#imaginationship

[muses-of-the-memory]

[ashxketchum]

Hi do you like Imaginationshipping (Ash X Bianca)?

Romantically, not so much. 

Platonically, HELLS YES! 

Considering BW is one game that I have played, I felt that anime was able to characterise Bianca so well, and her bumping into Ash, made me laugh every time! But my only romantic Bianca ship will always be DualRivalShipping! 

[stantler]

kanamori/asakusa - coexistenceshipping

kanamori/mizusaki - milkshipping

mizusaki/asakusa - imaginationshipping

[bamnbamn]

Imaginationship lol

[brince]

man im so single i ain’t even got an imaginationship keepin me goin r

[libidomechanica]

Once, the blue-eyed, and being so

For the eyes, and  they must confesse (O noble,—conjugal,  but in the threw unwilling  of the House, and lowly but today:  you, if he took, that  purple-colours fresh frown, absál  and fall, lookd not able  is to the drizling of  thine or to King what she wonder, or  beauty breedeth love, and  pay as you alone, and  who cannot exhilarate.  Revision to sing, trembles away.  like pearl For each, But well be all alone. lost  it rest are you block a  life for one,  now tread with happy melodious  man, my heart flies fills and so Adieu.  S mint, as Captain of space of the  sweet you slay me once more  fair younger face are two resplendour  slight of the moth- time or charger, hunter, and no one  has been by sorrow and imperial,  Will like a garments  from time constant short ears,  they were, more so much of sweet  set to none. and grow everywhere,  when we are what walkd learnedly  of certain I have  knows such puppets of  beach his brow burn them a  bond of bright, and looked ever, and  soon oer it should the kill. That we could not  quickly in; some crying, “ Names:”) he, stand, so still should I wed  a marriage vow, perplex bliss aboon,  manlike, who shouldst my dreams with string,  now, that thou should I bee shadow when  my ladys wrinkled head of  the swear, said to  shelter in his paltry she  does is a sad toiled of what  are likewise: ears fire, that history  of beauty yet  doth, its endless Boy, she  cruel, perceiving writ on fired,  as they have fleece of Pl atonism at both of June, of deepest northern rein! In  her statue with  his vanity  retired; and  hath founderd oer I to heaven shuffled  by truant shore. For which he was  bent, like in his  face to forget  they grew as of one imaginationship  off each feeling past expenses.  As, until I get a  passion, gives its ears of  year extends for  free! Empty houres. Shall I unveild  to keep and was  borne, they were points did tripod in the  Netherby Hall, her hair  was not loves: just  about into the  hills, which I might your way make war  upon her, each guest; then shedding on the  sod, and dances,  I, without Quoth she, my  dear; But now my mind! much passion have  been slowly life, or serious, as  tonight! Theres Madam, stepping gate which  looks say, that I hoped together,  but knowledge  all, I beg all the cottages,  I cannot be bitter grave an  oyster may be confusion came in the  silence from its  sweetly did me she remembered  lea spread and singing  season he said the tree, serving-boy  apprenticed by adding weft, where bereft houses  of a hoary  frontier of Joy—to  Forty Morning resolved to  a weak arm dispers in his eye; whose  love and pass, and would be called for  Psyche. On Earth, what months  found in sick men heal; they  pass that they who submits him from  one room I stink like ours  inhale but hateful thought to tax me with 

[pubtheatres1]

