#i wrote this for an english essay

[dogmotifz]

[tonycries]

I sincerely apologize, as this is incredibly random, but I saw on one of your posts that you mentioned Sukuna being able to lactate and thought it was canon. This misinformation has been debunked, and the text was not said by Gege.

[kazanskyed]

hangman is a cuddly drunk but also has a pretty high tolerance. before he fully opened up to the daggers, he never fully let loose--he got tipsy, maybe borderline drunk a couple of times, but not all the way. so imagine rooster's surprise when, one night at the bar after The Mission, he gets an armful of extremely clingy, inebriated jake.

[pennyserenade]

i have thought in great detail about coriolanus and sejanus, and whether or not coriolanus ever really liked sejanus. i think that the novel/movie are purposefully constructed to make this ambiguous, but i prefer to veer on the side of "yes, he did."

coriolanus' way of loving people was...lacking, to say the least. even with tigris, he thought awful, mean things about her, but it was evident he cared very much for her. the problem with coriolanus was not that he couldn't love -- it was that he could not love without first being assured that his investment would yield positive results for him. at least, he could not readily admit to himself that he was loving until he knew it was going to work out for him.

his character is very succinctly summed up by sejanus, when he tells him, "I remember that from school, watching you watch other people. Pretending you weren't. And choosing the moments you weighed in so carefully" (397). without fully knowing the totality of it, sejanus got it all too right: coriolanus took people in, measured them out, decided what they meant to him, and weighed in when he thought it'd benefit him. coriolanus was calculated in all things, most of all in love—a thing he knew made you vulnerable.

but that's not to say what coriolanus said to himself was the exact same thing as what he felt. if it was, i do not believe he would've done half the things he had done for sejanus--even given the prospect of reward in the end. this is part of what makes coriolanus descent into evil so heartbreaking: a part of him was good. he did want for connection and comfort, even if he had a real fucked up way of going about getting it. coriolanus was a dog that bit without fully knowing why; it was a protective instinct he used, because so much of his life had been filled with loss already.

in the book, after coriolanus snuck his father's handkerchief with lucy gray's scent into the tank of snakes, he went to sejanus' house. this is an incredible detail that so many people tend to overlook when they talk about coriolanus and sejanus' friendship. the beginning of the chapter reads:

"What had he done? What on earth had he done? His heart raced as he blindly turned down one street and then another, trying to make sense of his actions. He couldn't think clearly but had the dreadful feeling he'd crossed some line that could not be uncrossed" (287).

we start this chapter with a frenzied, rattled coriolanus, one terribly afraid of what he had just done and the consequences this action might have later. he was scared and isolated, and he didn't know what to do. a little further on, collins writes: "His feet had carried him far from home, but he realized the Plinth apartment was just a few minutes away. Why not pop in?" (288).i find this construction of words to be fascinating, especially in relation to coriolanus--a character we have come to known as calculated and precise, even in moments when he has to think on his feet. one could argue that during this part of the book, and in this state, it makes sense that coriolanus might wander that far from his home absent-mindedly. it shows how out of touch with himself he had become, and just how much the act he had just committed disorientated him. but i think it was more than that. i think coriolanus wanted to go to the plinth's house, that he was seeking comfort after he had done something incredibly dangerous (something, arguably, that sejanus might have done), and he could not admit it to himself. and his original intention had been to see sejanus, but sejanus was asleep.

the fact that collins wrote "his feet had carried him" and "he realized" is so brilliant. i’ve got lots of opinions about why she chose to write the book in a third person point of view. one of the reasons i think she did it has to do with the fact that coriolanus was distancing himself from himself--shedding culpability through phrases such as these, especially in moments like this. coriolanus did love sejanus, but he simply could not admit it to himself because sejanus was not a safe or wise investment to make. coriolanus refused to give credence to his need for him, and it ended up killing the boy in the long run.

[ramen8008]

Eurylochus: you miss your wife so bad you'd trade the lives of your own crew

Odysseus: Brother, you killed 500 of our men cause curiosity got the best of you

[lilybug-02]

So i may have written a gosh dang frickin book a few hours ago about the intense lore and cultural-social dynamic of my stupid Deltarune AU's world I've been cooking up for 2 years....I'm uh....wowzers....mhm. I'll post it later tomorrow....

