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#if anyone knows of more accurate translations for this feel free to link them!
kagoutiss · 1 year
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makes u all look at my favorite OoT development interview (this is the Zelda Dungeon translation of it, there are probably other versions out there)
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original japanese interview is here. but anyway yeah i like going thru old interviews from the late 90s/early 00s sometimes because you can find little gems like this? which i think can help give more context for how parts of the games were originally conceptualized, and with this one, the description of Ganondorf’s first appearance as a human being as intentionally neutral, in contrast to his previous appearances as Ganon, presenting his origins as a human containing good & evil, and them having to actually dial back the deviousness of his first voice recordings to better suit him, is. it’s just very very precious to me lol
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also the staff having a funny nickname for him based on the name of a cold medicine they had on hand, bc so many of them kept coming down with colds at the time is very cute ahsfjsjfhsk
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veliseraptor · 6 months
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🪐🌵🍄🔪🦷🏜️ 🪲🎨 for the Writers Truth & Dare Ask Game! Hopefully you're having a nice day💜
⇢ name three good things going on in your life right now
ooh this is a good one to...remind me of good things going on in my life right now, orz. not the easiest at the moment but
Writing is still going very slowly (more slowly than I would like), but last month I wrote the most in terms of word count that I have so far this year, and almost as much as in December despite the fact that I didn't have as much time off.
I'm really enjoying watching @ameliarating play Baldur's Gate 3 over her shoulder.
I'm planning on starting going swimming once a week, which is going to be a bit of a challenge to start but should be really good for me once I get in the habit.
⇢ share the link to a playlist you love
is it egotistical if I do one of my own? probably! I'm doing it anyway. I'm still very proud of my Exandria Unlimited: Calamity fanmix. I think it is a banger.
⇢ share a head canon for one of your favourite ships or pairings
while I think to start with Xue Yang hates Song Lan to absolute shreds after Xiao Xingchen dies, over time that changes and he gets increasingly attached to him, even though Song Lan doesn't, you know, have much of a personality at the time. He treats him sort of like he does, though, and by the time Wei Wuxian frees him Xue Yang sort of considers Song Lan his best friend, weirdly. Like, he's a science experiment but he's also a friend. It's the kind of relationship that only works if you're Xue Yang. The weirder thing is that it's not entirely one-sided.
⇢ what's the weirdest topic you researched for a writing project?
it's not that weird, but there was the time I had someone dig me up the translation of Ovid that existed in the 16th century for Lymond fic so that I could accurately quote what the English translation of a particular line would look like. Or maybe it was even more specific than that and I wanted to know what the Latin would look like, I don't exactly remember. I know it was specific. Most of the weirdly specific things I've researched for fic are Lymond-related and have to do with primary sources I'm borrowing quotations from.
⇢ share some personal wisdom or a life hack you swear on
I'm much better at giving advice than taking it - I know all kinds of things I should be doing that would make my life better but actually implementing them is, uh, another story. But I guess if I were to try to think of something that I actually do do that I try to implement in my own life, maybe I'd say it's getting a little bit of an attitude of "do it anyway." It's sort of like the "do it scared" thing but it also includes things like "I'm tired" or "I don't think anyone will like this" or "I don't know if I like this" and sometimes the thing to do is just. Do it anyway.
Maybe this comes out of my knowing that my brain and my emotions are inherently skewed and unreliable and so if I didn't have that attitude it would get in the way of me doing much of anything.
⇢ what's your favourite type of comment to receive on your work?
I feel like this is probably a common answer, but definitely I love a comment that does some kind of analysis/commentary on specific aspects of a work. it's not common, or anything, but I thrive on comments that take my work seriously in some way as worth lingering on things like word choice or what a particular excerpt says about characterization, or stuff like that. Makes me feel all warm and fuzzy on the inside.
⇢ add 50 words to your current wip and share the paragraph here
When they settled down at their campsite, Xingchen reached out to grasp Xue Yang’s wrist only for Xue Yang to flinch away.  Both of them froze. Xue Yang’s mouth twisted; Xingchen’s expression betrayed frustration and hurt together.  “Don’t fuss, Daozhang,” Xue Yang said, his voice studiously light. “I’m good.” “You’re still weak,” Xingchen said, at the same time as a-Qing said, “don’t be stupid.”  “I’ll be fine,” Xue Yang said dismissively. “I just need a minute, that’s all.” His body language had gone tense and defensive.
⇢ link your favourite piece of fanart and explain why you like it
my favorite? my absolute favorite? ever?? I don't even know how to choose. I guess if I'm picking one out of the many, many works of fanart that I love (seriously, there's so many), I might have to go with this commission I got from @yutaan. I love the joy of it, the expressions, and I'm a huge fan of papercraft as a medium - the variety of textures and patterns is a particular treat. It's really a lovely piece and the fact that it was made for me just makes it even more special.
[writers truth & dare ask game]
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kebriones · 2 years
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Sorry to bother but where can I find informations about Alcibiades? I saw you and the others mentioning many times on Tumblr and I got very curious, can you please help me?
No worries, I love introducing more people to the cult I mean spreading the love for alcibiades!
Here are my suggestions:
Plutarch's life of alcibiades. You can find this one in english online easily but I included a link. A good first read in my opinion, but you need to know in advance that the author is writting about Alcibiades a few hundred years after he lived and a lot of what he says can't be taken for absolute historical fact.
jacqueline de romilly's book on Alcibiades. This one I am afraid you might have to purchace as I have been unable to find it online with my surface-level searching. Perhaps you might be able to find it in a library, I am not sure. I own this one in a physical copy that my grandma gifted to me. This one is in my opinion the single best book on alcibiades, as far as I can remember the author knows exactly what she's talking about and is not trying to push any agenda, unlike other authors of biographies of his.
If you get REALLY into it, the most historically accurate portrayal of Alcibiades is by Thucydides, BUT his texts are a pain to parse through if you're not completely possesed by madness like I was when I read it. But you can find them online in english I am pretty sure. If you just care about alcibiades and decide to give thucydides a try, I would suggest looking up when exactly alcibiades shows up to avoid reading a massive part of the book which doesn't include him.
Plato's Alcibiades I, Alcibiades II and the Symposium, all paint a very vivid picture of him but here you must remember that these are more like fanfiction than an accurate portrayal of him, but they are still fun and I honestly treat this fictional alcibiades as if he's the same as the real one for fun's sake. Like, I know these aren't facts but I chose to ignore that to have a more well-shaped character to think about. All of plato's texts can be easily found translated in english online.
Articles and videos on him on youtube. Now, these might be shorter to read/watch BUT. Very big warning: Most, if not all of the articles, videos and podcasts on him that I have read/listened to etc (since last july, I have consummed DOZENS of that stuff) have bigger or smaller misconceptions, misunderstandings and inaccuracies in them. I am afraid this is because nobody reads the actual ancient sources but there's a game of "broken telephone" where misinformation on him gets spread around. I would be vigilant when reading stuff on him online, I have even heard professionals and phd students and what not getting details about him very mixed up. If you've read plutarch's life and/or De Romilly's book beforehand you can catch these misunderstandings, but if you haven't, it's very easy to learn things that are just completely made up or wrong, but presented as facts.
Hope this helps!! If anyone has any other suggestions for reading on alcibiades or anything please feel free to contribute!
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horanghaejamjam · 1 year
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Emergency Commissions
Hi loves, I promise that Horanghae and my Hao vampire spinoff will be posted sometime within the next week! However due to outside circumstances I am really struggling financially and am offering emergency commissions to hopefully help pay off some of my bills!
If you are interested in custom writing please read the details below and consider commissioning me! You will get a custom fic written just for you!
If interested please message me here or email me [email protected] to discuss what you are looking for! Also do not hesitate to reach out with any questions!
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Pricing:
Drabbles (500-1k words): $5
5k words: $15
10k words: $20
15k words: $30
20k words: $40
Custom word counts are also available just message me and we can discuss what we want. 
Smut fics will add $3-$5 depending on how detailed you would like it.
All prices are in USD!
Accepted payment methods:
Paypal
Venmo
Cashapp
Details:
To see the groups I will write for please see this link here
I also write for soloists/kdramas/and kactors
I will write: 
Fics, drabbles, series, detailed stories
LGBTQ+ including poly/love triangles
Member x member ships, reader inserts, self inserts, ocs
All genres (must be 18+ for smut)
If you want a smut centered fic with certain kinks please message me to discuss what I am okay writing.
I will not write: 
Continuations of another writer's work
Ocs that are stolen
Smut with idols (or commissioners) that are minors
Idols that are deceased
Idols involved in major scandals  
Stories meant to attack anyone or a certain group irl
Slurs
Tragic Historical Events
Idols who are in relationships
Average TAT: 5 days - a week depending on how long the story is
Before I start on a commission I will ask for as much detail as possible for what you want to make sure I am able to write something you will enjoy. The more details you can provide the more accurate it will be to what you want. Especially if you would like a self insert or oc included in the story, the more detail you can provide the more accurate it will be to you. I am more than happy to do creative interpretation or create original stories if you like as well. Just be sure to specify what you would like when inquiring about a commission.
I will update you on the status of your commission periodically along with any questions or clarifications I may need. To protect my work you will not be allowed to view the full commission until it is fully paid and completed. However, I am happy to send samples of the work so you get an idea of the story. You will receive one sample when the commission starts and one after it is finished and before I send the full commission. Extras may be requested as needed. I am happy to revise as needed and will always communicate with the buyer during the commission.
Communication is essential during the commission process. I will constantly be reaching out with any questions or updates so I need to be able to get a hold of you. Feel free to message me at any time for an update or any questions. However please give me 24 hours to respond to any messages. 
If I do not hear from you after a week your commission will be put on hold until I can get ahold of you. 
You will receive all commissions in a pdf format! I may also post them on my Tumblr/Ao3 (you will be tagged if you wish) Please let me know ahead of time if you do not want your work posted!
As the buyer you are allowed to use your commissioned piece for any personal matters. You are allowed to repost it as long as you do not claim it as your work. You may translate the work as long as you do not claim it as your own. You may not edit and repost the work as your own, or resell it. 
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whiteheart7 · 2 years
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I posted 1,913 times in 2022
That's 358 more posts than 2021!
36 posts created (2%)
1,877 posts reblogged (98%)
Blogs I reblogged the most:
@sovereignbryce
@chongoblog
@astriiformes
@finch-wing
I tagged 337 of my posts in 2022
#toh spoilers - 44 posts
#whiteheart7 thoughts - 29 posts
#unreality - 26 posts
#danganronpa - 14 posts
#enchanted ronpa - 12 posts
#fuyuhiko kuzuryu - 11 posts
#deltarune spoilers - 10 posts
#disney - 9 posts
#goodbye despair - 9 posts
#super danganronpa 2 - 8 posts
Longest Tag: 94 characters
#👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀👀
My Top Posts in 2022:
#5
One of the themes in Goncharov I found fascinating considering its timeframe and setting is the idea of surviving despite everything. Despite the violence, the destruction, the uncertainty, you can still make it through. It also ties into the theme of how the characters' perpetuate a cycle of violence. Circumstances may change, but the method of handling it stay the same.
This is highlighted by the two gangs featured, one affiliated with the Russian Mafia and the other the Italian Mafia. The two groups were changed by the events of WW2, and had adapted to survive in the new society they found themselves in. Still, their methods of how to handle things stay the same throughout it all, which at its core is violence.
The characters go through this in their own ways. Everyone ends up resorting to violence to deal with their circumstances. However, this ends up being a, literally, fatal flaw for them. They lean too much into their ways and they end up facing brutal consequences. Ice Pick Joe's murders come back to him and he dies with his weapon in hand. Goncharov is killed after having betrayed everyone, getting a taste of his own medicine. Katya can make anyone disappear, but that leads to her own unknown status.
What they all fail to realize is that they needed to survive, not just succeed. They were so deep in what they thought was their only choice that they couldn't see the opportunities they could have taken to change these circumstances.
Sofia, however, seems to be the only character to break her own cycle. Everyone else dies in the end, but she was able to look away from everything just long enough to accept these opportunities. This is why she ends up as the sole survivor of the film. It can seem like an act of cowardice, like she ran away from her problems, but I believe it was a successful act of self preservation. She realised it wasn't worth sticking around to see if things got better. You can't help anyone if you're dead.
31 notes - Posted November 20, 2022
#4
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36 notes - Posted May 28, 2022
#3
Kodaka’s In-Character Birthday Tweets Masterpost
My meds are working so I’ve been Doing Stuff Again, and that includes impulsively finding and archiving every single Danganronpa in-character birthday tweet that Kazutaka Kodaka has posted on Twitter between 2017 and now. Plus some translations.
There do seem to be some birthday tweets before 2017, but they don’t include pictures and I’m not sure I want to scour Kodaka’s Twitter any deeper than I did.
Warning, this is really, really long. If there’s any I missed, feel free to let me know.
I think I might include Instagram birthday messages in a separate post- Kodaka seems to write longer ones there. I might also make another post for the miscellaneous in-character tweets. Don’t quote me on that, though.
Translation Info
A quotev compilation of fan translations. Only goes through 2017 to 2018.
Tried my best to find all the Spike Chunsoft translations- they’re linked next to the character’s name. Though, some of them aren’t really accurate.
Found some Tumblr fan translations which are also linked next to the character’s name.
2017
Kokichi Ouma
Jin Kirigiri
Sayaka Maizono
Akane Owari
Yasuhiro Hagakure
Korekiro Shinguji
Tsumugi Shirogane Part 1
Tsumugi Shirogane Part 2
Kyosuke Munakata (Fanlation)
Ryota Mitarai
Kiyotaka Ishimaru
Shuichi Saihara (Fanlation)
Sakura Ogami
Koichi Kizakura Part 1
Koichi Kizakura Part 2
Rantaro Amami
Kyoko Kirigiri
Sonia Nevermind
Kiibo
Miu Iruma
See the full post
91 notes - Posted March 7, 2022
#2
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101 notes - Posted April 23, 2022
My #1 post of 2022
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103 notes - Posted June 4, 2022
Get your Tumblr 2022 Year in Review →
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pathos-logical · 2 years
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[ID: an animated GIF that reads "Tumblr 2022 My Year In Review", and shows a variety of moving stickers including the anon profile picture, grabs, stars, hearts, the plinko horse, the reblog symbol, and the tumblr symbol. It looks like a page out of highschool sketchbook. End ID.] (ID by @thetragicallynerdy <3)
I posted 7,770 times in 2022
118 posts created (2%)
7,652 posts reblogged (98%)
Blogs I reblogged the most:
@tmoblrina
@pathos-logical
@carfuckerlynch
@generic-internet-name
@three-magpies-in-a-trenchcoat
I tagged 6,482 of my posts in 2022
Only 17% of my posts had no tags
#described - 2,771 posts
#that's my queue - 1,032 posts
#described by me - 809 posts
#storytime - 675 posts
#unreality - 273 posts
#tumblr - 263 posts
#to watch later - 242 posts
#mutualsposting - 226 posts
#lovecore - 213 posts
#tropes - 184 posts
Longest Tag: 135 characters
#i didn't see a post like this earlier and didn't have time to say it myself but happy diwali to all who celebrate i love you 💜🪔🌟🕯💛
My Top Posts in 2022:
#5
who needs IDs, how do they help and why are they used? i've always been curious, i mean no harm by asking, so sorry if this is rude
Not rude at all anon, I'm so glad you asked!! Image descriptions are accessibility aids for vision-impaired folks and anyone who may have issues parsing an image (ex: an autistic person unable to comprehend a visually busy art piece). For people who can't see an image for any reason, IDs provide a way to understand what's on screen, whether it's a meme or tweet or art. For example, a blind person using a screen reader (a device that reads text out loud) wouldn't know what an undescribed all-image post was talking about, but with an ID they could know it's a tweet and then a meme mocking it
IDs can look abstruse and intimidating when you're unfamiliar with them, but I promise they're not! The simplest step to making your blog more accessible is scanning the notes of a post to find a comment with an ID and reblogging that version of the post instead! If you're interested in learning how to write your own IDs, I really love this post as a resource, plus the amazing People's Accessibility Server if you have questions or want to request descriptions! I'd also like to plug my pinned post, which has a link to a doc with templates for a ton of memes so you can describe posts yourself!
I hope this wasn't too much text and that your question was answered clearly, anon! Please feel free to go through my "image descriptions" and "accessibility" tags for more info!
115 notes - Posted October 13, 2022
#4
Copying tags in accessible ways on mobile
(Large text: Copying tags in accessible ways on mobile)
People screenshot tags all the time, whether to share a funny joke or add important commentary, but they often don't realize that this is inaccessible to vision-impaired people and many others. This is a problem because a lot of people primarily use Tumblr on the mobile app, which doesn't let you interact with tags at all unless you screenshot them. However, accessibility is always worth the extra time and effort you can spare, so here are some ways for you to easily copy tags without spending too much of either!
Image-to-text softwares
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If you simply must screenshot those tags, you can still convert them back into usable text! There are plenty of easy-to-use websites that allow you to take any downloaded image and extract the text from them. I prefer onlineocr.net, but the Google Translate app has the same feature! All you need to do is input the image and hit the button, and it'll spit out the text for you to copy. This method is fantastic for images with lots of text, not to mention it's easy to do and generally accurate, and I use it all the time to great effect!
Going to browser
(Large text: Going to browser)
If you're on mobile, it's probably a safe bet to say that your phone also has a browser app. If so, all you need to do to copy the tags from a post is copy the link of said post into a browser and then copy the tags from there. This method can mean extra formatting, since hashtags and links won't copy over, but it's relatively low-effort to do and doesn't take long at all!
Going on PC
(Large text: Going on PC)
If you're on mobile, you can also consider saving the post with desired tags to your drafts. This means you can easily access it on another device, aka a computer, and copy the tags there! Copying tags on desktop is possibly the easiest way to do it, since all you need to do is highlight the text and paste it later- it'll even save the link formatting when you do! The only extra step you might have to do is add spaces between the tags, since they'll automatically come smushed together and only separated by hashtags. This method might mean you take a little longer to reblog the tags, but it is very much worth it to make the post accessible to all!
Going forth
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These methods are a smidgen more effort than just screenshotting or prev tagging, but I don't think it's a bad tradeoff at all! I hope this can provide quick and easy ways for everyone to get more used to thinking more conscientiously about accessibility. And these aren't your only options- alt text helps people who use screenreaders, and you should always add an image description below screenshots if you're going to add them. Hope this helps!
TL;DR: Instead of screenshotting tags, which makes them inaccessible, other options are: using image-to-text software, copying the tags on a mobile browser, or copying them on desktop Tumblr.
290 notes - Posted January 5, 2022
#3
Gif makers will be like "how can I fit as many inaccessible font options as exist on planet earth into one three-word movie title"
413 notes - Posted June 28, 2022
#2
How to Keep Doing Descriptions (from someone who does a fuckton)
Plain text: How to Keep Doing Descriptions (from someone who does a fuckton)
This is a list aimed mostly at helping people who already write IDs; for guides at learning how to do them yourself, check my accessibility and image description tags! I write this with close to two years of experience with IDs and chronic pain :)
Get used to writing some IDs by using both your phone and your computer, if you can! I find it easier to type long-form on my laptop, so I set up videos and long comics on my phone, which I then prop up against my laptop screen so I can easily reference the post without constantly scrolling or turning my head
I will never stop plugging onlineocr.net. I use it to ID six-word tags, screenshots of posts, and even comic dialogue! On that last note, convertcase.net can convert text between all-caps, lowercase, sentence case, and title case, which is super helpful
Limit the number of drafts/posts-to-be-described you save. No, seriously. I never go above 10 undescribed drafts on any of my four blogs. It doesn’t have to be that low, but this has done wonders (italics: wonders) for my productivity and willingness to write IDs. If I ever get above that limit, even if it’s two or three more, I immediately either describe the lowest-effort post or purge some, and if I can't do that then I stop saving things to drafts no matter what. No exceptions! Sticking to this will make your life so much easier and less stressful
My pinned post has a link to a community doc of meme description templates!
Ask! For! Help! Please welcome to the stage the People’s Accessibility Server! It’s full of lovely people and organized into channels where you can request/volunteer descriptions and ask/answer questions
I make great use of voice-to-text and glide typing on my phone to save my hands some effort!
Something is always better than nothing!!! A short two-sentence or one-sentence ID is better than no ID at all. Take it easy :)
If you feel guilty about being unable to reblog amazing but undescribed art, try getting into the habit of replying to OP’s post to let them know you liked it! This makes me feel less pressured to ID absolutely everything I see
I frequently find myself looking at pieces of art which feel like they need to be considered for a bit before I can write an ID for them, and those usually get thrown into drafts, where the dread for writing a comprehensive ID just builds. Don’t do that! Instead, try just staying in the reblog field for a bit and focus on the most relevant aspects of the piece. Marinate on them for a little; don’t rush, but don’t spend more than a handful of seconds either. I find after that the art becomes way easier to describe than it initially seemed!
On that note, look for shortcuts that make IDs less taxing for you to do! For example, I only ever describe clothes in art if they're relevant to the piece; not doing that every time saves a lot of time and energy for me personally
Building off of that, consider excusing yourself from a particular kind of ID if you want to. Give yourself a free pass for 4chan posts, or fanart by an artist who does really good but really complex comics, whatever. Let it be someone else's responsibility and feel twice as proud about the work that you can now allot more energy to!
As always, make an effort to find and follow fellow describers! It’s always encouraging to get described posts on your dash, and I find that sometimes I'm happier to ID an undescribed post when the person who put it on my dash is a friend who tagged it with "no ID"
TL;DR: To make ID-writing less stressful and more low-effort, use different devices and software like onlineocr.net and voice-to-text, limit the amount of work you expect yourself to do, and reach out to artists and other describers!
442 notes - Posted November 8, 2022
My #1 post of 2022
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[ID: A cropped screenshot of two crabs on the tumblr dashboard. They are right next to each other and both say “love <3.” End ID]
PEACE AND LOVE ON PLANET EARTH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! (Plain text: Peace and love on planet earth!!!!)
821 notes - Posted April 1, 2022
Get your Tumblr Year in Review 2022 ->
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jawnkeets · 4 years
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probably a strange question but: how did you develop your style when it comes to poetry? I really appreciate how you write and how it's vague and specific at the same time? don't know how to express what I mean exactly, but it's like phrases that you feel more than you really understand them sometimes, and that don't look like they should make sense at a glance but when you really read them they do. maybe you'll know what quality I mean 🙈 I feel like I'm way too literal when I write and I want to be a little more abstract in a say less, convey more kind of a way?
hey anon, thank you! not a strange question at all - it’s actually a very good question, and one that i was asking until recently as well (and to be honest am still asking!). i totally know what you mean.
i guess the shortest answer i can give you is that i think ‘poetic feeling’ is best felt full-on, but expressed to the side. it’s also something that genuinely does get easier the more you try to do it, i.e., is a skill that can be sharpened; to start with, everything feels like nonsense, or not quite right, and i felt like a bit of a fake initially, but as i did it more and more i had more and more tiny breakthroughs and gained confidence (which is a genuinely such a large part of any creative endeavour), and this can happen surprisingly fast and snowball; i switched up my style in maybe 1-3 months, just trying a little bit - maybe 15 lines - every couple of days or so. and i didn’t put pressure on myself, deciding if i hated it i’d delete it and reminding myself that no one had to see. i find writing short poems also really helps with practising: they can help you focus more intensely on each choice.
it’s also not a solo thing, or at least doesn’t have to be - i use random word generators, to different degrees depending on the poem, and also it’s surprising how much even just picking words off wikipedia can help, especially with themed poetry. recently i wrote a poem about the medieval period, and threw in words that came to me with terms from wiki pages about the medieval period (history, art, medicine, etc), to make noun phrases like ‘kaleidoscopic altar vision noise’, ‘law texture’, etc etc. the thing that’s helped me most, though, is reading other poems which i think have this quality, which tends especially to be image-heavy poetry: will stone’s translation of trakl completely changed the direction of my poetry, and lorca, rilke and seferis have also been invaluable. i also find authors that do weird things with syntax interesting, like e. e. cummings and j. h. prynne, but don’t go quite as far as them. i have a list of favourite poems which might help, and which i re-read regularly ❤️
something else i enjoy doing is practising reading and misremembering, which sounds like cheating but is actually an excellent way of generating new material. i remember reading (i think it’s this article) alexandra cook’s 'creative memory and visual image in chaucer’s house of fame' and it was a breakthrough for me. from memory (ironic - wish i still had access so i could properly quote from it/check stuff) it talked about how one dimension to medieval creativity was misremembering - that new ideas and originality came from the gap between what the work actually was and how another writer remembered it. trying to deliberately misremember is a lot of fun; a poem is then borne out of an interesting intersection of skill and contingency, which gives it an energy, i think.
on a kind of separate but related note, the classical ars memoriae, or ‘art of memory’, might be quite an interesting thing to play with in relation to writing poetry. what it is, for anyone that’s not familiar with it, is basically the notion that the way to remember things is by having some kind of system in your head - like spatialising the material (so you think about the room you first encountered it in and all the details to help you better remember it), imagining it in a sequence, breaking it up into sets - there are absolutely loads of ways. if this seems weird or alien, we still use mind maps all the time, which is a great example! to deliberately twist, literalise and tbh actually invert the art of memory stuff (i know this is a bit abstract eek), i’ve been thinking recently that it might be fun to distort ideas (themes, an image you like, a line you like) by running them through various ancient memory systems, because i think medieval thought had a point that these systems subtly distort things even as and precisely because their function is get us to remember them accurately (paradoxically, we bend them to our chosen way of thinking/remembering stuff, which alters the material). using ways of memorising we wouldn’t normally use, and forcing them to interact with material much more literally, can yield quite interesting results. in any case, it introduces different ‘head spaces’ which can be quite useful to take in a very loose way when trying to ‘think to the side’: here’s a starting list. to give quite a crude and simplified example, let’s say i’m obsessed with homer’s wine dark sea and want to write something based on it, but also different and original. what if i try to think of ‘wine dark sea’ as sequential (thinking of material in a sequence being one way of remembering things listed on the above wikipedia link)? i’m honestly not sure what that means, and i can’t envision that. it doesn’t even make sense, and is a deliberate perversion of what memorising things in a sequence would actually look like - ‘wine dark sea’ would be one chain in a sequence if the sequence was, e.g., ‘favourite quotes’. ‘wine dark sea’ itself can’t be a sequence; this would turn ‘wine dark sea’ into something logical, mathematical even. but then the phrase ‘mathematical wine dark sea’ is interesting and unexpected. and you can then play with that or variations of it - ‘wine sea: dark, mathematical’ would make a great opening line, and ‘wine sea mathematics’ and ‘wine dark mathematics’ are really interesting phrases (you know actually i quite like this - might go and write a poem about it now... lol).
that last bit is very speculative and i’m kind of thinking out loud, so feel free to ignore haha. i wrote a post on writing poetry a couple of years ago, too, which might have a couple of useful tidbits. i hope some of this is helpful!!
