the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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it was all supposed to be a joke. they were supposed to be in steve’s backyard with all their friends and family in shitty lawn chairs, holding cans of budweiser and jamming to whatever song eddie was in the mood for that day blasting through the speakers. steve was supposed to be in front of them all in a tuxedo t-shirt and powder blue dress pants, flowers in his hair that had been teased to high heaven and dark black sunglasses to keep out the bright sun. that’s how they had planned it all those years ago when they’d been high and drunk and young and in love.
but somehow instead, the yard is full of flowers and benches that hopper and wayne put together with spare wood for everyone to sit on and there’s an archway at the end of the aisle and soft acoustic songs spilling gently out of the speakers. steve’s still at the front, that was always supposed to happen, but this time he’s wearing an actual tux, light cream with a boutonnière and everything, and his hair is pushed back just so. there’s no flowers in his hair and no sunglasses but it’s cloudy enough of a day where he doesn’t really need them anyway.
they weren't even supposed to do this. there wasn't supposed to be a grand entrance and a walk down the aisle, no flower girls or ring bearers or anything remotely traditional. but what started off as, "well, i wouldn't mind walking down the aisle," and "i think exchanging rings would be cool," and "who cares if it isn't legal, i'm going to marry you anyway damnit," turned into this beautiful day of friends and family and love.
robin’s standing beside him in a tux of her own, pinstripe grey donning a pocket boutonnière that matches nancy’s bouquet, with a few notecards in her hands. and speaking of nancy, she’s heading down the aisle in a flowing dress, and when her eyes catch robin’s, she crinkles her nose before blowing her a kiss. she stands opposite of steve as eddie's not-quite-bridesmaid and grips her bouquet tightly, her eyes never leaving robin's.
and then there's dustin. he's in a tux that matches steve's and he has his curls pushed back with probably too much gel and a tie that suzie got him for their 3rd anniversary. the best thing he's sporting, though, is the smile on his face and the ring box in his hand and the joy in his eyes as he looks out at the crowd. having him there as best man and smelling the cheap cologne he wears so he seems more grown up calms steve's ever beating heart enough to where he doesn't think he'll throw up from nerves anymore.
all of their loved ones are surrounding them in clothes steve’s never seen before but he couldn’t care at all what they’re wearing because they’re all smiling wide and bright at him. he catches himself rocking back and forth on his feet so he shakes out his hands and holds them behind his back to distract himself. his stomach is rolling with waves or butterflies and when he catches joyce's eye in the front row, she mimes taking in a deep breath which he instantly copies. the soft grin she sends in return tells him that he thinks it could actually work to settle him. mothers have that healing way about them.
he’s never been good with weddings, always fidgeting in a too tight suit his mom picked out, but he never thought he’d be this antsy at his own.
steve's just about to give up and sprint down the aisle to get eddie so they can run away together and leave nerves and or butterflies behind him, but then the music stops. he sees lucas changing out the tapes quickly, giving a thumbs up to mike who throws one to will who runs back behind the shed to where he knows eddie is waiting and when will pops his head back out to run back to his seat, it hits him.
he's getting married.
steve doesn't have time to think about it anymore than he already has been for the last 8 years because eddie's coming around the corner of the shed.
'here comes the sun' is playing out over the speakers, soft and perfect, and eddie's smiling, wide and beautiful, and steve can't help but mirror it back to him. the clouds overhead seem to hear them, hear the song and hear their hearts beating in time with each other, because as soon as eddie gets to the aisle, bright warm rays of sunlight peak out and make the rhinestones he demanded line the lapels of his own black tux shine like real diamonds.
steve stops breathing. he swears he does, and he knows his family are all feeling the same way. he can hear a few gasps, hears joyce muttering what she thinks is a silent, "oh my god," in hop's ear, and watches how wayne stands up just a bit straighter from his front row seat.
eddie glides down the aisle like the drama king he is, soaking in the looks from everyone they care about and soaking in the sun that seems to come out only for him. it's like the sun knows he's a star, too, and wants to come out to be with one of it's own. eddie's always been sunshine and starlight and a blinding thing to look at and take in. he's the light, steve's the moth, and a few clouds on their wedding day could never change it.
"well, that was insanely good timing," eddie whispers to steve once he reaches him. his grin softens and he brings up a hand to wipe gently at the tear tracks on steve's cheeks. "hi, baby."
and steve can do nothing but choke out a laugh, catching eddie's hand in his own so he press a kiss to his palm. he thinks he can feel eddie's heartbeat against his lips and, even if it's his brain playing tricks on him, he likes the sentiment that it brings. "i love you so fucking much."
it's eddie's turn to get teary-eyed and the sun glints off the tears that fall down his cheek before heading back behind the clouds, dotting quick-to-fade sparkles on his face like a wedding present.
steve kisses him. he can't help it. it's nothing but a fast press of lips, watery smile to watery smile, and everyone is cheering except for robin.
"hey! it's not time for that yet," she says with a pretend scowl, arms pressing to each of their chests to keep them apart. it's enough to leave nancy giggling where she stands behind eddie, her laugh like bells bouncing off of the trees surrounding them. "just give me like ten minutes and we'll have you married and you can kiss all you want then."
steve swears he can hear mike groan at that which cause him to grin which cause eddie to grin back and then they're holding hands like it's the only way to get through the next ten minutes. and it might just be the only way to get through it. knowing them, if they didn't hold on tight, one of them would make a move first and there'd be hands around waists and fingers tangled in hair and robin would hate them forever because she wouldn't get to do her speech.
it's after vows are shared, after rings are on fingers, after kisses are pressed to lips and cheeks and temples and hands and everything else they can quickly reach, that the two of them get some peace. everyone is inside eating snacks and drinking cheap champagne, and it goes unspoken that they're going to take some time for themselves. take some time to bask in their new maybe not-so-legally real but as real as could ever be in their hearts marriage.
they make their way, hand in hand like they've always been meant to do, to a table set up for them. eddie pops a bottle of champagne that they pass back and forth between themselves as they share cheesy smiles and champagne-laced kisses. and it's as they look into each other's eyes, fingers lacing so their rings clink softly against each other, that the sun peaks out to say hello once more.
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