my pole studio just sent a newsletter out about Taylor Swift themed classes...
I feel extremely tempted to never give them my money again
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stratos lizzie // animalia joel
send an ask requesting two emperors and a season, and ill swap them !!!
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And here it is, our final night alive
Based on the Evo finale for Pearl, Jimmy, and Netty. Ends of SMPs that just kinda slowly die out have such end of the world vibes and it makes me emotional
I want Netty back
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It's kinda shocking to me how few people seem to know how prevalent the 'my great grandmother was cherokee' myth is and how it's almost never actually true, especially when it comes with things like 'never signed up' or 'fell off the trail' or 'courthouse burned down destorying the documentation' etc etc.
People just don't even seem to know the history like.. when the Trail happened. My great great great grandfather was 2 years old during Removal in 1838, so peoples 'my great grandmother hid in the mountains!' is so clearly wrong. And we have rolls. From before and after removal, rolls done by cherokee nation and others by the government, rolls that were not stored in one random flammable courthouse. It's not difficult to find the actual evidence of ancestry.
And just.. there are lots of ways those family stories get started. It was a practice during the confederacy to claim cherokee ancestry to show one's family had 'deep roots in the south' that they were there before the cherokee were removed. Many people pretended to be cherokee and applied for the Guion-Miller payout just to try to steal money meant for cherokees - 2/3rds of the applicants were denied for having 0 proof of actual cherokee ancestry. [We even see lawyers advertising signing up for the Miller roll just to try to get free money.] And the myth even started in some families in the cherokee land lotteries, where the land stolen from us was raffled off, including the house and everything that was left behind when the cherokees were removed. We have seen people whose families just take these things stolen from the cherokee family and adopt them into their own family story, saying that they were cherokee themselves.
If you had some family story about being cherokee and you wanna have proof one way or the other, check out this Facebook group run by expert cherokee genealogists that do research for free. Just please read the rules fully and respect the researchers. They run thousands of people's ancestries a year and their average is only around 0.7% of lines they run actually end up having true cherokee ancestry.
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one of my favorite (/sarcastic but not really cuz its like funny idk) things in fandoms is when people make ocs or self inserts or 'x readers' being shipped with characters, but the oc/sona/reader is literally just another character from the source material.. its like youre shipping the characters but didnt want to admit it, so you made a kinsona and branded it as something else..
and its NEVER subtle, actually its super blatant every time and im always shocked when nobody points it out..
i have seen uncountable saiki k x readers where the description is like:
"saiki meets someone whose thoughts he cant read for the first time, and even though he doesnt trust her at first, she keeps proving that she is kind and has good intentions!" you mean nendo? reader is girl nendo?
"this time, he meets a girl whose thoughts honestly match up with her spoken words almost perfectly for the first time!" hairo. youre shipping saiki with girl hairo.
"saiki meets someone whose thoughts are too fast and jumbled to re-" ITS AKECHI, THATS AKECHI, ITS LITERALLY AKECHI.
"saiki meets someone whose just as immune to teruhashi as he is for the first and only tim-" this is hairo again, awe bae you secretly LOVE haisai ?!?
"saiki sees his old childhood friend for the first time in years after an incident caused them to be apart and then they fall in lov-" WHY DID YOU EVEN WRITE THIS AND NOT CALL IT SAIKECHI.
its even funnier when they say its like that characters little sister, but the way they write it is still literally just the character, like their personality, dialogue, even their relationship, is the same..
not all of them fit this exactly, but the ones that take a boy character and turn them into a girl oc to ship them with a boy, it reminds of how in equestria girls they couldnt make applejack and rarity endgame so they gave them boyfriends who looked IDENTICAL to each other.. thats what youre creating, guys, youre creating heterosexual rarijack.
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Weirdgirl parade
[Image Description: A drawing featuring 6 characters from Ace Attorney, holding hands in a chain and walking towards the left side of the image. Phoenix leads, looking back and smiling. Maya is next, also looking back with a wide grin at the next character, Pearl. Pearl is being lifted off of the ground a couple inches by Maya and Ema, who is next in the line. Ema is gripping Franziska’s hand, and finally Trucy brings up the rear, clasping her hands around Franziska’s elbow. Behind them is a simple background with a blue sky that has fluffy clouds and some greenery at the side of the sidewalk they are walking on. End Description.]
