#im having this not just be the author's fantasy and create problems too

[rxttenfish]

Pardon the question, but how do the reimagined merfolk reproduce? In MP I recall them saying that merfolk reproduce in a similar way to seahorses (may be a throwaway joke, but in any case) but the reimagined merfolk are obviously different from how they are in MP in many ways.

ah yes, one of those things that i've had worked out fully for forever but never made a dedicated post on it over here... at least partially because im suspicious of tumblr and its ability to nuke anything even frankly talking about sexual selection and reproductive methods of various animals, oops.

which is why this is going under a cut, oops. like i said, lots of frank discussion of sexual selection and the processes of it. im a nerd when it comes to this.

-

the first thing most humans would notice when looking upon a group of merfolk (of the same species), is a notable lack of dimorphism. there's no dramatic color shifts, no difference in size beyond usual distribution among a population, no odd behaviors, nothing to really sort them out from each other. this is a consistent theme among merfolk in general — while they continually get larger as they age (at a much slower rate than they did growing up, certainly, and not as dramatic as pop media might suggest this to be), it's still fairly close along the existing curve of height distribution, and usually the only real "tells" for an adult merfolk's age is that they get pitted and worn, a little like a statue slowly wearing down, or similar to the age of crocodilians.

which might be a little odd for these hypothetical humans looking onwards, even if they were already familiar enough to be able to tell merfolk facial features apart. even moreso because as frank as merfolk cultures usually are about sex and nudity taboos seem rare, all of their applicable anatomy is internal, so even seeing one entirely in the nude isn't enough to sex them.

the truth has to do with merfolk as a secondarily aquatic tetrapod. i've mentioned before that the early ancestors of merfolk were temnospondyls that responded to environmental stressors in their freshwater environments by being able to take advantage of a wide variety of environments. they have lungs and gills, meaning they can breathe on land very well if they need to move between pools and ponds, and they have gills to optimize their time spent underwater and not have to surface if the going is good underwater. even more than that, they developed both external gills and internal gills, meaning they could reap the benefits of both fast-moving and slow-moving water.

all of this is relevant, because to be exposed to all of these different environments and to be able to move between them when the going gets tough in one, means they had to make longer and longer treks over land. some were dependent on specific vernal pools that they would travel to to raise their young, but this also limited the areas in which they could live, and if those vernal pools dried up then they could not reproduce.

so these early-line temnospondyls made the same switch that other tetrapods have made, and switched to internal fertilization. this meant that, if they were to find another one of their species during their land-travels, they could mate and continue onwards, even being ready to lay eggs right at the moment they found the vernal pool, limiting the amount of time the offspring needed in the water.

however, they did still need vernal pools and water, and were very vulnerable in these stages. and with the existing push towards shorter and shorter time spent in the vernal pools, well, what if they just didn't bother with them at all? it'd put more stress on the parents, but they were already primed to be able to survive through these periods of stress, so it wouldn't be such a huge jump.

so the line that would eventually lead to merfolk and the leviathans both made the switch to live birth fairly early on in their history.

the rest that happens from there varies. this was a more diverse group, back in the day! there were many different species with many different methods for that live birth. some would continue just carrying the fertilized eggs to be dropped off in the next suitable pool they found, some developed them into tadpoles, some went through metamorphosis in the womb and popped out into the world as mini adults, some left spermatophores for others of their species to pick up, some developed evertable genitalia and went at it that way.

but another shift also happened early on in their evolutionary history. them being able to spread out so far and wide meant that there was a very low density of them in any given area, and these low numbers made them vulnerable. if there was high disparity in the proportion of sexes in any given area, they'd feel the effects of that quicker, and when they were already in competition over the same niches as other temnospondyls, crocodylomorphs, marine reptiles, and later early cetaceans, etc who dominated these niches, they were often kept at these lower population numbers.

which was about when these early-line temnospondyls also made the switch to a trioecious mating system.

this happened because sex determination in amphibians is already weird, so it wasn't too far of a leap for a mutation to arise which created fertile dual-sexed individuals. and these dual-sexed individuals had a lot of success under the niche they had already carved out! now, whenever they did find another member of their same species, it was guaranteed that they could mate with them, which meant that their populations were self-sustaining and stable on much lower numbers. due to how their dispersal already worked, inbreeding wasn't as much of a negative factor, and they were even more capable of making it through the disasters and ecological strain that had the other non-lissamphibia temnospondyls going extinct. they could eke out a living wherever they found it, make long traversals over land if they needed to seek out greener pastures, and they were able to sustain themselves in the background without needing as high of a density of themselves in any given spot.

like i said too - this was a diverse clade back in the day! and you ended up getting different variations on this. some species didn't have any dual-sexed individuals. some species had only dual-sexed individuals. some had only males and dual-sexed individuals, and some only females and the dual-sexed individuals, and all in various different proportions and numbers.

what matters here is that merfolk were a part of the line who had evertable internal genitalia, and who ended up entirely composed of these dual-sexed members, making them an entirely unisex species in the modern day.

(this is also where i butt in, to explain from an authorial perspective, this is me kinda... being sneaky with canon and how it tends to phrase things. yes, technically it is the male who gets pregnant with merfolk! but, also, so would females. because they don't have "male" or "female" in these strict terms, and any given individual to them has the potential to do both. this is something that i do a lot with the usual facts given to me by canon, where it's technically true, just because i like to be contrary about it and not take things in the most literal way. it's just what i find fun, i know some other people do it differently, and that's fine with me!)

what this means is that merfolk don't have a conception of "gender". it checks out with their social structure too, because if a merfolk's miivt'ia have a child, then it doesn't matter who actually physically created that child, said merfolk would still consider themselves their parent all the same. the reproductive unit is larger than a singular merfolk or even two merfolk, and at that point, even if they were bisex, then each grouping still has the same reproductive potential as any other.

what this means is that, when miranda describes herself as a princess or a girl or that the king is her dad or she has sisters — these are best seen as translation errors. to a merfolk, the concepts at play aren't gendered. they would not immediately identify themselves as male, they would not immediately identify themselves as female, they'd be very confused and would only get more confused as you tried to explain it to them. miranda describes herself as a princess and uses she/her because she was told that, for landfolk, everyone had to pick one of two and she had to just choose one. she picked "princess" and "girl" because one of the first things given to her as a way to learn english were fairytales, and she really ended up latching onto the princess characters in them.

in fact, this is why merfolk seem to be a little... reductive? when it comes to gender? as in, if you do take the time to explain it to them, you will have to explain it all. which means starting with gender relating to the different genitalia, and you have just told this hypothetical merfolk that it is important to landfolk, who will now operate under that assumption. they will not innately understand why landfolk care about this or all the distinctions thereof and certainly not the nuance of it, so they end up just going "okay, when this landfolk tells me this person is a girl, that must mean she is like this", and potentially getting frustrated when you tell them that that's wrong.

it can't even really work for royals, who do simplify parentage down to two people, and care a whole lot about who is related to whom. for royals in the current merkingdom, its primarily about attempting to preserve a specific lineage. because merfolk lineage is its own can of worms, they simplify - they take the current heir (one who has been groomed and taught how to behave as though emblematic of that lineage and has been guaranteed to have the strongest claim to it), and will find a suitable non-heir of another royal house, for whom they will forbid either of them to make kids with any other merfolk. this agreement is less like a marriage in the traditional sense, and more like the heir's house is briefly sponsoring the non-heir's house, sending extended political and economic benefits to the latter through this connection, in exchange for reinforcing the lineage of the heir and making it more potent, reinforcing their political ties.

this is to ensure that absolutely no other genetics can be involved and to contain the process. because this occurs by who-was-born-where, it also means that only the heir really matters in this ordeal. if the heir dies while the non-heir of the couple lives, and they already have had children, then the non-heir is "locked in" and cannot remarry, obliged to stay within the heir's house in their current position to ensure the current holders of the lineage are brought up and cared for properly. if the heir dies while the non-heir lives, and they have no children, then the non-heir is sent back to their prior family with no benefits, and the next heir is named as though the marriage never happened. if the non-heir dies while the heir lives, then they can remarry as they please, existing children or not. this is not especially popular, as the non-heir's family can accuse the heir's family of being unfair or snubbing them, but it is still perfectly legal and accepted.

for instance: the king, miranda's father, had to marry into the royal family. it was the queen, miranda's mother, who was the crown princess before miranda, and who is seen as passing her inheritance down onto miranda and the other three sisters. when the queen died, the king could not remarry. he was secure in his position as king, but any other marriages would not carry the lineage of the royal family, and at best he would be seen as trying to "dilute" that lineage.

in this setup, it's not all that important who is the donor party and who is the carrying party. either the inheritor or their partner can be the one carrying, so long as it's certain and guaranteed who the baby comes from and that this can be assured with certainty. usually it's agreed between the two of them for whatever reason, though the carrying partner does have a benefit in being a surefire way to prove that they are one of the parents, with zero doubt. inheritors will do this mostly to make their kids look the most "100% royal line, no doubts", but this can also go the opposite way, to cement it down to it being a specific line who carried them and to reinforce the political benefits their prior family enjoys from this arrangement.

which brings me back to merfolk genetics, and why this is so important for the royals to ensure they know exactly who made what!

which is to say, merfolk never opted for traditional sexual competition, and instead erred towards sperm competition.

early on in their lineage, they didn't have a lot of sexual dimorphism to begin with. they were already fairly widespread, and while gatherings around early vernal pools were a pressure towards sexual competition, after they stopped relying on vernal pools, the differences between the sexes became more of a hinderance than a benefit. why would they bother with any colorful spots or being extra big and bulky when you're not even around enough of your species for choice to be an issue? if you can find another one to begin with, then that's really all either of you need, and challenging each other just puts another bind on that low-population issue. they were all function, minimal fuss, beyond some general traits that were seen as markers of health.

even when the ancestors of merfolk first started forming their colonies along the coasts, they didn't change this. there wasn't an initial hierarchy laid out, they were just a large group of the same species arranged in the same area for the same purpose, and also maybe some protection by numbers. they did start to form the early groups that would later lead to the modern miivt'ia, and they started to primarily associate with those groups and socialize with them, which meant that when they wanted to find someone to mate with, that hunting group was always the first and the easiest to access.

why fight over mates in that situation? why compete? the health of the group starts to become directly correlated to the health of the individual, and you've already determined they all have good genes, or else they wouldn't be this beneficial to helping you hunt and survive and evade predation.

but this isn't to say competition isn't happening. there is still the slight edge that natural selection adds in, and with multiple matings between different individuals, the thing that gets selected upon is the sperm itself. faster sperm, ways to kill competetor's sperm, ways to suppress the immune system of the mating partner to ensure that sperm will take, more output, ways to remove competetor's sperm to begin with, etc etc etc. their internal genitals start to get bizarre, both for the sake of excluding saltwater intrusion as they get more and more aquatic, but also for the sake of this sperm competition. this system also means, not only do more matings occur right after each other, but more partners involved. the "default" evolutionary position for merfolk starts to look more and more like a clump of noodles, writhing around and over each other. sexual contact becomes a way to bond and to connect with someone primarily, and a means to reproduce secondarily. it's an easy way to solve problems and to get merfolk to make up, by them simply fucking it out and everyone feeling better for it.

which is where i can get into the actual mechanics of it all!

unfortunately this is also where i run out of steam (also am sick. that will do it too), so i'll absolutely have to make a part 2 to this... and also i'll make another post sharing a few old writings of mine on this topic.

someday i'll make like. a masterpost on merfolk reproduction and what's going on there, but like i said. sexual selection is one of those things my brain goes ham for and i looooove talking about all these additional little facts. like how merfolk pregnancies last 2 years (to match with other large marine predators), and that they're based off of both tiger sharks and the alpine salamander, the latter of which has the record for the longest pregnancy on the planet at up to five years :3

also read Bitch: On the Female of the Species by Lucy Cooke if this sounds interesting to you! and maybe listen to the episodes the Common Descent Podcast did on Live Birth and Milk!!!

[its-no-biggie]

actually im making this its own post. the thing about the hunters gonna lay low is that its exactlyyyyyy what i want out of a fantasy romance. i love high stakes and unrealistic drama - life-threatening situations and monsters and magic and all manner of situations that dont happen in real life. and i love this as a setting for romance because it means you can create a lot of conflict that doesnt have to do with the characters feelings for each other - sure, you can still have arguments and complicated feelings, but throwing the characters into these high stakes situations creates a lot of flavour - high intensity emotions and conflict that arent just from within their relationship, yknow?

the problem with most fantasy ive read that also has romance is exactly that - its fantasy, with a side of romance. theres romance, sure, and a lot of times side romances do have these high-intensity moments im looking for, but usually the author is spending more time on worldbuilding or political drama or yknow. the plot. nothing wrong with that - i like an intense action plot without romance. its why i read a lot of fantasy. but i think ive really been hurting for a story that has this kind of high-stakes drama, but makes the relationship a more central part of the story. and ive had no luck with romance with a side of fantasy, either - most romance stories ive encountered are about very typical romance-style relationship drama, even if they take place in a fantasy setting. jealousy and miscommunication and will-they-wont-they. again, nothing wrong with that, its just not really my style.

and this is why all my ships of choice are Like That. its always an action story with a pairing of major characters who have a deep relationship - they have history, they care for each other a lot, they click with each other in a way they dont with anyone else....... the kind of thing where the growth and development of their relationship is a big part of who they both are. and then putting them in high stakes scenarios where they almost die all the time. you get it. the thing is that ive never really encountered one of these where the relationship was canonically romantic - which isnt necessarily a bad thing, but again, romance can add a lot of unique flavour! its why i read a lot of slash fic lol

[the closest ive gotten to this before would be banana fish, and i love banana fish so much i basically dont have anything to say about it. what is there to say? watch banana fish.] [hmm and maybe alien stage? alien stage is just so short though - not a lot of time to get to know the characters before they die yk.] [and notice how these are both tragedies???? i love tragedy but man. i do want a happy ending sometimes...... although i havent actually finished thgll so i guess this one could be a tragedy too 😩😩 pleeeease i just want them to be happy.......]

but here it is!!! the kind of story about a duo whose lives become intertwined through the high stakes fantasy plot, who care very deeply for each other and have history and keep watching each other almost die, and also they kiss!!!! its honestly a little frightening how well it suits my tastes - i can almost see the way the author is using the fantasy setting to deliberately further the relationship between these two, because its the kind of thing i do to whatever blorbos im rotating in my brain like a binary star system this month. but because the characters were actually created with romance in mind its like. cranked up to 11. like what do you mean cha euijae is the only person who can safely touch lee sayoung????? hello????? and the soul contract???? the alternate timeline?????? the BACKSTORY?????? i dont want to spoil too much but like. it really is just so good. its exactly the kind of thing i didnt know i was looking for.

and like. not only is the fantasy setting perfectly implemented for this more relationship-focused story. its also just really interesting in its own right?? like im hooked. im absolutely invested in these two trying to stop the apocalypse, save the world, and maybe avoid dying and leaving the other behind (again) in the process. im having the time of my fucking life right now

[btw i just finished part 1 of the novel, so no spoilers please!!]

