as if she could read her thoughts. 

Lucy immediately extended her hand, "Hi, my name is Lucy. I am so sorry for shooting up the place. They did draw on us first." She left out her last name, something the Ghoul had mentioned. Always keep important information to yourself. 

The woman rolled her eyes, waving her hand dismissively. "One less asshole, well guess four. Come on, let's get you two rooms and some grub."

They followed after her, already people were starting to emerge to come to pick over the dead. Lucy tried to not think about the fact they'd probably end up as food for some of the dwellers.

***

Despite Tracy's sour appearance she seemed to be fond of the Ghoul Coop. Happily, giving them both good-sized plates of chicken and something that looked like potatoes? Whatever it was it tasted good and Lucy for the first time in over a week actually ate until she was full.

There was also water. Apparently, the settlement had a spring nearby that they used for drinking water. Tracy was more than happy to tell the tale of how Coop had liberated the well for the settlement. 

“Nothing much was left of the raiders once he came through. Got us clean water and a little peace and quiet. Well as much peace as you can in this waste.” The lady said, patting Coop on the arm.“He can be a pretty big pain in the ass most days. But if there are some caps and moonshine in it he's not bad.”

Coop chuckled, “I promise to only darken your doorstep when raiders are about.”

Tracy patted his arm, “Well let me not keep yah. I have a few rooms available. Lots of folks scattered when the brotherhood knight came by.”

“When did he come by?” Lucy asked, her heart beating in her chest. It was the first time she had spoken beside, ‘Yes Ma'am’ and ‘the food is good’ 

Tracy narrowed her eyes, “Two days ago I'd say. Stole a power core from a few Traders. Bastard. Why? Are you looking for him?”

Coop cleared his throat. “Something like that. He has some information we need.”

Tracy looked between both of them for a moment. Her eyes narrowed as if she was trying to figure out exactly what they were hinting at. 

“Mmhm. Well, he was heading east.” She fiddled with an old scar on her hand. “Do you want a room with one or two beds?”

“Two beds.” Both Lucy and Ghoul reply.

*Thank you for reading and all <3 are very appreciated. *

*Chapter three *

[c0smiccom3t]

AND NOW.... FOR A SPECIAL 3RD ANNIVERSARY UPDATE. (6/1/2024)

Hello friends, hello mutuals, hello dimension dyfenders fans and hello people who like indie cartoon/comic stuff in general! Comet here. Once Again. and this time i've got something ig this year. This was supposed to release on May 29th, but due to Ren not coming back for a long time because they needed to prioritize irl stuff, of course, we had to delay it.

But, but, BUT! thankfully I had a few things ready after all, however as for some other things else, we'll get to it much later, when the moment calls. Now, let's get off with the first one.

(warning, in case this update gets too long, i'll make a part two where i'll be able to link it through here.)

You Kinda... Look Different.

You may have noticed that Dislexo looks a bit different than usual (darker skin, a bit of shorter hair, etc.), in case you're wondering why... Yeah, you're about to find out.

So, while I was thinking and drawing up some D.D related stuff, I was brainstorming a little by my lonesome. All of the sudden, as I was making a new render for a character, I was like... "Wait a minute... What if I give Dislexo a new look which is a mix between a secretary and a butler but keep it's elements from what made their design unique?" and So, the new and improved Dislexo was born!

Honestly i'm proud of what they look like now. I just hope i won't (or will) get to redesign ALL of the cast again so suddenly lol! Anyways, thats just a small change I made, nothing too big. Now, let's get on something else... which is...

Pocket Adventures' current status + how's minisode 1 coming along

You might be asking inside your minds, "i wonder when more of minisode 1 will drop", "where are the new parts?"- Well, i got the answer. It'll only come only when im completely finished. However i havent been working much on it aside from making a few pages a few months ago, but hopefully this summer i may get back to it and finish it all up if i can. The final script is 73% percent complete, as for the comic itself, let's just say its 58%. I promise you i'm taking my time with delivering everything i can for this minisode. However i might republish the minisode with the series' current artstyle if it ever comes out physically (or either when I'll have the time or energy to do it.) So, now, you may be wondering: "But Comet, what do we do while we wait." Well you're not gonna believe this.