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For the people who want me to make Applejack christian conservative jokes I will not that's CRINGE!!! this ain't pony.mov or some shit I still want these characters to be reasonably within their actual personalities. The only reason people want that is because they associate people who are southern US with being shitty old religious racists!! That shit is simply not true. Plus it's such an overdone joke!! It wouldn't even be funny!
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i looove azteca from like. a narrative stand point
because we have this hero and thats you. were practically the stuff of legends by arc 2 just because of what kind of experience we have under our belt. we've never lost a fight, and it's assumed that we never will. that's how powerful the wizard is—everyone expects them to win, expects light to triumph shadow
and when we fail.... well. it shocks everyone doesnt it? people get angry. people get disappointed. to the wizard, who has never known failure or disappointment, it must feel like an entirely new thing. this culture was here for thousands and thousands of years—a culture and a people you never knew about until you were brought into the spiral.
and now because of you its gone. because you failed to save it and stop morganthe, its gone. and i think merle's passiveness about this situation hits a little differently this way—i read it more as disappointment, anyways. and to someone who has never known defeat, not to this capacity, with this many casualities and victims, the disappointment feels a little more crushing, doesn't it? the wizard is supposed to be a hero summoned from the legends, from a place not beyond a spiral where they had not heard of magic, and it feels like they let everyone down.
this imo is where morganthe truly establishes herself as a villain. i mean she already was a villain before imo BUT bringing a grieving man back from the dead to puppet around AND destroying a world is just straight up evil (and i love that). people like to complain about the malistaire bit which is valid in some cases but i think it really does sell the frivolity in which she chooses to go about things. like hey heres a man you killed with your own hands. probably when you were young. i brought him back from the dead to use as my pawn and now you have to fight him again btw. using a dead grieving man for my own goals. and then the fact that we cant beat him at the end, to 'send him back', is just another way she gets a leg up on us. she leaves us with unfinished business and xibalba destroying azteca is just icing on the already fucked up cake she's given us.
shes TAUNTING us. and this is important because it does come back to us in khrysalis—no doubt the wizard is still haunted by the sins of their past; their failure to save azteca. they have to get through this bit, to learn to let it go, before they can learn shadow magic. after all this, it's still stuck with us—our failure, one that she spearheaded.
dont even get me started on the wizard learning shadow magic maaaaaan because now they share one thing in common—they know shadow magic. they wield shadow magic. and shadow magic is so reviled that it's forbidden. no one else but her can really understand the isolation that comes with learning shadow magic, and it parallels the wizard and her even more because neither of them had a choice! the shadow magi turned morganthe into the shadow queen she is today, and we are subsequently forced to learn shadow magic and do the same if they ever have a chance at defeating her. i love it. i LOVE it. i love azteca... i love khrysalis....
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Sometimes I DO project lesbian fantasy goggles onto television characters. Many such cases. But not shaunajackie. Why else would they be Like That
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So watching the newest Spy x Family, I see everyone squealing over Uncle Franky (don’t get me wrong I am too) but I also think his outsider’s perspective is kind of sad. When Anya is waiting for Yor and Loid to get home, the line he says there struck me.
“Hey, do you like your mom and dad?”
Like that’s a weird question to ask a young child who, hopefully, should love their parents. But Franky I think is acutely aware that they aren’t Anya’s real parents and the Forger family is fake. Franky has worked with Twilight for years, knows him very well and has presumably seen him make and drop identities like one would an article of clothes. We’ve even had Franky directly accusing Loid of being too clinical, focusing only the mission. I think Franky believes that once Operation Strix is completed, that he’ll leave and Anya and move on to the next assignment.
I think that idea has colored a lot of Franky’s interactions with Anya. Yes, he’s also a big kid and wants to run around and be silly. But I also believe he’s trying to give this girl a sense of happiness and family presumably before she’s dropped off at the nearest orphanage once her usefulness is outlived. Like we all know Loid is catching feels but he’s a Good Actor and it might not be readily apparent to his coworker. Idk it must be so sad for Franky to watch this little family interact, to sweep up a child so clearly desperate for love and family in a spy operation, only to realize it won’t last.