[jeannereames]

Do you think people idealize Alexander and Hephaestion's relationship too much?

Short answer: yes.

Longer answer: it’s part of a general tendency to oversimplify relationships that plagues a great deal of Romance (the genre).

Romancing Alexander & Hephaistion

Oodles of opinion articles exist about why that’s the case. What I don’t like about too many of these is an embedded misogyny that implies Romance is “women’s literature” which Just Isn’t As Serious as “real” (=men’s) literature. And it’s not just Romance. “Women Fantasy Writers” were denigrated in the ‘70s, ‘80s, and even ‘90s. Hard SF author Ben Bova famously said: “Neither as writers nor as readers have you raised the level of science fiction a notch. Women have written a lot of books about dragons and unicorns, but damned few about future worlds in which adult problems are addressed.”

(Bova was full of shit, btw.)

One of the first ways to torpedo misogynistic critiques of Romance is to remind people that Romance novels were invented in antiquity (Hellenistic era forward), where they were written BY men FOR men. And they had the same issues then.

It’s not a “woman” problem.

Furthermore, I’m not sure it is a problem when recognized for what it is: fun fantasy not reality. I was in a group of writers once where one of the men rather snidely asked one of the women, “Why do you like writing and reading that stuff?” Romance. “Those aren’t real men.” Her reply: “You’re right. I read Romance novels to get away from real men.” Oh, THAT shut him up! Ha.

But where I find myself having issues with Romance is when it creates unrealistic expectations for what relationships are like, which in turn may lead people to bail on real-life relationships when the going gets tough, as it inevitably will. “I guess I just fell out of love.” Or, “I guess we weren’t meant to be.” Or, “I’m still looking for my soul mate.” Bullshit. Soul mates are another thing I hate. They don’t exist. Or rather, we make them, we don’t find them.

That said, this sort of reaction is true only when folks have no healthy real-life relationships to provide models. How do you know what real love is like if you’ve never seen it?

Youth can also play a factor, mostly because we learn about life as we age. Yet I’ve met plenty of savvy young people when it comes to love, and absolutely fruity hot messes of middle-aged men and women. If one consumes only Romance and has few/no examples of normal relationships, it’ll fuel unrealistic ideas. That affects men just as much, even as they pretend it doesn’t. In fact, pretending it doesn’t makes it worse, ime. Some of the dumbest ideas about love I’ve heard have come out of male mouths.

In any case, some of this is why I note that Dancing with the Lion is not a Romance, even if put out by a Romance publisher. It’s a coming-of-age novel with a love story on the side (because falling in love is part of coming of age). Romance (the genre) has specific conventions and plot shaping that DwtL defies (because, again, it was never meant to be a Romance). Yet Riptide was willing to take a chance on the novels, and I’m hardly going to thumb my nose at them for that grace. It’s only an issue when readers’ expectations aren’t met.

So, returning to the question of over-idealizing of Alexander and Hephaistion’s relationship … yes, it’s a problem when folks can’t let them be human, and flawed. When their relationship turns Hephaistion into Alexander’s shadow with no personality (or ambitions) of his own. When any love story between them just happens magically because … of course! They’re Soul Mates and Meant to Be. When happily-ever-after is assumed without the recognition that life will be hard sometimes, they won’t agree, they’ll disappoint each other, and they may have to actually work at their relationship. Communicate. Fight it out. Give a little. Forgive offenses.

Personally, I’ve always found real relationships a lot more compelling than idealized ones. Real love is the most romantic of all. ❤️‍🔥❤️‍🔥

[suffarustuffaru]

Have you read one fanfic on AO3 titled Re:Incarnated? One of the most interesting and new aspects of this story for me was Subaru being reborn as a half-elf by Satella. I bet no one has ever thought and acted on that idea before, but there are some questions that bother me, for example, in the canon series there are moments where Subaru relies on Earth's modern technology and knowledge to solve difficult problems, Subaru becomes a half-elf in the world of Rezero and that means that he forgets about his previous life on Earth in Japan, and then when faced with the same dilemma How should Subaru solve it? But I feel these questions should go wait for the original author's update to get answered.

I have to say that fic opened a new door for my inspiration, and I also started to think about creating my own Subaru's elf or half-elf AU, and even imagined a crossover with Lord of the Rings (after all, there's a ton of Lord of the Rings and Harry Potter crossover fics on AO3 and fanfiction) Like one day Subaru is for whatever reason transported to Middle-earth by Satella accidentally and experienced something there, and then how he was found and adopted by the elves of Middle-earth, I think it would be very interesting how the elves of Middle-earth were surprised to find out that elves existed in the Otherworld, Subaru looks similar to them but differs in a few places,and then how Subaru got along with the elves of Middle-earth, and how he explored his own existence and self-worth,how would it be different than the canon series (My half-elf Subaru's character isn't too far off from the canon) Sorry I'm getting a bit carried away, I'm an incorrigible and extreme fan of crossover tropes, I hope you don't mind too much!

yoo sorry i took so long to reply to this ask but please know im delighted to see any asks in my inbox and pfft its interesting hearing about what people are thinking + what they find interesting themselves!!!

as for re:incarnated - i read a chapter or two AGES ago, so i really dont remember much of the fic sadly T^T but ill consider possibly going back to it and reading through it!!! i have a very long to read list though so ill see pfft. and yeah i think that fic was def like. one of if not the first fic to have like half elf subaru as an idea be explored and it also shows a Different method of the isekai trope (being reincarnated!!!) which is fun i think!! plus like. putting "re:" in fic titles is EXTREMELY extremely common in this fandom which i suppose makes sense given. the source material is called rezero. granted most of the time (this is just my opinion btw and i mean no harm by it HAH), to me a lot of fics with "re:" in the title dont justify why the "re:" is actually there. "Re:Incarnated" though is an EXTREMELY good use of the "re" imo. i love the pun <3

yeah as for the fic material itself - i do think its interesting to like change small bits of characters. not in the sense that youre changing like the Core of who they are but i Like seeing experimentations with characters to see like small differences. which is why i love aus (such as the literal canon aus we get in the form of the What Ifs and such!!). if that makes sense. that probably makes more sense in my head HAH anyway!! i always feel like changing a characters backstory is SO HARD to pull off without completely changing a character bc it shapes them a lot. but half elf subaru is definitely an idea that can be done in an interesting way imo and im curious to see how re:incarnated handled that. i know ive considered like emisuba roleswaps myself where emilia was isekaied from earth and subarus a half elf which was kind of like re:incarnated but also not like re:incarnated bc subaru had a similar backstory still but now with a fantasy world background (and vice versa for emilia) aljdfdlsjf. but yeah like i like seeing people experiment with these characters and make fun aus!!! and for me personally its hard for me to find ones i like in this fandom + this fandom doesnt do all the usual fic-isms (like there is next to zero soulmate aus for example HAH) so. interesting i suppose!!

as for your own half elf subaru au - im delighted that you were inspired by re:incarnated and are having fun with your own au as well!! :D while i basically know next to nothing about lord of the rings, your idea definitely sounds interesting, though i dont usually read crossovers that arent fusion aus - but i REALLY love the idea of like two different elf species from two different worlds going ??? at each other HAH thats fun stuff!! and i definitely like when despite all the AU things going on, characters like subaru arent too far off from canon in all the big important ways (ie his whole personality) bc for me, its like - theres a reason why we love these characters and i love trying to capture the heart of who they are even with au things, you know? :o but hah yeah ive made my own crossovers though in private (not to post, just for fun pfft) and i hope you keep having fun about your own half elf subaru au bc it sounds very neat <3 ty for sharing anon!! :D

[babyrowann]

this may not make sense to that many people or you might even disagree, but i wholeheartedly believe that books and the way they are written/marketed has completely changed since booktok became a thing and not in a good way….

before i get into this, i want to say that one amazing thing that booktok has done is introduce so so many people to reading and it’s let them discover a new passion they didn’t know they had and it’s let them join us in reading stories that just mean so much to you, which i think is a great thing!

that being said, booktok has amplified the “trope” trend. by this, i mean booktok has created this system where you learn about new books to read through tropes, so certain books get picked much more frequently than others ONLY because they contain specific tropes (enemies to lovers, chosen one, morally gray villain, one bed, etc). this has now cemented in place a pattern where booktok recommends books purely based on tropes, and readers are picking books bc of these tropes, so now AUTHORS are writing books that are simply popular tropes linked together, and they write a story AROUND those tropes instead of writing a story and putting some of these tropes in the story.

i’ve seen this happening especially in ya and some new adult books and i think it’s really disappointing bc so many stories and characters are feeling like a copy and paste of each other bc these authors are jumping on the trope trend to gain the visibility that booktok gives tropes. one example i can think of is aelin from tog. she was one of the first confident, strong, sassy, and feminine female characters that i read about back in 2015 and i LOVED reading about a new character like this, and i think a lot of people did too bc aelin became the blueprint. now almost every other ya fantasy protagonist is a stabby girlboss warrior… and they all feel the same and honestly are bland compared to the original (specifically poppy balfour but that’s a different post). i just think it’s disappointing bc i personally am not reading a genre i used to be very protective over bc im finding many of the ya fantasy stories i’ve read over the last few years feel the same. the same girl is the only one who can save us and is super powerful and is usually impulsive and beautiful and meets a sarcastic witty but tough love interest and maybe she’s the lost heir to the throne or related to the gods or something and frankly, it’s boring now. to name a few (from blood and ash, the plated prisoner, the prison healer, zodiac academy). give me a mc who isn’t the chosen one and doesn’t have powers but is stepping up through their own determination to help save the day, and isn’t “different from other girls”. but this kind of mc doesn’t fit the booktok tropes so :/ ALSO one last problem i have is the way booktok incorrectly markets books to gain views!! the biggest example of this i have is calling coho’s it ends with us a romance when that is only 20% of the actual meaning of the story. if that’s what’s you’re taking away from this book, then you missed the message. that’s about all i have for now, if you aren’t having this experience with books than i’m so happy for you!! and if you feel the same as me… welp

[merouses]

Books Mero read, 2022 edition

As promised (to myself?) here’s a small review for all books and book series I read this year!

The Nightrunner series by Lynn Flewelling - This series. This FUCKING series. Its so fucking good. Its sooooo good!!! It’s 7 books in all (plus 1 collection of short stories) and they’re all at least very good. It can be intimidating since it’s a pretty long series BUT they’re all  pretty standalone still. My favourite turned out to be the 3rd book, as it best meshed the adventure and intrigue styles, which the other books tend to stick mostly to one of. My only critiques really are that some parts are really.... unpleasant to read, given the situation the characters find themselves in, and sometimes these parts reeeeally overstay their welcome. Book 4 Im looking at you(....I skimmed over like half of this book for this reason). Regardless of that though, these books are still great, the characters are amazing, and the many many times and ways Seregil and Alec were tastefully described as fucking was 100/10.

In Deeper Waters by F.T. Lukens - From great to bad. Ok maybe thats a bit harsh but this book is just uninspired and uninspiring, probanbly the most “young adult” of the books I read this year? Like, yeah its cute and all, and the romance is... fine? But nothing happens in this book. There’s one actual good moment that’s when the MC is kidnapped (not a spoiler, it’s in the synopsis) and that chunk of pages was actually engaging, but then... nothing. Or essentially nothing. The ‘mystery’ the book proposes is the barest of bones of one, and the ending absolutely sucked: a sudden problem solved by an even more sudden solution, all in less than 20 pages. Idk maybe this one really was just too juvenile for me, I imagine if I read it at like 12 or 13 I’d have liked it, or at least enjoyed it more.

The Fire’s Stone by Tanya Huff - This is another one that felt ‘young adult’, it’s very much a fantasy adventure book, if that makes sense. An unlikely band of heroes set out to defeat the bad guy, get the thing and save the land, yadda yadda. But... it’s pretty good! The unlikely heroes are all pretty likeable and their dynamic fun, the pacing’s pretty good, the setting interesting... Everything just clicked, really, this was a fun time.

The Last Sun, The Hanged Man & The Hourglass Throne (or, The Tarot Sequence 1,2&3) by K.D. Edwards - The harshest thing I can say about these books is that the author plans 9 of em and only 3 are out. I just. Really really loved these ones, the characters are great, the plots are fun, even if they get pretty dark sometimes (mostly on book 2)... They’re contemporary fantasy and, I’ll be honest, when I first picked up The Last Sun I thought I’d hate it. A lot of swearing, a lot of action-movie action, the mc loves his quips... honestly if I hadn’t known it was gay It’s not a book I’d pick up. But I was wrong! And everything works. The world created (where atlantis had revealed itself to the world and is now a modern day city with it’s own intricacies and conspiracies) is so engaging, it really shows its own culture and how it intertwined with today’s world. And very much today’s world, the 3rd book even brings up COVID. Really... I just can’t wait for the next books.

White Trash Warlock by David R. Slayton - I’m talking about this one right after the Tarot Sequence cause they feel very similar. Not really in terms of plot, but they feel both like offshoots of the same base idea of magic in the real current world, there’s probably overlapping inspiration there. And... it’s fine! I can’t really say why, but even though I liked this book well enough it just didn’t grab me like the other books I enoyed on this list did. Maybe it’s the pacing, maybe it’s my growing familiarity with gay fantasy (this is the last book I finished out of these) but it just... fell short I guess. Or maybe it’s the fact that really this book feels very.... “american”, in the sense that it’s really about some specific american things or experiences, I guess, and I’m not american. I can try and imagine everyone’s accent as described, sure, but it’s not bringing along the baggage that’s there if you know these places first or second hand. Can’t say I enoyed the very brief but unnecessary cliffhanger though ...but I’ll still read the rest of the series, and hope they get better.

Swordspoint by Ellen Kushner - This book is all intrigue, essentially, and I... liked it? I think? It has similar problems to In Deeper Waters, where nothing reeeally happens till it does all at once, but it managed that pacing much better than Waters did, first by having the nothing happenning actually feel like a buildup, slow as it was, and second by having the story be actually about politics and schemes and intrigue, so it warrants its own slowness. Most of these characters are assholes though.

