Bakugou asks you to join him during one of his photoshoots for a pro hero campaign. he doesn’t understand the point of it, nor why he has to only be in his underwear, but he doesn’t mind it much when he gets to look over to your shy little face.
you’re propped up in a corner on an old couch, laptop perched in your lap, its glare bright despite the way you never really look at it. you’re supposed to be catching up on some work, but you’ve been distracted by the glorious sight that is the love of your life.
when he looks at you, do you duck down, eyes suddenly focused on your screen again. it only makes him smile a little, step away from the assistant of the photographer who comes up to him, calls out your name.
“Huh?” your head whips up with a quickness neither of you expect, goes to show just how invested you really were with your work. but Bakugou only grins at you now, jerking his chin over to you as he grabs the bottle of oil the assistant was trying to pour over him.
“C’mere and gimme a hand, won’t ya?” he asks you, boyish smile gracing his face as he tilts his head at you. immediately, your face warms as you put together the request that’s suddenly dropped in your lap. everyone in the studio looks at you, with both envious and excited gazes, and it only makes you shrink in on yourself.
“I hate you.” you mutter under your breath when you finally rise up from your place on the couch, which he somehow hears. but Bakugou only laughs at you, grabs you by the waist when you’re close enough to kiss you breathless in front of everybody, before he’s handing off the oil to you.
“Such an attention whore,” you whisper when you’re close, the air between the two of you thick. everyone tries to look away, give you guys a bit of privacy, but it’s hard when such a soft and amused look passes over the usually rough and hardened hero’s face.
“Only for your attention.” he grunts back to you, holding his arms out for you to start dripping the oil down his skin. it’s a sensual gesture, the softness between you two sliding into something more, something that you only ever reserve for the bedroom.
you tip the bottle over his shoulders until it drips down his chest, massaging it all in with your hands in crude, circular motions. you can see the way he bites his lip, ignore the way he looks at you down the bridge of his nose lest you two create a scene not meant for the public eye. you gather more oil, warm it between your palms, kneeling in front of him to help massage it into the defined muscles of his stomach.
you ignore the twitch in front of you, swallowing thickly, glancing up to Bakugou who hasn’t taken his eyes off of you yet. you mouth at him to behave, but he only grins, something feral.
“We only need it above the waistband.” the photographer suddenly calls out, snapping you back to attention. you stand on shaky knees, nodding with your eyes casted low, ashamed, that your freak of a man had you doing something so…so—
“Go wait in my dressing room, yeah?” Bakugou asks you, pulling you in close to peck at the corner of your mouth. “Gonna wrap this shit up.” he promises you, and you can only nod silently, mind going a mile a minute. but before you go, you remember to grab the oil. just in case.
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because something really did ask, have a much too long post about my thoughts on laudna’s individual dynamics with the rest of bells hells.
under the cut because it’s almost 3000 words.
laudna/imogen
i struggle to find something to say about imogen and laudna that hasn’t already been said a million times before. the core concept—the thesis—of their arcs, together and separately, is choice. so much of their backstories are defined by helplessness. laudna was chosen and killed because she happened to look like someone else, she was resurrected because she happened to be there. imogen’s mother left, she was burdened with powers she didn’t understand and meant constant pain and isolation. so, they make sure to constantly emphasize that the other person has a choice in everything. imogen tells laudna she only has to come back if she wants to, even though it would have devastated her to lose laudna forever. laudna tells imogen that the gods can’t control her, that no matter what her “destiny” is, if she wants, they can leave and live in a little cottage and raise horses together. the way they love each other unconditionally is all the more incredible given how cruel the world was to them for so long. laudna’s “you make me better” is true for both of them. they give each other a place to be vulnerable and feel all their messiest, worst feelings because they know the other one won’t judge them. they’ll support each other no matter the choices they make.
something i’ve mentioned quite a few times but never gone in depth about is that imogen and laudna do have a fairly significant age difference, and i do think that affects their dynamic. on the one hand, they both have a bit of arrested development—imogen due to her isolation from the rest of gelvaan from 18-26, laudna because she died at 20. on the other, laudna has so much more life experience than imogen. she spent almost 30 years traveling and interacting with the world even if was mostly people trying to kill her, maybe even because of that. the “laudna is imogen’s aunt/mother/older sister” takes were obviously ridiculous, but laudna does canonically look at imogen and see someone young who she wants to protect in a way she never was. she said as much to fcg after the gnarlrock fight. laudna acts as imogen’s rock, her tether if you will, a lot of the time, and part of the reason she can counterbalance imogen’s anxiety is because of the experience that comes with age. for example, during their conversation in episode 49, laudna is able to stay more “rational” and level-headed even when imogen is scared and overwhelmed.