No, it's not an extremely late april fools post! We got new stuff coming soon, recently i've been brainstorming some ideas for brand new content, and you know what? It came to me, HERE'S WHAT'S COMING!

MORE TOONIES COMING YOUR WAY!

THAT'S RIGHT, after months of hiatus, Toonies is coming back with more strips! This time, since summer's coming around, i'll try to post and make more of them and even schedule the finished ones! We got even more covers for it coming, but for now, here's one of them!

More comics are not only gonna explore more of the Dyfenders' and the Dajo Crew's everyday lives in-and-out of their superhero/Villain occupations, we are also going to focus on much more on other characters (at least some of them), and some will last for a few more pages longer! No arcs though, sorry. But hey, you're getting more wackiness as a treat! Now, i know i said this year is not gonna be big like the other two years we had, but...

NEW SPECIAL CURRENTLY IN DEVELOPMENT!

THAT'S RIGHT! We're working on a new special to commemorate our three years! Thought it'd be a nice adiction to this year, we may not reveal the logo and it's title yet, but we can tell you what the sypnosis is about!

You're all invited to the biggest night in the Omniverse, right across it's stars, cosmos, galaxies and portals! Both the Dimension Dyfenders and the Dajo-Crew are crossing the red (or should we say, blue) carpet in this brand new 3-part special! Prince Dajo-Voo has a new plan on how to take over the gala, all while he tries to self-control himself from doing the same explosive incident he did back then. The Dyfenders may be having a great time at the gala, but rest assured, they'll be sure to keep a close eye on him. Here's to a Rift-errific and (hopefully) trouble-free gala!

As a bonus, when the production on all three parts are done, we'll be posting Toonies comics related to the special, which may feature a new character who will debut later on in Pocket Adventures! We don't know when it'll exactly be out, my guesses would be either summer, september or next May 2025. But rest assured, we'll be working on it, but we won't rush it out.

So... What's next?

Honestly, i can't really tell. But I can assure you i still have so may plans for this series, plans that will be put in action in the far-off future. What i really hope to do is to make animated shorts as well, not just Toonies strips, pocket adventures minisodes and comic dubs of it. Maybe if we'll ever make a backerkit or a kickstarter for it and get a budget, it might happen (along with more VAs joining in.) Speaking of VAs, in case you're a VA and you haven't auditioned yet, anytime is the right time! (this is still a test leap, but if it succeeds it may go further.)

but for now, we're sticking to comics, and then, if possible we'll get to comic dubs and so on.

That's all for now! I hope you're all looking forward to what's coming for this series. I'm sorry that it wasnt as big as the last years, but we promise that things will arrive when they can.

Happy (LATE) third anniversary, everybody!! Thanks for reading!

By the way, HAPPY PRIDE MONTH!!

[sqwdkllr]

would you be willing to share how you do your lineart / coloring / rendering with the specific brushes?? i have a learning disability, and have trouble finding any art tutorials that give in depth explanations to what brushes they use for a specific outcome. anything can help, thank you! - 🥬

Long post time. 🍴

okay so most, if not ALL, of the tricks are hidden in the way i color and organize myself (more like lack of as you will see in the image above) the brush i have been using currently is called the flat brush, and is not a custom brush, just add like 50 percent stabilization to it and 0% jitter and its the same as mine ! promise !! after you do your flat colors you might think "huh my colors look a bit too dull but i wanted them to give a warmer tone" WELL I HAVE THE MOST AMAZING TOOL THAT PROCREATE HAS TO OFFER. The little wand at the top next to the wrench, click that and go to curves. make sure you are on the layer where all your duplicate flat colors + lineart are and mess around it. I always do this to make my colors fit what im trying to go for. super super useful !!

as for the brushes, i only tend to stick to 1 for an entire drawing but here is a list in the ways i find them more useful in just in case The brushes (all are default with only stabilization changes) - Mercury brush: quick easy way to color pick and render, texture of pastel sticks - Syrup brush: crisp lineart super clean and high sensitivity to pen pressure, texture of pixels very digital - Dry Ink: sketch and loose drawings, texture of a crayon - Flat Brush: lineart and color blending and an all around multiple use brush - Soft Brush: i only really use this to get gradients occasionally

OKAY LAST THING !! Make your canvas BIG. I make mine very very big, here are a few of the examples of the kinds of canvas sizes I use, trust me it DOES make a difference on the brushes and just in general. (Ignore the paper + face paint one I never use those lol)

OKAY SUPER LONG POST BUT I HOPE THIS HELPS SORRY IF THIS IS STILL CONFUSING

[ghostieq]

✨ Gem Hair Tutorial ✨

Hello hello! I decided to make a tutorial on how i personally create Houseki No Kuni / Land of The Lustrous hair (and bonus eyes) for any sort of gemstone character.