The Watchtower by Elizabeth A. Lynn - Another slow one, but this time a proper slow adventure, rather than intrigue drama, I guess. I.... don’t really wanna talk to much about this one. It’s gay and it isn’t, it flows nicely, and everythings well painted but... it made me feel a lot of conflicting feelings which left me very down for several days, but I think that was because of personal feelings as to what happens here. So yeah. Idk. Can’t really say I disliked it but it doesn’t feel right to say I did, either. The title doesn’t really make a lot of sense though, that’s for certain.

Silver in the Wood & The Drowned Country by Emily Tesh - A duology of short books that can best be described as squandered potential. Man, I liked the first book. It’s short, its sweet, sure the pacings not that great and this  is definetly a fanfic that was repurposed into a book, but it’s good! It has a feel, the way the magic things, the wood itself is decribed is good, its intriguing, it made me think “oh thats a cool way to describe these things that are happenning!”. And then the second book just. Has the same characters, has the same magic things but. Does absolutely nothing with it. The interesting descriptions? Maybe a couple of passages but they don’t make up for the bad plot and pacing this time. There was the opportunity for a great ending, one which would actually made you feel things, but it dropped the ball so hard. Bleh.

A Marvellous Light by Freya Markse - This is the first book I read this year! And really, a great way to start. Its an edwardian fantasy with a veeery interesting magic system, a cool plot, good characters, if a tad tropey. I had a lot of fun reading this one! Part of that may be the posh englishmen suddenly talking about cock, and me getting sucker punched by eplicit sex scenes which I did exxpect. Either way, the sequel just came out and I’m excited to see if it can keep up with the first one. It’s apparently about lesbians, which is fun.

The Goblin Emperor by Katherine Addison - I think this is the only properly not gay book I read this year. That aside, I loved this book!!!! Like, a lot!!!!! The worldbuilding is really good, leaving a lot of space open for exploration, but it does lean heavily into fantasy mumbo jumbo, as in, boy does this book have a looot of hard names to remember. There’s a glossary of sorts at the end but most of the times I went to it for help, it didn’t have the word. That aside, it was enjoyable the whole way through. It’s another story of political intrigue and schemig, not a lot of action, but the pacing somehow still feels so fast!! It’s about the youngest son of the emperor, who had no training and no expectations of becoming emperor himself and surprise! The crown lands on his head, essentially, and then about how isolated he feels due to his new position and how he navigates his relations when there are so many epectations of him. Its really good. It almost seemed like unearthing treasure when I later found out that there are sequels and the sequels actually do have a gay main character. Read this book.

Small epilogue: I just got back into reading this year, after not really picking up a new book since around 2019? And man. Reading is great. Ive sincerely started feeling so much better, so much more creative since I got back into reading!! Im surprised I jumped right back into reading a book a week (almost) and honestly? Im surprised at how comfy it feels. Ah, reading. I’m sicerely glad that I did so.

And so the year ends! On to more gay stuff! If you read this, thanks!!

[taeyongdoyoung]

summary: you are a mermaid and you save a handsome man from drowning but little do you know it’s not his first rodeo when dealing with mermaids. seonghwa, a former prince, is currently hongjoong’s first mate and boyfriend. hongjoong is the captain, the pirate king of the most savage crew across the seas. and you want nothing to do with them. not because they’re pirates, but because they’re humans…

ships: mermaid!reader x prince/pirate!seonghwa x pirate!hongjoong; wizard!yunho x demon!jongho, pirate!yeosang x mermaid!soojin x pirate!mingi (implied)

genre: little mermaid!au, pirate!au, fantasy, humour, romance

author’s note: i can’t believe this is over omg?!?! im legit bawling my eyes out rn 😭😭 i hope you guys like the end of pirate kings because i poured my entire heart into it! ���💖 also be on the lookout for take me home, aurora, one day at a time and promise references hehe 🌅 🌅 thank you for going on this journey across the seas with me!

warnings: some swearing, mentions of drowning & torture, bittersweet (?) ending

word count: 2.6k

chapter one ☠️ chapter two ☠️ chapter three ☠️ chapter four ☠️ chapter five ☠️chapter six ☠️ chapter seven ☠️ chapter eight ☠️ chapter nine ☠️ chapter ten ☠️ chapter eleven ☠️ chapter twelve ☠️ spotify playlist

🔮🔮🔮

Yunho's POV

My genius plan was that I would become more powerful than Jongho himself. So powerful that he wouldn't even be capable of taking my soul. So powerful that he wouldn’t even dare to try. Little did I know that as I shared my idea with Seonghwa, a certain someone was conveniently listening. Little did I know how this giant mess I'd created will play out...

Once Seonghwa was reassured that I would be perfectly safe despite the deal I had made with Jongho, he left me to my own devices. No sooner had I teleported myself back to my lighthouse than Jongho appeared out of nowhere, visibly angry. But there was something else in his expression. Something I couldn't quite define. Not yet, at least.

"How much of it did you hear?" I asked, already prepared for the worst.

"All of it," Jongho scoffed.

"Regardless," I spoke confidently. "Even if you do know what I'm planning, you can't stop me. You already know how much potential I have. Or else, you wouldn't have agreed to this deal. I'm right, no?"

Jongho shook his head.

"Your silly little plan won't work, wizard."

"Really?" I smiled, because I knew my own abilities better than he did. I was absolutely certain I could beat him. "And why is that?" I inquired, out of curiosity. He didn't scare me. Just...intrigued me.

"Because I never intended to take your soul, you fool."

Now, that was something I didn't expect to hear.

Jongho had somehow managed to catch me unprepared.

"W-what do you mean?"

"You know why I'm stealing so many souls?" I was about to open my mouth but Jongho wasn't having it. "Ah-ah, just let me finish. I know what you think. I know what everyone thinks. But it's an act. Apparently, I was too good an actor and completely fooled everyone, didn't I? The reason I've been collecting souls is not because I want to be more powerful than the devil. It's because I don't have one myself."

"H-huh?" I whispered in confusion. "Jongho, I don't understand..."

He placed a finger on my lips and I felt compelled to just...listen. Hear him out.

"But ever since I met you, I've felt...different. Like I could be more than just a demon making deals. Like I could matter."

I was too shocked to say anything so I just stared at him, utterly dumbfounded. And then he continued:

"What good would taking your soul do when you're the very reason I might be growing a soul in the first place?"

"Are you saying what I think you're saying?" I had to make sure.

"I know it's fucking insane and you’re supposed to be my sworn enemy or whatever but—"

This time, I couldn't let him finish his sentence and interrupted him with my lips on his. To my absolute dismay, he was kissing me back with as much vigour as I was. As much vigour as he put into challenging me and getting on my nerves and frustrating the living hell out of me. As much vigour as I knew only he was capable of.

"I thought this was impossible," I mumbled against his lips once I broke away from the kiss.

"So did I. But do you want me to tell you how I know it's real?"

I nodded, not trusting myself to say anything else.

"Because when you look at me, I no longer feel the urge to torture you for eternity."

"I should feel flattered, I suppose," I joked.

"It's up to you how you feel, wizard," Jongho replied. "And up to me to continue making you feel this way."

"The terrifying Jongho — a hopeless romantic. Who would have thought?" I teased him relentlessly.

"It's not too late for me to change my mind and snatch your soul."

"You greedy little thing. My heart isn't good enough for you?"

"Your heart?" Jongho chuckled and wrapped his arms around my neck. "It's mine now."

☠️☠️☠️

Yeosang's POV

The more time I spent around Mingi, the more I could see how much he'd changed for the better. And how much he was about to continue changing. Despite everything that had gone down in the past, I was feeling incomprehensibly drawn to him. And I wanted to be there for him. I knew that it would take some time for the rest of the crew to get used to Mingi being out of his cell. But I was determined to give him a chance. And convince the rest of them, it was a chance worth taking. Especially my dear Soojin...

"Sangie, he literally kidnapped us and left us without water for a week!" she reasoned.

"I know. I'm not making any excuses for—"

"And he cut off your hand! Your hand, Yeosang!" she reminded me needlessly. As if I could forget.

"Like I said, I'm not going to justify Mingi's actions. All I'm asking is that you give him another chance. He's been showing remorse. And I truly believe that if the circumstances had been different, he wouldn't have behaved the way that he did."

Soojin sighed, unsure of what to say.

"People aren't born evil," I insisted. "Everyone makes choices. Sometimes good, sometimes bad. What matters is what we do to fix the bad ones."

"Yeosang...I really want to do as you say, but it just sounds so difficult, okay?"

"I'm literally a pirate, sweetheart," I rolled my eyes. "If you don't hold it against me, I don't see a problem. Mingi's not exactly the villain he's painted himself to be."

Soojin nodded thoughtfully.

"Alright. You have a point. I'll give him a chance. One chance and that's it. If he fucks up again, I'm taking him to the depths of the sea myself."

"I suppose that's fair," I shrugged. "You heard that, Mingi?"

"Loud and clear," he grinned, a couple of metres away from us.

"He was right there the whole time?!" Soojin hiss-whispered in disbelief. "This is so embarrassing."

"Oh, come on. Don't tell me you've chickened out and those were just empty threats," Mingi winked at her.

She physically shuddered and I couldn't help but laugh. So cute.

"Relax, Soojin. Mingi's our friend now. Aren't you?" I asked.

"If you want me to be," he scratched the back of his head a bit awkwardly.

"Come here, let's play cards," I suggested casually. "Loser gets to swim with the sharks."

"There are no sharks in this sea," Soojin pointed out confidently.

"Yeosang wasn't talking about actual sharks," Mingi correctly guessed. "He meant that I would have to go talk to Hongjoong and Seonghwa. Because, obviously, I'm terrible at cards and I would definitely lose the game. And these two are scarier than bloody sharks."

Soojin rolled her eyes.

"Pirates and their stupid way of talking."

"You get used to it," I playfully nudged her arm.

"There's no escape now."

"Let's skip the game," Mingi suggested. "I'll just go talk to the sharks right now and beg for mercy or whatever."

"We'll come with. Right, Soojin?" I offered.

"Like I have a choice," she groaned but I could tell that she was gradually warming up to the idea of letting Mingi stick around.

"Thanks, guys. I appreciate the moral support," Mingi blushed.

"I guess you could say...I'll be your right hand," I stared at the hook replacing my missing hand and snickered sarcastically. Mingi and Soojin were beyond mortified by my dark sense of humour. "Too soon?"

☠️☠️☠️

Hongjoong's POV

"I mean...we already had dealings with a demon and a wizard so I don't see how Mingi could pose a threat," I reasoned. "No offense, Mingi."

"None taken," he smiled.

"So, you're going to let him stay? Unguarded?" Seonghwa wanted to know.

"Let him stay — yes. Unguarded — no. If you're so insistent he's changed, you'll have to take full responsibility. You think you can handle that, Yeosang?" I posed the serious question.

"I've got this, Cap," Yeosang promised.

"I'll be around, too," Soojin vowed. "You don't have to worry, Cap."

I nodded in agreement. Seonghwa seemed to be on board with the idea. Honestly, after all the shit we'd been through with that demon, Mingi was the least of my concerns. But of course, I couldn't say that directly. So I had to play the "responsible leader worried for his crew" card. And apparently, I played it well.

"Wow, this went better than expected," I could hear Mingi whispering to Yeosang, as they were walking away. Seonghwa and I exchanged an amused look.

"Shh, we just caught him in a good mood," Yeosang explained carefully. "Be nice and he might let you stay for good."

"Guys, be quiet!" Soojin warned them. Clever mermaid, I told myself and grinned. Speaking of mermaids...

"Not so fast!" Y/N ordered them to stop. And so they did. Rightaway. Made me wonder who was the real Captain of this ship. Not that I minded her taking away some of my responsibilities. I even liked it.

"Yes?" Yeosang seemed kinda nervous.

"Make sure you treat my sister well. Both of you!" Y/N commanded them easily. "Or else...I'll have no problem letting the siren out to deal with you. And she's not someone you want to mess with. Ask Hongjoong."

The shock on my face was not at all exaggerated as I nodded to confirm her words.

"She'll be safe with us, Y/N," Yeosang made a pledge. "Right, Mingi?"

"Um, yeah, what he said."

"You don't sound very convincing," Y/N eyed him suspiciously.

Damn, I had to admit I was proud of her and how much she'd grown.

"Oh, let him go this time, will you?" I pulled her aside gently and she couldn't find it in herself to argue. Once Yeosang, Soojin and Mingi had taken their leave, she removed her "intimidating siren" mask and was back to her usual, gentle self I knew and loved.

"You guys think we made the right call?"

"It'll be fine," I was fairly certain. "If push comes to shove, Yunho will just help us out again, right?"

"As if he doesn't have enough problems with that demon," Y/N argued. "We can't continue using him for our needs."

"Yeah...about that," Seonghwa started.

☠️☠️☠️

Seonghwa's POV

As I was telling them about Yunho and Jongho's change in dynamics, Hongjoong and Y/N were too taken aback to react with anything else but by opening their mouths. Which was, to say the least, quite adorable of them.

"So...these two...?" Y/N asked as if to confirm what I'd just finished recounting.

"Mhm," I grinned.

"Wow," Hongjoong managed.

"I know."

"This is good news, yes? It means both Hongjoong and Yunho get to keep their souls," Y/N wanted to make sure it was indeed real.

"I mean, demons can be pretty unpredictable but judging from Yunho's happy expression when I last talked to him, I'm willing to be hopeful for once," I explained. "We've had enough trouble as it is, don't you think? We deserve something good to happen to us."

"Couldn't agree more," Hongjoong grabbed my hand and Y/N's. "But I get what she means. After all the dangers we've experienced, it just seems so unbelievable that we're finally safe."

"Too good to be true, eh?" Y/N sighed. "Let's enjoy this while we can."

"I think this one will last a bit longer," I smiled knowingly.

"Hey, don't jinx it," Hongjoong squeezed my hand softly.

"Just trust me, alright?" I looked at them both.

"I do."

"As do I."

"And I'm gonna catch you when you fall or when you're sinking," I murmured.

"I think I speak from experience when I say I'm the one more likely to save a pirate from drowning," Y/N poked fun at us.

"I was just trying to sound poetic," I pouted.

"And we appreciate the effort," Hongjoong reassured me. "But she's right."

"You two turning against me? Oh, how the tables have turned!" I announced dramatically.

"Don't pretend you don't like it," Y/N ran a hand through my hair and tilted her head towards Hongjoong. "He likes it, doesn't he, Cap?"

"I bet he does."

