#in fact i get her. deeply.

[verdiesque]

i don't remember if i've posted this before but rossi-lemeni named the biggest coward of the opera world fr

[leonardcohenofficial]

the more i rewatch twin peaks i am reminded more and more that albert rosenfield (and to a lesser extent bobby briggs, though he doesn’t quite articulate it as clearly as albert with the exception of him breaking down at laura’s funeral) is THE only character to recognize laura’s death for what it was—completely avoidable, unromantic, and caused by human evil that nobody recognized the signs of or did anything to stop

[poorly-drawn-mdzs]

Trials of Updog.

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[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[earthspark-shockwaves-reduction]

actually I find it so funny that they made a whole new bot named aftermath instead of actually showing the aftermath of s1

[aceghosts]

Screenshots of Rooney Shepard (They/Them) in Cyberpunk 2077 (27/X)

Knife Fire Map Key Pose Pack by @jpegelf and and Painted Leather Battle Jacket by Nutboy and Beaniebby

MOD LIST

Taglist (Like this post to opt in/out for edits): @bbrocklesnar, @sergeiravenov, @alexxmason, @tommyarashikage, @voidika,

@carlosoliveiraa, @direwombat, @strangefable, @imogenkol, @confidentandgood,

@socially-awkward-skeleton, @raresvtm, @cloudofbutterflies92, @icecutioner, @theelderhazelnut,

@katsigian, @cassietrn, @captastra, @g0dspeeed, @inafieldofdaisies,

@thedeadthree

[min0uet]

if there's mind control in fiction and it's not a kids' cartoon then it better be fucked the hell up. i want to be made to reckon with the horror of taking away someone's autonomy and free will ! MAKE MY SKIN CRAWL, GOD DAMN IT

[zeebreezin]

I think one of the funniest (Editor’s note: should be read as horrifying) implications of developing OC relationships not necessarily in chronological order, and retroactively adding context as needed has gotta come from Bev’s motivations for blackmailing @viric-dreams ‘s Lt. Roberts.

In every timeline he’s motivated by losing his spot on the job to blow up a little section of Benthic College, right. However depending on the continually, there’s two different reasons why this pushes him over the edge. Why losing this job is what finally makes him say fuck the protocol, I need to get some control over this situation now.

Either he decides to go for blackmail because he’s bitter he didn’t get a chance to test out his inventions, and is generally motivated by somewhat petty frustration & a more reasonable concern that his own work is consistently being put on the back burner (considering he’s actively hunting down a missing bomb…)

Or! His choice is motivated by fear, and resentment of being taken off the lead role… because without him at the helm, Bev had no control over who or what got hurt, or who might get caught in the crossfire. Including his professor and only friend at the time, @thedeafprophet ‘s Josephine. And with no idea how to process that grief and terror (he’s not supposed to be caring about these people! There’s Work to be done!), Bev interpreted his doubts towards the New Sequence’s actions as hatred of his commanding officer.

Both timelines end up the same - with him taking a fire poker to the head and potentially never going back to the university again. But they paint two very different sides of the same guy, huh?

[shannonsketches]

like why did they change where Vegeta was when Cell announced the cell games in the anime

why did they make this vegeta starting shit with yamcha instead of chillin in the lab with his family? why did they take Bulma out of the lab? Why'd they say she was Out while Dr Brief was repairing 16? Why did they change Bulma working on advanced robotics to running in late with her baby?

it's the same scene except: - Bulma's actively at work being a scientist - Vegeta's not being rude to her (or anyone else!) - Vegeta waits for Trunks instead of leaving the room - Cell interrupted the airwaves, which means Trunks and Vegeta were just hanging out with Bulma and Dr B while they were working

Those are all Great Character Details!! That the anime rails against!!

[cchocolatekat]

ty to @swimmingferret‘s fic Iron and Ice for showing me the absolute potential that is douma being a single father of two

[chocottang]

the more i think abt goldica the more i like it

[silviakundera]

"how do you, as a fan of [insert character here] deal with [list of this characters's idiocy and/or misdeeds] ?"

.... bestie... my girl, my main man... do u...? think I can only enjoy characters who are good people and smart? 🤔

I don't need to deal with anything. Yes, that character can be awful & makes frankly the dumbest choices. I'm not pretending this character is a whole-ass different person who did different stuff. Then they are someone else, so what's the point?

I.... just come 'ere, I need to understand what lead you to such a ludicrous conclusion. Me & Katherine Pierce wanna understand why you're trying to right my girl's fabulous wrongs.

[cherry-treelane]

everytime i feel bad and stressed about my life i remember that i might be in a troubling situation and having a bad time but im not season 4 fiona gallagher in the clink after leaving crack on the counter which my 3 year old baby brother happened to ingest resulting in a fatal near-death experience thats wracked me with never-ending guilt and forever altered my life

[bogkeep]

complaining about gender clinic again

mid-may: coincidentally finds out that the gender clinic offers [resource] they never informed me or nearly anyone else about, gets help from one of the nurses to order [resource] except she's going to send me more info over email first :)

(late july: my GP can also order [resource] for me and does so, it's different than the one i ordered through gender clinic because i wasn't sure if gender clinic was going to send me the [resource i ordered] or not. GP order goes through immediately)

early august, back from travelling: well i haven't received any emails nor word about [resource] so i'll shoot them a message

mid-august: well i haven't received any replies to my message so i'll call them even though their call times are a scarce two hours every weekday. i'm told they'll call me back over the week

this monday: over a week has passed and i received no call. i will call them again! the lady on the phone says i should contact the regional centre because that's where they send [resource orders] :) and if i don't want to do that i should call [different number that has call times only twice a week]

today: "hello special gender clinic number i really want a follow up about this thing one of your nurses promised but i have been completely unable to get a single word about despite contacting you multiple times"

"oh no!! i see you sent us a message weeks ago and nobody answered it! this isn't supposed to happen!"

"one would think"

(and then she actually emailed me!!!!! yippee!!!!!!!!!!!!! THIS TIME IT BETTER GO THROUGH I SWEAR TO GOD.)

[bookofmac]

my most gonzo tlt theory is that one of the Tridentarii is gonna get twa sister'd into an instrument by the end of it and the only way they get to talk is by one playing the other

[ilynpilled]

In regards to your post about female villains. If it is not the motherhood route you can for sure bet they are slapping a backstory of misogynistic abuse onto the story... The other "go to" lazy writing of female characters you see everywhere.

yeah that is precisely the thing but i still find it more difficult to put this one into the right words. like istg i am not opposed to these stories but dark and complex women always deal with the exact same shit over and over again and they get pigeonholed when it comes to what their stories can focus on unlike their male counterparts. like yes misogynistic abuse and patriarchal hegemony is extremely fascinating and great as a topic that shapes characters and these stories are important and rich but for the love of god there can be something else sometimes as the main driving force for female characters