‘Imaginationship’ by Sue Healy Finborough Theatre 7 - 29 Jan 2018 “...everyone knows those classical Greeks were benders” ★★★★ For various reasons I know Great Yarmouth quite well. It’s a town not far from the Norfolk Broads and where Sue Healy has set her play ‘Imaginationship’. Great Yarmouth is a ‘complicated’ place. Daniel Defoe mentions it favourably in his journals: “... for wealth, trade and advantage of situation it is infinitely superior to Norwich.” It was the centre of the Herring industry in East Anglia. It became a very popular Victorian watering hole. The waning fortunes of the Fishing Industry signalled the enormous decline of what was once an extremely pleasant and hospitable town. Today ‘Yarmouth’-as the locals like to call it- is both surreal and melancholic. In 2016 the town voted overwhelmingly to leave the EU. It has large areas of social and economic deprivation. It has a significant Eastern European migrant population, who, on the whole, have not been integrated that well. Yet in the summer months it still attracts huge numbers of tourists to its Golden sandy beaches and elegant piers. (and yes it still has Donkey rides!) Sue Healy reflects and examines this history in her wonderful play ‘Imaginationship’. Healy constructs her piece quite brilliantly. The Classical unities of action, time and place are observed with relish. She’s astute enough to remind us of what she’s doing with constant Greek allusions in her text. She even gives us a ‘Sophoclean’ Chorus who both top and tail her play. (sharp and acute performances from John Sackville and Atilla Akinci.) Ginnie Atkins (played with sensuous and brazen gusto by Jilly Bond) has a crush on Brenda, her childhood friend. Brenda doesn’t reciprocate. In fact Brenda’s sexual urges are of a much more ‘hetro’ persuasion. Patience Tomlinson invests Brenda with enormous dignity. The character maybe ‘amoral’ but Tomlinson makes us completely aware of ‘where she’s coming from’. Her daughter Melody, played by Joanna Bending, in what is the stand-out performance of the evening, has fallen for Tony her evening class classics tutor. (a deft, strong and morally ambiguous turn from Rupert Wickham.) What follows is a story of addiction, in all its forms, obsession and the complicated nature of relationships. Healy’s story is a challenging one. Yet she leavens it with astonishing amounts of humour. Her love of language zings out at us. She peppers her text with some marvellously bad jokes which sometimes are so excruciating they make you laugh out loud. I would have liked the direction of Tricia Thorns to have had more pace. I acknowledge that she was probably trying to reflect the more leisurely pace of East Anglian life. And her scene changes, I felt, were extremely clumsy. Too often there was nothing happening on stage, (something that was drummed into me, from a very early age, should never happen). Mention should be made of the brilliance of Eugene Sully’s sound design. So often sound is forgotten or not commented upon. Here it enhances and reflects on the action quite brilliantly. ‘Imaginationship’ is a play with much food for thought. And, without a doubt, is a tremendous piece of work. Yet I came away from the evening tinged with an unutterable sadness. Probably a mixture of intimations of mortality and the seeming decline of that most beautiful of towns, Great Yarmouth. Finborough Theatre, 118 Finborough Road, London SW10 9ED Book online: https://www.finboroughtheatre.co.uk/productions/2018/imaginationship.php 0844 847 1652 Sundays, Mondays and Tuesdays, 7, 8, 9, 14, 15, 16, 21, 22, 23 January 2018 Sunday and Monday evenings at 7.30pm. Tuesday matinees at 2.00pm. Tickets £18, £16 concessions. (Group Bookings – 1 free ticket for every 10 tickets booked.) Performance Length: Approximately 90 minutes with no interval. Reviewer Richard Braine is actor, director and playwright. As an Actor he has worked extensively throughout the country including Chichester Festival Theatre, Manchester Royal Exchange, Birmingham Rep, and Stephen Joseph Theatre in Yorkshire. His Television and Film credits include: “Calendar Girls”, “Pride, Prejudice and Zombies”, “Finding Neverland”, “Bridget Jones”, “Suspicions of Mr Whicher”, “Mr Selfridge” and many years ago Gussie Fink-Nottle in “Jeeves and Wooster”. He has also filmed over 150 Commercials all over the world. He has directed the European premiere of Sternheim/Martin “The Underpants” at The Old Red Lion Theatre and written three plays: “Being There with Sellers”, “Bedding Clay Jones” and “Sexing Alan Titchmarsh”.

[aceteabag]

Still being loyal to my delusionship. aka my gym crush who I haven't seen in two months and have never spoken to.

[fatherenthusiast]

stop playing hard to get

it’s making me h a r d. 😳

[introspectingjeva]

have self respect but let me keep my imaginationship where as soon as he talks to me I think he's flirting

[libidomechanica]

‘Look’

Look! Every deed to love selfsame mark cup Your hands cut of us: that was no belt and are leaf, in two may no more. But he shoulder and under, and speak contains of Death.

Do your great vehemence, fire and so long past. Sleepy one! It— that gives that it from

the pretty sweetness I knew him, if he way from his hair: Do your love your pious lyre, Whirling, if unremember in our ankles shall the musics to lifts the great-grandsome gender tolerant enchants touching the summer salesman i’m on the should feign,

     Who breeze in the people look of the flesh and dumb. Opened and tumble to my eyes than you, was a monstructed and dishone you pause I had a dreaming? A while thy skin. Dumb phone.

Sing dandelions to praised: proud rose-briar, Friends, there are bent with two may remains crawls on the diver’s woe. A hand and I knew Who told have alive.

Deed there the stone jaw of repulsively, Most in a hard a little of silences For unremember in the last empty air was told Rose-Armed Dawn, Love itself, and steppes… Ally, perched ear:

Do your sickle glass half prey, Rather eyes for then imagining force of the pane, He cut off to the darker and lovely handsome a lion’s roar; And very smallest I problem with the gift, mething

to a woman in the creature life Is someth behind. Hath kiss on the crush the rocks of the for a man I had gravel in his beating for the liquefaction made me and few to like you. And, stand sing and dislike

Their child ephemeral: But you rise, Saw two made my dear dead I can move To leaves and strickens in fingers features might to the sash a shotgun.

Now that kind of lover imaginationship. Less faces others. The learn to turn it even shaped mouth’d props under things.

[howtohaveaboyfriend]

Rule #217

Don't have an imaginationship. One-sided relationships aren't fun for anyone.