"Hey, Y/N. My eyes are up here," I reminded her.

"Oh, I know," she blinked, feigning innocence.

"Too bad I can't even be mad at you," I chuckled.

"Why be mad when you can be rad?" Hongjoong interjected.

"That was so terrible," I groaned. "You're lucky I love you."

"Both of us?" Y/N asked hopefully.

"Unfortunately," I admitted.

"Guess we'll have to work harder to turn that into a fortunately," Y/N teased. "Wait, my bad. I forgot you two already have a wholeass fortune in the form of a bunch of treasure chests."

"Is that why you like us?" Hongjoong teased. "Who knew mermaids could be golddiggers?"

"I'll show you a golddigger!" Y/N threatened and started chasing Hongjoong around the ship. They were so childish sometimes...

🧜‍♀️🧜‍♀️🧜‍♀️

Reader's POV

You could tell that you had a couple of more minutes left until your siren-like side rose to the surface so you decided to enjoy them. As you were watching the sun setting, you couldn't help but recall your very first memories of Seonghwa and Hongjoong. What started as a simple joke, Hongjoong throwing Seonghwa overboard, followed by you saving Seonghwa from a whirlpool, had turned into so much more. It was funny how life often surprised you in the most unexpected ways. How a few months ago, if anyone asked you about pirates (and humans, in general), you would have scoffed distastefully. If anyone asked Seonghwa about mermaids, he would have still been haunted by the loss of Ariel. If anyone asked Hongjoong, he would have said mermaids spelled nothing but danger. And now...Now, the three of you had become so different. And in a way, so similar. Forgetting all these labels that once used to define you and just finding happiness in each other. In the adventures you'd had together. In the shared feeling of being trusted, feeling known. And loved. It was even funnier how you didn't find it strange at all. On the contrary, it felt perfectly natural that you were here. Made perfect sense that you had a home with Seonghwa and Hongjoong. A former prince, a pirate king and a lost but now found mermaid. You wouldn't have it any other way.

"It's beautiful, isn't it?" you said out loud, sensing Seonghwa's presence beside you.

"Yes, it is," Seonghwa replied, looking at you.

"I have to go soon."

"But you'll be back in the morning. As usual."

You simply smiled. It went without saying.

"I wish I could stay the night," you whispered longingly. "Fall asleep in your arms."

"You could. I know you'll be able to control your powers. I'm sure Hongjoong will agree with me."

"I probably could control them. But I don't mind going back to my home in the night. Even though...this is also my home. Does it make sense?"

"I believe it does," Seonghwa rubbed calming circles on your palm. "Just like how you have a human and mermaid self, you also have two homes."

You nodded.

"Exactly."

"In a way, I feel the same. Both you and Hongjoong are my homes."

You rested your forehead against his.

"And we will always be your homes, Hwa."

"Don't go," he murmured against your skin. "I don't want to be alone anymore. Every night."

"You're not alone anymore. You have Hongjoong. And me. And I will be back with the first light of day."

"Promise?"

"I promise you, Seonghwa. Even if the whole world ends, I will always find my way back to you."

The end

[wherestoriescomefrom]

what’s your take on white authors writing books about asian characters/asian culture (lmao i know this is a stupid question and i know the answer but i love reading your thoughts so i just want to see your rant kendje if u ever decide to, that is)

ahahahah nooo i love stupid questions!! plus, this is a very interesting one - i just wish i had a rant locked and loaded, but i really do not?? to tell the truth, i don't mind white authors working with asian characters/cultures, i just think that they tend to get it just a little bit wrong a lot, even with the best intentions. i like the approach becky chambers took in A Long Way to a Small Angry Planet, where the sci-fi universe just doesn't have as many white people. she doesn't have sweeping generalisations of asian/non white cultures, but she finds reasonable ways to insert characters that look like me. i know it's a safe approach, but the fact that she has a LOT to say about culture, she just does it through alien cultures? i think that really worked for her, she was sensitive to avoid stereotypes, and she mostly managed to stay in her lane. like white people don't have to write about our cultures, they don't have to detail all the nuances, but if they are going to, a sensitivity reader is the best idea.

and then, i think, the other thing to think about,,, is a lot harder to articulate. who is the author aiming for? who's the audience?

more often than not, the author is aiming for a western audience. i don't mean a non-white audience, i mean a western one. even if you are aiming for an indian diasporic audience, they aren't, you know, an indian one. which is where i think fantasy can get a little dicey. the idiom of fantasy really borrows from a western tradition, especially when you are writing for a western audience. and that can be a problem because you tend to move backwards in history while writing fantasy fiction - which means, somewhere or the other, you are going to borrow from imperialist tropes. with something like The Djinni and the Golem, for example, you're in a situation where the author is actually doing a really good job of writing an immigrant american story - but whenever she moves backwards into the middle east, some of the tropes do show up. similarly with daniel abraham, when you read The Long Price Quartet, moving backwards ends up borrowing from some pretty colonial ideas of what asia looks like. and i genuinely LIKED daniel abraham!! i think he did a really decent job, he didn't overuse the word honour, he created a solid magic system, and asia wasn't homogenously imagined by him.

but then in the second book, hes writing a shakespearean tragedy within an asian context, and of course he has to create a discourse around how oppressive the culture is for ruling women?? that entire dimension of feminist understanding is limited, and it was jarring to read it.

the associated problem with this, of course, is that no matter how well you choose to depict asian cultures, none of your books are going to make it to asia.

i am one (1) upper caste girl who has access to the idiom of fantasy fiction. there will be some others like me. but the price of these books is insane for readers who are not in the states. most fantasy books cost over 350 rupees, which is one week of groceries for someone as privileged like me. what is important to remember when writing fantasy fiction and depicting asian cultures is that at the end of the day, your audience is at least once removed from the space it is coming from. you can write as interesting a fantasy as you want using indian histories, but india itself is not going to have that book stocked on their shelves. this isn't to say that white western authors or non white western authors have the mantle of representing every country ever within fantasy, but it is something we should keep in mind - and one that we often don't. a second generation american immigrant will always have more privilege than me, will always have more access to some of these cultural idioms than me, and the books you write aren't going to end up in the shelves Universal Book Sellers, or Bahrisons and Co.

i think this is the bottom line for naomi novik, too. i genuinely think she got a sensitivity reader this time, thats why she improved quite a bit - but even then, she blundered with the arranged marriage thing, which is a pet peeve of mine. genuinely think picking a sensitivity reader from india would have helped her even more. this is also why white people's imagination of a south asian person is hindu!!! because upper caste hindu people usually are the ones who become diaspora in the west, because they have far more access to the cultural currency of the west. within india, we have people who are not upper caste, south asians who practice judaism, christians of various denominations (who are very different from the western imagination of christianity), muslims of different castes and denominations, and so many regions with different languages. i mean, it is telling that of the two indian girls she writes, both are hindu, one speaks hindi and marathi and the other speaks bengali (for those who don't know, bengali people are generally culturally overrepresented in indian history and culture, for various caste related reasons).

ok for real im going to stop now.

there is a larger point i could make around the entire conversation around representation but i have already gone on for a very long time. so much for not having a rant locked and loaded, eh???

[dogstarblues]

honestly not just a YA issue I’ve seen some insanely boring fantasy that’s just ripoffs of bigger series or a rehash of tropes that have already been done to death in the 90s

my dear i said in my post everythings already been done. rehash of tropes is not my problem its the execution. and YA has a specific writing style that is rampant. which is why i specifically said YA as an AFTERTHOUGHT. theres boring fantasy and then theres a hollow sentence and dialogue thats barely passable. like i know abt terry goodkind! one of the most egregious cases of direct ripoffs and a garbage cobbling of tropes!

but the thing abt YA fiction these days is that its all the same stylistically. i got so excited by Raybearer and A Song of Wraiths and Ruin (what the FUCK does that title mean btw) and Children of Blood and Bone bc i thot that authorship of color would revitalize a marketing group with deeply incestuous stylistic writing. and you know what? its the same shit with african-influenced flair! utterly disappointing. much of YA has a lack of craft. just LOOK at sjm. many of the newer writers dont challenge their audience. bc YA is abt marketing. you know whose from the old guard who has bangin' dialogue? Holly Black! ill still read her work bc shes been at the craft for a long time. even her earliest work was complicated and dark, and at many points, lovely. you know whose out here being challenging? courtney summers and melina marchetta. look at donna jo napoli or francesca lia block or meredith ann pierce if you wanna see real stylistic differences or challenging themes in writing with the targeted high school age group.

queer YA too, yes queer YA still sounds like the same shit. bc a lot of ppl who write YA only read other YA authors who do the same shit! its WILD.

however that post wasnt abt YA it was abt fiction writers at LARGE who have frail egos and insecurities that ignore craft in favor of suffering under the delusion that what theyre making is entirely singular, that what they can produce is unique. and i did say that isnt the point of writing. or at least, it shouldnt be. the point should be: because you love to create. the goal can factor in, yes! like im making a series of short stories that i want to get published abt black queer and trans characters who are somehow directly or tangentially connected to a university for studying magic. studying magic at school? its been done! a series of interconnected short stories? its been done. see: brides of rollrock island. but im not making it bc i think its so unique that i dont want to be influenced by other writers and it has to be protected. im making it bc i love my craft and i want others to engage with what i love. i want to share myself.

im also writing a fanfiction rn for the first time since at the latest 2015. why? bc im in a discord for fans of a 900page literary fantasy and they love to share what they create bc they love the material so much that they study the book to develop a sense of dialogue and characterization and try to present that in their fanfic. bc they want to do it justice! bc they care abt craft! its a tiny fandom! the most hits ppl get on their fic is 217! there are only 50 fanfics for the book at most on AO3! but they do it bc they love writing and adore the material. the discord is popping off every hour of the day and theres only 111 ppl on it. but theyre creating! and i love writing and i think this act of close-reading the material will help me develop my writing!

it wasnt abt YA. it was abt writing.

[thesunnyshow]

Name: reya

Writing Blog URL(s): @chu-ni

Age: 19

Nationality: african-british

Languages: english, swahili, korean

Star Sign: libra

MBTI: enfp/entp (it always changes lol)

Favorite color: purple!

Favorite food: i really love chicken burgers

Favorite movie: princess and the frog

Favorite ice cream flavor: vanilla!!

Favorite animal: elephants

Go-to karaoke song: fancy - twice

Coffee or tea? What are you ordering? caramel frappe with whipped cream, in general i prefer tea though

Dream job (whether you have a job or not)? secretary general at the UN….or an author

If you could have one superpower, what would you choose? making anyone agree with me and do what i want them to do

If you could visit a historical era, which would you choose? ancient egypt!!

If you could restart your life, knowing what you do now, would you?.....no.

Would you rather fight 100 chicken-sized horses or one horse-sized chicken? neither if i could lmfao but i’d go for 100 chicken sized horses

If you were a trope in a teen high school movie, what would you have been? the nerd who’s actually really pretty after she gets a cool makeover 

Do you believe in aliens/supernatural creatures? im not sure about aliens, but i definitely believe in ghosts and spirits.

What are some small things that make your day better? when i can have moments to myself to enjoy my own company. or when someone asks me what i want to eat and they bring it for me 🥺

Fun fact about yourself that not everyone would know? uhm…...probably the fact that i write fanfiction lol..but outside of that! i sing in the shower. and i talk to myself a lot.

What fandom(s) do you write for? nct dream currently, but in the future i want to expand to other groups!

When did you post your first piece? 17th of June 2018.

Do you write fluff/angst/crack/general/smut, combo, etc? Why? i can never write just one genre. predominantly i write fluff with a dash of angst for spice simply because i love a story that has an issue and then having that issue be resolved for a happy ending. when i started my blog i was 17, and so i said i wouldn't write smut. now that i'm older im feeling more and more comfortable writing suggestive content at the very LEAST.. so maybe in the future i might write smut, who knows? i like writing fluff because i like making people feel good, but i like adding angst to it because i feel like the contrast between the two is very *chefs kiss* to me.

Do you write OCs, X Readers, Ships...etc? i only write x readers!

Why did you decide to write for Tumblr? i first got tumblr when i was 13 years old and i was a fresh kpop fan lmfao. i wanted somewhere that shared my interests. of course i discovered x reader fics on here and i was in awe, i guess of how much power writers had in contributing to fandom content and keeping readers satiated. i’d always loved to write and so i’d always wanted to start my own writing blog, and for 2 years i did write for other blogs! it wasnt until 2018 that i finally took the leap and decided to start my own, because i wanted to impact people's emotions and take them on a journey through my writing.

What inspires you to write? what inspires me….teen movies, music!! music is a big one for me, and also the books that i read. i also grew up playing otome games so the plots and writing from those influence my writing a lot.

What genres/AUs do you enjoy writing the most? i really enjoy writing royalty!aus as well as exes!aus. i love to do them cause they require me to build a world and with royalty aus specifically i love weaving together bits of political intrigue, or arranged marriages, etc. its so much fun!!

What do you hope your readers take away from your work? that if this world is too rough or too much, you can always escape from it. it might not be physical, but immersing yourself in a universe that's entirely different for a little while can help soothe you.

What do you do when you hit a rough spot creatively? usually i try and take breaks. the problem with that is that my breaks can go on for longer than i’d like and im trying to fix that. so my other solution is to read read read!! read as much as i can, or go back to books that i loved. ask myself what i liked about the writing, what are some parts that i thought were amazing examples of good writing - i note them down then see if i can apply that to my own work. another thing i do is take a break from writing my longer, fleshed out works and write blurbs! blurbs are a great way for me to write but not feel like its tedious because i don't have to spend as much time on them and it gets me into the groove of writing without feeling stressed out.

What is your favorite work and why? Your most successful? my favourite piece of work is miscommunication. it took me months to write that, even after i lost all the work halfway through, and its the longest piece of work i have written so far, so its kinda like my baby. my most successful is candy jar. its also the work i owe my blog exposure to - it was the first piece i published, and it was also the first piece of writing i did in around 4 years.

Who is your favorite person to write about? i don't have much out for them, but i really enjoy exploring mark’s and jeno’s characters. they're people, but in my work i enjoy analysing them and judging how they’d act in different contexts.

Do you think there’s a difference between writing fanfiction vs. completely original prose? the only difference for me is that fanfiction (depending on the fandom) has some of the stuff fleshed out for you already, such as the world its in. if youre the type to write AUs then the only thing you already have is the characters - the planning, the writing, the drafting, and everything else is still the writer's responsibility. therefore there isn't much of a difference between the two for me.

