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#if not maybe just as many
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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hoshizoralone · 3 months
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reflection
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notbecauseofvictories · 4 months
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I don't know how strictly accurate this is, but one of the things I find shocking about watching historical dramas is how many people there are around all the time---according to Madame de... (1953) a well-off French household in the Belle Epoque maintains a workforce of at least 3, and the glittering opera has staff just to open doors. According to Shogun (2024) you can expect a deep bench just to mind your household, and again, people who exist to open doors.
Could people....not open doors in the past? Were doors tricky, before the standardization of hinges? Because otherwise, the wealthy used to pay a whole bunch of people to do it for them in multiple contexts, and I find myself baffled.
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mizgnomer · 1 year
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Parallels - Good Omens Seasons One & Two - Part One
Links to [ Part Two ] [ Part Three ] [ Part Four ] [ Part Five ]
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aerequets · 1 month
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the mortifying ordeal of being known
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I think with Yor being so perceptive, she picks up on little things often (like we saw in ch 103). i believe this would impact loid more so than the usual person, because he is a spy and fakes every part of himself, so to be seen is simultaneously desirable and horrifying. like, it makes him torn between wanting to accept and reciprocate the love, or distancing himself so that it doesn't happen again.
thats mostly what the last panel is about, that dichotomy between 'omg this person noticed this about me, is this love' and 'oh shit this person noticed this about me, is this Doom'
just some thoughts i had🤪
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stil-lindigo · 1 month
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lighthearted.
if this comic resonated with you, please consider donating to this palestinian escape fund (vetted by @/nabulsi and @/el-shab-hussein) as it is less than $7,000 away from it's goal.
i turn 24 today. To celebrate, I made this comic to be a spiritual successor to lead balloon, a comic in which I talked about the darkest period of my life so far.
A lot has changed since my 23rd birthday and this one. My priorities have shifted a lot, in ways that I think are mostly good. But i think the best part about today is that suicide has gone back to being a far away notion. I'm really lucky, and I'm grateful for that.
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grapehyasynth · 2 years
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I really feel tremendous grief for friendships that kind of petered away in the face of life's currents. There are people with whom I formed deep, unique, vibrant, life-changing connections, and then we had to go our separate ways and it was too hard to maintain long-distance. There wasn't a fight, it just sort of faded. And I feel like I have more friendships like this than friendships that have endured, so maybe I just have to get used to it. But if grief is all the love we have left over - well, I never did get to finish loving them. I love them, and I miss them, and I probably always will.
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evildeerboy · 1 year
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“no polyamory at pride” is some chronic no bitches shit. that’s got to be made up. no gay person would say that they’d have no fucking friends
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cor-lapis · 1 year
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Genuinely how did he go to jail for water crimes in the WRONG COUNTRY
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sameboot · 1 year
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Simon petrikov coping FAIL compilation
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lylahammar · 8 months
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Senshi doesn't often cook for other people 🧐
I was heavily inspired by @fruit00's Senshi drawing for the way I drew him! c:
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parasitoidism · 5 months
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80s anime dubbing is truly a lost art form
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What comic is the bottom left image of springtrap from? (On the post where you say why you draw him blocky)
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It’s from this comic!! A very normal father son reunion
Og post here
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stoopidstapler · 1 year
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SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.
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insignificant457 · 10 months
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The scene was powerful in the book, but there was just something about watching reaper collect the bodies of the dead tributes in the arena. The way he removes the weapons from their hands, lays them out nicely, giving them the smallest bit of dignity in death. The contrast to the capitol gasping in shock as he pulls down the flag, not in rebellion, but in mourning. The way mourning in the hunger games IS an act of rebellion. “How are you going to punish me now?” The feed then immediately cutting to the news of the death of one capitol boy, whose death will be avenged upon those who had nothing to do with it. Only certain deaths are allowed to mean anything. God. Suzanne Collins knows what she’s doing.
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ky-landfill · 7 months
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