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kumoriyami-xiuzhen · 3 years
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DEEMO -prelude- Chapter 2 English Translation
ironically, i ended up translating this because i wanted a distraction from editing some of my translations... though i won’t deny how im more than a tad masochistic when it comes to translating (because i hate doing it. seriously. translating is a pain, and it hurts my head after a while), but i really did enjoy reading the 2nd chapter... also I guess I have a special weakness for sibling angst.  
some notes:
translated this from Chinese so it may not be 100% accurate if compared to the JP raws as the translation I used might have different interpretations of the text (i normally include this message with my translations because I translate from CN -> ENG and rely on other people’s JP -> CN translations).
please don’t reupload elsewhere (especially to social media), and don’t remove my credits page. additionally, this is not to be profited off of in any way and is intended to for one’s private enjoyment only.
i hate photoshop. and cleaning. anyone who wants to complain about the parts i edited can go away :D
I changed Hans’ friend’s name to Gino since both CN tls i read used that this time.
if someone else wants to translate this, feel free to pick up the series... tho i guess i’d prefer to be informed if someone wants to do that?
the name of the last chapter is “The piano that started to go mad.” missed the name for it by accident... so oops? lol. also i don’t feel like going back and editing the name into the spread page it was on. 
Below is NOT a link. it’s bunch of chars that needs to be decoded via base64decode to reveal the link (going to use this method in the future for external links since i didn’t have problems with it last time)
update: fixed a typo
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aHR0cHM6Ly9tZWdhLm56L2ZvbGRlci92N1J4Z0tKSiNZZG5HNjZES3I4dVVmd3VZbmp3VmhR
i think the worst part of translating this series is knowing how badly everything will end... and i suppose i’ll consider translating chapter 3 if no one translates it in a month (my next few weeks are going to be busy plus i don’t have clean raws nor have i cared to look for them).
also should i upload this to mangadex? not sure what the state of their site is for uploaders though since i never made an account on it and i consider myself to be extremely lazy when it comes to doing extra and unnecessary work. 
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thegreenmeridian · 3 years
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@honeybeelullaby tagged me on an “infodump about your interests” meme!
My interest is a bit more ghoulish than most but fuck it!
I have an encyclopaedic knowledge of plane crashes. My final essay for my degree module was supposed to be about monolingual vs multilingual workplaces, and I turned that into a whole thing on plane crashes.
It’s the factors involved that fascinate me. Rarely is an accident caused by a single thing. It’s a chain of events, little slip-ups and oversights that by themselves are unlikely to cause major problems. On occasion, these chain links are forged decades prior to the accident.
Take the 1996 midair collision of a Saudi 747 and a Kazakh Il-76 over Charkhi Dadri in India. On the face of it, a simple case of pilot error — the Illyushin pilots descended below their assigned altitude and strayed into the Boeing’s path. What’s really interesting is why that happened.
For starters, the airport at New Delhi did not have secondary surveillance radar. Secondary radar communicates with the planes’ transponders, allowing the air traffic controller to see the speed, altitude, and identification of each blip. Primary radar, however, is simply dots on a screen. The controller must place tracking pins on each dot to keep track of who’s who and rely on the pilots for fast and accurate reporting of their altitude, and has no way of knowing if a plane deviates from its assigned altitude.
Another issue at New Delhi was the sheer number of flights using the same corridors - routes in and out of the airspace. At most major airports, departing planes travel along one corridor and arrivals another. At New Delhi, all civilian flights travelled the same corridor. Think of it like all cars using the same side of a motorway to leave the other side free for military vehicles. If that sounds dangerous to you, well, it is.
Still, planes generally came and went from New Delhi without issue, thanks to the highly professional ATC teams in charge of keeping the skies in order. So how did the Kazakh flight end up at the wrong altitude?
The captain was highly experienced, with 9200 hours under his belt, only a few hundred less than the Saudi captain. But where he got those hours of experience matters.
Kazakhstan was only 5 years into its independence at the time of the accident. The pilots, like their plane, had come of age under Soviet flight regulations which were considerably different from Western regulations.
Where the Western world demanded a high standard of English (Aviation English being the industry-wide language), the Soviets did not. For the Kazakh pilots, this left them with only one man in the cockpit able to understand the air traffic controller, the radio operator. This is a position that simply does not exist in Western manufactured aircraft. It’s a matter of design philosophy. Western aircraft were built specifically for the civilian market, and Soviet aircraft were largely adapted from military designs in which a separate radio operator’s position is the norm.
For the crew of the Kazakh flight, this resulted in a translation delay between radioman and pilot, and a radioman who did not have his own instrumentation and thus had to either peer over the pilots’ shoulders or request updates. In theory, it’s doable. In reality, no member of the Il-76’s crew had the entire picture of what was happening.
Another disparity between Western and Soviet flight rules was what measurements were used. New Delhi’s controllers were giving the assigned altitudes and distances in feet, and the radio operator was having to convert to metres. The inevitable confusion caused by this was a frequent matter of complaint for New Delhi’s operators when dealing with flights originating in former Soviet states. Soviet pilots would also rarely repeat back instructions — standard among Western pilots to ensure correct understanding for both pilot and controller — instead simply replying “roger” and switching their radios off.
And the final issue caused by Soviet flight regulations? Crew resource management. An operational technique that grew out of the 1977 Tenerife disaster, CRM training encourages cockpit cohesion and an atmosphere where the captain listens to their subordinates, and subordinates feel empowered to correct a captain’s mistakes. It’s a primary factor in why air disasters have become increasingly rare since Tenerife. Look at any accident report since its inception and chances are, you’ll find a recommendation that the airline(s) involved need to improve their CRM training.
For Soviet pilots, CRM training was nonexistent. In the chaos after the Soviet split, when airlines were disintegrating and changing hands and money was tight, few took up the challenge of providing CRM training to their crews. This was arguably a result of Soviet attitudes towards aviation safety, in which little, if anything, was learned from previous accidents — which were generally seen as an inevitable part of flying. Add in the suppression of information surrounding accidents with state operated airlines such as Aeroflot, and you start to see why Soviet aircraft and aircrews were considerably more dangerous to fly with than their Western counterparts.
So, what did all this mean for the crew of KZA1907?
ATC cleared the inbound Kazakh flight to descent to 15,000 ft. Coming from the opposite direction, the departing Saudi flight was cleared to climb 14,000 ft. About 8 minutes after the transmission, KZA1907 reported that it had reached its altitude. In fact, they were at 14,500 ft and still descending. This was later determined to be a result of poor communication among the crew.
As was standard, the ATC operator reported the oncoming traffic, warning the Kazakh pilots that a Saudi 747 was about 8 nautical miles ahead and, so he thought, a safe 1000ft below, and asked them to report when it was in sight. The radio operator’s reply of “now looking 1907” was the last anyone heard of the Kazakh flight.
Rather than the level flight at 15,000 ft that he’s reported to ATC, the radioman noticed at last that the plane was at 14,000 and slowly descending. Ironically, had he not noticed, the two planes might have just barely missed each other. Instead, the captain pushed forward on the throttles to climb to the correct altitude. Moments later, the tail of the Illyushin clipped the left wing of the Boeing, sending both plummeting to the ground and killing all 349 people aboard both flights. The deadliest midair collision in history.
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anachronisticcrab · 4 years
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Nico and Portuguese
I don’t know if this bugged anyone else, but in the Hidden Oracle it didn’t sit right with me that Chiara and Apollo, who were both fluent in Italian, couldn’t understand Paolo when he spoke Portuguese, even though Nico could understand him because he speaks Italian (as seen in BoO when he read the Portuguese inscription in the Church of Bones, and when he was able to translate that Paolo wanted Apollo to have his lucky bandanna). At first I figured it was just weird Uncle Rick discrepancies and stuff, but then I figured why not do a bit of googling to see if I could find an explanation. I did a bit research on Italian dialects and second languages, as well as its connections to Portuguese, Catalan, and Spanish, and I think I discovered why Nico could speak with Paolo and understand Portuguese when no one else could
Just as a forewarning, I want to say is that I don’t speak Italian or Portuguese, I have never been to Italy or Portugal (or any other country that speaks Portuguese), and I am in no way an expert on the subject of any language. If you have any information on this topic, please correct any mistakes I make and feel free to add anything related to this. That being said, let’s get into this monster of a post
First of all, obviously Italian and Portuguese are very close together (they are both derived from Vulgar Latin, and have at least superficial similarities). However, this post will be looking into specific dialects and historical facts that would support Nico understanding Portuguese from Italian whereas the other two people who are confirmed to be fluent have no idea what Paolo says
I started trying to find out a bit more about Italian (because I knew there were differences in the language depending on where you are in the country, because everything in Italy varies from region to region). It turns out there are around 34 recognized spoken dialects within the country of Italy, and Standard Italian comes from Old Tuscany/Florence. The dialects vary from region to region, and even city to city in the country. All the different dialects are vastly different, especially between North Italy and South Italy. If you had a southern Italian speaking their native dialect and a northern Italian speaking theirs, neither of them would have any idea what the other was saying, unlike with different dialects in English, where you still know what the other person is saying. For example, in Venice, the dialect changes depending on the island you are on (ie. Burano to Pellestrina)
If we look specifically at the Veneto Region (where Venice and Verona are, and where Nico is from), one of the dialects is Venetian, although there isn’t a lot of information on the language that I could find, and even less about it’s roots. However I did find out that it is closer to Spanish, Catalan, and Portuguese than it is to Standard Italian (Tuscan), and the language isn’t just spoken in and around Venice, but also in Trieste, Croatia (which led me down the path of Croatia and Venice thanks to Nico visiting there, and I’m gonna make a post about that too now because it’s really cool to me and I’ve got ideas for that) , Slovenia, Mexico and Brazil
Apparently, in certain parts of Brazil, the Talian dialect of Venetian holds co-official status with Portuguese. (I couldn’t find a whole lot of info on this, so I’m not sure where or if this is a true/accurate fact). From around 1875 to the 1920′s, there was a mass boom of Venetian immigrants to Brazil, and of the largest place in the world for people of direct Italian descent is actually Sao Paolo, Brazil. The only article I could find on the Talian dialect cut off two paragraphs in and required a paid subscription to read more (which I couldn’t do since I’m broke), so all I know is that a Portuguese dialect of Venetian is spoken in some areas of Brazil, more of them down south from what I could gather
In my research on Talian, I found out about another dialect, this one of Portuguese. It is called the  Paulistano dialect, and is spoken in and around Sao Paolo, the city I brought up before. Paulistano has direct influences from the Venetian language, as it was created thanks to Northern Italian immigrants who spoke with think foreign accents, and a new dialect was created, and preserves characteristics from Venetian
Not gonna lie, I think that they might just be different names for the same language, but I’m probably wrong about that. As I said, I really couldn’t find a lot of information on this topic so I’m probably very wrong by saying that
On top of that, historically, Venice and Portugal (the places that created both languages) have had extremely close relations. In the 15th century, the Portuguese kings used Venice’s ports to help with the spice trade from Asia, South America, and Europe. There were Portuguese and Spanish people coming in and out of Venice’s docks all the time. This is presumably why Venetian is much closer to Spanish and Portuguese than it is to Italian
As you can see, Venetian and Portuguese have deep rooted histories and simmilarities, and show how Nico would be able to understand Portuguese. Nico would’ve grown up speaking a very similar language to Paolo’s, and Paolo may have grown up speaking a dialect inspired by Venetian
I did try to use Paolo’s name to see if I could get an idea of where in Brazil he might be from, but I have absolutely no idea. Montes was originally a French or Spanish surname, suggesting he might have had French or Spanish roots, but that could also be pure bullshit, because I genuinely don’t know. If he was Spanish somewhere along the line, he most likely lived towards the south, closer to Sao Paolo and probably knew either Talian or Paulistano
At this point, you might be wondering why Apollo or Chiara can’t speak or understand Portuguese, and my answer is the following:
Apollo was probably only fluent in Standard Italian/ Tuscan after the country unified in 1861. After all, Italy is the capital of music, art, and is well known for being sunny and warm all the time, and Apollo is the god of all that stuff. Therefore, he probably learned the standardized language, and didn’t bother with any local dialects (after all, most people don’t speak the individual dialects with tourists/foreigners)
Now Chiara was a bit different. She was from Italy, so she would’ve known a regional dialect, and I came up with an issue there. She could have been from Venice, and that would have thrown this whole thing into the trash. That would have thrown out this idea, and mean that my research would have been for nothing, and that it really was just a stupid error on Rick’s part
So I looked up the origins of her name to check this out, praying to all the gods I could think of that my two days of research and googling wasn’t for nothing. The first thing I saw was that most Italian surnames with an ‘i’ at the end are from northern Italy. Just as I was about to start crying, I found a link on ‘The Noble House of Benvenuti’, and it turns out she was most likely Tuscan. Therefore, she probably speaks a regional dialect of New Tuscan or something of the like, and wouldn’t know Venetian
Also, after a bit more digging just to double check some of the facts in this post, I found out that even if she was Venetian, she might not have spoken it. Since Venice is a dying city, apparently Venetian is a dying language, and most people who are fluent in it are older, and there are lot’s of other dialects in the Veneto region anyways. Nico probably only knows it because he lived in Venice before the city started really dying out! The only reason Paolo can communicate with someone could be because of the whole hotel thing!
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aphnxrising · 4 years
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Sharing something here I saw on Facebook.
"There's a few posts going around reminding folks that since RBG is Jewish, the proper thing to say about her passing is "May her memory be for blessing," which is true, but I wanted to add a bit of perspective on what that means.
Jewish tradition does not focus on the afterlife. There are a few thoughts on what happens when we go, some of which look a bit like reincarnation, and some of which looks like time to reevaluate our actions and relationships on earth, but for the most part, the whole "Do good things, get good reward from God; do bad things, get bad punishment from God" is just not part of our worldview. (Spoiler alert: this is why I love The Good Place so much- the final season feels very in line with Jewish thoughts on the afterlife.)
When Jews speak of righteousness, it is never with the idea of an eternal reward. We work to be good humans to others and ourselves because justice and peace are their own rewards. We don't know what happens next, but we know what happens here, and that is enough. The pursuit of justice is one of the highest callings of Judaism, and it should not be misinterpreted as vengeance or punishment. The ideas of justice and sustainability are inextricably linked in Judaism. A system that is unjust cannot sustain, and a system that is unsustainable cannot be just.
It is said that a person who passes on Rosh Hashona is a Tzedek/Tzaddeket, a good and righteous person. When we speak of tzedakah, the word is often translated as "charity" but it is more accurate to say righteousness. Tzedakah can take many forms (including monetary donation) but it's important to note that tzedakah is not a benevolent contribution given to be kind or nice to those who need it, it is to be viewed as a balancing of the scales, an active working towards justice. To use a simple example, one should donate to the local food bank not to gain favor with God, or to be nice to those with less than ourselves, but because it is unjust for anyone to be without food, especially while others have plenty. Correcting injustice, balancing the scales, evaluating the distribution of power and creating equity is tzedakah, the work of righteousness.
Similar to Maslow's (imperfect) hierarchy of needs, Maimonides wrote in the Middle Ages of eight levels of Tzedakah, the highest of which results in self sufficiency, or rather, an act that creates a sustainable form of justice. "Teaching a man to fish" is an extremely reductionist view of this idea, but it's a start- the real meat of it is the idea that charity is good, but eliminating the need for charity is better. (i.e. Tax the billionaires so we can have universal healthcare instead of praising the rich for building hospitals with their names on them.)
The second highest form is where both the giver and the receiver are unknown to each other. This allows both for the dignity of the recipient, and for the giver to be free from personal motivation and reward. In other words, we should help create a more just world for the benefit of people we don't know, without the expectation of praise, gratitude, or reward, in this life or the next.
When we say that Ruth Bader Ginsberg was a tzaddeket (the feminine form of tzaddik) we don't just mean she was a nice person. What we're saying is that she was a thoughtful person who worked tirelessly to create a more just world. One that would perpetuate equality and access, one that wasn't reliant on charity, one that was better for people she did not know, without the expectation of praise or fame. THAT is what it means to be a Tzaddeket, and I can't think of anyone who better embodies the pursuit of justice.
When we say "may her memory be for blessing" the blessing we speak of is not "may we remember her fondly" or "may her memory be a blessing to us" the blessing implied is this: May you be like Ruth. Jewish thought teaches us that when a person dies, it is up to those who bear her memory to keep her goodness alive. We do this my remembering her, we do this by speaking her name, we do this by carrying on her legacy. We do this by continuing to pursue justice, righteousness, sustainability.
So when you hear us say "May her memory be for blessing" don't hear "It's nice to remember her"-- hear "It's up to us to carry on her legacy." When you hear us say, "She was a Tzaddeket" don't hear "She was a nice person"-- hear "She was a worker of justice."
May her memory be for blessing.
May her memory be for revolution.
May we become a credit to her name.
*special thanks to the linguists and Hebrew speakers in the comments section who helped me out!"
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adozentothedawn · 3 years
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Picked up the tag from @cadash-nua because I just kinda felt like it.^^ I'll throw out a tag to @ampleappleamble, @rannadylin, @serenbach86, @dragonologist-phd, @shimmer-like-agirl, @orime-stories, @brightoncemore, @adraveins, @iamapotatobag. If you want of course.^^ Anyone else feel free pick it up, they're just the only ones in fandom I know have an Ao3 account. (edit: will sneak in @risualto as well, who I shamefully forgot, I’m sorry, friend.^^°)
How many works do you have on AO3.
21.
What’s your total AO3 words count?
97537. Man I really need to write a bit more to reach that 100k.👀
What are your top 5 fics by kudos?
(A few have the same numbers, so it'll be a little more than 5)
Godlike, an Inuyasha one shot and the first fic I ever uploaded on Ao3: 88.
Do You Have to Pick up Penguins? (No, you don't), a short shitpost for the Pillars fandom in which Favaen confuses the fuck out of Vatnir: 13.
Vela, a one shot about our favourite baby dealing with her life from being almost murdered as a baby to losing her new home and finding her mother comatose: 11.
The Miracle of Verdant Vorlas, my take on the canon event in which Waidwen and Eothas perform their first miracle and really get the rebellion started: 11.
The the Weak Die, another Pillars shitpost about Favaen and Aloth torturing Edér with Aedyran takes on tea: 9.
Mo(u)rning, a one shot about Adaryc trying to deal with Eothas' return and the death of the Watcher, an Eothas priestess in her own right: 9.
What Wael Sees, a series of prompt one shots about different characters, ranging from my Watchers over Adaryc and the companions to Waidwen and the friends I made for him: 9.
Do you respond to comments? Why or why not?
Yes, always! My answers range from "Thanks!^^" to mutiple paragraphs of background information the commenter didn't actually ask for.^^° But I do always answer, the longer my answer usually because I have more to say about it.
What’s the fic with the angstiest ending?
I have a few fics which will end really angsty, but I haven't really gotten anywhere with them yet. I guess the one I have that would qualify is from the ashes of the dawn which is about Eothas between the Godhammer and Deadfire. It's not completely angsty because we know the Watcerh survived it but for Eothas it's plenty angsty.
What’s the fic you’ve written with the happiest ending?
That one I know even less how to answer because most of my fics have a happy ending. I guess I'll go with Gay, since it technically ends with Maneha happily going to hunt for booty.
Do you write crossovers? If so, what is the craziest one you’ve ever written?
Only in my head. Actually that's a lie, techincally I wrote the beginning of a Yugioh Hyrule Warrios crossover fic once, but that was long before my Ao3 days and was still in german. I still think the idea was hilarious and regret nothing except stopping. If anyone knows german and wants to read it hit me up and I'll go digging for the link.
Have you ever received hate on a fic?
Only from myself. Frankly I don' think the Inuyasha one is egrigeous enough to warrant any interest from haters and if you go around hating fics in tiny fandoms such as Pillars I don't think you'll get very much amusement out of it.
Do you write smut? If so, what kind?
Not yet. Frankly I don't know enough about sex to feel comfortable writing it and I feel I would cringe myself out of existence for not being accurate. Also it's hard enough for me to write romance and sexual attraction. Doesn't mean that I'll never write smut, but not for a while.
Have you ever had a fic stolen?
Not that I know of. I don't write for big enough fandoms for people to be interested in stealing and I do hope Ao3 is more secure that Wattpad in scam bots. On the other hand though since I post on tumblr too my fics are definitely on some tumblr scam copy. So I guess in that sense yes.
Have you ever had a fic translated?
No, but it would be dope! I am considering translating some of my baby fics from german if anyone wants to read them.^^
Have you ever co-written a fic before?
No but again, I'd be absolutely down. Also I still have this idea of what if the Pillars gods were people at some point, which could absolutely be a fandom project if anyone wants to join in.^^
What’s your all-time favourite ship?
I don't really write ships. The only ships I've kinda written were Watcher Francesca/Aloth and Watcher Francesca/Maneha so I guess those.
What’s a WIP that you want to finish but don’t think you ever will?
I hope to finish all of my WIPS and refuse to ever call them a lost cause.
What are your writing strengths?
Perspective and character voices.
What are your writing weaknesses?
Writing surroundings. Seriously, if I don't work over my pieces afterwards there all standing in grey empty space.
What are your thoughts on writing dialogue in other languages in a fic?
I don't particularily like it, but I don't hate it. it just usually doesn't end well and I think doesn't really do anything for the reader.
What was the first fandom you wrote for?
Star Trek! It was a self insert fic about the Kobayashi Maru test and in the middle of writing it I started watching the new movies and then got confused in which version I want it to be set. But honestly it is still TOS.
What’s your favourite fic you’ve written?
I like all my fics, or at least something in all my fics. Over all I guess I have to say A Death in Your Name though. It was the first fic where I just threw all my inhibitions out the window and wrote what I wanted, and I think it turned out pretty well. It's about the past life of my Watcher Favaen, the Inquisitor, and high priestess of Eothas, Emblyn, who was also Iovara's sister, and the effects her actions had on Eothas later, and also about Iovara's and Eothas' relationship.
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bvidzsoo · 4 years
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Since everyone is free to have an opinion, I decided to finally voice what I really think about this situation. I stayed somewhat silent because I was waiting for Pledis to release a statement and now that it's out and because I have seen a post on IG (I'm linking it after I'm done with my rant) here are my thoughts: before that, if you feel attacked by anything that I say, it's not my business, everyone has different opinions and as someone who respects others, I expect the same treatment back, thank you.
I was really heart broken, I won't lie, when all the accusations came out, mind you, WRONGLY translated. I didn't want to believe a word that was said there and I'm glad I stayed neutral because after an ACCURATE translation was made, I came to the conclusion that, what the fuck was that person trying to do?? Imagine being a teenager and making sexual jokes, not aimed at anyone specifically, OH MY THE HORROR! Guys drawing pubes and dicks on the blackboard or wherever they could, once again THE HORROR, sweetheart what were you expecting from teenager boys? You don't like it? Tell them next time to stop or suck it up, it's not like they'll stop having fun because you are whining about it, I'm speaking based on experience!
I'm glad Pledis made that first statement and cleared up the fake bullying rumors about the disabled student. That's something I wouldn't have let slide, being raised to be respectful and nice towards everyone, disabled people are no different in my eyes. But once again, it all depends on the upbringing you had.
Therefore like I said, a friend sent me a post on IG and I invite you to read it and think the whole thing through. I'm still waiting for more official information coming from Pledis, but at this point, I stopped believing whatever the original poster said. True, that person in the IG post could turn up to be fake, but I'll roll with my gut feeling. I know that I don't know these idols personally and they could be (most probably are) faking many things for the cameras, but Mingyu doesn't feel like the person he was made out to be through that post. And if he was, everyone changes. People learn from their mistakes and improve their behavior. Your mentality changes, kids are cruel, don't we all know that? I'm not disregarding whatever that person said, or tried to say, but I am in a way, totally not believing a word they wrote down, at this point, especially after that IG post.
I try to see the multiple point of views, but one question continues ringing through my brain, what the fuck was that person thinking they'll achieve by doing what they did? What the fuck was this whole thing for? Hatred, he got enough for sure and I hope Mingyu and SVT recover from it well.
Here's the link: https://www.instagram.com/p/CL4prlCH7Ee/?igshid=knn6jrtts38i
So no, I don't understand this 'victim' and no, I don't stand by them anymore. Unless Pledis says something that can change my mind. So people who hate on Mingyu for nothing, you can unfollow me if seeing him makes you uncomfortable because on my blog, you will continue seeing him. I will continue to like him and write fanfiction about him, it's my choice, so respect it. Yes, I am Kim Mingyu biased, and yes I stand by him. Unless anything that doesn't stand well with me will be confirmed that it's real.
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jeannereames · 4 years
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Hi, I'm curious about the incident with the Pages, what exactly happened with that? Was Alexander not exactly a "kid" person and the pages didn't really bond with him? It seems extreme for them to want him dead. I thought of Alexander as a people person who wanted to be liked. He seemed to care about his brother, even with his disability. Maybe that's just Renault's influence since her books portrayed Alexander as compassionate and empathetic. I think you'd provide a better take on it, thanks!
What happened with the Pages or, as Beth likes to refer to them (accurately) the King’s Youths* had nothing to do with Alexander’s feelings towards kids or even teenagers. It had to do with timē, or public honor. I’ve written before about the importance of timē in Macedonian politics, particularly with regard to Pausanias’s murder of Philip.
Before I go further, however, I want to point to an excellent article by senior Macedoniast Elizabeth D. Carney, “The Role of the Basilikoi Paides at the Macedonian Court,” in Macedonian Legacies, Howe and Reames, eds., (2008), 145-64** Beth doesn’t just write about Olympias and Macedonian Women. She frequently deals with Macedonian court politics, and that’s what this article addresses. The incident with the Pages is examined in detail, and she comes to somewhat different conclusions about the complexities of it than she did in her earlier “Regicide in Macedonia,” although the latter should be read by anyone wanting to understand why Pausanias killed Philip (see linked post above).
Much of what follows summarizes Beth’s article, but read the whole thing as she explores a number of intriguing issues surrounding the Pages. (Beth is a good writer, clear, unlike some.)
Back to timē. One of the (many) jobs of the King’s Youths involved attending the king on hunts.
Also, a critical ritual that marked the movement from boyhood to manhood in Macedonian society was a hunt wherein the boy was expected to spear a boar (very dangerous prey) without nets (to hold it). If you read Dancing with the Lion: Becoming, Alexander undergoes that very ritual in chapter 3.
Anyway, most Macedonians would have undergone this rite-of-passage in their mid/late teens, possibly early 20s. Much is made of the fact Kassandros hadn’t, even though he was in his 30s. It was seen as a lack of courage (and thus manliness: andreia).
Furthermore, there was a Persian tradition that nobody in the royal hunting party could strike at an animal until the king had. To anticipate the king was a serious affront. Persians were all about rank and status.