one of my other favorite things about them, specifically from laudna’s point of view, is that with a few exceptions (the gnarlrock fight, her jealousy of frida), she doesn’t seem insecure about their relationship. again, during episode 49, laudna mentions that she knows they haven’t talked in a while, but she didn’t worry because they “transcend words.” she didn’t need outside assurance from imogen because she felt confident in their love for each other. something i love about that episode 39-49 period is that they didn’t interact a lot, but when they did, they slipped right about in the same kind of intimacy they’d always had—imogen holding launda’s hand when they went into her dream together, laudna’s protectiveness of imogen after she interacted with ludinus. but anyway—that confidence is why i believe the transition from friends to lovers was so easy for laudna. laudna’s unsure of herself, of delilah and what she might do, but she’s absolutely not unsure of the love between her and imogen. that’s why as soon as imogen tells her she’s not a bad person, that she wants to be with laudna in that way, she lets herself embrace it entirely.
in conclusion: they invented romance, they’re the best canon pairing critical role has ever had and one of the best dynamics in general, etc., etc.
laudna/orym
oh my god, WHERE to begin? i feel like my take on their dynamic is slightly controversial. at the very least, i get more push back from people when i post about it than anything else, so let me start with this: orym cares deeply about laudna, i will never dispute that. however, orym is uncomfortable with laudna and has been since the very beginning of the campaign. she’s his friend and he recognizes her beautiful heart and resilient spirit, but he’s uncomfortable with her appearance and her messages in his head, with her macabre humor and her deadness. he can’t reconcile that laudna his friend and laudna the dead woman can’t be separated. laudna’s deadness is a part of her, one laudna embraces. orym, for better or worse, is “normal.” he grew up with a loving family and he had a husband and a career. will and derrig’s deaths were an unbelievable tragedy but one that never challenged his place within the status quo. (sidenote: i’ve always wondered if part of orym’s discomfort with laudna come from the fact that her proximity to death is a reminder of the resurrections will and derrig never got.) he sees himself as a follower, someone that doesn’t stand out, then there’s laudna, who does nothing but stand out.
something i find fascinating is that orym is the first person to find out laudna’s backstory, and it affects him so much he can’t sleep that night and takes a point of exhaustion. he even explicitly recognizes the dehumanization she’s gone through and how laudna’s relationship with puppets like pate and sashimi mirror that. yet, he still never apologizes for trying to disguise her appearance, something without even asking. yes, i get it’s tactical and for “safety” (though that argument falls a bit flat for me when there’s also a glowing rock person and a fully conscious automaton in the group, but whatever), but it still hurts laudna. even beyond that, orym always qualifies his friendship with laudna to other person, making some mention of how she’s dead-looking and isn’t that crazy, wow, almost as if he wants some validation that it—laudna—is weird (one he, interestingly, rarely ever gets, given how enraptured most of the other pcs, including guests, and even some npcs, are with her). he does this even in situations he absolutely doesn’t need to like, for example, when maeve says laudna “looks cooler than i thought.” all this just sucks. it’s not that the love isn’t there, it is. it just isn’t unconditional, and laudna deserves better than that.
finally: the delilah in the room. no, it isn’t orym’s “fault” delilah is back. yes, he was also having an extremely bad time during the bor’dor fight and it wasn’t his “responsibility” to save laudna from herself, but laudna is orym’s friend. he listened to laudna tell him the trauma delilah put her through, he fought through hell to save laudna from her, and still nodded because part of him thought maybe delilah could help him and that was selfish. the fight against ludinus is important to of the bells, but for orym, it’s personal. it’s been his mission for six years. meanwhile, laudna is the one with the least enthusiasm about this. she has no connection to the gods. in fact, she actively thinks they dislike her, but he’s willing to sacrifice not just his safety, but the safety of her and all his friends for a cause they never set out to fight for.
in conclusion: i want to put them in a salad mixer together and watch them go around and around and around and around and around, then let them out to scream at each other a little.
