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#idk how else to explain it?
saintbarou · 2 years
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so many horror manga comes from male mangkas who don’t know how to express attraction to women
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honeyymistt · 1 year
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i’ve heard a lot of people say “don’t reach out to your friends first and see how many people will remain in your life. those are your true friends” and i get it. it sucks and it’s tiring constantly being the one to message first, to initiate hang outs but don’t take this so literally. some friendships require initiation. i have lost touch with so many people who genuinely cared about me and wanted me in their life because i stopped reaching out. it’s a hard pill to swallow but honestly some people just suck at it and it doesn’t mean they don’t love and value you. i’ve reconnected with some people over the past few months and it’s crazy how genuinely happy they are to see me and how engaged they are in the conversation. i just think sometimes we’re too harsh on each other & too quick to emphasize other peoples flaws and remove them from our lives but then we’ll all be alone and what’s the point of life then!!!!
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yrsonpurpose · 3 months
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Mary & George | FYC Panel
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girlchomp · 1 year
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nothing will EVER be as funny to me in behind the scenes fandom than nbc hannibal bc in every interview hugh dancy is sat there all earnestly, leaning forward in his chair, hands clasped, giving an extremely well phrased explanation of why romantic hannigram isnt real and every single time mads mikkelson is sat next to him giving him the most diabolical side eye with that smug smirk on his face. in my heart, every hannibal interview is just: hugh dancy: -so that's why their friendship transcended the need for romance, they were each others world just through their relationship as it was!! mads mikkelson, leant so far back in his chair hes borderline horizontal, taking a huge drag from a cigarette dangling from his fingers, in a thick european accent: they fuck.
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davinaclare · 1 year
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GOOD OMENS  | 1.02 “The Book”
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bunnieswithknives · 2 months
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hey in ur peri animatic: (https://youtu.be/OCqlRuDaXYU?si=K52WDu_vw9rg7chz) that I have been permanently obsessed over since today and have watched about 20 times by now so much that I have drawn & posted stuff based on it what was that partial bug form peri had?
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I haven’t watched either of the show btw so if it’s explained in the show please tell me plsssss
OK, SO the bug thing is not technically canon to the series. It's based on my own headcanons for fairy biology, but i do have justifications for it!! Fairies have very strong shape-shifting abilities, so it would make sense that the form they show to humans isn't necessarily their true form(not to mention extreme that mimicry is very common in insects). And you want to know the visible traits almost every fairy has in common? Being very small with Insect-like wings.
The fact that their humanoid form isn't their true form in actually confirmed in the show! Cosmo and Wanda are revealed to look like biblically accurate pseudo-angels in the museum episode. (I say pseudo angels because the Flaming Sword of Eden is only debatably sentient and I don't think is considered an angel. Ophanim are also debatably not angels because they don't have wings (sorry for the angel tangent I like angels))
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So wouldn't their true forms be angelic then? Well, yes. But I like bugs so. Also I have more headcanons to justify myself. I like to think that they have both a true-true form (incomprehensible to the human brain, probably exists mostly in a dimension invisible to us, that looks how we imagine biblically accurate angels), and a fairy form (which is visible to humans but is naturally very insect like and tends to scare people). So, in order to interact with humans, they have to learn to shapeshift into a humanoid form but will occasionally slip if they get too relaxed/aren't careful, hence the mandibles coming out when he yawns!
The reason they struggle so much more with human forms than the animals or objects they typically turn into is that, well, they aren't trying to convince those animals or objects. The more human they try to look, the harder it is to keep up convincingly. If you turn into a really uncanny squirrel, only other squirrels will notice. If you turn into a really uncanny human, they form a lynch mob and burn you at the stake.
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soybean-official · 1 month
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Compiled the Disco Elysium style MGS2 portraits into 1 post!
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bionicboxes · 2 months
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Give the comfort you never got (as seen on TV)
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eat-rock · 2 years
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“nobody understands me” but not in the “edgy suffering from teenager syndrome mad at mom” kind of way, but the “lonely isolating young adult realization that the specific combination of mental illnesses and past experiences i’ve had have resulted in a pattern of behaviors that are often misinterpreted and misconstrued by others” type of way
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dizzybizz · 1 month
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first meetings
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thepunkmuppet · 1 year
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the reason why transfem elias is my favourite theory for gwendolyn is because think about the implications.
so let’s say this alternate universe reveals that elias is actually transgender, and would present/identify as female if they had the opportunity to figure themself out and transition (elias was reportedly very young when jonah possessed them)
then the idea that in the tma universe they not only didn’t live long enough to do that, but THEIR BODY WAS TAKEN OVER BY SOMEONE ELSE WHO THEN PRESENTED IN A MASCULINE WAY AND LIVED AS A MAN USING THEIR FACE AND BODY FOR OVER TWENTY YEARS?!? FUCKING TERRIFYING
as a trans person myself, even though the real elias was dead the dysphoria that idea gives me is absolutely unreal, and really creeps into serious body/existential horror territory which i think would be really interesting and very in-character for a writer like jonny to explore.
