#i won't accept any criticism

[radioactive-cloud]

nace jordan is good old-fashioned lover boy and jan peteh is killer queen

[castieldelamancha]

"Well?" Dean asks as soon as Castiel leans back against the side of the impala next to where he is standing, "Got anything from the kids?"

Castiel actually nods and Dean feels a surge of pride, he is getting so good at the whole hunting thing and maybe Dean as bad of a teacher as he believed himself to be, "here, have a look." And right then is when the pride he was feeling is replaced by confusion, as Castiel moves back the sleeve of his trench coat and shows him a bracelet. Made out of a string of colorful green wool and decorated with mismatched beads, that aren't enough to cover the whole string and come in different sizes. "Are you familiar with the concept of friendship bracelets? Because I wasn't."

"I meant about the case, Cas."

Castiel shakes his head, lowering his arm, "nothing but a children's version of the local legends we have been hearing since we arrived. They didn't see or hear anything that night."

"Great," Dean huffs, "I've nothing either, let's hope Sam has had more luck." He side-eyes Cas, he is back to staring at the bracelet, Dean smiles amused and bumps their shoulders together, reaching to touch one of the beads, "at least you got something out of all this, sweetheart." Castiel smiles at him, a small thing that doesn't ease the clear worry in his features, he reassures him with a hand on his shoulder, they will do all they can to make sure this town doesn't lose another one of its children, "I didn't have any friends back then, apart from Sammy but that little brat never made one of these for me, so I never had one, but I knew of them." He didn't spend much time at one place to attend school regularly, but the days he spent there, and wasn't avoiding going to class, he could see the popular girls wearing them, he thought it was kind of stupid but, well, he never got the chance to be a stupid teenager himself, so maybe that's why he didn't see the point of them or many other things the other kids did.

Castiel's face seems to light up at that, which okay, weird, especially because anytime Dean refers to his childhood all he can see in his blue eyes is sadness, anger sometimes, a boundless empathy, he reaches into one of his pockets and fishes out another bracelet, "I can change that, unless you think it's too late."

Dean reaches out for it and Castiel gives it to him, he observes it, for a moment, this one looks properly done, blue and green beads intercalating along a brown string, two of the beads are different than the rest, they are white, one has a D and the other one a C, both black. He clears his throat, closing his fist around the bracelet, "thanks, Cas."

Castiel simply leans in and kisses his cheek, walking away to go sit inside the impala.

.

Sam is going to ask about the bracelet hanging from the rearview mirror, but one look from Dean is enough to let him know such questions aren't welcome.

[mvickym]

Call me a Ray apologist or whatever, but I think that from what we've seen from the past 6 episodes is Ray's just absolute tragic story. The reason why? Ray's character is literally of a person who has never experienced love, nor appreciation. The only thing that he has is money and those 'friends' of his. It's no wonder that he's in love and so attached to Mew - the only person who has ever shown at least a little care (attention even) towards him. Ray's problems at this point are not only the addiction that he has, but his mental state as well - possible depression, past suicide attempt, self-image and self-worth issues. All of this has built up from his childhood trauma of his mother never loving him, to him witnessing her death, towards him taking in the same path as her in addition to him having those people around him that, it seems, don't really care about him- Mew acting like a scolding parent or a 'why do I have to deal with this' type of guy, Boston who is literally the worst manipilator of all that doesn't care about anyone's feelings, Cheum who's always adding fuel to the fire with the relationship questions and statements, so in that context, the scene from that episode was his breaking point, literally. The 'if I'm going down, I'm taking everyone with me' mentality is a clear indicator that Ray had already reached his limit and was in the state where he knew what he was doing and that he was ending it all by going in to that car.. Were the things he said painful (especially to Sand)? Yes! But do you know what is ever more painful? Them knowing all about Ray's problems (especially Mew) and still not caring. Ray's 'friends' literally witnessing this brutal display of someone just breaking down in front of their eyes while being aware of all about his state..

[taurielofmirkwood77777]

If Crowley was to go at a Halloween party, he'd dress as a vampire. End of discussion.

[sylvies-kablooie]

reading a fic that is a retelling of s2 but with Improvements and honestly cannot recall which elements of the loom lore are canon and which elements this author made up because i have no capacity in my brain for technobabble.

yeah sure there's a failsafe and it nukes all the branches that got activated after sylvie killed the dude. so like there was no way freeing the timelines would ever work. was that canon? don't look at me.

and sure, the loom was only around for 1,000 years but somehow without it the universe blows up. but also life existed before the loom. it just cannot exist after it.

who knows what's going on? it is not the owner of this blog!!!

