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#in the end Daniel and Johnny fool around in love and all is well
desolateice · 1 month
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For the Fanfic Ask... A Feast For Fools. 💗
💖💖💖💖 thank you!
My favorite scene
There are quite a few.
Anytime Cheyenne and Emile roast Terry.
Terry going for the grand gestures, romantic words, or sweet interactions only to panic and think oh man this is going to blow up in my face only for Johnny to soak it up like a sponge who hasn't received any love in decades and loves it.
Especially taking Robby out for lunch only to go oh, maybe that wasn't smart, and then Robby moving in and he and Terry do face masks and Robby when Johnny asks if he's okay with the situation is like yeah dad it's all fine, look at my skin, I'm beautiful.
Terry's running internal monologue with his therapist.
My favorite chapter (if it's a multichapter)
Chapters 5 and Chapter 6 where Cheyenne challenges Terry to see if Johnny could handle being his partner and to put an end to the game only for Johnny to be really good at it.
I think Chapter 15, it's when everything comes to a head and Terry has a very intense day. He deals with Daniel, he deals with Kreese, he expects that Johnny and Robby will be gone when he gets home and decides he's relapses or will relapse when they leave and preps to stay somewhere and get more therapy.
Hardest scene to write
Honestly the end. I originally had them get married and both try to out do one another on the ridiculous romantic gestures. Johnny built the archway they were going to stand under and designed it with stained glass and I spent so much time researching and then was like no, I'm ending this on them having a nice get away.
Favorite character to write in the fic
Terry. Omg. It was fun to have him be like therapy zen yogi Terry whose undercover out of curiosity but also has this like internal thought process about how he could do xyz, sometimes even realizes doing xyz is too much, but he can't help himself and then like covers himself waiting for an explosion only for it never to come. Like his issues and Johnny's just complimented each other so well. Terry had a lot of love to give and needed to give it to someone and Johnny truly needed some attention.
Favorite dynamic to write in the fic
Terry and Cheyenne and Emile. I love them roasting him. Terry and Robby too.
Why I chose that title
I dropped it on april fools day and I mean it felt like a crack fic. Like wholesome Silverlaw? But also the two of them are fools. Terry and Johnny or they've at least been made to feel like fools, and the whole thing is their feast. They get everything they've been wanting by engaging with one another earnestly. It's also a reference to Feast of Fools, the festival and feast in the middle ages europe where low level and high level clergy would swap roles. I.e. Terry out of Kreese's shadow and Johnny out of anyone elses.
A fun fact about the fic
WickedJade originally came up with the idea for a wholesome Silverlaw and I took off running with it and had a ton of fun. There were other parts that were supposed to be included that I just couldn't fit in, like the students were supposed to swing by more frequently and explore the mansion and realize that Terry had a bunch of artwork of Johnny done, some tasteful and some pinup style which for Miguel would've been a oh no not again sensei. Pretty much Demetri just wandering around going do you think this is a weird sex thing? What about that? And Robby refusing to go with them on that tour.
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oceluna · 4 years
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The Karate Kid + Vampire & Werewolf Au
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ellieohno · 3 years
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fucking makeup sex at bobby brown's wedding??? are you kidding me??? i need this immediately
okay, yes, this I couldn't stop thinking about. so it's a 90s au, Johnny and Daniel had an intense relationship post the tkk3 era. they were together for a couple of years, had a major breakup, and haven't really spoken since. Johnny is still desperately in love with Daniel, even though he refuses to admit it, and Daniel has tried really really hard to move on. Bobby is sick and tired of this shit and refuses to put up with either of them anymore, so he uses his own wedding to hook them back up. all the cobras are involved, its a little ridiculous, but it works out in the end obviously.
"Johnny," Bobby glared at him from where Dutch was helping him into his suit jacket. "This is my fucking wedding, stop pouting like a baby and get over it."
“Yeah, you little pussy.” Dutch said easily, sharp eyes finding him from over Bobby’s shoulder. “So fucking what if LaRusso is here. Either man the fuck up and pound that little shit into the dirt or don’t, but I don’t want to hear about it anymore!”
Both Johnny and Jimmy looked at Dutch, thoughts on Dutch's choice of words clearly on the same wavelength. “Uh, what exactly do you mean by that?” Jimmy ended up asking from where he was leaning against the table with little snacks in the corner.
Dutch rolled his eyes and stepped around Bobby to smooth out the front of the jacket, making sure the lapels were straight and tidy. “Either one. Fuck him or punch him, but if you don’t pick one than I will - and we all know which one it’ll be.”
Johnny stood before he could stop himself, stepping toward Dutch with clenched fists. Because him and Daniel might have been broken up for almost a year, it might have been the worst thing that had ever happened to him, he might actually hate Daniel a little for it, but no one would ever touch him again while Johnny was alive.
Tommy jumped forward and hooked an arm around Johnny’s shoulders, steering him away as Bobby swatted Dutch’s shoulder with an eye roll. “Enough, man.”
“There he is.” Dutch smirked, ignoring Bobby’s warning and crossing his arms. “You’re not fucking fooling anyone, Johnny. You want LaRusso back so badly? Go on and show him.”
Johnny shoved his clenched fists into the pockets of his suit pants and scowled. “You don’t even fucking like Daniel, so what the fuck do you care?”
Dutch rolled his eyes as he swanned over to where Jimmy was still standing and took the little quiche right out of Jimmy's hand, eating it in one bite. “I like you, asshole. And I like Bobby, and the soon-to-be Mrs. Bobby, so I think literally everyone in this church would love it if you fucking figured out your shit and stopped bringing down the goddamn mood.”
“Dude.” Jimmy shouldered him and then didn’t move from his side. “You’re in a church.”
“Excuse my French, Father Brown.”
Bobby just shook his head as he looked at himself in the mirror, adjusting his clothes. “Not a Father.”
“Whatever.” Dutch said carelessly as he pressed against Jimmy’s side and reached for another mini quiche. “Point is, we’re all in agreement that Johnny needs to get his shit together.”
Johnny scoffed, “Oh, all of you are in agreement.” Then he looked around the small room and took in the faces of his best friends - Bobby’s concerned look in the mirror, Dutch’s aggressive stare, Jimmy’s guilty face as he looked down at his shoes, Tommy’s fleeting glances. He felt his gut tighten. “Wait - all of you?”
“Sorry, buddy.” Tommy said with a little shrug. “But you’ve been a lot to deal with since you and Daniel, uh, separated.”
That was being kind. What he and Daniel went through had certainly been a lot more intense than simply being separated, but he appreciated Tommy’s gentleness surrounding the subject. Unlike Dutch who was still glaring at him. He caught Bobby’s eye and could feel his desperation for today to go well. Johnny sighed, flopping back down into the arm chair he’d been sitting in, already feeling drained and the day hadn’t even started yet.
Seeing Daniel looking all beautiful and put together while milling about outside the church, hair all long and swishy around his ears, smile directed at whoever he was talking to had really fucking got to him and the guys knew it. And the fact that Bobby hadn’t even told him that he had invited Daniel was like a gut punch. But he couldn’t ruin Bobby and Kate’s day, so Johnny was going to suck it up and smile like Daniel hadn’t broken his fucking heart. He could pretend, just for one day, and then he’d go back to being the pathetic mess he was.
He could do this.
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newagesispage · 3 years
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                                                                        MAY                 2021
The Rib Page
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Oh Seth Meyers: Every time I see the sea captain on your show, I miss him so much!!
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Joe Manchin. Ugh!!** Marjorie Taylor- Greene has let go of her America First caucus.** Ted Cruz has allegedly used $154, 000 of his campaign funds to buy up copies of his book to boost sales. This is an old trick but still illegal.
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R.I.P. victims of the multiple mass shootings, victims of police shootings, the crush in Israel, Cosette Brown, Midwin Charles, DMX, Paul Ritter, Ethel Gabriel, G. Gordon Liddy, Buddy Peppenschmidt,  Prince Philip, Anne Beatts, Diane Adler, Vartan Gregorian, Monte Hellman, Jim Steinman, Michael Collins, Michael wolf Snyder, Johnny Crawford, Eli Broad and Walter Mondale.
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zen3to5 · 4 years
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J/H 4-04: Hyde Goes Cruisin’
Okay, time for a page-one rewrite!
Some of you could probably guess that this episode would be on the list for a rewrite project like this. And I actually think it's been changed enough that the original title doesn't fit anymore. So, instead of "Hyde Gets the Girl," you have "Hyde Goes Cruisin'." We assume that 4-03, "Pinciotti vs. Forman," remains the same.
A few scenes here adapt material, not only from scenes cut from other rewritten scripts, but also the characters from the old That '70s Show website. My understanding is that those were treated as semi-official, so I figured they were fair game.
FF.Net AO3
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SHOW TITLE   INT. FORMAN BASEMENT - DAY   A slow afternoon. HYDE sits in his chair, ERIC sits on one end of the couch, and FEZ on the other. The boys are watching HOLLYWOOD SQUARES, though only Fez seems invested.   FEZ: Elke Sommer to block. Elke Sommer to block. (it doesn’t work) Oh, you stupid son of a bitch!   ERIC: (sighs) Donna loved Hollywood Squares.   HYDE: Ah, Forman. Come on, man. Give it a rest, huh? So you’re single now. That’s a good thing! Now you’re like me, man. You’re free to be with lots of subpar, somewhat sleazy chicks. It’s Christmas, baby!   FEZ: Oh, you disguise your heart, Hyde, but I know you need love.   HYDE: Why’s that?   FEZ: (beat) ‘Cause I need it.   ERIC: (to Hyde) No, he’s right, man. I mean, Donna and I might have broken up, but you liked Jackie and you never even had her. You’re telling me that doesn’t hurt?   HYDE: Come on, Forman. You didn’t think that was serious, did you? I was just settin’ up for the biggest burn ever on Kelso.   ERIC: You got them back together.   HYDE: (shrugs) Know when to fold ‘em, man. (stands) Now, hey – this Friday night, you’re coming out cruisin’ for chicks with me in the El Camino. Of course, if we meet anyone hot, I’m taking her, but I’m sure we can find you a girl just this side of gross.   He claps Eric on the shoulder and exits through the basement door.   ERIC: (to Fez) No. I don’t care what he says. That unholy little demon crush Hyde had on Jackie, that was real, and it hurts him that she’s back with Kelso. And just once, I wish we could catch him with his guard down about it, so we could make fun of him. We’d be all, “hey, Hyde...”   He gestures wildly, looking for the right insult.   ERIC (cont’d): “You really liked a girl and you blew it! Yeah, burn! Welcome to Hell!” (beat) Oh, God, I’m in Hell!   He throws his head back and moans as Fez turns back to the TV.
