hi !!! i saw u said you were open for prompts, i mean this is kinda less of a prompt really, but like i loved that blackhill mission transcript thing you did a while ago and would be really cool to see some more stuff in the same vein ig ! but also maybe something like a kinda blackhill first meeting kinda thing idk !! i just love your work tho ! you really have the ability to make me feel all the emotions
OOOOO i just thought of this whilst writing this but maybe something like with clint teasing nat ab having like feelings for maria or something ?? idk i just love ur writing ! sorry these are kinda shitty hahah
NGL I took this prompt and mangled it in my hands. I heard first meeting and my brain was immediately like well that could go seventeen thousand different ways, so I sorta mashed in Clint's teasing to go along with it and made it a little more suggestive than outright shippy. Realistically, I think if Natasha is only meeting Maria for the first time, she's probably still in a place where she's not totally open to such self indulgent things as having a crush
Also, this isn't a mission transcript but I'd love to do more of them that one was really fun! I just don't really have any good ideas for the sort of things they'd have to talk about in the field besides dying haha
ANYWAY enough rambling, though you're all familiar with my inability to shut up these days. ~3k under the cut of Clint being a ballache and nat being sceptical but gay
The only person that doesn’t treat Natasha like she’s a project – or a live wire – is Clint. He’d had his fair share of looking at her with those careful eyes, something behind them that made her teeth itch in her gums like some trained dog. He doesn’t do that so much anymore, not unless she’s in a particular state and doing a very bad job at hiding it. She likes him, she thinks. He might be one of the first people in her entire life that she can truly say she likes.
Naturally, she finds herself in his quarters more often than her own. She lays on his bed as he works on something probably explosive enough to kill them both if he sneezes, and she ignores the pip of her emails as she braids a small strip of hair under her ear. She’s bored, if she’s honest, but she doesn’t want to waste her first free morning of the past fortnight on something so trivial as emails. Or helping Clint.
“You not gonna answer her?” he says without looking up from his work. He holds it close to his face, something far too small in his tweezers.
Natasha’s fingers pause in untangling her braid. “How do you know who it is?”
He still doesn’t turn in his seat, matter of fact when he speaks. “You have a different tone for Hill.”
“How did you figure that out?” She tries not to scowl at him, but she still isn’t used to feeling so see-through. Quite frankly, she’d like to be as opaque as possible, but she seems to have grown rather attached to someone with x-ray vision.
Clint puts his miniature contraption down and turns to her at last. She’s not fond of the smile on his face as he leans over the back of his chair. “You’re not the only spy on the ship. Also, you weren’t trying very hard to hide it.”
“Her emails are usually more important,” Natasha argues, not quite sure why she feels the need to defend herself on it.
Clint grins ever wider. “I never asked why. I just thought you had a massive crush on her.”
Natasha scowls fully this time. “I’ve never met her.”
He shrugs. “I don’t know what’s in those emails.”
“Shut up.”
She reaches for her phone anyway and pointedly ignores the way Clint watches her. The email is much the same as they always are, telling her about meetings and progress and such. She’s overtly professional in every one, but now that she’s thinking about it, Natasha likes the words she uses – just slightly like she enjoyed reading dictionaries as a child. Very, very rarely, Maria will let something slip in her emails that is almost like humour, and Natasha doesn’t tell Clint that she actually does enjoy receiving emails from her just for the fact that she feels a little special when that happens. She’s heard the rumours; she knows not to expect giggles and grins when it comes to the Assistant Director.
In the end, she doesn’t bother to respond to the email anyway and Clint has already turned back to his work. “Not in the mood to sext her back?”
She scowls at the back of his head. “It sounds like Laura needs to watch her back.”
“Oh, god,” he laughs. “Gross. Absolutely not. Not my type.”
“What makes you think she’s mine?”
“You need someone to match your weirdness.”
Natasha wishes she had something to throw at him. She won’t admit that she intrigues her in small ways. She doubts she’s any different from every other CEO and government lead in the world, but some small part of her feels thankful to her faceless emails. She could’ve easily overridden Clint’s choice, could’ve had her put down before she could even think to beg for forgiveness. But she’d given her a chance, and she’d kept in contact despite her supposed overbooked schedule every day since. Maria held her life in her hands at one point, and she’d given her another shot at it.