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sluttyimpala · 2 months
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moderation - florence + the machine
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bigskydreaming · 2 months
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Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
#see also: my grinding teeth when people disparage his circus origins#like the only thing its good for is colorful backstory and explaining his acrobatics#THERES. SO. MUCH. THERE.#theres so much EVERYWHERE in every aspect of his backstory and his preexisting comics and yet over and over we get#....what if we just ignored all that and did what the fuck ever as though this character has nothing integral to him or fundamental to say#to be fair my gripes with Taylor are not exactly interchangeable with my gripes with the previous runs#but I lump him in as an extension of them because while evocative of different SIDES of my ennui with these takes on Dick.....#the thing about Taylor's stuff to me (or the parts I read at least) is that its generic as hell while only retaining superficial elements#of Dick's character and stories in order to point to them and say see these are definitely about Dick Grayson. like....only in very surface#level ways. underneath that theyre basically generic superhero adventures that could easily be retooled to be about a pretty sizable number#of other characters. tbh with the whole alfred inheritance thing it honestly felt from the get go#that Taylor was more interested in writing a kinder gentler Batman like a Bruce from one of the animated shows like#The Brave and the Bold who gets along better with everyone else. even the way the Brave and the Bold largely exists to use Batman's#popularity as a star vehicle to platform his co-superhero for the episode lends itself to Taylor's approach in his NW run#with the central figure - only nominally DG imo - basically existing as a platform allowing for the drafting of any other character he want#to write in any given arc or story in a similar way to how Bruce is utilized in Brave and the Bold#anyway. idk idk. my issues with Taylor are not the same as the others exactly but also they are and also I just plain dont like the guy#so I complain about him at any given opportunity even when its not technically as accurate or relevant as it possibly could be#I Am Flawed. its fine though dont worry about it. its called being nuanced
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feralforbeanix · 2 months
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Man I love subtle characterization and representation
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popsicle-stick · 1 year
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WAHOOO my drawing ability has returned!!!!!!!!!!!!!
seward be upon ye.
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dear-ao3 · 1 month
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Heyy totally weird question and having never experienced a long term relationship before this is really coming just from a place of curiosity, I'm deeply sorry if I'm stepping over a line. Did your ex boyfriend change as a person as time went by, because I remember loving your posts about him, and everything seemed wonderful and adorable about your dynamic, thinking that even if these complete strangers to me break up one day it will be full of mutual respect and understanding. Can a person really change up like that? Like were there ever any signs that he is a douchebag capable of breaking things of over a text and anything else that he's done or was he never actually like that and a "change" happend over night?
I am not at all probing into your life, please don't think that, nor am I asking for some kind of explanation no, just curious about someone turn up to be a complete douchebag at the end
i mean yea there were signs, generally when youre dating someone in the beginning things seem fine and dandy and then it all falls apart later. most of the problems stemmed from the fact that he broke a lot of bad habits and then gained them back. we were also pretty young and in that weird limbo stage of life where youre figuring out what the fuck you want to do and when youre in that area of life (college) things can change very quickly and you can very quickly realize that you are not as perfect for someone as you once thought.
actually though we were decently mature towards the end of it and knew it was falling apart and were like okay when the time comes we will be respectful and this will be mutual and likely we will remain friends (cause we did get along pretty well, there were just a lot of logistics that were not working) and then he decided to dump me over text (which he didnt really realize he was doing? he thought it was a break he was proposing but he worded it so badly that i was like um no this is a breakup. goodbye. then he tried to be like oh no no no we are still good for eachother! so even though he definitely started it i finished it) and all respect was lost
tho despite all that crap i dont regret it, there was a lot of fun, learned a lot about myself and most importantly learned what it does feel like to be in love. its not my fault it didnt work out, there was a lot of stuff that i was aware of at the beginning that would make it challenging and i knew it wasnt going to last forever, but while it was good it was definitely good.
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