Macedonians didn’t really have rules, per se, but something similar seems to have been assumed (unless the king intended somebody else to be chief hunter). In Macedonian hunts, competition was very much the name of the game, and “helping” the king wasn’t appreciated. Lysimachos found that out the hard way. That Krateros had the gall not just to save Alexander from a lion, but commemorate it in an ex-voto, is notable, although it was actually Krateros’s son who commissioned the statue group (c. 320 BCE) memorializing his father’s bravery … after both his father and Alexander were dead. By choosing that event of many in his father’s career, what do you think is the message sent? Not just his father’s ties to Megalexandros, but that Alexander wouldn’t be Alexander without Krateros. Perhaps it was his son’s way to hit back at Alexander’s own elevation of Hephaistion (his dad’s chief rival) to semi-divine status as a hero.
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Another bit of background, Alexander had been trucking around Asia for about six years by the time this occurred. He was getting reinforcements for troops, but it’s not clear he was getting other reinforcements: e.g., new Basilikoi Paides. Hatzopoulos has theorized not, or if he did, it was early in the campaign, when he sent back Koinos and Meleager along with the newlyweds to Macedonia for a “break” in the winter of 334/3, to make new little Macedonians. They returned with reinforcements. So, maybe we can shave off a year. Still, and assuming Hammond is right that boys were King’s Youths only between about 14 and 18, these “boys” were getting a bit long in the tooth, even the youngest being past the 4-year appointment.
A lot of focus is spent on the conspiracy, Kallisthenes as their stoic-ish teacher, and fluffed up speeches (written by Curitus) about freedom and tyranny… It comes off very Romanized. I won’t go into Kallisthenes, but he reminds me a bit of some US Senators (Ben Sasse): a lot of hot air about principles while kissing ass with his votes. In Kallisthenes’s case, kissing ass with his glowing, propagandic history written for the Greeks. Even his own uncle (Aristotle) thought he didn’t know when to keep his mouth shut. (Yeah…don’t think much of the guy; can you tell?)
What people have forgotten about—but Beth discusses—is the lead up to the conspiracy. What prompted it?
A hunt gone wrong prompted it. Hermolaos stepped between the king and his quarry, to spear the boar for himself. One source says he did it because he thought the king in trouble, but the other doesn’t give that as a motivation.
A-ha! Did you just say that in your head? You should have. 😊
The fallout: a furious Alexander had Hermolaos not only flogged, but also took away his horse. (Kinda like Dad taking the keys to your car.)
Now, flogging wasn’t that shocking (horrible as it sounds) in Greek and Macedonian society. “Spare the rod and spoil the child” is a saying they’d condone. Normally it was reserved for slaves and children (and women). The King’s Youths were a little old for it but…it’s the king. Curtius specifically states that the Basilikoi Paides performed jobs that were normally slaves’ duty, but being for the king, it became an honor. Plus most of these teens would age out c. 18 into another unit, probably the Hypaspists (Pezhetairoi under Philip) or the Companion Cavalry.
But—if Hatzopoulos is right—these young men may have been some years past 18, which would make a flogging especially humiliating. Even if they weren’t, and Alexander had been getting new Basilikoi Paides post-Gaugamela as well as new troops, Hermolaos was still a touchy teen punished like a “little boy” or a slave for just trying to spear his boar and be a man!
In punishing Hermolaos for insulting Alexander’s timē, Alexander, in turn, insulted his. Alexander no doubt saw it as a breach of discipline and decorum, as well as a slap at his own courage and prowess in the hunt. But to Hermolaos, it was, as Beth points out, “emasculating.”
Keep in mind: these are young men, even if late teens/early twenties. Everything’s a crisis. They’re also the sons of the top tier Macedonian elite, so very tetchy about their honor. And the Basilikoi Paides would have been an absolute stew of competition and testosterone poisoning.
I can just imagine a background to this of his mates teasing him, “When ya gonna get your boar, Hermolaos?” “You too much of a white-belly to face down a boar, Hermolaos?” Etc. Maybe he really did think, for a moment, Alexander was in danger AND this would be his chance! He could protect his king (his job as a Page) AND win his manhood! Two birds with one spear!
Except it didn’t turn out like that.
Smarting from more than the flogging, he would have complained to his friends in the unit, and griping grew legs and became a conspiracy. As Beth points out, they may even have heard fathers and uncles complaining about Alexander’s “Persianizing,” but they only complained. The boys, spurred by youth and Kallisthenes’s attempts to cover his ass-kissing with a pretense of philosophy, imagined themselves—especially Hermolaos and his lover Sostratos—as the new Harmodaios and Aristogeiton. (And yeah, I bet some clever soul pointed out the similarities between Hermolaos’s name and Harmadaios’s.)
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So what is usually seen as an event all about Alexander’s increasing Persianizing and tyranny really gives us a peek into the pressure cooker that was Elite Life at the Macedonian court. Now you understand why I keep comparing these guys to a pack of sharks.
More on the Pages, Companions, Somatophylakes at the court....
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(**) The link above takes you to academia-edu where you can obtain a free download not only of that article, but the entire festschrift in honor of Gene. Tim (Howe) and I have made it free in PDF form and very cheap in paper form at Amazon. It’s basically sold at printing cost and a few pennies. All proceeds from paper copies go to the subvention fund of the Association of Ancient Historians, which provides financial assistance to grad students and junior scholars to attend annual meetings. Tim and I get nothing. (You will also help us shaft the dirty dog who bought Regina from its original owner and shafted us by printing and selling copies but giving us no royalties [like we got much anyway]. Academic karma.)
(*) While Beth’s translation of “King’s Youths” is more accurate, I decided not to use it in Dancing with the Lion because it falls awkwardly on the ear, and most people familiar with the court are already familiar with the Pages. That said, I agree with her that “pages” is misleading, causing most to envision pre-pubescent boys after the medieval fashion, whereas these guys are closer to squires.
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hunnybadgerv · 4 years
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SWTOR Short Fic Weekly Challenge Prompt List
I found this list and was really intrigued by a lot of the prompts, they are really in depth and thought provoking. So, I linked the original location where I found them and am going to squirrel them away for those times when I really need inspiration. Or just really want to write in that fandom.
I’m wanting to write some Doc fic for @alyssalenko, but I can’t really get my brain in gear right now.
It is super long, so I tucked it under the cut.
SWTOR Short Fic Weekly Challenge Prompt List
Week of 6/1/2012 Culture Shock - The galaxy is a big place, and it's home to a wide variety of different cultures and species. It's not easy working with someone who may look similar to you, but comes from a radically different culture - not to mention being friends or even spouses with them Week of 6/8/2012 Allies - When something huge is going down, or just when you need a hand, who can you call that you know is going to have your back? Whether it's someone completely unlikely or exactly what you'd expect, who can you ultimately always rely on? Week of 6/15/2012 Confessions - Everybody has things they don't like to admit. Sometimes it's big, sometimes it's just something small. Sometimes it's nice to finally let it out. What does your character need to admit - and to who? Hidden Talents - All of our characters are good fighters, but people are good at more than one thing. What else are they good at - and how do their friends and family react to learning about this hidden skill?
Week of 6/22/2012 Rites of Passage - Sort of related to the cultural theme, there are tons of different rites of passage our characters go through. Some are common across cultures, like weddings. Some are specific to a culture, like coming-of-age ceremonies. And sometimes they are just an internal realization that your life has changed. Feel free to take this in any direction you would like. Week of 6/29/2012 Health - Jet-setting around the galaxy means exposing yourself to a ton of different viruses, bacteria, and parasites. Let's go, biology nerds! First Impressions - Our characters meet tons of people on their journeys. What are their first impressions of each other like? Are they accurate, or did someone put up a front? Write about it! Week of 7/6/2012 Communication Breakdown - Trying to communicate with each other when things are going well is hard enough, but our characters have plenty of other things that can get in the way. Bad com channels, language barriers, broken holo feeds - all those can mess up a conversation. Not to mention people who just plain don't understand each other... Week of 7/13/2012 Catching Up - Pretty much all of our characters have pasts that might catch up with them in the future. Sometimes that's not a good thing, like seeing an old enemy. Sometimes it's great, when an old friend comes to help you when you need it. Either way, it's bound to be interesting. Mix It Up - For this challenge you can write anything you like. The catch? Someone else's character has to be in it along with yours. It can be your friend's or someone else in the thread as long as you have gotten their permission and as long as your story involves your character and another player character that you don't play - NPCs, companions, etc don't count. Get creative with this one and see what cool stuff you can come up with. We have some really talented minds in here and I'm sure people will come up with some awesome stories. Week of 7/20/2012 Exploration - You could travel your whole life and not see all of Earth - so what about people who have an entire galaxy to explore? What new things have your characters uncovered along their journeys? Thank you bright_ephemera for this prompt. Dreams and Nightmares - Sometimes these are literal - a horrible nightmare or a pleasant dream that you don't want to wake up from. Sometimes it's a metaphor - your desires for the future or your greatest fear. Either way, they're a part of everyone's lives. Thank you Striges for this prompt! Week of 7/27/2012 Family - Dealing with a war sucks. It's already complicated enough, but family complicates things even more. Some of our characters' families are different species, or have different alligiances. How do they deal with the complications that family can bring? Suggested by Eanelinea. Discovery - In our characters' journeys, we make some surprising discoveries. Sometimes they're things about ourselves or our friends, other times they're discoveries about the world around us. Either way, they usually take us by surprise. Suggested by Crezelle. Canned Response - When we click on our companions, they give us one of a set of responses. Unfortunately, that's all the endgame interaction we get with them - but let's make the best of it! Pick a phrase (one or more) a favored companion says to you and write a fic around why they are saying it. Suggested by Morgani. Week of 8/3/2012 Celebration - There are many things to celebrate in life: from weddings to birthdays to holidays. Write about a celebration your character has been a part of. Prompt suggested by SveinEternity. Guilty Pleasures - We all have them. Does your bounty hunter love The Bachelor (or whatever the SW equivalent is)? Or your Jedi Consular love romance novels? What secret thing do they love - and would be mortified if anyone knew it? Week of 8/10/2012 Mission Accomplished - Ever wonder what exactly goes down when you send your companions on those crew skill missions? How does Khem handle diplomacy missions, for example? Write about your character sending one of his or her crew members on an assignment - your character can only appear when giving the mission; focus on a companion. Suggested by Morgani! What's In A Name - Names are special, they almost always have some meaning behind them. First names, family names, nicknames - none of them are ever arbitrary. Write a story explaining a name given to your character or a companion, whether it's their personal name, nickname, or alias. Week of 8/17/2012 What If? - Most characters have some major event in their past that changed the entire course of their life. What if that event never happened? Would they even take part in their class stories, meet all their companions, or be the person you played? Suggested by Morgani. My First - Firsts are usually special - first items, like Jedi and Sith's first lightsabers or an agent or smuggler's first gun. First times, like your first time connecting with the Force or your first time stepping onto your ship. Firsts can change a person and solidify who they are. Write about a special "first" in your character's life and how it shaped them. What's in a Name 2 - Extended for the week because it was so popular. If it still inspires you, keep writing it! All the stories were just that good. Week of 8/24/2012 Turning Point - Last week we wrote about what life would be like if major events didn't happen. This week, we're writing about major events that DID happen. Pick a particularly important moment for your character, one that solidified their path. Write about what they did and why that moment was crucial. Worst Day Ever - Everybody has a bad day. So do our characters. Maybe it was in their class story - like getting your ship stolen on your birthday - or maybe it was something that happened before or after. Whether it genuinely was the worst day or your character was just in a bad mood and something happened to make it worse, write about a day that made them call it "the worst day ever". Week of 9/1/2012 (Un)invited Guests - Things get complicated when you're visiting someone else, or have someone visiting you. Even if you want them there! Of course, things are extra complicated when your guest is someone you didn't want or expect to come around. ...Like No One's Watching - When we're alone we often indulge ourselves in things that might embarrass us if others knew. Bad music, bad dancing, whatever it is, we'd be pretty mortified if someone caught us. This time, write about your character's secret indulgences - and how they react when it's discovered. Week of 9/7/2012 Changes/New Paths - Week of 9/14/2012 Brotherhood/Sisterhood - Ceremony - Week of 9/21/2012 Parenthood - Many of our characters either have issues with their parents, are parents themselves, or both. Parents can make things complicated, whether it's simply the generational gap or the fact that they aren't great parents. Affection - It's more than just a game mechanic. How do your characters show it, whether to their lover or their family or to their friends? Does it always have the intended effect, or do things get lost in translation? Week of 9/28/2012 Fame - Your characters all end their class stories with a lot of newfound fame. How do they deal with it? Being recognized on the street, being on the news, finding themselves mentioned all over the HoloNet - it's got to be stressful. Alternatively, what if your characters met another famous person and had to deal with being starstruck? Bad Timing - Sometimes, the worst thing about something is when it happens. Even a good thing can end up being not-so-great if the timing is wrong. Write about a time when your character had to deal with something that just plain came at the wrong time. Week of 10/5/2012 Sacrifice - What are your characters willing to sacrifice to achieve their goals? Good/Bad Memories - Sometimes good memories can get your characters through hard times, sometimes bad memories are the extra push they use to move forward. What memories move your characters? Week of 10/10/2012 Teachers and Heroes - Everyone has someone they look up to, or someone who's taught them something important. Or a hero that they strive to be like. Who does your character admire and look toward when they're not sure what to do? Who has had an impact on making them the person they are today? Week of 10/17/2012 Xenobiology - Different species means more than different skin colors. It means different entirely different physiologies. Having friends whose bodies work so differently from your own can make things complicated, as everything from how you relax to how you dress and what your beauty rituals are (what is "lekku buffing", anyway?). How do your characters deal with differing biologies that they encounter? Best Day Ever - We've written about our characters' worst days; now write about their best days! A day when something wonderful happened, like finally beating your nemesis, or just a day when everything went really well for them, and how they reacted. Week of 10/24/2012 Disguises - Sometimes our characters have to gain entry to places that it's not easy to get into. What's a good strategy? A disguise, of course! Write about a time in which your character had to pretend to be someone or something else, and how they dealt with trying to be convincing. Worlds Colliding - Our characters fly all over the galaxy and meet people from many different worlds - metaphorically and literally. Relationships, friendships, and partnerships can develop, which often results in those two very different spheres of living coming together - which can be tough to navigate. Write about a time when your character's world met up with another's, and how they reacted. Week of 10/31/2012 Food - Everyone has to eat, and food is a major part of many cultures. It's part of your heritage and the memories you have of your family and friends. In a diverse galaxy, there are thousands of different things to eat and ways to prepare them, as well as traditions and customs involving food. Write about your characters' experiences in those realms. Loneliness and Solitude - Our characters end up with crews of interesting folks, but that doesn't mean they never feel lonely. When you're up against some of the biggest forces in the galaxy, it's hard not to feel alone. That said, sometimes being alone is a blessing - some well-deserved solitude is a wonderful thing when you need it. Write about a time in which your character felt lonely - or when they finally got some time to themselves. Week of 11/7/2012 Seasons - In space there are no seasons. But in a galaxy of thousands of worlds, it's every possible season at once, and not just the four temperature-variation ones. Write about some of the seasons your characters have experienced. Tools of the Trade - We all use tools in our everyday lives, whether it be a skill like one's persuasive powers, equipment like one's weaponry, or the right bit of knowhow to solve the problem without the need for that weaponry. Write about the tools that your characters depend on...or the ones they avoid using. Week of 11/14/2012 Deadly Sins - Everyone struggles with one of them at some point: wrath, pride, envy, lust, gluttony, greed, and sloth. Sometimes they spur us on to do good things. Other times, they hurt us and others. Write about your characters' struggles with the worst sins of them all. Seven Virtues - We're not just sinners, here. We all have our virtuous sides too, and many of our characters take one or more of the traditional "seven virtues" to heart: wisdom, justice, restraint, courage, faith, hope, and charity. Write about a time in which your characters embraced one or more of these virtues and how it affected them. Week of 11/21/2012 Home Ec - Our ships and everyday living arrangements have to keep running somehow. Maybe a slave or ship's droid handles it all for you; maybe...not so much. How do your characters manage cooking, cleaning, budgeting, ship maintenance, appliance repair, and more? Do the Math - On a more abstract level, tons of things in life can be reduced to, or perhaps just unhelpfully compared to, the math that rules our worlds. Write about your characters or things in their lives adding, subtracting, dividing, or multiplying. Or do they ever have to integrate? Or deal with binary logic? Or try to keep a limit on their eccentricity? Or handle something that's just...odd? Write about it! (Somewhat off-the-wall, but I hope y'all find something fun to play with in there, not necessarily strictly math-rigorous!) Week of 11/30/2012 I Love This Bar - We all do our time in the watering holes of the galaxy. What's your character's favorite memory of things seen, heard, done, purchased, insinuated, shot, kissed, imbibed, discombobulated, or otherwise rendered memorable in a cantina? Night of the Living Prompt - Remember all those ideas or half-finished scraps you had for earlier prompts? You know how it feels way too late to post it now? Resurrect your favorite prompt - let us know which it is! - and give us a story! (Kudos to kabeone for maintaining the master prompt list!) Week of 12/7/2012 As Time Goes By - No matter where you are in your character's story they are probably quite different from when they started. Maybe some are ready to settle down and others are starting to feel the passage of time. (All that Force leaping can't be good for the knees!) Has your character noticed any changes or have they stayed the same while others changed around them? Tell us about it. Week of 12/14/2012 First Day on the Job - Some of our characters have very long, very colorful employment histories. Others picked a job or had it picked for them when they were very young. Pick one of the jobs your character has held and describe the day they came to it. Loyalty and Betrayal - Two loaded words that can have major impacts on a person's life. Which characters of yours always follow orders? Which never compromise in loyalty to their friends or cause? How do your companions (not just that one) deal with challenges to their loyalties? Week of 12/21/2012 Laws and Governance - Our characters pass through a huge number of jurisdictions with a huge variety of regulations, forms of government, fine print, and - eek - legal penalties. Write about an interaction your character has had with government and/or the legal system. Failure - Our characters have flaws. They have bad days. They do it wrong. And sometimes they don't win. What failures have your characters experienced? What, if anything, did they learn from it? Week of 12/28/2012 Alternate Perspectives - Something a little different, most of the time we tell a story from a single character's perspective. But what were other characters thinking at the time? Rewrite one of your past pieces from another character's perspective or write a new fic from two characters perspectives. Use any prompt or just make something up. Week of 1/4/2013 Stomping Grounds - Our characters all have favorite places. Somewhere they grew up, somewhere they spent a lot of time, someplace that feels like home or might as well be. Someplace they’d rather be any day of the week. Somewhere they dream of when things go wrong. Tell us about your character’s favorite stomping ground. Week of 1/11/2013 Goals and Ambitions - Everybody has something they dream of, something they're working for in the future. For a lot of our characters it's a defining part of who they are. What are those goals? Who do our characters want to be? Behind the Scenes - Things aren't always as they seem, some events never look obvious, and wherever there's a curtain there may well be a man behind it. Write about what's really going on behind the scenes of your character's story. Week of 1/18/2013 The Story So Far - Let's step back for a moment to consider our universes. Write a summary for your characters, storyline, or entire universe as you would introduce them to a beginner. Week of 1/25/2013 Legacy - Legacy is an important part of the game, and a running theme throughout several of the stories. Is your character a part of a particular legacy, be it of family or ideology? What does your character want to leave behind when they're gone? Backfired Plans - ported from the AU thread. No good deed goes unpunished, and sometimes blessings come in disguise. What if something meant for good had bad effects, or vice versa? Week of 2/1/2013 LF1M - Dating site profiles are full of the good, the bad, and the ugly. If your character got lonely and tired of his/her designated love interest, what profile would you write for them to submit to the HoloNet's matchmaking services? Week of 2/8/2013 Climate - Our characters visit a dazzling array of planets, moons, and extremely large ships with a wide variety of climates and weather conditions. Write about a time when your character had reason to notice. Week of 2/15/2013 Working Out the Kinks - When has any device, excuse, or plan ever worked on the first try? Write about a time your character's efforts met reality and didn't go as perfectly as intended. Week of 2/22/2013 Enemies, Rivals, and Nemeses - Everyone has them. Each class story hands you a number of them, and we create more in our Legacies. So, how does your character deal with his or her enemies--quick death, public humiliation, something else? What about rivals, professional or otherwise? Does your character dream of destroying them or use them as motivation to exceed? Is there a nemesis lurking in the wings somewhere? Tell us about it! Week of 3/1/2013 Mirror, Mirror - Images and reflections can tell you a lot. Sometimes they give an accurate perspective on what's going on. But sometimes they don't quite reflect the truth of things. Distorted or un-, write about mirrors, reflections, or echoes that your characters have encountered or left. The Morning After - What seems like a good idea at night may turn out to be terrible in the morning. Or the other way around. Write about the morning after some event great or small that your character has experienced. Week of 3/8/2013 Life and Death - Throughout our stories in the game, some NPCs (and some of our own OCs) died and others survived. When did a critical death - or survival - make a difference in your character's tale? Your Song - Music is a tremendous force in many cultures, human and otherwise. Some people ignore it, some listen, some create, some sing really loud in the shower. Write something involving the music in your character's life. Week of 3/15/2013 To Market, To Market - To tread close to a game mechanic, or perhaps just to enrich/contextualize what game stuff we see: The Cartel Market brings tons of unique weapons, speeders, pets, funny-looking gear, and more to our in-game characters. Do any of those items have a story? Week of 3/22/2013 Myths, Legends, and Heroes - Everyone grows up with stories. Stories of fantastic people doing amazing things and having wondrous adventures. Our characters are well on their way to becoming heroes to the following generation. So who did your character look at as a role model? Whose footsteps did they want to follow? Whose stories did they read? Whose adventures did they follow on cheesy serialized animated holoprograms? Why are they so special to your character? Oh, Well That's Awkward - The class stories are full of interesting coincidences, especially when you take all the companion stories into account. Legacies, as part of the game structure, encourage even more strange situations and relations. So, what’s something about your characters’ legacy or story that makes family get-togethers interesting. Or impossible. Or just really unlikely. Week of 3/29/2013 Hide and Seek - Sometimes our characters need to find something they just don't have. Sometimes they need to keep something hidden from somebody else. Write about a time your character was hiding, seeking, hidden, or sought. Week of 4/5/2013 April Fool! - Some of our characters and companions enjoy jokes more than others. Has your character ever played a prank or practical joke? Did it work or did it backfire? Perhaps your character is the eternal butt of someone else’s pranks. Do they get even? How? The galaxy isn’t all doom and gloom; write about about fools, jokes, and general silliness. Week of 4/12/2013 Membership - Our characters grow into and out of all kinds of clubs, orders, cults, fellowships, schools, social circles, and professional organizations. Write about your character's membership in - or exclusion from - some group. Week of 4/19/2013 Children - we've had Parenthood, now look at it from another perspective: your characters may have kids or want them. What kids do they meet? Do their kids play nice together? What do their kids want and how do your adult characters help or hinder? Groomed - Presenting oneself to the world is a complicated thing. There are soap products to select, then hair to style, shaving to do, cosmetics to apply...alternately your characters might ignore some or all of the above. Write about your character's hair and/or grooming style. Week of 4/26/2013 Head of the Class - Our characters have been to academies, universities, boot camps, and the universal school of hard knocks: as students, as teachers, or maybe as maintenance, assistant, or thief. Write about your character's education. Week of 5/3/2013 Fashion - Most of our characters wear clothes. Do they follow fashion? Set it? Actively offend it? Are they more collars and cuffs or sweats and monkey-lizard slippers? What's their favorite thing to wear, what have they saved for years even if they don't fit into it, and what would they love to wear if they could just find the occasion for it? Write about your characters' clothing and how they relate to it. Prompt courtesy of iamthehoyden. Week of 5/10/2013 Planes, Trains, and Thrantamobiles - It's a big galaxy out there and we all have to get around somehow. Our characters encounter ticketing, hyperspace calculations, docking fees, late-running rides and more on ships, banthas, landspeeders, thrantas, troop transports, tauntauns, and/or whatever improvised modes of transportation they can get. Write about your character's transportation experience. Week of 5/17/2013 Cross My Heart - Honesty isn't exactly espoused by most organizations in the galaxy, but some individuals and groups still strive for it. Write about your characters encountering (or handing out) the right or wrong truth at the right or wrong time. Week of 5/24/2013 The Droids You're Looking For - One of the hallmarks of the Star Wars universe is the presence of droids: astromech, protocol, combat, and more. Write about the droids that support (our hinder) your characters. Week of 5/31/2013 Anniversaries - In honor of the SFC reaching the one-year mark, think about Anniversaries. Some dates are remembered and celebrated; others are remembered and reviled. From the fresh anniversary of something that happened just a year ago to the enduring remembrance of holidays for cultures and nations, people often mark the date and do something to observe the occasion. Write about an anniversary or significant holiday in your character's life. Week of 6/7/2013 Defenses - Sometimes our characters defend what's theirs. Sometimes they defend the things they care about. Sometimes they're asked to defend things they really don't like. Whether in combat or conversation, write about your character's efforts to defend something or someone. Week of 6/14/2013 Mea Culpa - Our characters have probably done a lot of wrong or perceived wrong, one way or another. Sometimes they think an apology is necessary. Sometimes they really don't. Sometimes they may want to apologize even when they didn't do anything. Sometimes the wronged party accepts it; sometimes they reject it; sometimes they're not there to hear it. Write about a time when your character or someone they know was prompted to apologize. Week of 6/21/2013 Animal Kingdom - Animals are all over in Star Wars, be they beasts of burden, metal-devouring parasites, mounts, showcase pets or underfoot vermin. Write about the animals your character has encountered. Week of 6/28/2013 Gifts - Gifts serve a multitude of functions, from