laudna/ashton
if i had to explain laudna and ashton’s dynamic in one word, it would be “projection.” i adore their relationship, it’s one of my top 5 c3 dynamics, but oh my god, so much projection, and it’s so interesting because of that. ashton thinks he understands laudna, but in reality, he doesn’t at all. i’m an absolute sucker for characters that look very different on the surface but in reality are much more similar than they know, and ashton and laudna are that to a tee. they are very much narrative parallels especially regarding their feelings of “brokenness” and how their traumas are physical, visual parts of themselves, but the ways they diverge are almost more interesting.
certain people have said that her conversations with ashton are the only time laudna is “honest” or that, at the very least, she’s more honest with him than she is with anyone else, and i couldn’t disagree more. laudna can be a joyful, optimistic person and deeply traumatized with a core anger she hasn’t truly processed. laudna is a high-charisma character, and in my opinion, part of how that manifests is her ability to adapt her demeanor to the person she’s talking to. she speaks gently to imogen the same way she matches chetney’s hyperactive energy when they go sky-sailing. of course when she’s with ashton, who makes no effort to hide his anger and bitterness and doesn’t want her to be soft, she isn’t. none of these laudnas are more “real” than the others, they’re all laudna. what those people, and ironically, ashton themself, don’t get, or won’t let himself get, is that all those things can be true at once.
with ashton specifically, i don’t think they want to believe that because then they’d have to admit that growth and healing is a real possibility because anger is so much easier to deal with. people talk most about orym’s choices during the bor’dor fight most, but i’m fascinated by ashton’s as well. i wouldn’t be surprised if there was a part, no matter how small, that wanted laudna to break, to prove to himself that he was right and laudna was just as broken and fucked-up as them. so, laudna killing bor’dor was almost vindication, evidenced by their “what have i done?” “nothing i haven’t done.” exchange afterwards.
i don’t want this to sound like ashton doesn’t care about launda, they do. ashton cares about her so much, and besides imogen and fearne, is the most unabashedly into laudna’s aesthetic. i love how much they love all the weird shit she does. i love how protective ashton is of laudna, especially during battles and their willingness to go above and beyond for her—he carried laudna when she was dead despite his chronic pain without complaining once and were willing to make a deal with hexum after going through an entire museum heist to repay their debt. i love the moments when ashton sees how much laudna is struggling and tells her, as gently as he can, to take a moment and do what she can to ground herself. i love that when laudna way too dramatically assumes they kidnapped imogen, their response is “that’s very fair.” it’s all wonderful, and i love them.
in conclusion: I LOVE THEM SO MUCH AND I WANT TO LOCK THEM IN A ROOM AND FORCE THEM TO TALK ABOUT THEIR FEELINGS FOR HOURS.
laudna/fcg
laudna and fcg have been getting more attention in the past few days for obvious reasons and that has me rubbing my hands together maniacally because even though they have very little actual interaction, the subtext is delicious.
besides ashton, fcg might be the character laudna parallels the most, especially their struggle with their humanity (if they’re even human at all), which isn’t helped by the constant dehumanization they face from outsiders, including the almost continuous comments they get when they meet someone new. people look at launda and see a horror while they look at fcg and see a novelty (he’s a robot with personality??), and those both suck. i think, for fcg, laudna is an uncomfortable reflection of himself because everything they’re afraid is true about themself is true about laudna. finding out they had a soul was such an important moment for his character (also remember his early campaign habit of calling other people “soul-touched folks”). as a hollow one, who knows if laudna even has a soul. if i’m honest, fcg seems to think less of laudna than the rest of the party (see: him calling her a “former person,” his speech before casting turn undead including, “no offense to laudna but can you please shine your light and wipe these evil, dead souls off the face of this flat planet?”) and that’s probably why. they have such strict ideas about “good,” which has become “godly,” and “wrong,” (“ungodly”), and within that framework, everything seemed to point to laudna as “ungodly,” which is why their empathy towards her is lacking.
the biggest conflict between fcg and laudna right now is obviously their feelings on the gods. the changebringer brought fcg purpose and tangibly helps them on a daily basis. of course they want to share this incredible thing with everyone they meet, especially his friends. yet, time-and-time again, the world has shown laudna the gods don’t seem to care about her. before someone says anything, pike resurrecting laudna doesn’t automatically mean she has to trust the gods. clerics and paladins spent 30 years running her out of towns for existing and trying to kill her in the name of their gods. if the circumstances were different, there’s a good chance fcg could have been one of those people. for fcg, the world is black-and-white. for laudna, it’s all gray. laudna was able to have a conversation with imogen about the ruby vanguard’s message and the purpose of the gods because she understands the need to question things and thinks that’s a good thing even if she doesn’t agree with the conclusions. fcg’s not there yet, and until he is, their friendship with laudna will never be able to progress past where it is now.
