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#in fact i think those are the people using it right
juney-blues · 2 days
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June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.
The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.
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The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.
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In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)
For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)
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All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.
If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.
And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."
You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.
But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)
you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.
It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.
If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....
Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"
*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.
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hemipenal-system · 3 days
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If I consent to a man breaking my jaw and ripping out my nails, the man who agrees to do it is a bad person. An extreme example but it should drive the point home, no?
Doesn't matter if I consent to being choked. Whoever WANTS to choke someone out to get off is a bad person.
Whoever wants to pretend to be raping or abusing someone to get off is a bad person.
"an extreme example but it should drive the point home, no"
no?? if you know the risks and accept them and give unhindered, clear and informed consent, then no, there's actually nothing wrong with someone doing that stuff to you. because, and viewers at home can say it with me, THAT IS HOW CONSENT WORKS
but y'know, what we're *actually* gonna look at here is the assumption that the person doing that to you is a man. maybe y'all would stop seeing kink as an inherent expression of patriarchy if you internalized the fact that not every man is dominant and not every woman is submissive. also, you know, that there are gay people.
but no, because that would require you to actually deconstruct the ideas you have in your head about how every man has to be an aggressor and how testosterone makes people violent and how every man secretly wants to do this kind of thing to every vulnerable, weak woman, the implication being of course that any woman who engages in this kind of thing by choice has something wrong with her
which is fully just misogyny but thats a tangent from the actual point here
"Doesn't matter if I consent to being choked. Whoever WANTS to choke someone out to get off is a bad person."
furthermore, i think you should also deconstruct this idea that kink spaces are all dominants who want to hurt their submissives, when in reality it's a dominant doing those things because they know their sub likes it just as much if not more of the time.
let's look at that "doesn't matter if i consent to being choked" line. um. yes it does?? knowing your risks and giving informed consent is literally the entire thing here. you do know that there are safe* ways to choke someone that are legitimately taught to people in an attempt to minimize permanent harm from that sort of thing, right? when you see things like "don't use thin metal handcuffs on your partner" and "keep safety shears within arm's reach when doing ropeplay" and "drink gatorade and go pee after sex" you know those are all things people do to reduce risk, right?
(* no form of breathplay is 100% safe! know the risks and do research on how to minimize them before you play!!!)
"Whoever wants to pretend to be raping or abusing someone to get off is a bad person."
hey look at that key word i italicized in that quote for your ease of reading! it's all pretend! because, once again, viewers at home say it with me, THAT IS HOW CONSENT WORKS
there's no actual rape or abuse happening if you have proper consent and safe word setups in place. the key to this whole thing, which is why any of this stuff is actually possible to do ethically, is the fact that, at any time for any reason at all, either the dominant or the submissive can stop the scene. literally all kink is, is an ongoing, revokable agreement between at least two people to do things that might not be ethical irl.
(before y'all toss another strawman at this, yes there are people who break consent rules, and yes they get tossed out of kink spaces for it)
kink is fucking theater. when hamlet stabs polonius, you don't accuse hamlet's actor of being a murderer. this is morally the exact same thing as going to the theater and watching people talk in iambic pentameter and stab each other.
there's also kinks that have basically negligible risk of temporary or permanent harm, just so you know, but of course you're not going to mention those ones. you know, because you're a weirdo who just wants to police what people do in the bedroom
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Does the play in revival my dream is really racist/stereotypical ?
Yes, I don't think it was intentional at all in fact it's pretty clear the intention was to say "don't judge those who are different from you just because you don't understand them" but ultimately they failed at that.
The play presents it as a very "both sides" kind of issue in terms of the natives and colonisers not understanding each other. There's also this line:
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Before this the town dwellers (colonisers) had been incredibly rude towards and fearful of the forest people (natives). The girl Emu is playing rescues a solider after her people attacked him, even though the soliders had literally just invaded their land "just to check" if the natives were gonna attack the town. "They're not all bad" to the officer who just led a march onto someone else's land just in case is not the right message here at all.
Also ultimately it's revealed that the conflict between the both sides was instigated by a third party. The worse coloniser who wants to exploit the natives for their natural resources. The townspeople are the good colonisers who should be forgiven for their actions because they were manipulated by the antagonist who is a bad coloniser is also not a good look. Like it really hammers in the "not all bad" message here by introducing the only character who you are meant to think of as bad. Not like the other townspeople were incredibly racist before they made amends with the natives. That can be forgiven because they don't really think like that they were just manipulated by the evil exploitative coloniser. Do you see how bad that message is.
(Also there's a line about how the townspeople might sell Emu to another country for interacting with them and maybe we're meant to view it as an exaggeration but either way. Why are we meant to be forgiving towards these people again?)
While the movie Emu and Nene's cards seem to take inspiration of is based on the Emishi people, it's more likely that the play is based on Ainu people, due to the more recent archetecture used in the sets, as well as the costumes for the officer and subordinate (refer to Tsukasa's rmd untrained). Emishi people are believed by historians to be ancestors (but ethnically distinct) to Ainu people. I strongly suggest looking into the history of Ainu people and the oppression they faced from the Japanese government and other countries (European ones surprise surprise), because the oppression dates back over a millenium and is far too much for me to reasonably cover in any detail. In brief, the government for centuries has regarded the Ainu people as a primitive and barbaric group (both terms are also used in the rmd play), and in recent centuries took their lands in northern Japan with the expectation that the Ainu would assimilate with the Yamato Japanese people. Post WW2 they were denied rights to their traditional practices and even their language due to governments pushing for monoculturalism.
That's not even going into the fact that the reason wxs is the only unit that has card sets based on other cultures (this and island panic) is because they're treated like costumes, which in itself is an incredibly dehumanising and racist way to think.
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pseudophan · 2 days
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I was not in the phantom but from afar, watching mainly other YouTubers, I had the assumption the shipping was a fandom fantasy… Having now delved into the Ancient Lore I’m baffled that anyone ever doubted they were dating and that from the outside phanies had the reputation of making shit up! Genuinely tought they were Best Friends that teens thought were cute. Meanwhile they’re literal soulmates who shared their raw puppy love online with a force so blinding I can barely watch the archives
people's perception of dan and phil and the whole shipping thing varied so much, but i think the different opinions made a lot of sense depending on how much you knew about them and how online you were
people who knew nothing about dan and phil or the internet/shipping culture often assumed they were together based purely on seeing like one clip and being like. well of course. a lot of parents fall into this category lmao
people who knew nothing about dan and phil but were familiar with the internet and shipping often assumed they weren't together, not based on dan and phil themselves as much as just the fact that their fans were universally known as feral shippers and because 97% of the time rpf ships are utter bullshit (and those who believe they're legit are often looked at as insane) there was this assumption that because dan and phil were so heavily shipped there was no chance they were actually together
and then of course as far as actual fans go there was (and to a degree still is) a Lot of nuance and i don't really need to get into all the different camps cause we've talked it over endlessly, but the most interesting one to me is diehard phannies who'd absorbed every single bit of dan and phil lore but it was almost too much proof? because again, rpf ships aren't real, it's never actually true. so surely this one isn't either. regardless of how much it's spelled out in front of us. right? oh shit daniel howell uploaded a new video i haven't seen him since the gaming channel went on break i wonder what he's u- what the fuck
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seat-safety-switch · 4 hours
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Well, it's been a good run, but they've finally done it to me. My home province has, at long last, and after many years of threats, made truck-owning a mandatory part of citizenship. All those impoverished small-car freaks can't vote anymore. Which is good, since they were just voting for things like "bike lanes" and "turns" that were hampering the economic productivity of the right-thinking, truck-owning majority.
At first, I was very upset. After a traumatic formative experience around the Ford Courier, I had sworn off truck ownership forever. When I was searching my backyard, though, I found that I apparently own an old '76 International 150. Don't know where it came from: I'm operating on the assumption that someone was driving by, saw a whole bunch of cars in my yard, and decided I wouldn't get upset if they dumped one in there. Was it used in the commission of a crime? Not with that asthmatic rattletrap V8 under the hood, that's for sure. Or at least not successfully.
Back to it, though: now, with proof of ownership, I could regain my lost citizenship. I could access health care and have running water, again, and even visit the Home Depot, which now has so many trucks in the parking lot that the depreciation curve on their leases can be seen from the International Space Station. Despite the fact that my truck is "small," it still counted as a way to hobnob with the hoi polloi and not be sent directly to a re-education camp, as they had done to all the undesirable "van people." Turns my stomach, the idea that vans are often built on a truck chassis. Disgusting propaganda.
Anyway, as we've learned from so many other economic and political crises, the only solution is to vote our way out of it. When it comes time for the next election, I'll come pick a few of you "regular people" up at a time and drive you to the polling place. That ought to fool the guards. It's going to cost you, sure: hope you have some old Plymouth parts in your garage. All worth it, though, to wrest control of the apparatus from those who would do us harm, and return our country to the way it used to be, where kids could go to school even if their parents only owned a luxury crossover.
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epickiya722 · 3 days
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I don't think I expressed enough how much I do actually like that Yuji is this... I don't know how to really put it into words but... how Yuji is this unique embodiment of horror and strangeness.
Like, just the details of his character makes him stand out to me. Everyone in JJK has some bit of oddness to them, and he has own unique kind.
He looks like sunshine personified and he is. He is the sweetest kid there is. And he looks like the typical "Oh, he must be the normal one who has to adapt to the horrors the other have to go through" character. Ha ha... no, he is the horror. He is the "creepy child" trope without even showing that he is.
Yuji is the kind of horror you actually have to put thought into to even realize "Oh, wait, that is actually fucked up". Fridge horror, the horror that you think nothing too much of until you really open your mind to it.
Like, he's this own level of odd with how he behaves and thinks.
First, it's his interests. Yuji didn't mind really being in the occult club. Of course, his reasons was that the club time allowed him enough time to see his grandfather. But also, even though he didn't have to really participate, he actively does. Iguchi and Sasaki exploring haunted places? Yuji tags along and isn't frightened at all. Mind you, they like going go haunted places because they like being scared. Why folks watch horror movies and go to attractions, right?
Yuji will play with an oujia board.
Fan of a movie series titled the Human Earthworm and actually can find the beauty and love in said movies. He's so real for that.
So far it's just simple stuff like that, right?
First time seeing a curse? Admits to being scared, but barely even flinches. When Megumi talks about the Cursed Finger and mentions how curses want to eat it? His response?
"Why, is it good?"
IT'S A FINGER?!
When informed about Inumaki's technique? What was the example he uses? "So if he says 'die' then it will happen?" Out of all the examples?! He was more impressed by the technique than actually fearful of it.