hospitality, diplomacy, housewarming, affection, celebration, to manipulation or poison. They can be big or small, expensive or free, expected or surprising, public or private. Write about a gift your character has given or received. Week of 7/5/2013 Navigation - Our characters often find themselves navigating toward a goal by means of maps, tracking signals, advisors, or instinct. Write about some guidance that pointed the way. Week of 7/12/2013 Collections - This wide galaxy is a great place for hoarders...or definitely not hoarders, I don't know what you're talking about. Where would your character put all the random things you can accumulate, all the speeders, random pets, the copious crafting mats, countless outfits, armor sets, saber hilts.... or does your character only collect one thing in particular, a couple of things, or nothing at all? Prompt courtesy of Kitar. Week of 7/19/2013 Vacation - Our characters have traveled hither and thither over a dozen or more planets for work, politics, personal vendettas, and more. But where do they go to relax and what do they do when they've got some time to unwind? Write about your character's vacation time. Prompt courtesy of alaurin. Week of 7/26/2013 If I were a Rich Man - Our characters come from all walks of life. Were credits just a means to an end, or did they ever dream of wealth and how they might get it? Make it on their own (legal or otherwise), inherit from family, or play the Cartel Lotto and hope? In the course of their stories they become wealthy and powerful. What do they do with all those credits? Did money buy happiness? Did they fulfill their dreams, or was their monetary success empty and hollow? Prompt courtesy of Striges. Week of 8/2/2013 Lurkers - This is your chance to get in on the fun. If you’ve been reading this thread but never posted or commented, take a chance and post something! Write on anything you like, any length, any character, original or established in game. For inspiration, visit the prompt archive, but don’t feel tied to it. Not brave enough to share? Let us know what story (or stories) or character (or characters) you liked. Page one of the thread has several indices to the stories to help you. Out of the Limelight - his is the flip side of Fame. Through the course of their stories, our characters become famous. Household names, even. Would they have prefered to stay anonymous? What things are easier when no one knows your face? How do they deal with the need for privacy? Do they ever wish they hadn’t become heroes? What made them take the plunge instead of staying safely in the background? Veteran Writers - Tell the lurkers why you chose to post. What gave you the confidence to share your fiction with the community? Week of 8/9/2013 Wishes - Wherever our characters go, whatever they do, it's likely they have an eye on something more. Some people keep their fondest wishes a secret; others announce it to the world. Some wish on a star, a falling leaf, a found coin, or other totems. Some find a way to make it happen, and some haven't quite reached it yet. Write about your character's wish. (Prompt courtesy of Eversteam.) Week of 8/16/2013 Play Within A Play - (alternately titled My Immortal) - In a world where there are people, there are stories. And where there are stories, fandoms are likely to follow. And where fandoms go...well. Do any of your characters or their companions write fiction? Imagine what they would write in the way of thinly (or not at all) veiled fanfic. What stories do your characters tell about each other? (Keep it forum friendly, of course!) (I blame this prompt on kabeone.) Paying the Piper - There might be a couple different meanings to this, but in the end nothing comes for free, and one's choices have costs and consequences. Write about a time your character had to pony up the payment...or end up on the receiving end. (Prompt courtesy of Kitar.) Week of 8/23/2013 Mysteries - There's a lot out there we don't know. There's a lot out there some of us do know and some of us don't. Our characters are faced with many mysteries, some perhaps explainable by science or the Force or another sentient's mind, some not. What mysteries have your characters come across? Are they comfortable with not knowing or do they insist on uncovering the truth? Prompt courtesy of frauzet. Week of 8/30/2013 Competition - Life is full of competitions, formal and informal, friendly and unfriendly. Whether it's with siblings, neighbors, colleagues, or strangers met at the intergalactic traffic light, it's human (sentient?) nature to find something to try to be better at. Sometimes there's a clear goal, sometimes there's not. Sometimes there are rules, sometimes there aren't, sometimes there are but nobody follows them. Sometimes there's a prize at the end, and sometimes it's just about bragging rights. Write about a competition your character has participated in – or tried to avoid. Prompt courtesy of alaurin. Week of 9/6/2013 Technology - One of the great things about sci-fi is the futuristic technology. Star Wars boasts all kinds of innovations, from droids, tracking beacons, tractor beams, super lasers, lightsabers, blasters, and omnipresent (or not?) links to the Holonet. Some technologies date from ancient races, and their secrets are forgotten; some new technologies are just in the prototyping and testing stage; some are deployed on every street corner. Write about your characters' experiences with the tech of Star Wars. Prompt courtesy of Kitar. Week of 9/13/2013 The Sure Bet - Sometimes things just fall into place, and the goal is in easy reach just an action or two away. Sometimes there's a choice between long odds and a safe bet. Or sometimes a surefire proposition walks right up and make an offer. Write about your characters' experience with a sure bet. Did it turn out the way they expected? Week of 9/20/2013 Fitness - Let's face it, the jobs and adventures our characters go through are physically punishing. How do your characters hold up? Do they specifically work out and train, or do they rely on natural prowess? Do they ever fall out of practice? How do they compare to others, or do they go out of their way to avoid comparison? Prompt courtesy of Kitar. Week of 9/27/2013 Pimpin' Threads! - This week, a special one-time offer: Many of us have written additional SWTOR fic on this forum or elsewhere involving the characters that we've introduced or mentioned here on the SFC. Here's your chance to post a link and write a description about these extended stories! Please tag nsfw links as appropriate. Week of 10/4/2013 Words, Words, Words - It’s a big galaxy, and the big galaxy hosts a lot of languages. Some people are polyglots, switching among languages easily; some have enough trouble mastering one. Sometimes whole conversations go on in a foreign language, and sometimes only critical words that resist translation are used. Write about a time that certain words proved critical for your character. Week of 10/11/2013 Irresistible Urges - Cravings can happen for lots of reasons: addiction, pregnancy, a reminder of a favorite creature comfort, or it just being 2 AM right after all the takeout places have closed. What can’t your character do without? Write about a time when cravings struck. Suggested by irishfino, iirc. Week of 10/18/2013 Advice - In a galaxy this big there are a lot of problems to solve and there’s plenty of wisdom, given and received, to help deal with it. Your character is experienced. What advice would she give a newcomer seeking to follow her footsteps? What would he tell his children? Did a mentor give good advice? A rival? Did your character follow it? Was it useful? Prompt courtesy of Striges. Week of 10/25/2013 Superstition - Both cultures and individuals can hold superstitions, little practices and beliefs that are supposed to put some spin on reality, make good luck or ill. Then again, some people say it’s all nonsense, and some even tempt fate by crossing superstitious lines. What superstitions does your character hold to? Has any experience seemed to prove or disprove the rule? Week of 11/1/2013 Goodbye - Would you believe we haven’t had this prompt yet? Goodbyes come in many forms, from the quick “see you later” of an everyday contact to permanent loss. Write about a time your character said goodbye…or couldn’t. Week of 11/8/2013 Congratulations/Awards - Sometimes everything goes right, and sometimes our characters are recognized for it. Write about a time your character received an award or congratulations. Do they feel they earned it? Did it make a positive difference for others? Week of 11/15/2013 House of Something - The many and various worlds of Star Wars have many and various buildings (or large vehicles) that reflect their builders’ culture. Sometimes the style of architecture is really striking. Sometimes it’s less interesting than the events transpiring all over it. Write something involving a building or monument your characters have encountered. Week of 11/22/2013 Thank You - Gratitude is a big thing. People give thanks for gifts, social niceties, kind words, significant favors, for being offered company or for being left alone. Sometimes there are specific holidays or times dedicated to gratitude, and sometimes it just comes up on the way. What is your character grateful for? Do they admit it? Week of 11/29/2013 Shopapalooza - Whether it’s clothes, supplies, trinkets, spaceships, or groceries, our characters shop for a lot of things. Sometimes it’s a spending spree; sometimes it’s just window-shopping for what they can’t afford. It may be in a big chain mall, a backwater planet’s marketplace, an artisan’s gallery, or the Holonet. Write about your character’s shopping experience. Week of 12/6/2013 Heritage and Antiques - Star Wars is full of special things. Old things. Things with personal meaning, things revered as holy. The lightsaber your father wanted you to have when you were old enough. Your grandmother’s silver (or silver ship) you hope one day to give to your grandchildren. The insignia of your squad’s first commander, the one whose bravery won her (or him) a medal and gave your squad its reputation. The holocron that corrupted (or redeemed) your master. What things, places, or heirlooms are special to your character? Week of 12/13/2013 Signed, Sealed, and Delivered - Our universes see a lot of contracts made, whether verbal gentlemen’s agreements, electronic documents, or witnessed formal pacts. Sometimes contracts are entered into willingly; sometimes they’re coerced. Sometimes they’re broken; sometimes they’re protected against outside challenges. Sometimes old agreements come back at an unexpected time. Write about a contract your character made or avoided. Week of 12/20/2013 Snatched from the Jaws of Defeat - Our characters get into a lot of scrapes, a lot of desperate situations. Sometimes it may look like there’s no way to win…but a surprise might be in store. Write about a time your character had a success they weren’t expecting. Week of 12/27/2013 Altered States of Mind - Unlike dreaming, some altered states of mind happen while you’re wide awake and definitely doing things that affect the real world. Lots of things may affect the consciousness, from aggression-inducing biological agents to hypnotic music to spice to plain old alcohol. Write about your character’s experience with an altered state of consciousness. Was it fun or scary? Did it lead them to do something they always wished they could? Or was it more regrettable? Week of 1/3/2014 Why Are You Still Here? - Companions are bound to you in game but your head canon may be very different. Did a companion reach the breaking point with one of your characters? Did any of them leave or even subsequently rejoin your crew? Is there a particular reason an unlikely partnership is working, or a reason that a great-on-paper partnership gets badly strained? Prompt suggested by Striges. Week of 1/10/2014 You're Invited - Last week we talked about the companions who don't make much sense on our crew. This week let's look at other characters. We meet many NPCs during the class stories, and only some of them get to join our crews. Who would you have brought if the game let you recruit anybody? What NPCs did your character connect with but had to leave behind? Did you headcanon them as companions anyway? These need not be from the class story. Pick anyone and write about why they’re on your personal version of your character’s crew. Prompt courtesy of Striges. Week of 1/17/2014 Marketing - Somebody’s always trying to sell our characters something. Ads, promotions, coupons, flashy events, and more try to attract footsteps and wallets. Sometimes our characters are trying to sell something – be it services, unwanted equipment, or a cargo hold’s worth of hot merchandise. Besides all that, somebody’s got to be the face of advertising campaigns. Sometimes the advertising is right on and sometimes it’s…exaggerated. Write about your character’s experience with marketing. Week of 1/24/2014 Synchronicity - Sometimes coincidences happen up close and sometimes they happen lightyears away. Sometimes it’s a plan clicking into place and sometimes it’s totally unintended. Sometimes it makes things seem like they’re meant to be…sometimes it makes it seem like they’re really not. Write about a time very similar events happened to your characters at the same time and possibly at a distance. Week of 1/31/2014 Boring Conversation Anyway - Our characters talk to a lot of people. Sometimes these conversations end well. Sometimes they end...less well. Conversations may culminate in agreement, anger, happiness, thoughtfulness, kisses, or bloodshed…or get cut off before any satisfying conclusion is reached. Write about the way one of your characters' conversations ended. Week of 2/7/2014 Achilles' Heel - Our characters are powerful combatants, talented tacticians, clever diplomats and all-around legendary figures. However, everybody has that one "thing" that gets to them, that hurts them, or that proves their vulnerability in some way. A fear of heights... a particularly sensitive spot or old injury... an intolerance for bright sunlight... an irrationally severe dislike of womp-rats... what's the one thing that gets to your character, even on a good day? Prompt courtesy of TrystanLaryssa. Week of 2/14/2014 Love Letters and Secret Valentines - How do our characters stay in touch with the ones they love when they are far apart? Did they write romantic messages while they were courting? Has a new companion stumbled on some cherished correspondence with an old flame? Perhaps they never worked up the courage to express their feelings except in unsent letters or anonymous notes. In a romantic mood, what would your character write and to whom? Prompt courtesy of Alaurin. Week of 2/21/2014 Where are they Now? -- As our characters move through their stories they change the lives of many others, most of whom we never see again. The Force-sensitive Flesh Raider on Tython. Seh-run, the Abyssin on Korriban. Zi’am on Hutta. Paul and his elderly parents on Ord Mantell. That's just a few examples. Whatever happened to them? Did they became stalwart allies or bitter rivals? If they died because of our character’s actions, do they have relatives looking for revenge? We often remark about how characters from early on in the stories show up later to help or hinder our characters, or how characters from different class stories make cameos in others. How about some of these forgotten ones?
Week of 2/28/2014 Inheritance -- We’ve looked at antiques and heirlooms our characters possess. We’ve looked at legacies, both as a game mechanic and as something your character hopes to leave behind. But what about things they inherit? The things that follow them whether they like it or not. A noble or reviled name? Some nebulous family curse (mother never did say what it entailed). Maybe they’re heir to a throne they don’t want, or were passed over for one they desperately did. Perhaps it’s the family farm, the family business, or perhaps it’s literally nothing at all. What sorts of things or have your characters inherited, and how did they deal with them? Prompt courtesy of LaxKnight.
Week of 3/7/2014 Why They Fight--and Why They Don’t -- Characters manage to get into all kinds of altercations, large and small. Fights. But why? Not the easy answers: for the Empire, for the Republic, for family or the Force or bad luck any of the other reasons they might give to themselves or others. Why does your character choose to fight? Under what circumstances do they choose violence as a solution, and where do they draw the line? Even the cowards and the pacifists have reasons for their choices, and borders they will not cross. Explore it. Prompt and link courtesy of Kabeone. For a more complete essay, read Why We Fight by Michi on tumblr. Week of 3/14/2014 Life has no Reset Button -- Your character makes decisions every day, from minor ones, like what to wear, to vital important ones that change lives. Whether to capture or kill a prisoner. To stay with a partner or break up. To follow an order or disobey. They do the best they can under pressure and with limited information. What choices do they regret? Which ones might they do differently, now that they’ve had time to reflect? Would they make the same choice, knowing the consequences? Or are they even more sure now that they made the right decision? Week of 3/21/2014 This week, another prompt in two parts: Part One: Luminous Beings We Are -- Life is bound up, figuratively and literally, with light. Whether it's the physical study, the Light Side, or the dawning at the most unexpected times, we may find light altering the living space, illustrating the spirit, or showing the way. Write about your character's interaction with light. Prompt courtesy of BrightEphemera. *Sneak preview for next week: Darkness! Week of 3/28/2014 Forever Will It Dominate Your Destiny - On the other hand, darkness is the figurative and literal opposite and complement to light. Whether it's the physical state, the Dark Side, or some kind of ignorance, we may find darkness concealing what we need, dirtying what it touches, or hiding on the unexpected flip side of something. Write about your character's interaction with darkness. Thank you, BrightEphemera, for this pair of prompts. Week of 4/4/14 Passing On - “How we face death is at least as important as how we face life.” No one is truly immortal. Even those who have conquered aging and disease still have to deal with the inevitable dangers of combat and the perils of an adventuring life. What happens when death finally catches up with your character? Maybe a near miss gives her pause, an unwelcome reminder of mortality. Does he go out with a bang, a whimper, or quietly in his sleep? What happens to the ones left behind? This prompt courtesy of Mirdthestrill. (Quote courtesy Star Trek 2, The Wrath of Khan, at the risk of crossing fandom streams and interrupting The Princess Bride. It seems I picked the wrong movie to quote this week.) Week of 4/11/14 Laughing Fit- Humor is universal and yet also individual. What leaves one person in stitches falls flat for another for reasons of cultural or personal experience. Everyone’s funny bone is a little different. What about your characters? What makes them laugh? Do they have favorite comedians? Favorite parodies? Farce? Cat videos? There’s plenty of humor in everyday things as well. Maybe an amusing juxtaposition of events sets them off, a misspelled or misread sign, or a companion taking a pratfall. Write about a time when your character couldn’t stop laughing. Prompt suggested by Frauzet for Alaurin, who needs some laughter this week. Week of 4/18/2014 ...And Taxes- It’s said that death and taxes are the only certainties. We covered death in a recent prompt, so how about taxes? Both the Empire and Republic are huge, with countless fees, license requirements, and just plain old taxes. Hutt space is independant, but it still has to run. Does your character accept taxes as part of the cost of doing business, find ways to minimize the bill, or skip it altogether and hope no one notices? Write about your character’s encounters with taxes, fees, tariffs, and other means of government fund-raising. Week of 4/25/2014 Bushido - The seven classic Western virtues--see this week’s NotLP--are very individual-oriented. By contrast, the Bushido code stresses community and interaction: Rectitude (gi, righteousness or justice), Courage (yuu), Benevolence (jin), Respect (rei), Honesty (makoto), Honor (meiyo), and Loyalty (chuugi). Write about the presence or absence of bushido virtues in your characters' lives. Thank you, BrightEphemera, for this prompt idea. Week of 5/2/2014 Tests and Examinations - Tests are almost as pervasive as credits: Jedi or Sith trials, ship or vehicle operator’s license exams, weapons certifications, advanced intelligence analysis, basic maths. What kind of tests has your character taken? Did she prepare well or wing it? Pass or fail? What about retakes? Write about your character getting through some of the various testing and certifications he’s encountered. Week of 5/9/2014 Miracles and Wondrous Things - Star Wars is a universe with amazing high technology and an equally amazing mystical Force. Is there room between these two for a miracle? How would your character explain what defies explanation? Has he ever had to? What would she say to someone who disagrees? This prompt courtesy of Frauzet. Thanks, Frauzet! Week of 5/16/2014 Neither a Borrower nor a Lender Be. Whether borrowing money, your sister's clothes, your mother’s starship, or living on borrowed time, everyone borrows things. What happened when your character did? Did he lose it? Break it? Have a heck of a time giving it back in one piece? Or was your character the lender? Was the item ever returned or the credits paid back? What kind of condition was it in? Write about a time your character borrowed or lent out something. Prompt courtesy of Mirdthestrill. Week of 5/23/2014 Obsession: Everyone has interests. Occasionally, they devolve into fandom, or even obsession. What things obsess your character? Is it a favorite holoshow? A musical group? Perhaps swoop racing or huttball? Maybe something more esoteric--akk dog breeding, archaeology, perfume making, fine-tuning hyperdrive engines, or something else. Love feels a lot like obsession in the early infatuation stage. Or might it be a true obsession: intrusive thoughts or actions your character can’t ignore. Write about some of them and how they affect your character. Week of 5/30/2014 HAPPY 2ND BIRTHDAY SFC!!! Monuments: Beings everywhere create monuments. They can be statues or walls or great tomes or endowments to museums. Made to heroes, to wars, to governments, to benefactors, to saints, or even stupidity. They may be ancient or recent or forgotten. They may be revered or reviled, or maybe even both at once. Perhaps monuments to your character, desired or not, known or not. Write about your character’s interactions with monuments. Or: Serendipity: Merriam-Webster defines serendipity as “the faculty or phenomenon of finding valuable or agreeable things not sought for; also : an instance of this.” For many, stumbling on this thread was an instance of serendipity. Not all surprises are bad, and sometimes good things happen when you least expect it. When has your character experienced serendipity? Week of 6/6/2014 Something Borrowed-writers find inspiration everywhere, sometimes in other people’s fic. Not necessarily characters, though we had a prompt for that, too. Sometimes it’s a scene or a description, a side character or a setting. The name of a bureau, what the hyperspace vortex looks like, a slogan, or something else! We’ve been host to a number of collaborations recently, so let’s make it official. Write your story and be sure to note what you borrowed and from whom. Add a link to your inspiration if you can. Week of 6/13/2014 The Sounds of Silence-Tell a story without dialogue. Perhaps the characters are cannot speak or choose not to. Maybe the characters are incapable of speech. Maybe communications are cut off. Thoughts don’t count unless they’re audible in some way, and while journal entries or written correspondence fit the letter, they miss the spirit. Challenge yourself! Week of 6/20/2014 Background Music and Leitmotif: Imagine Darth Vader’s entrance without the Imperial March. It’s hard. His music is as much a part of his character as his black cloak and mask. Many writers have playlists for their stories, or at least particular songs that apply to certain characters or situations, or that help evoke a character or a sense of place as they write. This week’s challenge: Write a story and link the background music that goes with it, or a story centered on your character and link their leitmotif. Prompt courtesy of Mirdthestrill. Week of 6/27/2014 A Punny Story:-Often derided as the lowest form of wit, some of our most respected writers --like Shakespeare and Alfred Hitchcock--adored puns. Making and understanding puns requires a large vocabulary, a vital thing for writers. This week’s challenge: write a pun story; a story that exists for the sole purpose of setting up a pun. See this TVTropes link for some examples (click at your own risk), a wonderful music related one here by Peter Schickele (the story begins at 4:48, but the intro is totally worth it). Sadly, puns rarely translate well outside their native language. Regardless, if your story ends in a non-English pun, please include both the original and a translation/explanation. Week of 7/4/2014 Dialect and Accent: Everyone has one whether you're aware of it or not. Your words and how you say them reveal a lot about where you were born, where you grew up, what you like to read, or where and how you learned another language. What do your character's word choices tell about them? Does it mark them as ruling class, streetwise, coreward, rimward, immigrant, outsider, insider, or something else? Do they try to hide their unique pronunciation or revel in it? A source of shame or pride? Are they right and everyone else talks funny? Explore it! Week of 7/11/2014 A Picture is Worth a Thousand Words Pictures can also provide inspiration. A photograph, professional or otherwise, a scene in a movie, a well-known painting, a screenshot, a character portrait, if you’re lucky enough to have one. Write the “thousand words” (figuratively) behind the picture and share both if you can. Prompt courtesy of Jokad via the SWTOR forums. Week of 7/18/2014 There's No "I" in Team: As you play you pick up companions aplenty, maybe make friends in groups, and head-canon a lot of NPC involvement in your personal story. Over time, you wind up developing a team of players who work together in some fashion. Without that team, your character would never have the level of success they've achieved. Write about either how your team learned to mesh with each other, how they function as a unit now, or how they bond in the aftermath of a mission. Prompt courtesy of SillyMonkey71 via Tumblr. Week of 7/25/2014 Out of Time: Often, there seems not enough time in a day to get done what we need or want to do. Time management gurus to the contrary, sometimes there’s just too much going on. What about your characters? Everyone has to prioritize and has different reasons for setting priorities as they do. In fiction you can avoid all schedule conflicts, but where’s the fun in that? Write about a time your character had to make a choice about what gets done and what gets left for later, or not done at all. This prompt courtesy (in a roundabout way) of BrightEphemera. Week of 8/1/2014 Missing Something: We have things we’re good at and things we’re not. What happens to your character when something they rely on is suddenly useless or unavailable? The obvious is if your Jedi or Sith cannot call on the Force for some reason. But what about a sniper without their trusty rifle, a smuggler without their contacts, or a trooper without their squad? How did it happen? What does your character do? Week of 8/8/2014 Recurring Events: The rakghoul event is in full swing again. What other kinds of things happen to your character on a regular basis? Hyperdrive not working? Lightsaber lost? Ship stolen? Escape in the nick of time? Maybe something more prosaic, like problems with laundry. Give us a peek into one of those ongoing things your character deals with. Week of 8/15/2014 A Matter of Public Record: Every character is a wealth of information, and it's probably to someone’s advantage to know it. Everything from basic information like name, species, and gender, to more specific things, like school records, close relatives, or their favorite snack food. So what do they know about your character? What's on their public record and is any of it accurate? Has it been changed, erased, or confused with someone else’s? Who might want to know? Why? Week of 8/22/2014 Coming Home: With the advent of strongholds, what or where does your character consider home? Do they have an apartment on Coruscant, a stronghold in the wilds of Dromund Kaas, a sky palace on Nar Shaddaa? Is their ship their home, wherever it travels? Maybe home is more about the beings they’re with--their squad, their crew, their companions. We had a prompt for “Stomping Grounds,” which was more nostalgia, a childhood or imagined home. This is more at the present. At the end of the day, where does your character come home? Week of 8/29/2014 Can’t Get There From Here: Travel--or any plan--doesn’t always go smoothly. There are delays, changes in schedules, barriers blocking the way. What does your character do when their usual route is impassable? Do they follow the detour signs? Do they know--or think they know--a much better alternative route? What happens? Thanks to Frauzet for this prompt. Week of 9/5/2014 Downtime: Our characters have plenty of responsibilities. But what do they do when there’s nothing pressing? What fills those little spaces between committee meetings, the time between jobs or assignments, the days in hyperspace en route to the next big crisis? We’ve looked at both hobbies and vacations, let’s take a look at something a little less organized. How does your character fill their downtime? Prompt suggested by DoctorToDannyBoy. Week of 9/12/2014 Another Day on the Job: Our characters lead pretty interesting lives. Things they consider routine are anything but. So what does one of those days look like? What’s a regular day in the life of a special-forces trooper or Dark Council member? What problems do they face on a day-to-day basis? What unique occupational hazards do they avoid--or what perks do they enjoy? Even an ordinary day for your character is bound to be extraordinary in some way. Write about it. Week of 9/19/2014 Fish Out of Water: No one fits in everywhere. Even a well-travelled character, or one accustomed to shifting identities, can feel out of place. So how about yours? When has your character been in a truly alien, uncomfortable situation? Why were they so far out of their comfort zone? Did they wander into the wrong neighborhood? Did they miss important social cues or misinterpret what they saw? Write about a time when your character was the fish out of water. Week of 9/26/2014 Words of Wisdom: We’ve explored mentors and teachers and learning and advice. Now specifically: what words of wisdom did your character take to heart? Was there a particular quote he or she remembers? Why was it important? Because it proved true or was so abjectly wrong? Was it an intentional statement, or an offhand remark they’d be surprised anyone remembers? Write about it and why it’s important to your character. Week of 10/3/2014 Description: In the Short Fiction Weekly Challenge, we generally leap right into our characters, relying on quick sketches and familiarity to carry a reader. After all, that's how short stories usually work. How about we take a step back and really describe a character. How do they look? What kind of mannerisms do they have that a casual observer might notice? How do they dress? Go nuts giving a detailed description of what you'd see, looking at one or more of your characters. Week of 10/10/2014 Crossovers and Mashups: Imagine Captain America in the Clone Wars (Captain Republic and the Howling Commandos! Captain Empire!). Or the adventures of Han Solo, dashing rogue, and his best friend Chewbacca the genius-inventor-gorilla in a steampunk galaxy far far away. Padmé as Sleeping Beauty. Star Wars, the soap opera. Star Wars itself is a hodgepodge of bits