[kindnessoverperfection]

I've found that, when interacting with others (or myself), it's useful to consider the lessons I'd want to teach a growing child.

If a child makes a mistake, I wouldn't want them to feel shame. I wouldn't yell at them, humiliate them, or in any way indicate to them that their mistake is a reflection of their worth or of who they are as a person.

Instead, I'd want them to associate the process with love and joy. If they say something that hurts someone's feelings, or otherwise ostracizes someone in some way, I'd compassionately explain to them. Ideally, they'd walk away knowing why they said / did it in the first place, how to handle similar situations in the future, and would accept the consequences (e.g. if a friend no longer wanted to hang out with them).

While the consequences may sometimes be painful, I'd do my best to instill in them that mistakes are human and natural, and that the process of learning from these mistakes is an opportunity to improve connections with others and express love.

I have a tendency towards excessive guilt. Memories in which I've said / done something ignorant or hurtful are infused with this guilt and shame- but ideally, I'd feel a sense of love and peace, and perhaps happiness, when looking back on them. Because they were moments of growth, moments I learned how to be more compassionate (even if the actual learning came years later).

So I'll put this out into the void:

When you make a mistake, that is not a reflection of you as a person. It is a moment in time, a moment which was informed by your past experiences. Humans are not static labels, or monsters in an RPG game. We are social creatures who live and learn and react and grow and experience and love. Be gentle with yourself and move forward knowing you're doing so in accordance with your values.

[homeosloven]

Congrats to Czechia for electing a total DILF as president. WOOF WOOF you know what I mean :)

[tennis-kittens]

Laver cup 2019 • Thiem vs. Shapovalov

Domi getting some of that Team Europe love😭❤️

[rjsals]

seoho going live wearing glasses to sing a few songs was for @seohotonin and me ONLY.

[guinevereslancelot]

you will never be happy with ur appearance as long as ur obsessed w it btw

[anarkhebringer]

"Understanding and demonstrating respect for the real-world histories and culture being referenced" okay then get rid of the racist lore for Blue Mage then and get our names out of your mouths

[castieldelamancha]

the fact ed could read that letter will never stop me from loving fics where stede teaches him how to read or reads for him with every fiber of my being

[cervidaedalus]

Had the sporadic idea this morning to create a Discord for disabled FFxiv players (I don't know if one exists already but I haven't seen it promoted). Some ideas and thoughts below the cut:

Overall I would want it to be a community that removes the stigma that you can't play these games if you have a limiting physical disability, or that you can't be accepted in a social group if you have certain mental health conditions. I knew an Ele Shaman in WoW who raided with mild palsy, and some of our raid group was bitter she was holding us back. I don't want anyone to feel like they can't do endgame content because they might not be able to do end game content because they have a much different skill cap. I knew a Nelf Hunter who was blind (could see, but very, very poorly) who had a friend as his "seeing eye Gnome" in voice comms helping lead him places. I don't want anyone to feel like they're alone and can't enjoy something because their limitations provide a significant block. This can include people who suffer from fatigue, ADHD, or brain fog for any reason and can't focus or have the energy to utilize their full Job skillset or boss mechanics. This can include people with severe anxiety that makes them worry about doing group content. If it routinely hinders your ability to play and fully enjoy the game as an abled person would, the server would be for you.

