#im sorry i spoke about it

[vocesincaput-arc]

I've deleted the posts talking about things last night but inboxes are staying off.

Don't know if I'm going to be doing anything today or again.

Furfur may join here or more likely go. I don't know yet.

[juha-art]

"I wanted to play a spirit who dreamed of being a knight"

the full comic is here:

[positivelyadhd]

i am sending so much love to people that are waiting for or struggling to get access to mental health services.

I promise that even through it can feel like it sometimes, there's people that can support you and that it's not you fault this journey can been so difficult.

there is nothing wrong with needing help. everyone needs help. and I am so sorry if you have ever found it difficult to get it.

it's not your fault that you can't get access to the support that you need when you need it and you deserve so much better.

[hauntingsofhouses]

i know I've mentioned my interpretation of mizu's gender a million times on here but i don't think i ever fully elaborated on it.

so on that note i just wanna ramble about that for a bit. basically, it's my reading of the show that mizu is nonbinary, so let me dig into that.

putting the rest under the cut because it ended up being pretty long lol. also here have a cute mizu pic of her being happy and most at ease with herself, symbolised by her letting her hair down. <3 ok let's proceed.

thus, when i refer to mizu as nonbinary, i am interpreting mizu as a woman, but not ONLY a woman. not strictly a woman. she is also a man. she is also neither of these things, she is something in between, while at the same time she is none of these at all. i've said as much many times, but i just don't want people to think that when i say nonbinary, it inherently means a "third androgynous gender" that essentially turns the gender binary into a gender trinary. not only is that going against what the term nonbinary was crafted for (to go against rigid boxes and categorisation of gender identities), but also, not all nonbinary people fall under that category or definition, and that's definitely not the way i interpret mizu.

okay before i go deeper i'd just like to address some important things. first of all, this post is an analysis of canon, and thus everything i am arguing for is about my own interpretation of the show, and not some baseless projected headcanon i am projecting onto the character. please remember there is a difference between an interpretation (subjective; interpretations will differ from viewer to viewer, but ultimately it is firmly rooted in evidence taken from the source material) VS a headcanon (unrelated and often even contrary to what is presented in canon; opinions wildly differ and they cannot be argued for because there is no canonical evidence to back it up).

ALSO please note that nonbinary is an umbrella term. this means that it applies to a vast range of gender identities. other identities that fall under the nonbinary umbrella include agender, bigender, genderfluid, and so on. however, it's my personal preference to use the term nonbinary as it is, simply because i'm not a fan of microlabels (more power to you if you do like them and find they suit you more though!).

also, before anyone fights me on this, let me clarify further that gender means something different to everyone. it's not your biological sex or physical characteristics. but at the same time, gender is not mere presentation. you can be a trans woman and still present masculine—either because you're closeted and forced to, or because you just want to—and either way, that doesn't take away from your identity as a woman. same goes for trans men. if you're a trans man but you wear skirts and don't bind or don't get top surgery, that doesn't make you any less of a man. because gender non-conformity exists, and does not only apply to cis people! some lesbians are nonbinary and prefer using he/him pronouns while dressing masculinely, but that doesn't mean they're a man, or that they're any less of a lesbian. neither does this mean that they're a cis woman.

the thing about queer identities in general is that, like i said, they mean something different to everyone, because how you identify—regardless of your biological attributes and fashion or pronouns—is an extremely personal experience. so a nonbinary person and a gnc cis woman's experiences might have plenty of overlap, but what distinguishes between the two is up to the individual. there's no set requirements to distinguish you as one or the other, but it's up to you to decide what you identify as, based on what you feel. either way, by simply identifying yourself as anything under the LGBTQ+ umbrella, you are already communicating to the world that you are not what a conservative, cisheteronormative society wants you to be.

which is why i find all this queer infighting on labels to be so ridiculous. because we're all fighting the same fight; the common enemy is a societal structure that divides us into set roles and expectations purely based on our biological parts. that's why biological essentialism in the queer community is a fucking disease. because by arguing that women are inherently weak and fragile and soft and gentle and must be protected from evil ugly men, while men are inherently strong and angry and violent and exploitative of women, these people are advocating for the same fucked up system that marginalises and abuses women as well as effeminate and/or gay men.