Here I’ll provide step by step, screenshot with screenshot for the finished product.

I’d LOVE to see your attempts with my tutorial, so dont be shy to @ me or reply this post!!

— — —

This tutorial is done in my DOODLE STYLE, not REGULAR STYLE.

Characters featured in this tutorial ARE MY OWN CHARACTERS. YOU WILL NOT CREDIT OR CLAIM THEM AS YOUR OWN.

Program Used: IbisPaintX

— — —

1.

- Insert Base / Flat color of choice.

— — —

2.

- Select a darker color from the base color.

- Draw it in simple shapes in the hair. I suggest sharpening the edges via erasing.

— — —

3.

- Set the layer to a lower opacity. Recommended percents are 75, 65, and 55.

— — —

4.

- Blur out the shapes.

- DONT FULLY BLUR THE SHAPES!! Blur the edges / sides.

- Make sure to set your blur brush to a lower opacity. 60 percent range is recommended.

— — —

5.

- Create shadows with a 2nd darker color.

- I used a custom brush by someone (i forgot unfortunately who made this brush…), but for a similar look you could use an airbrush or watercolor brush.

- On this part, set the brush to a low opacity percent. I recommend between 80 & 60.

— — —

6.

- Set your color to WHITE.

- Using that same brush for Step 5, LIGHTLY and FAINTLY speckle the hair with the white all around.

— — —

7.

- Set layer to Add.

- Once again, i am using another custom brush by someone (i cant remember this person either so so sorry). For a similar look, use a Pointillism brush.

- Get a slightly lighter hue of the base color and shade around.

- Speckle the brush allll around the hair.

— — —

8.

- Create this shading detail across parts with your regular brush.

- TRY NOT TO HAVE THESE ALL OVER IN EVERY SECTION OR STRAND!! Make it big in select areas that connect from one side of the hair to the other.

- For the color of step, use the base color but SLIGHTLY lighten it.

— — —

9.

- Blur the shit out of Step 8 shading. Make sure you can still see it somewhat!

- Make sure to your blur brush back to 100 percent opacity for this step.

— — —

10.

- Set color to WHITE once more.

- Use regular brush of choice.

- Add little highlight marks like these across select parts the hair.

— — —

11.

- Blur the ends of the previous step. Dont fully blur it; the white highlights are meant to be seen.

- Change the opacity of the highlights. I recommend 80 or 75 percent.

— — —

12.

- Set this layer to Add again.

- Using your airbrush/watercolor brush again, shade in select areas.

- Change the layer opacity to a recommended range of 85 to 60.

- OPTIONAL: Color the hair line art. Use a darker color of your base color.

— — —

✨ BONUS: Eyes ✨

1.

- Set layer to add.

- Use regular brush of choice, and use base color.

— — —

2.

- Set new layer again to Add.

- Blur the middle between base color and add base color/previous step.

- Use Pointillism brush to create the speckle effect.

- Make the bottom sparkles white. In the middle of the base color and add base color from the previous step, sparkle by that area with the base color.

- OPTIONAL: Color the eye line art.

— — —

And there you are!!! You have completed the tutorial!!! ✨✨

I tried my best with this for each and every instruction. Hope i did good!!

Again, dont be shy to @ me or reply to this post if you have attempted my tutorial. Id love to see all attempts! :]]

[acourtofthought]

Heyy, good morning!

I read several of your posts (which are divine) and, as I love your analysis, I would like to know two things:

1; What do you think of the theories (from what I've seen of the Ewriels) about Gwyn being a lightsinger?

And it is believed that the following excerpt, present in acosf in the scene in which the priestesses sing, has some “deep” meaning or clues for the future;

"The music took form behind Nesta’s eyes as the priestesses sang lyrics in languages so old, no one voiced them anymore. She saw what the song spoke of: mossy earth and golden sun, clear rivers and the deep shadows of an ancient forest."