What do you think makes a good story?  a good story, to me, is one that takes me on a journey. it could be any genre, but i like to feel immersed and connected to the characters and the world in it. also aside from the obvious, like good grammar, a good story feels natural to read. i don't feel like skim reading half of it.

What is your writing process like? my writing process consists of me getting inspiration - usually from a song, or a film or a book ive read or a game ive played - i note down my idea and who i want the story to be about, and then bullet point the whole story, with some snippets of particular dialogue i want the reader or the other person to say at certain scenes. i then open another document ( i have a writing app on my phone, called werdsmith, so i use that!) and set a word count goal i want to hit so i can track my progress and start writing the fic, with fleshed out language and exposition. when im done (usually after a couple weeks up to a few months, depends on the length of the plan) i read through it to fix any mistakes, then i transfer it to docs so i can read it again and italicise any areas i feel need it.

Would you ever repurpose a fic into a completely original story? i...don't think so. mainly because the original fiction i read and would like to write for myself is predominantly fantasy, whereas the fanfic i write on my blog is usually non-idol, normal fics. 

What tropes do you love, and what tropes can’t you stand? im a SUCKER for enemies to lovers, royalty ofc, “and they were roommates”, and i think superhero aus are really cool but there isnt enough of them :( idol/you as member aus....not feeling her… also abo/werewolf/vampire aus….not feelin em

How much would you say audience feedback/engagement means to you? a LOT. a HUGE amount!! i said before how i like giving my readers somewhere where they can immerse themselves as an escape, even for a short while. hearing about how my work affected them, made them feel, makes me feel less insecure about what im writing and thus more confident to publish it.

What has been one of the biggest factors of your success (of any size)? i’d say reblogs. and also putting out more content. when i first uploaded candy jar i went to my one of my favourite writers (jaeminlore) and asked her if she'd be okay with reading it and giving feedback. to my surprise she loved it and her reblogging it to all her followers is literally what gave me a bunch of followers all of a sudden who loved what i’d written. to keep that momentum i created more and more content, and while i haven't uploaded as often as i've wanted to or written as much as i’d wanted to, i can say i have a good amount of work on my masterlist for people who are looking for more to read.

Do you think fanfic writers get unfairly judged? 100%. fanfic has an unfair reputation for just having bad writing and cringey fics (and i feel like this is because of the way society views the demographics who predominantly consume and create it), when in reality i feel like those who write fanfiction are extremely talented and selfless people. they're on the internet creating content for free for people to enjoy and like any other work of art they're putting time and effort into it. i think it should be respected. any form of art is going to have its good and bad sides.

Do you think art can be a medium for change? hmmm….yes. i feel it can be a way to reflect the thoughts of people and also be a way to inspire people to do more.

Do you ever feel there are times when you’re writing for others, rather than yourself? sometimes. sometimes i feel like i'm forcing myself to write because i feel like if i don't then people will forget about me or they’ll forget about my blog. while what i choose to write about is for me, i feel like the speed of my writing and what im writing isn't to the quality i want it to be cause i feel like i gotta get it out for people to read.

Do you ever feel like people have misunderstood you or your writing at times? i've never felt that way!

Do your offline friends/loved ones know you write for Tumblr? only 2 of my friends know, and i only told them like. a week ago!

What is one thing you wish you could tell your followers? i wish you guys would message me more! i'm quite a sociable person, and i’d love to have regular anons who talk to me 👉🏽👈🏽

Do you have any advice for aspiring writers who might be too scared to put themselves out there? i think one common thing amongst all writers is that we write what we want to read. so don't feel like nobody's gonna read your work, cause somebody will. you gotta act like your work is top tier even if someone says it isn't - always write the best you can, and just do it! like don't even give yourself time to overthink it, write that fic, make it look pretty, upload it onto tumblr and do not be afraid to ask your favourite fic writers to read your work once its up!! i’d be happy to read and give feedback for any fic writers as well so don't feel afraid! 

Are there any times when you regret joining Tumblr? ive been on here for 7 years….i grew up on this site lmfao. but i don't think i regret joining tumblr once.

Do you have any mutuals who have been particularly formative/supportive in your Tumblr journey? shes not very active anymore and i miss her very much but user hyuck-s was so supportive and i love her!!

Pick a quote to end your interview with:

she believed she could, so she did.

BONUS ROUND: K-POP CONFIDENTIAL 

[ceealaina]

Out in the Cold

Title: Out in the Cold Author: ceealaina Rating: T Square Filled: G3 [Snowman] - @winterironbingo​ Y2 [Butts, Biceps, and Barnes] - @buckybarnesbingo​ Pairing: WinterIron Summary: Avengers press events are one of the worst parts of the whole superhero gig. But getting paired with Barnes (the man he just happens to have an unrepentant crush on) for an afternoon of snowman building? Tony’s had worse days. Link: AO3

Tony drew in a deep breath, preparing himself as best he could before the elevator doors opened and he was met with the rest of the team, looking up at him with hopeful, expectant faces.

“Sorry guys,” he told them, watching their faces fall one by one. “It’s a no go. We’re roped into this one, no excuses.” 

“Aww, come on,” Clint protested, slumping back into the couch cushions and pouting as he folded his arms across his chest. “But I don’t wanna.” 

Nat smacked the back of his head. 

Steve was the first to rally, because of course he was. “Come on, team. This is important. Like it or not, public relations is an important part of what we do.”

It might have been more believable if he wasn’t wincing like the words caused him physical pain. Beside him, Bucky rolled his eyes so hard it looked physically painful. Tony felt his lips twitch as he fought back a laugh, but of course Bucky noticed, giving him a wink that made heat flare low in his belly. The crush he had on Barnes was really getting ridiculous. 

“But it’s a freaking snowman building contest,” Clint whined. “What is this, the Christmas fun fair? We’re superheroes!” 

As per usual, everyone ignored him, reluctantly accepting that they weren’t getting out of this particular PR event and breaking up to do whatever it was that superheroes did on a Tuesday afternoon. For Tony, that meant brewing a fresh pot of coffee. He was leaning over the counter, inhaling the smell (it had been a very long morning) when he suddenly realized that Bucky was beside him, leaning back against the counter and looking down at him. Tony managed to keep himself from jumping, instead slowly raising his eyes to meet Bucky’s and waiting. 

“So.” Bucky gave him a grin, nudging him with a shiny metal elbow. “Wanna be partners?” 

Tony arched an eyebrow at him, straightening up again. “Partners?” 

“For the snowman building thing. We’re supposed to pair up, right? I’m calling dibs.”

Tony fought back the pleased looking grin that threatened to split across his face. “Moi?” he said instead, fluttering his eyelashes ridiculously until Bucky snorted and gave him a gentle shove. “Kinda figured you’d be pairing up with our fearless leader there, Buckaroo.”

Bucky looked so incredulous that Tony found himself fighting back a laugh. “ Stevie ?” he asked. “Nuh-uh, no way. I know how ridiculous that idiot gets over ‘art.’”

“Snowman building is an art now?” 

“It will be to him. He’ll get all particular and bossy... Nope, Sam can have ‘im.” 

“Oh well, in that case.” Tony held out his hand, beaming when Bucky grabbed it and gave it a firm shake. “You’ve got yourself a deal, Snowflake. Let’s win this thing.” 

***

The day of the competition dawned bright and clear. It hadn’t snowed in three weeks, but they’d brought in a snow machine special for the occasion. It was being held on the compound, giving the public a chance to see first-hand the private lives of their favourite superheroes, or some other public relations nonsense that had them all cringing a little. Ticket holders would get a tour of the more public areas of the compound before watching the snowman building competition and then there would be hot chocolate, cookies, and mingling inside. All the ticket money was going to charity, which explained away the sky high prices -- and, unfortunately, also explained away the number of rich, society-climbers who were attending. 

Tony, however, with the help of Friday and some carefully crafted aliases, had managed to buy about half the tickets himself, giving them away to underprivileged kids from the city, with free transportation included. It made them all feel a bit better about how weirdly invasive the whole thing seemed. 

Spectators had started arriving hours before it was due to start, and by the time they all trooped outside for the actual competition, they were wound up and cheering. 

“Oh boy,” Tony muttered, quiet enough that only Bucky would hear as he put on his brightest press smile and waved with mitten-clad hands. “No pressure or anything.” 

Bucky grinned and, when they’d turned out of view of everyone, winked. “Come on, Stark. We’ve totally got this.”

Tony grinned up at him. “Fuck yeah.” 

***

One hundred and fourteen minutes later, he wasn’t so sure. They should have had it in the bag. Three entries down from them, Wanda and Vision were making a fucking ice sculpture, which, what the fuck? Whatever, they’d lose on a technicality -- it was a snowman competition, not an ice man competition, thank you very much. Nat and Peter had given up about ten minutes in, and Nat had spent the entire time showing Peter her favourite moves on the lopsided snow block that they’d created. Clint had ended up pairing with Bruce, who had bowed out at the last minute due to rage issues (they all knew he was faking it). Clint had built the most cursory snowman ever and then wandered off in search of a warm drink and hadn’t come back. 

The problem was that Tony kept getting distracted. Barnes’ pants seemed extra tight today, or maybe it was just the cut of his new ski jacket, but either way his ass looked phenomenal today. On more than one occasion, Tony had had to shake himself out of a temporary, butt-induced stupor. And, like most super soldiers, Bucky had a tendency to run hot. Hot enough that at some point he’d stripped out said ski jacket, leaving him in that tightly fitted red Henley that featured in many of Tony’s favourite fantasies, biceps bulging as he lifted heavy mounds of snow. 

Not that ogling Barnes’ butts and biceps (and thighs, and back, and face…) was a bad way to spend an afternoon necessarily. But while Tony had been distracted, Team WinterIron’s (Bucky’s idea, but Tony had to admit the name was growing on him) snowman had come out looking kind of… aggressive. He had a frown, with angry eyebrows, and Tony was pretty sure that Bucky was putting the finishing touches on a gun belt around the snowman’s waist. It looked especially bad next to the all-American Christmas scene that Sam and Steve had built beside them, complete with a bald eagle, because Sam thought he was hilarious. (He kind of was, but Bucky wouldn’t let Tony give Sam the satisfaction of knowing that.) 

Tony frowned at their entry speculatively, trying to figure out if there was anything else they could do in the six -- no, five minutes remaining. “It looks like it could kill someone,” Tony announced, poking at it haphazardly. 

Bucky shrugged, offering him a grin over the top of the snow-ssassin’s head. “That’s kinda what I like about ‘im.” 

“No!” Steve wailed behind them. “That line has to be at 45 degrees, Sam. Fourty. Five! Not fourty six!” 

Tony caught Bucky’s eye and the two of them burst out laughing. 

***

They lost, because of course they did, but it was hard to feel too bad about it. They’d had a great afternoon, laughing and throwing snow at each other, and Tony at least had all but forgotten about the adoring public watching their every move. Sam, on the other hand, looked ready to punch Steve’s teeth in, and had spent the afterparty thus far studiously avoiding the other man. Tony would take Team WinterIron’s second place standing in a heartbeat. 

The party was, at least, going better than Tony had expected. They’d been able to avoid the most annoying of the donors by hanging out with the kids the whole time -- nobody could really call them out on it unless they were an irredeemable asshole, and while there were one or two of those present, a stern lecture from Captain America on the reason they were all really there had been enough to deter them from making a fuss. There were Christmas trees and lights decorating the area, and Pepper was an absolute angel who’d managed to arrange for a Santa Claus to come and give out gifts to all the kids. Even Clint had warmed up to the event, and they all seemed to be actually having a good time. 

Tony had slipped away for a breather and was standing half hidden behind a Christmas tree, sipping on warmed apple cider, when he felt someone looming up behind him. Lips curling up in a smirk, he glanced back at Bucky. 

“You’ve gotta stop sneaking up on me there, Bucky Bear.” 

Bucky grinned back at him. “But where would the fun be in that?” 

Tony rolled his eyes. “So, did you get a chance to see Santa? Tell him what you want for Christmas?”

“Well…”

There was an odd tone to his voice, and Tony glanced at him to find… was he blushing ? He blinked at Bucky, who bit his lower lip and seemed to steel himself. 

“All I want for Christmas is you.” 

Tony stared at him a minute, and then he started to laugh, pleased and delighted. “Are you…Is this a joke?” 

Bucky shrugged, looking shy but hopeful. “Delivery, maybe,” he admitted with a crooked grin, voice a little hoarse. “But not the sentiment behind it.”

Tony beamed at him and then, after a quick look to make sure nobody was watching them, he darted forward to plant a quick kiss on Bucky’s lips. 

At least, it was meant to be a quick kiss. Bucky’s hands came up faster than he’d expected, gripping his waist and pulling him in close, deepening the kiss. They were both breathing a bit harder when they pulled away. 

“Yeah,” Tony admitted, having to clear his throat when his voice came out a little more high-pitched and giddy than he’d intended. “Yeah, that sounds like a good Christmas gift to me.” 

Bucky positively beamed at him, giving him another quick kiss, a little more needy this time. Tony hummed softly, and was just wondering how long they’d have to stick around before they could reasonably slip away, when another thought occurred to him. 

“Wait, aren’t you Jewish?” 

Bucky just shook his head and laughed. “Shut up, Stark.” 