[sadkachow]

how the fuck did my english class manage to take a semi-positive stance on generative ai

[accirax]

and finally, here are the last two prompts of DRDTtober 2023! thank you to @librariansrose and @mikmiho for organizing the event, and to all of you for leaving such nice comments on my comics :) i haven't done a -tober event since, like... 2017? so, it was a fun-yet-definitely-time-consuming exercise to try it again.

although there isn't a given prompt for halloween day itself, i still have something drdt related planned to close out the month (assuming i finish it in time... :|) so, stay tuned for that!

[nat-the-octo]

man, Splatoon 3 is basically over, huh?

Everyone is doing their Splatoon stories rn, so I guess I’ll do mine I got Splatoon 2 with some Christmas money in New Years of 2020. My only previous knowledge of the series was a vague concept of the game when the first came out and watching old Failboat videos on it like Octo Expansion and photoshopping new weapons. I wasn’t really into video games as an interest (hyper fixation) until the pandemic, where my mom got a switch lite for the family to see the new animal crossing, and me later getting my own console for my birthday later in the year. All of which is to say: I didn’t know what I was getting into with Splatoon.

I sat down minutes after midnight (probably sleep deprived) and I was thrust into this colorful, creative, and diverse world where you’re constantly encouraged to stand out, make a difference, and live by your own rules. It’s difficult to explain why this game where people living how they want get to cover mundane gray cityscapes with color and life was so instantly appealing to me, but it struck a chord that sent me hurtling down a rabbit hole that would without exaggeration, change the course of my life.

I immediately played through the story mode, then played it 8 more times to collect every weapon, got my ass beat by Octo Expansion, cried during Into the Light, 100% Octo Expansion, and was lucky enough to be just in time for the real final splatfest of Splatoon 2. (I lost) This also boosted me to be able to actually experience and understand more video games as a whole, but that’s a different topic. This all led me to February 2021, (yes that all happened in 2 months) where me and my friend skipped online school to watch the direct on a playground in my neighborhood, and saw the reveal of Splatoon 3. From here, everything begins to speed up. I found my way onto Inkipedia, consumed all possible knowledge about this tiny trailer that was available, then consumed all info and lore about the current games, including characters, old splatfests, previous metas, splatband lore, and more. THAT led me to splatoon theories, (shoutout to rassicas), which later led me to splatoon fanon with theories and ships and ocs and suddenly it’s September 2022.

Ironically the section of time with Splatoon 3 might be the part I have the least to say about, mostly because it all feels so recent even today. I watched the trailers, read the twitter posts, thought Shiver was nonbinary, played the testfire, everything. Everything post launch feels so wonderful and great and everything I wanted from the game and more. I actually felt like I was apart of a community as I debated splatfest topics with my friends and complained about my weapons being nerfed. (I still get upset about the tenta missile nerf from like. a month after launch.)

I think this part of the story will hit a lot harder in a few years, when I experience my first actual content drought instead of joining at the end of one, but for now, I can just be satisfied by my memories and experiences with the series so far. This franchise has truly changed who I am today and will be in the future. I’m a completely different gender person now because of playing the game, and now I have my own little theories and ships and ocs that I haven’t put to page and all the things that made me start in the first place, and it feels like I’m truly part of a community for once.

idk how to end this so to whoever read this far, thank you, honestly. I hope we both get to live the lives we want in the future, no matter what life throws at us.

P.S. here’s a pic of my main OC for the first time, might do more stuff with her if i feel like it

[spongek-squidge]

You know what, I’ve done some character development, I’ve finished the current character arc, so here’s an updated version of…

My feelings on Demetrius (as a Maru lover)

Let’s begin with the basics: Demetrius to me feels like a nerdy, socially constipated dad who doesn’t know how to talk to people. Is this partially down to his almost definite autism? Most porbably, but I also feel he generally prefers to stay indoors with his science experiments which has led to an additional lack of social understanding on top of the initial struggle that typically comes with being autistic regarding understanding social stuff. Ultimately he comes off as a lovable nerd and I get what Robin sees in him.