Content: The usual chat, entertainment, and art channels, but also channels for disability aids, guides, and advice (both game and real life) like how to use that Xbox modular controller thing on PC and Playstation. A category of channels for people to advertise FCs, Linkshells, and Statics either by and for disabled players, or those that have leadership who are properly educated and accepting. Basically anywhere disabled players can go to enjoy the game without feeling judged or ostracized. A category for content runs with other disabled players from across datacenters, like maps, deep dungeons, etc. If people want to create their own disability-friendly statics they can use the other channel, because statics can become their own individual thing and I don't want any bad things that may happen to become the server's responsibility. A venting channel in order to keep the space from becoming Depression Central. A lot of disability communities I've been in seem to sway towards venting about treatment from doctors or the general public, or how the conditions impact your life and relationships. I don't want this server to become just that, but these frustrations are valid and shouldn't be shut out, so instead they'll have a containment space. Likewise, a channel for people to share positive experiences. Maybe you finally got that diagnosis you were looking for, maybe someone in a random dungeon was super cool even when you were struggling. Category for other MMOs so people can find guilds and groups in those as well, I just don't want the server to be a broad disabled MMO server since that means potentially thousands of members, and from entirely different social communities. Moderation: Obviously all the usual "no bigotry" rules will apply. There is significant overlap of disability and queer community, for example, as well as mental health disabilities from other marginalized ethnic or religious groups put through political or generational trauma. I'd like to build a relaxed moderation team- no one with a history of any recent public or game drama. I'd like to build a team that spreads across the entire spectrum of representation not just in disabilities themselves, but culture. This isn't purely about representation, but also having someone to turn to for knowledge on any issues of an ethnic, religious, or queer culture as they pertain to disability. Absolutely no gatekeeping, no negative or "ableist" speech putting down any disabilities or purporting someone "isn't disabled enough" or "such and such isn't a disability". The next stuff will largely revolve around moderation for mental health conditions but- This will include vilified conditions and those that can cause unintended social conflict, like ASDs, cluster B's, bipolar. All moderators need to be on the same page with not assuming the worst from someone who might slip up. Helping lead a large FC has taught me how to give people chances and work with them over social abrasions due to disabilities and mental health, but that there is a hard limit. In case of any crisis or severe meltdowns, server mutes will be utilized via a special role which will hide or lock all channels except one with the moderation team to allow the person place to speak and cool off, and for the team to determine if the person is unfit for the server or just needed some time (repeat occurrences of this may necessitate a ban). People who continue to cause problems after being spoken to and excuse it with their disability will need to be removed. Have a plan in place if this leads to public lambasting on Twitter or otherwise. We absolutely will not engage with counter callouts, simply ignore most cases and maintain our overall MO of creating and maintaining a health and safe space for disabled players, which inevitably may not be for everyone.

We will allow ban appeals, to give people who pursue treatment and improvement the chance to come back after a minimum of 6 months to a year depending on severity.

[a-little-ray-of-fantasy]

An analysis on how Sir Pentious' character design represents his personality and development perfectly (beware of Hazbin Hotel spoilers)

Let's get this out of the way: Sir Pentious is a snake, an animal mostly known for generally believed negative traits such as poison, deceit and betrayal. We don't know WHY he's in Hell, maybe he was a "snake oil salesman" considering he comes from the Victorian times and he's into hyping up what he does, or maybe he was into war. Thing is, he's a Sinner whose design just scream "Evil".

(BTW, a snake could also represent "fertility": looking at you, Egg Boiz!)

He always had eyes all around him not just because of a stylistic choice.

Sir Pentious always felt like he was watched, and had to watch out for any danger.

"Everyone here is too nice: obviously it must be a lie! I can sense they are planning to kill me, but when?! HOW?! I must be PREPARED!"

Sadly, he's been constantly berated by other demons, far more effective in destruction, status, cruelty and charisma. Alastor won't ever bother to remember him, Cherri always ones up him, and the Vs, the ones he admires to most, won't care less about him.

To the point that Vox sent him as a spy without the intention to save him if things were going to fail. Heck, he even openly tells him to die while calling him a failure.

So of course he's got reasons to have trust issues, or taking everything so seriously, being constantly reminded of what he can't accomplish. So he puts an air of grandure that may be very flamboyant, but is VERY frail.

But, if we have to be frank here, his biggest source of insecurities... is himself.

He has eyes on his tail (his softer, more vulnerable side, which is ironically made even MORE lieable to getting hurt because of how sensitive those organs are), and inside his hood, so he could look out better for danger when on alert mode.

Heck, even the mark on his hood kinda resembles one eye.

Problem is, when you see his hood folded, when he's at ease, neutral or sad, those are not looking at outside sources.

They're looking at him, at his back. A constant stare that happens everytime he lets his guard down and shows how vulnerable he is. A gaze that can sense all of his weakness, his struggles, his insecurities.

And it's all him.

Pentious constantly believes that his inferiority complex will fade away once he'll accomplish something grand that will make others accept him. But he is his biggest critic, his worst enemy: HE is the one who believes he's a failure, that he'll never gain approval from others.

This show takes place in Hell, but this is Sir Pentious' personal Hell: insecurity born out of self hatred. Doomed to feel everyone's gaze upon him, including his own. Believing the danger to his self esteem is from others, when it's really from him.