Despite everything, Natasha still doesn’t sleep well. Or, rather, because of everything, she supposes. One good month doesn’t erase a lifetime of bad – and she’s really a little hesitant to say that this month has even been good in many senses of the word. She wonders if the nights will ever get easier on her with time, or if she’s stuck with these hours of restlessness and sweat for the rest of her life. It’s not a nice thing to think about, and it doesn’t really do all that much to distract her from the shadows that still play behind her eyelids or the way the shapes of the room still seem to swim around the edges. So, she swings her legs over the side of her bed and scrubs at her face with her hands. She can appreciate, at the very least, that she isn’t handcuffed to her bed here. Somehow, that had been a hard thing to get used to. She still sleeps with one arm by the headboard.
There aren't many things to do at this hour. Clint has told her countless times that she’s perfectly welcome to pester him at any time of the night if it would make her feel even minutely better. He says he understands, and she believes him enough from the way his past lines his own face, but it doesn’t make it any easier to put into practice.
She doesn’t have a plan as she steps out into the corridors. She dresses like she’s going to the gym on the off chance that she might be able to sneak into it and punch something until she’s sweaty for reasons more tangible. She wishes the firing range was usable at this hour, but she’s sure that’s much less subtle. Still, there are some nightmares you can only really feel better by shooting at. Maybe she’ll bat her eyelashes into an hour or so at the targets tomorrow.
She passes the odd agent as she trails around the corridors and considers that the ship never really sleeps entirely. There’s always someone on the night shift, always someone pottering around with something. She thinks it would be nice to work when it’s so quiet. Maybe she should ask about changing her hours. It might be a little soon.
The gym isn’t so far from her quarters, and by the time she reaches it her shirt still feels sticky at her back and her stomach still feels like it’s alive in her ribcage. Her hopes are low enough to limbo as she presses her hand to the door, and she could almost sigh with relief when the door opens easily. She’s not against breaking in, but she likes to think she’s been doing a pretty good job of building a better reputation lately. Maybe not socially, but Maria’s emails haven’t managed to sound short lately – not since the last time she’d bypassed what she maintains was a criminally simple encryption on one of Clint’s jobs.
The gym is utterly silent at this time of the morning, which is entirely unsurprising. She doubts anyone else sensible gets out of bed for another hour or two, let alone starts their training regime. Generally, agents are allowed the privilege of breakfast before they’re worked to the bone. Natasha’s never been a fan of food so early in the morning.
She doesn’t really know when she fell out of the habit of scanning each room on this ship like someone will be waiting to haul her out of it, and she blames it firmly on her lack of sleep and nightmare slurred thoughts when she doesn’t notice the other body in the gym until it’s too late.
“I did wonder,” someone says, and Natasha’s attention snaps to one of the benches on the far side, half covered from the entrance.
It takes Natasha an almost embarrassingly drawn out moment to place her features, and she’s sure she only half succeeds in hiding her surprise into an intrigued eyebrow. The Assistant Director didn’t really strike her as the type to be in the gym when everyone is supposed to be sleeping.
“Wonder what?” she asks instead of every other question that gnaws at her head. She stays firmly planted in the middle of the room.
“Who would come in at this time.”
Oh. She’s not wondering about Natasha. She doesn’t really know what that feels a mote disappointing. She hates it when Clint asks how she’s sleeping. Maybe she just doesn’t like lying to him.
“I thought it would be empty.”
Maria places her water bottle beside her on the bench and makes absolutely no move to stand up yet. Somehow, Natasha finds it unnerving, even if she’s taller here. “It usually is,” she says simply.
Her eyes bore into her in a way that makes the back of her neck crawl. Something about her says that she’s calculating, that she’s looking at Natasha and breaking her down into little bite sized pieces. Natasha has never liked being dissected. Maria’s eyes are very blue.
“Do you usually spend your mornings here?” she asks, if only to stop Maria from burning holes into her skull and reading her thoughts directly.
It works, in the way that her gaze flicks away for the briefest moment before pinning her again in that same cool tone. “I guess you could call this morning.”
“That doesn’t answer my question.”
Maria’s eyes soften ever so slightly around the corners, and Natasha would almost call it a squint. “I’ve made a bit of a habit at this point, yes.”
