quick rundown of margaret (& libby) galdur for those unfamiliar with my lore: wicked scary faerie falls for a mortal woman. they decide to have a baby. labor kills the mortal woman. wicked scary faerie, in her grief-fueled rage, promises to murder the cause of her lover's death: her own child. but this child is snatched away and kept safe for 20 years. and after 20 years of searching for her child, the faerie confronts the child and the two strike each other down, cursing themselves to the fate of forever trying to kill the other first in every life after that.
cue: present day margaret & libby. underground spn mafia queen & tortured artist gremlin with mommy issues.
One of the most generally useful things to come out of Hbomberguy's plagiarism video and Todd in the Shadows' similar video on misinformation is how they bring transparency to the internet phenomenon of "I made up a guy to get mad at".
Seriously, I've seen people make up a lot of stupid shit on the internet over the years and it's often just a manipulative attempt to paint a group of marginalized people in a bad light.
That's the TL;DR version of this post.
ANYWAY here is the long version
Those videos are mostly about James Somerton's plagiarism of other queer people's work. However I'd like to talk about that 20-30% of Somerton's original writing- and oh boy. It's mostly about complaining about White Straight Women and misgendering well-known trans creators such as Rebecca Sugar and calling Becky Albertalli a straight woman while it's pretty common knowledge that she was forced to out herself as bi because she received so much harassment over "being a cishet woman who appropriates LGBT+ stories".
One thing that irks me especially is how in his Killing Stalking and Gay Shipping videos Somerton brings up how straight women/ teen girl shippers exploit gay men for their personal sexual fantasies. This gets brought up several times in his videos.
Being all up and arms about Somerton being a "White Cis Gay Who Hates Women and Queer People tm" is not that useful because the kind of rhetoric he's using is extremely common in fandom and LGBT+ spaces on Tumblr, TikTok and Twitter. We really don't need to bring Somerton's identity to this since he is in no way an unique example.
It's hypocritical to make this about an individual person when I've seen A TON of posts, tweets and videos where queer people talk about these Sinister Straight Women who are supposedly out there fetishizing and exploiting queer men. It's pretty clear to me that this is just an excuse to shit on women and queer people for having any sexual interests. At worst these comments are spreading misinformation about BL, a form of media that has been excessively studied by both Asian feminists and Asian queer women.
This all sounds really familiar and I think it's good that people are calling it out as what it is: misogyny and transphobia. I'd also point out the potentially racist motives behind being this hypervigilant about Asian media.
People can absolutely be misogynist regardless of gender or orientation. I really don't know why we need to create some kind of made up enemy to get mad at. I actually think it's almost sinister how "anti-fujoshi" people call Slash shippers and fujoshi misogynists or claim that they have internalised misogyny while being dismissive about women's interests and creative pursuits under Japanese obscenity laws, China's censorship, book bans in American schools and various other disadvances that are part of being a queer and/or female creator.
I think we shouldn't be naive about the bad faith actors who want to turn queer people against each other. For example Fujoshi.info mentions anti-gender (TERF, GC etc) movement using this kind of rhetoric as well.
Anyway if you want to read more:
- about the false info around BL fandom fujoshi.info
-There is the scholar Thomas Baudinette who studies gay media in Japan. Here is a podcast with him and the scholar Khursten Santos
-James Welker is a BL scholar as well. Here is a podcast interview about the new international BL article collection he edited.
-I've already talked about this Youtube channel by KrisPNatz and his great Killing Stalking video that actually engages with the themes of the manhwa
- There is also HR Coleman's thesis DO NOT FEED THE FETISHIZERS: BOYS LOVE FANS RESISTANCE AND CHALLENGE OF PERCEIVED REPUTATION where she interviews 36 BL fans and actually breaks down why fetishization has become such a huge talking point in the fandom discourse. Spoilers, it's mostly about young queer people and women being worried that they will get judged and pathologized for their interest in anything sexual.