That Cursed Doll he had to train with? Called it "cute" and Gojo questioned that. In fact, when meeting Yaga, Yuji commented on how the dolls were cute.
How he fights is even a little odd and unsettling. He immediately goes into action, doesn't even need to hear the bell. He always has this look on his face that "Yeah, your kneecaps are mine". Not once has I ever recalled he actually smiles during a fight. Unlike some of the others who have showcased some enjoyment or some type of being unhinged in a "to hell with it" mood, Yuji always has this almost animalistic glare, that kind of unhinged. He isn't holding back, even against normal people like the high school bullies in chapter 163. Sometimes I question if he even knows how to hold back.
He doesn't like to get violent or kill. If he has to, he will. But it's just not anything he can brush off or be like "Yeah, I like doing it".
Then the idea of dying? Yeah, Yuji makes it clear he knows people will die. Execution placed on his head? He accepts dying with Sukuna instead of asking if there's any way to work around it, find a solution. Keep in mind, Sukuna is downright evil and does nothing but make life hard for Yuji every chance gets.
However, by the end, Yuji changes from choosing to die with Sukuna, so that no one else has to suffer, to offering Sukuna to live along side him even if no one accepts that.
Oh, let's not forget his family.
Yeah, Sukuna I just mentioned? That's his uncle by soul reincarnation. Jin, Yuji's dad who we don't really know what happened to him, is the reincarnation of Sukuna's twin that Sukuna ate in the womb. Doesn't stop there.
Yuji's mother, Kenjaku? Actually a 1000+ year old sorcerer who body hops by implanting their brain into whatever body they find convenient for their plans. One of those bodies happen to be Kaori Itadori, Jin's wife. Jin's dead wife. Kenjaku played wife in a woman's dead body, the same body Yuji was born from.
Yuji was born out of a corpse. With one of the Cursed Finger somehow already sealed inside him.
His other family members include Death Paintings: Choso, Eso, Kechizu, Noranso, Sho-oso, Tanso, Sanso, Kotsuso, and Shoso. His older siblings (technically) through Kenjaku, who was possessing Noritoshi Kamo's (the ancestor) body at the time. And guess what? Their blood consists of a human's blood, a cursed spirit's and Kenjaku's.
Yeah, like them, Yuji isn't really human. Again, born with one of Sukuna's Cursed Fingers already sealed in him. Without Cursed Energy, he was already outrunning cars and possessing strength not normal for the average human.
Oh, wait, and let's not forget his 'appetite'. He will eat anything if it means saving people. And he has. Other than Cursed Fingers, the other Cursed Objects Yuji consumed are his own siblings 4 - 9. Mind you, they were akin to fetuses contained in glass jars. (He isn't happy about eating them or anything for that matter though. I wouldn't be either.)
In all, he's just fridge horror with a some goodness mixed in there. I'm just rambling here.
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solar-wing · 2 days
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⚣ One Kent Was Enough: Sneak Peak 👦🏻
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⚣👦🏻 → New sneak peak at my upcoming Conner fic. you lucky mofos are getting a 30k+ fic out of me... spoiled little children, I swear.
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Everyone gathered in the living room, with Conner and Y/N positioned centrally, while their three unexpected young guests sat casually on the couch.
“Okay, let me go over this one more time, just to make sure I’m not missing anything,” Y/N began, stroking his chin thoughtfully as he eyed the two oldest children exchanging knowing looks before turning his attention back to the group. “You three are from the future and used a magic spell that you're claiming I taught you to come back in time because you wanted to meet your parents?”
“Yes, that’s exactly what we’re claiming,” the oldest affirmed.
“And you’re also saying that me and Conner are those parents?” Y/N gestured between himself and the Kryptonian, who was observing the children with a mixture of skepticism and intrigue.
“Yep,” the boy replied confidently.
“LIAR!” Y/N’s voice boomed suddenly, pointing an accusatory finger at the child. The sudden outburst caused a stir among his teammates.
“Y/N!”
“Dude!”
“What is wrong with you?”
The children merely covered the youngest brother’s ears, though the little one giggled, oblivious to the chaos. Even Conner shot Y/N a disapproving look, though that wasn’t unusual.
“What? He claims I taught him that spell—something I would never irresponsibly share with a child, especially one that could cause all of this! Plus, that spell isn’t even in my book,” Y/N defended himself, his exasperation causing sighs and head-shaking among the team.
“Really?! That’s the part you find hard to believe?” Wally interjected incredulously.
“What? You don’t think they’re from the future?” Y/N retorted.
“Uhm, how about the fact they’re claiming to be your kids?!” Wally countered, his disbelief evident.
“Oh, right. Yeah, that’s not hard to believe at all,” Y/N responded dryly, drawing stunned looks from everyone, particularly Conner and M’Gann.
“This must be some sort of test by Batman, trying to teach me and Conner a lesson. Seriously, me and him? Together? Don’t insult me,” Y/N scoffed, dismissing the idea as utterly preposterous.
Conner’s expression shifted from confusion to anger, a storm brewing behind his eyes. He wasn’t the only one offended by the remark.
“Hey! You shouldn’t talk about Dad like that!” the middle child yelled at Y/N, mirroring Conner’s growing irritation.
“And what are you going to do about it, little boy?” Y/N taunted, only to yelp in pain as a blast of heat vision singed his thigh. “Ow! Did this little gremlin just fry me with heat vision? How does he even have heat vision when you don’t?!”
The room fell into shocked silence as the oldest child stood, calmly walking over to Y/N and healing the burn with a wave of his hand, leaving no trace of the injury. His powers were undeniable, as was the ever-clear fact that these kids were exactly who they claimed to be.
“Dude, Dad told you not to use your heat vision on people,” the eldest scolded his younger brother.
“Yeah, well, Papa warned you about snooping through his spellbook, and look where we are now!” the middle child shot back, waving his arms animatedly at the chaotic situation around them.
“AH-HA! Told you!” Y/N exclaimed triumphantly, though most of the team just rolled their eyes at his stubbornness.
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Alina Starkov - the most inconsistent main character. A tragedy of not wanting to have an identity.
The main character in Shadow and Bone trilogy, a prime example of "she deserved better". A.k.a. soldier, Sun Summoner, Sun Saint. In reality, a false saint and a false hero, who has less personality, goals, spine and consistency than her three love interests. How did this happen? Short answer - bad writing. Long answer? Here we go.
Her character at the beginning - a blank slate.
Physically small and weak, sickly, fragile, with a sour face and sourer attitude. Grew up in an orphanage funded by a Duke, who they were taught to basically worship while looking down on religion and beliefs in saints. Children in the orphanage were beaten if they misbehaved or didn't do chores, but were given education and fine food, which means they were faring better than peasants and farmers. Alina had not many, but several options in her life. She could learn a trade that would not require physical labour, like sewing. Or, she could marry and hope her husband was gracious enough to buy a donkey instead of making her carry heavy sacks of salt on her back, as we see a random man do to his wife. But Alina had no hobbies, interests, aspirations or ambitions in her life. Except her childhood friend Mal. Mal gets a mandatory draft in the First Army, and of course Alina follows, and settles for being a mediocre cartographer. Mal thrives in the army, showing off muscles and hooking up with women, while Alina dutifully waits for him saints know why. She doesn't have other genuine friends, she doesn't like people, she doesn't like anything. This is not a bad start in a sense that there is much room for growth and improvement.
Refusing to belong
Alina discovers she's a long awaited sun summoner, who can vanquish the Fold and unite Ravka. She doesn't want to be special, but not for the reasons you might think. Instead of fearing the burden of such an important task or genuinely becoming paranoid of being assassinated (she gets over those in five minutes), she just...doesn't want the responsibility of actually being useful for something. She'd rather not have powers at all, and go back to being in a constantly sickly state. She'd rather be tailing Mal like a mouse. Which doesn't make any sense for following reasons:
Alina's insecurities in SaB:
Not being pretty and talented
2. Not being as pretty and talented as Grisha
3. Being an orphan, being unwanted.
Being a Grisha actually solves all those problems for her. She gets prettier and healthier once she stops repressing her powers, has a unique cool power, and a community that cares for her. Plus, the support from important figures in Ravka. In time, she could have a family.
Instead, she refuses to acknowledge she's one of them, doesn't train properly, preferring to cling to her prejudices and make digs at Grisha. She'd rather complain that they're prettier, confident and pampered than acknowledge they are serfs, nothing but glorified servants with no basic human rights. Instead of her superstitions and prejudices being shattered when she starts living with them and realizing what Grisha have to go through, becoming rightfully enraged that her people are being treated this way, she still doesn't feel any empathy. In fact, she still doesn't see the General as a HUMAN BEING WHO MIGHT HAVE FEELINGS, even though he makes time in his busy schedule of running an army to make sure she's comfortable, jokes along with her, listens to her fears and reassures her, etc. Why would he go through the trouble if he was heartless? He's the General of the Second Army, by the King's law, she's his soldier. She is obligated to obey him regardless.
The narrative supports her delusions.
I get missing her friend, I get struggling to adjust, but it's more than that. Alina is getting dragged along from a plot point to a plot point kicking and screaming, as if she has anything better to do. She doesn't have a life, why is she so against of getting one? Once she finally somewhat adjusts to her life in the Little Palace, it turns out Darkling has had malicious intents towards her powers all along! Aha, you were right to be prejudiced, Alina! Now abandon your people, your country, and run!
“He … he said that Darklings are born without souls. That only something truly evil could have created the Shadow Fold.”
Imagine telling a person who saved your life that he was a soulless abomination, even though you do not know him, and he is still kind to you and reveals as much about him as he can. There is no grooming and manipulation here, it's just called not being a bitch. Darkling tells Alina he's over 120 years old, Alina is an adult, and the damned kiss was consensual. Of course he didn't tell her everything. Even regular people don't reveal their life-long ambitions and deepest childhood trauma to their crush after several conversations. It took Alina months to stop being in denial about being a Grisha, still didn't like being one, you're telling me if Darkling set her down and explained the complex political situation and his plan to overthrow the corrupt monarchy and bring an end to the war, Alina wouldn't jump out of the window?
Alina running away, not confronting the problem, and straight up deciding Darkling was evil incarnate with no evidence snowballed into Darkling deciding she couldn't be trusted and taking more drastic measures. Liberation of his people was on the line and one pesky girl screwed up a carefully planned coup because she couldn't handle her feelings.