Speaking of Robin let’s have her have a bit of a say in this, after all she is married to the man! Despite a lot of cutscenes confusing both of them having them bickering, I do think that this is only in cutscenes for a reason: it’s not a common event. Sure, they conflict during misunderstandings and a lack of intimate knowledge about each others interests (simply due to the fact they both are quite content simply doing their own thing most the time) but during their regular routines they spend an awful amount of time together quite contently! Every time I head up to the mountains in game the pair tend to be standing side by side looking over the valley. It doesn’t seem like they’re saying much but they’re still peacefully hanging around each other. It is clear from this that both of their love languages are quality time, hence why most their interactions are literally just them being around each other rather than any intimidate discussions. All of this is basically just to say that I don’t think Demetrius is a bad husband and he and Robin are a very good pairing, which is nice to see amongst all the other parents in the valley! (Looking at you Pierre and Caroline 👀)

Now let’s get to his relationship with his daughter, Maru. He loves his daughter, plain and simple, he wants what’s best for her and to protect her. However, he does go to far with it a lot and as consequence pushes her away and blocks her from social opportunities. Both her friends in the valley being Penny, the local sweet school teacher, and Harvey, the town doctor who wouldn’t hurt a fly? Highly suspicious, especially given her personality matches very well with people like Sam, the local skater boy. And let’s not forget the Maru 2 heart event, the farmer has basically only just met Maru and is only just getting to know her, yet Demetrius practically threatens them and warns them not to touch his daughter? He could at least wait until they start dating… But, he does it from a place of care. This isn’t to say he’s justified in trying to push away Maru’s new friends, just that his reasoning is not outlandish, in fact it’s rather common (sadly so). He still sees Maru as his baby and wants to protect her a tall costs, though this means that he forgets she’s a grown woman now and is capable of looking after herself, like in her 10 heart event when he tries to catch the farmer in the act of canoodling with his baby girl (even though they are officially dating it’s to be expected). All this to say he does still have a rather good relationship with Maru, they share interests and hobbies and he wants her to thrive in the scientific and engineering routes she so clearly excels at. This makes it easy for him to talk to and bond with Maru, which makes their relationship rather strong. Ultimately, he is a brilliant father to maru in all aspects of her life EXCEPT social.

Now I hear you all saying from the corners of the internet ‘what about Sebastian?’ Well he definitely fucked up in that department. The pair clearly don’t get on well at all, Demetrius never quite respecting Sebastian for who he is and considering him a bad influence on Maru. I imagine this all began when he first started dating Robin, after all explaining why his daddy had left and there was this new stranger in the house would’ve been difficult to explain, especially to a child that was still learning his abcs. In this department both Demetrius and Robin probably fucked up, with clearly neither of them doing a very good job at explaining the prospect of a step-dad to the young Sebastian at a time in his life he probably wouldn’t be very receptive of the concept, purely due to not being able to fully understand what was happening. This would’ve been amplified by the birth of Maru and Demetrius doting on her more and Sebastian feeling abandoned and tossed aside for the new baby due to all the attention she would of gotten, especially from his supposed step-dad Demetrius. While Robin would’ve definitely kept giving Sebastian as much attention as she could, a baby is a handful so she would’ve had to divide her attention up which would’ve fueled the abandonment Sebastian felt at the time. This would be a feeling that continued throughout his entire adolescence, with Maru shining bright as the golden child while Sebastian was deemed a delinquent in the eyes of his step-dad, being over looked in preference of his half-sister. This favouritism by Demetrius has had a massive impact on both Sebastian and Maru. Sebastian was impacted for the reasons previously stated, feeling neglected and abandoned by the only father figure in his life at this point and Maru for creating a rift between her and her brother, someone who she has expressed a deep desire to close the gap with and have a proper relationship between them. While Sebastian would’ve spent most his life pushing Demetrius away, Demetrius did not help that at all, and is ultimately the one mainly at fault for their rocky relationship. He may have tried at some point, given the ‘first time step-dad’ book in his room, but he gave up on Sebastian too soon, leaving Sebastian with one proper parent.

Now how about the farmer? How does he interact with them? Well, he isn’t a bad friend to the farmer at all, giving them the fruit/mushroom cave for free and generally just being his nerdy self during conversations with them. There are times where I get annoyed with him after him being overly protective of neglectful regarding his kids then he goes on a rant about trees or something and it endears me to him. His relationship with the farmer seems mostly to be someone who he can talk to and just info dump whatever scientific information he’s currently focused on to.

Ultimately Demetrius is a significantly flawed character and has bridges to build and people he needs to apologise profusely to, but that doesn’t make him a bad person. Feel free to hold a grudge on him for his attitude towards Sebastian, for his over protectiveness over Maru, for his arguments with his wife, but don’t let that overshadow the rest of the character, as, once again, his flaws don’t make him a bad person. They just make him a shitty step-dad!