anyway. i'm going on a tangent. this was meant to be a blue eye samurai post. so yeah back to that— the point i'm trying to make is that there's no singular way to identify as anything, as everyone's views on gender, especially their own, is specific and personal to the individual.

so with that being said, yes you can definitely interpret mizu as a gnc cis woman and that's a totally valid reading of the text. however, interpreting her as nonbinary or transmasc also doesn't take away from her experiences with misogyny and female oppression, because nonbinary and transmasc folks also experience these things.

me, personally, i view her as nonbinary but not necessarily or not always transmasc because i still believe femininity and womanhood is a very inherent part of who mizu is. for example, from what we've seen, she does not like binding. it does not give her gender euphoria, but is instead very uncomfortable for her both physically and mentally, and represents her suppressing her true self. which is why when she "invites the whole" of herself, she stands completely bare in front of the fire, breasts unbound and hair untied. when she is on the ship heading to a new land in the ending scene, she is no longer hiding her neck and the lack of an adam's apple. we can thus infer that mizu does not have body dysmorphia. she is, in fact, comfortable in her body, and relies on it extremely, because her body is a weapon. instead, what mizu hates about herself is her face—her blue eyes. she hates herself for her hybridised racial identity, hates herself for being a racial Other. hates that she has no home in her homeland. thus it is important to note that these are not queer or feminist themes, but postcolonial ones.*

* and as a tiny aside on this subject, i really do wish more of the fandom discussion would talk about this more. it's just such an essential part to reading her character. like someone who's read homi k bhabha's location of culture and has watched this show, PLEASE talk to me so we can ramble all about how the show is all about home and alienation from community. please. okay anyway—

nevertheless, queer and feminist themes (which are not mutually exclusive by the way!) are still prevalent in her story, though they are not the main issue that she is struggling with. but she does struggle with it to some extent, and we see this especially during her marriage with mikio, where we see her struggle in women's domestic spaces.

on the other hand, though, she finds no trouble or discomfort in being a man or being around other men—even naked ones—and does not seem stifled by living as one, does not seem all that bothered or uncomfortable navigating through men's spaces. contrast this to something like disney's mulan (1998), where we do see mulan struggle in navigating through men's spaces, as she feels uncomfortable being around so many men, always feeling like she doesn't belong and that she's inherently different from them. mizu has no such experiences like this, as her very personality and approach to life is what can be categorised as typically "masculine". she is straightforward and blunt. her first meeting with mikio, she tells him straight to his face that he's old while frowning and raising a brow at him. she approaches problems with her muscles and fists (or swords), rather than with her words or mind. compare this with mulan, who, while well-trained by the end of the movie, still uses her sharp wits rather than brute strength. this is a typically "feminine" approach. it's also the approach akemi relies on throughout the show—through her intelligence and persuasive tongue, she navigates the brothel with ease. mizu, in contrast to someone like mulan and akemi, struggles with womanhood and femininity, and feels detached from it.

thus, in my opinion, mizu is not simply a man, nor is she simply a woman. she is both. man and woman. masculine and feminine. she has to accept both, rather than suppress one or the other. her name means water. fluid.

as a side note, while i do believe mizu is nonbinary, i also primarily use she/her pronouns for her, but this is a personal preference. i find it's easier to use in fanfic (singular they is confusing to write stories with, but again, that's just my feelings on it, and this is coming from someone who uses they/they pronouns). i also lean towards she/her because it's what the creators and all the official promotional copywriting of the show uses. and even though i am a "death to the author" enjoyer, i feel that when interpreting things that are left open-ended, it does help to look at the creators' take on things. also because, in general, being nonbinary simply doesn't necessitate the use of they/them pronouns. nonbinary is not just a third gender. it's about breaking the binary, in any which way, and that's exactly what mizu does, constantly.

also, i'd also like to mention that one of show's head of story even referred to her with the term "nonbinary", rather than simply "androgynous" (see pic below). and it's possible this could be a slip up on his part, in which he believes the terms are interchangeable (they're not btw), but regardless i find it a very interesting word choice, and one that supports my argument.

so anyway yeah that's my incredibly long rambling post.