MAIN CREDITS   BUMPER   INT. FORMAN KITCHEN - DAY   Early afternoon. Friday has come. KITTY sits at the kitchen table, going through one of many catalogues she has out. They all concern interior design.   RED enters from the living room, sees Kitty reading.   RED: What’s all this?   KITTY: Hmm? Oh, well, I’ve been taking so much work for the church home with me, I’m thinking of turning one of the empty rooms we have into a workspace.   RED: (beat) When you say “empty rooms,” are you counting my garage?   KITTY: No.   RED: Sounds great. I’ll find you a good, cheap contractor.   KITTY: Oh, no, no, no, no. This is something I want to handle myself.   RED: This is gonna be expensive, isn’t it?   KITTY: Maybe.   RED: Don’t you like anything cheap?   KITTY: I like you.   She smiles up at him. Red rolls his eyes and heads to the fridge for a beer.   Eric enters from the basement and heads for the patio door.   ERIC: Hey. Hyde and I are going tonight.   KITTY: Oh, good. I asked Jackie over for some decorating help, so it’ll be nice for Steven to have something to do on a Friday night without his girlfriend.   ERIC: Mom, we keep telling you, Jackie is not...   He recognizes the opening for a burn, and he takes it.   ERIC (cont’d): ... Ever going to pass up a chance to share her knowledge of interior design, and if that means giving up a date night – well then, that’s just a sacrifice Hyde will have to make.   Kitty chuckles and smiles at him. He grins back and heads out the patio door.   CUT TO:   EXT. HUB PARKING LOT – DAY   Most of the lot is taken up by a promotional booth and table for WFPP, and a white-and-green Volkswagen Samba. MAX stands by the table with a clipboard in hand. DONNA and her co-worker MELISSA man the booth, its speakers blaring out rock music.   KELSO and BOB circle admiringly around the Samba as a few other interested parties place hands on it.   KELSO: Oh, man! (to Bob) Oh, I hope I win this van! I really need a place to do it with Jackie.   He grins and turns back to the Samba, oblivious to Bob’s discomfort.   At the booth, Melissa nudges Donna with her elbow.   MELISSA: Check out that idiot’s ‘fro.   She points to Bob and chuckles.   DONNA: That’s my dad.   MELISSA: Oh! Uh...   DONNA: No... okay, yeah, you’re right.   They laugh as Max crosses over to the crowd around the van.   MAX: Okay, listen up, everybody. Welcome to the WFPP Hand 2 Van giveaway. The rules are simple: you place one hand on the van. If you remove your hand for any reason, you’re out. Last person to remove his hand wins the van.   Those interested, including Bob and Kelso, place a hand on the Samba.   MAX (cont’d): Any questions?   One DUPE raises his hand – the hand he had on the van.   MAX (cont’d): You’re out.   The dupe slinks away.   MAX (cont’d): Any other questions?   A disreputable-looking character with a bad moustache approaches – DANIEL.   DANIEL: Don’t start without me, Max.   MAX: Oh, God.   Slowly, confidently, Daniel makes his way around the van until he stands across from Kelso and Bob.   DANIEL: Hello. My name is Daniel, and I have won every WFPP contest since the Weber Gas Grill Trampoline Bounce of 1972. I am unbeatable. So, the choice is yours: joy or despair... pleasure or pain...   He slips a glove onto his right hand and holds it up.   DANIEL (cont’d): Life or death.   He slaps his hand down on the Samba.   DANIEL (cont’d): I am Daniel! And I cannot be beaten.   He is determined, Bob is unnerved, and Kelso is giddy and slightly impressed.   BUMPER   EXT. ROAD – EVENING   The El Camino is parked on the street in-between the Forman and Pinciotti homes. Hyde is at the wheel, Eric sits in the passenger’s seat, and Fez is wedged into the space in between.   HYDE: Alright, boys, let’s hit the road.   He starts up the car.   FEZ: Hyde, when we cruise a girl, how long do we have to talk to them before they will french us?   HYDE: That depends on what kind of girl you’re cruising for. Which is why I suggest you aim low. Real low.   ERIC: Well, I’m already at the bottom of a black pit of despair, so I think I’m about as low as I can get.   HYDE: (to Eric) Hey, none of that mopey crap, all right? (to Fez) And you, don’t come on all needy. You gotta be aloof.   FEZ: (beat) Did you just call me a loof? Because if so, I will have to kick you in your nads.   HYDE: No, man – aloof. Distant. Zen.   FEZ: (beat) Well, that’s not what “loof” means in my language.   HYDE: Look, I don’t care what you think it means, that’s what it means here. Now, come on – let’s ride.   He shifts out of park, Fez turns on the radio, and off they go.   CUT TO:   MONTAGE, moving from evening to night. Set to “We Gotta Get You A Woman” by Todd Rundgren. Beginning on a side shot of the El Camino pulling up to a light. Hyde, Eric and Fez look out the passenger window, grinning and nodding at what they see. And what they see is, in succession:   A) A SHORT-HAIRED BLONDE with pouty lips.   BLONDE: I’m on my way to Bible study. You in?   B) AN OLDER WOMAN.   OLDER WOMAN: You with the curly hair – I think I used to date your dad. Isn’t that a turn-on?   C) A LONG-HAIRED PRISSY GIRL.   PRISSY: I don’t know... I usually only date guys who aren’t as good-looking as me. Otherwise, I’d never date.   D) AN INTENSE GIRL.   INTENSE GIRL: My boyfriend’s in jail, so I guess I could fool around. (beat) Wait... I think he just busted out...   E) A BIG-TOOTHED REDHEAD.   REDHEAD: You know, I’m workin’ the pedals here with just one real leg. Wanna guess which one it is?   F) A MOUSY BRUNETTE, too paralyzed with fear to say anything. She giggles nervously and speeds off.   END MONTAGE. It’s now dark outside. The El Camino idles in a parking space. Hyde is chill, but Eric and Fez both look disturbed.   ERIC:  Well, that was all... deeply unsettling.   FEZ: (to Hyde) How many women who do not cause nightmares do you get in this way?   HYDE: I’d say it averages out to nine chicks a month. Subtract the six who turn out psycho, the two who get too attached, and the one that ditches ya.   ERIC: (beat) That comes to zero women.   HYDE: (shrugs) Hey, I’ve still got the El Camino.   He pats the dashboard as he brings his car into park.   ERIC: I don’t know, Hyde. Does a car and nine no-gos a month really fill the void left by a certain tiny cheerleader? One shrill of voice and intolerable for the sane among us, but with a certain naïve charm that some curly-haired rebels just can’t resist?   HYDE: Does a Vista Cruiser and a bitchy attitude make up for running off the hottest redhead in Wisconsin?   He exits the car, leaving Eric to consider that. Fez leans forward to look out the still-open driver’s door and call after Hyde:   FEZ: This is not over, Johnny Cool! (to Eric) Boy, what a loof.   CUT TO:   INT. FORMAN KITCHEN – NIGHT   Kitty and her catalogues have moved over to the stovetop. She stands over it with JACKIE at her side. Red sits at the kitchen table, eating a sandwich.   KITTY: Thank you for helping me figure out what to do with my new workspace, Jackie. I’m sure you’d rather be out with your boyfriend on a Friday night, but -   JACKIE: Oh, please. I needed a reason to get away tonight. I couldn’t take another second of hearing how we’ll be “hittin’ the road with his new wheels.”   KITTY: (shakes head) Oh, don’t get me started on men and cars, we will be here all night.   She laughs and opens up one of the catalogues.   KITTY (cont’d): Now, most of what I do at the church is helping plan events and fundraisers, so I just need a nice little space to set up a desk and hunker down with the paperwork.   Jackie nods agreeably. She picks up a catalogue and flips through it. At a certain page, she gasps and holds it up for Kitty to see.   JACKIE:  What about this? The Le Palais Bulles look. Pierre Cardin built his house like this on the French Riviera. Ocean view, bean bags for furniture, and the whole house is shaped like a bubble.   KITTY: (beat) Okay, um... my house is shaped like a... like a house. A bean bag is not a desk. And we don’t have an ocean view. We don’t even have a Lake Michigan view. (laughs)   Jackie considers this, turns back to the catalogue.   JACKIE: Ooh, you could model your workspace after Priscilla Presley’s home. She’s got this giant gold chess set that shows off that she’s rich, but she’s also got those crochet patterns old ladies like. That’d be perfect for you, Mrs. Forman!   She beams and bobs on her feet. Kitty gives her a fixed smile, glances around her to Red. He grins back.   RED: How’s doing it yourself working out?   He takes a big bite of her sandwich as Jackie calls Kitty’s attention to another design.   BUMPER   EXT. HUB PARKING LOT - NIGHT   The Hand 2 Van contest goes on. A few have dropped out, but Bob, Kelso, and Daniel remain.   Donna crosses to Bob and passes a tin and a pick to his free hand.   DONNA: Here, Dad. Some mints and your Afro pick.   BOB: Oh, thank God, Donna. My hair was starting to look silly.   Donna smiles, gives Kelso a friendly jab on the shoulder, and heads back to the booth. Daniel follows her with his eyes the whole way.   DANIEL: Hey, check out the redhead.   BOB: That redhead is my baby girl, Donna. I’m her dad.   DANIEL: I want Donna to call me “daddy.”   Kelso’s jaw drops as Bob trembles with rage. Finally, he can’t take it anymore – he takes his hand off the van and advances on Daniel.   BOB: That’s it!   Max hurries over from the table.   MAX: Ah, Bob! You took your hand off the van – you lose!   Max shakes his head and walks away. Bob glares at Daniel.   BOB: This isn’t over.   DANIEL: It is for you. Now, get out of here.   He nods his head toward the street. Bob stares him down for a moment, then slinks off to Max’s table.   Daniel slides along the van to get right up in a grinning Kelso’s face.   DANIEL (cont’d): And so begins the battle of wits.   KELSO: Oh, man. I’ve never been good at wits.   DANIEL: (flat) Really?   BUMPER   MUSIC NOTE: “Rockaway Beach by the Ramones.   INT. HUB - NIGHT   Between it being Friday night and the giveaway going on outside, the Hub is happening – lots of teens, and lots of them girls. “Rockaway Beach” plays on the jukebox. Donna and Melissa chat near the window, and a tall, stout, badly-dressed and poorly groomed girl with glasses struts the floor – at last, we meet BIG RHONDA.   Hyde, Eric, and Fez enter. Donna crosses to them.   DONNA: Hey, guys. What’s going on?   HYDE: Quick pit stop.   DONNA: Cool. There’s a keg behind the radio booth and the guy watching it isn’t checking I.D.s.   The boys all nod and mosey on into the Hub. Hyde and Eric stop to talk to a DARK-HAIRED GIRL and her friends, but Fez’s eye lands on Big Rhonda, near the pinball machine. He crosses over to her.   FEZ: So, you are the notorious Big Rhonda?   RHONDA: Yep. That’s my name. You must be that little foreign cocoa puff.   Fez nods, looks Rhonda over. She gives him a friendly slug on the shoulder.   RHONDA (cont’d): Hey, wanna join me in hittin’ that keg outside? First one to down five cups buys me a hot dog.   Fez raises his eyebrows, intrigued. He allows Rhonda to lead him outside.   Near the bathroom door, Hyde and Eric chat up the dark-haired girl, who leans against the wall.   DARK-HAIRED GIRL: It’s not like head cheerleader’s always the most talented, but in my case, it’s true.   Neither of the boys has an answer to that. The girl leaves them to re-join her friends.   ERIC: (to Hyde) God, would you look at her? Small, dark, and shallow. Hey, just your type, Hyde.   HYDE: Looks like your type’s being picked up.   He points over Eric’s shoulder. Eric looks, sees Donna chatting with a good-looking guy.   Deflated, Eric sighs, wanders over to a round table and leans against it. He doesn’t even notice the cute girl, KATIE, sitting there. She looks up at him and smiles.   KATIE: Hey.   Eric doesn’t respond.   KATIE (cont’d): So... that Hand 2 Van contest, huh?   ERIC: Yuh-huh.   KATIE: And the words kind of sound alike, so that’s always fun.   ERIC: Look – no offense, but I’m really not in the mood for talking. I just broke up with my girlfriend, so…   KATIE: Aww... you poor thing.   She puts a hand on his arm.   KATIE (cont’d): You know, you have these sad lips that are just so hot.   ERIC: (beat) Really?   