But then he's accepted at the Hazbin Hotel: Charlie forgives him, he bonds with Angel, Husk and Niffty who don't care a bit about what he's accomplished or not, or what he's done in the past.

He feels more comfortable in showing his vulnerable side, and no one judges him for how easy it is for him to get emotional.

Of course he's still very insecure, considering how he struggles to confess to Cherri, but notice how he stops building machines or planning to attack others as soon as he starts bonding with the others: he doesn't have a reason to destroy or attack, now that he knows he's loved.

And his final design, when he goes to Heaven, shows how much he's changed, yet stayed the same. He may have died a hero, but he's still the same awkward snake we've come to love.

Speaking of love, let's talk about that!

No more eyes on his tail, now it's just on his chest (showing he's opened his heart), his glasses are now heart shaped, and even the markings inside his hood resemble kiss marks more than anything else.

And look: the mark on his hood is now heart shaped!

Why all these hearts? Why did all the eyes disappeared from his body? Even his eyes that were looking at his back?

Simple: love. Love defeated his insecurities and self hatred. He died for love.

He died protecting his friends, his new family, his new home.

He confessed and kissed Cherri knowing full well he wouldn't have made it, and yet he went anyway.

The usually cowardly and timid Pentious actually faced a great danger with courage and determination: he acted selflessly by putting himself in harm's way, he didn't steal (naturally) and by going against Adam he did indeed "stick it to the man"!

He used his weaponry knowhow and battle experience not to conquer, but to save his loved ones.

His only thought up until his demise was: "I'll go down protecting them".

And he's been rewarded not only by becoming an angel, but also being spawned directly in front of Emily and Sera, two Seraphim, the highest rank for an angel to have, who have also been depicted as snakes of fire throughout history! Sir Pentious, the lowly demon considered a failure by everyone, actually has been noticed by the Seraphim! He's come so far!

He's now come to represent the REAL symbolism of a snake: the duality of death and rebirth, transformation and immortality (ironically a reference to the fact he's been around since 1888 without ever dying from any Extermination or blessed weapons).

And isn't so poetic that a snake, the "source of the original evil", was the first sinner to ascend to Heaven? Or that this episode was released on February 1st, or National Serpent Day?

And of course, as the Bible itself says:

"Greater love has no one than this: to lay down one’s life for one’s friends."

(John 15:13)

And knowing him, I'm confident in saying he'll keep helping his friends even in his new position, like the soft hearted noodle he's always been, but was to afraid to show it up until now.

[dughole]

radiohead’s complicity in israeli-occupied palestine

my feelings on radiohead are complicated these days, as i’m sure they are for many. i'm using this post as a method of sorting out my own thoughts & to provide sources.

for me, the bottom line is this: radiohead is both a brand & a musical group. the brand of radiohead has always had deep roots in the israeli colonial project - they have played many, many shows there throughout their career. their breakout single - creep, was intially only a hit in israel (x, x) & the personal choices of some of radiohead's members remain just as involved. jonny greenwood met his future wife - the israeli artist, antivaxxer & vehement zionist (x) sharona katan - at a show radiohead played in israel in 1993 (x). jonny consistently collaborated with zionist musician shye ben tzur & his projects continue to tour in tel aviv as recently as last september. as for jonny himself - his only statement in regards to the war on gaza has been in mourning for the israeli concert goers on october 10th - w no such empathy spared to the 100,000 palestinians dead, injured, or missing. as for thom, while he’s thrown a few bitchfits (x) through the years abt criticism of radiohead’s shows in israel, he has imo - only paid lipservice to the criticism, saying “playing in a country isn’t the same as endorsing its government” going against the pleas of his peers & coworkers in the music industry. as well as the pro-palestine activism undertaken by his long term friend micheal stipe (x & x). (note: stipe stood by radiohead’s performance in israel in 2017, but his current political choices suggest his understanding of the situation has evolved). even his own son - noah yorke, a fellow working musician, has voiced his opposition to the genocide in gaza via instagram stories. as for the other members, rhythm guitarist ed o'brien has called for a ceasefire, as well as making a few tweets about "solidarity with palestinians & israeli peacemakers". while bassist colin greenwood reportedly refused to accept letters of dialogue from the fan-run organization radiohead fans for palestine. drummer phillip selway's commentary is similarly brief but defensive, saying radiohead's 2017 tel aviv concert "felt right"

to me, this paints a picture of a band who's members stances on israel range from abhorrent to simply not enough. & as a brand, their particular combination of action & inaction amounts to a fundamentally zionist perspective. you cannot separate radiohead as artists from radiohead as a brand name.

