#i really have something for tragic characters dont i

[scorndotexe]

i've got my girlfriends (fictional men that i like in a specific way), my murderous wives (fictional women or women-adjacent that Like To Kill), and my doomed daughters (dead girls that i've adopted in my mind)

[voidedjuice]

had a dream i was in a grimdark magical girl yuri setting, so when i woke up i made it real (and bug themed)

bonus details under the cut:

So basically, a small town was secretly holding onto a box containing an evil god, that the local group of magical girls accidentally stumbled on and opened. The thing inside it wasted no time in starting to destroy the world, and for an unknown reason, one of the magical girls even joined forces with it. The rest of the girls managed to beat them, saving the world, but ended up dying from the curse it left on them soon after.

After dying, butterflies girl looped back in time before the box got opened, and decided to keep the box for herself, to make sure its evil influence (box thing yapping at you to let her out) wouldn't get to her beloved friends. Box thing constantly draws in her allies to the town to break her out & tries to convince butterflies girl to please let her out.

Also here's a really rough relationship chart for your interest:

[biblically-accurate-dca]

these are all kind of Bad but this was the best of the bunch so i am posting it :p

i've been trying to draw vanessa more... she is so important to me... sun is here too i guess

[goodwillfidgetspinner]

oh i miss drawing things where the perspective makes no sense

[andthen-light]

okay girls im going to be a little hashtag critical here but i have been ruminating LONG ENOUGH and i really really do not like that scene in the graphic novel murder on the rockport limited where lucretia recognized the umbrastaff. i understand what they were trying to do and i understand you have to change things for the medium but its kind of a disservice to both lucretia and taakos characters imo. lucretia works so hard to keep the boys from questioning things like why would she have a reaction like that. like they couldve alluded to her recognizing it but a scene like that is so in your face and it takes power away from the scene in crystal kingdom where red robe barry recognizes it. and wrt taakos character like. hes never Particularly trustful of lucretia like on a personal level but overall he trusts the bureau and lucretia until reunion tour. adding in a scene like that at that point in the story makes no sense like u cannot convince me taako would not start questioning what the directors really up to and why she had such a personal reaction.

[dangans-ur-ronpas]

i read 'the gender of mona lisa' and i feel. both extremely seen and yet incredibly infuriated

[hecksupremechips]

Girl like. The reason he said "this is how it should be" and faced death with a smile....is cuz he wanted to die. For 2 years he sat there thinking he was worthless and deserved to die. If he hadn’t be shot, his death would’ve been suicide, he was fully planning to die in a gutter somewhere undetected. When saying "this is how it should be" hes literally saying "don’t cry because I’m dying, my death is a good thing actually because I fucking suck and you are better off without me". I don’t think that’s badass even slightly, it’s actually really sad and really shitty. Shinjiro is so convinced that he deserves to die and hates the idea of anyone giving a shit about him because he literally can’t wrap his mind around the idea that he will be missed when he’s gone, that his death is a bad thing actually. And his last words were meant to be comforting because he fully did not intend for anyone to be there when he died, he intended to die alone, so he says them as a reminder that he’s not worth crying over

Personally, if it were me, if I was holding my dying best friend in my arms who was deeply depressed and suicidal and he said "this is how it should be" uh. I wouldn’t admire him for it??? Like am I losing my mind when I say the way this game handles Shinji is bad or is anyone else seeing this too 😰

[ilynpilled]

i am actually not all that opposed to certain very tragic endings for some of my faves if i sit down and dwell on it all and i am in fact morbidly drawn to some of the possibilities if executed in the right way but my problem is that after years of fandom misconstruing characterization and themes the whole thing is hard for me to separate from a visceral sense of frustration. like the way certain end points are used by some readers to further skew the text with reductive bad faith interpretations of so many things turns me off from possibilities that i might actually like if i had never engaged with the discourse

[dent-de-leon]

help i am once again thinking of ways the animated nein could avoid killing molly off so early--

[alchemiclee]

I didn't like blade at first for some reason. too edgy and emo and seemed generic like a sasuke (I never liked sasuke lmao) when I learned about yingxing, I really liked him but still didn't like blade. now I like both for some reason even if yinxing is a dumbass who did this to himself. but blade grew on me somwhow, and someone really needs to gently hold him or something. that poor man. he's so broken. give him a break 😭

[dyketubbo]

sorry to like. any of my followers who followed for qsmp just to see me be abnormal about doomsday . ive got like issues

[seilon]

i usually dont comment on these kinds of things because they shouldnt be treated with the level of weird parasocial interest they tend to be on social media generally but. claire (lil tay) was so fucking young. it doesnt take knowing her personally to feel just how jarring and genuinely tragic her sudden death is. like shit. she was only 14. she didnt even get to live her own life. sorry if this is pointless and theres no call to action or anything here but. jesus.