[kewltie]

How do you come up with so many new ideas for stories? I feel like I’m constantly stumped and stuck with cliches (and while those are fun and I absolutely love them) I can never really think of something to make it my own? When I see your writing I feel like you’re able to take cliches and make it your own so much it no longer feels like one, I’m always so worried about making a story to similar to another when trying to put a spin on a classic trope, also! Hope youre doing okay during this time

hi anon!!!

such a good question to bring up! for me, personally, inspiration comes really easy bc im really easy. that sounds weird but i basically consume any form of media across various genres that would catch my interest. i read, watch, play (games mostly lol), etc and maintain a variety of interest in like all sort of things so i pull ideas from a lot of diff places. like, i REALLY REALLY love animals and nature documentaries so i like to incorporate that into my stories w/ in the form of post-apocalyptic mermaids au (what happen when majority of humans leave earth and those left behind returns to the oceans bc i watch a fake nature doc about mermaids which are apparently sea ape and how how all live originate in the sea) or plant au (where the earth is living entity and try to take back the planet w overgrown murderous plants and descend into a world of nature taking REVENGE etc). i also really REALLY like watching doc about history of conquered so that influence my writing a lot lol. so yea, i take inspo in all these media i consumed and turn it into something i want to read. so having all these various interests that are all over the place i dont have a problem jumping from one genre to the next and never really get bored! you can see me talking endlessly about the various media i have consumed (i.e shoujo/shounen/yaoi etc manga/webtoon, asian dramas, games, tv shows) and im always open to new ones too!! being open minded to try out things not in my comfort zone was such a huge help for me and now im like ok that sounds cool i’ll try it lol. 

also, i really what i call genre mashing like combining two things that dont usually go together automatically like ??? post apocalyptic mermaids??? the princess bride but steampunk?? OR beauty and the beast au in space?? LIKE all are ideas i have talk huge amount about bc i love putting familiar ideas and throwing it some weird wild settings and just HAVE FUN. if you have something you think been done a millions time before (which is not WRONG AT ALL) just think how you could do it different this time around or look at it in a diff perspective. like, i wrote a hundred arrange marriage royalty au AND I APOLOGETICALLY LOVES THEM and each time im like i already did desert setting so i’ll go for some winter setting this time around; or i’ll make them childhood friends last time, i’ll go for enemies; in other fic i explored theme of duty vs heart, now i want to explore war themes etc so like i dont intentionally try to make it diff but i just think how the story & chars may go if i take on a diff direction and sometimes that little change can have a rippling effect and turn into a whole diff story. so yea, dont be afraid to ask yourself WHAT WOULD HAPPEN IF–? bc who knows where it take you! 

this also translate to when im reading fanfics of other ppl and I READ A LOT. LIKE A SHIT TON. if im not writing im usually reading something. when im reading other ppl’s fic i get to see their take on certain tropes or how they address certain that i may really like a lot and i want to tackle it on my own but that also lead to if i run into a branch in the story where the author does it certain way but i think myself hmm…. what if this happen the other way and THAT GIVES ME IDEA. like, dont let hold yourself back from reading other fanfics bc you’re afraid you get similar ideas when the whole of fandom is about inspiring each other. inspiration =/= carbon copy. i openly talked about my ideas all the time and not possessive about it bc sometimes ppl would ask me if they can write something base of it and i 99%  say yea go ahead bc the way they write it would be diff from how i write it even though it’s the same concept, how i write the chars & the themes may be diff from how they view it. you can HAVE THE SAME IDEA BUT DIFF EXECUTION. that’s the most important part!!! it is not plagiarizing bc seeding an idea is like part of fandom and it becomes trend a lot the way ABO gets around the fandom like wildfire lmao. 

last but not least, be THE FIC YOU WANT TO READ. this is why you usually see me starting a conversation w a i really, really LOVE/LIKE etc and ramble away about an idea and how it’ll go. a lot of my stories are a reflection of my interests like how im always talking endlessly about kingdoms, war, and rulers and conquerors bc im just really fascinated by it lmao /o. and there’s also all those single parents fic i wrote bc i deeply empathized with it due my childhood being raised by a single mother. and there are times when things that matter to me i put in my stories, like im hitting my 30s soon and im still single. i think i dont mind being like that but i want to have children so how would that work out?? things that plague me in real life i address in fics in term of surrogacy & sperm donation bc it’s something i consider about wanting a family when you’re single and dont have a partner. every fic or idea i have ever written or talk about you can see my fingerprints all over it bc they’re things i deeply, truly care and am interest about that i want IT TO EXIST IN THE WORLD so i write it out. i algo get really annoyed when im there’s a trend in fandom to take a trope in certain direction and i just dont like it lmao (i.e. villain!deku im more focus on izuku getting his redemption and how & yandere au  WHEN THEY ARE EQUALLY CRAZY ABOUT EACH OTHER) so i put my frustration and complaint into a fic. you can see this clearly in a lot of my ABO fics where i tend to put omegas often on top bc that’s just my particular taste. i dont try to buckle trend just to be contrary but i do it when my taste doesn’t match theirs and ya know be the fic you see in the world basically lol. just bc something is popular by the mass doesn’t mean you have to follow it even IF YOU THINK YOU’RE THE ONLY ONE WHO LIKE IT, let assure you’re wrong. there will always be someone who taste clicks with yours OR you can persuade them just by writing a kickass fic and just stand by what they wrote. sometimes, i find myself falling in love with a story i would never consider reading at all bc i dont like the trope or themes just bc the writing is v v v good or the writer CLEARLY LOVE WHAT THEY WROTE THAT THEY PUT THEIR HEART AND SOUL INTO IT and i can see it in their writing and im swayed. so yea, don’t think of putting a new spin on old cliche but try to think of as making it your own by doing it how you WOULD GO AT IT. how would you write the million abo fic? what do you like to see? HISTORICAL, SCIFI, FANTASY? how would you categorized ABO?? go for classic alphas rules society and omegas are lower class? or do the total opposite?? like DON’T FORCE yourself to be diff, just let it come to you and im sure you’ll be able to make it your own bc look there’s like a million fics on ao3 AND EVEN MORE THAN MILLION original novels in real life. you’re not going to invent anything new that had never seen before so dont try be diff but be yourself and soon you’ve have something that is solely your owns and nobody else and that’s the best advice i can give. 

a;sjdf;as sorry this is such a incoherent mess but i LOVE, LOVE cliches just as much as i like trope breaking them and it doesnt matter where you fall on the line as long as you can enjoy what you create that’s all that matter! i hope whatever i said help you out a little and lighten your worry just a bit. and thanks for the question bc it really is intrestingl !!!!! and i hope you’re staying safe and please take care bc im doing ok for now lol!!

[bmcrbb]

artist claims

sorry for the delay, there’s some personal drama taking up my time to blame here & also a small bit of classic procrastination. but here we are, with ARTIST CLAIMS.

here’s how this works!

i’m gonna put a list of fics below the read more line, and they’re all numbered, but do not have author names on them. your job is to pick your favorite 3 fics, and then enter their numbers into this form. that’s it! a fic may end up with multiple artists, and we may do a round 2 for any unclaimed fics.

here we go!

1. Marked On My Grave

Summary:

Really, Christine hadn’t expected much to come out of her life after dropping out of Bard Highschool. Her job opportunities were low, and Bard College was out of the window entirely. Shady deals made by angry princesses didn’t exactly help, nor did the pillaging pirates and necromancers-for-hire. And the necromancer’s mechanical henchmen were just the cherry on top of the very, very dangerous cake! But Christine really couldn’t say no to an adventure, could she?

Ships: Hints of Christine Canigula/Jenna Rolan, background Jake Dillinger/Michael Mell, background Brooke Lohst/Chloe Valentine

Tags & Warnings: Fantasy Au (Inspired by DND), Minor Non-Graphic Violence, Mentions of Blood, Mentions of Unconsciousness, Brief Mention of a Concussion, Mild Cursing

2. Reconnect

Summary:

Jeremy is a single dad trying his best. Michael is also a single dad trying his best. After a falling out in high school, they haven't seen each other for years. When their sons become friends, they're forced to talk through their problems and figure out how to get along. Michael never really thought of Jeremy as anything more than a friend, but now...

Ships: Michael/Jeremy, Christine/Brooke

Tags & Warnings: Refrenced Abuse (from squip and from a parent), Slow Burn, Child Original Characters, jeremy heere fights the PTA

3.  off key, but in tune (we reach a crescendo)

Summary:

Marching band! (No squips!) Rich has been in band since freshman year, he's been aware of Jeremy since they joined at the same time even if they played different instruments. They weren't friends but they weren't not friends. Eventually Jeremy brings another kid with him - they're sophomores now. Rich isn't necessarily good but he's the only other person who plays baritone. Michael picks it because no one else plays it. No one except Rich.

They spend their time at the back of the marching field, helping each other get their uniforms straightened out, crammed in the back of the band bus with Jeremy, falling asleep on the way home from a competition. Nothing becomes something becomes everything. Michael helps Rich read music, Rich helps Michael's form. Sophomore year turns to Junior year turns to Senior year. Long nights at competitions, winning awards, holiday concerts, state band competitions. At some point they realize that this might be what love is.

Ships: Michael/Rich

Tags & Warnings: Rich's dad sucks, implied self harm (nothing graphic), I'm not totally sure of all the details yet but they're sad and learn to navigate. Maybe past suicide attempts referenced. maybe underage drinking/smoking weed

Notes: the kids are all lgbtq and neurodivergent im not exactly sure on everything yet, rich has adhd michael is autistic and has adhd. slowburn all that good stuff, michael and rich play baritone, rich moves up to sousaphone and michael is a drum major senior year. jeremy plays flute. the others will be in it not totally sure whos where yet. jenna is yearbook tho.

4. Dead Poets

Summary:

Brooke loves poetry and dreams of becoming a poet herself, but when Chloe starts belittling her for it, she decides to leave it in the past. Flash-forward to junior year, and Brooke feels like her only purpose in life is to follow Chloe around while being constantly reminded that she's inferior to her. She could leave, but fearing what others would think and knowing that she's been in love with Chloe since kindergarten prevents her from doing so.

The only place that provides her solace is her favorite place behind the school, and one day, she stumbles upon someone there—Richard Goranski, a guy who loves poetry and literature as much as she does, and is also struggling with an unrequited love. Hanging out with him revives her will to create poetry, and together they learn how to cope with their problems. Unfortunately, things also get a whole lot more complicated, and Brooke realizes that perhaps that's how beautiful tragedies were written—they were experienced first.

Ships: Chloe/Brooke, Platonic Brooke/Rich, Rich/Jeremy, Christine/Brooke, background Jake/Chloe

Tags & Warnings: There are suicidal thoughts (Brooke seriously entertains the thought of killing herself at one point, but doesn't push through with it or even do self-harm at all. Meanwhile, Brooke discovers Rich's scars from doing self-harm, and learns that he's tried to kill himself before) and mentions of depressing things (like tragedies, so there will be mentions of blood and violence and stuff like that, but it's pretty brief), homophobia, Alternate Universe, Suicidal Thoughts, Self-Esteem Issues, Friendship, Inspired by Poetry, Hurt/Comfort, Heavy Angst, stuff like that. Oh, and there's a bunch of fluff at some point, and the S.Q.U.I.P. doesn't exist.

5. take my hand, take my whole life too

Summary:

Expensive Headphones fake dating AU.

Ships: Rich/Michael

Tags & Warnings: No Current Warnings, Fake dating, Wedding, Fluff

6. friended

Summary:

Focused mostly on platonic relationships and the aftermath of everything, i know one plot point that i wanna include is michael’s moms taking in jake after the house fire and rich + jer bonding

Ships: Jeremy/Christine/Jake, potential Rich/Michael

Tags & Warnings: Mentions of the squip abuse, Homophobia, Alcoholism, Platonic michael/jake, Fluff, Hurt/Comfort

7. love shack (that’s where it’s at)

Summary:

Brooke decides to capitalize on the annual Valentine’s Day Dance (the second most attended dance at Middleborough High, second only to the Freshman Fling. The prom DOES NOT COUNT, Jake.), and she sets up a little matchmaking stand outside school.

Two things she wasn’t expecting happen:

1) Matchmaking is a surprisingly profitable business

2) She doesn’t want a match of her own

Ships: brooke’s aro and that’s the whole point of this fic but, background Jeremy/Christine, Jenna/Thalia, & some very very background stuff

Tags & Warnings: Brief Homophobia, aro!brooke, figuring out your sexual identity, School Dance

8.  Being Scared Keeps Us Alive

Summary:

Superhero AU where Jeremy is Spider-Man and Michael is like the blogger but anyway best friends turned boyf riends eventually with some twisty villainy occurring in the background

Ships: Jeremy/Michael

Tags & Warnings: Blood & Violence, Superhero AU

9. For The Better

Summary:

Chloe puts in the effort to change for the better, and her and Brooke find that maybe theres a little more than friendship between the two of them.

Ships: Brooke/Chloe, Jeremy/Christine

Tags & Warnings: None Currently

10. Let’s Get Inside Their Brains

Summary:

Jeremy Heere is a surgical resident. He’s the son of the now-deceased well-known surgeon Anne Heere. This is something he tries to hide from his peers. He falls for pediatric neurosurgeon prodigy Christine Canigula when he starts working with her. Christine is hesitant to start things with him because of him being a resident but she falls for him anyway. Jeremy also deals with trying to handle the legacy of being a Heere and the expectations that were set for him before he was even born.

Christine’s character is not just falling for a resident and that is not the only plot. She also struggles with the complicated task of discovering how to deal with a startling new epidemic of implants in people’s brains that change their behaviors. She can’t figure out how to fix the problem even with her prodigy level skills. Her attempts at removing the implant create strange behaviors in her patients that she doesn’t know how to explain. Sometimes the surgeries fail completely and people die on the table.

Jeremy has a knack for neurosurgery and is picked by Christine to work with her. Together they try to understand what exactly is going on and how to fix it without killing the patients or causing strange behavior that can’t see to be fixed.

Ships: Jeremy/Christine

Tags & Warnings: Medical procedures, mentions of past abuse, Dark, Alternate Universe

now, again, ARTISTS, please select your top 3 fics and fill out this form. first come, first serve! please have it filled out by JULY 23RD, or i will chase you around with a wooden spoon in your dms

[comicteaparty]

February 26th-March 3rd, 2020 Reader Favorites Archive

The archive for the Reader Favorites chat that occurred from February 26th, 2020 to March 3rd, 2020.  The chat focused on the following question:

What generally makes the pacing of a comic too fast or too slow for you?

chalcara [Nyx+Nyssa]

My favourite comic style are those large sized, panel and dialogue heavy European comic books, line Blacksad and Asterix. Since every 80 page book tells a complete story, every page is progressing the plot significantly, and the whole thing is pretty compressed and the rate splash page has an impact you don’t get in a more lose, decompressed comic. I love that kind of stuff and I look for similiar pacing in webcomics - heavier on the dialogue but without choking the art, low on wordless scenes (they tend to make me skim), taut and tight story-telling, every page asks and answers a question. I know it‘s a matter of taste and got told more than once that I am too dumb for comics because I don‘t have the patience to read through six pages of wordless, plotless mood-setting; but eh - that kind of stuff just doesn‘t work for me. I firmly believe comic‘s big enough a field that mood pieces and tightly plotted stuff can happily co-exist and find their own readership. I‘m just gonna be in the „plot, all the time!“ corner.

sagaholmgaard

The a comic starts focusing on minor characters that don't hold much importance for the plot I'll find it to be wayy too drawn out. While One-Punch Man is one of my favorite comics, some fights are pretty unimportant for the overarching plot, focusing only on random small-fry heroes fighting random small-fry monsters and it's just... a million action panels for be too read through while waiting for the main cast to return (this turned out to be pretty specific, oops!)