Sorry if something seemed confusing, my English isn't very good...

Thank you very much!!! And I have to say, I really love the color coding you added into your message, my eyes are enjoying how it was all presented (and your English was excellent so no worries).

1. I think the way E/riels view the lightsinger theory is their method to eliminate Gwyn as a possible love interest for Az and that is something I completely disagree with. A way to make Gwyn evil and an excuse to explain away any draw Az might feel to her.

Could Gwyn have some sort of lightsinger heritage? I don't think it's a complete impossibility. We know that she's a quarter river nymph. We know that her grandmother seduced a High Fae male. Not that Gwyn is out there trying to seduce anyone, the sins of our elders are not the sins of our own.

But there is something in her grandmothers background to suggest that maybe she was out to "lure" the man she seduced (though we don't have enough information to know whether it was truly born from sinister intent or not) and we're told that lightsingers do lure their victims to them.

SJM did use language to describe Gwyn's song, as if it were beckoning and summoning those listening to her. It put Nesta into a bit of a trance like state which led her to the Harp.

That language could be SJM hinting at there being a power there or SJM simply telling us people get lost in the music in their world as they do ours.

Nesta tells us there's something about Gwyn she can't quite figure out just as lightsingers appear one way but end up another but again again, that could just be her setting up for Gwyn's secret father reveal

So it's not like there isn't a case to be made for her having some lightsinger in her background (though it would be a small percent) but those that claim she's be evil for it are being ignorant to literally every other power that exists in the IC.

SJM decided to give us the Valkyrie storyline in SF and Rhys tells Elain that while they could be lovely, the second they stepped into the battlefield they became bloodthirsty.

Mor is described as being bloodthirsty.

Rhys killed people at Amarantha's request.

Feyre used her powers to trick Tamlin into believe she was getting a bit too friendly with Lucien.

Feyre slipped into Lucien's mind without his knowledge.

Azriel tortures people in what Cassian tells us is a symphony of pain. He attacked Eris in a High Lord meeting when all Eris did was make a inappropriate comment.

Rhys and Feyre both used their powers to attack Ianthe for her inappropriate behaviors towards men.

Would it really matter if Gwyn was part lightsinger and could use her powers to manipulate their enemies?

How is that any worse than what the rest of the IC has done?

Just because someone has a dark power doesn't mean they'll use it on innocent people and even when some of the IC have used their powers against innocent people (like Feyre allowing Spring to fall despite what it meant for the innocent and Rhys allowing Claire to be taken by Amarantha despite knowing she was not Feyre), they are still considered the good guys regardless.

Honestly, I don't think E/riels realize that the lighsinger theory actually builds up the compatibility for Gwyn and Az considering Az struggles with the dark things he's done and Gwyn having a matching darkness would be a way they could help one another accept both the good and the bad within them.

You know, I don't know if this excerpt:

"The music took form behind Nesta’s eyes as the priestesses sang lyrics in languages so old, no one voiced them anymore. She saw what the song spoke of: mossy earth and golden sun, clear rivers and the deep shadows of an ancient forest."

Is supposed to have a deeper meaning in regards to ships but what I think it does is show us the way SJMs mind works. She has decided that "mossy earth and golden sun" are complimentary things and that is Elain and Lucien. She has decided that "clear rivers and deep shadows" pair well and Gwyn's clear eyes are described as bodies of water and deep shadows is clearly a reference to Az.

[dandelion-wings]

I know I only posted an excerpt yesterday, but I'm trying to start doing WIP Wednesdays again, so have some Lisa:

Lisa gives a non-committal hum, lowering her teacup to the table to study Jean thoughtfully. Reminded of her own cup, Jean raises it to take a long sip, drawing it out to hide her face. "I may not have been here when the two of you were young, but everyone who knew him then has commented on how different Master Diluc has become. It sounds as if it isn't just his opinions on the Knights has changed. Are you sure this isn't just nostalgia, cutie? Not that I want to get in your way, but I don't want to see you hurt. Or, given how you commit yourself to everything, to end up tied to someone who turns out not to be the right person for you." For all the falsity of her affections, Jean feels a stirring of indignation at that. To say that Diluc isn't the 'right' person seems cruel, somehow. Certainly there's no competition for the title. If no one else has appeared, in all her life, who's struck her that way--is it so wrong to settle for someone she trusts and cares for? Someone who knows and respects her, and whom she wants to help and support? Beyond simply keeping him alive. "If it is only nostalgia, we have time to determine that." Jean sits up straighter in her chair and makes an effort to let that indignation show. "I have faith that he hasn't changed so completely as to lose all of the good qualities I admire. Even now, with his dislike of the Knights, he's still working to defend Mondstadt in... ways suited to his current position." "Mhmm, the Winery's tax revenues *do* make up ten percent of our operating budget. I don't suppose I can blame him for the drop from last year, given that whole business with Stormterror." Lisa sighs dramatically, then smiles at Jean, picking up her cup again. "Don't worry, Jean, I'm not objecting. You are my good friend. I just want to be sure that he's making you happy."

Lisa/Jean is my #1 ship for them and feels like the most natural way to write them, to me (I love Jean/Kaeya but the moment Lisa appears on the scene I am magnetically drawn to the Lisa/Jean chemistry, which is one reason I've set off alone on the Lisa/Jean/Kaeya raft XD;;), but I want to avoid it in this fic because I don't want it to become a love-triangle plot. I think I have managed to filter out the ship instincts here! We'll see if I manage to carry on that way.

[66germs]

I’ll introduce myself here aswell I guess to start uhh yeya!

Hii! I’m Unluckily Lucky! More commonly known as Lucky or the person that made the Yonji turtle stomper 9000 1 percenter if a lifekind video on tt! (If that’s even considered much of a reputation huaha)

I am!! Extremely nervous to post!!! But I have been trying my best to cook up content so I’ll just grow some balls and do it at some point today

Things about me!

-I use any pronouns

-I’m born September 6 2004

-I have ASD, ADHD and anxiety (collecting these like Pokemon cards) so yeah needless to say I might be a bit of a wreck but I’m trying my best

-I’m 5’3 and my blood type AB- 😼 Do what you may with that information

-My favourite One Piece characters as you may have guessed are the Vinsmoke siblings… And Katakuri

-I watched the anime rather than reading the manga due to my poor attention span and the fact I needed background drawing noises so please don’t be too upset at me if there are some facts I might get wrong.. I did read the egghead arc though and am currently caught up, whatever was beforehand yeah no.

-Aside of OP I also find interest in RPG maker psychological/ horror games, old cartoons, vampire squids, psychology (well more like understanding how people work and their thought process, kind of like characters) and embalming. I like learning about them but am not AS knowledgeable as my main hyperfixations, that’s why I just say interest.

-My @ on most socials is chezbolz or chezboll depends which is taken but yea 👍 it’s just a bad way of typing cheese ball

-I’m a multishipper and generally don’t mind any ships (with a few exceptions but I tolerate em) though I do have my own ships that I am set on in my AUs so there’s that. I’ll be happy to indulge in conversations about other ships in private or on posts where it’s appropriate to bring up but please don’t insert them in ones that aren’t about those ships! Just a little common sense. Thank you!

That is all. I think. Yeag

[darling-to-death]

Robin the Orphan vs Robin the Caretaker  So there’s this AU created by @angrelysimpping.  It’s called the Future Corrupt Robin or Fuct!Robin AU.  Basically, PC falls into a coma or otherwise gets incapacitated for an extended period of time, and in order to protect them and pay their medical bills, Robin has this whole corruption arc and enters his villain era.  

He basically becomes Bailey 2.0, an evil, power-hungry man willing to do anything for money.  It’s a very fun AU, and I wanted to do fanart inspired by it! @banned-for-horny told me to tag them if I went through with drawing it. 

Also, Robin won that poll for which thing I should draw next, so this really worked out in my favor.  (Although technically, the poll still has a day left, but Robin’s been leading all week and by like 10 percent, so I’m gonna call it.)  

Below the read more I’m gonna put headcanons and art notes so this already long post doesn’t clutter the dash. 

1. Robin gets sunburnt a lot, because he spends so much time at the beach selling Lemonade.  But every penny he earned had to go to Bailey, so he never had profits left over to buy sunscreen.  // In the AU, I tried to make Robin paler, because now all the business he does is under the cover of night. 

