My name is [BRUTUS] and my name means [HEAVY]
so with a [HEAVY] heart I'll guide this dagger
Into the heart of my enemy
Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after.
Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers.
Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him."
Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement.
Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.
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first of yeah i hate when people try to use any sort of disability as punishment for characters in stories
as for most attractive ppl
1. Jean Moreau sad boy tall sad and French he would match my crazy and my mental state and i mean this in the unhinged tumblr way
2. literary any character that is strong and beffy as fuck so might as well just put riko here i am very attracted to strong and athletic individuals so really anyone woudl fit here but this is kings spot now
3. Jeremy Knox fake blondes with tan, it's very unusual look at least in my city/environment and tbh considered bit "trashy" but i personally love people who don't match 100% to fashion/beauty standards
4. Renee i don;t need to explain just Renee
5. Probably some raven I am really NOT PICKY tbh like appearance is such miniscule thing? I more care about someone's choices of fashion and how they carry themselves
.... no kevin on this list because he is such basic ass white boy even with all the queer diva aesthetic this fandom puts on him sorry he is way too normie
BAHAHA kevin is a glossy two page magazine spread he cannot run from this hes very conventional and classic….. but i do love that about him 🫡 between him and jeremy we can make a fashion magazine for aspiring boys next door
ALSO CRAZY THAT YOUD WANT JEAN i am genuinely like. after having read into jeans mind i can understand the deliciousness of him as a concept but we could not coexist i do not think he is just too pathetic i cant do it… famously the only man ive ever considered being with was meek and submissive which i guess is a point on jeans part but i dont know. hes really crazy. i wouldnt get on this ride at all knowing how loose the screws are
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The stigma around taking medication is weird as a person who takes medications cause you'll have someone who knows you take meds tell you why they don't want to take any and it's deeply rooted in ableism and also makes you wonder... do they think these things about me because I take medication?
It's just like when someone explains to you, a glasses wearer, why they don't want to wear glasses. It's always offensive and comes from their self-pride and vanity issues
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Unsure the current trending opinions on Across the Spider-Verse, but:
Beyond the fact that the art fucks 1,100% and the way it made me look back on Into the Spider-Verse with incredulity to see how far back Across’ foreshadowing was set up-
It’s a coming-of-age movie, in the most heartwrenching and unapologetic ways. The whole damn trilogy is a coming of age story. It takes the nice happy ending we get in Into the Spider-Verse, and goes ‘No story remains wholly happy, if you don’t pause the scene after the kisses and hugs.’
And not in a bleak way, or at least I think that’s something Beyond the Spider-Verse will - hopefully - hammer home better than any of us will see coming. But...
There’s the whole overarching thing in Into about “No Expectations” and how this applies to both the expectations his family has and the expections of being a Spider-Man. Well, Miles did it. He had to fight that fight, and he won it at 14. It changed the course of his whole fucking destiny.
And...Across the Spider-Verse comes knocking on the door and goes “Yeah, that fight isn’t one you fight and win once. The endless expectations that you subvert and slay at 14, are coming right back around at 15. This is a lifelong struggle, and old happy endings will always become more bittersweet as you get older.”
And, as Across has started to lace for us - and, as I think and hope Beyond will run home for us - it’s also going “And this is alright. It sucks. And it’s not fair. But also, fuck destiny and what’s expected of you, and you’ll find family to help build a better future alongside.”
Beyond being on the bleeding edge of animation and having a story being executed to precision, the Spider-Verse movies are also a coming of age story.
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If we're going to justify companies underpaying and underhiring women for potentially getting pregnant, well, women might get pregnant and take a year off for maternity leave but at least they won't kill themselves because they got stressed and wouldn't go to a therapist or because child porn was found on their computer, so actually I'd say men should be paid less and not given prestigious positions and lots of responsibilities. Just in case.
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to be like frank here, redemption is an ever going cycle. when youve been the problem, the toxic ex, the abuser, you have to know you will have to apologize for that for the rest of your life. you will always have to live with the guilt and conscience of knowing how you hurt that person, or mutliple people. and you have to constantly CHOOSE to not repeat that behavior, and its not easy.
when you meet a new friend the topic of who you used to be will come up eventually, and if you have changed youll be honest with who you were. you cant run from it. you cant try to round the corners and make it seem like the other persons fault, or like it wasnt as bad as it was. its really really scary. because everytime you open up about it, its not just the wound of guilt but its also the fear that theyre going to look inside and not like what theyll see.
but you have to keep moving on and you have to keep being honest. and you have to remember that everyone is applicaple for redemption, you just have to work for it and admitting you were wrong with no buts is the first step.
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