He pulls up a chair and sits across from Katie.   FADE TO BLACK   COMMERCIAL   BUMPER   INT. HUB – NIGHT   Picking up right where we left off. “Come On, Come On” by Cheap Trick now plays on the jukebox. Hyde chats with Melissa near the counter. Eric is still at the table with Katie. Fez and Rhonda have come back in from the keg and stand near the pinball machine.   RHONDA: This summer, I’m going to visit my aunt in Mississippi.   FEZ: Oh, you’re going away? That is sad.   RHONDA: Hey, you should come with me, chocolate milk!   She slaps him on the chest and downs what’s left of the beer in her cup.   At their table, Katie pulls her seat in closer to Eric, so that they’re right next to each other.   KATIE: When I looked up and saw you, I saw a guy who was wounded. The guy who sits in the dark, waiting for the light to find him again.   At that moment, Donna comes in from the contest. She sees Eric and Katie, and Eric sees her.   ERIC: (to Katie) If only I could find this light you speak of, then maybe – just maybe – my pain might go away.   KATIE: Would it help if I held you?   ERIC: I doubt it. (beat) But let’s try, Katie.   They hug.   ERIC (cont’d): Yeah, lower – yeah.   Donna remains by the door, fuming.   Hyde takes a sip from his red cup and looks Melissa over.   HYDE: So, what do you do for fun?   MELISSA: We’re in Wisconsin. So, nothing.   HYDE: So you wouldn’t want to do something some time?   MELISSA: Sorry. I did something last night, and I already made plans for some time.   She moves around him, brushing his shoulder with hers as she walks, and heads outside.   Fez and Rhonda have taken over an empty table. Fez stands on it and raises his red beer cup high. He’s not exactly steady on his feet.   FEZ: A toast: to all my good friends. I will miss you when I blow out of this burg with the beautiful Big Rhonda.   He actually picks up some applause.   FEZ (cont’d): Now, it’s off to Mississiphylis!   He downs the rest of his beer. He slips off the table and is caught bridal-style by Rhonda.   CUT TO:   EXT. HUB PARKING LOT – NIGHT   On goes the contest. Kelso and Daniel are all that’s left. Bob comes around the van with a coffee cup, hands it to Kelso.   BOB: Here, Kelso. Thought you might need some coffee to keep you going.   He exits, shooting Daniel a dirty look as he does so. Kelso quickly downs his coffee.   DANIEL: (to Kelso) Hey, you know what would be fun? Seeing which one of us could drink the most coffee, huh?   Kelso laughs and nods.   DANIEL (cont’d): Oh, no. You’ll just lose.   KELSO: No, I would not. I could so beat you!   DANIEL: Well, I doubt that.   KELSO: Oh, you’re goin’ down!   TIME LAPSE   Moments later. Kelso drains a cup of coffee and throws it down in triumph.   KELSO: That’s my six to your one!   DANIEL: Yeah, you really whipped me. Kelso, you ever been to Niagara Falls?   KELSO: Uh-uh.   DANIEL: Don’t you like the soothing sound of water?   KELSO: Yeah, I guess.   DANIEL: You ever sat beside a babbling brook, listening to the beautiful, steady stream of water?   KELSO: Well, I – okay, I don’t know if you realize this, but all this talk about water’s really making me have to go pee.   DANIEL: Oh, yeah, yeah. I’m sorry. Yeah, I can see that “urine” a lot of pain.   KELSO: Yeah, well, you better shut up, ‘cause you’re gonna have to go too.   DANIEL: That’s where you’re wrong: I am going.   He pulls up his pant leg, revealing a thermos strapped to his ankle with a tube stretching up into his pants.   CUT TO:   INT. FORMAN KITCHEN - NIGHT   The decorating continues, and not well. Red is still at the kitchen table, now reading a newspaper. Kitty leans on the stovetop, trying to keep calm. Jackie is the only one still upbeat as she keeps flipping through catalogues.   JACKIE: Ooh, what about this one, Mrs. Forman? (shows Kitty) Barbara Streisand has a big desk next to the antique armchair. And just look at that chandelier.   KITTY: (beat) A chandelier? What am I going to do with a chandelier? There are two rooms in this house that I could use as a workspace, and neither one is even tall enough for a chandelier!   JACKIE: Okay, I’m sensing you’re not in love with the chandelier. (flips through catalogue) Oh, but Lee Raziwill has this gorgeous -   Kitty takes the catalogue from Jackie and shuts it.   KITTY: Okay, okay – I’ve changed my mind. I think I’ll just bring in a contractor to set up my workspace.   RED: And there it is.   He folds up his newspaper and checks his watch.   RED (cont’d): And hey, it didn’t even take as long as I thought.   He grins at a pouting Kitty, stands, and exits into the living room.   KITTY: Oh, well. Thank you anyway, Jackie, for all the help you were... you were trying to give. Tell you what – the night’s still young. Why don’t you go see if you can catch up with your boyfriend?   JACKIE:  Yeah, I should probably check on Michael, see how that radio giveaway’s going.   KITTY: (beat) Michael? Honey, you mean Steven.   JACKIE: No, I mean Michael.   KITTY: But I thought you were going to check on your boyfriend.   JACKIE: Yeah... Michael is my boyfriend. We got back together weeks ago. Steven’s the one who made sure we made things up.   Kitty jaw goes slack as she stares at Jackie.   KITTY: You’re back together with Michael? All the time you kids spend in my house, and no one tells me anything!   She shakes her head and throws up her hands.   CUT TO:   INT. HUB - NIGHT   The jukebox now plays “Sweet Talkin’ Woman” by the Electric Light Orchestra. While Eric and Katie continue to chat (and Donna continues to fume), Hyde leads Fez by the shoulder toward the door, just of out earshot of Rhonda, who is scarfing down hot dogs at a table near the pinball.   FEZ: I know I just met her, Hyde, but I love her. She is sturdy. I want to climb her.   HYDE: Man, you are desperate to give it away.   FEZ: Yes. Yes I am.   HYDE: Okay, Fez, time for a little advice. First: if a chick outweighs you by thirty pounds, you’re in for trouble.   FEZ: Oh, I’ll put on weight. I’ll bridge the gap.   HYDE: And that brings me to my second point: when used separately, chicks and booze are a lot of fun. But mix ‘em up, and you end spending your summer ass-deep in a swamp down south in Dixie.   Fez looks down in thought as Hyde pats him on the back.   Eric and Katie have moved into the booth seat. Eric briefly glances at Donna as Katie rubs his back.   ERIC: (to Katie) If you really think that putting my head on your lap will make me feel better... I mean, I guess I should try.   He adjusts himself so that he can lie down in the booth seat with his head in Katie’s lap.   DONNA: All right, that’s it. (to Katie) Excuse me? Hi. I have some information -   Eric shoots upright.   ERIC: (to Katie) No, don’t listen to what she’s... I’m... she’s the one who hurt me!   DONNA: Uh-huh. Yeah. He dumped me.   KATIE: (gasps) You dumped her?   ERIC: Well, I had to. She wouldn’t... she wouldn’t take my ring.   KATIE: (to Donna) You wouldn’t take his ring?   DONNA: This is none of your business! (to Eric) And you are a sad little man.   Katie looks at Eric with much less sympathy, and he squirms uncomfortably in his seat.   CUT TO:   EXT. HUB PARKING LOT - NIGHT   A short time later. The contest is still ongoing between Kelso and Daniel. Max and Bob still man the table, while Donna and Melissa watch from the booth. But there’s a new presence in the lot: Jackie is at Kelso’s side, talking.   JACKIE: Michael, this is so much nicer than your old van. I mean, this pea-soup green is – ugh – but with a little paint job -   KELSO: You mean, like a mural, or like the Mystery Machine? Either way, I’m there!   JACKIE: (nods) Yeah, you could have an eagle, soaring majestically over the clouds, or a wild stallion charging through the desert.   KELSO: I bet ya Fez would like that one! But it might give him some ideas...   He and Jackie both wince at what kind of “ideas” he’s talking about.   KELSO (cont’d): Oh, what about one of those wizards surrounded by fire?   Daniel leans his head against the van. The conversation’s getting to him.   JACKIE: No, wait Michael, I’ve got it. The mural should be about – me!   DANIEL: Oh, my God.   KELSO: (to Jackie) Yeah, I could totally see you airbrushed on the side of the new Shaggin’ Wagon! Would you wanna be in your black dress or your new bikini?   JACKIE: Why are those my only choices? I have so many mural-worthy outfits to choose from.   KELSO: I guess that’s true. Like your lavender top with the dark gold scarf for winter.   JACKIE: Or my bottleneck paired with my red beret.   KELSO: Or your cheerleading uniform.   JACKIE: Or my -   DANIEL: Oh, my God!   He turns to face them.   DANIEL (cont’d): I can’t take it anymore! (mocking) “What should we paint the van? Shouldn’t it be me? What should I wear?”   He lets go of the van with both hands to grab Jackie and cover her mouth.   DANIEL (cont’d): SHUT UP!   But that’s Max’s cue. With a portable transmitter and microphone on him, he jumps up and crosses to the van.   MAX: And we finally have a winner!   Daniel, in shock, releases Jackie, while Kelso hops up and down, still not letting go of the van. Donna and Melissa cross to Bob, and they all applaud.   KELSO: I did it! Oh, my God, I won! (to Daniel) Who’s the best? I’m the best! Loser!   DANIEL: I’m not a loser, okay? I win everything. I don’t lose, I win! Because I’m a winner!   He slowly slinks away, calling back as he exits:   DANIEL (cont’d): I’m a winner!   With him gone, Max adjusts the transmitter and crosses to Kelso and Jackie.   MAX: So, Michael Kelso, tell Wisconsin how it feels to be WFPP’s new Hand 2 Van winner.   He holds out the microphone for Kelso, who leans in.   KELSO: Well, I guess I have to say it like this, Max: if this van’s a-rockin’, we’re in there doing it.   JACKIE: Michael!   KELSO: Oh, I’m sorry. I’m doing it with Jackie Burkhart!   Max, Bob, Donna, and Melissa all shake their heads as Jackie slaps Kelso in the chest.   CUT TO:   INT. FORMAN KITCHEN – NIGHT   A short time later. Kitty is still up, back at the kitchen table with her catalogues. A portable radio, shut off, is on the table too.   Eric and Hyde enter through the patio door.   KITTY: Hello, boys.   Eric keeps walking, all the way to the basement, but Hyde stops at the kitchen table.   HYDE: Hey, Mrs. Forman. What are you doing up so late?   KITTY: Oh, just getting a few things together to show the contractor. (taps the catalogue page) You know, I do like this wallpaper Lee Radziwill used here. Guess Jackie had the right idea after all. (laughs)   HYDE: You had Jackie over?   KITTY: Uh-huh.   HYDE: (looks left and right) She still around?   KITTY: No, she went to go check on Michael. (taps radio) He just won the van giveaway. They cut the broadcast when Jackie started yelling at him for... well, for saying what they’d be doing in the van.   HYDE: Huh.   He leans on the back of a chair as he looks off into space. Kitty looks up at him in sympathy, pats his hand.   KITTY: That was a very selfless thing you did, getting them back together. I can only imagine how hard that was for you.   Hyde stirs; he realizes his guard’s down.   KITTY (cont’d): It didn’t really sink in until now, did it?   HYDE: What? No! Come on, man, that’s – pfft! Like I care.   He shrugs, jabs at the air. Kitty sees through the display. She stands, brings Hyde’s head down for a kiss on the cheek, and pats him on the shoulder before exiting into the living room.   Once she’s gone, Hyde takes his sunglasses off. He runs a hand down his face and stares off again.   Eric comes running back in from the basement.   ERIC: Oh, YES! Burn, baby, burn!   He points and snickers as Hyde scowls.   FADE TO BLACK   CREDITS   INT. HUB – NIGHT   The crowd has finally thinned out. It’s now just Rhonda, Fez, and Donna at a round table.   FEZ: (to Rhonda) Rhonda, I cannot go to Mississippi.   RHONDA: (tearing up) So, you’re not coming?   FEZ: I’m sorry. But maybe we can go to the movies sometime.   RHONDA: And make out in the theater? Yeah! Call me.   She kisses Fez on the cheek and struts out the door.   DONNA: (to Fez) Good God, sober up, man.   FEZ: Oh, screw it, Donna. Fez likes them big, Fez likes them small, Fez likes them all.   Donna laughs and claps him on the arm.   END.