TL;DR nonbinary mizu rights 👍🏻👍🏻👍🏻 congrats if you reached the end of this btw. also ily. unless you're a TERF in which case fuck off. ok i'm done.

[rox-of-iu]

bought "immortal life" as a gift for myself and I'm immediately obsessed

it's stardew valley style farm sim but xianxia (said by someone who never played stardew or farm sims this is guesswork lol)

anyway it's early access now but it will come out as a full game in Jan 2024! and I guess there is a possibility that the price will go up once it's a full game cuz that happens sometimes so if ur interested now is your chance hah (its on sale rn for 11,19€)

[violetregrets1837]

YALL I HAVE A QUESTION

Um. What sort of accents do you guys think each Link has???

I was just looking through a draft and I was reading Twillight's dialogue and then somehow the voice that I read him in was some sort of cross between some sort of vague southern (I not american I have no idea what sort of accents you lot have over there) crossed with Australian???? Of all things???? HELP?????

And now I'm thinking even more about the different accents that everyone has.

Like, I absolutely adore fics that mention that Warriors has an accent because of him either being upper-class or lower-class and how the others in the Chain react to it or still treat him normally or wkfblshcoejclsjfksjgkfh

What about Time who totally adopts his own accent from Malon and Talon. As someone who has picked up on and has started speaking with a slightly thicker countryside accent (irish) I know he absolutely would. He just would!!! And would he even have remnants of how the kokiri and the deku tree talk??? WHAT WOULD THE KOKIRI ACCENT BE LIKE??????

And because I am biased, I'm imagining Wind with a filipino accent. Come on, he's a tropical island boy, he would have our accent!! I remember reading a fic where everyone from Wind's era was speaking tagalog and I was getting emotional because omg me too!

Wild would have some sort of amalgamation of accents from all the different regions. I have no idea how it would be, but he picks up on the Rito, the Gerudo, the Gorons- hell, maybe even accents from the Sheikah or from Hateno Village!!! He's a codeswitching natural, he teleports all across Hyrule almost daily!!!

[llitchilitchi]

oooookay, I'm not super versed in dsmp lore and I don't even really know the whole events in chronological order. but!!!! I love your monarchy restoration au. your art is so gorgeous. and the emotions there ... man

can you please give me some guideline of what should I know from the og lore to understand your au? or maybe some summary of your au?

just talk about it I really want to interact!!! :D

hi, editing Li here, the summary ended up being over 2k words. then I realised you asked for a summary to the AU, which is part of the masterpost. I went over the lore in brief, I promise it's just brief despite the length and doesn't tackle All there is to the SMP

okay, lemme try and speedrun the lore of the dream smp - given that the story of monarchy restoration centers around the Dream Team, or at least the parts that I shared, I'll be focusing on them. this will get long and I'm really sorry jghdfjd

the core ideas you should know is that: Dream, George and Sapnap were close friends, but they drifted apart as time went on due to conflicts on the server. Dream crowned George as King, but then due to George doing badly as a king and this position putting him in danger made him dethrone George, which made the rift between them grow. they were once inseparable, and now George and Sapnap thought of Dream as obsessed maniac who no longer cared for them as people. after Dream got put in prison and tortured, he broke out, and this is where the lore of Monarchy Restoration diverges from the original story of the SMP and becomes an AU, as instead of reuniting with Punz as intended, Dream is too weak and injured to do much and runs into George, who takes him in.

now for the Actual Lore Recap:

at the very beginning of it all, there were two friends - Dream and George. they found a little piece of the world for themselves, and everything was fine. then a third came, Sapnap, and then more people joined, and they lived in the same house in the middle of the lake and things were okay.

months passed, and fights turned into splits in the community and a community turned to factions, and the conflicts of factions were intertwined with interpersonal fights. (the interpersonal conflicts? the disc saga, aptly named over 2 music discs that were used as a bartering chip and have a pretty good significance in the overall story. put a pin into that.)

the two factions at play were the (retroactively named) Greater SMP and L'Manburg which declared independence from the Greater SMP on basis of xenophobia. they lost the war against the Greater SMP, the final fight being a duel between Dream and the original owner of the discs (Tommy). a deal was struck after, where Tommy offered his discs in exchange for independence (or independance, if you want to stick to the original text)

an important aspect of this war is to note that Dream offered one of the people on L'Manburg's side a deal - they betray the faction and get to become the King of the Greater SMP. this establishes monarchy in the story. they accepted, betrayed their allies, got the role of a King with the promise of 'staying neutral and uninvolved in further conflicts'.