and influences from ancient mythology, old-time serials, modern sci-fi, and everything in between. Explore some crossovers with other properties or genres and either OCs or canon characters. Week of 10/17/2014 Writer’s Revenge!: “Do not annoy a writer. They may put you in a book and kill you.” When looking for inspiration for a minor or background character, or even an important adversary, why not borrow the aggravating habits of someone familiar to you? The chatterbox co-worker who can’t stop telling stories--but none of them are interesting. The neighbor whose garage band meets daily--and loudly--at six in the morning. This week, take the best revenge on someone who irritates you: make them a character in a story. Death, of course, is optional. Have fun! Week of 10/24/2014 Write a Theme: Star Wars is unusual in its almost universal appeal, and much of its success has been attributed to the Lucas’ incorporation of universal mythological themes in the story. Good stories (and modern myths) often have these kinds of themes tying the narrative together. The fall from grace, the epic journey, love conquers all, finding hidden treasures, discovering inner strength. What recurring themes weave through your characters’ stories? Sometimes these ideas aren’t obvious at the outset, but become so as you write or review previous stories. This week’s challenge: pick one specific to your character and write a story featuring it. Week of 10/31/2014 Breaking the Fourth Wall: Addressing the Audience: Characters aren’t supposed to acknowledge their audience. Suppose they did? How would they speak to all those who’ve been reading and enjoying their adventures? What might they say to the complainers? Addressing the Creator: If your character could say something about their writer, what would it be? Would they complain about something? Take the opportunity to give you a piece of their minds? Maybe ask for a favor? Or would they be grateful and thank you? This one’s a lot more meta than we usually explore; roll with it and have fun. Week of 11/7/2014 That Didn’t Happen!: Or, alternately, It Didn’t Happen That Way! Whether you follow the class and planet stories in your fic or consider them more of a springboard, the dialogue wheel still helps tease out your character’s motivations and actions. And then, there are those other times. When none of the options are in-character. No matter how many times you exit out of a scene, what combination of responses you pick, there’s no way your character would act like that. This week’s challenge is to choose one of those moments and write what really happened. Inspired by Striges' own recent experience with a Bounty Hunter quest. Week of 11/14/2014 Exactly as Planned: Last week, the challenge was to rewrite an in-game event that your character would never do. This week, it’s the opposite. Were there any quests--class or otherwise--that fit your character’s story perfectly? Maybe something happened during combat or while exploring. Flashpoints? Even a bug, glitch, or mistake can become part of your character’s story. How did that go down? Write a story about a canon event that really is part of your character’s personal canon. Week of 11/21/2014 Weapon of Choice: Ancient weapons are no match for a good blaster: What weapons does your character favor? Is she a traditionalist or does she prefer the new hotness? Does he choose something typical for his class, role, or species, or something wildly different and unexpected? Why? From Corso’s Torchy to Lord Zash’s first saber, weapons play an important role in your character's story. Take a moment and share it. Week of 11/28/2014 Traditions: Everyone has traditions. Family, cultural, or personal. Some we keep out of habit or societal pressure, others because they hold special meaning. What about your characters? What traditions do they follow? Why? Something as complicated as an elaborate religious festival, or as simple as shredding every completed contract? Maybe your character specifically avoids certain traditions they grew up with. Or adopted new ones from an alien culture. Whatever the case, there's a story in it. Week of 12/5/2014 First Impressions--of someone else: Our characters encounter many others during the course of their stories. Some become strong allies, loyal companions. Others implacable enemies. Some end up just plain useless. Still, it’s hard to size up someone in a glance. Write about your character’s initial encounter with someone who becomes important later in their story. Week of 12/12/2014 Tall tales and exaggeration: Our characters’ adventures are exciting enough, but even the most entertaining true tale gets better with a little embellishment. Has your character ever improved on the original events for cantina entertainment? Or to impress someone? Enhanced their reputation by bending the facts a little? A lot? Or has someone else on their behalf? Is it odd overhearing someone else telling stories about them? Are the tales even a little bit true by the time they come back? This week, let’s have some boasting, aggrandizement, and hyperbole. Week of 12/19/2014 A Good Villain: Every hero needs an antagonist, someone who thwarts them at every turn. This week’s challenge: write a story centered on your character’s main villain. This might be an enemy the game made for your character or one you invented in your character’s story, but either way, this is their time in the sun. Make it good. Or bad, as the case may be. Week of 12/26/2014 Parties: Every culture has social functions. For celebrating holidays, for marking special occasions, for fun. What does your character think of them? Are they an avid participant or a wallflower? Throw their own party at the drop of a hat, or have to be dragged, kicking and screaming, to a not-exactly-optional affair? Arrive early and stay late, or put in a brief appearance and slip away as soon as possible? Are the parties they host the place to be seen, the talk of the town, where anyone who is anyone simply has to be? Or are they low key, private, and invitation only? What about crashing a party--or dealing with the crashers? A combination of any and all these things? In this week of celebrations of various kinds, write about your character’s social scene. Week of 1/2/2015 Resolutions: Has your character ever resolved to change a bad habit or start a better one? What prompted the impulse? Did they make a private vow or did they enlist the help of friends or family? Were they successful? Or did they slip back into old ways after a while? For this New Year Week, write about your character and resolutions. Week of 1/9/2015 Baggage: “What’s in there?” “Only what you take with you.” What kind of baggage does your character carry with them from early experiences? Good or bad. Are they mistrustful because someone took advantage of them? Insecure because of past criticism? Confident because they've overcome obstacles? Sure of their destiny- or afraid of their fate? The past shapes your character's present. Tell a story about how or why. Week of 1/16/2015 Colors: Republic Blue. Empire Red. Sith Black. Jedi Brown. We associate nations, religions, companies, families, and even emotions with certain colors. What about your character? Do they have a favorite color? Do colors mean much to them? Do they abide by the color conventions for their affiliations? Or do they choose something different because they prefer it? Why? This week, write about how your character navigates the visual spectrum. Week of 1/23/2015 Lifespan: A human in the Star Wars universe might easily live to 100 standard years. Wookiees live four times as long. Chiss, on the other hand, typically reach only 80, and Talz are luck to get to fifty. In a galaxy where beings of such differing lifespan can meet, interact, become friends, enemies, partners, or more, how do they deal with the knowledge that one of the pair will outlive the other? Perhaps by a significant amount? Does your character accept their (or a loved one’s) natural span or desire more? Were they reckless in their youth and less so in age, or the reverse? The Force is known to prolong lives--perhaps even to immortality or near-immortality. How does a character plan for that? This week, write about how your character approaches differences in expected lifespan. **Many thanks to Bright_ephemera for this handy Species Lifespan Chart! Week of 1/30/2015 Pick-up lines: Use them? Been used on? Turned down? Accepted? Laughed at? Good ones, bad ones, sincere or stupid and everything in between. Write about how your character deals with a classic (if dubious) way to connect with someone else. Week of 2/6/2015 Religious differences: Unlike most science fiction/space opera, Star Wars and SWTOR put religion and belief front and center. Jedi and Sith are the most obvious conflicting ideologies, but they are not alone. The Witches of Dathomir. The Trandoshan Scorekeeper. Voss' Mystics and the opposing Gormak Shaman. A quick perusal of Wookieepedia will find even more. How does your character view all these belief systems? Do they subscribe to any of them? None? How do they reconcile the differences among them? In a universe where the Force is undeniably real, where it inspires both hope and horror, what does your character think of those "hokey religions" and "sorcerer's ways"? Week of 2/13/2015 Cupid’s Arrow: According to legend, any heart pierced by Cupid’s golden-tipped arrow--human or deity alike--filled with uncontrollable, all-consuming desire. Classic love at first sight. But Cupid’s quiver also contained lead-tipped arrows with the opposite effect: provoking disdain and aversion. Has either arrow ever wounded your character? Or perhaps one of their close associates? An object of affection? Cupid’s influence covers the gamut of passions--from the sensual to unrequited all the way to bitter animosity. Tell a story where your character experiences irrational love or irrational hate. Or both. Week of 2/20/2015 Preparation: How does your character approach a competition, a blind date, or a delicate mission? Are they a meticulous planner? The one who has contingencies for the contingencies? Rehearsing their lines or moves until they can do them asleep? Or are they more of a “never tell me the odds” sort, walking in with an outline--if that--and winging it? Whether gathering intel and supplies or getting into the proper mental state, show your character getting ready. Week of 2/27/2015 Good/Bad Habits- We're all creatures of habit, whether it be actions (speaking before thinking, gambling, looking for all exits whenever entering a room), rituals (sleeping in the buff, wearing a particular color/article of clothing for luck), or substance use (caf, stims, alcohol, spice). Write about a habit your character has. Thanks to Alaurin for this prompt! Week of 3/6/2015 Propaganda: Regardless of their affiliations, it’s inevitable your character encountered propaganda or disinformation of some sort. Did they recognize it at the time? Later? Not at all? Did they challenge it or write it off as ridiculous? Were they offended? Shocked? Some classes--Agent and Trooper come to mind--might even be active participants. Write a story about your character and questionable official truth. Week of 3/13/2015 Who?: Remember that character? That original character? You know the one. The one you wrote a story for or maybe several and then petered out? That one. This week, resurrect them. We had “Night of the Living Dead” for prompts, this time, it’s Night of the Living Dead character. Pick any prompt and give a patiently waiting character a story. Week of 3/20/2015 What About That Guy?: Stories usually concern major characters. Sometimes the main plot is from the game, sometimes not. Regardless, stories also contain a number of incidental characters and minor plots as well. The guard at the door, the customs official who broke up the fight, a convenient corpse, the character (probably in a red shirt) who dies in the first scene to prove the situation is serious. Not to mention why was there a guard, how did the fight start, where did the corpse come from, what made the situation serious. Every story has places to explore behind the scenes. This week, pick one of your favorite works and fill in one or more of those spaces. (This prompt suggested by Feldraeth) (apologies to Galaxy Quest’s Crewman #6) Week of 3/27/2015 Incongruity--A wookie with curlers, troopers in armor dancing to a popular tune, a toddler with a lightsaber. Some things just don’t seem to go together. The result may be funny or tragic. When has your character encountered incongruous things or odd juxtapositions? Week of 4/3/2015 Japes, Satire, and Parody: Beings of every kind tell jokes, often about each other. What about your character? Do they delight in mocking those who desperately deserve it? Maybe they’ve been the butt of someone else’s spoof. Or perhaps they just enjoy seeing authority taken down a few pegs. This week, have a little fun at the expense of your character, their friends, or enemies. Week of 4/10/2015 Mistaken Identity: A classic literary device employed in drama and comedy alike. Has your character ever been mistaken for someone else? Have they made an error about another’s identity? What happened? Did hilarity ensue, or was it a more serious situation? Week of 4/17/2015 Paranoia: “Is it paranoia when they really are out to get you?”-- every Agent ever, and a healthy number of Sith besides. So how about your character? Are they reasonably cautious, just planning for the worst, or outright paranoid? Or is everyone really out to get them? Thanks to Frauzet for this prompt. (And credit to Joseph Heller for the paraphrased quote) Week of 4/24/2015 Scent: Humans as a species aren’t known for having a particularly good sense of smell. Despite this, perfumes and scents are incredibly popular, either to hide, replace, or enhance natural odors on both their person and possessions. Does your character care? Do they have a favorite scent? A soap, a perfume, an incense? Do their species’ preferred fragrances turn off others--or smell really good? How do their companions (some of whom may have better olfactory abilities) deal with the profusion of clashing or complementing scents? Or do they prefer your character au naturel? Credit to Alaurin’s story for inspiring this prompt. Week of 5/1/2015 Dance: We’ve had music prompts before, but what about dance? Whether formal or informal, group, alone, or in pairs, most cultures accompany music with dance. How does your character relate? Do they sit on the sidelines watching others or do they command the attention of all on the floor? It’s May Day! Write a story about your character and how they dance, even if it’s with two left feet. Week of 5/8/2015 Over Your Head- Interesting stories happen when your character is least expecting it, and least prepared. Maybe they misread the situation. Maybe their information was incorrect or incomplete. Perhaps an enemy (or friend!) arranged the whole thing. Or maybe they stumbled into the villain's lair on accident. Maybe the villains stumbled into theirs! What do they do? How does your character handle being in over their head? Week of 5/15/2015 Ships that Pass in the Night: Sometimes, two important characters miss each other completely. Perhaps they’re actively avoiding each other: hiding, in disguise, or incognito. They might notice one another, but without recognition. Perhaps their circles are so different they don’t realize who they've seen. Maybe they don't even do that much, passing like ships in the night. This week, write about the encounter that might have happened, but didn't. Week of 5/22/2015 You Can’t Always Get What You Want: Every character wants something. It might be tangible: food, money, an ancient artifact. It could be intangible: respect, success, fame or infamy. Often, their entire story is the pursuit of their desire. But something always gets in the way. What happens when something or someone thwarts your character? Gets in between your character and what they want? How do they deal with it? Week of 5/29/2015 Lost and Found--Characters lose things: keys, rings, treasures, friends, their way. They find things too: rings (again), companions, their courage. This week, write about what your character has lost, or what they found. Or both. Week of 6/5/2015 Happy 3rd Birthday SFC!!! Milestones:Milestones are more personal than Rites of Passage or Turning Points, both previous prompts. It's something significant for your character, something they might mark, independant of holidays, formal anniversaries, or rituals. The day your character finally paid off a loan--or the day they took one out to finance their dream. The first time your character felt like they belonged among their peers--or when they realized they never would. Their last drink, their first dance, moving out, moving on. Tell a story about your character reaching or remembering a personal milestone. Mixed Doubles: Combine any two prompts you like and write a story! For added fun, choose randomly. Three years of prompts means more than 150 prompts to pick from. Week of 6/12/2015 You Were The Chosen One! Or Were You?: Game stories often cast your character as The Chosen One, the One destined to Fix All The Problems. But not every character fits that trope, and not every one should. Does yours? Or not? Emphatically not? Or maybe they are, but not in the way anyone hoped. Bringing balance to the Force by reducing its practitioners to two Dark and Two Light certainly fulfils the prophecy, but probably wasn't what Yoda expected. Where does your character fall on the Chosen One continuum? Express it in a story. Week of 6/19/2015 Best Buddies: Does your character have a best friend? The one they’d like to hang out with just for fun, whether fun is cross-country skiing on Hoth or downing shots in a Nar Shaddaa Huttball cantina? The person who completed their sentences long before they met their significant other? Maybe became their significant other? Did your character stay in touch? Have they grown apart or away, the friendship almost remembered, but not quite important enough to restart? This week, write about your character being with, losing, forgetting, or reconnecting with their best buddy. Week of 6/26/2015 I Dare You!: Few phrases in the English language have gotten people into more trouble, except possibly “Hey watch this!” So how about your character? Do they feel obliged to accept any dare? Do they dare others? Or do they regard the whole concept as ridiculous, an excuse to overrule common sense in exchange for a fleeting moment of acceptance or popularity? I dare you to write about it. Week of 7/3/2015 Sight: Humans are a visually-oriented species, so sight is one of the easiest senses to evoke in a story and most writers use it automatically. We describe how a room looks or our character’s physical appearance. We tell the reader what our character sees. It is the most basic scene setting tool. This week’s challenge: make the character’s vision a central part of your story. Having trouble? Take it away. Maybe it’s too dark to see. Maybe they’re temporarily blinded. Maybe they’ve always been blind. Experiment! Week of 7/10/2015 Sound--Sound is the second most often used descriptor. At the most basic level there is spoken dialogue or ambient sounds. Beyond that, a character may have a distinctive quality to their voice: nasal, raspy, or with a peculiar accent. Maybe they yell. Maybe they whisper. Ambient sounds might be soothing--a waterfall, soft music, leaves fluttering in a gentle breeze. They might be loud--machinery, nearby traffic, raucous neighbors. Used well, sounds tell the reader about the setting and the characters without the writer spelling it out. This week, try to use sound in a creative way. Week of 7/17/2015 What an Incredible Smell You’ve Discovered!-Sense of smell. In the real world, scent can conjure up some of the most vivid memories and strong associations. It adds a dimension of realism to descriptions. At the same time it’s a very difficult sense to evoke in text. This week’s challenge is to make a scent important in your story, as well as doing your best to help the reader imagine it. It might be a perfume; an aroma specific to a place, thing, or event (pleasant or otherwise); or something with significance to your character. Some species or characters might be more aware of or sensitive to smells than others. Experiment! Week of 7/24/2015 Blech!--How you Get So Big Eating Food of This Kind? Sense of Taste: Taste is almost as difficult to evoke as smell, and just as subjective. A pleasant flavor for one character might be revolting to another. While this prompt ties to food, taste can also include medicine or even objects. Look beyond the obvious and try to use the sense of taste in a story this week. Week of 7/31/2015 It Doesn’t Feel Like Rock: Sense of Touch: Touch is a bit easier to evoke than smell or taste, but it’s often overlooked when setting a scene. Touch is a basic sense and every part of the body can experience it. How things feel help immerse a reader in your world and make it more real. Does your character’s armor fit well or does it chafe? Is the furniture smooth and well-polished, soft and padded, or rough and splintery? What was the food like--crunchy, spongy, chewy, tough, or silken? Does your character have a means of sensing or interpreting touch that is different from human? Explore it! Week of 8/7/2015 Followers, Companions and Hangers-on: Whether your character is The Chosen One or just charismatic, they’re bound to attract attention. How does this affect your character? Do they try to maintain their privacy, do they reach out to those interested in them like a group of not-very-close friends, or do they treat everyone like family? Maybe a particular follower (or group!) seeks to change the nature of their relationship with your character--wanting to become closer or move farther apart. This week, consider your character and the beings watching their adventures. Week of 8/14/2015 But I won't do that-is there a line your character won't cross ever? Some act they would never do under any circumstances? Has it been tested? Have they been dragged to and over each line step by step? Or did they hold firm? Even the bad guys have standards. What are your character’s? Week of 8/21/2015 Souvenirs: They’re everywhere. Especially at cultural or historical attractions. Models of famous buildings or statues, clothing with maps or slogans, super-slick guidebooks, posters or postcards. Things for visitors to take home. But at its heart, a souvenir is a physical reminder of another place or event. It might be Official or it might be something ordinary that reminds them of where they bought it. It might even be a scar or injury. What kind of souvenirs does your character have? How and where did they get them? Week of 8/28/2015 Distractions- Some characters are more focused than others but everyone gets distracted sometimes. It might be the garden-variety distraction--an urgent message, children, colleagues, someone who desperately needs six pig’s livers while your character is on their way to save the world. Or your character might distract themselves--endlessly exploring Encyclopedia Galactica instead of completing their research paper, or obsessing over shoe details rather than exercising. This week, write about how your character--Ooo, shiny. Week of 9/4/2015 Violence is the Only Option-When interests collide, some characters resort to violence to get what they want. Even if you want to avoid it, combat is inevitable. This week, write about a time your character has to fight with another in order to a to further their goal. Thanks to Oliverthefighter for this prompt.
Week of 9/11/2015 Change of Venue-Few characters--or stories--stay in one place. Your character moves from familiar places and things to new and strange ones. Does your character relish the excitement of change, or do they prefer the predictable? What do they do when they have to move, regardless of preference? This week, pick a new place for your character to be, or write about how they got there. Week of 9/18/2015 Fasting or Going Hungry - A character may go without food for a number of reasons: poverty, crash dieting, disciplines of faith or duty, declining weird alien food, forgetting to restock, or even forgetting to eat. What about your character? When have they experienced hunger? Was it intentional or accidental? Why? We had prompts for taste as well as favorite foods. This week, consider the opposite. Week of 9/25/2015 Looking Forward/Anticipation - There’s always something new on the horizon, be it an opportunity, an event, or even just a well-earned rest. What is your character looking forward to? What do they anticipate happening? Are they excited? Anxious? A little of both? Something else entirely? What future thing or event is your character eagerly awaiting? Week of 10/2/2015 I’ve got a bad feeling about this - Last week our characters were looking forward to something good. This week, they’re just as sure it’s going to be bad. When has your character known something wasn’t going to work out? How did they know? Past experience, premonition, general pessimism? Did events turn out as bad as they expected, or were they better? Worse? How bad were those bad feelings, and was it justified? Week of 10/9/2015 ...and counting- We’ve had prompts for math, but how about plain old counting and numbers? Does your character worry about how many ration bars they have? How many days (or weeks...or months!) since their last contract? Whether they have more artifacts than their nearest rival? Does your character have a lucky number? How do they show it? Maybe they just count their credits--but not before they’re in hand. Week of 10/16/2015 Promises - It seems like such a small social contract, but a promise can be a big deal. It might be a promise to a child for a treat, to communicate with a loved one on a regular basis, or to keep a secret--state or personal. How about your character? What promises have they made? Have they kept them? Did another character break a promise to your character? Some are quick to give their word and just as quick to break it. For others, their word is their bond and never given lightly. Week of 10/23/2015 Missing You: Your character relies on friends and companions, but they can't be there all the time. A companion takes a vacation. Maybe they had an appointment, ran an errand, or stormed off in a huff. Maybe they grew apart, took a job or a post in a faraway place. Maybe they just went to work for the day. Sometimes you don't realize how much you depend on someone until they're not there. Who does your character miss when they're gone and why? Week of 10/30/2015 Day of the Dead- celebrated in Mexico on the first and second of November, the modern Day of the Dead celebration has its roots in ancient Mesoamerican traditions. Returning spirits of the dead are welcomed and honored with food and stories. It is a happy festival, all about retaining and celebrating connections with family who have passed on and and less about mourning them. So who would your character remember and why? If, years after their death, your character’s spirit returned to their relatives for just one night, what would they find? There are story possibilities on either side of death’s gateway, find one this week. Week of 11/6/2015 Cheering Up- Into every life a little rain must fall, and our characters are no different. Who or what cheers them up when they're down? How would they help a friend with the blues? Whether as the cheer-er or the cheer-ee, write about some happy characters this week. Week of 11/13/2015 Strange Relations- Every character has an assortment of friends and companions. As writers, we usually pick types or occupations that fit logically with them. But what about an oddball? Obi-Wan Kenobi was friends with a smuggler-restaurant owner, hardly a likely pair. Who among your character's compatriots has unusual skills, occupations, or backgrounds? How did they meet and become friends? Why do they remain friendly despite obvious differences? Week of 11/20/2015 The no-win scenario - Sometimes, every choice is bad. Every option has unacceptable consequences. You're damned if you do, damned if you don't. Has your character faced such a situation? How did they deal with it? Did they pick the lesser of two evils or try to find a better solution? Or did they, like Kirk, cheat their way out? Do they regret their choice? Week of 11/27/2015 Insomnia - Everyone’s had a sleepless night. Maybe more than one. What about your character? Do concerns keep them awake? Are they too excited for sleep? Maybe they just chose the wrong time for a stimulant beverage. Perhaps they were so engrossed in an activity they only realized they stayed awake all night when the sun rose. A bout of insomnia could be a single event or a recurring problem. How does your character deal with being unable to sleep--assuming their species even needs to. Week of 12/4/2015 That's Cheating! - Some characters are honest and trustworthy to a fault. Others less so. The vast majority are somewhere in between. Where does your character fall? Do they play by the rules or make up their own? Have they been the victim of a cheater? At cards, a merchant, or even a relationship? Do stakes or situation matter, or will your character cheat (or not) any time? Week of 12/11/2015 The Mundane - Never mind flitting about the galaxy and fighting (or furthering) evil. How does your character handle buying supplies? Doing laundry? Repairing or replacing their gear? Homework? Housework? Reports? Letters? There's an awful lot of routine things in a hero's life that rarely make the big story. This week, pick one that should. Suggested by DoctortoDannyBoy. Week of 12/18/2015 The Times, They are a-Changin' - Even in a galaxy far far away, things change. The world, the galaxy, doesn't look the same as it did when your character was younger. How does your character feel about it? Do they take it in stride, or are they more a 'back in my day' lecturer? Was the past as good-or bad-as they remember? Or are those rose-colored glasses blinders? Week of 12/25/2015 Merry Christmas SFC! The Gift of the Magi - not the biblical reference but the short story by author O. Henry, describes gifts given out of true love and at great personal cost to the giver. Has your character given such a gift? Did the recipient appreciate it? Was your character the recipient? Did they understand the value of what they were given? Week of 1/1/2016 Happy New Year SFC!! Starting Over - Rarely, your character may get the chance to start over. To try again. Do it right this time, or at least differently. What would your character do with such an opportunity? Would they take it or are they content with their current situation? What might they pay, give up, to start over? Or have they already done so? Did it work as well as they hoped? In most cultures the new year is a time to get a fresh start. What about your character? Week of 1/8/2016 Return from Holiday - However nice the vacation, eventually your character comes back to their regular job. Is it a difficult change in mindset? Did your character leave the phone off the hook or did they check in all the time? What happened in their absence? Did everything fall apart? Did things hum along smoothly, no one noticing your character was gone? What do they find when they return? An emergency, a slow simmering crisis, or nothing at all out of the ordinary? This week, write about your character dealing with the transition from holiday to everyday. Week of 1/15/2016 Under the Weather-everyone gets sick, even the most hale and hearty character. How does yours deal with illness? Tough it out and hope no one notices? Or do they turn into a baby at the first sign of a sniffle? Whether the treatments in your world are high-tech or top out at chicken soup and herbal tea, write about your character feeling poorly. Week of 1/22/2016 Snappy Comebacks - in real life, people rarely have the perfect response to a rude question or comment. It usually occurs hours or even days after the conversation that prompted it. But fiction is different. Your character has the advantage of time-your time-to devise a fantastic zinger. This week, write about your character winning (or losing!) a verbal joust. Week of 1/29/2016 Bad luck- Sometimes things go wrong. No reason. It just happens. For some characters it's an occasional annoyance. For others, well, without bad luck they'd have none at all. Or, like Obi-Wan, your character