I get so frustrated by "yeah make vampires scary again" stuff every time a vampire movie has a "monster" vampire (Nosferatu, Voyage of the Demeter, etc). It reeks of an attitude that thinks all horror is about something being ugly and horrifying on the outside. If you can't see the horror in Interview With the Vampire, or a Jean Rollin film, or The Hunger, or Carmilla, or the vampire sections of Baldur's Gate because they are attractive that is absolutely an issue on your end. There is such a rich well of themes to dig into with horror and vampires, especially where sex and romance are concerned, but people are so desperate to separate romance and horror. The despair of being frozen as a child even while your mind matures, the loneliness of an eternity alone, the terror of eternal hunger that can't be sated, the awful seduction by something beautiful but monstrous. Trying to turn vampires into just any other monster doesn't make them more horrifying, its just a more kind of overt horror that can only be done so many times and is often covered better by other monsters.
"What a strange pair. A Mandalorian and a Force-sensitive youngling, hmm... Who is in need of a master to guide him and help him to come into his full power, yes?"
Any time Maul comes across a Force-sensitive youngster: "Is anyone going to claim this apprentice as his own or do I have to do everything around here?" and doesn't wait for an answer. (Grogu is safe tucked away in Din's satchel, don't worry)
Din accidentally turns up with Obi-wan's keepsake in his pocket once, and Maul doesn't only fly into an episode of blind rage and super melodramatic monologuing, but he also gives him a boon that is nothing but trouble and chaos of epic proportions.
Bonus background detail/close up, because while I didn't redraw the full thing, I'm quite proud of my modifications:
More of the Star Wars meets Hades AU (I’m trying to give monthly updates on my progress with it)
May your hardened heart be woken
By the soft and distant song
Of all you left here unspoken
All the shards we keep stepping on
-
Take this body home
Take this body home
Call the wind, and let her know
Take this life outgrown
Take this broken soul
Call the stars, call them all
And take it high, take it far, take it home
i forgot what his ingame name was and had to scrub thru a bunch of videos looking for him like a cryptid and i think that's incredibly joe hills of him
warning this might be a nothing post i'm just a little emotional & rambling but like... i think a lot about hometown showdown and gay and not proud a lot. and i understand this was in the peak of YouTube's fuckery with Dan and disrupting his plans for DINOK so i understand there's like a tension behind a lot of what was ongoing. i also realize that YouTube-- more obviously with hometown showdown-- but generally had strong business rationale for wanting Phil to feature in these videos, with Dan & Phil being the duo of HS and Phil being there in gay and not proud (sorry the acronym for this looks ugly).
but man... i think a lot about how hometown showdown was just kind of a lot of dates. i've not seen the other ones but i hear a lot that they were way more competitive versus Dan and Phil were just casually exploring their hometowns together, showing pieces of themselves to the other. i think about all the dialogue that was cut (that I think was alluded to in WDAPTEO 2?)
and i think about like. the seismic Importance of Phil being in gay and not proud as like... Dan's safe space. the same way he's remote crisis manager, the same way he was part of WAD's pre & post show, the same way he filmed that haircut video basically to promo YWGTTN and Dan is leaving me to talk about WAD. the same way that Dan got a taxi to his place after his nightmare experience at the laundromat to do laundry because "for the first time since I was a tiny child, I actually felt safe."
and after the latest mukbang it's like... it's really insane to me how their personal relationship has continued despite the pressures they've faced as being a comedic influencer duo. the fact that they work as business partners but still have this relationship. the fact that even in these YouTube originals that Dan was resentful of at the time anyway you can still glowingly see how much they love each other. like Phil being in gay and not proud wasn't a cameo, it was a fucking love confession.
i dunno. this is something that's been talked about a Lot but i do think about it frequently. i don't tend to rewatch these specials a lot because Jesus Christ the editing really gets me, but like... idk. "you're next to me in my life," or whatever. 15 years have passed and Phil's still cheerleading for Dan, from his first YouTube video to his first solo tour. i dunno.
Internalised homophobia vs repressed homosexuality dot mp4 lmao
(Also are we gonna talk about how the black/white poofs of smoke suggest Pickles is the angel here.)