in conclusion: please have a conversation, maybe even two or three. it’d be so good for fcg to learn the world’s incredible nuances and for laudna to see how faith in the gods can be an empowering force for good, not just something beyond her grasp.
laudna/fearne
out of all launda’s dynamics, this is the one i desperately want more of. we’ve gotten so little! almost all their moments are interactions between the three witches that tend to center imogen (making the red-string friendship bracelets and comforting imogen after she talked with relvin come to mind) OR center imogen and fearne’s mutual appreciation for laudna’s… everything. one of my favorite about fearne is that, like imogen, she doesn’t think laudna is gross and creepy, she thinks laudna is gorgeous and charming without any caveats. even ashton, who also loves laudna’s laudnaness, tends more towards “yeah, you’re disgusting and THAT’S why it’s great.”
the other main part of their dynamic i want to sink my teeth into is the coin-toss, more specifically fearne’s guilt over the coin toss. regardless of whether you think fearne lied (i personally find that headcanon FASCINATING but to each their own), she clearly feels so many emotions about having to pick whether to save laudna and orym that she hasn’t even begun to unpack. one of the few sole moments we’ve gotten of them was in episode 42 when laudna asked fearne to help teach her to cast fireball, and in it, fearne, unprompted, blurts out, “how’s it feel being alive again?” almost immediately. she also apologizes to laudna, says they’ll fight any piece of delilah that’s still in there, and tells her, “i missed you terribly for that moment in time.” even when laudna gives her the chance to make the conversation light-hearted, fearne stays so genuine, which is all the more-noteworthy because she’s usually so flippant and almost always keeps her real feelings close to her chest.
some other examples of fearne’s guilt include: the 4sd where ashley said part of why she was so protective over imogen during their separation arc was that she couldn’t bear having to tell laudna anything happened to her and just this past episode when fearne’s protectiveness after laudna made her only cast first-level cure wounds on fcg after they cast turn undead.
in conclusion: PLEASE LET THEM INTERACT MORE. THERE’S SO MUCH JUICY POTENTIAL AND I WANT TO SEE IT EXPLORED.
laudna/chetney
i don’t have that much to say about them except that their dynamic is absolutely delightful. i love that we’ve gotten to see more of it in recent episodes, and i hope that continues.
chetney exists at an interesting place between orym’s genuine discomfort and fearne and imogen’s complete enchantment with laudna’s undeadness. he is sometimes grossed out, but he also seems to accept it as a thing about laudna without too much judgment, or at least, that “judgment” is light-hearted in a way orym’s or even fcg’s isn’t.
i love that they’re the characters with the most life experience (even if laudna is technically the fourth oldest, fcg only has two years of memory and fearne is a 100+ but spent 99% of that time in one place) but also embrace being “childish” and silly together, like the entire sky-sail sequence!
in conclusion: *gently holds* i just think they’re neat!
that’s all! if you read this whole thing, you get my eternal love and gratitude. thank you.
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Let it be known that I love writing fluff, and I listen to character audios sometimes. SO! I came up with a cute idea for sagau imposter au. I heard somewhere that Xiao's adeptus form is a bird, so I wonder, what kind of bird? And that got me thinking. Xiao being a little song bird, or perhaps even a cardinal.
Now imagine: while looking for the imposter, Xiao stumbles upon them sitting beneath a tree, just feeding some birds. Said birds are absolutely loving the attention since the creator of Teyvat is giving them food and love!
Xiao watches, rather curious. The creator he knows hates birds, because they always dive and cause problems for them. But now... these little birds have completely abandoned any fear they may hold for human beings, happily landing on the hands and shoulders of this supposed imposter.
So he decides to test something.
Xiao turns into a small bird and approaches cautiously. In his smaller form, he's vulnerable to attack. But the person before him doesn't try to hurt him. Rather, they smile and call him "little friend" as they offer food to him. In his distrust, he bites them with his sharp beak.
His heart shatters when he sees divine blood spilling from the wound.
He's about to fly away, get as far away from here as he can. He found the true creator, and instead of worshipping them, he bit them! He caused them to bleed, he shouldn't even be near them-!