I'll breeze through the Manberg era for the most part (despite being the most interesting one, imo). L'Manburg ran a presidental election, the original leader (who wanted to take power by scamming the whole thing) lost, and the new leader of L'Manburg (renamed to Manberg, because they're not taking any L's anymore) exiled the OG president and his right hand man Tommy, things went bad. the two exiled men started a new faction (Pogtopia) that they hoped to use to take back their "rightful place" and were given support from Dream because the new Manberg was a little too expansive. (he ended up siding with Manberg last minute for Yet Unknown Reasons, we will get to them, again, put a pin in it)

the King of the SMP very vocally sided wih Pogtopia, which was a betrayal to the core principles of their position as King. the King was dethroned, and Dream put his best friend George on the throne, with him and Sapnap serving as his knights.

upon the defeat of Manberg by Pogtopia (since Manberg's authoritarian regime ended up driving people out and most joined Pogtopia, Dream and his people fought for Manberg only as mercenaries), one of the core allies of Pogtopia - an anarchist, the blood god himself, Technoblade - turned on his former allies because they told him it was about defeating a tyrant, but all they wanted was to kill one tyrant and put their own people in his place. Techno then fled into exile.

next chapter begins after the rebuild of L'Manberg, yet the L' is back, under a new rule given that the OG president uhhh Blew Up The Country with several megatons of TNT and then persuaded his father into killing him.

King George is vibing. he is unaware of all faction wars, builds himself a holiday house far away from everything, enjoys time with new friends, all while Dream grows more and more distant due to trying to keep what is left of his old life together.

the reason the home is important to mention is that, once peace has settled over the world, Tommy decided that the discs that he traded for independence are His, in fact, and he needs to steal them - or barter for them in any shitty way possible. he still had tons of grudges against Dream, and in one of these half-grudge fueled fuckeries, he and one other character set fire to George's holiday home.

Dream found it in ruin and still burning when he came see his friend with a bouquet of flowers. there are several interpretations to this, and since Dream himself never really specified, there's a speculation that he thought that this event maybe killed his best friend, and given that George is the King of the Greater SMP, an attack by the right hand man of the current L'Manberg president on the physical property of the King of a rival faction is de-facto a war declaration.

so we are presented with an ultimatum, where Tommy is either exiled or a war starts. (exile won. it was voted on by the fans we wanted that bitch Out. this is not quite as important but the dynamics shaping up between Tommy and Dream had a massive impact on the plot.)

while Tommy is in exile, George becomes rather friendly with a new budding faction on the server. his involvement with them means that his neutrality vow was broken, and given how frequently he got harassed by L'Manberg, Dream decided to dethrone George, and put the previous King back in power. this dethronement caused a huge rift to form between George and Dream (and Sapnap, who sided with George) and the three of them fell apart with the parting words from George to Dream being "Just say you hate me."

I'm sure this won't have any lasting effects on the man who was tearing himself apart to make the world the same as it was when it was just the two of them

now in brief: the L'Manberg cabinet decided to take revenge on Techno after he turned on them after they tricked him into helping them against Manberg. the punishment? execution. how did they achieve that? they hunted him down, threatened to kill his animals, told him he will get a court process but just set him up in a guillotine. Dream intervened and saved him, thus earning a favour from Techno because both of them are traumatized warriors with trust issues that rather treat kindness as currency. Tommy runs away from the place he was restricted to in his exile, moves in with the anarchist-in-retirement-gone-pacifist Techno, the two of them end up teaming up for the time being as Techno protects him from Dream. L'Manberg in the meantime decides to host a festival to show that they are peaceful now, and nothing bad will happen again :) it takes place a week after they unlawfully tried to execute Techno, and the festival is meant to serve as public execution of Dream. However, the festival is cut short when Dream storms in because the original house where he and his friends lived - known as the Community House - got blown up. he blames L'Manberg and Tommy, and after a short conflict that happens then he declares that L'Manberg has a day to evacuate and him and Techno agree to blow up the country. a second time. and completely now.