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My top 20 albums of 2019
As 2019 is in its final month, we're not only about to experience the end of the year, but also the end of a decade filled with amazing music, ground-breaking albums and self-made musical geniuses. We've had some fantastic years, such as 2012, 2014 and 2016 for album releases and this year definitely rivals all of those beforementioned with the quality and quantity of records we had. There was such a great quantity of amazing albums this year that I had to change my original plans of a top 15 list and move it up to a top 20 list, just due to the saturation of projects. Before starting off the list, I'd like to give my honourable mentions to some great albums which would've made the list in quite a few other years: Charli XCX - Charli; clipping. - There Existed an Addiction to Blood; Charles Irwin - Singles (308). I'd strongly advise to check these out as well as the ones I'm about to list off and with that said, let's get going!
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20. Solange - When I get Home A project showing her versality, with music ranging from smooth jazz and blues-inspired vibes to Gucci Mane and Playboi Carti features, Solange once again showed a fantastic ear for production and how amazing her voice really is, without putting it in your face and demanding your attention. Instead the album is like a long, carefree day in mid-April, with Solange's voice giving you an amazing vocal experience.
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19. Billy Woods & Kenny Segal - Hiding Places Ranking much lower than last year, the underground New-York genius of Billy Woods once again showcases his amazing talent for rough and grimy delivery combined with industrial, eerie production. The project is very personal for Billy, as he gets very real about his fears and anxieties and even takes a spin for the existential as the talented lyricist raps about his mortality, creating a very unsettling and uncomfortable listen, nonetheless keeping you entertained for the whole duration of the album.
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18. Blood Orange - Angel's Pulse A much shorter project this year than last year's Negro Swan, Devonte released a very raw mixtape, presented as a radio-cut, with sudden transitions and unexpected topic changes. The tape is presented with very groovy production, creating the feeling of a warm summer day, but Blood Orange does keep close to discussing personal topics about his anxieties, insecurities and political worries.
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17.Injury Reserve - Self-Titled Definitely not Injury Reserve's first project, but their official studio-album debut, it really lets the odd trio's strengths shine, with its chaotic production, personal bars and focus on making it out of the regular 9-5 life. Full off innovative ideas, such as the song "Rap Song Tutorial" which is true to its name, the album also includes fantastic features such as Rico Nasty, Jpegmafia and Freddie Gibbs, with its main strength being the difficulties of keeping the balance between being a rapper and a regular person.
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16. EARTHGANG - Mirrorland The Atlanta duo's debut-album, Mirrorland is very witty and cheerful, capturing the story of Doctur Dot and Johnny Venus's come up in the ATL. Full of quirky and whimsical ideas, the record really does remind listeners of Atlanta's OutKast, with EARTHGANG's very own personality and spin to it, with very playful bars and captivating singing, beats with multi-cultural inspirations, such as on "Tequila" and banging trap production, the album is a fantastic mirror to the duo's potential.
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15. Ariana Grande - thank u, next Carried by the freedom and carelessness of Ariana's voice, thank u, next is an album inspired by her romantic experiences through her life, addressing Mac Miller, Pete Davidson and her need for sexual freedom. The project explores the insecurities she has experienced with herself and acts as an assertion of Grande's confidence in herself as a woman, creating a huge emotional range during the 12 tracks.
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14. KAYTRANADA - BUBBA A return to form for KAYTRANADA after a 3 year hiatus, this was an amazing funky and playful R&B project, blessed with fantastic features. The record really does just make you want to dance along and move to the groove, with its defining feature being each song's simplicity, letting the right elements to shine - like in 10% with Kali Uchis with the sexiness of her voice. Don't let the simplicity of the sound fool you, as BUBBA is full of complex production and small elements and samples that you might miss on the very first listen.
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13. YBN Cordae - The Lost Boy Another studio-album debut, YBN Cordae really shows an amazing knack for sticky bars and storytelling, backed by the fantastic production of of a team overseen by J. Cole and feature assassins such as Pusha-T and Anderson. Paak. Although occassionally a bit too corny, the project paints a fantastic picture of his persona and puts the light on a young talent, emerging in the mainstream.
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12. Ari Lennox - Shea Butter Baby One of the best neo-soul projects in the past few years, Shea Butter Baby really wraps around you with its warmth and nostalgia and brings back fond memories of kicking it back on a couch with your friends. Full of amazing jazz and funk samples, the slow pace and easygoing melodies really put you in a carefree state of mind and create a chilled out vibe.
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11. Flying Lotus - FLAMAGRA This might be a difficult album for some, but FlyLo once again shows an amazing talent for creating songs from scratch, with a very psychedelic jazz-funk vibe. Each song telling its own story, with the feeling that each second of the album matters, FLAMAGRA's biggest strength is its spiritual element, giving off an energy that touches your soul, if you grasp deep enough within yourself to feel it.
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10. Jpegmafia - All My Heroes are Cornballs Much tamer than last year's Veteran, Jpegmafia's last album has a very experimental R&B feel to it, but that does not mean that it doesn't sound like pure musical chaos. Showing a surprising vocal versatility, Peggy raps, sings and screams, keeping true to his "Fuck PC Culture" bars and nasty punchlines. Each song has a very manic and wild energy to it, with the album sounding like structured anarchy.
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9. Free Nationals - Self-Titled A modern take on classic soul and jazz, Anderson. Paak's Free Nationals crafted a very sexy, intensive album, that gives a feel that there's no hurry for anywhere and everything will happen in due course. The sensual record can easily be described as baby-making music and has handpicked seductive features like Kali Uchis, Daniel Caesar and Syd to underline that vibe.
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8. Anderson. Paak - Ventura Very much a modern take on a soul record, Anderson. Paak really creates a feel of time-stopping whilst listening to the project's songs. Paak wearing his influences on his sleeve on this one, you can really feel the vibrant melodies and groovy emotions, with the amazing funkiness of Ventura also having a very sensual feel to it, thanks to the thoughtfully picked out features and background vocals.
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7. Mereba - The Jungle is the Only Way Out An album that I believe didn't get enough attention, Mereba's latest release is a very conscious R&B project, full of beautiful darkly-toned synths and very slow and jammy folk. The topics range from facing your vices, to the overwhelming emotions of seeing your lover and the self-realization that people's opinion ain't shit. Her voice is absolutely stunning and authentic, with it giving off the feel of her being uncertain and lost with each song.
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6. Denzel Curry - ZUU Denzel never misses and this is fact once again - releasing his most dynamic record to date, Zuu goes back to Zel's roots of South Florida. In it he reminisces about his come-up and relationships with his family and friends and the project stays true to its nature with the features being only rappers from the area. Although very party-focused, ZUU has a wide range of songs, with boom-bap, trap, soundcloud rap and even having slower, more introspective jams to it.
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5. Rapsody - Eve Eve is a love letter, celebrating the success of the black woman. Rapsody absolutely peaks her musical versatility and rapping potential, crafting an amazing classic hip-hop album, full of creative bars, alluring samples and a very socially engaged range of topics. The record's strengths create a vivid picture of why successful women need to be appreciated and cannot be given enough credit in its impact for the female side of hip-hop culture.
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4. slowthai - Nothing Great About Britain A very heavily punk-inspired record, Tyler clashes with the UK's upper class in this project, exploring the difficulties of the everyday life in the UK's working class with cynical and sarcastic bars, full of energetic and grimey production. The topics in the cleverly titled record go into detail about the class bracket gap, widening poverty, political uncertainities and the average briton's arrogance. The album is full of witty jokes and very direct humor and thai does very well to paint the picture of a realistic Great Britain.
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3. Freddie Gibbs & Madlib - Bandana Arguably one of the best produced albums of all time, Madlib and Gibbs really pull eachother deep in their worlds and crafted a geniusly produced project. Celebrating black freedom, the record shines on Freddie's talent for grimey and nimble rapping, with him changing cadence again and again, whilst Madlib's gift for erratic production and turning classic jazz and funk songs into off the wall earworms and samples turns this into a spiritual experience.
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2. Little Simz - GREY AREA I'm kind of pissed off I put this at number two, just due to how good it is. Simz's coming of age album is a wicked, erratic record full of witty bars, discussion of social themes and goes between grimey, rough production and introspective, jazzy vibes, making for great entertainment. The record is a very open window to her life and the difficulties she's had as a woman and is crafted in such a masterful way, that even if you're not catching the lyrics, you'll feel the album's emotions just by listening to the production.
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1. Danny Brown - uknowhatimsayin¿ This project finishes a cycle of Danny for me personally - starting off with his rockstar, crackhead phase with XXX and the consequences of his drug-induced party life in Atrocity Exhibition, his latest project is the maturest face of Danny we've ever seen. Overseen by Q-Tip as an executive producer, uknowhatimsayin¿ is very free-flowing compared to his previous records, topped off with irregular beats and unnerving samples, keeping true to Danny Brown's personality. The project is the culmination of his rap career, as he addresses the need he had to get his life together,get out of the rut he was in and grow up. He uses his cadence and snapiness to make the point of him being grown up, but still being the dude who can do what the fuck he wants.
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mamabearlarusso · 5 years
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Distracting Thoughts (P)
For the second day in a row, I was stressed out by lunchtime. My mind was running wild, going through just about everything of the last two years, trying to figure what I could have done differently...did I really have to go down the path I had? Was I transferring? Was I expecting Johnny to be more than he is or could be? Was it my fault?! Or is it just my fate to never have any relationship that truly lasts?
I had the radio on low in my office, trying to distract me--just enough so that I could get some work done. A certain song started playing and immediately, I thought of sitting in that uncomfortable hospital chair...falling asleep holding Johnny's hand, hoping that he would get out of there safely. Thinking of the hospital made me think of driving around for hours, finally finding him at the inn...yelling and screaming at him for leaving.