False badassery
Throughout the whole three books, every time Alina makes a decision, it's immediately followed by self-doubt, shame and scorn. But no actual objective criticism. We often see variations of "It was foolish, but I didn't care", "I knew it was reckless but I couldn't bring myself to care", but never her actually analyzing why, or deciding not to do something like that again. Her small victories are immediately followed by thoughts on how would others feel about it, even though the person in question isn't even there and couldn't give less of a shit: "Never is it to be said that Ana Kuya didn't teach us manners", "A cheap trick, but a good one. Nikolai would be proud". Ana Kuya was an abusive mother figure, Nikolai was using Alina's status to get the throne. Sure, it's good that Alina is capable of learning useful things from every kinds of people, but she doesn't think "That was smart of me. I learnt that. I'm proud of myself for an accomplishment". She thinks "Is it good? Would they like it? They like things like that, right?". She attaches herself to people that fit her view of "deserving" and helps them, even though it might not be for the best. Extreme lack of self-worth, combined with entitlement.
When Alina hears a rumour Darkling ordered his heartrenders to sew a traitor's mouth shut, she's horrified. Even though that's hardly the worst punishment for a traitor in an army. But when some pilgrims insult Genya, she orders to have their tongues cut out after they're given only one warning. When Alina commits violence at slightest provocation, it's baddass. But when Darkling commits a controlled necessary military act to stop enemies from overrunning the country, it's madness and is falsely labeled genocide. Look up the definition, genocide is what was happening to Grisha.
The Darkling never kidnapped children and put them in the war zone. He only lied to Alina that he did, a clever strategy with no bloodshed. Meanwhile, Alina let her cult fight for her, whose members were brainwashed children, some only twelve years old.
When Alina faces a dilemma or a tense military situation, her go-to strategy is suicide. That is not martyrdom, nor it is badass.
Darkling became a bad person out of good intentions and desperation, Alina is just a bad selfish person.
Desperate people are the ones capable of the worst acts. Darkling didn't go nearly as crazy as he could, and frankly had a right to on behalf of his people.
"Aleksander had marched south with the king’s soldiers, and when they’d faced the Shu in the field, he’d unleashed darkness upon their opponents, blinding them where they stood. Ravka’s forces had won the day. But when Yevgeni had offered Aleksander his reward, he had refused the king’s gold. “There are others like me, Grisha, living in hiding. Give me leave to offer them sanctuary here and I will build you an army the likes of which the world has never seen.”
It doesn't matter how much genocide, prejudice, abuse and dehumanization the Grisha suffered through for centuries all around the world, Alina never bothers to look at the big picture. Her help is only for those who she deems worthy of it.
She attaches herself to people who fit her narrow-minded view of "worthy". She immediately believes Baghra's rather flimsy expose of Darkling, even though the old woman has been nothing but unhelpful to her, only insulting her and beating her. But Alina associates her with her only mother figure, Ana Kuya, another old hag she had a toxic relationship with. And even though Baghra is an immensely powerful Grisha who refuses to help or even lift a finger, or just spit out vital information, Alina coddles her and provides protection. Instead of telling her to fess up the useful information and save her unhelpful comments, Alina looks up to her as a mentor.
When Genya tells her story, Alina feels bad for her, but not bad enough to see things her perspective. She only becomes protective of Genya once she gets mutilated, out of pity. If it was genuine compassion, she would've forgiven and understood her from the start.
Every Grisha has been hunted and shamed for merely existing, almost every Grisha has lost a loved one to war. But Alina pointedly ignores it, because she doesn't personally know and care for those people. Therefore, she doesn't feel empathetic. Because if she feels empathetic, she might start feeling guilty about how she runs away from her responsibilities at every given opportunity. Just look at this passage:
“You know what he plans to do, Ivan.” “He plans to bring us peace.” “At what price?” I asked desperately. “You know this is madness.” “Did you know I had two brothers?” Ivan asked abruptly. The familiar smirk was gone from his handsome face. “Of course not. They weren’t born Grisha. They were soldiers, and they both died fighting the King’s wars. So did my father. So did my uncle.” “I’m sorry.” “Yes, everyone is sorry. The King is sorry. The Queen is sorry. I’m sorry. But only the Darkling will do something about it.”
The Darkling never wanted power for selfish reasons. He didn't want to take over other countries or lift Grisha above regular people. He wanted his kind to have basic human rights. Centuries of diplomacy and servitude only gave him enough power to make a school for Grisha children and save adults from slavery and getting slaughtered by serving nobles. He wanted to use the Fold as a border, to stop enemies from invading whenever they pleased, so he would have the time to save Ravka from collapsing. What has Alina done? Started a civil war, destroyed the Second army and helped put a morally dubious man with no claim on the throne to continue an outdated absolute monarchy tradition.
Alina Starkov was meant to be the sun, but turned out to be a trick of the light.
Every time it felt like Alina was emerging from her cocoon as a beautiful butterfly, embracing her true self, she went back to the toxic situationship and the toxic mindset. The narrative also always struck her down. Every book begins and ends with her being sickly, fragile, missing an essential part of herself. It would be good if it was written differently and showed themes of being disabled or having a chronic illness accurately, but it's not. It started out well. Alina was removed from an abusive environment, found a purpose in life, started loving her newfound powers, outgrew the stupid crush who she was way too dependent on, but it all went downhill from there. And then some. This constant vicious cycle does not fit the theme of growth and improvement, and neither does the ending, where Alina loses her powers and goes back to the orphanage. Once again, she's frail and strange, servants (who she now employs) don't respect her, sneer and make fun of her, while her now husband Mal turns a blind eye. Everything is back to the way it was: Mal thrives, Alina is...there. The ending is supposed to be bittersweet, a couple who survived a war building a new life together, but I don't see the sweet part.
Trick of the light - definition: something appearing different from what actually is as a result of the quality of light.
Darkling wanted her to be a strong Grisha, his equal and balance. Grisha wanted her to be a capable leader, Bataar twins wanted a living saint they could worship, Nikolai wanted a wife interested in Ravka and politics. Alina tried to be all of that, but never really wanted to be any of those, so she half-assed it. Mal wanted the version of Alina who was small and insignificant, because anything more made him insecure, and he got his wish.
Illusion, mirage, spectre.
No matter how much the author tries to tell us that Alina's every problem is Darkling's fault, her thought process and actions paint a different picture. Alina was never mentally healthy and she never addressed or resolved her problems. Growing up in a controlled and abusive environment affected her more than anyone, including herself, wants to admit. I am not a licensed psychiatrist, so I will refrain from officially diagnosing Alina, even though she's a fictional character. I am NOT saying I know for certain that Alina has these, if any, mental problems, but she does have some alarming symptoms. It seems like depersonalization. While her symptoms don't fit into one particular mental disorder, I am reminded of psychiatric infantilism, but it is not a mental illness with symptoms. Psychiatric infantilism doesn't necessarily mean the person acts outwardly childishly. To explain very roughly and simply, it means the psych is not as developed as it should be (even if the person is very smart and clever). It shows in avoiding responsibility or not feeling it at all, problems with social connections, not seeing the big picture and taking it seriously, etc. When Harshaw tells the story of his brother getting brutally murdered by people who hate Grisha, even brash Zoya is appalled and expresses her condolences. While all Alina thinks about is that Harshaw might base his hope of having a better life on her now.
Alina also might have Dependent Personality Disorder, but it's hard to say, since we are never shown her being on her own long enough to see whether or not she can take actually care of herself. But her relationship with Mal, Darkling and Baghra (after she no longer objectively needs them) is weird, to say the least.
She never gains the sense of self or an identity, she refuses to become something, then delivers an inner monologue of accepting her fate and five minutes later goes back on her words. Her willingness to sacrifice her life is never out of thinking of the greater good and future, justice, or patriotism. She just doesn't want to live, especially without Mal, who has been doing nothing but shitting on her. Her titles are slapped on her, and she peels them off. Her personality never really changes. Everything she went through feels like a really bad exchange program she was in for a year, and from which she has learnt nothing.
P.S. I don't hate Alina's character, I just mourn her lost potential.
If you have made it to the end, I salute you, congratulations and thank you. 😊 🙏 ❤️
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mythalism · 3 days
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what if solas was a spirit of faith?
ok hear me out. i dont 100% prescribe to this theory. most of the evidence we have is in favor of solas being a wisdom spirit, however when i was writing this post i came across something that made me go hm.
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now, not everything david gaider says is automatically canon. in fact, david gaider regularly and loudly says a lot of racist, misogynistic, and generally awful things about his own games and characters, so i actually do not respect his opinion at all.
however he was indeed the lead writer for dragon age: inquisition and had input into solas's writing, so i think for him to say this means it was at least something the developers talked about and agreed upon at that time.
the wiki's citation leads to a forum post by gaider from july 2013:
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"the corruption of faith is pride".
hm.
also notable is that david gaider is the writer of cassandra, and i bring this up because solas's banters with cassandra are basically the foundation of this, and why i started thinking about it in the first place.
solas is a lot of things. definitely a pride demon. an judgemental jerk, a lot of the time. a "mirror", as his writer puts it. a staunch atheist as well. extremely critical of anyone who claims godhood. and......... strangely respectful of *checks notes* THE MAKER???????
for someone who spends so much time decrying the corruption of false gods, many people have found solas's banter with cassandra to be out of character. and it is pretty jarring when placed in context with the rest of his statements.
remember that spirits embody a particular single virtue, and will do whatever they can to bring it forth in others:
“Spirits are not complex in the sense that they seize upon a single facet of human experience, and this one idea becomes their identity.[3] They are formed as a reflection of the real world and its passions.[10] A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose. For instance, a hunger demon will attempt to feed on anything it crosses,[4] and a spirit of justice will stop at nothing to uphold its name”
solas, strangely, speaks of cassandra's faith with great respect and even reverence. he mentions her faith several times in their banter, and rather than criticize it as foolish as you might assume from someone who embodies pride, led a rebellion against false gods, and does not hesitate to hold back his judgement when he disapproves of something, solas actively encourages cassandra's continued faith in both the maker and herself.
he tells her that her position, of a seeker of truth (an arm of the templars which he despises?) and right hand of the divine, is "an honorable one and well-earned" and that her presence is a comfort, because there is no lie in what she is:
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he outright mentions spirit of faith as gentle spirits that cannot afford to be lost to corruption:
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he tells cassandra he is impressed by her faith, after the revelations about the truth of the seekers:
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he praises her templar abilities and the maker?????
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and, most notably....
when cassandra learns the truth about the seeker vigil and her abilities being borne of a ritual involving a spirit of faith, he tells her...
she should be proud
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part of the reason these banters are so confusing and seemingly out of character of solas is due to his comments on the nature of gods, organized religion, and belief at other points throughout the game.
but i believe there is a common thread to them, and that it is not faith that he criticizes, but those who take advantage of it.
some of the best examples of his disgust for one who uses someones faith in them to accrue power are with a low-approval inquisitor. what he hates are those who manipulate faith in others.