She almost seems reluctant to admit it, and Natasha can’t help the way she wants to pick this woman apart. She has always liked puzzles, and people are just some of the more complex the world has to offer. She thinks she understands the rumours a little more now, even through this uncanny meeting. She wonders if Maria feels her own searching gaze as intently.
Maria stands at last, and Natasha had almost forgotten how tall she is. She thinks she preferred it when she was sitting. “Don’t let me stop you,” she says, and Natasha is silently thankful for the way that answers her question. Again, not that she wouldn’t break the rules. It’s just much harder to make an excuse when the Assistant Director is the one who catches you.
“I would’ve expected the AD to send me back to my quarters,” she notes, as forward as ever when it gets her information. She’ll admit this woman seems to be intriguing. She’s curious as to just why she’s indulging her so far.
Maria’s expressions are all very small, mere suggestions of emotions that only make Natasha want to pick her apart. “That would make me more of a hypocrite than I already am,” she says simply, almost smiling. “Are you getting on okay?” she asks instead , and her eyes are on her like she’s deciphering her again. She’s closer now, making direct eye contact, and Natasha holds it like a game. “Besides the obvious, of course.”
Natasha tries not to scowl. God, does she hate when people pretend like they know her. “What’s the obvious?”
Maria raises one eyebrow ever so slightly, her expression caught somewhere to amusement. “Did the Red Room have you in the routine of training at four in the morning?”
“Sometimes.” They both know that’s not the reason that she’s here, as much as Natasha wishes Maria didn’t.
Her eyes are almost soft. Almost like she truly cares about her. Natasha doesn’t like to let herself believe the sort of things that might cost her later. “Half of the people on this ship struggle with it, Romanoff,” she says, nearly gentle in the silence around them. “You don’t have to be ashamed of it.”
She can almost imagine her setting a heavy hand on her shoulder as she says it, though Maria remains in her own space. She’s still slightly too close for what Natasha is used to however, and it’s the first time she realises the darkness under her eyes. Her face is lined, something bone deep that she doubts ever goes away. It lends her a certain sort of…imperfection that makes her seem a whole lot more human. For everything she’s heard, though she knows to take gossip with a healthy grain of salt, she could almost imagine Hill to be some sort of robot, some living excel sheet.
Standing in front of her, she sort of just looks like a woman who could do with some sleep. She looks like a woman who has spent the last who-knows-how-many hours beating out her own past the same way Natasha intends to. She won’t call it affection. It doesn’t mean Natasha likes the way she looks straight through her any more.
“You have any tips?” she says, aiming for something playful. She really, really just wants her to stop looking at her like she can figure her out right here in the middle of the room. Maybe if she seems better than she is, she’ll leave her alone. She’d rather her conduct a genuine vivisection out on the boxing ring floor if she’s going to continue to examine her.
She’s certain Maria almost smiles at that, a tug at the corner of her lips that is almost sad, almost conspirational. She shrugs ever so slightly. “Shooting things usually helps.”
Natasha tries not to scowl like a child. As if she wouldn’t be there right now if she could get away with it. “I’m on supervised arms training.”
This time, Maria does smile, though Natasha thinks she’d have missed it if she blinked. “Not from tomorrow,” she says plainly, and Natasha can only watch her walk away without another word.
The door closes behind her, and Natasha lets herself furrow her eyebrows as deeply as she likes. She is overtly aware that she is not being let off of supervised training tomorrow. She’s aware that she has been seen as a weapon and an explosive since the moment Clint forgot that he was meant to shoot her. Somehow, she doesn’t think that Maria is one to tease.
It makes it very hard to punch things as effectively as she’d like to when she can only think after Maria. She wonders what keeps her up at night. She wonders what else she does to get rid of the shadows. She wonders why on earth she would let her off of the hook so early. For all they know, Natasha might decide to defect back. She might’ve been biding her time until she could get a hand on one of those guns outside of the range. She’d never even dream of it, of course. She’d rather be supervised for every split second a gun is in her hands for the rest of her life than have to go back to her life before. She wonders just how deep Maria managed to dig. She wonders if she really is all that transparent after all.