so L'Manberg is gone now and the members of the faction scatter. within days, Tommy receives an invitation from Dream to come get his discs (I didn't know how to include it, but after the whole 'setting George's house on fire' Tommy tried to barter for the discs and for Dream to ignore him setting the house on fire, all while trying to leverage things that Dream held dear. attachment to objects and people is a running theme in here. Dream then proceeded to give his "I don't give a fuck about Spirit, I don't give a fuck about anything actually" speech, basically telling everyone they have nothing to leverage against him and he will destroy them if he needs to and them holding something hostage won't bother him.) This sets the stage for the Disc Finale. Tommy and his best friend Tubbo make their way to a specific location, far away, all alone, where they are to fight against Dream to win the discs back. they lose spectacularly and Dream reveals his "grand plan" where he has a vault to gather "all the precious items people own to control them" (and I wrote "grand plan" because it was a farce. it was a show, it was staged, all just to get Tommy to leave him the fuck alone and stop meddling with his greater plan. what is the greater plan? fuck if I knew.)

the whole thing is then intercepted when a large group of people, one of which is Dream's right-hand-man Punz who was running errands for him before, and more importantly, Sapnap. he's beaten and just as he is about to be killed, he reveals his secret: the reason he sided with manberg, all those months ago, is because in exchange for his services he got a book of necromancy. he can now bring people back to life. because of this, he is locked up in an inescapable prison in case anyone needs to use the book.

Sapnap and George are very much under the impression that Dream doesn't care for them. Sapnap comes visit Dream once, promises to return, never does. George doesn't even bother coming in, instead sleeping his days away and it catches the eye of a deity who wears the same face as his beloved Dream, and he loses himself to the illusion of being reunited with his best friend in a world where everything is perfect.

another important thing to note is that Sapnap stumbles upon a Book Of Death (yes, its death note, sapnap is a weeb, it even functions the exact same.) the thing about the book of death and the book of necromancy is that they are both books that were placed into the world by the deity wearing Dream's face (known as DreamXD, or XD for short, yes it's a little silly) and XD reveals to another character (a somewhat-deity, Foolish) that the books and their owners are intertwined in a way, and if one were to die the other dies with him.

so we have three friends, one locked up in prison and seen as nothing more but an object to use (Dream), the other a man who watched his friends, his parents and his lovers fall apart (Sapnap) and a man who cannot face the world falling apart and the loss of his friends so he gives into an illusion created by god in his dreams. and all of them have a strange tie to a stranger god.

this very fractured relationship the three have, along with their ties to the god, were the main driving force behind making this AU.

the last thing you should probably know is that Dream was locked in prison for 10 months, starved, tortured, with little to no social contact until Techno was locked in with him, but with the use of some fun magic Techno managed to escape and then "return the favour" from when Dream saved him from execution, and broke him out of prison.

there's a lot of little nuanced things I probably forgot about but this is the core of it all I hope it helps

[reel-fear]

Looking at my old bendy posts is so sad. I used to post dissections of the story and fun things in it, I'd still like to do that but Mike sucks out so much of my energy but I also constantly feel the need to post about whatever dumb shit he says so I can explain to people why it's bad and shouldn't be supportive. On his youtube post a ton of people are being so kind to him and I'm just baffled. This rude asshole who has been nothing but bigoted towards his fans who want to see more diversity gets to be seen as some massive victim because HE said some dumb shit and people didn't like it? What about the young queers who were devastated to find out they'd never be represented in Bendy? What about the people of color who had to witness the graphic novel be filled with almost nothing but white people, with the only canonical person of color now being a book-exclusive [aka Non-Canon] character? Why do they matter so little to so many people? Why do the feelings of Mike, who has literally earned every bit of hate he's ever gotten, matter more than those of the people he's hurt? Why do I have to be the one who constantly updates tumblr on the new stupid shit he's saying no matter how tired and upset it makes me to have to constantly talk about the awful things he constantly says and then gets away with.