I've thought about that day many, many times--lingering over some points more than others, of course...I have a bad habit of not analyzing things enough sometimes. (Probably why they tend to blow up in my face.)
One of the biggest questions that day, was why had I gone all that way to find Johnny, when I hadn't done anything close to the same for Daniel? Once I found out about them being together, I was beyond hurt. I almost immediately went on the offense and tried to start something with Johnny--while Daniel was out at work, of course. Old Mandy up to her tricks. (Well, someone had to do something!) But back then, Johnny was just my friend--a friend I wanted to still have, by the end of the day--and I nixed the idea before things got out of hand. I kept waiting for Daniel to make a move after that, just say or do something...anything out in the open. I was thinking--I don't know what I was thinking...but after being partners in everything for so long, I wasn't expecting him to just rip up the contract like that...like it was just a business deal. The shock and hurt went down deep and seeped into my bones. I thought, after weeks of practically being a shut in, that I had gotten over it--or at least the worst of it. What would've been the point of going after Daniel, that late in the game, when he was so cut and dry about it? It wouldn't do the kids any good for us to stay together like that. If I'm being honest, I wouldn't want Daniel--or anyone, for that matter--to stay with me out of an obligation. But at that time, I was just completely sideswiped and, so...lost...I would have done anything. (You even entertained a few ideas, during those quiet days...alone at the house. For like a second...and they were just too crazy.)
There probably was some transference in those first weeks of knowing Johnny--not that I was doing it wittingly--I loved Daniel deeply. Sure, I noticed little things...but after twenty years and a crazy-busy franchise, who doesn't miss a few cues here and there, right? Daniel and I were both guilty of them over the years, but I never once thought that those little things were any different than any other long lasting marriage. On some level, even after all he's done to hurt me, I will always care about Daniel in some way or another. (That's why it still hurts so much.) Our history together...our kids...the business...we are and will always be connected--even if he's still across the country.
But it was nice, for that little while...being able to talk to someone--outside of work--where 90% of the conversation wasn't karate related. I loved Daniel's history and connection with it...how it helped him be his better self and how it strengthened his dedication to keep the memory of Mr. Miyagi alive...and I would never want to take that away from him. But having nearly every waking moment somehow tied to it, like some game of six degrees of karate--more like 3 degrees or less--it was just nice to have a breath of fresh air, once in awhile...just getting to know someone else. Aside from one conversation on one very significant night, Johnny never talked about karate when we were alone.
The fresh conversation coupled with the patented 'Lawrence Charm' and I guess I started falling. Of course, I didn't know it. Having Johnny around the house, even though he was on the mend from Kreese-related drama, things were relatively quiet and relaxed...like back before Cobra Kai came back to the valley (you mean, back before Johnny brought Cobra Kai back to the valley)...like back before Daniel and I got so busy handling four dealerships. (Quiet and relaxed moments...ripe for ambiguity...moments that he took advantage of, because he was sleeping with your husband--RIGHT UNDER YOUR NOSE! I KNOW, you don't have to remind me! All that flirting was just him being him...he didn't mean anything by it, except to through you off their trail...he never had any feelings for you, other than maybe gratitude for making it so easy for them. SHUTUPIKNOWTHAT! And yet, you still tried to hold on during that 'dinner and a movie night' on the couch...are you that hard up for friends...is your self esteem that low? You know the answer to that...I knew Daniel was going to leave eventually, I didn't have what he wanted any more--Johnny did...I couldn't have someone else leave, too. If Daniel left after twenty years, what makes you think Johnny would have stayed...whether for friendship or not? I don't know...the wine was hitting me pretty hard that night...fat lot it did me, anyway.)
Johnny left the house in the middle of the night, that night. I should have known it would be the beginning of a pattern. (But you couldn't leave that be the end, could you...you had to start worrying about him, like he wasn't a grown man that could take care of himself...he's a freakin' black belt, for cryin' out loud. Oh yeah, that didn't stop him from being put in the hospital--twice, did it? The same thinking that made you talk to him at the Christmas party. He looked sad...no one should be sad on Christmas...what kind of friend would I have been, if I just left him be? Your ex-husband cheated on you with him...you're not his anything...you weren't his anything when he came back from New York...you weren't his anything when you drunk texted him on Valentine's Day...those flowers he brought over, he was just keeping his foot in the door, in case Daniel came back...he didn't want to be your friend, he was pitying you...you should have just cut ties with him, when he persuaded you into that damn talk at the sport's bar. He was hurt...just like I was...Daniel left him out in the cold just like he did to me...we had more in common, than just music and movies. Yeah, right...is that really what you want to hang on to...you were both holding to each other, just waiting to hear who heard from him first...even if he wasn't playing you then...you were both fooling yourselves...it's pathetic, really...as pathetic as going to check in on him, on a whim before work. No, don't go there...if I hadn't gone...I don't...no, just no. Whatever.)
There's finally silence--in the office and in my head...for like a second...until the radio station starts playing music again after the commercial break. As the first few chords play, I know what song it is...I don't even have to hear her sing. *pressure immediately builds up behind my eyes and my chest tightens...grabs purse and makes a beeline for the break room* I offer to grab lunch for everyone...it's been awhile since we ordered out. After the lightly-veiled surprise quickly died down, I got an order put together and burned rubber.
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kosa12-blog · 7 years
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Coachella 2017 All Access: Go Inside This Year's Star-Studded Music Festival
Bust out the flower crowns and inflatable swans: Coachella 2017 is finally here! Thousands upon thousands of music lovers are headed to Indio, Calif., to experience two weekends of nonstop tunes from a variety of artists. Lady Gaga, Radiohead, Kendrick Lamar, Lorde and Future are just some of the famous faces performing live to a sea full of people. For those who are unable to head out and experience the fun in person, there's always the Coachella livesteam. In addition, E! News is hooking you up with all the surprise guests, A-list parties and star sightings. Take a look at our All-Access guide updating throughout both weekends below. Coachella 2017: Star Sightings Weekend 1, Day 3: Sunday, April 16, 2017  Louis Tomlinson and girlfriend Eleanor Calder were spotted hanging out at the Revolve Festival party at the Merv Griffin estate in Indio, Calif. An insider told us they sat at a cabana by the pool, pouring themselves a CIROC and Red Bull drink. The former One Direction singer donned green flannel pants and a black shirt, while his on-again, off-again girlfriend opted for a plaid black and white button down and denim shorts. Though the couple didn't show too much PDA, they did spend a bit of time chatting together by themselves. Sofia Richie, Nick Jonas, Joe Jonas, Sophie Turner, and DNCE also attended the event. Nick was spotted smoking a cigar and holding a goblet of Moët champagne in his private cabana beside Tomlinson. He donned a head-to-toe army fatigue outfit and a tan baseball cap. Joe and Sophie sipped on fruity drinks and chatted with friends. Kendall Jenner also just attended the Revolve Festival party, sitting in a private cabana with Hailey Baldwin and a group of friends. We're told they stayed for about an hour, eating popsicles and playing with the mini squirt guns at the table. Kendall dressed casual in a statement sleeve shirt with jean shorts and a hat. They stayed for Migos' performance before heading out. Katy Perry and her stylist Johnny Wujek hosted the Katy Perry Footwear Collection Easter Day "Recovery Brunch" on Sunday, which came complete with a fluid IV drip station, neck massages and a make-your-own Bloody Mary bar. The singer hosted this party to promote her new shoe line, which she designed with Wujek. Katy looked ethereal in a white mesh midi-dress and a white two-piece bathing suit underneath, rocking her bleached blonde pixie cut and accessorizing with a stuffed, white Easter bunny purse. A source told us she arrived to the party around 3 p.m. and was surprised by a "drunk" Easter bunny who was stumbling around the party holding a bottle of Jack Daniels. She spent a majority of the time mingling with guests and taking photos. Stars like DJ Khaled, Kehlani, G-Eazy and Lorde all performed before Kendrick Lamar took the stage late Sunday night. The rapper brought out Future as a surprise guest to perform their collaboration "Mask Off."  During the performance, many stars were spotted in the crowd jiving to the music. Selena Gomez and The Weeknd watched the show together in the front of the artist guest viewing section. The "Starboy" singer wore a mask around his mouth, likely to protect his vocal chords from the dust, but at one point an onlooker tells us he moved it down to give SelGo some kisses. They kept their arms around each other all night, staying "very affectionate" as they sang along to Kendrick's songs. Selena Gomez's Best Looks Lana Del Rey and G-Eazy—who spent the entire weekend together, a source told E! News—were also spotted in the same area as SelGo and The Weeknd during Kendrick's show. We're told they came in the same group, but stood a couple yards apart as the rapper performed. An onlooker explained how Del Rey "danced like no one was watching" and sang every one of Kendrick's songs. We're also told she would occasionally look back and smile at G-Eazy before turning her attention back to the stage. Aaron Paul and his wife Lauren Paul also attended the concert with friends, "slowly trudging" out of the festival grounds after it ended. It was, indeed, a long weekend! Earlier in the evening, Katy Perry attended Lorde's performance and sat in the artist guest section. She was spotted "going crazy" during the "Royal" singer's final song. Weekend 1, Day 2: Saturday, April 15, 2017 Lady Gaga debuted a new song, "The Cure," during her headlining set. Katy Perry arrived about 10 minutes before the show started, with two friends. The singer watched the show while standing on a railing and was seen singing and dancing to all the songs. Wiz Khalifa was also in the special artist guest section and had his arm around a woman. They attended the show with friends. Lady Gaga's One-of-a-Kind Street Style Arrow star Stephen Amell and his wife stopped by Rachel Zoe's Zoeasis party, where Casamigos Tequila was enjoyed by festival-goers. "They are super cute together and said this was their first music festival," a source shared with E! News. "He's so in love with her, it's cute."  Victoria Justice, Olivia Culpo, Yara Shahidi and more stars were spotted at POPSUGAR's CFDA brunch and cabana club pool party. Guests enjoyed a performance from Daya and swag provided by Nordstrom, Ulta Beauty and Three Olives Vodka.  Leonardo DiCaprio, Orlando Bloom, Tobey Maguire and 50 of their closest friends arrived to the Revolve Festival party at the Merv Griffin Estate after 5:30 pm. The A-listers snuck in through the back, fooling the crowd of partygoers in the front. They were all smiles while sipping on CÎROC, Moet and Heineken with Russell Simmons at their private poolside cabana. Pac Sun and Chevy put on a Coachella party at the Bootsy Bellows Estate that featured Kendall Jenner, Hailey Baldwin and Ryan Phillippe.Ariel Winter, who also stopped by H&M's Coachella party, and Levi Meaden were also in attendance and displayed plenty of PDA.  During Future's set, the rapper decided to surprise the audience by bringing Drake on to the stage. According to an eyewitness, Orlando was super excited with the surprise and couldn't stop dancing and hugging his guy friends.  