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solas hates to see faith corrupted by falsity.
but why would he hate such a thing so much? why does he actively encourage cassandra's faith in the maker, while criticizing an inquisitor who used the people's faith in andraste to amass power? well, because it reminds him of the evanuris, of course. but i think there could be more to it than just that.
whatever kind of spirit solas was, we (pretty much) know that he came into being at the behest of mythal according to cole:
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we also know that solas was deeply devoted to mythal in the time of elvhenan, and even thousands of years later, he staunchly defends her as someone worthy of his faith, admiration and respect.
he approves of completing her rituals in the temple of mythal:
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and greatly disapproves if you do not:
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he cannot stand to let morrigan misrepresent her in dialogue (lol):
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he even actually refers to her as a goddess at one point, despite often asserting that the ancient elvhen gods were not gods:
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and, of course, the way he speaks of her in trespasser is quite literally reverent, as he reveals her murder was the catalyst for his entire rebellion:
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could solas have been borne of mythal's faith? of the people's faith in her? of her faith in her people? of her faith in herself? of the People's faith in each other? how does he still have such faith in her after all of these years?
keeping in mind the way a spirit becomes corrupted,
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combined with solas's answer to cassandra's question about what he truly believes, to which he answers that he believes in people:
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and of course this new mural:
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could solas have originally been a spirit of faith, corrupted into pride by the evanuris's abuse of the virtue he embodied? a spirit of faith, borne of mythal's faith in her people, and turned into pride when her people, her own family, betrayed her? when their gods proved false and the only thing left to have faith in was themselves?
as much as i love this and think it fits, it cant be ignored that there is equal, if not more, that suggests he was a spirit of wisdom first. however this is so clearly intentional and satisfying that i dont think it's a coincidence - they're definitely doing something with this. whether or not solas was always Pride and thus he is just drawn towards the two other sides of his coin, wisdom and faith, or if he was one and corrupted into pride, i dont know, but i think faith and the manipulation of it to evil ends will continue to be integral to his story.
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How do you make Virgils boards, is there a system or do you just like go ham? I find them very neat and am curious
(idk if this has been asked before but if it has i couldn't find it so-)
I don’t think it’s been asked but I would LOVE to ramble about it omg for sure-
It’s sort of a mix of both! I have the advantage of like,,, Virgil canonically thinks the way I think, when it comes to connecting dots, so it’s sort of just a visual representation of my brain and how I picture the lore, lol. In terms of a “process” though:
I tend to start with a list of important plot points, bits of information, and character details Virgil does know. And obviously most of the time, it’s a a bunch of questions that he’s asking, which I’ve woven those into
From there, I make a list of assumptions Virgil makes based off those facts. Sometimes those are correct assumptions that I know are right because they’re planned lore. Sometimes they’re things that I’m spitballing because we haven’t landed on an actual answer, and it’s sort of like,,, testing the waters with an idea I think is fun, but that might not be canon. Sometimes, my favourite, they’re just completely bullshit assumptions that make sense but are so wild and silly, either for the comedic effect or as a red herring.
Once I’ve got all of those, I do just sort of go ham sketching them out! I tend to cluster them based on vibe and theme, so it looks like an evolution of thought. Here is this idea, here is this idea that relates to it, kinda thing. I also try to make sure that there’s a drawing or diagram per cluster of information, to add more visual interest! I tend to shuffle things around once they're drawn out, trying to see what fits best where, the sizing of things, and whats like, an appropriate connection/space for things to go! (for example in the upcoming draft of the board, I had to decide if i put the section on Luxtant near Avianism, near the Avicane, near the Sorcerers, or near Vast and Rune!)
Also before I do the line art, I tend to add the strings on a seperate layer to test the placement! actually connecting things with the red string is less important to me then how it looks visually. I want “main things,” whether it’s drawings or notes, to be visible. Like I try my best to not have string lines being directly over the top of people, or important concepts! You can for example in the current board in Virgil’s office that like,,, the note about Kalia isn’t covered, or the pictures of Vast and Pietro, but things like random questions about Viviana are covered by strings, because they’re less important to notice upon first glance. It’s a lot of finding a way to use the strings to draw the eyes in places I want them to go.
Then the last step of the process is line art and colouring and finalising placement :D
That all makes it sound like it’s a properly like, thought out process but honestly it’s a big mess of back and forth editing and scribbling and deciding last minute to add things to fill up space and just hope things turn out looking okay lol! But I have a lot of fun with it, Virgil and his investigations and investigative process (especially upcoming with things like Void Sickness) are very fun to play out 🫶
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schraubd · 2 days
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Things People Blame the Jews For Volume LXXI: Trump Losing
Back in 2020, I suggested that Jews needed -- in the event that Trump lost his re-election bid -- to prepare for a "stabbed in the back" narrative. The fact that Jews consistently vote Democratic, I observed, would assuredly not make Republicans reconsider their arrogant assumption that they're the best friends of the Jews. The fact that Jews consistently vote Democratic would instead make Republicans fly into paroxysms of rage at the fact that the ungrateful Jews don't recognize what wonderful friends Republicans are. Well, it took a little longer, but come 2024 Donald Trump is expressly laying this gauntlet down: Speaking at antisemitism event on Thursday, Donald Trump doubled down on attacks on American Jews — those who do not vote for him. He suggested that Jews would be to blame if he loses in November. He also said American Jews who vote for Democrats harm American interests, in an escalation of his standard rhetoric. [....] “I will put it to you very simply and gently. I really haven’t been treated right, but you haven’t been treated right, because you’re putting yourself in great danger, and the United States hasn’t been treated right,” he said. “The Jewish people would have a lot to do with the loss if I’m at 40%. I mean, think of it, that means 60% voting for Kamala.” Obviously, this sort of "the Jews betrayed us" narrative is extraordinarily dangerous, -- the stabbed-in-the-back narrative was central to how the Nazis whipped up an antisemitic frenzy that ultimately led to the Holocaust. And it's particularly scary given a MAGA base that's already primed towards White supremacism and extreme right-wing nationalism, and has been increasingly open in accepting and promoting antisemites of all stripes (oh hi, NC GOP gubernatorial nominee Mark Robinson, I didn't see you I totally did see you there, because the revelation that you called yourself a "Black Nazi" was only the latest iteration of an antisemitic record that was already widely known when you were nominated!). The comments came at an event titled "Fighting Antisemitism". This might seem ironic, but I believe observers were missing the point: It's "Fighting Antisemitism" like "Fighting Irish" -- the promise of a more pugnacious, in-your-face style of antisemitism. Not limp-wristed Genteel Antisemitism or bookish and wordy Academic Antisemitism, but Fighting Antisemitism. That's the MAGA way. via The Debate Link https://ift.tt/VKqEr8c
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spot-the-ableism · 2 days
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https://www.tumblr.com/homochadensistm/762029424206020608/do-not-open-this-persons-archive-and-go-to-october
just was made very uncomfortable with the use of the r-slur (especially as an autistic person)
“The R-word, also known as the R-slur, is a hurtful term that remains prevalent throughout social media, according to a Kantar Social Listening study. The research shows that when social media users are posting about people with intellectual disabilities, 7 in every 10 of those posts are negative, and 6 in 10 contain a slur.  The R-word is a form of hate speech that stands for “retard,” “retarded,” or other offensive words ending in “-tard.” While “mental retardation” was originally introduced as a medical term in 1961 for people with intellectual disabilities, in the decades since, the R-word has become an insult used all too commonly in everyday language. Those who use the R-word often do so with little regard for the pain it causes people with intellectual disabilities—and the exclusion it perpetuates in our society.” -source
there’s not exactly any perfect resource I can point to that explains everything correctly so I will explain, since I will be @‘ing homo with this information I genuinely do think it’s that because their first language is not English they probably don’t know about the reason why people are upset, so I am using the benefit of the doubt.
“Retard”, “retarded”, “retardation” and “retardant” are all words that mean to slow or delay something. It’s originally a French-ish word.
there are many different contexts that the word is used, not all times is it a slur.
But the reason it is, is due to almost a hundred plus years of systemic abuses to intellectually disabled people, epileptics, people with learning disabilities and people with autism and schizophrenia.
for almost a 100 plus years people were sent to institutions or asylums to live out the rest of their lives abused or dying, many many people died in those institutions.
they were diagnosed with “mental retardation” which is actually an umbrella term for all sorts of mental and neurological disabilities, many people with Down’s syndrome, facial deformities and differences, people without the use of their vocal cords and more were also treated in these asylums and institutions and were among the many effected by the rampant systemic ableism and eugenics of the time.
there is this idea that asylums and institutions are not bad, when in reality it’s been almost 200-300 years of them and you can have families and friends and people who wrote books about it and they’ll tell you what it is. Hell.
so why did I give you that context?
well the reason “retarded” or “retard” is a slur is because of those institutions and asylums treatment of people they called the R slur.
their autonomy was taken away, they had no rights, anyone calling out the abuses of institutions were for a long time also penalised, and the eugenics of the time had swayed way too many peoples opinions of the rights of the neurodevlopmentally disabled.
over time things got better and the eugenics of it all started to be penalised, but the fact remains that the r slur is incredibly hurtful and harmful to people still to this day.
there is generational trauma that comes with being neurodevlopmentally disabled or having intellectual disability.
so a lot of people are very insulted and upset at the usage of the word as a slur to insult or belittle others.