-Great podcast about Danmei and censorship with Liang Ge
I think that if Miles Edgeworth were to ever have a Tumblr blog it would be entirely Steel Samurai based with a carefully organized tagging system. He posts lengthy formally worded analysis about Steel Samurai and nothing else. He doesn't check his notes. He does check his asks, because they're kind of like emails. He has anon asks and dms turned off. Someone sends an ask about his interests outside of Steel Samurai and he immediately blocks them. He doesn't have pronouns or a name to be called by in his bio. The only hint about Edgeworth's personal life is that when he refers to the death of Jack Hammer or the conviction of Matt Engarde he only refers to Phoenix as "that man".
Maya definitely has a tumblr and it has a canon Pink Princess url. She actually hoarded a bunch of Pink Princess urls long before the character was officially announced because she knew she needed to have them. Her tumblr header is "the real pink princess ask sal manella". Her pinned post has these
[ID: Two blinkie banners. The first has a lesbian flag background and says "Pink Princess is canonically gay." The second is light pink and says "PinkSteel shippers dni". End ID] (thank you @princess-of-purple-prose)
Maya follows him and sends Edgeworth asks periodically. He thinks she's a wonderful conversationalist. He has no idea of her identity. Maya is fully aware he's Edgeworth.
Pac: Take care of Ramon, take care of Richas, ok? See you on the other side, big boy.
Fit: [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. [Fit tries to lasso Pac] You're coming with me.
Pac: No, I need to leave!
Fit: You're coming with me. You are not dying today! You are not dying today!
Pac: I need to leave, Fit! I'm sorry, I'm sorry!
Ironmouse: Are you guys like, having sexy time?
Fit: There's homosexual activity going on Mouse, don't worry about us, ok?
Ironmouse: You guys, we don't have time to be gay right now.
[ Full Transcript ↓ ]
-
Pac: I'm just here to say goodbye to you, Fit.
Fit: Goodbye? We're not– we're gonna be fine, we're going to get out of here, don't worry.
Aypierre: Yeah, don't worry!
Pac: I know, but like– I will sleep until the end, you know? I will pass through this moment sleeping, man. I won't be able to be awake for the moment.
Fit: [Laughs] You know, it's– I mean, if that's how you wanna go, but– I mean, that- I mean, isn't that bed kind of like.... I don't know, it's–
Pac: No no, I will be staying on the sofa, you know, I will be staying on the sofa.
Fit: Oh the sofa. Ok, that's a nice sofa! Yeah, that is a pretty nice sofa.
Pac: Yeah, it's a nice sofa right? No, yeah– I'm going to stay on the sofa, you know? So, since I will be going Fit... [Pac starts tossing Fit all his items]
Aypierre: [Not paying attention to their conversation] Is that bigger cell? I don't think it's a bigger- biggest one.
Fit: Oh... Thank you Pac, thank you.
Pac: Everything you need to survive, ok?
Fit: Wow.
Aypierre: Wow.
Pac: And if you need this one also, maybe, who knows? [Throws him more items]
Fit: Ohhh, well hey– just take this to remember me by, ok? [Tosses him a photo of himself – the same one Aypierre was carrying all day yesterday]
Pac: [Laughs] Ok, I will sleep holding the picture you know, like this. You know, I will dream about you, Fit. And I hope this is gonna be good dreams. I see you in the other side. Good luck, my friend.
Fit: The other side... Yeah, you know, yeah, we– we– you know? It's been an honor, Pac. It's been an honor, you know?
Pac: Yeah, for me too, you know? Take care of Ramon, take care of Richas, ok?
Fit: Ok.
Pac: See you on the other side, big boy.
Fit: I will sing your praise– Oh yeah, hey– [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. You're coming with me.
Pac: No, I need to leave!
Fit: You're coming with me. You are not dying today! You are not dying today!
Pac: I need to leave, Fit! I'm sorry, I'm sorry!
Fit: Sorry, there's–
Pac: I'm sorry!
Ironmouse: Are you guys like, having sexy time?
Fit: There's homosexual activity going on Mouse, don't worry about us, ok?
Ironmouse: You guys, you guys– we don't have time to be gay right now, come on. There's no time.
Pac: No, there's no time! Oh, goodbye Fit...
Fit: Ok, c'mon, no no no, come on, we got this we got this!
Fascinated by people just getting into WTNV and asking if there is a list of episodes to listen to, omitting the "unimportant" stuff I assume.
Chill, you all. Night Vale has been ongoing for around 11 years and it's yet to show any sign that it intends to end any time soon, so you can take your time. Even if it ended soon, there is time.