Katy, Orlando's ex, also watched Future's performance but the two did not appear together, a source told E! News. Both Rihanna and Lana Del Rey were also seen near Katy Perry in the same artist guest viewing section. Wiz and the same woman were also present, as was his ex Amber Rose, who stood behind them with friends, E! News has learned. Chris Pine was spotted ordering a whole pizza at a VIP food area. Also spotted there: Josh Hutcherson and a guy friend. Musicians Performing Live on Stage Leonardo, Orlando, Toby, Drake, Selena Gomez and The Weeknd, Amber Rose and French Montana were all spotted at the Neon Carnival party presented by Levi's Brand and Don Julio late Saturday night. Selena and The Weeknd walked hand-in-hand on their way to the portable toilets and he was extremely protective of her when a photographer tried to take a photo of them. The two were later spotted in a booth by the dance floor and left the bash around 4 a.m. Holding hands again, they made their way into an SUV, where The Weeknd helped Selena inside. Leonardo, who wore a baseball cap pulled low over his eyes, as well as a hoodie, hung out with Orlando, who sported sunglasses and a hoodie, and Toby at a VIP booth and danced with fellow guests. Both Leonardo and Orlando was also seen talking to blond women. Chantel Jeffries and Alessandra Ambrosio were also spotted in the area. James Francowas seen walking with a tall bleached blond woman to one of the carnival rides. They were also accompanied by a group of people. Drake arrived with an entourage of at least 15 people and partied until just before 4 a.m. Amber, who wore a colorful body suit, also attended the bash with a large group. According to a source, Rihanna, Katy Perry, Kristen Stewart and Stella Maxwell (among others) hit up the Jeremy Scott Moschino party on Saturday night following the festival.   After the party, the bad gal headed to Neon Carnival where she avoided both Drake and Leonardo. Earlier in the day, also was spotted watching Gucci Mane in a special viewing section at the Sahara tent and dressed in a head-to-toe glittery Gucci bodysuit—so, yes, Rih wore Gucci to Gucci Mane (because she's that bad). Weekend 1, Day 1: Friday April 14, 2017 After traveling through private planes, Uber rides and even a helicopter (we see you Sofia Richie), dozens of celebrities kicked off a jam-packed weekend. Tyga partied separately from Kylie Jenner throughout the weekend. On Friday, he hit up one of the parties put on by Velocity Black x 1 OAK, which kicked off its annual Coachella soirees with an epic mega-day bash called the Up & Down Desert Beach Party featuring cocktails by Absolut Elyx, D'usse, Red Bull and Budweiser. Paris Hilton, Rita Ora, Chanel Iman and Shay Mitchell were just some of the "curated" crowd that was treated to Zeel App massages, beats spun by Odd Future's DJ Taco and food by Catch LA. Poppy Delevingne, Jordyn Woods, Brooklyn Beckham and Russell Simmons made sure to stop by the day party as well. Selena and The Weeknd couldn't seem to keep their hands off each other throughout the day. The two watched performances by The Head and The Heart and Travis Scott.  Nicole Richie was able to enjoy brunch early in the afternoon while also celebrating the House of Harlow 1960 X REVOVLE Spring 2017 collection. Instead of hanging out with Tyga, Kylie hit up the PrettyLittleThing x Paper Magazine's party sporting a neon green hairstyle.  Later that night, Kendall played part-time DJ with Daniel Chetrit when the duo spun a set as Pizza Boys at Velocity Black x 1 OAK's second bash, this one being a late-night party Supermodels Jourdan Dunn, Hailey Baldwin, Jasmine Tookes and Georgia Fowler danced it out under the stars. Muse's Matt Bellamy, Jayden Smith, Odell Beckham, Nav and French Montana were also treated to Kendall's DJ set. The vibe was so hot even exes Rihanna and Drake both attended. However, a party-goer tells E! News they did not run into each other. "Rihanna arrived a little after midnight with a few friends. She and Drake arrived about an hour or so apart and did not chat at all," the source said. The Weeknd and Selena continued their PDA-filled Day 1 at the jam-packed party, too. 10 Music Festival Items That Will Make Your Coachella Instagrams Pop Before the sun went down, Hailee Steinfeld performed three songs at the Republic Records Hyde Away party including a cover of Ed Sheeran's smash-hit single "Shape of You." An eyewitness told E! News that the singer's rumored boyfriend Cameron Smoller was standing up front the entire time and singing along during the show. After the sun set on the first night at the NYLON Midnight Garden Party, an inseparable Joe Jonas and Sophie Turner looked very affectionate and had their hands all over each other, according to an eyewitness. The happy couple stood by the bar for a while waiting for their drinks yet block the way while they held each other and talked closely, sneaking in kisses. Nick Jonas, Shay Mitchell, Richie and Amber also attended. More to come all weekend long!  For complete coverage of Coachella 2017, watch E! News Monday at 7 p.m. and 11 p.m.  (Originally published Friday, April 14, 2017 at 8:45 p.m. PST)
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trendingnewsb · 6 years
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4 Lazy Character Shortcuts Hollywood Can’t Stop Using
The best movie characters are usually the ones whom we sort of identify with. Whether they’re a simple middle-class teenager or a grizzled Matthew McConaughy playing a nihilistic detective trying to find aliens from the future inside a black hole, they work because when they make decisions, we get it. We learn who they are and understand them. Sometimes, though, writers don’t really have time for that shit. Instead, they use some kind of shorthand which (they hope) will have the same profound effect with far less effort. This usually doesn’t work at all. Particularly when …
4
Sudden Sacrifices Are A Substitute For Heroism
What is more powerful than one human being sacrificing their own life to save others, usually to the accompaniment of an orchestra that sounds like it’s about to parade through the screen? You could probably base a whole religion around it. In the world of Hollywood screenwriting, sacrifices can also be written in not to provide a satisfying end to a character’s arc, but to add instant heroism to a character we barely know.
Read Next
Why We Can't Take Our Eyes Off The Things We Hate
Kong: Skull Island (which I think is a great movie) includes a bunch of dispensable soldier characters who are tailor-made to be ape food. There’s nothing wrong with that. I’m a fan of slasher films, so I have an appreciation for characters who only exist to say “Hey, guys, what was that noise?” But then, while under an assault from mutant reptiles, one of the soldiers, Captain Cole, pulls out two grenades and stares down one of the beasts. The rest of the cast does the typical “NO! DON’T DO THIS!” thing, like the audience is expected to. No, don’t do it, guy with literally two personality traits.
youtube
The guy’s plan goes awry and he ends up being a bloodstain on the side of a cliff, but that’s beside the point. The point is … well, what is the point? The sacrifice doesn’t add a dimension to his character, nor does it say anything poignant about him. Instead, it just makes him look like he’s very bad at thinking through decisions. You’re stranded on an island with a monster ape and ubiquitous leviathans, and your plan is to waste yourself and two precious grenades with your patented “Stand there and hope” maneuver?
Of course, they also did this with Superman at the end of Batman v Superman, in a Hail Mary effort to give us some reason to care. They did the same in I Am Legend, in which Will Smith sacrifices himself to maybe blow up some of the zombies, which is such a pointless act that the director’s cut has Will Smith not do that.
And remember Chappie, that Black Mirror episode, but with more decapitations? At the end of that, Ninja — played by Ninja of the rap group Die Antwoord — tries to sacrifice himself in dramatic slow motion, as if the movie is under the impression that we liked his character. He just spent two hours cursing and emotionally abusing a childlike robot. Sacrifice away, idiot.
If they want us to care, they need to scroll backward a few dozen pages in the script and write the character as someone we’ll either be sad to see go or happy to see redeemed. Oh, and the character needs to stay dead.
3
Making A Character Suddenly Badass (In A Way That Makes No Sense)
There’s nothing better than when a badass character gets a badass payoff. My boys in the Dragon Ball franchise are constantly training so that when the time comes, they can triumphantly punch holes through people. This is immensely satisfying because you, the viewer, get to anticipate seeing them use their skills. There is build-up. So it’s baffling whenever “badass” characters either get that way out of nowhere, or are assigned badass traits that don’t fit their progression at all, like if The Karate Kid ended with Daniel challenging Johnny to a snowmobile race.
Take Arya Stark in Game Of Thrones. A big point is made that she’s not built for swordplay. Her cranky travel companion Sandor Clegane points out that her tiny frame and flimsy sword is useless in a gritty fantasy universe full of giant men in armor. Thus, she learns how to work with poisons and magic disguises, leading us to believe that she’ll be pulling off some rad espionage tactics to fool bad guys who could crush her skull like an egg. Instead, within a couple of seasons, Arya becomes Jason Bourne Lite, shrugging off stabbings and doing sweet parkour. Later, she faces off in a practice duel with giant sword master Brienne and outmaneuvers her easily, smirking the whole time.
Regardless of the fact that she is never shown acquiring that level of skill, the problem is that this character is now superhuman and is in no way someone you can identify with.
Writers can’t resist this, even when a lack of combat training is the entire point of a character. This happens in the recent Death Wish remake, in which Bruce Willis, a surgeon, suddenly becomes a mix of Jigsaw and Rambo, all because he lost his family … and he’s a surgeon? This movie had a lot of problems, but at the very least, it could’ve made sense. I can’t claim to know what they teach you at medical school, but I sincerely doubt it involves target practice. I mean, not yet, anyway. But they couldn’t think of any other way to have him beat the bad guys.
And look, I love Harry Potter‘s Neville Longbottom, but the whole point of him is that he’s a clumsy, nerdy boob. He continues to be that for the first seven and a half movies, until his arc completes with him … cutting a giant snake’s head off in slow motion with a sword? Why? At no point in the series are we clamoring for Neville to be the guy who decapitates magic serpents. He’s shown as having talents — specifically, using magical plants — but all of that goes out the window because in the end, being a hero only means being great with traditional fighting techniques.
I’m not saying that Neville should’ve been watering the shrubs while Voldemort was attacking, but maybe give us something more in line with his character. He can be cool without being Conan. Hell, Breaking Bad spent its whole run inventing ways for a sickly chemistry teacher to defeat drug lords who are stronger and more well-armed than he is. They didn’t simply make him suddenly good at ninjutsu.
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Gritty “Realism” Is Conveyed Through Ceaseless Cursing
People curse in real life. They do it in the car, they do it in the bedroom, they do it when they’re in line at Gamestop and GODDAMN, RICHARD, THE TRADE-IN VALUES ARE NOT GONNA BE THAT GOOD NO MATTER HOW MANY “PRO” POINTS YOU HAVE, SO GET THE FUCK ON WITH IT, SHITLIZARD. But since lots of movies are shooting for PG-13 and network TV shows usually try to be family friendly, they have to keep it clean. When creators find themselves without those restrictions, they tend to go hog-wild.
So I get it, prestige TV dramas. You get to put on your HBO/Showtime Big Boy Pants, and you naturally want to curse a lot because Mom and Dad aren’t around to tell you no. But do so many characters absolutely need to do it like they’re auditioning for a Rob Zombie film? For example, the sister character Debra is the heart and soul of Dexter, considering the show reminds you at all times that the titular character lacks a heart and soul. But there are ways to illustrate that she’s deep and troubled other than peppering all of her dialogue with curses that make her sound as if she’s just discovered Urban Dictionary. You know, like actually giving her an important role on the show? That’s just my two cents.
It comes up in Game Of Thrones, which desperately wants to be Definitely Not Lord Of The Rings, and Boardwalk Empire, which desperately wanted to be Definitely Not The Godfather, or Deadwood, which desperately wanted to be Definitely Not Renewed For A Fourth Season. I love you, Deadwood. I live and breathe you, Deadwood. But holy shit, it’s hard to market a cowboy show, much less a cowboy show that constantly plays like a Greek tragedy and includes an errant dropping of “fuck” every six seconds.