I hope that makes sense to you @homochadensistm
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mixelation · 12 hours
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*devil on your shoulder voice* what if you went into a really detailed rant about why you hate the earth is space australia posts
>:(
common themes i don't like:
"oooh humans scawwy because PREDATORS" - shut the fuck up. you're being childish. are you aware that YOU are also prey in the right circumstances? predator-prey dynamics are diverse and often shifting (look up "intraguild predation"). you are literally making interspecific interactions less interesting by doing this
"pack bonding" - this isn't a thing. this isn't a term i can find used outside of this specific genre of post and a couple of dog training books. it has no biological or sociological basis. i asked a psychologist about it and they said y'all are wrong
why are we making posts hyping up humans, only to write those posts as terrified of interacting with the incredible diversity of human behaviors and attitudes and cultures. like in these posts humans are all universally "bonding" with strange creatures and acting like physical tanks in pressing situations. if the point was a love letter to humanity you'd think you'd get actual characters representing different facets of humanity instead of a single caricature
speaking of which, why are we romanticizing human traits which are not universal. yes, some humans can [physical feat] but many cannot. why do so many posts seem to be gloating over a "feat" i'm like 93% sure the OP cannot do
i hatehatehate the format of them as an alien having a conversation with a human, where the human calmly explains something about earth (almost always poorly/inaccurately) while the alien freaks out. i hate how 50% of the sentences either begin or end with the phrase "but yeah" because the writer doesn't know how to conclude a thought when they're waxing poetic about a topic they have a very shallow knowledge on
posts often don't seem to realize they're implying absurd things about how aliens work. like i just read one about how earth is ultra diverse, implying aliens have very low biodiversity, and earth is shocking for the aliens. however, if true, without the ongoing coevolutionary arms race provided by a diverse environment, how did the aliens evolve to the point where they have space travel? i want to know about how THAT planet works, not read someone on tumblr recite a bunch of lukewarm biology facts they only kind of half know
also why are there so many scenarios where the aliens meet their downfall because they just.... didn't do any observations/research before doing something? and it's never a clever thing like "they observed for years but missed X for Y reason." it's always just like "....and then they were dumb and we were so clever and smartbrained!!!"
idk why tumblr is obsessed with taxonomy but they get especially bad at it when aliens come up. guys. the aliens would use different systems because they have a separate evolutionary history. or if they used the same system--- why?! how did THAT happen???? see my point about implying absurd things about aliens
"isn't science terrifying" - NO IT'S NOT, THAT'S JUST HOW THINGS ARE???? i hate this attitude and i find it boring. also no offense but i don't get the appeal of writing aliens shaking in their boots at the idea of [earth thing] instead of being excited to find a cool knew thing. like why go into space if you're not enthused by finding out new things and getting to learn about how the universe works. why is the interest in otherworldly biology never mutual. why is it so important to you that aliens be afraid of us and humans be the most specialest darlings in the universe
back to the "conversation" format. i know most people are not scientists so there's no reason to know this, but. most biologists know a lot about one thing and not a lot about everything else. your intro bio professor seems like they know a lot because they know intro bio and you do not. if you started asking in depth questions about, idk, the wrong type of fungus or something, they'd tap out. so it drives me batty when "scientist" characters are written like they're genuinely trying to explain something where most biologists would be like "uh, well, that's not my area of expertise--" like yes I understand part of the appeal of those posts is that some people just like listing things that they know. however one thing that i know is how biologists tend to talk and you're hurting me
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gaylordscooter · 13 hours
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You're at the Party
“so you brought mass murderers to my place without warning me beforehand?” Cross said.
“Haha, nice.”
“don't humor them, chara.”
Blue wrung his hands together, opening his mouth to explain only for Ink to cut in.
“Listen, these guys aren't gonna cause any trouble. Besides, I thought this was a place where people could start over.” Ink crossed his arms.
“Two of them killed everyone in their universe? Hm, a Sans killing a bunch of people…Where have I heard that before?” XChara nudged Cross’s arm.
“you know that isn’t the problem here.”
Everyone gave Cross a look as if he was the one that was being unreasonable here.
Cross sighed, “fine, they can stay. but they need to pass a test first.”
Blue narrowed his eyes skeptically. “What kind of test?”
“well, i guess it's more of a favor.”
“Is this what I think it is? You're not sending them there.”
Cross waved away his concern. “it’ll be fine,” he insisted.
“What are we talking about?” Ink questioned.
Blue leaned close to Ink. “He’s totally planning to use them to retrieve his friend.”
“Oh! Hah. Ahahahahaha!” Ink giggled like he told him a joke. His eyelights reflected his amusement as he stared at Cross. “So we’re at this part now, huh?”
Cross looked confused while Blue huffed at his words and XChara looked bored.
Ink clapped his hands together. “Well then~! Have fun with that~!” he said cheerfully.
“I'm sure those tildes have no malice behind it,” Blue deadpanned.
“Oh, when have my tildes ever held malice~?”
Blue opted for putting his hands on his waist rather than gracing that with a reply.
“Anyway, I gotta bounce! I’ll see y’all later. Don't have too much fun without me~!” He painted a hole in the ground and hopped into it while waving goodbye.
“Eugh, he's like a kid that just learned about emoticons,” XChara said.
“you can't even see the tildes,” Cross pointed out.
XChara rolled their eyes. “I don't have to. I can hear it in his voice.”
“Never mind that. Cross, you can't send them there! I’ve already been making a careful plan. To just toss it out the window and replace it with an improvised one isn't a good idea!”
He rolled his eyelights and crossed his arms. “It doesn't need to work, anyway. I don't expect it to.”
Blue’s sockets widened as he gasped. “So you're just,” he gestured wildly, “sending them off to their deaths? Where's your compassion?”
“Where was their compassion when they hurt all those monsters?”
Blue narrowed his eye sockets. “Where's your compassion?” he repeated in a duller tone.
“Don't you have a Mettaton to serve? This isn't your business.” he snapped back.
Blue threw his hands up, “Wow! Sheesh. Fine. Go have fun torturing the prisoners of war.” He stormed off with a frown.
XChara and Cross watched as he walked in a direction that definitely led to nowhere rather than towards the town.
“He has a point,” XChara stated.
“Awful navigation skills is what he has,” Cross spat. He noticed XChara’s unamused face and did a double take. “Do you actually agree with him?”
“Huh! Do I agree with him that you have no right to judge these morally messed up monsters and that sending them to that freak’s place as punishment is completely hypocritical of you?” They stroked their chin and pretended to think about it hard. “Yes, Mr. ‘the reason why our world has become a hotspot for people who messed up like you!’”
“You don't care about them at all. You're just saying that to spite me.”
“I am, thanks for noticing,” they deadpanned.
Cross brought a hand to his face and sighed.
Killer awoke. He wasn't refreshed in the slightest and he nearly panicked over waking up in unfamiliar surroundings if it wasn't for Dust smacking him on the head.
No wait, he was called Dusk now. He even came up with that name for him.
Sheesh, the sudden change is gonna be hard to get used to.
Right. New chapter of his life. Again. Again again, actually.
Ironically, he was starting to get sick of new experiences.
This wasn't a bad change, really. In fact, it was a clear upgrade. Well, that's what he thought back when Nightmare first found him too, so.
He was waiting for the catch. He was ready this time.
There was a knock on the door.
Both of them had the knee-jerk reaction of summoning a blaster angled at the door but then the rational part of their minds took over and they scrambled out of bed to hold their blasters' mouths shut.
“good morning to you guys too,” said the voice behind the door.
They managed to desummon their blasters once they recognized that it was, in fact, Horror that knocked.
There was unmistakable joy on Killer’s face. He didn't say it, but he was convinced Horror was going to avoid them since they got settled in.
He skipped over to the door like a gleeful idiot and opened the door.
Killer was surprised by his getup. It was the first time he's seen him in different clothing. If it wasn't for the red eye in his socket he wouldn't have recognized him.
The first thing he noticed was the cap he was wearing. It was a generic white cap that covered the hole in his head. Other than that, his outfit was the same as any other normal Sans, sans the signature hoodie. He also looked a lot less tired.
“‘sup, h—sans. ‘sup sans,” Killer said, barely catching himself. He couldn't help but still refer to him as “Horror” in his mind, since from the day they met that's what he called him and known him as. But those names were nothing but brands that Nightmare put on him and Dusk. They weren't names that they chose for themselves.
“hey,” he replied with a small wave, mostly aimed at Dusk to acknowledge his presence even though he hadn't approached the door yet. “so…” he trailed off, unsure.
So.
They were in unfamiliar territory now. After a whole year of living with Nightmare, they formed somewhat of a schedule. A loose one, but a schedule nonetheless—mainly built off of the way Nightmare acted. 
With that thrown out the window, every step they took was unfamiliar. Potentially dangerous. Ironic, considering they were in a safer area now. At least they assumed so.
They hoped so.
They would normally eat breakfast at this time, probably. They weren't ever exactly sure what time it was, but that's how it's been their whole life. It felt like it was around that time, at least.
“my bro said there's a bakery here.” Another pause. Okay, he didn't have to make this that awkward. “you two wanna scope the place out with me?”
Killer’s smile perked up at the edges. “hate to say it, that sounded like you just asked us out on a date.”
“‘k, forget i asked.” He made the move to shut the door.
“nah, i’m joking! we’ll go—” he whipped his head to Dusk for verification, who gave him a thumbs up. “—yeah, let's go.”
So they got out of the hotel room. The lobby had a few people, unlike last time.
None of the three really acknowledged anyone there and no one acknowledged them, until some Monster Kid said a mere hello that made them all awkwardly respond; either with a curt head nod, wave, or quiet “hi” back.
Boy, they weren't ready to be perceived by anyone else. How the hell were they going to handle entering a cafe, let alone going outside? Well, Sans managed, so.
Sans was probably the most stable of the three, let's be real. He was the only one who had contact with other people before Nightmare came to them. When it comes to interaction, Killer and Dusk have done nothing but literally talk to themselves for who knows how long.
The second Sans started to open the door, Killer protested, “actually. could you just grab me something instead? i’ll stay in the room.” When he turned to retreat, Dusk grabbed him by the arm.
Dusk gave him a look that spelled “really, coward?”
“i don't think i’m ready, okay? sue me,” he said. He could already feel eyes on him. The stares gnawed away at his bones, trying to eat him alive. 
They knew what he wanted to do.
Dusk sighed, letting go of his arm. “we can't go,” he signed to Sans.
“right…” he sounded disappointed—no that was pity in his voice. He probably didn’t even expect the two to agree in the first place. “anything specific you want?”
“nothin’ with chocolate.”
Dusk shook his head.
“gotcha. i’ll be back in a bit,” he said.
Dusk and Killer watched as he sauntered off to be a normal monster that was a part of society. Then they walked at a breakneck pace back to their room.
Once they were back in the safety of their private room, they collapsed on their beds.
Killer, face buried against his pillow, groaned in frustration. “i hate this. we're safe now and i can't even go outside. do you feel it too, dusk? that tug on your soul?”
He might kill someone if he went outside. It was highly likely.
Of course it wouldn't be that easy to return to a normal life—of course his high LOVE would haunt him. He was too tired yesterday to be bothered by it, but now, any other monster he saw that wasn't Dusk or Sans had his soul screaming for more exp.
“i’m trying to ignore it,” Dusk mumbled.
He laughed. That's not going to work. That is not going to work and they both know it. 
That’s.
That's not going to work.
“it was—it was better when we were stuck with Nightmare. we wouldn't be able to—”
“It wasn’t better,” Dusk interrupted.
“—we’re going to kill someone. we're going to kill someone and it's going to snowball and it'll—hah—it'll be like a snowball of dust!”
He was choking now, on the rotten determination coming out of his skull.
“killer.”
That's what he was, wasn't he? A killer.
“killer!”
That's all he was.
“Killer.”
Oh, someone was holding him by the shoulders. Wow, everything was blurry and stained black. No, that was just the liquid in his sockets. He tilted his head down, letting it flow out until he could see better.