She finds herself in Clint’s quarters again as thoughtlessly as breathing. Every spare minute in her schedule that lines up with his, she’ll spend hiding from the rest of the world. This time, she’s sitting in his chair, her knees resting against the edge of his desk so that she can spin it slightly from side to side. Clint is behind her in his bunk, his arms tucked up behind his head and his eyes closed. It’s only 2pm. Natasha wishes she could have a nap too.
“Is she always like that?” she says on a whim, her thoughts still stuck on tired eyes and snap decisions.
“Like what?” Clint asks, completely brushing over her lack of context.
“So…intense.”
“Ah, we’re back on Hill. Yes.” He falls silent again, and Natasha listens to his breath. “Hold on.” His eyes open and his head turns on his pillow to face her. “Did you meet her? When?”
“This morning.”
“You were at the range this morning.”
“Before that.”
“You were asleep before that.” She doesn’t answer, and that tells him everything in as little effort as possible. “Natasha.”
She doesn’t meet his eye. “It’s better than moping.”
“You don’t need to mope. You can come wake me up.”
“But then you don’t sleep.”
“Tasha, do you really think I’m sleeping well either half the time?”
She stays silent again, staring intently at the dimples Clint’s chair has made in the carpet.
“How did you even find her?” he asks eventually, giving up the argument for the countless time. “She’s practically booked to the minute.”
“She was in the gym when I got there.”
“I’m going to skip over the fact that you’d rather punch something until you bleed than come and bug me. Was it worth it? Was she all sweaty and hot? Did you two finally canoodle in person?”
She doesn’t dignify his jokes with a response, her thoughts plain in her expression. “I don’t think she sleeps well either. She looked tired.”
Clint grins a little. “You paying attention to her face?”
Natasha scowls at him. “It’s normal to look someone in the eye.”
“Mhm…” He retucks his arms under his head, settling back against his pillow. “It’s for sure normal to think about them all morning.”
“She took me off of probation,” she says, almost in a rush, like maybe this will change the subject – maybe a little bit like she’s admitting something.
“Oh you definitely have a crush on her. It’s like she’s trying to get in your pants. Remind me never to read your emails.”
Natasha only squints at him, wishing once again that she had something appropriate to throw. The urge distracts her enough that she never does reject the notion. And when she finds herself imagining Maria’s secret little smile in those few and far casual emails, she decides that Clint doesn’t need to know. She’s not been given many chances in her life, and she thinks she could make space in her life for two instead of one. She wonders if Maria would ever want a gym buddy on long nights and promptly decides not to think any deeper into it.
30 notes
·
View notes
1. Not really....? It's hard to figure out my actual thoughts on it but I guess, Self-inserting for me feels like it's designed for one person in mind (whoever is being inserted) when x reader can be anyone? And from what I've seen, the content is a bit different.
2. Probably? Definitely. But will I be the person criticizing it? No... I'm not really the type to be vocal about my grievances outside of the occasional personal aside. I usually just don't trust what I have to say is constructive. But I do love hearing what other people have to say.
3. Everything
Jkjk, um.... I'd say my motivation and writing style? (That doesn't fall under everything, right?) I just don't write very effectively. Like- I have a story in my head, but actually putting it down in writing, I kinda just wing it? Like write as I go. Which is fun for developing character lore, or short stories. It leads to a lot of stop and go with longer works, and the problem with that is that it looks clunky! If I'm an a completely different state of my mind than I was when I started a piece the words I put down don't really flow well with what came before. So I have to read and reread what's already been written and play mediator by finding a way to transition from one feeling to the next.
I mostly write for friends or for fun, though, so it's forgivable.
the content being different for self-inserting vs x reader is such an important distinction!! like. also in how you engage with it, too? like—i’m always interested in self-shippy stuff from a, best friend at brunch kinda way, you know? like “YESSSS tell me more, omg, you guys are sooo cute together 🥹” whereas if someone is like, bits&pieceing about an idea for a x reader setup, i’m engaging with it as a reader, like, oh, i am interested in whatever this this piece or fic is trying to lure us in with.
