princess tutu: die jahreszeiten 🌸
kind of a companion piece to my 2022 ptutu drawing | it's on inprnt
this print was at anime north; next con is otakuthon!
oops so my hand slipped and i made another princess tutu drawing. i admittedly don't watch that much anime so my catalogue of work is gonna be the same 5 animes LMAO. what can i say, i love "dark" fairy tales, and i've been really enjoying the more fine art approach to a lot of my drawings as of late (and the watercolour brush i've been using has been so perfect for that...!)
as my first princess tutu drawing is now 2 years old, there are some areas i've grown to have ... qualms with... although both drawings as a whole are pretty much exactly what i envisioned, and that's always satisfying!
both of these were drawn in roughly a week's time (yes really...) for con crunch period (and i went back to this drawing after the con to touch up some areas that were a bit rough!). i wanted a different approach to this new pt drawing, with the focus on the line work, rather than on colours and lighting in the 2022 drawing.
this drawing had 2 goals: to continue the style i adopted in my witch hat atelier "lantern bearers" drawing (which i promise i'll post in full soon as soon as all of the zine artists get their go-ahead to post their pieces!), and to emulate the art nouveau movement's heavy emphasis on line work, albeit not a 1:1 style replication of course.
the seasons also aren't a 1:1 representation, as i didn't necessarily pick flowers or colours that are most strongly associated with the season (e.g. summer being a dark tone is a bold choice?). but it's kinda whatever, as i said before i drew this in a week, there may be more appropriate flowers with better meanings. i couldn't spend too too much time drafting and researching.
FLOWER SYMBOLISM:
- spring: apple blossoms, tulips - the apple blossom is a quintessential spring flower, and thus symbolize the arrival of spring. spring is a season of change, which ahiru/princess tutu is a force of, instigating change in her friends and unravelling the story around her. the flowers below her are tulips, and there are many meanings to tulips depending on the colour, due to their ubiquitous nature. i narrowed on one, and intended for them to symbolize happiness. princess tutu's pose is one in which that is open, inviting, and warm - reflecting her nurturing nature in the series, and her willingness to help others achieve happiness.
- summer: deadly nightshade flower, yellow rose - i chose for rue/princess kraehe to symbolize a fiery summer's night instead of the typical dazzling heat of a summer's day, a rather bold and unusual choice. the warmth of sunshine didn't quite fit, as the character is quite dramatic and passionate, with her intentions often hidden in shadow. next, the deadly nightshade - atropa belladonna - has a lot of mythological associations, a lot to do with poisoning, as the flower is toxic. the flowers bloom at night (another reason why i picked a nighttime backdrop for "summer") and also outwardly match rue's dark design scheme, as the cherry on top. yellow roses, at the bottom of her frame, are the archetypal flower depicting jealousy (as with many yellow flowers are), and at one point in the story, rue only wished for her own happiness at the misfortune of others.
- autumn: douglas fir needles, orange calla lily - autumn is another season of change - although much more tumultuous, as this season is traditionally taken to prepare for a long winter ahead - fitting for fakir as the role of the storyteller. the douglas fir is not a flower of course, but is a tree - with many different parts of this tree offering many benefits in advance of the winter season. i wanted the versatile nature of the douglas fir to reflect on fakir's dependable personality. next up, the calla lily is a flower with a dual meaning - on one hand you have life, on the other you have death. a storyteller quite literally can grant both at the tip of their fingers.
- winter: birch tree, snowdrop - winter is a rather still and unchanging season, a lull in the passage of time. this symbolizes mytho's passive nature at the start of the series, especially with his doleful pose here, as if almost in hibernation. to contrast, mytho is perched on the branches of a birch tree, which means new beginnings and renewal - as mytho is one of the characters that undergo the most change throughout the series (i'd argue the most?), regaining pieces of his heart. under mytho's frame is the snowdrop flower - and if you've read my witch hat atelier: seasons piece symbolisms, one of the snowdrop's meanings is rebirth, with connotations to the bible, bringing hope, when all had forsaken eve. the snowdrop is one of the first flowers to bloom even when the snow has not yet fully melted, further echoing mytho as an analogy for rebirth.
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The evolution of Skypeople and their prolific adaptability
open read more for the rest of the text ! warning, long post (sorry lol :'D)
during the early days of skypeople life in the realms of sky, skypeople were very weak and susceptible to the elements and dangers that the land, not being very suited for habitable life just yet, had brought to them. because of this, they had to begin adapting rapidly as they finally began to settle into their chosen homes and settlements.
for example, those like the well known avians; known for sparking the invention of caped flight and nurturing many of todays bird populations; were a derivative of early skypeople that had begun sprouting feathers, wings, tails, and birdlike legs to better help them in their chosen environments of the clouds and wind paths. meanwhile others, like miners, were large and rugged skypeople that were known for their amazing ability to go long periods of time without a reliable light source; they had adapted not entirely because of their chosen home, but because of their occupation.
this amazing rapid showcase of adaptability allowed for skypeople to flourish and thrive, the populations all across realms booming very quickly, and communities growing with every passing year.
soon however, because of the many technological advances made by the growing expanse of opportunity that was created, machines and great inventions powered by the most skilled of light magic users were becoming the norm. intensely laborious jobs and harsh trekking became a thing of the past.
then, to complete the cycle, due to such advances, skypeople began to de-evolve. because of the great new technology that had now been mastered, there was little need for much physical adaption. so, as time went on, skypeople began losing these unique features, and looking much like the skypeople you may know today as "spirits".
some skypeople did manage to maintain small aspects of their adaptable family genealogy, but this percentage was miniscule in number.
fig 1 . two skypeople of the early settlement age. the earliest of the skypeople were small, frail, and very fragile. early skypeople would easily be mistaken for skychildren in todays age, no matter how old the individual.
fig 2 . two skypeople at the peak of evolution; an avian and a miner. due to the rapid evolution of skypeople, there was barely any inbetween period between the early age and the peak evolution age. diversity was abundant, and it was easy to find individual skypeople built for almost any job. avians, who excelled at flight; miners, who dominated the tough jobs in dangerous areas; and divers, who took to the open seas with ease; just to name a small handful.
fig 3 . after the slow decline of evolution due to technological advances, skypeople began to become even more diverse in nature. it became hard to tell just exactly the lineage of any individual simply by gazing at their features. because of this, masks, capes, and clothing depicting creatures, occupation, or status became incredibly popular. to dress extravagantly and display your lineage namesake was considered normal.
fig 4 . mostly all of the latest skypeople come from this age, all those we now know as "spirits". this age was not as extravagant as the detransition age, but many of the cultures and things learned stuck strong throughout. in this age, it was hard to find any who bore the unique features of the peak evolution age, which only encouraged those who were persistent in maintaining their lineage's namesakes through generations.
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