Oh, it was Dusk. Right.
He shuddered out a breath. He realized all his senses had turned off for the past few seconds. When the hell did he get on the floor?
His eyelights finally focused enough to stare back at Dusk. He didn't like the worried look he had on his face. He cleared his throat, trying to play it off, but all that did was make him hack out more rotten determination.
“well…” the sentence died on his teeth the second he started. “i want to go back to sleep,” he settled on saying.
Dusk brought him into a stilted not-quite-a-hug, where he brought him closer and draped his skull over his shoulder.
They just. Stayed there. For a bit.
“another episode…i’m starting a daily streak, really.” Any humor he thought that statement would have was completely absent. God, how fucking pathetic was he? Surely Dusk was struggling with his LOVE just as much as he was but he didn’t fuss about it. He shouldn’t need Dusk’s comfort and Dusk shouldn’t need to comfort him. He was so selfish. So needy.
Killer willed himself to move away from Dusk to lay back down on his bed.
The room was quiet until someone knocked on the door again.
Dusk opted to answer the door since Killer wasn't budging.
Fortunately it was Sans who was at the door but unfortunately, he wasn't alone. Behind him was another skeleton he hadn't seen before.
He wore monochromatic clothing and there were large x’s on his sleeves and boots. He looked a lot younger than all of them. He must've been in his 20’s. His eyelights were a lot bigger than the average sans, with a slitted pupil reminiscent of a cat’s.
Despite the youthful look, one glance was enough to tell Dusk that he had a lot of LOVE too. It wasn’t nearly as much as he or Killer had, but it was more than the amount Sans had.
Dusk glared at the stranger as if he personally wronged him.
Sans didn’t look too happy either with the death grip he had on the bag containing their breakfast.
“hey,” Sans said. He walked in as if everything was fine and normal.
The stranger also tried walking in as if everything was fine and normal.
A wall of bones rose in front of him to block his path.
Killer sat up on the bed, “nope. not dealing with unwelcome company now, thank you.”
The stranger cleared his throat, straightening his posture. “well, i’m actually the organizer of this place. the name’s cross. i’m sure ink told you three about me.”
“i’ve never heard of you in my life,” Killer said.
It was painfully clear that Cross was already annoyed by Killer, despite his attempts to keep his face neutral. “i’ll just get to the point—”
“he’s gonna test us. if we pass, we can stay. if we don’t, we’re getting kicked out,” Sans said. He opened the bag of food and grabbed a pastry for himself before handing it over to Dusk.
Dusk hesitated as he grabbed the bag. He quickly grabbed the first pastry he laid his hand on and turned to Killer.
“we’re getting kicked out?” Killer repeated.
“only if you don’t pass the test,” Cross emphasized.
Killer stood up as the wall of bones went away. He shambled over to him with a misleadingly calm expression. He leaned close to Cross’s head, keeping his hands by his sides. “what’s the test?”
Cross stood his ground, keeping his eyes locked on Killer as if he would attack him if he merely glanced away. “a rescue mission,” he answered with a steady voice despite the tension.
“the blue guy said you weren’t going to torture us,” Killer spat.
“it’s not torture. i have a plan. it should be simple,” Cross insisted.
He narrowed his eye sockets. “so why are you using us as fodder?”
“it’s a test.”
Sans snagged the bag from Dusk and shoved it over to Killer. “no point in complainin’, just roll with it.”
Killer pushed the bag aside. “why are you being so compliant? he’s going to send us to our deaths!”
“because we don’t have a choice,” he sighed. “besides, we’ve gone through hell and back, what’s one more trial?”
Killer caved in and grabbed the bag to fish out a pastry for himself. He took a hefty bite from it specifically to talk with his mouth full, “you gonna leave us alone after we complete this ‘rescue mission’?”
“yeah, just this one thing and you’ll all prove that i can trust you to stay here.”
Killer winced at the word “trust”. He quickly scarfed the rest of the pastry down. Now that he thought about it, he couldn’t really blame Cross for putting them through a trial considering that they’re all murderers. Well, he didn’t think Sans should be judged to the same extent as them. He needed to kill all those humans in order to survive.
“why does sans need to go too? his friends and family have already been staying here,” he asked.
Cross looked surprised by his question. Fucker probably didn’t expect him to be considerate. “the plan’s easier with three people, and all three of you worked with nightmare.”
“worked!?” Killer shoved the bag towards Sans and grabbed Cross by his shirt. “we didn’t work with that bastard. he KIDNAPPED us! if you think for one second that we associated with him? oh you got it entirely wrong, asshole! do you think we had fun being his fucking toys?” he snapped.
“killer, let go of him,” Sans said.
“y’know what? fine. i’ll do your stupid test. nothing you put me through will be worse than what he did to us,” he snarled before pushing him away.
Cross fixed the wrinkles Killer made on his clothes. His nonchalant behavior pissed Killer off even more.
He was lucky he actually listened to Sans.
“sorry, i wasn’t aware of that,” he said quietly.
Killer calmed down only slightly at the apology. He crossed his arms and scoffed, “you better be.”
Cross waited for them to finish eating breakfast before he went over the plan.
As he talked more, the three were even less psyched about doing this.
They were going to disguise themselves and then enter the place through a portal made by Ink. The first part of the plan was finding the right monster. Cross handed them an image for reference. They collectively sighed when they saw it was yet another Sans. If he wasn't wearing the same outfit it would be hard to find him, that's not to mention that Cross said the place they were infiltrating was a packed warehouse.
The second part of the plan was actually leaving the place. Which was supposedly the easier part of the plan because Ink will arrive and make another portal once they find the monster.
All in all, this just sounded like some dumb hidden object game rather than a rescue mission.
Ink arrived at the room shortly after Cross finished explaining. He came in holding a pile of clothes, their disguises.
Said clothes were all campy and flashy.
“in what world,” Sans held up a sequin jacket that had colors that could blind hawks, “are these disguises?”
“Well you're going to a party! A rave, specifically,” Ink explained.
Killer snatched a red leather jacket and bell bottom jeans from the pile. “all of these shirts suck, i’m gonna change.” He went over to the bathroom with the articles in hand.
“Oh yeah!” Ink snapped his hand. He reached into the pockets of his pants and took out three pairs of sunglasses, each were different shapes. “Almost forgot the most important part.”
“glasses,” Sans remarked.
Dusk and Sans exchanged glances with each other.
“it's really bright there,” Cross explained.
“in a warehouse?”
“trust me, the strobe lights could probably blind you otherwise.”
Sans narrowed his sockets.
Killer finished changing and waltzed out of the bathroom, flaunting his gaudy outfit.
“no shirt?” Sans remarked.
“i said they all suck.”
“surely you could just wear the shirt you already had on.”
“actually,” Cross butted in, “after you three get back we’re burning those clothes immediately. so probably don't wear anything that's actually yours.”
“and why are you doing that?”
“Cooties,” Ink deadpanned.
Cross frowned at him.
“Anyways, take a pair. Whatever you do, do not take them off.” Ink held out the shades with a wink.
Killer opted for the triangular ones while Dusk grabbed the rectangular ones and Sans got the circular ones.
Then Dusk and Sans grabbed whatever clothing, tossing any attempts to make a cohesive outfit out the window, and took turns changing in the bathroom.
Finally, Cross looked over the three, determining if their disguises were good to go. Dusk and Sans’s fits were horrible. That neon fluffy bucket hat that Sans wore was definitely not comfortable. At least Killer had a cohesive outfit.
He spent a second longer looking at Killer's sunglasses. He leaned close to Ink. “it doesn't cover his sockets fully,” he whispered.
“It’ll be fiiine,” Ink assured. He clasped his hands together. “Okay! You're all ready to go. Don't forget, you're looking for Epic, the most notable feature is the scar on his eye socket. Keep your distance from other partygoers and do not take off those shades.” His scarf swept at the floor underneath the three, creating holes that lead to their destination.
The three could barely see Ink waving goodbye as they fell.
The landing wasn't bad, all of them landed on their feet just fine, but the change in atmosphere gave them whiplash. While it was dark as night, strobe lights flashed and lit up the place erratically.
Oh god the music.
Eurodance from the 90’s was blasting with bass heavy enough to shake the building.
Oh god, the amount of monsters.
They were also dressed in gaudy outfits, which explained why their disguises were like that.
“cool. all we need to do is find whoever the hell ‘epic’ is. should we split?” Killer asked.
“oh god no,” Sans said.
Dusk grabbed them by their shoulders to drag them around and start their search.
“they're all wearing glasses too, didn't they say a scar on the socket is how we can differentiate him?” Sans said.
Killer groaned, “this is gonna take forever! we should just ask around or something.”
“you suddenly in the mood for social interaction?”
“this sensory nightmare’s making me feel like i’m floating out of my body, i just want to get this over with.” Killer approached one of the partygoers. “hey, y’know where a skeleton called epic is?”
He was completely ignored.
“cool. awesome. if we don't split up this’ll literally take forever, peace.” Killer walked off without waiting for the other two’s input.
Dusk and Sans watched as he got lost in the crowd in a whopping five seconds.
Dusk face palmed.
“maybe…maybe we can ask the dj? then they'll put out an announcement, or something,” Sans said.
“not that simple,” Dusk signed. He spelled out “fishy”.
“would it hurt to try?”
Dusk frantically shook his fist in a “yes.”
“eh, don't be a downer. where is the dj, anyway?” He looked around, fortunately most of the monsters here were around the same height as him so his view wasn't too obstructed. “yeesh, this place is big.”
The strobe lights flickered more as they all started moving to one point. The lights shone on the DJ station, the DJ themself was still shrouded in darkness. The sound of scratching discs filled the building as the music quieted down. “HOW WE FEELIN’ BROSEPHS ‘N JOESEPHS!?”
A mechanical roar of cheers rang out among the crowd.
They recognized that voice. They most definitely recognized that voice.
Dusk grabbed Sans by the arm.
“okay,” Sans breathed, “that's fine. maybe, no one knows his deal. we can just. leave the building.”
Dusk tugged at Sans, pointing furiously at the ground.
It was hard to notice due to how dark and packed it is, but on the ground were several piles of dust.
“hm. nice knowing ya.”
“You party animals havin’ fun?! I know I am, yo!” The unmistakable sound of Fresh’s voice boomed throughout the warehouse. The lights finally shone on him. He looked exactly the same as the first time they saw him. He was spinning. a disc on his finger. “I just gots some totes rad news before we continue on with gettin’ jiggy.”
The colored lights moved over to his side, revealing a stage that was hidden in the darkness, and on the stage was Killer. He looked confused, as if he didn't even know how he got up there.