His mind stills when they pet his feathered head.
They murmur kind words to him, apologizing to him. They believed that they had startled him, that he bit to protect himself. They forgave him, they felt no hatred towards him, no anger or disappointment. Instead, they offered some chopped almonds, hoping he'd prefer that over bird seed.
He sang for them as he perched on their shoulder.
After that, he did his best to secretly protect the creator he'd harmed. He would adopt his smaller form and sing for them when they felt sad, and he'd use his human form to guard them from a distance. Yes, it made his chest ache whenever they looked at him with fear when they saw his more human form, but the yaksha only shook it off. It only made sense that you'd be scared. He was a frightening person, one that had tried to harm you before. He refused to try and change your feelings towards him. He didn't have the right.
He would be content to sing for you as a harmless bird.
-sibling anon (sorry if this is out of character for him I just like the idea)
oh….. he’s so soft…..
xiao hovering near the edge of the crowd, at first, drawing your attention since he doesn’t seem to be eating any of the seed you’d passed out.
when he finally hops within arms reach, you reach to nudge some of the food next to him closer, only to quickly whip your hand back. the birds around (on) you all flutter at the sudden movement, but you inspect your finger, the blue blood of teyvat welling up. your instinct is to stick it in your mouth, but that doesn’t seem safe considering a bird bit it, so you dab at it with a napkin.
the bird cries and flaps his wings, distraught, and your heart hurts. poor guy, you probably scared him, moving so quickly.
you pull out some chopped almonds from your pocket. the plan was to have them as a snack, but now… you put a few in your palm and close your hand around it, reaching forward to gently run two fingers over the birds back.
the other birds in the area seemed receptive to that, and this one does too, calming down considerably.
you take your hand back, opening your palm to drop the almonds on the floor, nudging them close before backing off.
“there you go,” you murmur, as the bird dips down to inspect the food. “i won’t hurt you.”
you allow yourself a silent cheer when it eats one of the almond pieces.
you see the small bird fluttering around you often, always on the edge of your vision. it’s easy to identify, the purple patch of feathers on its forehead easily standing out, and you’re always certain to push some food over to it. almonds, not birdseed.
the bird is a dark blue-teal, the underside of its wings a softer blue. it’s like no other bird you’ve seen in liyue, something that quickly catches your attention.
you brush some dirt off you as you stand, noting the way the bird immediately looks up from its food, unlike the others, to flap up into the tree you were sitting under.
you crack a smile, carefully reaching a finger for it. you’re slower this time, cautious of its skittish nature, but it lets you approach. when you carefully pet over its head, the birds eyes close.
your smile grows, and you try not to laugh at how confused the bird seems when you pull your hand away.
“i have to go,” you explain. “the millelith… they’re getting too close again. i won’t be able to see you again, little friend.”
the bird chirps, nearly indignant, and you do laugh this time. putting a small piece of almond on the branch in front of it, you wave goodbye to the other birds, seeing the blue one hadn’t touched the almond.
you frown. hopefully it’ll be alright….
xiao watches you until you’re out of sight, and even then, he stays on the branch.
you…. he’d forgotten you were being hunted by the millelith. he’d forgotten the order to look out for you. he’d forgotten the qixing called you a criminal.
who could blame him? it was easy to forget everything at your side, when you carefully ran your fingers over his feathers, scratching at his jaw with the edge of your nail. yes, he was vulnerable as a bird, but it was easy to be vulnerable with you. it was easy to be open, to sing as best he could in this form, to allow himself close enough to see the way your eyes lit up whenever another bird landed on your outstretched finger.
xiao dropped to the ground, morphing back into his
human form. predictably, the birds cawed and flew
away quickly. he watched them go, his mind
contrasting it with how readily they flocked to you.
you…
he turned to the branch he was on, to the small almond piece left behind. the small symbol of your care, of how you recognized that he didn’t touch the birdseed and instead offered him your own food to eat. normally he wouldn’t lower himself to eating off the ground at all, let along bird food, but almonds weren’t awful and you seemed so happy when he ate..
xiao looked back to where you’d gone, to the sandbearer trees swaying in a soft wind.
he allowed his form to fall away and spread his wings, taking flight on the same breeze that urged you along.
perhaps he’d forget his orders for a little while longer, if it meant he could spend that time with you.
perhaps he’d forget his orders for a little longer, if it meant he’d get to spend that time with you.
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