Ash🦀

Honestly, coming from a writing/literature background, I feel that most comics are too fast-paced for me;; I love the slow build up, it makes everything much more rewarding at the end, and the mood-setting that just lets you breathe and stare at the page, yes, a thousand times yes. I guess this is why I don’t like reading or writing actions scenes... so fast-paced and they feel more like “this is action for interesting action and the hero needs exp and not because it’s a necessary battle” ;; but this is more of a personal preference than anything, and... yeah, I definitely blame the books I used to read xD

Capitania do Azar

I'm a little confused with the filler concept introduced here, given that most webcomics are made by individuals (not teams)... What would they even be filling for? I think it's fair to talk about less interesting b-plots or when the scenes are focused on characters we don't like as much, but I would hardly call anything a single artist decided it was worth enough to spend hours drawing by their volition "filler"

As for the pacing question, it is sometimes hard to combine the two facets of webcomics: that they're published on a page-to-page basis but they are often read in bulk, when digging through archives. I don't know if it's possible to find the perfect balance between these two, which makes it possible to think that certain scenes are too slow (oh no, we've been at this wedding for three months now!) but when read in the archive are suddenly too fast... I think breathing room is necessary every now and then, even for faster-paced comics.

RebelVampire

I think you need to consider that just because an artist doesn't see something as filler, doesn't mean readers won't. I've known a lot of comics where the creator created a scene that they loved, but in the bigger scheme of things it served absolutely no purpose to the plot and felt super out of place

So while the filler wasn't intentional as a "I need filler", to the readers it comes off as filler

FeatherNotes(Krispy)

I like long paced, slow- burn type stories where there is an obvious carefully crafted plot with each stitch placed intentionally for a bigger reveal and payoff. Much how i like any relationship shown in stories, i love it when an author almost makes readers work for that payoff. It makes the re-read value go way up, and to catch on to the subtle nuances of plot reveal on the second or third go at the story is very rewarding both as a writer and reader!

chalcara [Nyx+Nyssa]

You can easily have slow burn relationships in a faster paced comic. I actually like that better, because that usually requires the characters to have actions and interests outside of the relationship of interest, which leads to more well rounded characters.

A good example is the novel Clockwork Boys and it‘s follow up - slowburn romance, and while the characters figured THAT one out, they solved a huge mystery.

renieplayerone

Im a big fan of stories that are able to turn the pacing up to 11 on a dime without it getting old or lowering the stakes at all. It takes such talent to be able to tell compelling stories with high flying action at the same time, so I appreciate anyone that can manage that balance

chalcara [Nyx+Nyssa]

My personal approach to writing pacing is that each page has to do at least two of three: further the plot, introduce/deepen story-relevant world building, deepen the characterisation. I aim for all three at once; if there‘s only two, there better be a good reason to keep that scene around, if there‘s only one, it gets cut and/or merged with another one. Eg. I have a scene where the character cook (food‘s relevant because there‘s a famine) and a scene where they argue about their plans, those can easily be combined.

Some scenes are still slower or faster than others, but they all matter to the story.

FeatherNotes(Krispy)

Def agree with Renie on that point too!

Ash🦀

Chalcara makes a good point too, and it’s something I definitely try to keep in mind in my own pages. I try to answer a question and ask another with my pages and pull as much double duty as I can wrench out of it. Now, whether I succeed every time? Absolutely not. But this is a good reminder when I’m going back to edit issue 3- keep the push and pull of questions and answers in mind.

RebelVampire

Ok so at this point I do want to jump in and remind people that as per Rule #1, this chat should mostly be about your experiences as a reader vs. your experiences as a creator. So just want to make sure the convo doesn't delve too far into that realm.

Cronaj (Whispers of the Past)

My answer to this question is very much based on specific situations in comics. Pacing is SUCH a complex thing, and it's not always easy to see the impact in the grand scheme of things. To make a story seem too slow to me, a few things have to happen: the pages/ panels don't further the plot, don't deepen the characters/world-building, or the tension remains consistent for too long. Coming from a theatre background, I sometimes like to refer to this idea as beats. I focus a lot on the importance of every line having purpose. If a character says something, and it doesn't add anything to the experience, then perhaps the dialogue shouldn't be there at all. Or if a panel without dialogue doesn't add anything to the reader experience, the same thing applies. There should be no wasted space. Honestly, I am kind of a sucker for slow build-up (as long as there is actually build-up at all). So I'm not against slow-burn stories. To me, slow-burn shouldn't feel like it's dragging along, or like "nothing is happening," which is a common trap stories fall into. But we as readers need to see those slow moments in order to understand the fast moments too. Which brings me onto pacing that is too fast... Honestly, this is a much bigger problem to me personally. There is this influx in fiction of wanting to have the quickest jump into the action at the beginning of the story, and it always makes me want to stop reading. If the writer doesn't want to have ANY exposition at all or introduce the characters in any meaningful way, how am I as a reader going to give a shit about the characters? That's pretty much an instant story-killer to me. I don't mind if characters are introduced as we go, but completely glossing over them in favor of the biggest explosions never keeps my attention. All in all, I read comics (and fiction in general) for the human experience (which doesn't mean that your characters must be human, lol, fantasy and sci-fi writers).

keii’ii (Heart of Keol)

@chalcara [Nyx+Nyssa] Thank you for mentioning that comics are big enough to accommodate all kinds of tastes. What I find to be too fast might be just right or even too slow for another person, and honestly, it's all valid.

FeatheryJustice

I like a coherent story. It doesn't matter if it is slow paced because I get to absorb the information. I don't mind if it is fast paced as long as I can understand it. If the story itself doesn't make sense because you want a slow paced story with weird inserts in the middle, you have lost me. If your story is too fast to the point of skipping scenes and details you lost me.

spacerocketbunny

I love slow building stories with larger payoff. Making sure that characters are fleshed out and given the chance to breathe while still facilitating the plot is a tricky thing to pull off but I've definitely seen it happen in comics like Shaderunners, TINF and Tiger Tiger for example. Shaderunners does an incredible job of showing a multifaceted inner conflict with characters while never missing a beat with super fun and high stake heists. TINF is one of my favourite romance stories that carefully builds up and constructs the characters and their feelings for each other while still maintaining that significant information on every page. Tiger Tiger is a slower paced story but keeps me on the edge of my seat every update. Petra utilizes space beautifully and I never feel like there's a need for condensing on pages. I boost these comics a lot but I personally find that pacing is a huge factor in my enjoyment for a comic, and I love these ones so much bc they suit my preference quite well!

keii’ii (Heart of Keol)

There was a Korean professional webcomic (on Naver, though I don't think it ever got officially brought over to Webtoons) that I read, that had this interesting situation: seemingly fast pacing, very high tension, yet slow. It was a thriller that pitted a serial killer against the surviving wife of his latest victim. Once she got an inkling who the killer was, the tension skyrocketed, and it was a big game of chase. Problem was the chase part. It LOOKED fast paced if you just looked at like, one chapter of it. But they kept repeating the same scenario, just flavored differently. It was a rinse-and-repeat of this: "the wife found a new evidence; now everyone will believe her!" "oh no, the killer is about to catch her!" "the new evidence is lost" "wife finds another new evidence" etc. (It's been a while and my memory may not be accurate, but the idea is there) Nothing really changed throughout the repeated cycles. So yeah, repetition can be a problem.

Capitania do Azar

Haha, @keii’ii (Heart of Keol) I understand your frustration, but I feel like that kind of story is just aimed at a different audience... It almost feels like watching an episodic Tv show where everything has to come back to the starting point by the end of each episode

keii’ii (Heart of Keol)

That is certainly a type with its own audience. Though if that's what they were going for, they probably could've benefitted from a different way of starting the story so readers would've known what they were in for. And there were lots of things that really felt like could have gone somewhere, but never did.

Hmm, I guess that's another thing that could affect how pacing is perceived: loose threads?

RebelVampire

IDK I think there's a difference between something being episodic and something being annoyingly repetitious. For example, Detective Conan is arguably episodic. Each situation in the larger scheme of things is largely the same: Crime happens -> There are red herrings and twists -> Conan solves it. As a mystery comic, it's never gonna deviate from that formula. But if literally every crime had the basic same plot flow, like if the red herrings and twists were the same everytime, then it ceases to be episodic and just becomes bland and repetitive.(edited)

keii’ii (Heart of Keol)

OH and speaking of Korean webcomics, I wanna talk about a pacing-related concept that gets brought up a lot in their comment sections: yam vs sprite (they call it "cider" bu they really mean sprite/ 7-up). Baked yam is a common wintertime treat. It fills you up, it's delicious. But it's notorious for making you thirsty. It kind of clogs up & dries up your throat. Whereas sprite is a thirst quencher. So, the idea is you can't eat yams forever. You need sprite to balance it out. Yams are a metaphor for frustrating build-ups. There is a sense that you (and/or the protagonist) are being wronged. e.g. It's a sports comic, and the leader of the opposing team keeps trash talking, even cheats and gets away with it. Sprite is a metaphor for satisfaction. In the same sports comic example, the arrogant, cheating leader finally gets what they deserve. Most stories need its share of yams. But if the yam portion of the story goes on for too long, the comment section will be filled with "where's my sprite!!!" "I feel like I ate 1,000 yams and now REALLY need some sprite" etc.

spacerocketbunny

Ahh that's an interesting concept!

keii’ii (Heart of Keol)

There are certainly stories that are big piles of yams by design. But I think when done well, readers who like a lot of sprite can tell what it is, and walk away pretty early on. So those comics attract readers who are into piles of yams.

(Of course, there's always gonna be That One Person who walks into a yam party and loudly demands a 5-gallon bottle of sprite... )

LadyLazuli (Phantomarine)

In that case, I definitely avoid yams! No matter how much I love a character or cast, I tend to go crazy if we stay in one location too long, or in one slow storyline for too many pages, or if I find myself going "COME ON, DO IT, DO THE THING, WE KNOW YOU'RE GONNA." To me, something new should happen on every page, even if it's a tiny plot progression or a tidbit of character info. I very much appreciate when a story takes time to breathe - and I find it's those quiet, cute, or slightly-unnecessary moments that are most memorable when I think of a comic - but too much of that will make me fidgety. I really need alternating paces to be happy.

kayotics

I think for me, it’s easier for a comic to go too slow than too fast. I’ve definitely seen comics go too fast, but the slow pace is more frustrating for me. What makes a comic slow for me are a few things: too MUCH focus on atmosphere (like multiple hand shots that don’t have dialogue), repeated events, too much buildup for an event, and the last thing is technical ability (like speech bubbles that are too large or in vertical scroll comics the panels being way too far apart). I’m pretty ok with letting things breathe, and I actually love that, but I need something to keep my interest, and those things above don’t do it.

keii’ii (Heart of Keol)

I don't think yams are about repetition, though it can certainly involve repetition. It could be a new level of frustration on every page, revealing something new about the characters. But those would still be yams.

Deo101 [Millennium]

I'm also of the mind that its way easier for comics to go too slow than too fast. However, I think that its also really easy for a comic to introduce too many things too fast, without giving me the time to get to know anyone (contradictory, I know, hear me out) I think a lot of comics will start in a boring setting, before the initial action. It takes a very long time to ramp up to the ACTUAL story, because they want to get me to a baseline of knowledge before we get to all the action. This is really slow though because essentially nothing is actually happening, plot wise, and I think that the creators know this and so they try to do it all as fast as possible, so by the time we get to the action there are 10 characters and a ton of lore I don't actually know.... So I think there are two kinds of pacing, the actual plot/events of a story, and the introduction of new ideas. For me, the plot/events need to be relatively fast, but the introduction of ideas needs to be slow. I can't start a story with 6 people, it will feel too fast no matter what, and I can't start a story with slow action or it will feel like it's dragging. I don't know if this makes sense or not

kayotics

I think I agree with that pretty wholeheartedly. I want a comic to get me into the action pretty quickly, but introduce new characters and concepts slowly. Give me, like... 3 characters tops to start with.

keii’ii (Heart of Keol)

Yeah, too slow AND too fast is definitely a possibility!

kayotics

Fantasy and sci-fi are both genres that can fall into that trap easily, and I think the comics that bring me into the world building best is the ones that don’t explain things IMMEDIATELY, but explain things over time as I need to know them

Deo101 [Millennium]

^ yes I feel this too. I think there is also a certain respect for a readers ability to suspend their disbelief that is oftentimes not taken into account... I think that, for the most part just being told something exists is fine, and learning how it works is what needs to take time. But, a lot of stories may try to justify things existing, which feels like overexplaining

kayotics

It’s like explaining why trees exist. Sometimes they just... do. I don’t question why they’re there

LadyLazuli (Phantomarine)

Agreed, I think stories set in the real world have the advantage of starting with a bang, without much need for explanation - there's always a need for some explanation upfront in a fantasy/sci-fi setting, even if it's done through visual shorthand. You don't need to overexplain, but you definitely have to explain... more. Or at least make it abundantly clear that A) this is a different world, B) this is the general event that's happening, and C) this is how you should feel about it, even without living in that world.

Deo101 [Millennium]

Yes exactly I feel like I see it most commonly in scifi/fantasy, like you said, where someone wants to explain why their magic exists immediately. This will sound rude but at this point I don't care why it exists, maybe way later you can tell me but I don't care when I'm only just starting .. it feels like reading someone's worldbuilding essay idk

kayotics

Yeah... that’s definitely a thing that can affect pacing negatively. I don’t need a world building essay on how the magic works right away. As long as the logic is consistent in magic I’ll figure it out as a reader. Then you can explain details later and I’ll be into it.