might believe “there's no such thing as luck.” Given that for a writer, it's fun when our characters get into trouble, write about a time when things didn't go quite right for them, how they dealt with it, or how they felt about it. Week of 2/5/2016 Good Fortune- Last week we told stories about our character’s bad luck. This week, things are looking up. Maybe your character finally won the lottery, a game of poker or pazzak, or just won the flip and doesn’t have to do dishes. Maybe they found a parking meter with time left, or maybe they managed to catch the last transport off-world before the quarantine. Maybe something that looked bad on the surface turned out to be a blessing in disguise. Luck can be about big things or small. With Chinese New Year just around the corner, give your character some good fortune this week. Week of 2/12/2016 Star-Crossed Lovers - Back when most marriages were arranged, falling in love with someone wasn't always wonderful. It caused all sorts of complications. Love can be an all-consuming fire, beautiful and terrible at the same time. People in love were prone to ridiculous acts-and that hasn't changed. Cupid's golden arrow doesn't always choose a wise or appropriate match. This week, write about a time when your character or someone they care about loved not wisely, but too well. Week of 2/19/2016 Largess - A gift, usually of money, though in English the word retains its older connotations of generosity and charity. Characters often become wealthy over the course of their stories. Does yours spread the wealth or keep it for themselves? Do they make sure everyone knows all about their generosity, or are they quiet and anonymous? Maybe they were the recipient early in their careers. Did it help? Or do they see other's largess passing them by? Week of 2/26/2016 Losing Confidence - everyone has a crisis of confidence at some point. For a character, it might be a minor setback early in their story, setting them off on their path. It could occur later, where overcoming the self-imposed obstacle is the dramatic moment. Or it could even be a recurring theme throughout their story. This week, write about a time your character lost confidence in their skills or abilities, and what they did about it. Week of 3/4/2016 Theater - A movie, a play, a puppet show. A 3D holographic immersive experience. Their child's first school pageant. Your character's first school pageant. This week write about your character's experiences with the theater. Week of 3/11/2016 Taboos - some things are off limits, be it for cultural, personal, or legal reasons. How do they relate to your character? Do they not even realize the restriction? Notice, but abide by the rules? Or do they flout society's conventions and laugh? Why? Does their attitude cause trouble for them, or does it grease the wheels? Week of 3/18/2016 Pretty Things - They say beauty is in the eye of the beholder, and certainly people find beauty in different things. What about your character? Where do they find beauty? In artwork or song? Unusual landscapes? Stunning outfits? Well-crafted arguments, equations, or formulae? Animals, insects, or minerals? For this week's challenge, surround your character with pretty things, however conventional or strange they may be. Week of 3/25/2016 Cross Purposes - some characters are allies, others indifferent. Then there are the adversaries. And sometimes two character are at cross purposes and don't' even know it. Protagonist- antagonist is one of the most basic story structures. Give it a twist with two main characters working against each other, knowingly or otherwise. Week of 4/1/2016 Good Things Come in Small Packages: write a drabble, around 100 words, on any previous prompt or none at all. Some sources put drabbles at anywhere from 53 words on the low end to 500 at the upper end. While I don’t have BrightEphemera’s Massive Statistical Number Crunching Data of Awesomeness, I recall the majority of our stories being in the 500-1500 word range. Let’s push that lower limit. We had an unofficial drabble week a long time ago. This time it’s for real. Week of 4/8/2016 Bigger is better- write something long. 2000+ words. Use any previous prompt or invent your own. Long works have a different set of challenges compared to short ones. In the former, every word counts. In the latter, it’s hooking the reader and keeping them entertained for the duration. Go for it! Week of 4/15/2016 It Takes Two: Write a story in two parts. Use any previous prompt (or pair of prompts) or choose your own topic. The reason for the division is up to you. Switch perspectives, follow a different character, or leave the reader with a cliffhanger. Publish on successive days or in separate posts. Each section can be any length but they can’t stand alone! They must need each other to be complete. Week of 4/22/2016 Menage a Trois: Brevity is the soul of wit. Tell a story in three sentences. Stop reading and write! Week of 4/29/2016 Spring Cleaning: May Day is Sunday, time to clean out the WIP folder. Pick something and finish it, whether it’s old and cobwebby or just a few sheets down from the top. Even if you thought it solidified into a shale-like mass under the pressure of all the other WIPs. Crack it open and see. What’s inside that document you haven’t opened in ages? Sometimes pressure and long aging makes a diamond. All it needs is some polishing to shine. Week of 5/6/2016 The Hard Way--No one is good at everything, even The Chosen One. What skills or subjects did your character have trouble with? Did they work hard and eventually master them, or did they bail as soon as possible? What happens when they need to rely on that skill? Is it still a struggle for them, or have they incorporated it into their repertoire even though it’s difficult? This week, consider something your character had trouble learning or still finds difficult, and how they deal with it. Week of 5/13/2016 Nicknames--Does your character have an in-story nickname? How did they earn it? Was it accidentally bestowed or deliberately cultivated? Do they prefer it to their given name or hate it? Give it out or hope no one ever finds out? Do they even know they have one? Maybe their enemies (or friends!) only use it behind their back. Or is your character the one giving nicknames to everyone else? Week of 5/20/2016 Current Events--Events in the larger fictional world shape your character’s little slice of it, whether they want it to or not. What things are in the news for your character? What do they hear about on the Holonet or from the town gossip, read about in the paper or posted on boards? How do these events affect them? Are they concerned about current events or blissfully unaware of anything outside their immediate experience? Maybe your character is the one making headlines. Write about it! Week of 5/27/2016 Birthdays--Does your character celebrate their birthday? What do they do? Have a big party or an intimate gathering with a few close friends? Or do they hope no one notices? Perhaps they eternally claim some age they like the best, whether it’s a birthday past or one yet to come. Maybe they neither know nor care. Living another year might not mean much to them. Maybe they mark a day of different personal significance. Or maybe a significant other throws a surprise party whether your character wants it or not. Consider birthdays this week, and what they mean for your character. Week of 6/3/2016 Happy 4th Birthday SFC!!! Why Didn’t I Think of This Sooner? Character Version- Who hasn’t come up with a great idea well after it’s useful? Probably not your character, since they aren’t actually under real-world time constraints. What if they did? Characters can have regrets or second-guess themselves, too. Perhaps they come up with the perfect escape plan while fighting through guards they didn’t avoid. Maybe they wish they had bought the magical sword from the swordsmith. Maybe they remember the vital clue after setting off the trap. Consider this a chance to try some internal conflict for your character. What do they do when they realize they could have done something differently? Why Didn’t I Think of This Sooner? Author Version- Who hasn’t come up with a great idea well after it’s useful? Every writer ever. Maybe it’s a better way to relate your character to your world, maybe it’s a background event, maybe it’s a change to the world itself. But you already established all of these events. It’s ok: there’s Retcon. Writers retcon all the time. Sometimes it’s major--a reboot of the universe--sometimes it’s not--rewriting or throwing out an episode or scene or adding foreshadowing where you didn’t before. This week, make a change to something in your story you wish you’d done from the beginning. The new timeline can become your new canon or you can keep it as an AU (we have a whole thread for that, too). Stories aren’t finished until the writer says they are. Week of 6/10/2016 Scars--Reminders of old wounds. They might be visible--remnants of a childhood fall, a parent’s rage, an accident, a fire, a careless slip with a weapon or tool. The near miss that wasn’t quite a miss. But scars can be internal or emotional as well. A song that was a former lover’s favorite, a scent that summons a painful memory, a street or neighborhood your character refuses to travel. This week write a story about a scar your character bears. Consider how they acquired it, and how it affects them. Week of 6/17/2016 Special Delivery--Has your character ever ordered or commissioned something? A weapon, an outfit, a portrait, or a story? Are they patient waiting for it to arrive or be completed or do they inquire every day? Do they micromanage? Track their package down to the minute? Or do they forget about it entirely until it shows up? Perhaps your character is the one doing the delivery. Do they get lost? Wonder what’s in the mysterious box? Write about your character’s encounters with deliveries and orders. Week of 6/24/2016 Relaxing--When your character takes time off to kick back and relax, what do they do? Do they have to travel? Go somewhere where they can avoid pressure and constant requests for aid or advice? Do they escape into a good book or other entertainment? Perhaps they indulge in a hobby or visit a spa. What does your character do to relax? Or do they find it impossible? Week of 7/1/2016 Deadlines--Time is running out. Your character has something to do, to complete, to finish, to arrange, and their time grows short. What were they doing? Was it something they put off until it was critical? Did they plan for a long time and only now the pieces are coming together? Did the situation arise suddenly and demand a quick response before the critical time? Was it self-imposed or did another character impose it? A deadline is nothing more than a date or time by which something must be ready or complete. Write about it this week. Week of 7/8/2016 Overindulgence--It is possible to have too much of a good thing. The consequences vary, from a mere stomachache to a hangover to an arrest record or worse. Some characters are more prone to overindulgence than others. Has your character overindulged? Maybe they were the voice of reason while everyone around them consumed to excess. What happened? Did the incident become an embarrassing story? Tell it! Week of 7/15/2016 Wrong Size--”one size fits all” rarely does. Anything can be the wrong size: clothes, armor, weapons, starship or computer components, backpacks or duffels, the bowl of soup your character ordered. The incident could be a minor inconvenience or a major problem. The reason behind it might be a simple mistake or deliberate sabotage. Write a story where something was the wrong size, and how your character coped. Week of 7/22/2016 Lost in Translation--Some of our characters know many languages, some only one. Regardless, there will be times when a foreign concept is difficult or impossible to explain. Perhaps a term is untranslatable, words are insufficient, or maybe they’re using a bad dictionary. The results can be funny or tragic, or both in equal measures. This week’s challenge is to lose something in translation. Week of 7/29/2016 Piercing the Veil--When has your character seen things for what they truly are? Seen past the plots and the machinations of other characters to what was really going on? That sudden flash of insight when the pieces come together and everything makes sense. Was it real? How do they deal with their new-found insight? Do others believe them, or are they alone with the truth? Explore a time when your character’s intuition guided their actions. Week of 8/5/2016 Strength in Numbers: Some problems are too big for one person to deal with. Maybe your character needs specialized help; someone (or several someones) with particular skills to fill gaps in their own. They might want backup, or moral support, or someone to share the blame if everything goes south. Or perhaps they simply want confirmation that others believe they’re doing the right thing. This week, write about a time when your character found strength in numbers. Week of 8/12/2016 Camouflage: There’s more to camouflage than the standard brown and green irregular blobs. Some visual camouflage is meant to deceive cameras or other electronic sensors, not organic eyes. Other types disguise not the presence of an object or person, but its apparent movement. Even ordinary clothing can be camouflage if it lets a person blend in when they would otherwise stand out. At its heart, camouflage is concealment. Consider a time when your character needed some, or was fooled. Week of 8/19/2016 Sleeping Rough: Has your character ever been without a safe place to sleep? No money for a room, no one to share with, lost (urban or wilderness), or run away? Was it part of a training exercise, experiment, or mission and therefore only temporary? Was it indefinite, desperate, with no alternative and no end in sight? Was it voluntary and, despite the difficulties, still preferable to the situation they left behind? Have they been fortunate enough to never worry about housing, and how do they react toward another in poorer circumstances? This week, consider your character sleeping rough. Week of 8/26/2016 Can’t Live Without: Everyone has something, whether literal or figurative. Is is a person? A loved one? A pet? A country, a job, or a purpose? A moral conviction. Is it a medicine that holds a disease or condition at bay? Something less serious, like a favorite book, delicacy, or entertainment. A special item. What one person perceives as necessary someone else might regard as silly--but try taking away a toddler’s Special Blanket. Everyone has something. What is it that your character can’t live without? Week of 9/2/2016 Meeting Old Friends- Some old friends are nearly forgotten, others are close as ever. They might be separated by time and distance or right across the hall. This week, have your character meet with one of them. It could be a planned reunion, scheduled months in advance, as simple as knocking on a door for their daily tea together, or as accidental as running into them at the market. Write about a time when your character met with an old friend, however you choose to interpret it. Week of 9/9/2016 Small Victories--Not every success has to be a big one. The world (or galaxy, or civilization) doesn’t need to be saved from certain destruction every day. Some days, it’s the little things that matter. Your character’s child, who’s been struggling with something, finally gets it. The friend who’s always late, isn’t. The minor repair really was minor. Maybe the toast landed butter-side up. This week, celebrate a small victory with your character. The big ones might be more dramatic, but it’s the little ones that keep them going. Week of 9/16/2016 Promotions-- As characters advance through their stories, they often advance in their (fictional) organizations as well. Has your character gotten a promotion? Was it deserved? Did higher-ups pass over someone more qualified, or did your character work hard for their advancement? Additional responsibilities usually accompany a new position, how does your character handle them? Did they receive any extra training or were they thrown in the deep end? Did things work out for them? Are they pleased with their promotion or do they wish they could go back? Is it, as many things, a mixed bag? This week, give your character a promotion. Week of 9/23/2016 Lawbreaker!--Some characters break laws on a regular basis, others are more law-abiding. But most every character has crossed the line on occasion, if only in a very minor way or on accident. What about yours? Did they know they were violating a law? Why did they do it? Because the law is ridiculous, because it is inconvenient, because the law is wrong, because they knew they wouldn’t get caught, or do they simply not care? What law did they break? Did they pay a penalty? Personal or legal? Write about it! Week of 9/30/2016 Borders: In essence, borders are nothing more than imaginary lines between properties or political entities. Crossing the border might be little more than opening a gate or stamping a passport. It could be an all-day affair with questioning and bribery if the parties involved are hostile to each other. In space or a remote area, there are lots of opportunity for skirmishes. Someone thought the border was a light week over. The navicomp or maps are out of date and need calibrating. The patrol was supposed be gone by now. Those military exercises were planned for our side but someone got trigger happy. Transgressions could be real and deliberate, real and manufactured, or honest mistakes. This week, write about your character crossing a border, and what happened when they did. Week of 10/7/2016 Changes in Appearance--People don’t keep the same appearance their whole lives. We cut or grow hair, change styles, choose different clothes, sometimes even consider surgery, tattoos, piercings, or other permanent alterations to our appearances. Yet written characters often stay the same. This week, make a change to your character’s appearance and write about why it happened. There’s always a reason, and it’s bound to be interesting. Week of 10/14/2016 Coincidence--Coincidences that start or complicate a plot are often overlooked, but those that end it are not. Why? It feels fake. It breaks the suspension of disbelief. In an age of word processors, where adding foreshadowing is as easy as typing a new paragraph, it smacks of poor plotting. This week? Who cares. In a make-believe world where everything happens for a reason, this time the reason is because you need it to. Consider it an exercise in how not to tie up a story, or how to recognize what not to do. Sometimes it’s fun to write bad. Week of 10/21/2016 Forgetting--No one’s memory is perfect. Everyone forgets, even your character. A date or name slips their mind, the password or combination to a lock, maybe they left something at home. It’s not always a bad thing. Painful memories are sometimes best forgotten, or at least put aside for a time. This week, write about a time your character forgot something, and what happened when they did. Week of 11/4/2016 Burning the Candle at Both Ends--Too busy. There’s too much to do and not enough time to do it. Maybe it was bad scheduling or an accident or problems encountered along the way, but whatever the reason, your character has to work hard to do it. What was it? Why are they working so hard? What do they hope to gain? Is it temporary or a chronic issue for them? Can they prevent the situation, or will it happen again? This week, write about a time when your character burned a little too bright. Week of 11/11/2016 Formal Occasion--No matter how informal a character and their story, at some point they’ll probably have to dress up. Maybe it’s a formal dinner, a wedding, a graduation or promotion, or a date at the opera. Different cultures have different etiquette for these kinds of events as well. How does your character fare? Are they as home in formalwear and surrounded by numerous forks as they are around a campfire? Are they uncomfortable? Or are they most at home in high society? This week, put your character in formalwear and at a special function and see what they do. Week of 11/18/2016 Just Desserts--Everyone loves to see the villain get what’s coming to them. Maybe it’s your character who delivers justice. Maybe they’re on the receiving end. This week, hand out some just desserts in your story. Week of 11/25/2016 In A Rut--Doing the same thing over and over. No one wantS to be stuck there. It could be your character, dissatisfied with where their career is going. It could just as well be the writer, bored with what feels like the same plots and situations. Shake it up. Throw in something unexpected. Put your character in a place you never thought they’d be. Try something different and see where it goes. Or, alternately, let your character complain about the sameness. Week of 12/2/2016 Cooperation--Some characters are loners by nature but even so, they can’t do everything by themselves. They’ll have to cooperate with others. Whether it’s a willing partnership where they all gain or coerced and barely tolerated, there’s ample room for conflict. Maybe they plan to betray their partner at the first opportunity. Maybe they prefer to remain on good terms. Maybe it’s an alliance of necessity and they’ll part on neutral ground. Whatever the reason, whatever the outcome, this week write about your character cooperating with others to achieve a goal. Week of 12/9/2016 Trigger Warning-- Everyone--every character--has strong feelings about something. The old standby is “don’t discuss politics or religion” but there are many other options. What sets off your character? What’s that one topic they have to argue about? What’s their position and why? Is it rational? Was it learned and never questioned? This week, push one or more of your character’s buttons. Week of 12/16/2016 Limits-- No character is all-powerful, or at least interesting ones aren’t. There are limits to what they can do, be it legal, physical, mental, or self-imposed. What happens when they come up against them? Do they push past it, accept it, or back away? Limits are often there for a reason and breaking them can have consequences. Explore some this week. Week of 12/23/2016 Making a Mountain out of a Molehill - Some characters are more prone to blowing things out of proportion than others. Maybe it’s just certain situations. Consider a time when something that seemed insurmountable turned out to be minor. Was your character’s preparation or anxiety unreasonable? Or did their actions make the difference between a mountain and a molehill? Week of 12/30/2016 Not My Holiday - This week, most of the Western world is celebrating Christmas and the New Year but no holiday is universal, even on Earth. Are your character’s holidays in line with the culture they live in? Do they celebrate something different at a time no one else does? Do they feel left out on either occasion? Their reasons don’t have to be cultural; they might associate bad experiences with a popular holiday or good ones with something obscure. There are stories in any of the permutations. Write one. Week of 1/6/2017 Luxuries - It’s easy to think in terms of expensive things: fine wine, silk, exquisite meals, and panoramic views. Luxuries don’t have be expensive, or even things. One character might consider time alone a luxury. For another, enough to eat and a safe place to live. Yet another may relish the privileges their wealth affords them. What does your character consider a luxury and how do they indulge? Week of 1/13/2017 Omens and Portents - Whether being born under a Blood Moon or according to the signs in an ancient prophecy or just picking the winning lottery numbers two weeks in a row, our characters’ lives are filled with omens. Do they put any stock in the superstitions or consider it a bunch of baloney? Are the portents more important to their companions who expect them to be the hero? Is it a sign they should buy another lottery ticket? Omens can be good or bad, and the way your character deals with them likewise so. Explore it.
Week of 4/21/17 Constant Companions–Who’s with your character through all their adventures? Who’s their right hand, the one who’s always there? Who’s Samwise to your Frodo? Why are they there and why do they stay? This week write something featuring the person or people your character relies on most. Week of 4/28/17 Food on the Go–Everyone enjoys a quick snack. What’s your character’s favorite? What food stall do they have to hit whenever they’re in town? What take-away meal do they always bring home? What munchies do they pack along for a journey? Far from meaningless detail, something as mundane as food can tell your readers a lot about your character. Week of 5/5/17 Plants/Gardening–It’s hard to avoid plant life, even on a spaceship. In low-tech societies plants are recognized as sources of food and medicine. In more high-tech ones they provide breathable air as well as beauty. Whether your character has a green thumb or can’t tell a cabbage from a kitten, write some plants into their story this week. Week of 5/12/17 Irritating Habits–Everyone has them. What about your character or one of their companions? Gum-chewing, whistling, smoking, a preference for odiferous delicacies? Who annoys who and how? Consider, too, that rude, irritating, or just plain gross behavior in one culture may be perfectly acceptable or even polite in another. The converse is true as well. Week of 5/19/17 Forgotten Places–A ghost town, an ancient ruin, a hidden valley, an island settlement, now abandoned. Places where people were, but no longer are. What does your character think about them? When has your character encountered one? Did they stumble on it? Seek it out? Read or hear a tale about it? Does it, like El Dorado, exist only in stories? Week of 5/26/17 Titles–Queen, Lord, Baron, Senator, President, Minister, Director, Sir or Madam. A title might be formal, bestowed in a ceremony. It might be a basic term of respect or polite discourse. Or it might be earned by appearance, action, or affiliation: Erik the Red, Catherine the Great, Jabba the Hutt. What titles does your character have? Happy 5th Birthday SFC!!!!!! Week of 6/2/17 History–Personal or World, history informs your character’s actions. What part of the past shapes their present? Are they aware of it? How so? This week, consider your character’s history and its influence. Week of 6/9/17 Hope–Hope, the final thing in Pandora’s Box. Hope is what keeps people going when the night is dark and the journey is hard. Hope for a brighter day and a better way. Or just something different, some change. To fall in love, to find redemption, to find a purpose. Even a doomsday cult has hope, though outsiders don’t understand it. What does your character hope for? Week of 6/16/17 Challenge–If it were easy, everyone would be doing it. What’s hard for your character? What challenges do they set for themselves and what ones do they face? Difficulty often reveals a character’s true self. How do they face a challenge? Week of 6/23/17 Midsummer/Midwinter– It’s the turn of the seasons this week, the longest day for the northern hemisphere and the longest night for the southern hemisphere. What does midsummer or midwinter mean for your character? Alternately, write about your characters longest night or longest day. Week of 6/30/17 Curve Ball–as writers we plan our characters’ encounters. This week, throw them into something new. Something they didn’t expect. Something they never saw coming. Who panics? Who takes it in stride? Who stumbles but runs with it? Week of 7/7/17 Good News Everyone!: What would be good news for your character? Something personal? A promotion? A sale? A marriage, a child, a vacation? A divorce? Maybe something local: a tramway or road finishes construction, a botanical garden opens. Larger? Peace declared between warring factions or nations? War declared against an oppressive enemy? Is it something they expected or a complete surprise? Think of something your character considers good news and how they react to it. Week of 7/14/17 And Now, the Bad News: Something happened, and your character’s not pleased about it. Did they lose a promotion or sale to a rival? Is a local landmark shutting or being torn down? Is a plant or animal they’re particularly fond of in decline? Does an event confirm their pessimistic outlook, or crush their optimism? How did they find out? Are they shocked or resigned? No good news to soften the blow this time. Write about your character dealing with bad news. Week of 7/21/17 Looking Back: Whether it’s with fondness or relief, everyone thinks about their past sometimes. Something that held them back, or something that propelled them forward. They might consider time with a mentor, a formative event, or just a memorable vacation. Write about your character reminiscing. Week of 7/28/17 Looking Forward: No one knows the future, but that doesn’t stop us from imagining what it might hold. What about your character? What do they see in their crystal ball? Good news? Bad news? What do they see as the result of today’s decisions? Or do they live in the moment and deal with the future as it arrives? We’ve done Hope and Goals, let’s look at the pragmatic. Week of 8/4/17 Long-Distance connections – Your character’s friends, family, colleagues, or loved ones won’t always be close at hand. How do they maintain the relationship? Do they enjoy real-time, visual and audio transmissions? Is there a delay for distance – or surreptitious monitoring? Pre-recorded messages? Text messages? Letters? Maybe contact isn’t possible at all. What do they share? What do they hold back and why? Consider time as a separation, and how a character might stay connected to someone lost to them, or discover a connection to the past. Week of 8/11/17 Temptation: It comes in all flavors, all kinds, all things. And it need not be a physical thing at all, but an experience or emotion. It’s usually, but not always, a vice. What tempts your character? What siren song do they find irresistible? Do they crash on the rocks following it, do their friends help them avoid it, or do they manage alone? Not all temptations are bad, of course, and not all can be neatly avoided. Week of 8/18/17 Folk Tales: All cultures have folk tales–the stories people tell each other. The ones everyone knows, or knows a version of. They may be written down, or they may only be told around the campfire, the coffee pot, or in the chatroom. They may be cautionary tales, stories of heroism, or horror. Modern urban legends fall in this category. What ones does your character know? Where did they hear them? Which ones do they share and why? Let your character be the storyteller this week. Week of 8/25/17 Phobia: From Phobos, the personification of fear in Greek mythology, in English a phobia is more than just being afraid. Phobias are rarely rational. The brain is often eager to label anything as a terrible threat regardless of whether it’s logical. A true phobia can be debilitating, where the sufferer avoids any situation that might trigger their fear. Does your character have such a disability? What about one of their companions or someone they meet? Is it a common or reasonable thing to fear? Something others sympathize with even if they don’t appreciate the severity? Or is it something rare or mundane? Some thing or condition, made all the worse by the fact that literally no one else understands why it provokes such a reaction. How does your character deal with it? How do they help a companion through an episode? Week of 9/1/17 Windfall: Something good fell in your character’s lap, something they weren’t expecting. Does it come at an opportune time to fix a problem? Does it cause a headache (or heartache) down the road? Or do they make cider, as one does with windfall apples? Week of 9/8/17 Hero Worship: Who does your character think of when they hear the word “hero”? Is it a specific person? A type of person, or a person in a specific occupation? Have they ever met their hero(es)? Who sees your character as a hero–no matter how venal they really are? How do they show it, and how does your character deal with it? Week of 9/15/17 Flirting With Disaster: Even the most risk-averse character gets into sticky situations, or they should if you’re doing your job as a writer. Then there are others who live their entire lives on the edge. This week, write about a time when things were so, so close to