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There is a universe in which i was caught up properly on CR whenever what the fuck went down and Imogen verbally and definitively declared that- after everything leading up to this and the back and forth and indecision- that she'd be willing to take down her mom if need be. and i would have been deeply insufferable and writing 20+ separate meta posts and liveblog yelling posts and shitposts. This is not that universe so instead we will put this post here where i can have wildly uninformed (aka 20 eps behind) Emotions about it until someday i actually catch up.
(I know. i accidentally wrote potentially wildly off base/deeply out of date meta again. what can i say. i like shaking the concept of An Imogen (even if it is Outdated Imogen) in a jar. sorry.)
Because i was watching long enough, I think, to see Imogen in the throes of the hope for something better, to understand that Imogen was viewing her mom was a figure and an idea and an answer, that would make things easier. Her mom was- gone, so early. And so her mom, in her mind, was not a person she was an idea, and there was so much hinged on that! Dogged determination and anger at her father and a deep seated dislike of the powers in her hands and head even as they gave her a guilty rush. There were promises there that maybe no one else had made, but Imogen believed. Things built up. Expectations made. Lore crafted, even unconsciously, around someone who was, yes, important to Imogen, but more importantly: Missing. Gone. A blank slate to be filled in. A promise of an answer guide to open questions.
And then she meets her mom, and Liliana Temult goes from a figure to a person- with all the bells and whistles and rough edges. She meets her mom and her mom turns her away. Tells her to run. Tells her she should go. Tells her to leave.
And Imogen doesn't. In the same way she kept visiting libraries, keps asking, kept pushing for answers when it was just about her magic and her headaches and the voices. Imogen always, always wants to know. She keeps digging, she keeps trying, she reaches out, over and over and keeps trying to touch this figure in mist until she's real under her hands, and. Evidence piles up- of deeds gone wrong, blood on her hands, a figure standing next to Otohan (her friends bodies scattered, lifeless, around Otohan). She keeps reaching out, keeps trying, and is rebuffed, over and over. Things get worse and the skies get redder and magic goes dead and she's still- unsure, because what if there's a better reason, what if there's a better way, there has to be a reason, why. There has to be, right- maybe if- maybe. Maybe-
Its just like- a person as an idea. As a symbol. As a promise. One you build yourself up around and towards. One you talk about, not talk to.
And then the fog clears, and they are a human.
(And she's your mom, and she's not what you imagined. She's done you wrong. She's done your loved ones wrong. She's hurt you. She's hurt others. She's going to keep hurting you. She is going to keep hurting everyone. She is too far gone to reason with. She is not listening to you. She is flawed. She is. dangerous. She looks so much like you. You look just like her. You are so similar. You have always known you were similar. You always hoped. You.
Are not her. You are not hers. She is not yours. She is not who you thought she was. She was always someone else. So are you.)
Imogen walks through the bases pretending to be her mother. Liliana is a known face- a powerful one, a figure people fear. A well known silhouette. Imogen slips into the shadows of it, sometimes, when it serves her, but we know- she knows- its all an act. All a lie.
Liliana, after all, is alive, and well, making choices that she believes in and fighting for things with a dogged determination maybe only matched by her daughter.
Imogen knows this. I think. There's a part of her that maybe wishes that wasn't the case.
"There is no loyalty with this blood." And after all- only living people bleed.
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With the new information on Emanators, it's becoming more certain that Acheron is one. Emanators of the Nihility, or just Self Annihilators, lose a part of themselves when they unwittingly step into Nihility. Some lose their sense of pain and pleasure, become numb, or start to lose their memory. In Acheron's case it definitely seems to be her memory. Not that it's completely gone but it's unreliable at the very least. During her dance with Black Swan, one frame seemed to have IX the Nihility
Right afterwards, Black Swan is shown being pulled in
It's said that just seeing IX is enough to lose your sense of self, which is what I think Black Swan was facing when she tried to peak at Acheron's memory. There was nothing but an abyss though
Being a Self Annihilator is thought of as having been infected with Nihility and some try to cure themselves and others by working with the Doctors of Chaos. I don't know that anyone willingly becomes a Self Annihilator but if they do, the new info suggests that to do so would be to slowly lose your identity, body, everything and commit a sort of ego death.
Black Swan doesn't have a body and is comprised of memory. If she were to step so close to Nihility she would completely vanish.
This was probably the closest to death Black Swan has been in a very long time
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