[gg-selvish]

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[lunarharp]

a random draft where i was ramblingg about witch hat & art to myself for myself :)

rare time i feel like actually going off about the thing i’m having fun with right now in more detail ... but not on twt where strangers might try to discuss back at me lol sorry but that is scary. (not that you even have the room to soliloquy on there)

i love how there's characters for varying types of artists to relate to. people like agott who have been adept at drawing from a young age but feel overwhelmed by feelings of not meeting their expectations. and are driven mostly by feelings of wanting to prove their worth..

people like oru who have always been around the art but now are burnt out from commissions and wondering just what they're drawing for... and ones i relate to the most personally like coco and qifrey, who started drawing at an older age to the skilled people around them. like coco i'm so happy that i'm in the world of drawing(/magic) now and excited every day but also weighed down by fears that i'll never get to what i where i need to be after starting at this late stage and also whether i'm really cut out for this....

and like qifrey i only started drawing after a narrow escape from trauma... i started drawing to make sense of what my life is now, just as he was invited by beldaruit to become a witch because it was the only safe path he could take. (although i've not been through anything quite like what he's been through... ouagh)

and there’s tetia who just wants to draw to make other people feel happy about what she’s made, to have fun, and spread hope and happiness and gratitude. who feels so happy whenever someone thanks her for what she’s created - i understand now how it feels to want to thank them for thanking her and how making art, when you get a meaningful response, can be a truly warm communal type experience. but you do need that response - her overwhelming happiness when the dragon thing was happy and she said it was the first time she’d ever felt fully appreciated for her magic and it made her soooo happy. she had been drawing until then, but it was the last puzzle in place to make her realise the breadth of what magic can be for her.

and riche who is determined to not lose the “her”-ness from her art, doesn’t want to learn new techniques and become more regular and orthodox in style if it means she feels she’s losing something... i get that!!! precious autistic-coded child... the ways we feel about our art differ depending on our own mental landscapes. hahhhh... shirahama said she began this series because she was having a conversation with artist friends about how it feels like drawing just really is magic. i mean..... it is.

i think writing feels like magic too, and i’m glad i can do both now. any creation is total magic. i’ve drawn scenes that were in my head and that’s let other people see them and if i can trust their comments about it, has moved them in some way or at least let them imagine a scene or a situation that they wouldn’t have imagined otherwise. but it’s different from just telling someone about it. when you draw something, or write something it really exists now - outside of you. THAT’S SO WEIRD.

i liked drawing a lot of takarazuka things (before i realised i got kind of burnt out drawing all this transcore stuff that people were not exactly responding to because it’s so niche and weird lmao) but drawing fanart for something that also ONLY exists in art is so special. it’s not acted by real people. like.. they’re just little people that someone drew and now i draw them too. total magic. and she gets up and draws them every day the same as me...

i love that a manga isn’t just art, it’s storytelling too. doing both writing and drawing at the same time - it feels like such a perfect and fascinating combination of skills and facets of creation. i’m better at writing than drawing, so i don’t feel like i can express my original stories well enough in comic form just yet. but i might just get there.

the world is so confusing and overwhelming and terrible every day. only creation is something i can understand. sometimes i can’t understand it - when i feel REALLY bad, it’s definitely like, what’s the point. and i wish i had more things to experience at present than just creation - i want to be outside and just feel and be as well as create. and at some point i’ll definitely stop posting my creations online. but creating has become something that i don’t need to understand the reason for it - so at those times when i wonder what the real point to any of this is.... lately, i usually still create anyway. just as you’d still breathe and sleep even though you’re hurt and confused by the horrors of the world. it’s becoming how i express myself. i find myself drawing pretty much every day because it’s part of how i make sense of shit now and i naturally want to do it. not doing it is painful.

i hope this magic continues. i hope it becomes far more wonderful than i can even imagine from here.

and i won't lose.

[hanzajesthanza]

i watched the pilot of brba the other night and it occured to me then that there is a specific kind of guy that i become obsessed with turning over and over in my head like observing a coin shine in the sunlight:

a tragic adult male figure that ends up hurting those closest to him (and/or) everyone around him, because of his own crumbling to society's expectations and pressures of him as a man, leader, patriarch, or simply as a person, and a slow succumbing to self-loathing, insanity, addiction, curse, evil, or just long-suffering... and the tragic consequences of his instability and harmful behaviors affect his family first, perhaps the ones he loves most, or the only ones which love him, before it finally gets around back to him and he begins to suffer tenfold. sometimes they are dads (biological, or adoptive), or they are something like an unofficial guardian to a child, or they *would* have had a child had it not been for their behavior. sometimes there's a redemption arc or redeemable qualities, and sometimes there's just a slow demise.

[reikunrei]

tatsuya kato was really the one carrying all the weight of fs2 like. the movie sucked ass but the music is still SO GOOD the ost for all of free! is so sososososooooo so so good