i keep running into i guess… fan-only spaces, for varying Big Fics? and they’re always so interesting to scroll through, because it’s just either people gushing about Said Fic, or like, recommending similar ones, OR it’s someone starting a conversation (a tiktok is the example i’m thinking of) being like, “deku wouldn’t wear fishnets” and then like, everyone who’s had similar grievances just like, jumping in LOL. none of it—the universal loving and the dismissal—is like.. in any way truly critical? it’s just people who’ve found each other agreeing over varying things. true constructive criticism (at least in fanfics) is hard… because you do have to seperate yourself from, “is this just not for me” vs. “i see and understand where this story is trying to land, but i don’t think it makes it” and even then you kinda have to… justify it, you know? like, is it not landing because it’s missed the mark, or do you just wish it did something different? and what i like about fanfic is that we (ideally) afford each other the—generosity of forgiving things, LOL. and i guesssss my original question is more… does becoming a mega, fandom-defining fic mean the fic then loses the privilege of that generosity? i think it must create a distance between it and the fandom it’s from, in a way… it sort of takes on the same… almost for-granted quality we might have with a published book? are we removing ourselves from it, by holding it up? HMMM. questions questions ig LOL.
with no. 3—flow is hard!!! 🥺 do you have any like, rituals or anything to get yourself back into the mindset you had, before picking up the piece again? if i leave off in the middle of a scene or whatever that needs to stick to a specific mood i listen to my playlist for the fic, or whatever. 🥹 it kinda helps to limber everything back up again. but—i mean!!! as long as you have fun with it, in the end. 🥺 the process of writing takes up so much time… we need to enjoy it, in some small way. especially if the end result is for friends and fun. 🥹
7 notes
·
View notes
Meet the Team - Bookmancer
You can also find her on:
Twitter @ bookmancer_myth
IG @ bookmancer_legendarium
AO3 @ Bookmancer_Legendarium
Hello, Bookmancer here! I had no idea that when I played the robot dinosaur game, my life would be divided into two phases: before Horizon and after. I discovered Horizon right around its release. I was fascinated by the trailer and captivated by the Tallneck, which is still my favorite machine.
I'm continually awed by the storytelling, visual beauty of Horizon's world, and depth of its characters. HZD actually got me into virtual photography because it’s the first game that really encouraged me to pause, look around, admire the world, and fiddle around with how to capture its beauty. Because I do so much VP, I always like to look at paintings and photos to try and replicate them.
I started in the fandom through VP before indulging in my love of writing to share fanfic - and now this dating game! I’m always awed by other content creators in the Horizon fandom and out. They think of such creative things, and everyone is very encouraging. I'm excited to further explore Seyka's story in FOTH and Horizon 3 and am fascinated by her as a mirror to Aloy's stubborn compassion, but flavored by tribal connections Aloy only just made through her found family. But for the near future, I want to write more deep-dives into the psyche of the characters, their hopes and insecurities, and how they play off of each other. I’d also like to draw more and take more shippy VP!
See the Q&A with Bookmancer below the cut!
Q: What is a favorite piece of work you've done (i.e. completed, working on, in concept)?
I've written some fanfic for Horizon - some published that I really like and actually came out how I wanted to, and some that's still living in my brain and I have to pay its rent in the form of chanting "I should write this already…" But I'm pleased with my fic "who can take my hand in the flood?" and want to write more of the ever-growing GAIA Gang being happy and healing. I’m working on a Seyloy fic of her getting welcomed into the gang.
Q: What are some of your favorite tropes to write, draw, or read?
I love friends to lovers! Also, star-crossed lovers, opposites attract, fish out of water, rivals learning more about each other and coming to a powerful understanding, and bodyguard AUs.
Q: What is an unexpected thing or fun fact about you?
I've got a language learning club going with some friends so we can pool resources and offer encouragement. I love learning about absolutely anything, and I'm getting into crocheting. Outside of FOTH writing, I write fanfic for various fandoms. I do a ton of VP and it's probably doubled my playtime in HFW. I love swimming, and I can only whistle by inhaling, not exhaling.
Q: What has been your favorite thing about working on this project so far?
I've loved seeing the outpouring of creativity, the fandom uniting for something that's so beloved to so many, and learning a metric Horus-ton about… well, a ton of things! Every day, I'm amazed over and over again, and I'm so thrilled I to get to see this come together up close. Everyone is incredibly talented and inspirational, and every bit of it has been collaborative and uplifting.
28 notes
·
View notes