2. I think Robin has the longest, prettiest eyelashes.  <3  He crossdresses, so I always kinda pictured him as a more feminine looking guy.  (Even tho obviously you don’t have to look feminine to crossdress, but this is just my personal representation of him in my mind.)  // In the AU, I think he still has that urge/hobby, so he paints his nails black and gets a bunch of piercings.  When he’s alone, he swaps out the “tough” jewelry for something cuter.  

3. I kinda worry I made Robin look too young in the first picture, but I’m happy he looks way older in the second one.  Even though I don’t think PC is in the coma for SUPER long, I think the stress would age him really fast.  He never sleeps, and he barely eats, which doesn’t help. 

4. I think Robin lost a tooth from the Garbage Dump Incident.  He was beaten pretty badly, and it’s not like Bailey’s gonna pay for dental.  So I imagine him with a gap in his smile. 

5. Haircuts cost money, so he just forgoes them.  Less money on haircare equal more money to protect PC with. 

6. Bailey is often depicted in fanart with a Snake tattoo, so I gave Robin snakes around him in the second picture.  Snakes are also a symbol of temptation and falling into sin, which is absolutely what he does in the Fuct!AU.  Also, blood money... literally.  

7. Idk if the Fuct!AU says anything about the other LIs, but sometimes I wonder what would happen to everyone else is PC went into a coma and was no longer with them.  I don’t have headcanons for everyone, but I have a couple! 

Kylar gets taken under Dr. Harper’s wing, and also becomes a doctor with a totally real medical license.  Kylar finally learns how to do hypnosis properly and uses it on the patients to get them to act like PC.  The Asylum is just full of people convinced they’re all you, so Kylar can pretend you’re still with them. 

Whitney now works at the brothel.  Now whether that’s in a willing capacity or not, I think it’s up to how high their Dominance stat was when PC fell into the coma.  He either pissed off the wrong people and got taken to the underground, or he became Briar 2.0.  I mean he already likes watching other people with PC and tries to rent her out.  Is it that far of a leap to think he becomes a pimp?   

Sydney either grows up to become a wierd teacher like his old man, or and I think this is only if you kept him pure, loses his fucking mind.  Sydney has some dialogues line about PC being the only person to not pressure him to do stuff (obviously this turns out to be untrue depending on how you play the game), but I think the combination of loses the only person who accepted him as he is and then finding out what happened to her, having his eyes fully exposed to the town, would just give him a mental breakdown and he ends up completely deranged like Morgan.  

Idk what Alex is up to, but he absolutely lost the farm.  Perhaps he is now in the unfortunate position of working for the man who destroys his life in order to not be completely destitute.  Or perhaps he just fucked off into the moor and became a hermit like Eden only with way more alcoholism.  

[verygaypurplething]

I'VE FINALLY FINISHED THIS GODFORSAKEN DRAWING AND THIS EQUALLY AS GODFORSAKEN POST

So yeah! This is my (self-insert) OC Wolfsbane Cookie!

Normally they wear glasses, I just prefer how they look without them/don't like drawing them.

Basically they did time crime for like a year (bffs with twizzly) and then took a break for a year. Now they're just fucking around with timekeeper. I haven't thought of anything specific really.

Lore dump under cut: Tw suicide

so basically Wolfsbane used to be human but they're not anymore (cookie now, obviously)

Wolfsbane (plant) is a poisonous plant occasionally used in medicine. Because of its use in medicine it gets bottled up and sold and stuff. So Wolfsbane (cookie) is going through a rough patch in their life (or one that's particularly bland) and downs like, 17 fluid ounces of wolfsbane (plant), making it a little over 1/10 of their bloodstream. I think. I'm not one hundred percent on how the digestive system works. They die though, that’s like, way over a lethal dose.

Meanwhile in another dimension dr wasabi (and timekeeper, but they just pop in here and there, they aren't leading the experiment) is trying to pull beings from another world/dimension into their own. This will usually require the person they're trying to pull have something significant about them, whether that be emotionally or physically or whatever. (I just thought that would be neat bc usually the cookie’s have a flavor or something that’s their whole deal)

Shortly after wolfsbane becomes a cookie, Timekeeper sees them and immediately recognizes that something's up with them. More specifically, that they are an anomaly. (Wolfsbane's existence is NOT sanctioned by millennial tree cookie and has NO predictable future.) Anomalies don't really occur in life forms/make up a life form; however, this is because it makes the life form extremely unstable. Nonetheless, timekeeper is hyped and kinda immediately kidnaps Wolfsbane and stabilizes them. (That's why they have the gear around their left hand! I hate drawing it but I drew it this time!) They put wolfsbane back afterwards, but does visit them numerous times in the following weeks.