Enjoy the episodes as they are. Chew on them.
WTNV does this very special thing of making the town feel alive, not every citizen gets an arc or even a spotlight, but they're constant, they're there, living their lives. Those little details, little mentions of everyone growing and continuing living as time pass make it feel so nice.
And then, one day, Night Vale surprises you, and, oh, hey, remember that one intern whose death wasn't confirmed? Well, he has come back, and if you remember him and remember what happened to him at the time, you'll be able to connect the dots of the current arc faster.
The MOST unexpected things come back. The town is alive.
Just enjoy the ride! Enjoy Cecil's voice. Enjoy listening about this friendly desert community where the sun is hot, the moon is beautiful, and mysterious lights pass overhead while we all pretend to sleep.
The night before Iwaizumi leaves for California, his mother gives him a gift. It's wrapped delicately in yellow wrapping paper.
Iwaizumi has a feeling he knows what it is.
"I know it's last minute," She says, sitting next to him on his bed in his childhood bedroom. "Your bags are all packed, I don't expect you to make room to take it with you or anything, of course." She watches him, hands folded in her lap. "Ah, and you'll probably think it's embarrassing any-"
"Mama," Iwaizumi interrupts, fighting back a little smile at her fretting. "Let me at least open it before you try minimizing it."
"Right, right." She laughs, waving her hand. "Of course. Go on then. Open it."
Iwaizumi doesn't take his time tearing it open.
It's a book. A scrapbook, Iwaizumi guesses. It has his name handwritten in both kanji and hiragana on the front. It's a little smaller than the other scrapbooks his mom has on her shelf. The binding is a dark forest green.
The only sound in the room is the flipping of pages. Iwaizumi takes his time to study each page, his chest feeling a little tighter the more he flips through the book.
Iwaizumi knows his mothers have always taken lots of pictures, ranging from polaroids to digital. His aunties too but he still finds himself surprised by the amount Sachiko has collected in the book. Including pictures she must have received from other people because neither of his moms were present at said event.
The pages are simple. Each one has about two to five (depending on the sizes of them) pictures on it. They're decorated with stickers and little notes written in his mom's graceful handwriting neatly squeezed where they can fit and still be legible.
Notes like "you gave your poor mother a fright the first time you came into the house with one of these" under a photo of Iwaizumi proudly showing off a jar with a beetle in it and "i'm surprised you convinced tooru to go, lol" by a photo from a fishing trip Iwaizumi took with the other third years.
"This is one of my favorite pictures," His mom says, watching as Iwaizumi flips pages over his shoulder. She points to a picture of the two of them when they first moved into the house. He was only three. They're sitting on the front steps together, neither of them are looking at the camera. He has his arms wrapped around hers and is looking up at her as she laughs.
And he breaks.
"Oh, Hajime." She says softly, pulling him into a tight hug. He tucks his face into the crook of her neck and she strokes his hair as he cries. He feels like he's five again, crying because he accidentally squashed a bug when he was trying to catch it. Ten, crying because he was sick with the flu and thought he was on the brink of death. Thirteen, crying because he and Oikawa had a fight and he thought he would never talk to him again.
Eighteen, crying because he's leaving the country tomorrow and it suddenly hit him that he doesn't know what he's going to do without his mom.
He doesn't say that though.
He doesn't tell her that he's scared, scared that he's going to crash and burn in California, scared that his friendship with Oikawa won't survive the distance, scared that everything is going to go wrong because he left.
Or that he's really going to miss her.
(Maybe he should have told her that.)
-
That night before Iwaizumi spends his last night in his childhood room, he wraps the scrapbook up in the hoodie that Oikawa gave him and tucks them both into one of his bags.
He thinks about where he's going to put it in his dorm room when he gets to California.
I'm going to go easy for a while,,,, a LOT is going on right now it's kind of insane how everything is trying to be my opp rn 😭
First I get diagnosed with mental illness,
Then suddenly exams seasons show up, so everyone has been busy
And now I can't even have a silly birthday whiteboard in peace!!!!!!
There's more I shouldn't disclose, each heavier than the last but hooOOh my goodness It's very difficult to stay chipper at times like these.