going wrong. When the table shook beneath the house of cards but didn’t quite fall. Or maybe it did. Week of 9/22/17 What Goes Around Comes Around: If the Golden Rule is “treat others how you wish to be treated” then this is what happens when you don’t. Cheaters will be cheated, liars lied to, and bullies bullied. Write about a time when your character’s behavior came back to bite them, or when they had an opportunity to visit retribution on someone who wronged them. Week of 9/29/17 Frustration: Sometimes events (aka the writer) conspire to thwart your character. It might be a series of minor things–the coffee machine broke, the bus was late (so they caught it but were late anyway), and to top it off all the good donuts were gone at the meeting…where the project no one else wanted ended up in their lap. Yay. Maybe it’s a repeated error: the food stall never gets their order right, the clerk always mispronounces your character’s name. This week write about someone or something getting on your character’s last nerve. Week of 10/6/17 Conversion or Proselytizing: You! Yes, you! Can we talk for a bit about…what? What ideas does your character hope to pass on to others? What ideology moves them? Did they convert to their current mindset from a different one? How and why did they make the change? While religion and politics are most obvious choices with this prompt, consider also scientific theories, dietary or exercise regimens, brand loyalty, or comic book heroes. Which version was better, the movie or the book? Why? Does your character have to win the debate, or are they most invested in the discussion itself? Week of 10/13/17 Embarrassment: Everyone has that moment they’d rather forget. The time when every eye was on them, but not in a good way. What about your character? When has the glaring spotlight of public embarrassment shone on them and why? Is it a story they’ll never tell? Is it the hilarious tale told for laughs well after the fact? Or is it one of those things that slips out after too many intoxicants? Week of 10/20/17 Practice Makes Perfect: No matter how skilled your character is, there’s always room for improvement. What does your character do to keep in practice? Are they building on existing accomplishments or learning something new? Is it a skill they need for their main occupation, or something they do for fun? Are they edging toward perfection, or always terrible but having a great time anyway? Practice your own writing this week. Week of 10/27/17 Roadblock: Something’s in the way, physically or metaphorically. Something preventing your character from getting what they want. What is it? Why is it there? What does your character want and who wants to stop them? This week, throw a roadblock in your character’s path. Let’s see how they navigate it. Week of 11/3/17 Goals: Your character is nothing without goals. Pursuing their goal is what propels the story forward. Step back for a moment and consider how and why they set that goal. Did they wake up one morning and know what they wanted to do? Did it grow organically out of life experience? Did they go through a modern, goal-setting exercise? Is theirs a reasonable goal, achievable with a stretch, or are they unlikely to ever achieve it? Do they keep moving the goalposts? Does someone move them for your character? Set a goal this week. Week of 11/10/17 NO PANTS! Relaxing at home. Nothing planned, nothing going on, nothing pending, no crises. No pants. What’s that mean for your character? Is there any place or time when they can truly relax? Do they fantasize about relaxation while dashing between disasters? Are they stuck in the doldrums, praying for something–anything–to happen? Or do they take “no pants” more literally? Week of 11/17/17 Don’t Stop Believing: Countless writers guides council you to include the moment when your character considers quitting. For some stories, it’s the centerpiece, if not the center. Somehow, they go on. Complete the quest, finish the journey, save the world, make a difference. This week, write about your character facing such a moment, and not giving up. Finding the strength to go on. Week of 11/24/17 Success: It’s said that nothing worth doing is ever easy. Certainly your character’s journey shouldn’t be, or it wouldn’t have been interesting. And the writing of it might not be either, but now it’s done. Quest complete, journey over, book finished. How does it feel? Does your character celebrate? How? Is this success just a little one on a much longer road, or is it the big one they’ve been waiting for? If so, is there a bigger goal on the horizon, one they couldn’t even see until they got here? Let your character bask in success for a change, and think about whether their story is really over. Week of 12/1/17 The right way, the wrong way, and my way: It’s said there are three ways to approach a task. What does your character think? Do they follow the rules, willingly break them, or choose their own path? Maybe all three at different times in their story? What about teaching someone else? Are they as inflexible as the saying suggests or will they entertain new solutions? Week of 12/8/17 Accommodation: Does your character need something outside what’s considered typical for their species? Are they more at home in enclosed or darkened spaces–or the opposite? A special diet due to allergies or disease? Something more obvious, like ramps instead of stairs or fixtures and handles being at more convenient heights? What about something basic, like being left-handed in a right-handed world? Week of 12/15/17 Recurring Nightmares: An actual nightmare, one that isn’t real? Or a real nightmare situation occurring over and over? Write your character in a recurring nightmare this week. Or a recurring dream, if you’d prefer. Interpret the prompt as literally or loosely as you like. Week of 4/13/18 Smuggler’s Blues: Has your character trafficked in less-than-legal items? Even by accident or for personal use only? What was it? Drugs? Stolen merchandise? Banned books? People? Translated media that isn’t officially available in that language? Fruit, vegetables, plants, or animals that aren’t allowed to leave their country of origin, or aren’t allowed into the destination? Cheese? Maybe your character purchased smuggled items. Maybe they’re they’re the smuggler. There are plenty of reasons for someone to circumvent import restrictions here on Earth and at least as many elsewhere and when. Surely there’s a story in it. Week of 4/20/18 Hurts so Good: Pain is supposed to be the body’s signal to stop. Humans (and fictional species) often ignore it or even seek it out. Sure, sure, BSDM; look beyond the obvious. Think of hot foods–temperature hot or spicy hot, where the heat is a critical part of the enjoyment. An exercise program, where short-term muscle pain means you’re doing it right. A good roller coaster, haunted house, or horror movie is supposed to cause anxiety or fear and all their attendant sensations, things we usually find unpleasant or painful. Write about your character seeking, enjoying, observing, declining, or railing against such an activity. Week of 4/27/18 Reunited: Characters who spend time apart must come back together. Do they look forward to it? Dread it? Count every moment until they can reunite, or invent ways to prolong the separation? Do they have any special rituals? A particular knock or bell ring, a call to their partner, a hug or kiss? Furtively sneaking in and hope no one notices? How do they catch up? Long conversations? Bare mumbles? Did it matter for them how long they’ve been apart? Is a few hours separation as hard to bear as a month? Week of 5/4/18 Ordinary Heroes: Your character might be a hero in their own right, and they probably had many others to look up to. So who in their lives was a hero to them by being nothing other than themselves? Who did they admire as a person? Whose example did they hope to follow? Was it a relative who always accepted them, no questions asked? A shopkeeper who always had a kind word for everyone they met? A teacher who expected the best and wouldn’t take less–and who also helped students discover what their best looked like? Write a story involving an influence on your character’s character. (inspired by This Post. May the Fourth Be With You) Week of 5/11/18 Censored! [Redacted] Strikethrough! Restricted! Takedown!: When has your character encountered censorship? What was it? Something they wanted or needed but weren’t allowed? Why? Something they created that was blacked out, altered, or removed? Was it a report, a discovery, a work of art or fiction? Did they agree with the censor or fight the decision? What problems occured because of the restriction–or lack thereof? Week of 5/18/18 Favorite drinks: Living things eat and drink, and sentient creatures with cultures have a variety of beverages to choose from. With variety comes favorites–so what is your character’s? Cocktails automatically come to mind, but a favorite drink can be any beverage. Your character could have different favorites for different parts of the day–their favorite wake-up drink won’t be the same as their go-to wind-down libation. It might be something they grew up with, or something a loved one recently introduced them to. Maybe it used to be a favorite but they grew out of it, associated it with painful memories, or relocated and simply can’t get it or the ingredients. Expensive or cheap, rare or common, mind-altering or otherwise, share one of your character’s favorite drinks. Week of 5/27/18 Carry On: How does your character get back to “normal”? To recover from their injury, whether physical, mental, or emotional? Life goes on and so does your character. How do they do it? Some recover with barely a pause, others take longer. Not everyone has healthy coping strategies. Maybe they cope by moving through unhealthy or destructive habits before they can start to heal. Sometimes healing leaves scars that never go away. Write a story about your character carrying on. Keeping calm optional. Week of 6/1/18 Happy 6th Birthday SFC!!!!!! Mistakes Were Made: The perennial apology-not-apology. Someone made mistakes, frequently not the person making the statement. So what happened? Was your character the mistake-maker or the one wronged? Who is “apologizing” and for what? Will anything be resolved, or is this papering over a systemic problem? Again? Is it a way to give someone a well-deserved second chance, or a perpetual offender getting away? Week of 6/8/18 Skeletons in the Closet: What’s that thing your character hopes no one ever finds? Some shameful Secret they’d just as soon remain a secret? Does anyone find out? What happens? What does your character imagine will happen? Is it reasonable, overblown, or conservative? While there are loads of things a character can be ashamed of, consider that shame is personal. What fatally embarasses your character might be no big deal to others or society at large. Alternately, it could be even worse now than when your character hid it in the first place. Rattle some skeletons in your character’s closet this week. Week of 6/15/18 Tired: Sleepy? Overworked? Bored? Or really Done With This Sh*t? Everyone gets tired, physically and mentally. What is your character tired of or from? Why? Do they fix it? Can they, or is it out of their control? Just don’t be too tired to write it. Week of 6/22/18 Kissing Frogs: Fandom often revolves around romantic pairs, especially finding “the one:” your character’s soulmate. Surely they don’t find their soulmate on the first try. They must have had other relationships. Ones that didn’t work out or didn’t last. What happened? This week, write a story about one of the frogs your character kissed on the way to finding their prince/princess. Week of 6/29/18 Keep on Keeping on: Now that our characters have been on the job for quite some years, what keeps them going? What makes them do just one more job, instead of retiring, settling down, or doing something completely different? Tradition, momentum, habit, joy, satisfaction, can’t think of a reason to change or anything else they’re good at. Everyone’s reasons are their own. What’s your character’s? Prompt courtesy of frauzet. Week of 7/6/18 Set the Standards: What’s the minimum your character will accept, be it service, the kinds of jobs they’ll take, or the places they’ll go or stay? What about the people they’ll work with or date? Do they have standards for decency or conduct? How do they define them? What’s their reasoning for their personal limits? Have they ever been tested? Are they reasonable, inflated, underrated, irrational? Week of 7/13/18 Look Behind You: What’s behind your character, literally or figuratively? Where did they come from? What did they leave behind to get where they are now? A village, town, city, or planet? Family, lovers, friends, rivals, or enemies? Ideas or beliefs? Do any of them catch up or are they forever in the past? How does your character feel about that? Week of 7/20/18 Once in a Lifetime: Some things only come around once. A show, a natural phenomena, an opportunity. Grab it, enjoy it, experience it while it’s here or available, because your character won’t ever have another chance. What is a once-in-a-lifetime event for your character? Are they able to take advantage of, appreciate, or participate in it? What happens afterwards? Week of 7/27/18 Treat Yourself: Indulge! What’s a treat for your character? Food, a spa day, a movie/theater/holovid/musical? Surely they have something they love to do that they maybe don’t do often, something that makes them feel good about themselves. We torture our characters enough. This week do something nice for them. Week of 8/3/18 Friends: Our characters collect any number of friends and helpers during their adventures. In fact, few characters can do without friends. They’re part of what makes a story vibrant and alive. Friends don’t have to be sycophants; they can (and probably should) disagree with your character about things. Things that matter, not easy things like favorite foods or colors. Friends and companions breathe life into your character’s story. This week, write something where one of your character’s friends has an important role as well. Week of 8/10/18 Friends to Lovers: This one is almost a given in many stories. Many people enjoy reading (or writing) a story where the characters find their friendship growing into something more intimate. Whether it’s a coffee shop romance a super-slow-burn fic, write characters going from friends to lovers this week. Week of 8/17/18 Lovers Back to Friends: Then again, love doesn’t always work out. It’s easy to take the hostile view of a breakup. Where both characters end up disliking or avoiding each other. This time try something harder: they remain friends despite their previous intimacy. It needn’t happen right away. Few people are so mature. This time, imagine it does or has to and how your character handles it anywhere along the timeline. Explore what it means to retain real friendship, not merely stating “we’re friends.” Week of 8/24/18 Friends to Enemies: Hate is always easier to evoke than love or friendship, so easy prompt this week. Or is it? Imagine one of your character’s friends becoming an enemy. Why do they diverge when they obviously got along well? A slow drift or one inciting event? Losing a good friend hurts, and making one an enemy means the wound never really heals. How does your character live with it? Week of 8/31/18 Enemies to Friends: Occasionally, your character and an enemy end up on the same side. And beyond sharing a common goal or working together just this once, they begin hanging out and relying on each other. Why? What converts their enemy to a friend? Note: this is not necessarily a heel-face turn. If your character is villainous their enemy might end up on the dark side. They have cookies, after all. Maybe both decide the struggle is futile and retire together. What about your character’s other friends? Week of 9/7/18 How Hard Can It Be? Words usually uttered before discovering exactly how hard it can be. When has your character underestimated a situation? What thing looked easy then turned out to be less so? How did your character handle it? Did they rise to the occasion? Realize their error? Back out and try again? Fail completely? All of the above? Be as humorous or serious as you like, but this week have your character discover that the easy thing is, in fact, rather more difficult than they expected. Week of 9/14/18 What’s the Worst That Could Happen? Inevitably, not what actually happens. In life the real result may more often be better, but as writers it’s far more fun to make it worse. This week, put your character in a situation they’re sure they can handle, and make it worse. What’s the worst that could happen? Just let me get started. Week of 9/21/18 It’s All Downhill From Here! The situation is handled, crisis solved or averted, nothing left but the cleanup and a smooth glide to the end. On the other hand, maybe it’s more like a downhill slide into a swamp or off a cliff. It’s fun to shake up reader–and character–expectations. Throw up some roadblocks or dig some potholes in their easy ride. Make that smooth landing less so. Complete disaster optional. Week of 9/28/18 Never Going There and That’s Final! Until, of course, they have to. What place does your character avoid? Is it a single, physical place? A city, county, or planet? A type of place: Zoos, spooky dark forests filled with snakes, buffet restaurants? Why do they hate it? There must be a reason, however irrational. Now put them there anyway. Tell the story of why and how they ended up someplace your character swore they’d never go to under any circumstances, and what happened after. Week of 10/5/18 What Might Have Been: Almost everyone wonders how their life might have turned out if they’d made different choices, been born in different circumstances, or combination of both. How does your character answer this question? Suppose they were cast in a different role in your story or as another one of your characters? How would their lives be different? How would your story be different? Explore what might have been with your character this week, either as a dream, a discussion with another character, or a full-blown AU. Thanks to Lady_Thorne and Lord_Thorne on the SWTOR forums for this prompt. (Special message for the SWTOR crowd: thanks to everyone participating in what has to be the longest continually running forum thread in MMORPG history. Still going since 2012.) Week of 10/12/18 Listen: More important than being able to act, perhaps, is the ability to listen. To hear someone voice their concerns or point of view without filtering through their own experience or opinion. When has your character really listened to another one in your story? They need not be converted, but they ought to gain understanding. Some characters don’t care; that’s fine and valid. This week, let your character be the quiet one and really listen to someone else in the story, then show what they do with their new perspective. Week of 10/19/18 Oblivious: Not everyone is observant, and even the most vigilant character misses something on occasion. When did they miss something obvious? It could be a physical object or an idea. The proverbial elephant in the room or a solution that’s staring them in the face. Maybe your character just overlooks cues everyone else sees. What happens when someone else points it out? Week of 10/26/18 Comfort Food: It might not be a favorite. It doesn’t have to be from childhood, though it often is. It might not always be the same thing, depending on circumstances. Sometimes, preparation is as much a part of the comfort as consuming. When all else fails to dispel your character’s demons, what food(s) do they turn to for comfort? Week of 11/2/18 Voice of Reason: In every group, for every plan, there’s always one Voice of Reason, and their plan might be safest but not always best. Does your character listen? Do they plunge ahead anyway? Or are they the sane one trying to dissuade the rest from something reckless? Whose approach was right? What, in hindsight, might have been better? Week of 11/9/18 Ship of Fools: The colloquial meaning is that of one wise person surrounded by idiots, but the original allegory has everyone on the ship unable to navigate it, all the while vying for the chance, or to influence the one currently botching the job. Regardless, the ship goes nowhere, often with recriminations all around. When has your character sailed on a ship of fools? Were they the wise one dealing with incompetence? Or just as clueless but putting up a better front than the rest? Week of 11/16/18 Power! Given this blog started in a Star Wars fandom, it’s surprising this prompt never appeared before. What does your character consider power and how do they pursue it? Just as important: why? Some seek power for its own sake but most have an agenda. Are they a reformer? Do they want to change the system they’re part of to fit their vision? Do they want the ability to destroy whomever they view as enemies? A secure enough position to voice their opinions without backlash, or at least without fearing the consequences? Do they gain power despite not wanting it, because their fellows see them as a leader? Or are they seeking more mundane power? A ship fast enough to outrun the authorities? Superpowers: magic, reality-bending abilities, flight (if they can’t already), telepathy, or teleportation? Week of 11/23/18 Butterfly Effect: In essence, tiny changes in starting conditions leading to wildly different results. Modern behavioral psychologists contribute the nudge: a small push toward a desired behavior or goal. Our lives are filled with examples. How about your character? Is there a slight difference in their backstory–or current story–that could change it entirely? When did they receive a nudge and how did it shape them? What events pushed their later actions? We had a prompt for turning points, which was more about large, obvious events that put your character on their path. A butterfly effect might be so small as to go unnoticed at the time but proved no less influential. Week of 11/30/18 The Last Straw: Your character’s companions don’t rubber-stamp your decisions. They agree or disagree to a greater or lesser extent. And, sometimes, they leave. It’s unlikely to come as a complete surprise, but even so there was probably one incident, one particular choice, that drove them away. How does your character deal with it? Are they forgiving or vengeful? How does the companion make their exit? Do they confront your character or just leave without a goodbye? What are their reasons, and does your character consider them reasonable? What was the companion’s last straw? Week of 12/7/18 Paralyzed: Literally unable to move. Is it a disease? An accident? Are they completely paralyzed or does the condition affect only part of their body? What happened to cause it? Is your character paralyzed with indecision; all options equally bad (or good?). Maybe they’re overwhelmed and terrified to make any choice. Maybe they’re paralyzed both physically and emotionally. Or one and not the other. Paralyze your character this week, and write how they deal with it. Week of 12/14/18 Happy Together: Your character encounters numerous others in their story. Who’s special? Who is the one they just want to see happy, preferably with them? It could be their SO but it doesn’t have to be; happiness comes in all flavors and sizes and doesn’t have to involve romance. Or, for that matter, even being outwardly nice. There are lots of relationships (fictional or otherwise) where observers would never know how much the people involved respect and care for each other given how often they throw insults around. This week, write your character and another happy together, in whatever form that happiness takes. Week of 12/21/18 Good Intentions: It’s said the road to hell is paved with them. Most characters, outside of the truly villainous, want to help and to make things better. Usually we let them. Good intentions can backfire or have unintended consequences, some of which might be worse than the original situation. They can also be far better! It’s our story; we do what we want, and things need not always be bad. This week, begin with your character’s good intentions and tell us what happens. Week of 12/28/18 The Fine Print: Any Bounty Hunter knows better than to sign anything from Gault without reading it first, still there may have been contracts our OCs wish they hadn’t signed. What details did they miss? Was it something small and insignificant, even humorous? Something major and problematic? How did they inconvenience your character? Did they get back at the beings who made the contract and took advantage of them? Chalk it up to a learning experience and move on? Something else? Was the contract more akin to our familiar Terms of Service Agreements that no one reads deciphers anyway? Did they fulfill the contract or did they renege? Why? This week consider what may be hiding in the fine print and how it affects your character. Week of 1/4/19 Keep Grandma Happy: Okay, okay, not necessarily Grandma. Every family (or other social unit) has that one person whom you simply appease. The one you don’t want flying off the handle because it’s such a bother and not worth the resulting tirade and calming down process. Surely your character’s circle has one. Who is it? Is it your character? What’s their hot button and why? What do the other characters do to avoid it? How do they settle them down when, inevitably, it gets pushed? Does someone push it on purpose for the fireworks? (note: while the intent of this prompt is humorous, feel free to make a more serious case, i.e. trigger or content warnings. Polite characters avoid the topic out of empathy or compassion and only dickish ones bring it up.) Week of 1/11/19 If Wishes Were Horses: then beggars would ride. We often think of wishes as something for children, but everyone does it. Wishes can be for anything from a lucky chance through feasible-but-difficult to outright impossible. What things does your character wish for? Little wishes? Not much more than good luck? Middling-possible wishes? Things that could happen given some work and luck? Something that could never happen? Prohibited by the laws of physics or just wildly improbable? There’s nothing really wrong with wishes, however impractical or unlikely. Every so often, wishes come true. Week of 1/18/19 To Sleep: perchance to dream? Humans spend, on average, one third of their lives asleep. We have rooms, furniture, phrases and clothing all dedicated to this biological necessity. What does your character do to sleep? Do they have special rituals? Do they need a sleep mask and soothing music or can they fall asleep anywhere, anytime? Do they prefer near silence and darkness? White noise and a night light? Are they always uncomfortable in a strange place? Does having a familiar object–pillow, blanket, childhood teddy bear–make it better? Pets? What about snoring or tossing and turning? Do they have a bedmate (or housemate) to annoy, or who annoys them? Maybe their sleep schedule is at odds with the rest of the world for some reason. Maybe they don’t have a sleep schedule–their days are too erratic. Perhaps they don’t require sleep themselves but find it an interesting trait in their companions. Week of 1/25/19 Loyalty: True loyalty is a complex subject. Essentially, someone puts your character’s well-being equal to or exceeding their own. It doesn’t mean agreeing with everything your character says or does, but offering a different perspective when warranted. It contains elements of being a friend and a lover, without necessarily sharing the more intimate or personal components of those relationships. Though, one hopes that friends and lovers are also loyal. Perhaps this is why betrayal hurts so much; the one who had your character’s back had a knife all along. Other times we mistake a loyal character leaving for betrayal, when in fact they can no longer bear to watch someone they care about self destruct. Consider who’s loyal to your character this week, to whom your character owes loyalty, why, and what might happen to change those dynamics. Week of 2/1/19 You’re Not the One I Was Looking For: It’s fun to set your character up with the perfect match. The One They’ve Been Dreaming of. Hold that thought–what about someone else? Someone close, maybe overlooked. Someone who’s right for your character in all the ways that matter, but not necessarily the ones your character thinks are important. Maybe they catch your character on the rebound; maybe they’ve been there all along but never thought about your character in a romantic way. Maybe a casual hookup turns into something more. This week, consider your character finding, not the one they were looking for, but The One just the same. Week of 2/8/19 Bus Stop: How did your character meet their Love Interest? Blind date? Friend-of-a-friend? Co-worker? Professional matchmaker? Your world’s equivalent of a dating app? Chance meeting at a bus stop? This week, tell the story of how they met. Week of 2/15/19 Kiss The Girl: or guy, or nonbinary person; whoever or whatever it is that your character is falling for (and, we hope, is falling for them as well) this is it. The Kiss. The Moment you’ve been waiting to write. So write it! Make it the end after a slow burn, or start with the Kiss and move forward. Week of 2/22/19 Storybook Love: After it all, the meeting, the spark, and the kiss, how does the story go? What happens after? Or during? How does your character’s love become part of the rest of their story? Maybe their love is the whole story, the prime mover of the plot, but what else happens around them? How does their relationship affect the other characters and the larger story of their lives? Write some of the book around their storybook love Week of 3/1/19 When I’m Sixty-Four: What happens when the infatuation wears off? When the rush of novelty and discovery fades? What do your characters still love about each other? Why do they choose to stay together? It is a choice, after all, and they could decide otherwise. Perhaps they do. That’s a story, too. Week of 3/8/19 Forbidden Fruit: Something forbidden is often that much more desirable, a focus of obsession. What is something your character can’t have? Not something they’re not likely to get. Something they could have, or an activity they could engage in, but chose not to. What is it and why must they avoid it? What are the consequences if they indulge? Are they physical, social, or something else? Do they think about the forbidden thing constantly, desiring it even though they know they shouldn’t? Do they really not care about the thing? Have they tried it and discovered it wasn’t as good, as interesting, or as exciting as they thought it would be? Was it better than they ever imagined? Week of 3/15/19 Insulting: Our characters often get into physical altercations, but what about verbal ones? When was a well-delivered quip or challenge just right to take down an opponent? Who did they insult and why? What was the response? Your character might have disrespected an authority figure who’s so far removed as to neither know nor care–though in some societies they might care very much and deal with it harshly. Maybe your character was the one insulted. Was it deserved? How do they react? Most of all: What did they say? Week of 3/22/19 Injury: Since our characters do often get into physical altercations, what injuries have they suffered? In a cinematic world it might be limited to minor scrapes, or serious wounds that heal in no time and without a scar. More realistic stories may have more lasting repercussions. How are their injuries treated? Technology, magic, herbs and other ‘traditional’ remedies? Some of everything? How long is their recovery? How complete? Does it make a difference if they received aid right away or if it took time before they could do so? Do they avoid doctors? What are the doctors like in your world? Think about a time your character was physically hurt and the medical help they received. Week of 3/29/19 Lasting Repercussions: Every battle leaves a mark, every injury a scar. They might not be visible, due to magic or high tech medicine. They might be psychological, but no less real or damaging. They might be social: new enemies or a change in class or status. The entire world may have changed. All your character’s conflicts, verbal or physical, have repercussions. Write about one.