Sans nearly swore but Dusk slapped a hand over his mouth.
When he caught sight of Fresh he stood frozen like a deer caught in headlights.
“Any bros know this fool?” Fresh asked. He put the disk back on the turntable and scratched his chin. “I don't. Did we invite him?” His bemusement barely masked his elation at having prey he didn't have to catch.
Killer didn't know what to do. He looked down at the crowd. The sunglasses they wore were originally all blank but the familiar “YOLO” text was on them now.
Running definitely wasn't going to help.
“Eh no biggie. I’ll give him a proper introduction to this rad party.” Fresh turned the music back on.
Killer internally swore at Cross, cursing his entire life. He was going to die and it was going to be to the fucking tune of a stupid 90’s song about sex. Well he wasn't going down without a fight.
He summoned a blaster aimed at Fresh and fired.
Only for one of the partygoers to leap into the blast to block it.
Killer watched in horror as he dusted that monster. The familiar rush of exp hit him like a truck, he couldn't help but fall to his knees.
“oh god,” Sans muttered from the crowd.
The three were completely powerless in this situation. This wasn't a fucking test. They were sent to their deaths.
What a sick joke.
“Oh snap! Well, you're just gonna hafta replace that now, aren't ya?” Fresh disappeared with a poof, promptly reappearing behind Killer.
Killer quickly pushed himself up and backed away from him.
Fresh didn't even follow him, the stage wasn't that big anyway.
He reached the edge of the stage, back to the crowd. Only Fresh could see the fear on his face.
Some of the crowd climbed on stage to grab his ankles, anchoring him down.
 He was hyperventilating, he was overwhelmed, he felt nothing at all.
He felt nothing at all.
Dusk and Sans went as far as they could away from the stage. They eventually reached a wall. Sans leaned against it in defeat while Dusk banged his skull against it.
Sans winced at the loud thud.
They could vaguely see the stage from here. Killer was gone and Fresh returned to his station.
The party continued on like nothing happened.
“so. do you think you’ll end up back in your universe after, or.”
Dusk huffed.
“right.” Dumb question.
They just stood there against the wall watching the neverending party. They questioned if this was hell or purgatory. No, this was definitely hell.
“ey, i finally found you guys.” It was Killer.
Dusk and Sans tensed.
His soul was a shape they’ve never seen it be before. It was in the shape of a flower.
“chillax, i’m not gonna do anything,” he said. His cadence was off. “you two have just been standing there all gloomy…” He put a hand on the wall just above Dusk’s shoulder. “why don’t you come join the fun?”
With how close he was, Dusk was able to see the parasitic flower in the small sliver of his sockets that wasn't covered by the triangular shades.
Killer leaned closer to his face. “c’mon, i’m getting lonely.”
Sans socked him in the face.
Dusk flinched back in surprise as Killer fell to the ground from the impact.
Sans shook the pain off his hand. “i think we're good.”
Dusk knelt down by Killer. He took his shades off and immediately plunged his hand into the socket containing the flower.
“uh—” Sans reached a hand out but was interrupted by Killer’s lucid screaming.
The nearby skeletons slowed their dancing, turning over to the interruption.
With one last quick yank, the flower snapped off. Dusk dropped it and stamped his foot on it repeatedly.
Killer gasped for air and keened in pain. Then he passed out.
Dusk blinked in shock.
Sans cringed, “think you went a bit overboard.”
“you were the one who punched him!” Dusk blurted stupidly.
“yup, and you committed malpractice.”
The music came to a halt with a dramatic record scratch.
The lights landed on the three.
“Yo, dudes. Quit harshin’ the vibe,” Fresh scoffed into the mic.
Dusk rolled his eyelights and picked Killer up, draping him over his shoulder.
They were surrounded now, by the skeletons under his control.
Dusk summoned multiple blasters overhead, ready to fire if any of them stepped closer.
“Yeesh! You three weren't even invited! What's the dealio? That scummy octo brought you here to rustle my jimmies or something?”
That. Wasn't even 90’s lingo.
There was some feedback coming from the mic. “That thing’s not comin’ here for real, actually, right?” For once he sounded unsure.
Was he actually threatened by Nightmare?
They had to roll with the lie. They could survive this. They just had to convince him he was coming.
Sans put a hand on Dusk’s shoulder. “nah yeah, he won't have to intervene as long as we get what he needs.”
“Bogus! Whaddaheck would that dillweed need?”
Sans pulled out the image of Epic from his pocket and showed it to the nearest partygoer. “we just need this guy, and we'll be outta your hair.”
“Oooh, yeah, I get what you're layin’ down.”
Said nearest partygoer grabbed Sans’s wrist.
“You're fibbin’.”
Welp.
Dusk was just about to fire the blasters on standby, only for a cluster of bones to sprout from the ceiling and stab through the giant skulls.
Dusk grumbled. He adjusted his grip on Killer so that he didn't drop him.
“you're kinda grabbing his butt,” Sans pointed out.
“we’ve done worse.”
“go back to not talking.”
“Aight. So y’all come on in uninvited and interrupt my bodacious party? S’all good. I’ll let you dudes bounce…not!” Fresh yelled into the mic. “I’m gonna enjoy taking y’all over. You're not worming your way out this time.”
Right as his sentence ended, it was disproved. A portal opened. It was like the light at the end of the tunnel.
That portal looked similar to the ones Nightmare made, actually.
“Ah, nah, what’s the dealio?”
But instead of the guardian of negativity arriving, a huge wave of tiny not-quite-skeletons poured in like a flood.
“what,” Dusk and Sans said in unison as absolute chaos unfolded in the warehouse.
These “not-quite-skeletons” acted more like hyperactive temmies. Their giant skulls were bigger than the rest of their body making them look more like aliens than anything. They all wore bandanas that matched the color of their huge star eyelights. They bounded around the place causing total anarchy.
Fresh among others were trampled by these small menaces. Some were simply dancing to the music while others were actively jumping some of the partygoers. They swore they even saw one playing with a pile of dust.
And all of this was happening while “We Like to Party!” by the Vengaboys was playing.
A second portal opened up behind them. They didn't even get to process this before someone yanked them through.
They both landed on their backs. Killer peacefully laid atop Dusk, still managing to sleep through that all. Hopefully he wasn't in a coma.
Dusk and Sans looked at each other, unsure if they were both already dead or if what they saw was all real.
Certainly one hell of a deus ex machina, but with all the shit they’ve gone through they might as well accept it with open arms.
It was Blue that stood over them, looking utterly concerned. “oh my GOD, you three almost died! well, you would’ve been under fresh’s control for whoever knows how long and then you would collapse from exhaustion and then die, but still,” he rambled. He put a hand on his face. “If my plan didn't work…well! Glad it did! Even if it wasn't the one I initially had,” he sighed in relief. “I’m SO sorry you guys went through that! I told Cross not to do it but, ARGH, no one listens to me!” He stomped his foot, it reminded them of Papyrus.
Another portal appeared next to him and two skeletons walked out. One was dressed like they just walked out of an anime convention and the other was clearly a skeleton from Fresh’s party.
“Thank you so much Dream,” Blue said.
Dream?
The two looked closely at him. There was a star made out of magic floating by his forehead. It reminded them of the crescent moon that rested near Nightmare's forehead. He was the one that created the portals similar to him too.
“you're his brother,” Sans said.
“Hm? Brother? I don’t…”
“They already know he's your brother, Dream,” Blue interrupted.
Dream darted his eyelights away guiltily. “I promise you, I’m not like him at all. I’m so sorry he held you all captive for a year! It must've been horrible.”
Dusk and Sans didn't really care about the needless pity. Both of them had one thing on their mind and it was punching the living daylights out of Cross.
“Right…” Blue said awkwardly. “Anyway, Dream, please tend to Epic, I’ll take these guys from here.”
Dream nodded and teleported himself and the other skeleton, who was apparently Epic, off to someplace else.
Blue stared down at the three who hadn't budged at all. “So, do you guys need help getting up, or.”
“i’m staying down here, thanks,” Sans said.
“Is Killer knocked out, or sleeping?”
“he's been out cold ever since Dusk ripped off the flower in his socket.”
Blue smacked the side of his skull, looking distraught. He looked around the place—they just realized they were in someone's living room—and told them to stay there before bolting off to another room.
Sans turned his attention to Killer and Dusk. “are you just gonna have him lay on top of you the whole time?”
Dusk shrugged. Honestly he was kind of comfortable like this. Killer was like a weighted blanket.
Sans finally got up from the floor, stretching his back with a groan. He stumbled over to the couch nearby and flopped onto it. He massaged his face. “god, i don't want to do anything ever again.”
Dusk hummed in agreement.
Blue came back shortly after with a stash of snacks. He dumped them onto the coffee table in front of the couch. “I got some snacks so you guys can replenish your energy. Do any of you know healing magic?”
Dusk nodded.
Blue walked over to him, leaning down to pick up Killer off of him only for Dusk to slap his hand away. “Oh! Sorry, I thought you were stuck,” he said, embarrassed.
Dusk sat up, holding Killer in his arms. He carefully put his hand over his soul and started healing it.
“you're not even going to eat first—Okay, that's fine.” Blue looked away from the poor medical practice. He waited a moment. “Okay, you're not supposed to keep going until he wakes up, you're gonna overload his soul with magic.”
Dusk rolled his eyelights and drew his hand away.
“He should wake up in a few minutes. In the meantime,” he grabbed something off the table and threw it at him, “eat something!”
The packaged snack bumped his head and fell to the floor sadly.
Dusk laid Killer down, having his head rest on his legs so that he could pick up the snack and eat it.
Blue turned to Sans. “You should eat something too.”
Sans glanced at the food on the table, then back at Blue. “why are you helping us?” he asked.
Blue looked disheartened by his suspicion. He fidgeted with his hands. “because i want to. And why wouldn't I? Everyone deserves help!”
“real naive of you to say.”
Blue’s expression hardened. “Fine, maybe it’s more than that. Maybe I want to feel like I’m worth something by helping people out. Maybe I’m sick of people dying when I could’ve done something. Maybe I’m guilty, so I help assholes like you in order to cope! Is that a selfish enough answer for you?”
Sans grabbed something off the table to eat. “sure.”
Blue sighed, crossing his arms. “good.”
They sat in silence as the two ate a bit. After a few uncomfortable minutes, Killer finally woke up.
He rolled off of Dusk. He immediately fired a round of questions, “everything hurts. why’s it so dark. where am i?”
“The lights are on?” Blue said.
“who the hell are you?”
“i think you blinded him, dude,” Sans said.
“what?!” Killer shouted.