i've loved radiohead since i was 14. i was brought into it by another longtime fan. i cried & danced when i saw them live back in 2017 - it was, & remains, a moment that allowed me to live through the hardest parts of my life. i felt for the longest time, that radiohead's music & political positions encouraged my empathy - my questioning of conservative political authority. & while all celebrities are failures in some sense - it is still heartbreaking to know how wrong i was.

i don't think it's possible to disconnect the decade of connection & love i have for their music - I won't ask that of myself or anyone else. & the idea of scrubbing one's taste of the "morally impure" is useless effort & an inappropriate simplification of both art & our conceptions of what makes someone "bad". but i can say with certainty - i will not be giving them any more of my money, whether that be streaming their music or buying their merch - & i encourage you to do the same. silence is complicity - this is beyond silence.

in the words of nina simone - "an artist's duty, as far as i'm concerned, is to reflect the times. how can you be an artist and not reflect the times? that to me is the definition of an artist."

[vexwerewolf]

The thing is, D&D is not a game.

I know that sounds insane, but hear me out: D&D is not a game, it is a games console. You don't actually "play D&D." You play "Dragon Heist" or "Tomb of Annihilation" or "Ghosts of Saltmarsh" or "your GM's homebrew campaign" or "the plot of Critical Role Season 1 reconstructed from memory" on D&D.

For quite a long while now - possibly literal decades - D&D hasn't even been the best games console, but it's been "the one everyone knows about" and "the one my friends have" and in fact it's "the one whose name is almost synonymous with the entire medium of TTRPGs," like how "Nintendo" or "Playstation" could just mean "games console" to people who didn't understand games consoles. They might not have heard of a "tabletop roleplaying game," but most people have heard of "Dungeons & Dragons."

For this extended metaphor, D&D is Nintendo back in the 90s, or Playstation in the 2000s. Sometimes you say "oh let's go to my house and play Nintendo" or "c'mon dude I wanna play Playstation" but you're not actually playing Nintendo or Playstation, you're playing Resident Evil or Super Mario Bros or Jurassic Park or Metal Gear Solid or whatever on a Nintendo or a Playstation.

Now, this metaphor is going to get even more tortured, but remember how when the PS2 and the original X-Box came out, they used a standardised DVD format, but the Nintendo console in that generation, the Gamecube, used discs but they were this proprietary tiny little disc format that they had control over? That essentially meant that it was really difficult to make third party titles for the Gamecube that did literally anything that Nintendo didn't want them to do, and also essentially gave Nintendo an even greater ability to skim money off the top of any sales?

So that must've seemed like a smart business decision in their heads. But the PS2 and the X-Box used DVDs. This was a standardized format which gave Microsoft and Sony way less control over who made games for their consoles, but that actually turned out to be a good thing for gaming, because it meant that the breadth of games that you could play on their consoles was massively increased even if some of them were games Microsoft and Sony didn't really approve of. (Also it's worth nothing that the PS2 and the X-Box could just play DVDs, which meant if your household was on a budget, you didn't need a separate DVD player - your games console could do it for you! This was actually a huge selling point!)

What Wizards are currently trying to do now is kinda-sorta the equivalent of Sony suddenly announcing that the PS5 will only accept a proprietary cartridge format they hold the patent on, will control the content of and charge money for the construction of. This possibly seems like it could be a moneymaker in your head because you hold market dominance (apparently the PS5 has 30 million units shipped compared to X-Box Series X 20 million units) and so many people make games for your console, but what it actually means is game devs and publishers will abandon your product. If it takes so much more work, the scope of what they're allowed to do is so much more limited and they're going to make less money off of it, they just won't bother. They'll go make games for the X-Box or PC instead.

To use another computer metaphor, D&D is Windows - it might not be the best system but it's the system most people are familiar with and so it gets the most stuff made for it, but there's is an upper limit on the bullshit people will take before they decide fuck it and get an Apple or learn how Linux works.

TTRPG systems are a weird product because you're not selling people a game, you're selling people a method to play a game. All the actual games are created by the community - even prewritten campaigns needs to be executed via a game master. Trying to skim money off the community will mean they'll eventually give up on you.