[yume-fanfare]

finally signed up for the english c1 advanced exam 💪💪💪 cheer for me everyone

[lesbianfakir]

Does literally anybody else alive remember this book?

It was my fav growing up. I think it’s a big part of the reason I love stories that have fairytales interwoven within them. Also storytelling is a big theme and I’m obsessed

[mothmothwoth]

Generation loss, a horror comedy show, is an incredible allegory for being a content creator in this day and age. The main characters are all real content creators themselves and are discarded after they have broken from their kid safe molds; directly paralleling the YouTube algorithm and controversy experience. The medium it is produced in also directly ties back into the concept of content creation as it is canonically live with audience ‘interaction’. While some aspects of it do not fit one to one (as it isn’t a metaphor, but an allegory) overall the themes directly translate to one another and the main ideas and struggles of content creation are depicted even while exaggerated. The crucible, on the other hand, is NOT an allegory for McCarthyism at fucking all- in this essay I will-

[rotatedaxis]

such love for "you're begging for tissues, all you get is confetti" like, you're in need of something so simple but you're given this ineffectual thing that can't actually help you at all. it just reads as your needs are forgotten or minimised to their smallest possible point and if that isn't being treated seriously then it's mocked or can be dealt with by something small. in line with the song, your nose is bleeding and the best thing for this is tissues, but all you have is confetti, just this little thing that really isn't going to help whatsoever but it's all the help you're gonna get. And the way this comes just after "but [your friends are] all bloodsucking vampires", just adds bc it's like, well they're getting something out of your struggles but you, it's safe to say, are not having a good time. it gives this impression of people taking joy in your suffering but acting as though they aren't or are doing the absolute barest minimum in giving something that might help but, in reality, doesn't, if anything makes it worse, emotionally-speaking.

and maybe it's just me, but the whole thing feels very defeated. like whoever the character of the song is, has just been putting up with all sorts of crap for however long and is just exhausted by it all, but cover it all up "wave hello 'cause nothing's wrong" and take their "heart off of their sleeve" and just act carefree and like everything's okay when nothing is, just bury it all, they don't "get tragic" anymore (perhaps suggesting that they, along with taking their heart off their sleeve, they don't show any of their emotions anymore)

. again, maybe it's me, but "i'm gonna die before you, it's the first race that i'll win" doesn't inspire a particularly hopeful ending and maybe that ties in with being carefree and "hectic", suddenly - people who know it'll be over soon tend feel okay about it, without getting too deep into it right here right now.

maybe, the whole lot reads as a bullying narrative. talking about giving the kids "something to shout back / as the books fall out of my rucksack" and not being "everything to everyone", by trying to please everyone you please no one, so that type of people-pleasing behaviour never worked out for our character, and just resulted in, at least, teasing. "I don't take my phone off silent anymore" could suggest, if you follow this theme, that they don't want to see what people are sending them or saying to them, so you could call them but they probably won't see it or notice. And then, of course, "while your friends sing happy birthday / but they're all bloodsucking vampires" suggests fake friends and people who turn their backs when you're in need, when you'd give them your time and energy and care - they act like they care, shallow things like singing happy birthday, but won't actually help when it's needed, like our character's nosebleed for which they 'beg' for tissue, but all they get is confetti. (and the word beg suggests that they're really trying to get what they need, but to no avail, so they just have to make do with what they can get their hands on)

anyway. I don't know how much or how little sense any of this makes. all I know is all you get is confetti is an excellent song that has me in a chokehold (despite only being out for not even 5 hours at this point) and it deserves to be heard and read into and loved.

[hella1975]

ive got an essay due at 3pm tomorrow and ive not even looked at it i am so so unserious about my degree and by the grace of some higher being i somehow keep managing to crawl through it's actually getting a bit funny

[andromaqves]

which fictional character was Emma Mountebank's gay awakening?

I was sitting here looking at this for like ten seconds and then my answer entered stage left at light speed and hit me like a brick to the face: she def didn't REALIZE it at the time but like, in hindsight... Emma's Gay Awakening was Lara Croft circa 2001. The Angelina Jolie!Lara era.

Honorable mention to Evie's sai fight in The Mummy Returns (also 2001)