I miss being able to talk positively about Bendy, when most of my posts were just talking about cool things I thought about from the franchise. But being honest, I don't think I can ever go back to that time either. With stuff like the bendy books being no longer canon when they contain the best writing in the entire franchise and the way Mike shits himself at any critique he gets... I just can't speak positively of Bendy without some sort of "But..." Anymore, this franchise just fucking sucks currently.

I could make the posts I wanted to about stuff like how much I love Norman but I don't like Game Norman cause he lacks the interesting bits the books added and Book Norman has an awful design now thanks to these assholes! I could make all the posts I had wanted to about BATDR and its story, but I don't like to speak positively of the games anymore cause I don't want people to support them! I could make more posts on the books but then I'll be reminded that all this great writing Kress did, the bendy devs are completely ungrateful for! I literally can't speak purely nice of this franchise anymore cause at every turn I'm faced now with just how much it's been ruined and how much of that happened recently. I miss being able to make a causal nice post about Bendy but now I feel I can't do so without it being misleading or not the full story, Mike has tainted this fucking franchise with his presence and the fact Meatly lets him speak for both of them without stopping him or challenging him makes me assume he thinks the same way Mike does. Ughhhhhhhhhh

[thatlittledandere]

Have an XOD Evening I'm so good at jokes

[rexscanonwife]

Happy Mexican heritage day, by the way! Thanks to my whitewashed-ass mom I didn't grow up with that much of the culture, but I'm proud to be a part of it nonetheless!! 💖🇲🇽💖🇲🇽💖🇲🇽💖🇲🇽💖🇲🇽💖

To celebrate I'm gonna imagine showing my f/os things from Mexican culture where applicable > u <

[imtiredowo]

Didn't see the random dot, apologies for that. Please ignore the shadows on the shoulder, I'm not sure how to shade it other than what I did

Hope the alt text helps describe the image

[snekdood]

bitches be like. i hate vegans so much that i’ve decided i like killing animals and its fine and i dont feel bad and animals dont have feelings and its fine and im cool subversive and different and edgy and like to post fucked up stuff to make vegans uncomfortable bc im just so cool

[messrsrobyn]

yk what. if you absolutely HADDD to make a post against me talking about snupin? this was the best way to do it. "robyn! the pretty one that looks like regulus and posts fandom talks"

everything else you said? irrelevant. i actually can't read. what is harry potter? you think i'm pretty? do you want to date. be honest. we could so be snupin.

[givemewallywestorgivemedeath]

Feeling very violent rn so here's a very controversial opinion:

Everything after season one of Young Justice sucked.

Look, I know I'm obsessed with the show but that doesn't mean it's good, it means that I'm too deep into it at this point to get out. There are good moments within the other seasons but in general? They were not good.

I'm sorry. I understand that they wanted to be creative and have a neat narrative and deep lore and all that. And they do! The narrative and lore is extremely deep.

But the plot? The characters??

Season one was an actual functional show that balanced character development, plot and dialogue with world building, lore and messaging.

The other seasons do not do that.

Season two bounced back and forth between like 16 characters. We got some development for some characters but even that was minimal compared to the character development in S1. And this isn't me complaining that the og group wasn't in S2 enough. That's not my issue. I would've loved to focus on a new group and I think that Jaime, Bart, Ed and Gar would've been super cool to focus on. I loved what character development they did have and I craved more.

But the problem? The problem is when you have 16 fucking characters that you are trying to develop and shove into a coherent plot and have actual meaningful scenes. There just wasn't enough focus on S2. Imo, S2 was meh because the characters got left by the wayside. The plot, dialogue, world building, lore and messaging was fine, there just seemed to be a lack of heart/warmth in the show because of the characters. It's hard to get invested.

Then holy shit. S3 introduced more characters. And the plot got more contrived and 'big picture' to the point that it started to abstract. It felt like nothing mattered. There were no stakes, you were just watching things happen. There was 50 fucking things happening an episode and 80% of it was lore/world building. It felt like I was studying for a fictional history exam.