“He shouldn’t be permanently blinded, he just needs to eat!” Blue assured. “Carelessly yanking out Fresh’s flower temporarily blinds the victim because it injures the orbit, and any injury to that area causes temporary blindness as our magic prioritizes healing it over being able to see.”
“oh, you’re the nerd that gave us food yesterday.”
“i’m the huh?” Blue mumbled. He shook off the insult and grabbed some packaged crackers off the table to give to Killer. “Anyway, we’re not at the hub right now. You guys are gonna crash at my place, which is here, until I give Cross a talk.”
Killer gnawed on the crackers without removing the wrapper, until Dusk snatched it from him to properly open it and hand it back to him. 
Killer poured the crumbs into his mouth, a good amount of it missed and landed on the floor which Blue decided to ignore.
After blinking a few times, Killer was able to see again. “where is ‘here’?”
“I don’t really have time to explain what this place is but uh, I suggest not going outside because you might end up in a different universe,” Blue said casually. “I shouldn’t be gone for too long, but in case I am, you guys are free to raid the kitchen, watch some tv, etc—Oh yeah! I also have a book containing all my notes on the multiverse if you wanna read it. Since you three are outcodes now it’ll be useful to know about some of the threats and important areas in the multiverse.”
The three of them looked at him like he was speaking a different language.
He coughed into his hand and pulled the book out from his inventory to set it on the coffee table. He awkwardly waved goodbye which got no responses and left the house.
“that guy’s too nice,” Killer remarked. “how hasn’t he died?”
“my guess is dumb luck or he’s hiding something.” Sans sat up on the couch, looking curiously at the book, which was actually just some spiral bound notebook. He picked it up, might as well read it to pass the time.
Killer stood up, stumbling a bit as he waited for the vertigo to pass. “i’m gonna snoop around,” he announced.
“have fun with that.”
While Killer wandered off and Sans read, Dusk went over to the fridge.
Sans flipped through the pages of the notebook, skimming over the titles of various names of people and places. He paused when he saw Nightmare’s name.
“dusk, get over here!”
Dusk walked over with no haste at all. He was holding two glasses, and was currently drinking out of one. He held out the other to Sans.
Sans looked up from the book to see the concoction he was giving him. It was nearly the same as all the past times Dusk made the mistake of playing bartender. Except this time…”did you add crushed chips? that thing has at least four different textures in it now.”
Dusk shrugged.
Killer walked back in the room, looking very dissatisfied. He wasn’t able to find anything interesting or any skeletons in the closet. His sights immediately landed on the drinks. “what the fuck is that?” he chuckled.
“nah, killer this ain’t for you.” Sans took the second drink from Dusk’s hand.
“aw, what?”
“anyway,” he took a sip, “this guy has notes about nightmare.”
Killer walked around the table and sat next to Sans. “woah, that's crazy.” He leaned closer at the book, but quickly switched his target to the drink.
Unfortunately, Sans was quick enough to move the drink away before he could take a sip.
Killer grumbled disappointedly and looked back at the book, actually reading the page this time. “i mean, we already know all of this, i don't see how this is…” he trailed off as he got halfway through the page. “huh. he’s had quite the history.”
“whaddya think being ‘the guardian of negativity’ means?”
“does it matter? we hate him. end of story.”
Sans eyed the line that said Nightmare couldn't feel positive emotions. If that was true, that explained a lot of things, but did that change anything? Not really. “yeah, i guess it doesn't.”
Once he was back at the hub, Blue hunted down Cross. His angry speech died on his metaphorical tongue the second he saw him and Epic having a reunion. He stopped in his tracks and watched them from a distance.
Ink appeared by his side, also watching the two. “Ah, a happy ending.” “It was completely unnecessary for any of this to happen and you know it,” Blue said sternly.
Ink pouted. “Aw, are you mad at me? It wasn’t my idea to send those three to their deaths.”
Blue scowled at him. “But it’s your fault Fresh kidnapped Epic in the first place.” Ink looked dumbfounded and then guilty, like a dog that was caught doing something it shouldn’t. “You’re getting too good at reading me…” he sighed. “How long did you know?”
“The second we found out it was Fresh that took Epic I immediately knew it was you,” Blue deadpanned. There were only a few people who could’ve let Fresh into the place, and only one person who would’ve. Besides, ever since Cross rescued Epic from his scripted death, Ink would glare at him like he personally wronged him.
“Aw,” Ink gave him a hug, “and you didn’t tell anyone?” He didn’t just not tell anyone he also covered for him. There was a reason Cross didn’t know he did it. “There wasn’t any point to.” “And you wouldn’t rat out your best friend!”
Blue flicked his cheek bone. “Sure,” he said sarcastically. He ended the hug with Ink with a gentle shove. “Those three are probably gonna try to kill Cross though. I’m making that your responsibility.”
Ink giggled at the idea of the three hunting down Cross. “Eh, he can handle that on his own.”
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myfairkatiecat · 18 hours
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okay so shannon giving us a keefe pov seems actually lowkey important and what i would do in the story rn but I'm not convinced she's going to use it to do the things I feel like we need her to do.
let me explain.
Shannon set Sophie up as a character who behaves certain ways. A lot of those ways are very good, and she's certainly a hero, but she also has character flaws that get worked through. For example, she can be a little reckless (personally I would have made all the same choices) (I know we think of Keefe as the reckless one but he's a different type of reckless) she can prioritize the wrong things, she can be disorganized, etc (all things that are super valid and understandable and make her relatable btw. I am a sophie foster defender)
and BECAUSE sophie is the protagonist, we see all of this develop. She has certain qualities that are a little stagnant sometimes, at least if you look from the outside, but there's actually a ton of development going on. She hears others' opinions on her actions, good and bad, and the reader sees how this impacts her and how she grows and changes, even if that change is nonlinear or in many ways she stays the same and just grows more mature.
Here's the thing about Keefe. he wandered out of side character territory and into second main character territory starting at the end of everblaze and peaking in legacy. And Shannon has been INTENTIONALLY writing him with consistent character flaws since the beginning, explainable by his past circumstances in fascinating ways. But we aren't there to see a lot of the falling out for that stuff.
A lot of people complain that keefe never faced consequences for stealing the caches or never had the black swan or adults yelling at him or mistrusting him or his friends avoiding him. And like... we do not know that. It could simply be that that was just not Sophie's problem at the time. Sophie also may have simply not been one of the people giving him a difficult time about it. In fact, we know she wasn't, but boy oh boy Fitz certainly didn't bounce back in less than five seconds. And we don't know what the Council and/or black swan did with him that sophie just wasn't involved in--and bc it didn't become relevant to the plot from sophie's perspective, sophie being the actual MC, it just seems unimportant.
Another thing is that Keefe has a lot of the same character flaws throughout the series, but they do shift somewhat with his experiences, and that's without us even seeing in his head, you know? So here's the thing.
Shannon went and started developing Keefe like a second protagonist (who is interestingly also an anti hero in some ways) and even if you aren't a person who thinks he's the most developed character on the paper (disagree but see where you're coming from) he's DEFINITELY most developed in shannon's brain, and that bleeds through. But then we ONLY see Sophie's perspective BECAUSE THIS IS SOPHIE'S STORY, and everything revolves around what is relevant to the plot from her perspective, and then keefe is just in the background being extremely important and relevant and having all these extra issues that we ONLY ever see from sophie's perspective.
Unlocked was... well, it was half a book, and only half of it was keefe. I actually do think his perspective was enlightening in some ways, but a full keefe book at this point kind of seems necessary to me. Because... he's taken on the role of another main character in this story, but we don't see any of that development happening, and for a lot of people i can see that getting taxing. Now I get that those same people also wish keefe would just. step back from the plot. and i get that! but I think with the way he's involved in the plot NOW, seeing his perspective is important, because sophie's POV (especially with her unreliable narration) doesn't give us enough of a window into the complexity that is keefe's worldview right now, especially with all the ways he keeps impacting things. it's just a really important perspective to have at this point.
Shannon, if unraveled is just keefe trying different human foods and giggling like a kotlc react on wattpad, I will probably enjoy it bc i love your work always, but i will also be shaking you by the shoulders because we need this book and you better spend it doing the things we need
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howlsofbloodhounds · 21 hours
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You ever thought about the fact that, if Killer retains his SAVE, LOAD, and RESET abilities he's, like, basically a necromancer but for whole ass universes?
Like, he could genuinely go into any universe, reset it to Frisk's fall, kill them for good (aka convince the Player that their game is bugged by spawn killing them until they give up), and voila! The universe is fixed!
Like, I don't think he'd actually do it (especially considering the fact that to him Players are basically gods and he doesn't seem to want to challenge them) but I do think that if this possibility is ever revealed to others there are quite a few people who'd try to pressure him into it.
Perhaps not, like, Dust. 'Cause he's already too far gone to think there's any fixing his universe. But what about Horror or Cross? (It probably wouldn't work with Cross since there is some far greater bullshittery going on there, but he'd definitely nag at Killer until he at least tries).
I'm firmly of the belief that Color would never pressure him into it. But what if word spreads? What if it reaches Dream? He definitely could use something like that, and it would be for the greater good. I don't even think the pressure from him would be malicious, but Killer's not in the mental state to take it well.
And if the rumor spreads to someone like Error, he may be incentivized to get rid of him. As for Nightmare, he'd probably double his efforts to yoink him back.
I also don't think that Killer would be a fan of using any of those powers since they're heavily related to Chara and his trauma. Like, no matter how this goes, no matter if he agrees to help or not, he's gonna have a shit time.
Holy hell, no matter where this guy goes, someone just always wants to use him as their weapon, huh. Can’t he ever just catch a break.
And id imagine both the idea of going against Players, saying no to saving universes (because he’s trying to be “good” now and “good” people would save universes right?), and actually saving universes which actively goes against what he was made for would create an absolute shitstorm of psychological, mental, emotional and behavioral regression in killer.
color is definitely gonna have to step up and defend killer against being used again. killer is already struggling to think of himself as a person let alone a “good” person, it’d be so easy to guilt trip him when he’s in stage 1–knowingly and intentionally or not. And it’d be so easy to take advantage of him once he’s in Stage 2 and too apathetic to care about his own well being.
Because yes it would definitely improve his standing in the eyes of the multiverse and it could do a lot of good, but not only would it draw in more people who want to use him, and would once again set him back to viewing himself as a weapon. Different from a killing machine, but still nonetheless someone’s machine.
He’s already struggling under Nightmare to not kill, because the Boss needed people alive for negativity and yet killing is Stage 4’s first instincts.
And putting him in a similar situation as the one with Chara and Nightmare is just asking for his soul to tip over into Stage 4 permanently and completely losing himself. Perhaps this is the situation that sends him mentally regressing back to the early days with Chara even.
{ @stellocchia }
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