Compare that (again) to a show like Breaking Bad, which was only allowed one or two F-words per season. When they come, they actually have impact. When Skyler reveals to Walter that she’s sleeping with her boss, it’s “I fucked Ted.” Not “I’ve been messing around with Ted,” or “I let Ted play on my slippery dulcimer, if ya’ know what I mean.” It’s a gut punch. The fact that, realistically, she’d probably say it that way is just icing on the cake.
Some of you might say that these shows use gratuitous nudity in exactly the same way (that is, because they can), but at least beautiful naked people is a selling point. Who’s out there saying, “Man, I’m not crazy about the plot of that show, but some of the cursing is amazing. It gave me a full erection.”
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Geeky Characters Are Defined Only By Their Ability To Spout Pop Culture References
A lot of people in the world are geeks. Not me. I only talk about Digimon when I’m drunk. But a lot of people are. And you’d think that since “geeky” interests are so commonplace, we’d get more great geeky characters in pop culture. Characters that we see aspects of ourselves in. Sadly, what we do get are shows like Big Bang Theory, or characters like Steve Urkel from Family Matters, Ross Gellar from Friends, Morgan from Chuck, Noah from the Scream TV show, and about 75 percent of the denizens of Kevin Smith movies. These are characters who don’t make geekiness look fun. Instead, they drag it around like a cross, burdened by their own existence.
I would probably relate to more “geeky” film characters if the writers knew how to identify them as geeks without having them bleat like farm animals about Star Wars or Dungeons & Dragons. Either that or they’re like Spencer from Criminal Minds, who refuses to shut up about how his special, powerful, super computer brain works differently from the average brain. He’s supposed to be likable, but I’ve never met a single likable person who went into detail about how much smarter he or she is than most of the population.
It’s like they’re so afraid that we won’t get it unless they crank it up to cartoonish levels. The “funny” control room employee in Jurassic World wears a Jurassic Park shirt with the original movie’s logo on it. That’s great! It builds his character and it adds to the theme of the movie that you probably shouldn’t recklessly commodify prehistoric beasts. But he then explains why he wears that shirt and how much it costs and how much he loved the first Jurassic Park, and any chance we had of identifying with him goes out the window. If I buy a Spider-Man shirt, I don’t go around the mall asking people about their favorite Doctor Octopus moments; I just wear the shirt.
It’s so strange because you’d assume that most writers are themselves geeks, the ones who have to borrow clothes to attend a red carpet premiere and then are kept far away from the cameras. You have to imagine them toiling away on their sitcom pilot thinking, “Hmmm … what would a geek say in this situation? It’s so hard for a cool, sexy beast like me to put myself in their mindset. I know, I’ll have them suddenly speak Klingon.”
Daniel has a Twitter, which he uses as a platform to yell about Pokemon.
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trendingnewsb · 6 years
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4 Lazy Character Shortcuts Hollywood Can’t Stop Using
The best movie characters are usually the ones whom we sort of identify with. Whether they’re a simple middle-class teenager or a grizzled Matthew McConaughy playing a nihilistic detective trying to find aliens from the future inside a black hole, they work because when they make decisions, we get it. We learn who they are and understand them. Sometimes, though, writers don’t really have time for that shit. Instead, they use some kind of shorthand which (they hope) will have the same profound effect with far less effort. This usually doesn’t work at all. Particularly when …
4
Sudden Sacrifices Are A Substitute For Heroism
What is more powerful than one human being sacrificing their own life to save others, usually to the accompaniment of an orchestra that sounds like it’s about to parade through the screen? You could probably base a whole religion around it. In the world of Hollywood screenwriting, sacrifices can also be written in not to provide a satisfying end to a character’s arc, but to add instant heroism to a character we barely know.
Read Next
Why We Can't Take Our Eyes Off The Things We Hate
Kong: Skull Island (which I think is a great movie) includes a bunch of dispensable soldier characters who are tailor-made to be ape food. There’s nothing wrong with that. I’m a fan of slasher films, so I have an appreciation for characters who only exist to say “Hey, guys, what was that noise?” But then, while under an assault from mutant reptiles, one of the soldiers, Captain Cole, pulls out two grenades and stares down one of the beasts. The rest of the cast does the typical “NO! DON’T DO THIS!” thing, like the audience is expected to. No, don’t do it, guy with literally two personality traits.
youtube
The guy’s plan goes awry and he ends up being a bloodstain on the side of a cliff, but that’s beside the point. The point is … well, what is the point? The sacrifice doesn’t add a dimension to his character, nor does it say anything poignant about him. Instead, it just makes him look like he’s very bad at thinking through decisions. You’re stranded on an island with a monster ape and ubiquitous leviathans, and your plan is to waste yourself and two precious grenades with your patented “Stand there and hope” maneuver?
Of course, they also did this with Superman at the end of Batman v Superman, in a Hail Mary effort to give us some reason to care. They did the same in I Am Legend, in which Will Smith sacrifices himself to maybe blow up some of the zombies, which is such a pointless act that the director’s cut has Will Smith not do that.
And remember Chappie, that Black Mirror episode, but with more decapitations? At the end of that, Ninja — played by Ninja of the rap group Die Antwoord — tries to sacrifice himself in dramatic slow motion, as if the movie is under the impression that we liked his character. He just spent two hours cursing and emotionally abusing a childlike robot. Sacrifice away, idiot.
If they want us to care, they need to scroll backward a few dozen pages in the script and write the character as someone we’ll either be sad to see go or happy to see redeemed. Oh, and the character needs to stay dead.
3
Making A Character Suddenly Badass (In A Way That Makes No Sense)
There’s nothing better than when a badass character gets a badass payoff. My boys in the Dragon Ball franchise are constantly training so that when the time comes, they can triumphantly punch holes through people. This is immensely satisfying because you, the viewer, get to anticipate seeing them use their skills. There is build-up. So it’s baffling whenever “badass” characters either get that way out of nowhere, or are assigned badass traits that don’t fit their progression at all, like if The Karate Kid ended with Daniel challenging Johnny to a snowmobile race.
Take Arya Stark in Game Of Thrones. A big point is made that she’s not built for swordplay. Her cranky travel companion Sandor Clegane points out that her tiny frame and flimsy sword is useless in a gritty fantasy universe full of giant men in armor. Thus, she learns how to work with poisons and magic disguises, leading us to believe that she’ll be pulling off some rad espionage tactics to fool bad guys who could crush her skull like an egg. Instead, within a couple of seasons, Arya becomes Jason Bourne Lite, shrugging off stabbings and doing sweet parkour. Later, she faces off in a practice duel with giant sword master Brienne and outmaneuvers her easily, smirking the whole time.
Regardless of the fact that she is never shown acquiring that level of skill, the problem is that this character is now superhuman and is in no way someone you can identify with.
Writers can’t resist this, even when a lack of combat training is the entire point of a character. This happens in the recent Death Wish remake, in which Bruce Willis, a surgeon, suddenly becomes a mix of Jigsaw and Rambo, all because he lost his family … and he’s a surgeon? This movie had a lot of problems, but at the very least, it could’ve made sense. I can’t claim to know what they teach you at medical school, but I sincerely doubt it involves target practice. I mean, not yet, anyway. But they couldn’t think of any other way to have him beat the bad guys.
And look, I love Harry Potter‘s Neville Longbottom, but the whole point of him is that he’s a clumsy, nerdy boob. He continues to be that for the first seven and a half movies, until his arc completes with him … cutting a giant snake’s head off in slow motion with a sword? Why? At no point in the series are we clamoring for Neville to be the guy who decapitates magic serpents. He’s shown as having talents — specifically, using magical plants — but all of that goes out the window because in the end, being a hero only means being great with traditional fighting techniques.
I’m not saying that Neville should’ve been watering the shrubs while Voldemort was attacking, but maybe give us something more in line with his character. He can be cool without being Conan. Hell, Breaking Bad spent its whole run inventing ways for a sickly chemistry teacher to defeat drug lords who are stronger and more well-armed than he is. They didn’t simply make him suddenly good at ninjutsu.
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Gritty “Realism” Is Conveyed Through Ceaseless Cursing
People curse in real life. They do it in the car, they do it in the bedroom, they do it when they’re in line at Gamestop and GODDAMN, RICHARD, THE TRADE-IN VALUES ARE NOT GONNA BE THAT GOOD NO MATTER HOW MANY “PRO” POINTS YOU HAVE, SO GET THE FUCK ON WITH IT, SHITLIZARD. But since lots of movies are shooting for PG-13 and network TV shows usually try to be family friendly, they have to keep it clean. When creators find themselves without those restrictions, they tend to go hog-wild.
So I get it, prestige TV dramas. You get to put on your HBO/Showtime Big Boy Pants, and you naturally want to curse a lot because Mom and Dad aren’t around to tell you no. But do so many characters absolutely need to do it like they’re auditioning for a Rob Zombie film? For example, the sister character Debra is the heart and soul of Dexter, considering the show reminds you at all times that the titular character lacks a heart and soul. But there are ways to illustrate that she’s deep and troubled other than peppering all of her dialogue with curses that make her sound as if she’s just discovered Urban Dictionary. You know, like actually giving her an important role on the show? That’s just my two cents.
It comes up in Game Of Thrones, which desperately wants to be Definitely Not Lord Of The Rings, and Boardwalk Empire, which desperately wanted to be Definitely Not The Godfather, or Deadwood, which desperately wanted to be Definitely Not Renewed For A Fourth Season. I love you, Deadwood. I live and breathe you, Deadwood. But holy shit, it’s hard to market a cowboy show, much less a cowboy show that constantly plays like a Greek tragedy and includes an errant dropping of “fuck” every six seconds.
Compare that (again) to a show like Breaking Bad, which was only allowed one or two F-words per season. When they come, they actually have impact. When Skyler reveals to Walter that she’s sleeping with her boss, it’s “I fucked Ted.” Not “I’ve been messing around with Ted,” or “I let Ted play on my slippery dulcimer, if ya’ know what I mean.” It’s a gut punch. The fact that, realistically, she’d probably say it that way is just icing on the cake.
Some of you might say that these shows use gratuitous nudity in exactly the same way (that is, because they can), but at least beautiful naked people is a selling point. Who’s out there saying, “Man, I’m not crazy about the plot of that show, but some of the cursing is amazing. It gave me a full erection.”
1
Geeky Characters Are Defined Only By Their Ability To Spout Pop Culture References
A lot of people in the world are geeks. Not me. I only talk about Digimon when I’m drunk. But a lot of people are. And you’d think that since “geeky” interests are so commonplace, we’d get more great geeky characters in pop culture. Characters that we see aspects of ourselves in. Sadly, what we do get are shows like Big Bang Theory, or characters like Steve Urkel from Family Matters, Ross Gellar from Friends, Morgan from Chuck, Noah from the Scream TV show, and about 75 percent of the denizens of Kevin Smith movies. These are characters who don’t make geekiness look fun. Instead, they drag it around like a cross, burdened by their own existence.
I would probably relate to more “geeky” film characters if the writers knew how to identify them as geeks without having them bleat like farm animals about Star Wars or Dungeons & Dragons. Either that or they’re like Spencer from Criminal Minds, who refuses to shut up about how his special, powerful, super computer brain works differently from the average brain. He’s supposed to be likable, but I’ve never met a single likable person who went into detail about how much smarter he or she is than most of the population.