I'm pretty sure the main character in S3 was earth 16. Just the entire universe. Because goddamn. We checked in on almost every living being and EVERYTHING was a plot point. Most of it wasn't even relevant to anything happening in the season. Man it was.... it was bad.

And at that point it just wasn't enjoyable at all to watch. I probably should've stopped watching but at that point the sunk cost fallacy had already kicked in. I knew it could be good. Maybe it could be good again. And people were constantly praising it as cinematic genius so I was like 'okay well maybe I'm missing the point? Maybe you aren't supposed to enjoy shows? Maybe this is fine?'

But season four broke me.

The creators heard that people were frustrated by the lack of character focus and the episodes following 72 characters and the episodes switching between 50 different subplots every episode and their solution? Their solution was to take allllllll the different unconnected plots and, instead of evenly spreading them throughout the season, jam them all into 'arcs'. So you had a bunch of mini seasons consisting of 3-5 episodes dedicated to a cast of ~5-8 characters (some of them new). And each of these episodes had unconnected a plots, b plots and c plots.

THAT IS NOT A SOLUTION

Holy shit that is not a solution.

Not to mention the overarching plot of the season, in which we had no fucking clue what was happening until the final episodes where everything became a speedrun to wrap everything up. We literally had no idea what the main plot was until it was ending.

Good god it was bad. It's bad writing!

I know people liked it and good for them. You should like what you like and you don't have to justify it. But for me it was insanity. I'm sorry I actually don't want a season long subplot where Beast Boy is depressed and sleeps all day. I would be cool with it if it had anything to do with the larger story but, surprisingly, spending five minutes watching Beast Boy sleep every episode didn't make for compelling storytelling.

I'm still not over how we didn't even know who the main villain was until the end of the season. And then all of a sudden he does a villain monologue to tell everyone his evil plan and his motives. Super cool actually. I love it when I have no idea what the stakes are for the majority of a show. It's incredibly good storytelling when you leave the audience in the dark about a major player in the plot for all of the plot. And then doing an info dump evil monologue in the final episodes to rush through the explanation??? Fucking fantastic and not a sign of terrible pacing at all.

I'm just so frustrated. The show isn't about being a show anymore. The show is an entire cinematic universe shoved into 20 something episodes. It's desperate to tell every single story at once, audience, pacing and good writing be damned.

I'm so tired of the constant praising of Greg. His whole 'i don't write endings because life doesn't have endings' and 'i don't write cliffhangers, I just leave things open ended' thing is pretentious bullshit. I'm tired of pretending it's not. A good story has an ending. Stories are not life! Some of the best shows I've ever watched had planned endings. And oh my god. The cliffhanger thing... that's just semantics my guy. Greg you write cliffhangers. You can insist they aren't but I'm going to call a spade a spade.

It's also.... I'm fine with explaining things, in fact I love it because it's an excuse to talk about the stuff I love, and I have a fairly decent knowledge of comic book lore. So, I could not only understand what was happening in the show but I was also super enthusiastic about explaining it to people. But hey Greg? Hey buddy? If 90% of your audience doesn't know what the fuck is going on and needs to be familiar with super specific obscure comic characters from the 70's then you might have a problem.

I think I realized halfway through s4 that the most enjoyment I got from an episode was when an obscure comic character would cameo in it. But then I realized that a) they generally weren't explained at all and b) 50% of the time they weren't just hanging out in the background and they were vital to the plot. So to understand who the fuck they were and what the fuck was happening you had to be familiar with... well all of DC comics actually.

Anyway this rant is getting long and unhinged and I don't think there's a point so I'm going to cut myself off even though I have so much more to say on the topic. I think my general point is just that I didn't enjoy watching the later seasons and it's chill if you did and we should all respect each other's opinions ✌️

[kiinghanalister]

it still absolutely boggles my mind that nickelodeon didn't address all parents after the arrests of the pedos in the late 90s/early 2000s and sounds like they didn't have therapists available on set for the kids after it either?? wtf???

[carcarrot]

i guess im being offered the job lol