List of “mix of random dialogue and non-dialogue, smut and non-smut” prompts
“I’m a mess because of you.” “You’re my mess.” “I’m… I’m your mess.” (FUCKING HELLO BITCH DO NOT- WLKFNFKLN I’ll get on my knees for you, my love—)
“That’s my baby girl/baby boy.” (Can he just— HEWOQKNFWKELNF)
“You look so hot like that.”
“God, you turn me on so much.”
“Fuck, I’m gonna come—” Character B whimpers, hips bucking into Character A’s. “Mm, yeah? Then come for me,” Character A murmurs, stroking their fingers through Character B’s hair. (The noises he made as he came undone were SO FUCKING HOT BYE. those WHIMPERS?? FUCKING DELICIOUSSSSS LET ME HEAR MORE OF THEM, I BEG- ALSO WHO KNEW I HAD IT IN ME TO SAY THAT TO SOMEONE LMFAO, “then come for me” WQBHRELWJKNEWF BITCH. GET OUTTT-)
Those sweet little noises Character B tries so hard to suppress but is unable to as they come undone.
“I’m such a fucking wreck right now…”
“Imagine how good I’d feel inside of you.” (FUCKIFKSKSKKSKSKS WHEN HE SAID THAT AND I WAS LIKE LKENFKLEWNF-)
“I love you so much,” Character B murmurs, hugging Character A closer to them. (🥹🥹🥹 HE SAID IT HE SAID IT HE SAID ITTT 😭 He’s said it over text before but now it’s in person and I’m actually gonna WEEP EWKLNFWEEFN)
“I love you for you, and I’m going to continue to love you. I’ll always love and support you no matter what,” Character B reassures after Character A spills out their anxieties and worries to them about a situation they’ve been so, so scared to tell them about; scared of how Character B would react. (…I’m just going to say I love this man so much.)
“When I first met you, I didn’t know you were like this,” Character A murmurs, slowly grinding their hips down against Character B’s. Character B grins up at them, hands wrapped around their thighs, squeezing gently. “Yeah, and I didn’t know I was like this, either. And I thought you were shy when I first met you... Now look at you, huh?”
Character A not knowing how sensitive their breasts are until Character B pays full attention to them with their mouth. (…I WILL NOT SAY ANYTHING ELSE BUT FUCK YES—)
Character A tearing up as they try to be vulnerable with Character B, and Character B reassuring them by telling them they can take their time and it’s okay if they can’t say it right now; that they can say it when they’re ready.
“I don’t think I’ve ever been so enamoured by someone,” Character A murmurs, caressing Character B’s face. (I’M A POETIC SIMP, WHAT CAN I SAY—)
“Fuck, why are you— Mmh— why are you doing this to me?”
“We can take things as slow as you want. I want you to be comfortable, and as long as you’re happy, then I’m happy.” (PLEASE WJDJJS IM CRYING AHH, how’d I get someone so sweet sjkdms)
“We can rent a hotel somewhere… You can be as loud as you want then, hm?” (HE’S JUST FUCKING OUT HERE, YOUR HONOUR!!)
“Fuck me,” Character A whimpers as Character B’s hips picks up with speed. “I could if you wanted me to,” Character B grunts. (SIR- FUCK OFF ISTFGGG)
Character B placing their hand on Character A’s thigh while they’re sitting down.
Character B wrapping their arm around Character A’s shoulders and pulling them closer to them, letting Character A rest their head on their shoulder.
Character B leaning in for a kiss and Character A shyly leaning in to give them a quick peck on the lips.
“Whatever I do, I’ll always be adorable to you, won’t I? Even if I do the most heinous shit known to mankind—” “Yes. Yes, you’ll always be adorable to me.”
“You sure you don’t wanna close the blinds? People outside could see us…” “Trust me, they won’t.” (this FUCKING GUY, but I guess he wasn’t wrong after I took a closer look at the blinds—)
“You’re enjoying yourself up there, aren’t you?” Character B teases, watching through hooded lids as Character A rides them while clothed. “Does it look like I am?” Character A questions, breathless.
“You just… You make me happy.” (YOU DO TOO, MY LOVE <333)
“You’ve always been so caring and supportive of me so I don’t know why I doubted you… I’m sorry.”
Character A being ticklish on their neck whenever Character B plants soft feather like kisses there, so Character B plants even more soft kisses there, turning Character A into a giggling mess.
Kisses on the eyelids. (The softest shit EVER)
“Didn’t realise your objective was to get into my pants all this time,” Character B teases, and Character A rolls their eyes, a breathless laugh leaving them. “You know that’s not true. I think you’re the one who has the objective of getting into my pants,” Character A throws back. Character B shakes their head with a chuckle. “That’s not true.”
“How are we gonna manage being away from each other for a whole month?” Character A murmurs softly. “Mmmh, we’ll somehow manage,” Character B reassures, stroking their fingers through Character A’s hair.
“How are you going to manage without this for a whole month?” Character B questions as Character A grinds down on them. “I don’t think I fucking will is the thing,” Character A admits, unabashedly.
Character B moving Character A’s hair out of their face to plant gentle kisses on their face.
Character B laying their head on Character A’s stomach and Character A fondly saying to them, “You’re such a baby,” while carding their fingers through their hair.
Character B snuggling up next to Character A, post-orgasm. (SIRRRR- PEHFLKEWNELKWNF)
Character A moaning Character B’s name and Character B losing their self-restraint over it. (Maybe I did it on purpose to turn him on—)
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
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