Deo101 [Millennium]

Yeah cause later on it feels like connecting dots, almost like revealing the answer to a mystery

LadyLazuli (Phantomarine)

Yes yes! I love that sense that as a reader, you're being trusted to learn - not so much that you're being fed information, but that you're given enough to put the pieces together. Even done slowly, it's very satisfying.

chalcara [Nyx+Nyssa]

I like my storys with some unexplained mysteries. I mean, how many people know exactly how the internet works, and yet we use it daily? Dumping down a dissertation on how x works more often than not kills pacing for me.

kayotics

I think it can be done well to keep the pacing going, but it needs to be combined with something. Sometimes you need to provide that info dump so the story keeps working

I can’t pinpoint any exact scenes but I seem to remember Gunnerkrigg Court doing that pretty well. There’s a lot of unusual concepts in that story that need to be explained, but it usually doesn’t feel like a slog

Deo101 [Millennium]

Yeah for sure. I do think it can also be used either in tandem with or as an instigator to moving things forward, if done right. Its not illegal to reveal information about the world

I think people tend to do this kind of thing better with Characters than the world. Because with Characters, we want to get to know them and this comes more naturally, but with worldbuilding... It often feels like worldbuilding should be a baseline knowledge rather than also a storytelling element I guess

snuffysam (Super Galaxy Knights)

One thing that really annoys me with pacing is when a single story beat that should be relatively simple takes way too long in real time. Like in one comic I read, the villains tell the heroes to urgently meet them at some location. And, like, the heroes are talking back and forth, deciding who they should send and such. But, like... it's been six months, and they still haven't left the house yet. I guess the urgency feeling is probably there if you're binging the comic? But, it really doesn't encourage me to follow along with the comic if it's such a slow read. I'm not saying that these sorts of authors need to update faster, but if your update rate is to the point where it takes months to finish an urgent conversation, maybe some things should be cut out? Or they should at least be walking out the door while they're talking? I guess it's just sort of a general "something should happen each page" thing though. Like if the conversation is just going in circles, there's really no need for it, and it can be annoying to follow along when it's seemingly so urgent.

keii’ii (Heart of Keol)

I know it's not the same thing, but that reminded me of all the gaming comic strips out there that poke fun at "it's final dungeon time, the stakes are higher than ever, and the player spends the next 80 hours completing the minigames"

sssfrs (JOE IS DEAD)

I have a rule that if any piece of dialogue isn't either directly advancing the plot, giving the reader new information about the characters speaking, or is funny, it should be cut

Definitely agree with what people have said, that big infodumps right off the bat are not enjoyable. I honestly don't ever want the author to sit me down and explain something to me. It's much more interesting to see parts of the worldbuilding in action, or to see things that arent explained and have to theorize about what it is or how it works before the mechanics behind it are shown

Capitania do Azar

I very much second that notion, @sssfrs (JOE IS DEAD) , that's my rule of thumb when I'm writing

Deo101 [Millennium]

I have a similar rule with my pages, but with dialogue I like to have more fluff so we feel like we're spending a bit more time with them

Capitania do Azar

if the info is not something I need the reader to know (and character development is) then what's the point of forcing myself to draw more stuff

but @Deo101 [Millennium] , fluff IS character ;D

Deo101 [Millennium]

Yeah! But it's not always new information is all

You gotta reestablish stuff, let some things marinate, and repeat things for them to really settle in I think, so it can't ALWAYS be new stuff, even if the page as a whole is introducing something new. I mean usually you can do it alongside other stuff but yeah

keii’ii (Heart of Keol)

I think sometimes it's the same for the characters. e.g. The same characters can have multiple conversations about the same topic, but their understanding/ feelings toward the topic can change as things marinate.

Deo101 [Millennium]

Yeah for sure

sssfrs (JOE IS DEAD)

Meaningful conversations where you get to know the character’s personality would fall in the 2nd category

Sometimes its hard to judge whether dialogue will be interesting to someone who’s unfamiliar with the characters

Shadowmark Productions

Someone once told me that dialogue should reveal character and action reveals plot. If done correctly, both work in tandem to advance the story without exposition. I’ve found that to be very useful.

LadyLazuli (Phantomarine)

Ooh. True!

mirandalorian

That's a good way to put it. And it seems like that idea is pretty important in comics.

keii’ii (Heart of Keol)

I think it's 100% fine if dialogue isn't interesting to people unfamiliar with the characters -- as long as it's compelling to people who have been reading from the beginning?

I live for the kind of scenes where like... character A just smiles... it's an ordinary smile to people who don't know A, but it means the world to people who know the context and the character

sssfrs (JOE IS DEAD)

Action can reveal character too

chalcara [Nyx+Nyssa]

I‘d say it‘s even more important, I for starters love characters that say one thing and do another; it‘s a good way to show conflict!

(Inner conflict, I mean)

RebelVampire

For me whether I think the pacing is too fast or too slow are actually two different things. In regards to finding the pacing too slow, I generally base this on a character's progress for their goals. While I like to see characters face setbacks and don't expect everything to be solved immediately, I expect some progress to be had. So if I wind up reading a comic and it's basically taking more than 100 pages for any progress to be made in the protagonist's goal and growth, that's just way too slow for my personal tastes. It kind of just ruins my investment in their goal since it doesn't feel like they're actually working on it, and that kind of defeats the point of a goal. In a similar but different vein, pacing is too fast for me if the comic never stops to breathe to exposit or showcase character emotions. Obviously, expositing a whole bunch is bad, and you don't want to take 20 pages to show a character crying. However, these moments where you take a step back and say "Hey look this character is struggling and here is a hint of their backstory" are super important for creating a bond between the reader and the characters. Without them, it just feels like you're sprinting from Plot Point A to Plot Point B. In relation to this, another element that would make it too fast is if characters are getting over things way too fast because plot is to be had. When something emotional happens, such as a character dies, I should still be able to feel those affects much later even if its not at the forefront. Of course, these are clearly just to my personal tastes, which pacing generally is a subjective thing in most cases.

Eightfish (Puppeteer)

For sure that thing about needing space after emotional events

not a webcomic but some of my favorite parts of One Piece are the crew goofing off after ever major arc

I feel like webcomics can fail at this sometimes, because things that feel tediously slow when writing week -by-week can feel fast when read back all at once

[libra-writes]

11/11/11 tag game

i was tagged by both @flyingfalconflower12 and @corsairesque (thank you both!) so i guess i’m doing both lol (i am posting this so late sorry i’ve been lazy)

1. what are 3 words to describe your WIP?

adventure, magic, love (wow so original)

2. how did you decide on your WIP’s title?

oh boy, so basically my titles are either placeholders that I think sound cool or something really significant from the story

3. what’s your favorite genre to write?

fantasy of any and all types

4. what’s your favorite genre to read?

... also fantasy

5. do the names of your characters have any significance?  if so, what?

i think that maybe some of them might?? but usually its whatever i think sounds cool or has the right ~vibe~

6. do you come up with plots or characters first when planning a story?

it totally depends on the story tbh, but generally i come up with the characters first

7. are you writing more than one WIP?

yes, too many, it’s a problem

8. how many main characters do you have?  why?

usuallyyyy i have anywhere from 2-4 main characters (often more tho) and that stems from me getting too attached and making them a bigger part of the story than originally intended whoops

9. what’s the scene you think you wrote best in your WIP?

oh no, um, i mean there’s this part in embrace the storm where Temerita finally gets her magic and i kinda like that one?

10. which of your characters do you think you’d be best friends with in real life?

probably Lia and Temerita because they’re like more lowkey than everyone else 

11. if your main characters were writers (assuming they’re not) what would they write about?

mmm i think most of them would write fantasy and adventure 

1. Do you create playlists for your stories or characters?

yes! it’s a lot of fun

2. What is your stance on endings that don’t end with some hope?

gross, miss me with that

3. What author would you love to hear feedback from on your WIP?

ok so i’m not entirely sure what this question is talking about so??

4. What is the genre of your WIP(s)?

fantasy/scifi, it’s basically all i write

5. How do you come up with new ideas for your WIP(s)?

i don’t honestly? they kinda beam themselves into my head and my brain just goes into overdrive mode coming up with stuff

6. What do you use to keep all your writing on? (Scrivener, Google Docs, good old pen and paper…)

i have a lot of stuff on google docs, but also like a million half-filled notebooks that go back to elementary school, it’s an absolute nightmare to find things in them

7. What gave you initial inspiration for your WIP(s)?

i honestly don’t even remember anymore most of them weren’t really even inspired by anything at the beginning

8. How long have you been working on your WIP(s)?

it honestly depends - embrace the storm is super new, the kingmakers has been languishing in my google docs for about a year, and walk between the stars i started writing three years ago with my friends when we were bored in science class, but i’ve just started truly writing them recently

9. What was the first thing you came up with for your WIP(s)?

plot for embrace the storm, both plot and characters for walk between the stars, and characters for the kingmakers

10. Have you considered Hogwarts houses for your characters? If so, what are they?

yes, but there’s so many that it would take too long to list them

11. What do you find easiest to write? (Description, dialogue, etc.)

description and inner thoughts probably, i have sooo many problems with dialogue and action

questions for other people:

which character do you have the most fun writing?

do you have a cheerleader for your writing (friend, family, etc)?

have you ever cried writing a scene for your wip?

do you take personality tests for your characters?

do you know how your story ends before you start writing?

do you plan plot twists, or do they just appear?

where’s your favorite place to write?

do you ever have to completely delete characters?

what’s your favorite part of the writing process?

what’s the longest thing you’ve ever written?

do you ever want to get published, and with which story?

im too tired to actually look for people to tag, so just anyone feel free to do this!

[crafiet]

1-50 of the writers ask thingy, tell me everything :D

D:

1 : What age-group do you write?adult! ive always written characters my age or a few years older

2 : What genre do you write?sff, mostly fantasy

3 : Do you outline according to big ideas or small details?hmmm, i guess small details? when i get an idea, i get an idea for single scenes or pieces of dialogue or a certain character, so i piece together an outline from that. but i have trouble with a overarching plot lol

4 : Which do you prefer–line-editing or plot-revisions?line-editing, i love editing. revisions suck bc it takes me 10,000 yrs to come up with an idea and now i have to replace it with another??? blasphemous

5 : Do you write better with or without deadlines?ive written my whole life without deadlines except for when i tried nano last year and failed. so without i guess, but then i dont have anything to convince me to write more lmao

6 : What would be the biggest compliment you could hope to receive on your current WIP?idk probably that its someones favourite book, or to see fanart *.*

7 : How long is your current WIP?26,305 words, its a rewrite heh

8 : What author would you be most excited to be compared to?hummmmmm,,,idk when people call new fantasy books “the next game of thrones” it sounds so fake lol but idk who my favourite author is...

9 : What do you struggle most with as a writer?writing

10 : Do you brain-storm story ideas alone or with others?mostly alone but YOU, ASH, help sometimes. its good to get an objective ear

11 : Do you base your characters off of real people?nah lol, im not good at characters

12 : Is your writing space clean or cluttered?clean

13 : Do you write character-driven or plot-driven stories?plot-driven. my writing is extremely fast paced, and i dont tend to like reading character-driven works

14 : Do you have a favorite writing-related quote?ive answered this in previous ask. the 'drunk on writing’ one by ray bradbury

15 : If you transport your original characters into another author’s world, which world would you choose?everyone else’s worlds are so harsh lol maybe id put them in atla so they can fuck around w bending

16 : Would your story work better as a movie or tv show? Why?miniseries ﾟ*｡(･∀･)ﾟ*｡ but it would lend itself to a movie yeah

17 : Do you make soundtracks for each story?nah, lazy ass

18 : If you could assign your story one song, what would it be?unbecoming by starset

19 : Would you rather live in your characters’ world, or have your characters come live in our world?honestly? i wanna escape capitalism and wield a sword

20 : What book would you love to see adapted for the big or small screen?zero world by jason m hough!!!! its a pretty big book i think a movie duology or a tv show would work!

21 : Do you finish most of the stories you start?no

22 : Has your own writing ever made you cry?no lol 

23 : Are you proud or anxious to show off your writing?anxious cz im bad

24 : When did you start considering yourself a writer?i meannnnnnnn do i even now thoooooo

25 : What books are must-reads in your genre?sff is so broad, read whatever tf u want

26 : What would you like to see more of in your genre?diversity, not just in race gender sexuality but in fucking plots like damn give me something w a twist

27 : Where do you get inspiration from?real life, books, movies

28 : On a scale of 1-10, how much do you stress about choosing character names?about a 2, i just search on a generator until i find one i like im not a stickler for names nd i dont usually have placeholder names or anything

29 : Do you tend to underwrite or overwrite in a first draft?chronic underwriter hence the only 20k words

30 : Does writing calm you down or stress you out?calm me down, i have no control over my own life so its good to have complete control over my oc’s lives. i dont tend to have the ‘characters run away from me’ thing, but probably bc i dont see it like that lol

31 : What trope do you actually like?ride-or-die, charas who are knowledgeable and badass from the beginning, i hate following the character learning to do something lmao im impatient

32 : Do you give your side-characters extensive backstories?depends on the side character, every character is fleshed out to an extent but i dont do a massive family tree or anything

33 : Do you flesh-out characters before you write, or let their personalities develop over time?i tend to create characters before plot so i would say i know them pretty well before starting but i do let them develop naturally within the story without forcing them into any box

34 : Describe your old writing in one word.tryhard

35 : Is it more fun to write villains or heroes?mmm both have their merits, i went through a phase where i loved villains but a warped heroes journey or a morally grey/anti-hero can be super good too

36 : Do you write with a black and white sense of morality?nah, murky

37 : What’s one piece of advice you would give to new writers?try anything. anything it doesnt matter if ur nervous or you ‘dont write in that genre’ or you dont even like that genre. its good to train yourself and go out of your comfort zone, makes u a better writer imo. also dont read this and think ‘im not writing an entire historical romance novel bc i hate it’ i mean just one shots. a paragraph or two. try out writing prompts, it really flexes ur skillsalso dont feel like everything u have to write will be published, thats what i mean by try out little paragraphs or prompts. let go of this idea that any of this work will see the light of day [unless u rly want it to] and just have fun, go wild, go crazy, go stupid

38 : What’s one piece of writing advice you try–but fail–to follow?its mostly those ones that help u have cleaner, more beautiful writing. i write really beige-like and its hard to be poetic or flowery

39 : How important is positive reinforcement to you as a writer?probably super important

40 : What would you ask your favorite author if given one question?when ur next book out

41 : Do you find it distracting to read while you’re writing a first draft?nah

42 : Do critiques motivate or discourage you?ive never really had many, so i would say discourage bc i dont have a thick skin with my writing

43 : Do you tend to write protagonists like yourself or unlike yourself?unlike myself, i like to write bold, confident characters and im not that lol escapism much

44 : How do you decide what story idea to work on?whichever interests me the most at the moment, i can jump between projects easily so i dont have a problem 

45 : Do you find it harder or easier to write when you’re stressed out?harder, i cant look at my writing if im stressed else ill absolutely hate it and might do something drastic like delete it all lol

46 : What Hogwarts house would your protagonist(s) be in?ary is slytherincyri is ravenclawash is gryffindorcaena is slytherin [i dont know how to spell the house names]

47 : Where do you see yourself as a writer in five years?still writing id hope

48 : Would you ever co-write?nah

49 : Are you a fast and rushed writer or a slow and deliberate writer?i used to be fast and rushed bc i was so impatient i just wanted to see the end product but i realised that i really love being in the world of my wips as long as possible so i draw it out and really mull everything over

50 : Would you rather be remembered for your fantastic world-building or your lifelike characters?both lol? i do love worldbuilding but i think characters make a greater impact