Week of 4/5/19 Evil Twin: A subset of mistaken identity. Suppose there was another character, related or no, who looked so much like your character that everyone assumes they are the same person? Further suppose that this doppelganger has the opposite personality of your character. What happens? Do people trust them when they shouldn’t, or get surprised when they’re generous? How much trouble do they make for your character? Does your character even know they exist? Do they figure it out? What happens? Week of 4/12/19 Idiot Helpers: your character has companions, friends, and underlings. No doubt most of them are competent, but even the most reliable companion messes up. Some of them might be constantly messing up, misinterpreting your character’s instructions, and running ridiculous (or even contradictory) side schemes of their own. How does this complicate your character’s life? How do they deal with that companion they can’t get rid of or can’t bear to part with, but who is laughably incompetent? What kind of harebrained schemes are they getting into and how do they complicate your character’s life? Week of 4/19/19 Devil Boss: Our characters aren’t always independent. Sometime they have to take orders. And sometimes those orders, the one giving them, or both, are impossible. How does your character deal with a ridiculous situation? One they maybe aren’t meant to survive, complete, or would have to be insane to attempt? Suppose the orders they get are incompatible or in direct opposition. Maybe the orders aren’t so bad but their boss is just a pain to deal with. This week, imagine your character dealing with their boss, or at least someone around whom they should tread carefully, but who isn’t at all obliged to do the same. Week of 4/26/19 Seemed Like a Good Idea at the Time: Think Han Solo turning the corner into the stormtrooper barracks. When has your character done something that made the situation worse? Tried to roll with the situation, but ended up in hotter water instead? Stuck with the original plan even when events changed so as to render it useless? Maybe things didn’t get worse, but definitely didn’t improve at all and now there’s a different crisis. Write about an idea that seemed like a good one at the time, but turned out less so. Week of 5/3/19 Compromise: insisting on having everything their way all the time is a sure way for your character to lose friends and alienate allies. When have they had to compromise? Accept less than everything in order to get some of it? Negotiate a deal where everyone wins and no one really loses? It could be any kind of situation–from sharing a meal to deciding how to run a government. There’s bound to be some things they can’t bend on and others they may, and they have to negotiate similar stances with others. Write about a time your character needed to compromise and did, or didn’t, and what happened. Week of 5/10/19 Going Camping! Camp is everywhere this week. In its broadest definition, Camp is something so over-the-top, in poor taste, or ostentatiously awful it’s enjoyed as ridiculous or ironic. Ideally both at the same time. To say camp has no standards is to misunderstand its true nature: it’s not mainstream, doesn’t want to be, and is quite happy as it is thank you very much. This week’s challenge is to incorporate camp in your writing. Introduce (or bring back) a campy character. Include a campy setting. Tell a campy story. Write something campy! Week of 5/17/19 What is your Quest: A staple of video games and stories alike. In the most epic versions your character must retrieve/destroy an incredible artefact, thus demonstrating their worth and saving the world. A more mundane quest might be to get herbs from the neighbor’s garden…who happens to be a witch. Perhaps enough pig livers to make a pie…strangely, not every pig has a liver. This week, send your character on a quest. What are they doing and how will they get there? A quest can be an entire book or only one small part. Likewise, your story could detail the full quest, beginning to end, or one small but significant event during it. Week of 5/24/19 Under My Skin: Something latches on to your character and won’t let go. What is it? An idea they can’t stop thinking about? An offhand comment by another they keep mulling over? A slight, real or imagined, that wont quit ruining their day? A person who fascinates them–or drives them crazy? A literal parasite they picked up and really ought to have looked at? Week of 5/31/19 Games: Cards? Dice? Board? Ball? Video? Games of chance, games of skill, physical games as individuals or teams. Quiet pastime games, crowd-entertainment spectacles. Coliseums, pitches, dining room tables. Games for all ages, games for children, games for adults. Sentient species everywhere play all kinds of games and for various reasons. There could be no lasting repercussions, or it could be deadly. This week, make a game or its outcome important in your story. Happy 7th Birthday SFC!!!!!! Week of 6/7/19 Reports of My Death Have Been Greatly Exaggerated: Our characters lead dangerous lives. They’re sent on missions they’re not expected to survive. They’re gone for long periods of time and no one hears from them. They may have alternate identities or roles they don’t want to (or can’t) let loved ones know about. Sometimes reporting agencies get events wrong. Sometimes people make assumptions. Comic books aren’t the only places where death isn’t necessarily permanent. Write about a time when your character was declared dead but wasn’t and the complications that ensued, or when a close associate (enemy? !!) comes back to life after everyone believed they were gone for good. Week of 6/14/19 You’re My Only Hope: It is your character’s most desperate hour. They (and possibly their friends or organization) need help. The kind of help they can only get from one person, and they’re not at all certain they’ll get it. How do they convince the person to aid them? What kind of help is it? Why do they need it and why is this other person so special? What happens if your character fails to recruit them? Is their help really that crucial? Do they end up a liability afterward? Week of 6/21/19 Bodies: Everybody has a body, your character included. How do they take care of themselves? Are there features they like and ones they don’t? Things they change regularly? Others they accept as permanent? Do they make allowances for their own unique issues and inform others of their requirements? Do they try to hide what they see as imperfections? Compensate for a lack, reasonable or otherwise? What about upgrades or other alterations? A cyborg might replace parts for any number of reasons. In a magical or biologically advanced setting they might regenerate, regrow, or augment what occurs naturally. Alternately, they might be stuck with what they were born with, good and bad alike. This week, give some thought to how your character relates to their physical form. Week of 6/28/19 Vulnerable: Our characters aren’t always in charge of everything. Everyone has weak spots. Everyone gets In difficult situations. Consider a time when your character was vulnerable in some way. Physically– maybe they’re a prisoner. Emotionally–a loved one or dear friend took advantage of them. Spiritually–they discovered the universe doesn’t really work the way they were taught. Even the least introspective character has vulnerabilities. Peek through a gap in your character’s armor and find a story. Week of 7/5/19 Liability: A disadvantage or debt: a liability is something your character is responsible for, or something that holds them back. It could be a literal, monetary debt. It might be something they inherited but don’t want. Perhaps another character, who really ought not to be in that situation. Maybe your character is the liability, endangering the mission because of inexpertise or some other qually. How does everyone deal with it? Week of 7/12/19 Craving: Sometimes, you just gotta have it. What is “it”? We often think of craving in relation to food, but it can be anything: intoxicants, attention, validation, touch, or affection. Nearly anything can be desired intensely as to be craved. Write about a time your character craved something, how they went about getting it, and what happened after. Why was it so important, anyway? Week of 7/19/19 Forced Arrangements: A marriage, an assigned partnership, dormmates, weekend conference roomies, seatmates for a long trip or event, even a blind date. Sometimes your character has to deal with another, with little say in the matter. How serious is the situation? How long does it last? How does your character handle it? What happens afterward? Do they part as friends and keep in touch or never speak again? If permanent, how do they make it work? Week of 7/26/19 A Favor: Your character needs help, and someone owes them a favor. Perhaps your character is the one who owes a favor. These are social obligations with no clear monetary value, yet we seem to know instinctively when a request is reasonable. Even when it’s not, we may find ourselves honoring it. In some circles, a favor maybe more codified and ritualized. Yet while money may be involved, it’s never the real debt. Do your character a favor and write about them cashing in or fulfilling a social debt this week. Week of 8/2/19 Dear Diary: A diary, a journal, a personal log. Whether it’s a way of summarizing the day, a method for working through problems, or an aid to memory, people and characters find writing in a diary to be a helpful tool. What about your character? Do they keep a diary? What do they write about? Perhaps they find one belonging to a relative, a lover, a mentor, or even a stranger. Do they read it or return it? Week of 8/9/19 Dear John: before breaking up via text was a thing there was the “Dear John” letter. Has your character written one? Received one? Breakups are never easy. The letter (or text) means one person doesn’t have to face the raw emotions (and possibly violence) of the other. So what would your character write, or what did their letter say? Week of 8/16/19 Dear Mum and Dad: letters from camp: It’s summer in the northern hemisphere, time for Vacations and Summer Camp. Does your character send their children to camp? Did they go as a child? What about boot camp, or postcards from a trip to a distant locale? Who do they write to and what do they say? Do friends or relatives send messages to your character from their vacations? Business trips? Write some camp letters or postcards this week. Week of 8/23/19 Dear Editor: Prior to comment sections, there were Letters to the Editor, where newspaper or magazine readers made their opinions known, and sometimes were published. Has your character ever spoken their mind in this official way? What was the occasion? Do they troll everyone on every message board they can find? Disagree politely? Usually ignore it all but this..this cannot stand. Let your character rant in public this week. Week of 8/30/19 Dearest Love: In worlds where instant communication is the norm, there’s still something special about a love letter. Where letter-writing is the only kind of long-distance messaging they’re even more treasured. Simultaneously raw and full of heartfelt emotion and meticulously edited. Every word considered and weighed. They embody the uniqueness of love. Who might your character write a love letter to? Have they ever received one? What did it say? Were the feelings reciprocated? Week of 9/6/19 Playing for Keeps: A phrase originally from the game of marbles, if you played for funsies you went home with all the marbles you brought. When playing for keeps, you kept yours plus any you knocked out of the circle, even if they were your opponent’s favorites. You might even target those on purpose. Playing for keeps suggests a risk and a chance for genuine loss from which there is no recovery. An outcome which your character does not have full control over, and will likely change things for them. This time, someone loses. Things will not be the same in the aftermath. There’s no chance for de-escalation. This week, your character is Playing for Keeps. Week of 9/13/19 Adventure Time!: Adventuring isn’t a typical career. Most people stay at home with ordinary jobs, taking care of the farm figuratively or literally. What was it that changed your character’s course? Were they always adventurous? The first one climbing the rock or jumping in the pool since toddlerhood? Were they pushed into it by circumstance or a timely visit by a wizard? Gradually funneled into an adventurous life one decision at a time until they hardly recognize their lives? Explore your character’s first step off the ordinary path for the one less taken. What was your character’s very first adventure? Week of 9/20/19 Sole Survivor: Sometimes it’s a mission gone bad. Only one of the team made it back. Maybe no one was expected to return, but one did. Maybe it was a game, and they were the last one standing when everyone else got eliminated. If it wasn’t your character, perhaps it is a close associate or even a new contact. This week, consider a character who survived a situation when no one else did. How did they get there? Where do they go afterward? How do they deal with it? Has it happened before? Is the character considered Bad Luck personified? Are they Good Luck–guaranteed to win? Write about your character being the sole survivor, or encountering one. Week of 9/27/19 Hypocrisy: We’ve covered lying before but this time it’s a special kind of lie: putting up a virtuous front for public accolade while not actually believing in those virtues or actively violating them in private. Nearly every character (and person) engages in some hypocrisy, overlapping with those insidious little white lies told to keep the peace. Have they ever encountered some whoppers? In themselves or others? What did they do? What could they do? Who was involved? What was the outcome? Did anything change? If your character, they might be in for some soul searching assuming they want to atone. They might just as easily fight the one who uncovered them. Write about your character encountering blatant hypocrisy. Week of 10/4/19 Happy Place: When your character’s feeling down, frightened, or overwhelmed, where do they go? What’s their “happy place”? Is it a literal, physical location? An actual place they visit that never fails to ground them? Is it an object that brings soothing memories with it? A story, a book, or a piece of music? An activity that helps them refocus? Is their happy place a lie? A bar where they can drink away their feelings, a painful memory that crowds out the new one, a story, song, or activity that distracts but offers no real solace? This week, write about your character’s happy place. Week of 10/11/19 Inappropriate Attire: When has your character arrived for an event in the wrong clothing? Why? Was it a social gaffe? Did they interpret “fancy dress” as a formal affair when what was intended was a costume party? Were they told it was casual but not, apparently, that casual? Maybe they prepared for the wrong conditions–it’s never this hot (or cold!) this time of year! Those shoes seemed like a good idea at the outset but now, not so much. Who would have thought they’d need a high-visibility vest? Or that going armed and armored was such a faux pas? This week write about your character being completely inappropriately attired for the occasion and what happened after. Week of 10/18/19 Message in a Bottle: Has your character ever received a message from a stranger? Was it spam, and they decided to mess with the sender? Was it a misdirected communication, meant for someone else? Was it a blind message, sent without knowing who might receive it? What did it say? Maybe your character sent such a message. Did they hope for help? Were they seeking a random connection with someone else curious enough to answer? Open the bottle and write about the message inside. Week of 10/25/19 Lost!: Really, really lost. So far off course that they don’t know where the course is, let alone how to get back on it. The compass is gone or broken. The sun or stars are hidden behind the clouds. The radio dead or not receiving signal. How did your character get into this situation? Is is real–as in they are physically lost? Is it metaphorical–they’re in a completely unfamiliar situation with no idea how to get out of it. Most importantly: how are they getting home? Week of 11/1/19 A Matter of Life and Death: This week the stakes are high. Your character has to intercede or maybe they’re the one in the situation. It’s a matter of life and death. Whose? Why? How did the situation get this serious? Is there any way out? Is it really a Matter of Life and Death or did someone use the distress beacon to order pizza? Week of 11/8/19 Wrong side of the Bed: Every character can have an incident that ruins an otherwise decent day. As an author, that’s fun to write. What about those times when they just wake up in a bad mood? No reason, no inciting incident, They’re annoyed from the get-go. Those are usually the days that go from bad to worse. Does someone try to get them out of their funk? Are they usually bright and sunny and this is a noticeable change in disposition? Maybe it’s only a matter of degree and their companions are walking on thinner eggshells. This week, write about a time when your character got up on the wrong side of the bed and what the rest of their day was like. Week of 11/15/19 Love Language/Showing Affection: Every person, every character, has their own way of showing affection. There are culturally sanctioned ways, which often differ by gender and class. Everyone’s different, though, and how they show affection is often how they perceive their standing in another’s eyes. Write this week about your character showing affection in their own way, or recognizing another’s unique love language. Week of 11/22/19 Beauty: In the eye of the beholder and only skin deep? Or is there in truth no beauty? It’s more common to make our characters physically attractive than not, but modern human (and especially Western) standards are not universal. How does this play in their unique cultures? What does your character consider beautiful? Does it align with their society? What does beauty mean to them in the context of their story? Do they see themselves as beautiful? What would they do to become so, or more so, or do they care? Week of 11/29/19 Masks and True Faces: Some of our characters wear physical masks. Why? Do they protect their body against harm, their identity against retaliation, or hide something they are ashamed of? Some eschew protection and flaunt their identity, their face, their safety. Other characters take on new personalities and identities depending on who they’re with or the job they need to do. Not a physical mask, but protection just the same. Write about the masks your character wears and to whom, if anyone, they show their true face and self. Week of 12/6/19 Infodump: Writers often need to give the reader information. A lot of it. A backstory, a history, a strange device, a motivation. You need a character to monologue. This week’s challenge is to create a scene around explaining something important about your character, their world, or their current situation. Infodumps don’t have to be boring! They can be funny, ridiculous, serious, or even deadpan, all while still being interesting. Your infodump doesn’t even have to match the tone of the rest of your story. This week: tell, don’t show. Week of 12/13/19 Sweater Weather: It’s winter here in the northern hemisphere. Definitely time to break out the jackets, scarves, and long sleeves if you haven’t already. What does your character think of cold weather? Are they the ones wearing shorts in the snow, or are they always cold even wrapped in blankets? Do they come from a place with an actual winter, but now live elsewhere with different traditions or no seasons at all? Are they accustomed to an unchanging climate and the seasons always throw them off? What is this “winter” you speak of? Wait, there’s something besides cold? Of course, sweater weather also suggests cuddling, cups of hot chocolate, tea, cider, or even soup. Be romantic, dystopian, or anywhere in between this week. Week of 12/20/19 Festive Food: Few human holidays are celebrated without food. Special cakes or cookies, the bread that only comes out for the holiday, roasts, stews, vegetarian, carnivore, and everything in between. Some of the special foods are cultural: everyone all around you is making the same things because of course everyone makes them. Sometimes it’s a special thing in your family alone: Grandma’s holiday bread, Dad’s special cookies, Auntie’s secret-recipe casserole. Sometimes the special thing is special because it is part of a culture otherwise left behind: the thing no one makes here, but does where you’re from. What special food does your character associate with holidays and why? Do they make and enjoy it and share with their friends? Who likes it and who hates it? Does your character hate it, but make it anyway because reasons? Week of 12/27/19 Second Chances: Everyone screws up. Who gets a second chance? Under what circumstances will your character give another a second chance? Honest mistake? Unforeseen circumstances? Deliberate sabotage? Will some characters (main or otherwise) allow anyone a second chance? No one? Nobody is owed a second chance; no one can earn it. They don’t have to be forgiven for the initial wrong. Give someone in your character’s story a second chance this week. Or don’t. That’s a story too. Week of 1/3/20 New Year, New You: Make a new character, or write for a character you haven’t before. It can be a completely new OC, a new character in your game or story, or an established character in a property you like but never wrote them before. Write anything from a short scene to a complete fic or story. Week of 1/10/20 Face Your Fears: Write the kind of scene you find most difficult. Falling in love? Action? Smut? Exposition? Description and scene-setting? High emotions? Every writer has something they find hard to write. It’s only human to avoid including it. But at some point your story will need that kind of scene. Face your fear now. Week of 1/17/20 Travel Without A Map: This one is easy for those habitual pantsers out there. Write a scene or a whole piece without having any (or as little as possible) preconceived idea of where it’s going. Let your characters tell the story they want to tell. They might surprise you! Write the whole thing, beginning to end. Don’t go back and change things! Not even typos! Or try not to fix typos–that’s hard. The goal this week is a word-vomit, totally unplanned draft that nevertheless is complete of itself. Travel without a map or GPS, but do make it home at the end. Week of 1/24/20 Self Care: Write the kind of scene you need to write or read. Not necessarily the next one to finish your fic. The kind you need to write: fluffy happiness, cathartic violence, something silly, something deep and philosophical, something satirical and full of sharp cutting edges. This is for no one but you. There’s no obligation to share it with anyone, even SFWC. And if you prefer, take the week off and write nothing. Recharge. You have permission. Take care of yourself this week, however that looks to you. Week of 1/31/20 Complete Something: Remember that word-vomit first draft from a couple weeks ago? Edit it to completeness. Alternately, pick something from your WIP pile and finish it, whether it’s the first draft or final, ready-to-be-posted version. Choose a work that’s not done, and finish it. Move it from the inbox to the outbox. There are few things that feel as nice as finally finishing something. Wrap up the Month of Meta with that feeling of accomplishment. Week of 2/7/20 Right Person, Wrong Time: When has your character met another who could be a perfect fit…but not now? It might be a soulmate, a mentor, a social connection, or a patron. But your character isn’t ready for their help, guidance, friendship, or love yet. Maybe your character is, but the person they meet is the one at the wrong time. Why are “the stars wrong”? Does the relationship require a personal change on someone’s part, or are there social or cultural forces in play? Do they ever figure it out? Or do they remain out of sync for the whole story? Week of 2/14/20 Chocolate! It’s Valentine’s Day here in the US and everything is red, white, and shades of pink. And chocolate! Does your character’s world have a day for romantic love? Is there a food or treat associated with it? Is it like chocolate: sweet, creamy, indulgent and yet ordinary any other time? Is it actual chocolate? Who would your character give it to, or who do they hope to receive it from? What does that person mean to them? They don’t have to be lovers, after all. Or does your character ignore the whole meaning thing and use it as an excuse to stock up? All of the above? Week of 2/21/20 Found Family: Many of our characters collect a wide circle of friends and hangers-on. Do they have a closer inner circle that’s more than friends? A found family, a collection of characters that interact the way a tightly bonded family might but aren’t related? No one has to fall into stereotypical roles. There doesn’t have to be a “Mom” or “Dad,” “Kid Brother” or “Big Sister.” They don’t always get along, but they always support and care for each other. Write a story involving your character’s found family if they have one, or their adventure with someone who does. Week of 2/28/20 Ride or Die: Who sticks with your character for all their adventures, good or bad, boring or exciting? The one they call for a spontaneous vacation, to get them out of jail, or to help them move to a second-story walkup apartment. Hopefully their love interest (if they have one) qualifies, but Ride or Die is neither exclusive nor necessarily romantic. It doesn’t even have to be reciprocated. Write something where this relationship is front and center. The story doesn’t work unless the characters absolutely, unequivocally, have each other’s back, no matter what happens. Week of 3/6/20 Time Change: When has your character been out of sync with their surroundings? In space all planets have their own day-night cycles as well as years. Travel to a new place at light speed or more means having to adjust to a wildly different schedule upon landing. And what time does the crew keep in transit? Is there an agreed-upon standard or does every captain choose their own? Fantasy settings can still have abrupt time changes: long-distance teleports, extended sleep spells, world-altering magic. Does a place like Discworld have time zones? Maybe your character is the habitual early riser in a world or night owls, or the reverse. Week of 3/13/20 Bad Advice: What’s the worst advice your character received? Something so patently wrong they disregarded it immediately and questioned the giver’s sanity or intelligence? Something they thought was valid but proved less so in practice? Something they fervently believed in until their own repeated experiences made them change their mind? Write about your character and some colossally bad advice. Week of 3/20/20 Rock Your World: When has your character received unexpected, life-changing news? Was it good or bad? Both? Maybe they learned about an otherwise-unknown relative, received a large inheritance, or acquired a large debt. Perhaps they received medical news–positive or negative. A domestic animal showed up on their doorstep and decided it lived there. Whatever happened, their life is different from this day forward, and it isn’t their choice. What do they do? Week of 3/27/20 Forbidden Knowledge: The secret technique, a hidden history, a coded text. What does the secret technique do and why is it secret? What was your character taught, what really happened, who hid the truth and why? Is the code unbreakable or was the key lost on purpose? Is it really a code or is it actually a lost language? What does the text say? Worlds abound in knowledge that’s forbidden to to learn or at least difficult to find. Have your character search for, find out about, or discover some this week. Week of 4/3/20 Cooking: We’ve had several prompts about food, but how about its preparation? Does your character cook? Does their species prepare food at all? What counts as preparation--and how literally do they “gather” or “hunt down” ingredients? Do they like cooking but usually leave it to someone else? Are they terrible at it but clueless to that fact? Are they really quite good cooks, whether they enjoy it or not? Do they only ever prepare one certain dish? Or are they perfectly content to survive on their world’s equivalent of instant ramen, military ration packs, or cheap takeaway? Week of 4/10/20 Auto/Biography: We often write backstories for our characters with no intention of using the information directly in their adventures. But suppose someone in their world did? Who would write your character’s biography? What would your character want in it? What would they write if they did it themselves? Is your character protective of their legacy or are they willing to authorize a warts-and-all tale? Would your character exaggerate their adventures for the sake of a good tale, or downplay them as irrelevant to their later work? Do they want to be venerated as saintly and good, or feared as a tyrant no one would dare cross? Something in between? And who would read or listen to the tale? Week of 4/17/20 Won’t Get Fooled Again: Everyone’s been fooled sometime. When does your character notice a pattern? It is a similar scam, or the same person running a different one? What was it about the interaction that tipped off your character? Are they fooled, have they learned, or are they giving someone another chance? Is it worth it? Is the issue so minor that they don’t mind? Are they playing a game with a loved one or friend and fooling is the point? Is your character wrong and the exchange was on the level the whole time? Week of 4/24/20 No!: Not just no, but hell no. Absolute refusal, you can’t make me, never gonna do it. When has your character outright refused another’s request? What about orders? Demands? Did they agree and then think better of it? Did they go along and quit when they reached their limit? Did the request seem reasonable on the surface but turn out less so? Was it just awful from the get-go? Did they say no just for spite? What were the consequences for refusal? Week of 5/1/20 Relying on Technology: Regardless of setting, our characters rely on technological innovations. In a fantasy setting, those might be cunning spellwork or finely-crafted weapons. The far future could have memory-dubbing and cybernetics. In any setting, food production, travel, and medicine often employ technology we barely acknowledge. What technology in your character’s world do they absolutely rely on? What can they not get along without? Do they even realize how much they need it? What happens when something goes wrong in the way it functions? What if it breaks and can’t be repaired, or at least not easily or quickly? How much trouble do they have when the things they expect to work just...don't? Week of 5/8/20 Ever Your Servant: Who serves your character? Not their friend, lover, or companion, characters or NPCs intended as equals, but someone of lower social station. Someone who’s hired for their skills and paid for their work. A butler (hello, Alfred), a maid, the barista at their favorite coffeeshop. Perhaps a slave in societies that allow it or a droid or a golem in those that don’t. This week write a story concerning your character and another who serves them. Week of 5/15/20 Because I Can: When has your character done something just because? Was it a harmless act done on a whim? A luxury or trip they can finally afford? A crime they knew would go unpunished? A cruel act enabled by power? A heroic one, likewise enabled by power, lack of oversight, or cleverness? Something small that makes them happy? This week, write your character doing something just because they can. Week of 5/22/20 Bored: Everyone gets bored. Some more easily than others. When has your character been bored? They could be snowbound at home, waiting for an appointment, or a passenger in a vehicle with nothing to do. Perhaps it’s boredom spiked with danger. They’ve sent their distress signal and there’s nothing to do but wait. How do they keep themselves occupied? Do they bother? Can they easily escape their situation but choose not to? Write about your character dealing with boredom. Week of 5/29/20 Welcome Back/Welcome Home: Some people have fond memories of your character. Parents, old friends, or mentors. Others, perhaps, not so much: exes, enemies, people they've wronged. What kind of welcome does your character get when visiting them again? Is it what they expect or very different? Happy 8th Birthday SFC!!!!!!! Week of 6/5/20 Putting Up a Front: A character might feign bravery to convince themselves or inspire others. They might pretend a breakup doesn’t hurt. Putting up a front is performative; hiding vulnerability behind a mask a person hopes improves or maintains their status. Suppressing emotions comes naturally to some characters, less so for others. When--if ever--has your character put up a front and why did they do so? Week of 6/12/20 Do I Have To?: There are bound to be tasks your character needs to complete that they’d really rather not do. It could be anything from routine chores to some major (or expensive) repairs to their ship, home, or estate. It might be putting up with ridiculous demands from a boss or overlord. It could be something that goes against their moral code--wherever their personal moral compass points--that they nevertheless feel they have to do. It might be something they personally find unpleasant and no one else understands why. Maybe it’s something they’ve been putting off, or something they’ve only just been assigned. This week, write a story where your character asks, literally or figuratively, do I have to? Week of 6/19/20 Like a Child--No Inhibitions: We had the prompt Like No One’s Watching for your character indulging in some activity they liked but were embarrassed to engage in. This time, let them shed those inhibitions. Children do the things they love and don’t care who knows about it. Be it singing on the bus, wearing colors or patterns that “adults know” don’t match, eating the whole slice of cake because it tastes great, or making stories in their favorite make-believe world. This week, write a story where your character is going to have fun regardless of other’s opinions, or a time when they remembered being so free.
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muffinrecord · 4 years
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I'm currently writing a post for r/HobbyDrama (a subreddit where people discuss, well, hobby drama) on the downfall of Magia Record NA. Is there anything you think I should add? I'm writing about the unrest that led up to the announcement (such as #NATempo and constant limited banners), the failure of Gallery Mode, and the devs' refusal to refund money.
I was wondering if anyone write anything there! Oh man. Where to start?
First off, someone did a short summary of the drama here, in one of the weekly scuffles threads. I commented on this don’t judge me pls.
I think some things to mention might be that MagiReco NA had a lot going wrong for it, right off the bat. It was region locked (so folks outside of North America had to use VPNS and/or cracked APKs to play*) and the pacing was very fast, which put a lot of potential players off. If you want an example of the pacing, then even I, an unemployed fuckwad, would have to frantically play to clear shops. The game’s release also had very little in the way of advertisements-- a lot of folks didn’t realize the game had even started until several months had passed. 
(*Edit from a helpful anon: As a Brit, I just want to clarify that we did not need a VPN to open the game/start an account to play on NA! (Nor JP, actually.) We only needed the VPN to download the game from Google Play in the first place. Once we had it, we could ditch the VPN if we so wished.”)
But not all was bad. The Devs did actually listen to the playerbase early on! After lots of whining, the devs implemented a change to daily missions after the Kazumi event, which gave us extra mirrors coins and AP pots to compensate for the faster pace. The Devs also handled The Great Rainbow Orb bug with a lot of class (didn’t ban anyone for taking advantage of it, gave magia stones to good players, ect). In fact, around this time last year we had a special event made for us (Thanksgiving) (which had its own drama lol), Black Friday Sales, and the announcement of NA-exclusive Ashley Taylor. 
That being said, I think November was also the time when things started to go wrong. You can see the list of events here, but we got “FM Kamihama” on November 5th, when folks were expecting it to occur in April (since it was an April Fools event, and since the game would keep events locked to their respectively holidays) . After that, we had another limited banner-- this time it was “Magia Clash!”, which no one expected this early. I mean, a lot of folks weren’t even sure if we’d get it since it was a crossover, but no one thought it’d be out so soon. You can see @leafbladie‘s post here about it as an example. We had jokes about NA Tempo before, but November is when we really started to ramp up on the unpredictability of the tempo, and not just the speed.
Additionally, other strange stuff was afoot. Mayu’s event, “Wait You Got it Wrong” was done out of order and finally started November 25th, which was really late in the schedule compared to when Mayu came out for JP. I wonder if they did that as a breathing period so we could spend more money for the upcoming limited events? 
Then when December started, we had the clusterfuck of Holy Mami and Holy Alina being released back to back. Unfortunately I don’t have screenshots of the google doc, but back then we were all religiously watching it to see what was datamined. Here’s a link to a post I made on it (not great). Something hilarious of note here is that these fools scheduled two back to back limited Christmas banners for December... But they ended on the 24th. On Christmas Day we had a Homura uncap + training event. :’)
Edit: also, I forgot, but Holy Alina was released so early that they had to lock her personal story since it would have spoiled plot stuff. And on this vein, they also had to edit Magia Clash since it had spoiler characters in it. However... I think Magia Clash was way overtuned for us, because it was made for a more mature playerbase with better characters than what we all had.
The back-to-back New Years events were less controversial as we all were kind of expecting it to happen because of Christmas. But I don’t think we expected the absolute flurry of limited banners about to head our way.
Another fuckery thing they did was have all of the limited spinoff banners rerun on February 3rd to February 9th. Why is this important? Well, fucking Madokami was released on February 25th. Sneaky bastards. And speaking of which, no one was expecting her then. Some folks thought she’d be out for Christmas, then it was mostly thought that she’d be out for our first anniversary (a few folks thought she’d be out for Thanksgiving to take advantage of Black Friday sales, but they were less common).
Another note for the weird AF NA tempo would be the time they did the opposite of speed and extended an unlimited event-- for Sayuki Steps Up. It was longer for us than it was for JP! I still don’t know what was up with that. 
Uhh let’s see here... Our One Year Anniversary was missing so much stuff (rerun of previous limited banners, chance to buy missing costumes, costume stories for example) that a lot of people, including myself, believed that they were going to do an Anniversary Part Two on JP’s anniversary date. So much so that we were all confused as fuck when “A New Beginning,” the game’s second anniversary event, came and ended before the JP anniversary even started. When Hanna’s banner came out, there were still folks convinced that we’d get something special for the JP anniversary (also: this is when Iroha’s Birthday is said to occur). But they didn’t do shit. They didn’t acknowledge it in game, and the most we got was a brief shoutout on twitter that was likely automated. 
Going back to “A New Beginning,” we were missing a whole half of the event. There was supposed to be a series of days where you’d get login stories. We never got that-- fans had to translate it and upload it to youtube for us to see it for ourselves. 
There was also the Bonus Ticket Campaign for the 400th anniversary-- lots of missing memoria were added to the game at that time. These memoria are unlimited on JP, but they were limited for us, and the devs didn’t tell us that. We all assumed that they would be unlimited for us too, until they were gone.
Another thing to note would be the revenue. Now, these aren’t entirely accurate I think, but they were of note: I think the worst dip for revenue occurred during the “See You Tomorrow” event, and you can see the reddit discussion for it here.
Regarding money, this game allowed you to still spend magia stones after the shutdown announcement. There was a scheduled time for when they’d no longer let you buy stuff, but it was still tacky and gross.
What else to note...
I think that’s about all I can think of at this moment, but feel free to reach out if you need anything else. I wasn’t always good about reblogging others’ content during the November - April time period, but I might have some reblogs of memes and other coping mechanisms we all came up with at that time. I can look for them so you don’t need to search this wretched blog by yourself :’)
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