After a couple weeks of Wolfsbane being, revived? I guess? Twizzly comes over (peeled carrot cookie mentions wasabi at one point during their event) and is like haha whats that. why he so eye (I don’t think it came across in the drawing, but wolfsbane has like, abnormally large eyes. Not for any important reason, i just think its funny.) and takes it on her crew because why not.

Please forgive me for using parentheses so damn much, I’m just like that. Also feel free to ask for clarification/ask any other questions!

[desultory-novice]

How would you envision the dynamic between Marx and Daroach?

I bet Daroach likes to do mischief. Could be another candidate for a "prank partner" Marx could have, perhaps?

Very interesting thought you have there, and I think you may be onto something...!

Daroach is a thief, but he is, by way of costume and mannerisms, clearly modeled on the specific concept of "the phantom thief" and all phantom thieves are multi-classed in thief + stage magician. They just are. (That Daroach has some real magic to back it up, or at least his cane is magically imbued, helps.)

And of course, Marx was originally introduced as a Marx the Magician before settling in his better known job title of Cosmic Jester. (But what is a jester but a combination clown + stage magician?) So, now we have a pair of stage magicians who are both known to be smooth talkers and insanely dexterous.

What else can we pull out of this pair?

Something that's kind of easy to read from his character but not always obvious is that Daroach seems to be... fairly old?! Maybe not as old as Doc, who he himself states as being "up in years" but when I went back through the script for Mass Attack, he's clearly been all over the place, but he's also been to Popstar in the past and studied it extensively. This man is crazy traveled...

..Or he just likes Popstar a lot. We all do!

[Take a nap, old man!]

PS: I love this image of Daroach so much. It's probably my defining Daroach image. Look at this man mouse. Look at all the emotions you can read from one sketch! I would give him treasure and watch him scurry away with it except that I know he would only truly feel satisfied if he stole it. Dess looks at Daroach like the squirrels in my yard that steal all the birdseed. I should be annoyed. I should be, but they are so much fun to watch. Dess just wants to adopt all the Kirby characters... (assuming they indeed turn out to be 8cm, that is. ^^; ) Such good blorbos, all of them..

...

AHEM! Sorry about that tangent.

The reason I bring Daroach's age up is that he is still provably "young at heart." He's kind of a big goof?! Who else would get possessed by the Lord of the Underworld and then, snickering, call Doc over... "Say, Doc? I just got an idea for a shockingly good trap! Can you...?" So, yes! I believe he would have exactly the kind of fun-loving nature necessary to enjoy... at least SOME of Marx's goofs! 

The difference that I see is mainly is that Daroach will casually and freely admit to having several (implied) fears born from (implied) bad experiences and he cares about things like danger-level. Marx seems the type who lets his nigh invulnerability (?) to lasting harm and his confidence in his schemes inform 99% percent of his bad decision making. (1) "Caution" is where they really part ways.

That and, like in my own rabbit Marx drawing, I think that should Marx ever decide to turn on his fellow-of-a-shared-profession and assume he could beat Daroach in sleight-of-hand, Daroach would swiftly make Marx regret his hubris in the most embarrassing way.

But when they're on the same page? Oh boy, look out! You're not getting out of this with either your possessions OR your dignity!

With Marx and Daroach, you've basically got the gritty (goofball) veteran stage magician and the bold upstart with no limits and no fear together. That's a classic movie team-up right there!

-

(1) Common fandom interpretations aside, it's hard to say how many of Marx's plans/tricks were bad ideas or have ended badly for him when really, Marx has only been caught/stopped twice. Once with the whole Galactic Nova incident and again (depending on how you take these posts) in the Christmas Cake incident on Twitter. Of course, cartoon logic almost always dictates that once the "frighteningly intelligent trickster" character stops being a villain and joins the good guys, his schemes get more and more goofy/harmless and far easier to interrupt than that climactic first encounter!