It’s like they’re so afraid that we won’t get it unless they crank it up to cartoonish levels. The “funny” control room employee in Jurassic World wears a Jurassic Park shirt with the original movie’s logo on it. That’s great! It builds his character and it adds to the theme of the movie that you probably shouldn’t recklessly commodify prehistoric beasts. But he then explains why he wears that shirt and how much it costs and how much he loved the first Jurassic Park, and any chance we had of identifying with him goes out the window. If I buy a Spider-Man shirt, I don’t go around the mall asking people about their favorite Doctor Octopus moments; I just wear the shirt.
It’s so strange because you’d assume that most writers are themselves geeks, the ones who have to borrow clothes to attend a red carpet premiere and then are kept far away from the cameras. You have to imagine them toiling away on their sitcom pilot thinking, “Hmmm … what would a geek say in this situation? It’s so hard for a cool, sexy beast like me to put myself in their mindset. I know, I’ll have them suddenly speak Klingon.”
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Coachella 2017 All Access: Go Inside This Year's Star-Studded Music Festival
Bust out the flower crowns and inflatable swans: Coachella 2017 is finally here! Thousands upon thousands of music lovers are headed to Indio, Calif., to experience two weekends of nonstop tunes from a variety of artists. Lady Gaga, Radiohead, Kendrick Lamar, Lorde and Future are just some of the famous faces performing live to a sea full of people. For those who are unable to head out and experience the fun in person, there's always the Coachella livesteam. In addition, E! News is hooking you up with all the surprise guests, A-list parties and star sightings. Take a look at our All-Access guide updating throughout both weekends below. Coachella 2017: Star Sightings Weekend 1, Day 3: Sunday, April 16, 2017  Louis Tomlinson and girlfriend Eleanor Calder were spotted hanging out at the Revolve Festival party at the Merv Griffin estate in Indio, Calif. An insider told us they sat at a cabana by the pool, pouring themselves a CIROC and Red Bull drink. The former One Direction singer donned green flannel pants and a black shirt, while his on-again, off-again girlfriend opted for a plaid black and white button down and denim shorts. Though the couple didn't show too much PDA, they did spend a bit of time chatting together by themselves. Sofia Richie, Nick Jonas, Joe Jonas, Sophie Turner, and DNCE also attended the event. Nick was spotted smoking a cigar and holding a goblet of Moët champagne in his private cabana beside Tomlinson. He donned a head-to-toe army fatigue outfit and a tan baseball cap. Joe and Sophie sipped on fruity drinks and chatted with friends. Kendall Jenner also just attended the Revolve Festival party, sitting in a private cabana with Hailey Baldwin and a group of friends. We're told they stayed for about an hour, eating popsicles and playing with the mini squirt guns at the table. Kendall dressed casual in a statement sleeve shirt with jean shorts and a hat. They stayed for Migos' performance before heading out. Katy Perry and her stylist Johnny Wujek hosted the Katy Perry Footwear Collection Easter Day "Recovery Brunch" on Sunday, which came complete with a fluid IV drip station, neck massages and a make-your-own Bloody Mary bar. The singer hosted this party to promote her new shoe line, which she designed with Wujek. Katy looked ethereal in a white mesh midi-dress and a white two-piece bathing suit underneath, rocking her bleached blonde pixie cut and accessorizing with a stuffed, white Easter bunny purse. A source told us she arrived to the party around 3 p.m. and was surprised by a "drunk" Easter bunny who was stumbling around the party holding a bottle of Jack Daniels. She spent a majority of the time mingling with guests and taking photos. Stars like DJ Khaled, Kehlani, G-Eazy and Lorde all performed before Kendrick Lamar took the stage late Sunday night. The rapper brought out Future as a surprise guest to perform their collaboration "Mask Off."  During the performance, many stars were spotted in the crowd jiving to the music. Selena Gomez and The Weeknd watched the show together in the front of the artist guest viewing section. The "Starboy" singer wore a mask around his mouth, likely to protect his vocal chords from the dust, but at one point an onlooker tells us he moved it down to give SelGo some kisses. They kept their arms around each other all night, staying "very affectionate" as they sang along to Kendrick's songs. Selena Gomez's Best Looks Lana Del Rey and G-Eazy—who spent the entire weekend together, a source told E! News—were also spotted in the same area as SelGo and The Weeknd during Kendrick's show. We're told they came in the same group, but stood a couple yards apart as the rapper performed. An onlooker explained how Del Rey "danced like no one was watching" and sang every one of Kendrick's songs. We're also told she would occasionally look back and smile at G-Eazy before turning her attention back to the stage. Aaron Paul and his wife Lauren Paul also attended the concert with friends, "slowly trudging" out of the festival grounds after it ended. It was, indeed, a long weekend! Earlier in the evening, Katy Perry attended Lorde's performance and sat in the artist guest section. She was spotted "going crazy" during the "Royal" singer's final song. Weekend 1, Day 2: Saturday, April 15, 2017 Lady Gaga debuted a new song, "The Cure," during her headlining set. Katy Perry arrived about 10 minutes before the show started, with two friends. The singer watched the show while standing on a railing and was seen singing and dancing to all the songs. Wiz Khalifa was also in the special artist guest section and had his arm around a woman. They attended the show with friends. Lady Gaga's One-of-a-Kind Street Style Arrow star Stephen Amell and his wife stopped by Rachel Zoe's Zoeasis party, where Casamigos Tequila was enjoyed by festival-goers. "They are super cute together and said this was their first music festival," a source shared with E! News. "He's so in love with her, it's cute."  Victoria Justice, Olivia Culpo, Yara Shahidi and more stars were spotted at POPSUGAR's CFDA brunch and cabana club pool party. Guests enjoyed a performance from Daya and swag provided by Nordstrom, Ulta Beauty and Three Olives Vodka.  Leonardo DiCaprio, Orlando Bloom, Tobey Maguire and 50 of their closest friends arrived to the Revolve Festival party at the Merv Griffin Estate after 5:30 pm. The A-listers snuck in through the back, fooling the crowd of partygoers in the front. They were all smiles while sipping on CÎROC, Moet and Heineken with Russell Simmons at their private poolside cabana. Pac Sun and Chevy put on a Coachella party at the Bootsy Bellows Estate that featured Kendall Jenner, Hailey Baldwin and Ryan Phillippe.Ariel Winter, who also stopped by H&M's Coachella party, and Levi Meaden were also in attendance and displayed plenty of PDA.  During Future's set, the rapper decided to surprise the audience by bringing Drake on to the stage. According to an eyewitness, Orlando was super excited with the surprise and couldn't stop dancing and hugging his guy friends.  Katy, Orlando's ex, also watched Future's performance but the two did not appear together, a source told E! News. Both Rihanna and Lana Del Rey were also seen near Katy Perry in the same artist guest viewing section. Wiz and the same woman were also present, as was his ex Amber Rose, who stood behind them with friends, E! News has learned. Chris Pine was spotted ordering a whole pizza at a VIP food area. Also spotted there: Josh Hutcherson and a guy friend. Musicians Performing Live on Stage Leonardo, Orlando, Toby, Drake, Selena Gomez and The Weeknd, Amber Rose and French Montana were all spotted at the Neon Carnival party presented by Levi's Brand and Don Julio late Saturday night. Selena and The Weeknd walked hand-in-hand on their way to the portable toilets and he was extremely protective of her when a photographer tried to take a photo of them. The two were later spotted in a booth by the dance floor and left the bash around 4 a.m. Holding hands again, they made their way into an SUV, where The Weeknd helped Selena inside. Leonardo, who wore a baseball cap pulled low over his eyes, as well as a hoodie, hung out with Orlando, who sported sunglasses and a hoodie, and Toby at a VIP booth and danced with fellow guests. Both Leonardo and Orlando was also seen talking to blond women. Chantel Jeffries and Alessandra Ambrosio were also spotted in the area. James Francowas seen walking with a tall bleached blond woman to one of the carnival rides. They were also accompanied by a group of people. Drake arrived with an entourage of at least 15 people and partied until just before 4 a.m. Amber, who wore a colorful body suit, also attended the bash with a large group. According to a source, Rihanna, Katy Perry, Kristen Stewart and Stella Maxwell (among others) hit up the Jeremy Scott Moschino party on Saturday night following the festival.   After the party, the bad gal headed to Neon Carnival where she avoided both Drake and Leonardo. Earlier in the day, also was spotted watching Gucci Mane in a special viewing section at the Sahara tent and dressed in a head-to-toe glittery Gucci bodysuit—so, yes, Rih wore Gucci to Gucci Mane (because she's that bad). Weekend 1, Day 1: Friday April 14, 2017 After traveling through private planes, Uber rides and even a helicopter (we see you Sofia Richie), dozens of celebrities kicked off a jam-packed weekend. Tyga partied separately from Kylie Jenner throughout the weekend. On Friday, he hit up one of the parties put on by Velocity Black x 1 OAK, which kicked off its annual Coachella soirees with an epic mega-day bash called the Up & Down Desert Beach Party featuring cocktails by Absolut Elyx, D'usse, Red Bull and Budweiser. Paris Hilton, Rita Ora, Chanel Iman and Shay Mitchell were just some of the "curated" crowd that was treated to Zeel App massages, beats spun by Odd Future's DJ Taco and food by Catch LA. Poppy Delevingne, Jordyn Woods, Brooklyn Beckham and Russell Simmons made sure to stop by the day party as well. Selena and The Weeknd couldn't seem to keep their hands off each other throughout the day. The two watched performances by The Head and The Heart and Travis Scott.  Nicole Richie was able to enjoy brunch early in the afternoon while also celebrating the House of Harlow 1960 X REVOVLE Spring 2017 collection. Instead of hanging out with Tyga, Kylie hit up the PrettyLittleThing x Paper Magazine's party sporting a neon green hairstyle.  Later that night, Kendall played part-time DJ with Daniel Chetrit when the duo spun a set as Pizza Boys at Velocity Black x 1 OAK's second bash, this one being a late-night party Supermodels Jourdan Dunn, Hailey Baldwin, Jasmine Tookes and Georgia Fowler danced it out under the stars. Muse's Matt Bellamy, Jayden Smith, Odell Beckham, Nav and French Montana were also treated to Kendall's DJ set. The vibe was so hot even exes Rihanna and Drake both attended. However, a party-goer tells E! News they did not run into each other. "Rihanna arrived a little after midnight with a few friends. She and Drake arrived about an hour or so apart and did not chat at all," the source said. The Weeknd and Selena continued their PDA-filled Day 1 at the jam-packed party, too. 10 Music Festival Items That Will Make Your Coachella Instagrams Pop Before the sun went down, Hailee Steinfeld performed three songs at the Republic Records Hyde Away party including a cover of Ed Sheeran's smash-hit single "Shape of You." An eyewitness told E! News that the singer's rumored boyfriend Cameron Smoller was standing up front the entire time and singing along during the show. After the sun set on the first night at the NYLON Midnight Garden Party, an inseparable Joe Jonas and Sophie Turner looked very affectionate and had their hands all over each other, according to an eyewitness. The happy couple stood by the bar for a while waiting for their drinks yet block the way while they held each other and talked closely, sneaking in kisses. Nick Jonas, Shay Mitchell, Richie and Amber also attended. More to come all weekend long!  For complete coverage of Coachella 2017, watch E! News Monday at 7 p.m. and 11 p.m.  (Originally published Friday, April 14, 2017 at 8:45 p.m. PST)
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